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#THANK YOU SOOO MUCH FOR THIS ASK
zu-is-here · 4 months
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I miss soft and cute post!dc family
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his little big family ♡
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boeing-787 · 7 months
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Have you seen the nordstar 2019 winter universiade livery?
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I HAD NOT? HELLO? OUPPY PLANE
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obsessed look at the little tongue :p this livery appeals to me in particular. hwah.
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emoreooo · 5 months
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hey, I've been seeing your yuri au around recently, and I just want to say that in addition to your really nice art style, you're the only person I've seen draw fem!Kel and not:
-anime-girl-fiy Kel
-remove Kel's body hair
and I thank you for it. I have seen too many fem!Kels that are just the default anime girl body type with Kel's hair, clothes and skin tone, so seeing your take on fem!Kel is a nice breath of fresh air
THATT IS SO SWEET thankyou so much for your kind words !! 🥺 have aged up kel <3
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turnipoddity · 7 months
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are you aware that you are nourishing the entire chainshipping community... your work is so gorgeous. it's so powerful that it converted me. it made me see the light that is lawrence/adam.
oh my god
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Sad that the movies never created a Neibolt version of Ben. Probably because Ben could never be scary even if he wanted to
He really, really couldn't.
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Designs partially inspired by @sunshinereddie's amazing fic to build a home!
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boyfridged · 1 year
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
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this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
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so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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smimon · 7 months
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Omg omg 👀👀👀👀👀👀👀👀👀 pink dancers?!?!?!? Omg mattiiiiiiiiiiiiii. And a giant k but also mattiiiiiiiiiii and etel and kathri awwwwwwwwwwww. 👀👀👀👀👀👀👀👀👀👀Omg how would the cha cha cha performance work? Like piggy Train sure will not work, or poor matti is gonna be a matti pancake, the dance part on the leashes would remind me of elderly people with their teeny tiny dogs👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀. And the interactions with Tommy and giant k were nothing but cute adorable sweet and lovely 🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥹🥹🥹🥹🥹🥹🥹🥹🥹🥹💛💛💛💛💛💛💛💛💛💛💛💛.
Thank you for this message, it helped me stay motivated the whole day 😁😁😁😁 happy to know we share the same braincell hahha and thank you for all the kind words!!!! You're so sweet auuughgghghgd 🙈🙈🙈🙈
Anyway I could not ignore the vision of Matti pancake so now please have this bonus
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You can have your braincell back now 😌
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carefulfears · 9 months
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top ten mulder moments <3
DREAM ASSIGNMENT, UNHINGING MY JAW, ETC. buckle up babes!
1/ oubliette
all of oubliette really but there’s this one moment where he’s in the police station and he’s watching the video of lucy when she was 13 after escaping her kidnapper and she’s writhing around on the floor screaming and she can barely speak full sentences and she’s afraid of the light. and in the present day, she’s an addict living in a halfway house with convictions for drug possession and prostitution.
and he’s watching this tape and scully comes in and he says “it’s amazing she’s gotten anywhere in life” and scully says “by most yardsticks, she hasn’t.”
she has, though. she’s alive and she’s trying and she’s clean and passing her drug tests and she has a job. and that’s how he sees her, and that’s how he treats her throughout the episode. he tells her that she’s “the strong one” and he asks for her help and her opinion, he tells her that he just wants to know what she’s going through. he defends her to law enforcement and believes her when everyone else thinks she’s an accomplice. he weeps over her body when she dies, grieves the loss of her life.
it would be easy for him, as someone whose sister was kidnapped at the same age lucy was, to see her as a nightmare. she’s struggling and she’s traumatized and she’s an addict and a felon. but he doesn’t, he views her as hopeful, and you can tell that he respects her. he views her as having gotten somewhere in life, just because she’s still alive. and that more than anything really means a lot to me.
2/ paper hearts
in paper hearts when they find the 15th victim’s body and they think it’s samantha. and he’s standing there over it, shaking, looking down at what might be his baby sister’s corpse. what might be the end of the road.
and it might all be over, in this moment. he might not be able to search anymore, to hope anymore, to do the only thing he’s ever done every day for 24 years anymore.
and you just feel the crushing weight of it all, and then scully comes in with the lab results and says that it isn’t her. and he just buckles for a moment and takes a breath.
before standing up and saying, “it’s somebody though.”
it’s such a testament to his character to me, that he can’t sit in that relief for even a minute. it might not be his baby sister, but it’s somebody, and he grieves for them.
