informing the gc of dracula’s recent activities

Insane to me that certain comic book creators who shall not be named dismissed Jonathan Harker as a "milk sop" and a boring character. White-haired avenger with ambiguously vampiric superstrength Jonathan Harker. Most violent and unhinged member of the vampire hunters Jonathan Harker. Ran at Dracula with a kukri knife without skipping a beat and then tried to climb out of a window to pursue him Jonathan Harker. "Like a living flame" Jonathan Harker. Calls his bond with his wife "the holiest love" and determines that if she becomes a vampire, even if Dracula calls her to his side, "she shall not go into that dark night alone" Jonathan Harker. You know. That one.

I'm following along with Dracula Daily and RE: Dracula this year! I've read the book a handful of times but haven't really ever drawn anything from it except for an Inktober sketch many years ago

Certified white haired anime boy Jonathan harker

Original coloring

I’m so happy it’s not just me this year defending Jonathan, like holy shit.

No, he doesn’t know what the hell the woman is talking about. Half of what she says is not even in a language he knows. He’s been primed to understand that this is a very superstitious region that believes in ghosts and ghouls and what have you, but he doesn’t believe in the supernatural, he just takes an interest in it. Nothing has pointed to anything being supernatural thus far, and as far as he knows, this lady is just very superstitious about traveling on certain days. But even still, he doesn’t brush her off, but he can’t excuse abandoning this job with “sorry boss, i couldn’t handle the locals being so cryptic”.

“Do you even know where you’re going?”

“No, I don’t, can you tell me what’s wrong with where I’m going? Is something wrong with the Count?”

“Whoops, I can’t speak German suddenly.”

This is what he’s dealing with.

The skeptics have knowledge that Dracula is a vampire and that this is a horror novel, so if a lady goes “it’s spooky” then they can just say “I would totally listen to her, pay out of pocket for the trip back home, and be promptly fired from my job”. It’s almost like it’s a book. Where conflict occurs. If y’all would like to write a story where Jonathan just goes home and nothing else happens, do it.

"Seven years ago we all went through the flames; and the happiness of some of us since then is, we think, well worth the pain we endured."

Although Dracula was published in 1897, some think that it takes place in 1893 because of the way the days and dates used line up. If that's the case, Jonathan Harker's epilogue, seven years later, would have been added around 1900. A new era bubbling with new change and new conventions. The story ends with Jonathan looking ahead to a new century filled with the unknown and being able to look on the past, despite its darkness, "without despair."

It's Wednesday my dudes! It's also been 10 days since we last heard from our Good Friend Jonathan Harker! Do we trust him to have stayed put that long? Did someone leave a window open? Will he have tragically died just before being reunited with his True Love? Do we expect a little thing like that to stop him? Is Hungarian Nun the new (old?) Nigerian Prince? Are the Girls throwing him a Batchelor Party? Can the Rule Against Perpetuities protect Mina from the consequences of possibly tesseracting her way across the continent in her ardor? Is Stoker likely to tell us?

For that matter... where's Mina???

"We saw in this a way of smoothing matters, so at Fundu, where the Bistritza runs into the Sereth, we got a Roumanian flag which we now fly conspicuously."

I don't want to make jokes in such tense entry where every step the crew takes is one step closer to confronting Dracula, but... where did they get this flag? Really from where? Because I don't think people were mass producing flags of their country in the 19th century.

So either both Jonathan and Arthur snatched the flag from a unsuspecting boat, or they straight up stole one. Which could be possible since romanian sailors are scared of Jonathan's appearance (with good reason).

@ibrithir-was-here my sincerest apologies.

In which little Quincey has been learning new words and connecting not-quite-right dots regarding family dynamics between the two resident Grownup Vampires with Long Flowing Dark Locks, Burning Eyes, Penchant for Sorcery, Possessive Personalities and suchlike. Easy mistake.

If you haven't been following @ibrithir-was-here's Dracula AU, Blood of My Blood, you're missing out on some peak undead family drama.

Us: Jonathan! OMG, bestie it's been forever!! Dish!!!

Jonathan:

seeing ppl go "lol jonathan why are you admitting you found them hot what will mina think of you when she reads it!!!" has me go "*shakes you* you are going against the thesis of the book!!!"

I know some of why is dependent on knowledge of future events, and so people new to Dracula Daily won't be aware of it. But to be honest, Jonathan admitting his attraction to the vampire ladies is so, so important to me. On several different character levels, even outside of the entire book proving over and over again that sharing knowledge is absolutely vital (and is also an expression of deep love/trust/support).

Let's just stick the quote in here for reference:

There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina's eyes and cause her pain; but it is the truth.

Firstly - he needs to keep an accurate record. This is his only place to speak freely, his only opportunity to be precise about what he is going through. It is vitally important for him to keep his sanity intact that he be clear and try to remain logical in this diary. We see him fact-checking again and again. We can extrapolate from other statements that he doesn't always mention everything he suspects unless he feels it relevant or possible to prove. For example, repeatedly noting Dracula himself doing things before ever getting around to voicing the theory that the Count has no servants (he collected evidence first, didn't speak his suspicions until they were proven). Or putting the crucifix above his bed and taking the opportunity to sleep elsewhere, thus pointing to feeling unsafe and possibly experiencing bad dreams in his own room (he mentioned what he does about it, but not the feeling on its own or whatever nightmares he may be having). Jonathan works very hard to keep his diary focused on a few things above all: what the Count/ladies are, what everyone does, what Jonathan observes or learns, his actionable plans. He of course expresses his fears and emotions at times in his diary, more than he can out loud, but never going all the way down the rabbithole of fear, hopelessness, etc. He tries to calm himself by sticking to facts (all the harder when something strange is happening), which is in itself a soothing process for him so that's helpful too. His goal is to make this diary useful to himself and to others, if he ever gets the chance to share it. There is a goal here.

