"It is the things we love most that destroy us."

WHY IS THAT THE MOST MESSED UP BUT ROMANTIC THING I HAVE EVER HEARD?

(Don't like don't read. Post hate and I'll block you)

i think it'd be fun if while the master was on gallifrey and messing around in the matrix he found about abt the confession dial. not the sanitised story that twelve might've told missy during the vault but the actual real 4.5 billion years of the time lords using twelve's own will and testament as a torture chamber story. and he loses it. and he burns gallifrey. except he can't ADMIT that's why he did that he'd look SENTIMENTAL he'd look like an IDIOT so instead he makes up a story about how he found something in the matrix something so horrifying and awful and unbelievable that he HAD to destroy the time lords. and then thirteen ends up on gallifrey and digs a little deeper than he had and manages to reconstruct some of the missing files and when she runs back into him she's like i finally found out why you burned gallifrey and i can't believe they did this to me i can't believe they wiped my whole life and experimented on me and built the time lords from my stolen dna and the master's like yeah while mentally he's like hm i'm sorry they fucking what

sssstop!!!!!! assuming ganondorf is a rapist random youtube videos I'm literally eating my own fingers and swallowing the bones whole like one of those weird birds aaaaaaa!!!!!!!!!

Hold on something's just hit me.

If everyone in the Plex were to believe that Gregory dropped Cassie at the end of Ruin to keep himself from being found, whether he did it or not, wouldn't that make Roxy to one most able to understand him?

As Mimic's guard dog, surely she would know the lengths you have to go through to keep that fucker trapped. A whole team of Raceway construction workers went straight to their deaths down there. Roxy won't let the Raceway be repaired and re-opened in order to keep people safe. She's probably been able to see Mimic and its victims through the floor this entire time, she knows what it can do and what it's done, even if she doesn't know the full extent of it.

She's willing to sacrifice her Raceway and Salon to keep people from finding Mimic. Her pride and joys, basically her whole reason for being built in the first place. They're not worth the risk to her.

Whether Gregory sacrificed Cassie to keep Mimic trapped or not, surely Roxy would realise some sort of similarity. She may think doing that to Cassie was too far, she may think he's a monster for even considering it and she may feel as though nothing could justify what he did... But there's a part of her that gets it. The absolute terror that comes at the slightest possibility that Mimic could escape. She gets that sacrifices have to made, fuck she's made those sacrifices herself. She would never have sacrificed someone for this, that's why she ran headfirst at Mimic instead of just sealing the exits again, but there could be that tiny little part of her that feels the need to constantly to remind her that Gregory was trying to do the same thing she was.

The key difference here, is that if Gregory had done it, it would fall in line with almost everything else we've seen him do. The sacrifices he makes, are of other people, and not himself. He sacrificed Roxy, Chica and Monty to upgrade Freddy for his safety and possibly the safety of Vanessa. If he also dropped Cassie, then he's once again sacrificing someone else for the sake of his own safety. Not like he has that much else to lose, but I'm drawing comparisons here.

Roxy on the other hand, sacrifices herself. She sacrificed her Raceway and her Salon for the benefit of both herself and others. Unlike Gregory finding himself in a hopeless situation and hurting others to get out of it, Roxy was given this job (probably) and chose to give up what little she has in the world to keep the situation from happening. Even when Cassie deactivates her and ends up face to face with Mimic, Roxy jumps straight at it to buy her time to escape which could have easily killed her.

So now you have Roxy, who unfortunately does understand Gregory's choice to drop Cassie (if she believes he did it which yeah she probably does) but has absolutely no sympathy for him. She couldn't care less about him. There's potentially a fearful little voice in her head that she's the same as Gregory that fuels her anger towards him even more. She hasn't ever sacrificed someone else to keep the Mimic at bay and she's been doing it for fuck knows how long, what gives Gregory a free pass? Maybe if he hadn't stolen her fucking eyes she would have been able to stop the whole thing from getting that far anyway!

I'm not saying this to frame Gregory as a villain or anything. I don't think he dropped Cassie and I still think it was entirely Freddy's fault for what happened to the others in SB. I just think this is interesting from a character stand point. The one person that could understand the choices they've made to keep Mimic from escaping is each other, but they're both too hateful of each other for it to affect anything... If they were ever to settle their differences, I think it would have to start here. The only common ground they share, is the one thing no one else does.

But Gregory didn't even fucking do it so I bet that goes well lmao

whatever og text i had in mind for this post about ko shibasaki looking like sayama in this movie is completely cancelled on account of utsumi (this character)'s first name being kaoru and i only found this out cause i was looking up her name just to be sure when making this post

like jesus christ i legally have to make this post now

Having finally read the Nimona comic (it’s very good, everyone please go read it) I can’t help but find describing it as being about the power of incredible violence to defeat an authoritarian state, as I've seen done, to be both kind of misleading and ultimately reductive to the story as a whole.

Yes there is incredible violence in the comic and it was in the end what tore down the corrupt system, but it was also Nimona's downfall, destroyed her relationship with her only friend (and led to her (temporary) death by his very hand as he could no longer stand by her and her actions, even as he never judged her, recognized her role as a victim and tried to save her until the end), put countless civilians in danger, and ultimately did little to nothing to address how to actually fix the problems of the system to keep them from returning. In fact, Nimona as a character shows little interest in fixing anything. She suggests killing the king and having Ballister take his place, despite Ballister neither wanting this nor having the experience to pull it off (and would, in fact, only result in replacing one king with another rather than lead to an entirely new system, as is often the case with bloody uprisings). When people start dying from the illness they spread, Ballister wants to immediately stop it; Nimona suggests they let more people die to further rile up hatred and anger against the institution. Nimona isn't a good guy looking to save people; she's an angry, hurt girl looking to hurt those who hurt her and those who have the potential to hurt her in the future (even when Ballister is one of those people). She is the villain the state turned her into.