(not “somebody’s sister/daughter,” but somebody)
3/ one breath
the shot of him crying on the floor of his ransacked apartment.
he was offered a choice between staying there, waiting to see the bad guys, finding the only thing he’s ever wanted, the answers…and going to sit by scully’s hospital bed, when it might be the end.
and he left that apartment and held her hand.
as moving as that scene is, it’s the aftermath that always gets me. it’s the consequences. it’s the price that you pay for choosing to stay soft, the way that mr. x looks at him in this same episode and tells him that he’ll never win, he doesn’t have the heart.
so he walks away from the battle and comes back to the wreckage, and all he can do is sit down on the floor and weep.
(also if i think even a little about him giving scully the superstars of the super bowl tape, i’ll literally make myself ill crying)
4/ sein und zeit
when, after spending the entire episode obsessively insisting to everyone who will listen that the missing little girl is “not dead,” he says that they should just go home.
that they are not going to find those people’s daughter alive, that he is too close to this case to make a sound judgement, and that he wants to take some time away from work.
seven years after scully chased him into the street and yelled for him to “stop running after” samantha, and a day after she followed him into a hallway to tell him to not go looking for something he doesn’t want to find, the person whose “relentlessness” has kept him searching for nearly 30 years, just wants to go home.
he’s depended for so many years on the delusion, on the hope, on the belief that every child to go missing from their home is “not dead.” and now he stares at the ground in front of two people who love him, and admits to being wrong. to needing a break.
it’s one of the saddest moments of the series to me, but there is such an acceptance in admitting defeat, and it’s a subtle precursor to his decision in the following episode that he’s ready to know the truth about what happened to samantha. the delusion isn’t helping anyone. not him, not samantha, not this missing little girl. and it’s devastating and freeing at the same time.
5/ je souhaite
his genie wish. i have the softest spot in my heart for je souhaite mulder okay!! this is the mulder that called the jersey devil “beautiful” and ran through the woods to try to save it. the mulder that couldn’t bear to add to the soul eater monster’s suffering, even when it would’ve saved his own life.
i love that the first thing he does is ask the genie what she would wish for, just because he wants to know. and you can see how much 500 years of being a slave to people’s selfish desires has weighed on her, in the way she tells him that she would just want her days to be her own. to sit and have a cup of coffee.
i love that he tries to win at the genie wish, to save the world. tries to construct the perfect wording and all-encompassing fool-proof plan. throws around words like ending “tyranny.” and in the end, just deletes it all, and wishes for the genie to be free. that ending shot of her, finally her own person for the first time in 500 years, sitting having a cup of coffee, is one of my favorite moments of the series.
i love the lesson in this episode too, for someone who spends his whole life trying to make up for the fact that he lived when his sister didn’t, that he doesn’t have to figure out how to save the entire world. he can call his best friend and sit on his couch and watch caddyshack. but he asks the genie what she would wish for, because he genuinely cares, and he chooses to use his wish to give it to her, because he can do that.
6/ pilot
these tags: “this man is overflowing with reverent tenderness.”
the Moment™️ in his motel room…this is when you can see it. this is when both scully and the audience understand something. this is when it’s all over.
they’ve both been kind of concealing so much, behind sarcasm or professionalism. they really like each other. they want to trust each other. but she was sent to spy on him, to debunk him, and neither of them have any reason to believe it’ll be more than that.
when the power goes out and scully feels the marks on her back, she is just so scared. she is so young, and this is her first job, and she’s becoming exposed to things that she had never considered. when she walks into mulder’s motel room in only her robe, and then drops it, she’s afraid, and also acutely aware of her own vulnerability.
the way the camera hangs on his face (he’s the focus, not her exposure, what is he seeing?), in the candlelight, as she exposes her body to him and he just checks to make sure she’s okay.
what he’s seeing is her vulnerability, and he responds by both sheltering and matching it; he wraps her up and gives her the bed, sits below her on the floor. he tells her about sam. he tells her about what “matters” to him. and it isn’t something that he tells people, but anxiously walking mostly-naked into the room of your new assignment isn’t something that she does either, and he understands that.
it’s 2 episodes later in squeeze when scully makes her decision, she’s “on the side of the victim,” on the side of the vulnerable. but it’s a motel room in bellefleur where she learns what that side is, where that work is being done.
