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#Tearing At The Seams
holylulusworld · 6 months
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Tearing at the seams
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Summary:  Is your life falling apart?
Pairing: Andy Barber x fem!Reader
Warnings: angst, language, mentions of breakup, mentions of characters' death
Catch up here: The ring
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If you’re completely honest, your love was born under a bad sign. You met Andy shortly after he moved to town to forget about his loss.
It was a night of passion. A simple mistake after a drunken night with your friends.
Andy is not the guy for one-night stands and you, well you aren’t the kind of woman sleeping around. Not that this is a bad thing, though. Sometimes you wish you could divide love from passion.
Instead of moving on from a one-night stand, you tried to turn sex into a relationship. At first, it worked out. Andy was charming, and a natural caregiver. He tried to make you feel comfortable and happy all the time.
Most of the time you enjoyed his attention. But sometimes, he suffocated you with his love and attention. Andy tried to control all aspects of your life; afraid something could happen to you.
You accepted his possessive side, as much as you loved the soft and caring man.
Until you felt silence spread like cancer through your relationship. Andy pulled away, and you didn’t question his behavior. You desperately tried not to ruin another relationship. He deserved happiness, and you wished you could give it to him.
Even though, you were tearing at the seams long before the incident at the house.
It was all too much.
Being responsible for someone else’s happiness while you try to not show the person you are trying to make happy that you are falling apart.
It’s not his fault. Or at least not completely.
Andy wasn’t ready to move on. Not when you met that night. Not when he tried to have a relationship with you. Nor when you wanted to buy a house together.
You should’ve known better than falling in love with a man who’s still hanging onto the past. His heart is broken, and you are not the right woman to help him move on. A dead wife and a lost child. How could you ever help him feel more than responsibility for someone else…
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Another two months after your last encounter with Andy you tried to forget about the cute house you found. If you can’t have this one, you’ll try to find a nicer apartment.
Maybe it’s just not the right time to buy a house. Your finances aren’t the best, even though you try to save as much money as possible.
“Y/N?”
“Crap,” you flinch as you stand in front of the man breaking your heart. “Andy.” You clear your throat. It’s not the best day to meet him again. It was a long day, one of your co-workers got on your nerves, and on top of all that you spilled coffee all over your coat. “What brings you here?”
“I could ask you the same,” he tries to dismantle your anger with a warm smile. Andy takes your hand to squeeze it as if nothing happened between the two of you. “It’s nice seeing you here.”
“Uh-sure,” you glance around the area. How did he find you here out of all the places in town? “I was about to go home…”
“Hmm…” He nods and starts rubbing your cold hand with his gloved one. “You’re cold, and you forgot your hand gloves again.”
“Andy,” you sigh. “Please stop lecturing me. We are not together any longer. I’m not a child, and you are not responsible for me.”
“I was just worried—” he licks his lips. “Sorry. I shouldn’t have said a thing. You’re right but…” Andy covers your hand with his, “I still feel more than responsible for you, Y/N.”
“Sure,” you snap at him. “If you would let go of my hand now, I’ll try to find my car.” You look around the area again. Shit, you forgot where you parked your car.
“Do you want me to help you find your car,” Andy softly says, still holding your hand. “I know you are a little…forgetful sometimes.”
“Hey, it was only once that I misplaced my keys…” You grumble. “Or forget where I parked my car. I can find it. I’m not a child!”
“Please…I,” this time Andy sighs deeply. “I’m sorry…again. It’s just…I don’t know how to stop myself from worrying about you. I stop by your workplace more than once only to realize that I cannot pick you up.”
“Andy, you broke things up with me. I called, and came to your place,” you sniffle, and wipe your eyes with your free hand. “And you went on a date with that pretty blonde. This screams I’m over my ex. Don’t you think?”
“A date?” He shakes his head. “No baby. God, she’s my broker. I was…I… fuck.” Andy swallows thickly when you look up at him with teary eyes. “She helped me buy a house.”
Your heart drops, and you choke out a sob. He bought a house without you. A home he will build with someone else. Not you. Never you.
“Great,” you bitterly reply. “I hope you find the perfect little housewife you always dreamed of living with in your new house.”