And what that means, is that the things Jonathan writes in great detail are things that feel relevant to him. The entire encounter with the vampire ladies was extremely important. It revealed a ton of new information to him, as well as being a truly horrifying and traumatic thing to go through. Jonathan's feelings are as relevant as his observations/actions here, because both are directly affected by the presence of the vampire women. Jonathan can't move. He feels dreamy. He feels attracted to them. He cannot resist and in the moment a large part of him didn't even want to. These are all effects they are causing, at least to some extent. I know mileage can vary a lot on how much of Jonathan's attraction is just coming from him, but honestly, I can't agree with any version that doesn't have a natural attraction at the very least being exacerbated by supernatural vampire abilities somehow. If not caused or called forth by them in the first place. The way he narrates, with so much obvious fear and revulsion mixed in with the desire, makes that clear to me. He sounds like he doesn't fully understand his own feelings at the time, at least where they all came from or why they were so strong. It goes along with all the other symptoms he is experiencing, and the other abilities they demonstrate. And so, to keep his record accurate - it has to go in. He cannot leave it out. It might become very relevant later.

Secondly - Jonathan is honest with Mina, specifically. I love this about their relationship. I don't think it's so much 'I noticed they were attractive' that he fears might hurt her, because Mina isn't particularly shy herself about noticing both women and men as good-looking, and even admiring their looks while on a date with Jonathan (poor Pretty Girl in Piccadilly). He also called local women pretty in his first entry as well (though he did say "except when you got near them" so it felt a bit backhanded to me), so again it's not the noticing that's an issue either way. It's more that he felt actual desire to act on an attraction, or rather for them to act. This is unusual, this is a separate matter from noticing people are hot, this is something that comes much closer to cheating or at least wanting to, and he feels very guilty about it. There's no real sense that he is worried Mina will be angry at him, and there's no sense that he will ever outside of that one moment ever want to act on any attraction he feels for someone other than Mina (or someone Mina also approves of, varying depending on your polycula headcanons). I personally do kind of tend to view Jonathan as some form of demisexual so how much he even tends to feel attraction to other people is often a little wibbly to me, but that's kind of irrelevant for the point of this. We can also set aside the shared language of "kiss" between Jonathan and the vampire ladies, and how this may point to a desire to become available for being drunk from, rather than necessarily sexual desire specifically, even if that's the type of language used. With regards to Mina: he's not worried about being caught, because he is choosing not to hide. He feels bad talking about the attraction because it might hurt her feelings, but he'll admit to it regardless because it's more important to him to be honest with her. Jonathan hates hiding things from Mina. This actually becomes plot-relevant later on. Even when she herself expressly forbids him from telling her stuff, he feels anguished about it and is certain to ensure that records are kept which she can read later. He trusts her completely. Embarrassment, shame, bad behavior, or whatever else - he will still share that with her. The only times he doesn't confide in Mina are when he's trying to repress everything because he thinks he was crazy (and possibly may even have some PTSD-related memory loss as well), or when he and the other men are trying to make sure she isn't exposed to danger (which is wrong in several ways but this post isn't about that so I won't get into it), and of course when she tells him not to. Every single time he feels upset about it. So yeah, he's going to regret that she may feel hurt, but deliberately hiding things from her would be worse.

Thirdly - Jonathan admitting his attraction here is a huge comfort to Mina later on. I truly believe this. I've talked about it before actually, but let me try to rephrase a bit to keep it on the same post. By being open about his own attraction and experience with nearly being drunk from, he provides precedent for Mina's October 3rd trauma. It makes it easier (though obviously still not easy) for her to admit to the same kind of desire:

"I was bewildered, and, strangely enough, I did not want to hinder him. I suppose it is a part of the horrible curse that such is, when his touch is on his victim."

Mina never blamed Jonathan for expressing such thoughts. She wasn't concerned about the issue being another woman when she came to him in the hospital, and when she read his diary she never mentioned any hesitations or misgivings about this scene at all. But even if she had secretly felt upset before (I personally don't see her thinking that way at all, but for the sake of argument), I think that experiencing something similar would make her grateful for Jonathan's candor. In a moment when she's already feeling deeply unclean and complicit, Jonathan's earlier honesty here relieves her from a little bit of the guilt she is feeling. It lets her recognize her own lack of desire to stop Dracula as something he did to her, just like Jonathan experienced with the vampire ladies when he couldn't/didn't want to move away. It's possible even that Mina felt more explicit desire for Dracula's 'red lips to kiss her' but didn't feel comfortable saying quite that much - even if so, again Jonathan's account would be a comfort.

And having that account written down long ago means she has already internalized this. If Jonathan had kept it hidden only to try and ease her mind later, well... first off, Mina too might have kept her reaction hidden out of guilt. And even if she didn't or he told her then, a confession at that time wouldn't mean nearly as much or carry the same kind of weight, I don't think. It would feel like he's making excuses for her, like he didn't trust her enough to tell her earlier, just... bad stuff mixed in, which are all avoided by having Jonathan be truthful from the start.

The dead should stay buried

i am drowning in emails but jonathan harker takes precedence i’m sorry

SPOOKTOBER 2022 - DRACULA MAY 16

Oh, to be our dear friend, Jonathan Harker, in the presence of four sexy vampires ready to ravage him. I wish!

Yup just like the rest of tumblr, I’ve been reading Dracula Daily and it’s freaking awesome! I’m enjoying it way more than I expected to so I wanted to draw a few of my favourite scenes to start off this year’s Spooktober!!