(related, conduit: the way that he shuts scully's concerns about him down, then validates them quietly, when they're alone. tells her what his life actually is. that it's "walking into that room," every day, feeling like maybe one day he'll open his eyes and his sister would be there. you really get the sense that he's never told anyone that before, but that it's something he turns over in his mind, something he's always aware of. he's saying: you're right, this is what i do, but i don't know how to do anything different. how am i meant to do anything different? it has always been this way. and it's the only thing that you need to hear him say to really get it. it's the only thing that scully needed to hear him say. this is the most vulnerable revelation that he ever makes, a month into their partnership. she never forgets it.)
7/ anasazi
just a little moment that i think about a lot is the way that after mulder sees his dad in colony and tries to hug him, and gets cut off with a handshake, the next time that he sees bill, in anasazi, he reaches out to shake his hand.
he notices everything, he internalizes everything, he only wants to give what he understands as wanted from him.
he knows that his dad does not want to hug him, and he still reaches to him first, offers that connection that bill is comfortable with.
(it always makes me think of the first time he met jackson. the way that the first thing he did after “my name is mulder, i’m your father. i know it must seem strange to you.” was hug him… “became a father while i was still a son,” or whatever the national said.)
8/ emily
you guys. you guys 🥺. this whole episode just really gets me so bad. the way emily is “shy” and doesn’t speak or really look at anyone, and the only time we see her smile is when mulder makes her laugh, as soon as she met him. him yelling at the doctor (i love that the show, through mulder, actually says the term “medical rapists.” like yes let’s call it what it fucking is!) and saying he wants everything that could help her. when emily's sick, and mulder instantly picks her up to hold her.
but the moment to me, the one that stays with me, is the very end. it's the funeral. it's when all is said and done. and scully asks...who could do this? who could bring a life into this world whose only purpose is to die? and mulder answers, "i don't know. but that you found her, and had a chance to love her...maybe she was meant for that too."
he looks at a person who was created to be used for other's gain, literally manufactured intentionally to suffer and then die, and he believes...maybe that's not all that she was meant for. maybe she was still meant to be known, to be found, to be loved. and they did love her.
(the way he shows up late to the funeral, but scully knows he's coming to get her, tells her mom she's going to ride back with him. the way he turns away from the casket, never able to look loss in the eye, but turns back so scully isn't in it alone. the way he brings flowers, like he brought flowers to the hospital when scully was diagnosed, like he stopped to bring flowers to missy's grave.)
9/ beyond the sea + lazarus
my father is dead (long live my father!)
y’all ever think about how sparingly and intentionally mulder says “dana”? y’all ever think about how she’d only ever been “scully,” to him, until “how are you, dana?” the day of her father’s funeral? the way she looked up at him, as he gently touched her cheek.
the first thing that scully does after her father dies, is tell mulder that she believes in a psychic. (“i thought that you would be pleased that i opened myself to extreme possibilities”).
the first thing that mulder does is sit down, lower himself beneath her, (he has done this since the motel room in bellefleur, the day they met), and look up to her to ask: “does this have to do with your father? you said that he didn't approve of you becoming an FBI agent. now, if being on the job now makes you feel guilty or uncomfortable or uneasy, i think you should back away. because if it’s clouding your judgment, you’re putting yourself in danger.”
(he is always listening, he is always more aware than people think. he perceives her attempts to “please” him as dangerous, or uncomfortable for her. encourages her to step back.)
when she starts to cry and walks across the room, she’s dana again. she’s not her father’s “starbuck,” she’s not mulder’s “scully.”