You shake your head. For months you tried to move on from Andy only to feel the heartbreak all over again.
“No—no,” he hastily says. “I bought it for you. You know, the little house you loved so much. I was looking for a way to tell you how much I miss you, and that I was a fool. I never wanted to hurt you.”
“What? I—” You sniffle. “Stop hurting me, Andy. You left and…” you choke on tears. “You can’t come here and talk about a house.”
“Y/N,” he murmurs your name. “I bought it for you. If you don’t want me there, it’s what I deserve. You can do with it whatever you want. I came here today to check if they already repaired the broken window.”
“I came here to have a look at the house again.” You drop your gaze, ashamed to admit that you sneaked around the neighborhood to look at the house you didn’t get.
“I know,” Andy sniffles too. “You’re a bad liar, Y/N.” He gently cups your face. “I’m the dumbest and worst man in this world because I hurt you. I was scared to let go of the past. But I’m not afraid to admit that I love you.”
“Andy, this doesn’t make things up to me,” you choke on tears. “You broke me…and made me feel like I’m the worst only because I wanted you to take off your ring.”
“Y/N,” he softly whispers your name. “I know I don’t deserve a second chance. Just…please…take the house. If you don’t want my heart and love, the house is all I can give you…”
>> Trustfall
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My doll collection grows. . . (and is officially into TMA now!)
Hello Oliver!
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My TMA group for now:
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bee--eater · 1 year
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lil lyf doodle @rainbowstargazerlilies
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romanticizingacademic · 11 months
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missing
missing missing missing
tearing apart at my seams
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ladydragonkiller · 2 years
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@rainbowstargazerlilies KEEPS USING the word pegged in future chapters of the lyf fic
i know it has multiple meanings
i know its only been twice
i know that the dictionary definition of the word is "expected to do or be something, based on an assumption or stereotype or past behavior"
but have you considered the immense pyschic damage i take each and every time
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screaming--agony · 2 years
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Dear Diary,
I wish the nightmares would stop.
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sigmashuffle · 2 years
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Lil birdie told me we are getting a trailer...
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facelift90 · 1 year
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youtube
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commuterny · 2 years
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That Green stitch is so simple yet so crucial to these pants
Great job Rag n Bone
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nevertheless-moving · 4 months
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unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.
Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.
and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.
(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)
Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 
Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.
The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?
Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!
Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 
Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—
You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...
What—when did you lose—
I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...
So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.
And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.
When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.
Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.
It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.
Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.
Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??
the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.
Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.
FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?
“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.
Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)
And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.
Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.
Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 
Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.
Is mildly disturbed by the revelation.
Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.
It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 
Things REALLY become stressful after he rescues that carriage full of noblewoman.
What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.
I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.
So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.
Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.
Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—
well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—
and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?
i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”
Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).
But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.
Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.
And then the partners change again, the moment ended.
Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.
Hes almost excited when the first assassains start coming after him. It's like a hobby.
Everyone tells him he should get a hobby.
Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.
needless to say he ends up fired again, life under real threat after offending some high lord.
Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.
Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )
Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?
And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?
Opening drabble Vimes Vetinari Meta (Unwell) Scene from the Uberwald Grand Sneer
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buckttommy · 4 months
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two coworkers: *interact on social media*
me: but the way that this is the definition of love, the definition of intimacy needs to be EXPLORED like this is what it means to be alive i mean .... the inherent romanticism of a 🫡 emoji.... mind boggling. jane austen used to write about love like this
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haven't scribbled any Lights Out in a hot second!! take these two scribbles - i wanted to mess around with Wally's hair & try to make a rudimentary ref for him in the au's late stages
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Doll collection continues to grow, so. . .
Team No More Apocalypses group pic!
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(And that’s a Danny Stoker at the far right! Alive, with the circus, very traumatized, and also trans. He’s had a time of things in Tearing At The Seams. . .)
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bee--eater · 2 years
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i should post my art here more  anyway here is my take on rainbowstargazerlilies’ lyfrassir edda from their amazing fanfic
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veemimis · 6 months
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Idk what AINI game I played to get here
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ladydragonkiller · 2 years
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love the implications of this section @rainbowstargazerlilies
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it inspired me
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