“dana…open yourself up to extreme possibilities, only when they’re the truth.”
in lazarus, it’s only 2 episodes later (2 episodes after “i’m afraid to believe”) when jack willis dies. (“along the way, there are other fathers.”)
mulder spent that whole fucking episode doing his lil tricks and tips and pulling out his lil experts trying to convince her that jack had been body-swapped, including the story about watches stopping at time of death. when jack dies, and all that’s left is the watch she had given him, stopped at the same time as his heart, she looks up to mulder for answers so softly.
and his response: “it means…it means whatever you want it to mean. goodnight.”
he spends his life begging for belief, but never at the cost of her integrity, her peace. he cannot be “pleased” by a forgoing of self, a forgoing of what she’s ready for.
(looking at this now, it also reminds me of irresistible, and the way that he told her that it’s understandable to be upset, to be affected. “i’ve seen agents with 20 years fall apart on cases like this.” it’s not because she’s young, it’s not because she’s inexperienced, it’s not because she’s traumatized. it’s because she’s human. and it’s good, it’s right.)
10/ redux ii
my favorite moment of this episode is when scully sees mulder through the window of her hospital room for the first time, and he plasters that smile on his face, comes in to sit on the bed and hold her hand and kiss her cheek. and she keeps trying to ask him about the conspiracy, about what happened at the pentagon, about who the inside man at the FBI is, and he just keeps quietly telling her that he's not there to talk about that. and she keeps pushing questions until he leans in to her and smiles and says... "hey, scully, how 'bout those yankees?"
hey, scully, it's not about that. for as many years as he's gone doing nothing but obsessing over conspiracies to anyone who will listen, he isn't there to talk about conspiracies. he's there to hold her hand, to keep that smile on his face so maybe she won't worry, to break down by her bedside as soon as she's asleep. he just wants to spend time with her. in reduxes, they aren't ahab and starbuck. they aren't charging forward or dutifully shepherding on. they're buckling in hallways. they're clinging to a hand through tears.
there is just no room: for their roles, for their pretenses, in the end. in this moment, he isn't the "mad captain" who cares about nothing more than the quest. he's the man who walked away from the fight so that he could sit next to her, who gave up all of his answers so that she could see her sister one last time. he's the man who "refused to believe" that she was dying, but still celebrated her birthday that year for the first time ever, just so that she would have it. and in that hospital room, at the end, through teary eyes and shaky smiles, it just isn't about anything bigger. she doesn't have to die as dutiful to the cause, for him to be there with her.
(the final shot of this episode is one of my favorites too. when scully is cured, she is going to live, her family is in her room celebrating with her, and mulder is crying alone in the hall.
these tags: "all his open love and loneliness and numbness and fear of loss. he's such a gentle man. he kills but he is gentle in his heart. he takes so many beatings and he listens quietly and has no shame. it's hard for him to play the games men play. this ending. he just found out scully is going to live. and everyone else is in there with her. and he has to sit outside. and it all hits him in one go. his sister. his parents. scully. his wasted years. his stupidity and arrogance. how many times has this happened to one of us. you grit your teeth and get through unimaginable difficulty. and then when it's all over you can't celebrate. it hits you on your own in a terrible way."
i always think of that. i always think of superstars of the superbowl. i always think of how ill-equipped and in-adequate we are, when it comes down to it, to deal with grief and trauma and loss. how "we bury our dead alive." and in the end it's "the best news" he ever could've heard, and that steady smile is reduced to sobs.)
honorable mention from paper hearts: i fear that i simply have to talk about him shooting roche in the head...did everybody see him shoot roche in the head? i thought him shooting roche in the head was lovely. you can watch it tear him apart, leading up to the moment. roche sitting in front of him, taunting him. how sure are you? you'll never know without me. but ultimately, he looks over at caitlyn, and he can't risk it. he had told caitlyn, "my name is fox, i'm gonna take you home." and then he did, even when ensuring she was found safe and well, meant sacrificing everything he'd been looking for.
the transition from that moment on the bus (roche's blood on the windows, caitlyn's screams, mulder's gun) to the walls of the basement office...the way the camera slowly pans over the UFO articles. the "i want to believe." the mysteries. all of that wishful thinking (as roche had said earlier: "it's like you think your world will be okay as long as you can believe in like...flying saucers") contrasted to the flesh and blood of the evil he's trying to escape. and, in the end, all there is left is one heart in front of him. one last victim that he'll never know the truth about, because he wasn't willing to risk the price paid for answers.
(and then scully says...but we will find her. how? "i don't know. but i do know you.")
honorable mention from oubliette: my top 2 episodes do be my top 2 episodes but there are few moments in this series that just make my heart sink to my stomach more than the image of mulder crying over lucy's body...that triptych line: "mulder who still grimaced at cadavers and cried over the bodies of dead women where most men she knew couldn't muster the wherewithal to appear disturbed."
lightning round appreciation for my favorite little tiny moments we don't talk about enough: casually giving his hotel key to the unhoused man in the jersey devil; holding kevin and telling him he knows he just wants his sister back in conduit; helping roland pick out a shirt to wear ("i think this one would look stylin' today, what do you think?") in roland; going back in for the kids even though he's afraid/had failed before, in fire; marty saying she "just knew" he would be at her sentencing, even though she couldn't see him, in mind's eye; taking scully to the liberty bell, after she complained about wanting a life outside of work, in shadows; when cassandra told him that reading news stories about him saved her life, because no one would ever believe her, until she found out about him, in patient x; telling skinner to get marita off the stand, "no. let her go," even though her testimony was the only thing that could save him, in the truth; telling off the sheriff in conduit who said it was "only a matter of time" before "something bad" happened to ruby because she "was no prom queen"; telling scully that he doesn't care if she comes with him or not, but he's not giving up on ruby "until they find a body."
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dollya-robinprotector · 8 months
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I love lya religiously ☹️☹️
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I migjtve drawn something wrong (your arts and pc's are very pretty!!)
What a cute little fellow you are~
Yes, yes you're all very welcome to join me! After all, we are in search of the prismatic tranquility offered by the Deity of pleasure. Great enlightenment and deliverance will be given at the touch of our fingers together. We shall embrace life to grant our wishes.
But be warned, once you've emerged into the flowers' blossom, there's no going out. No matter where you run, you will never truly escape my embrace.
That's the Nirvana of Amitābha Amidala~
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transbeeduo · 3 months
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i admire you so much you are so brave if i talked about my pregnant tubbo with tgirl tommy and nb ranboo baby headcanons on the internet i think everyone would kill me and id die 😭 but if this helps think about tubbo getting weird pregnancy cravings and ranboo having to travel all over the dsmp looking for his specific foods (or maybe its just mcpuffys for eleven days in a row) or perhaps tubbo having difficulty getting around the mansion with all the stairs and his sore ankles so ranboo massages his ankles and ranboo/tommy carry him around everywhere. imagine tommy pulling him around snowchester on a sled so they can hang out and tommys huffing and puffing and she looks like theyre gonna barf but hes still tugging the damn sleigh because he wants to hang out with tubbo. imagine ranboo curling up around him and kissing and nuzzling his belly and purring like a motor and talking/singing to the baby and tubbo gets all emotional because he thinks its really sweet and hes got pregnancy mood swings dammit. i think about them
GODDDD GODDDD THIS ASK IS ADORABLE I CANT STOP READING IT OVER AND OVERRRRR
Tubbo would for SUREEEEE have the WORST cravings i think. Bug sucked a LOTTT of energy out of him for such a little tiny thang so he was more often than not REALLY hungry. Which led to him having really strong cravings (specifically for things Endermen would usually eat a lot of during pregnancy, chorus fruit, silverfish [endermen eat endermites but ranboo cant exactly get those easily] and a lot of meat and berries) but for SUREEEE Ranboo would be bringing Tubbo whatever he asked for they were very keen on making sure Tubbo was doing okay and that he was comfortable and happy as possible. I LOVE THE IDEA OF THEM GIVING TUBBO MASSAGES…. Tubbo’d for SUREEE appreciate it dude was SORE as HELL the whole pregnancy and would carry Tubbo whenever he could (Ranboo’s REALLY strong from carrying big grass blocks everywhere and it was incredibly easy for them despite Tubbo’s extra weight gained from pregnancy) I think they’d try and allieviate Tubbo’s pain wherever he could. ALSO THE IDEA OF TOMMY PULLING TUBBO AROUND IS SO CUTE she wants to help out but doesn’t want to look like it’s helping so it complains and says that he’s only doing it to hang out with Tubbo wagghhhh
ALSO THE THING ABOUT RANBOO CURLING AROUND TUBBO’S BELLY AND PURRING AND HUMMING AND KISSING AND TALKING TO IT IS SOOOO FUCKING REALLLLL IM GONNA WAIL AND SOB i think they LOVEEE curling around Tubbo and cuddling up to his womb to hang out with Bug,,,, literally thats their baby that’s their little babu :((((((( i think that will almost without fail calm tubbo down when pregnancy gets particularly rough and he’s freaking the fuck out over it… a reminder of why he wanted this in the first ppacd WAAAGH
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amartworks · 2 months
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Hey. Fuck you for having such a cool species as the Rex. When I first saw them, I just thought they looked cool. Then I learned they could not only swim, but fly by heating hydrogen in their lungs, which like. Ok that rules. And they can photosynthesize to grow enormous because theyre descended from plants? not fucking fair. Ungodly amounts of cool. Well done.
Thank you for the wonderful comment! I love to hear it! The Rex are some or such ten years old now and way too developed compared to my other species. I love biology but lack the brains for math, so this is my way of exploring concepts in nature. Most of which works through the amazing properties of "don't worry about it."
It’s also much easier to draw little creatures than drawing story scenes. If I ever turn Rainmaker into a book or story there will be an accompanying lore bible explaining how all animal life on Ku (Rex homeworld) descends from plants.
If Rex were Earth creatures, we'd probably class them as cyanobacteria.
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skeletalheartattack · 9 months
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someone found a boe at a costco
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💥✨HOLY SHIT✨💥
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asktheisle · 4 months
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(( cont. from this post from @ask-no151))
[Rare pokemon weren't uncommon, so Nat didn't have much of a big reaction from being approached by a Mew.]
[Their excitement and giddiness grew as they did a quick flip-through of the book's contents. There was a time they would've had many books like this one, unfortunately now either collecting dust in a region far away or disappearing into the lives of others. This was a reset point, a sign to grow and move forward.]
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[When it came to the pendant however, Nat became fully entranced by the details. How much work had to be done to get all the little details on the thing? They held the pendant up to get a better look by using the sun's light as they twisted the chain in their hands, watching how the blue gems caught the light and bent the reflections of the surrounding cave.]
I'm almost afraid to wear this, but I will though! These mean the world to me, thank you so so much.
[These were definitely going to be taken care of, without a doubt.]
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zelda7999 · 1 year
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All of the doodles for the Palette challenge! :D I enjoyed doing these immensely, they are a lot of fun!! 
You can find the post for the palette challenge I did: here! 
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pink-anonymous-person · 6 months
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Does YBG Peter know about Fnaf?! What would u think Peter favorite Fnaf character is? Also It be really cute to have a little crossover with Fnaf cause im been a trash of that fandom since I was 14 XD ( Also I hope I'm not pressure u I love you and account so much!!! 💖💖💖💖💖💖💖💖)
ah, a fellow FNAF-enthusiast! it’s a great game isn’t it? the fan content and theories are always interesting to me :D oh and the memes too lol
i think Peter knows about FNAF franchise especially the movie. i’m guessing his fav FNAF character is Glamrock Freddy because of the protective dad energy. he even find the character to be very charismatic and silly in a good way.
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and yeah for sure! I i love this request / suggestion. im not the best at drawing animatronics or robots but i did what i could XD
also fun fact Peter is 6'5 and i think Freddy is around 6’0?? dude is taller than the animatronics
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insomnya777 · 24 days
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UM i just read your boat boys hero/villain au and i left a comment there aswell but i also wanted to come here and say how INCREDIBLY GOOD it is. I was literally vibrating with excitement the whole time i cant wait to read moreeee when u write it!!! Its so funny and heartbreaking and literally every character is amazingly written, i love Gem smmmmm that betrayal UGH. Thank you so much for writing it. It’s incredible.
Anyways i also wanted to ask what Jimmy’s powers are/if he has any? No pressure to answer this/feel free to ignore if this is yet to be revealed!
have a nice day!
OMG TYYYY i'm sososoososo glad you're enjoying!!!!!! jimmy can breathe underwater and control water! if you ever saw the mako mermaids show, that's basically him without the mermaid part LMAO. i chose it because of the whole codfather arc in empires s1 even though that's technically not canon in the au, i just thought it would be a fun little nod to the series!!
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