And that is kind of the point I see the story making. Not 'you need incredible violence to tear down an authoritarian state' as something good and celebratory, but rather 'an authoritarian state will ultimately lead to its own downfall by creating monsters of its own making, and while said downfall is needed the fact that it has to happen at all is deeply tragic because there are no winners here'. Nimona isn't a villain-villain (the true antagonist is obviously still the Institution), but she isn't a hero either. She's a tragic figure with a tragic end that the state brought upon itself by mistreating its people. She doesn't stick around to help rebuild and heal, and she doesn't (to our knowledge) get to see her home become a better place. It's a bittersweet end where the very person who tore down the oppressors is too broken to enjoy the end result. It isn't a story about rebellion, it's a story about the inherent and justified self-destruction of authoritarian systems.

(Writing it out like this, I realize that, thematically, it’s very similar to n.k. jemisin's broken earth trilogy, which you should all also read because it is incredible and not very friendly to authoritarian states.)

it honestly frustrates me when i see people reduce the ericsons cast down to "just some teens in the woods" acting like theyre no different than any other group of lone teenagers from other existing properties and treating them like an overused trope

it is sooo important to acknowledge the "troubled youth" aspect of the whole equation. theyre not just some random teens in the woods clem stumbles across. these kids were abandoned by their families for their various "difficulties" and fucked up by The System before the outbreak even began. and then once zombies started roaming the streets their familes never came back for them and the adults that were in charge of taking care of them just left them there to rot in that old boarding school (except for ms martin who was like their lee 🥺 the only person who ever saw them as the scared traumatized kids they were and died protecting them)

the whole aspect of them already being fucked up by the adults that controlled their lives is like.....kind of important when discussing the whole "delta is stealing kids to force them to fight in a war they have no real part in and want nothing to do with" aspect of the season. and its important when comparing them to clem and her journey of also suffering at the hands of the adults around her forcing her to become self reliant. AND its important when discussing the "just trying to build a safe home (and future) worth fighting for in this world that wants them dead" aspect of the season as well

these kids were forced to come together to survive. and a Lot of them didnt... theyre the only family they have left and you can tell that even when they argue with each other theyre still a close knit group who looks out for each other. theyre a Real family before clem even gets there (and its why what really happened with the twins and brody and marlon hits them all so especially hard)

all of this is what REALLY makes ericsons such a perfect home for clem. its a Real community of her True peers. theyre not Just teens. they mightve had a layer of safety clem never had by at least having walls to keep them safe. and having the benefit of the school being hard to find. its the only reason theyre still alive when clem shows up. but theyre also some of the only people who can Truly understand where clem and aj are coming from. and its why it hurts so much when they vote to kick them out. but its also partially why she merges back into the fold so easily when she returns. plus the fact that shes Really the only one who has any idea what shes doing. shes their rock and she makes them feel safe because underneath it all theyre still just those scared traumatized kids ("EVERYONE is scared, clem..." vi was Definitely including herself in that 'everyone'), and on some level, so is clem

they saved clementines life. and she saved theirs. "the school was supposed to help them with their trauma, now they help each other" its about the LOVE the COMMUNITY the SUPPORT!!!! and thats the shit that makes good zombie media honestly 👌

im gonna say it. the only people who genuinely think willow "forgave" amity too quick are all under 17 years old

perona inspired by @onepiecefashion :]

[ID: a pencil drawing of perona from one piece, in a cartoon style but more realistic than canon. she wears a black valentino minidress with a velvet heart at the bust and ruffles at the hem. it is accessorized with black fishnet stockings and black high heels with red roses and black feathers near the ankles. persona has a clutch bag, but the original model does not. perona is standing with her weight on one leg and her hand on her hip. she wears twintails in large ribbonlike curls. the second image the original model in the same outfit. end ID.]

shakes you by the shoulders. Kazuma chooses to stay with Bisha instead of going to the afterlife to be with is family, but promises he would go to them one day. what does it mean in the context of him equating his position in life with Hiyori, who said farewell to her family to go be with Yato, but then promised she would see them again no matter what. Hiyori, whose grandma chose to go to the afterlife to be with her husband, and told Hiyori to follow her own heart as well before it’s too late. Hiyori, whose spirit can’t return to her body as far as she knows. I’m terrified

The sentence “Mark Johnson and T’Pel are here again, sir” becomes every Starfleet admiral’s worst nightmare.

Do you ever read a book and realise how it's going to make you exponentially worse

after this

the chapter then ending on this

has me big time feeling like. this.

I like to think every chance she gets, Sigewinne holds Wriothesley’s hand. Both bc of touch starvation, but also out of fondness. She’s so proud of who he’s become since he’d first set foot in a then much crueler Meropide and of all the changes he’s made; he is her very best friend, damn near family.

The handholding gets a lot more frequent after the incident with the Primordial water, as a reassurance to herself that he is alright.

I've spoken briefly about this before and, again, it's usually something I leave in the little details of Charlotte's portrayal, but it's really been on my mind lately so I wanted to write out some of the prominent traits that continue to establish that, despite having gradually accumulated more experience, capital, and property over the years, Charlotte remains coded as working-class. It is crucial to both the narrative itself and her actual existence as a vessel for the primordial void, also known as Khaos. This means that she still has no ( legal ) credit cards and continues to thrift almost all her belongings, including her clothes, books, and furniture ( with the exception of shoes and appliances.) If you are someone who regularly meets up with Charlotte, you might begin to notice ( if you are perceptive ) that while she may be variably early, right on time, or show up in some unexpected state, she is rarely ever late and certainly never without a legitimate reason as to why. It is also not uncommon for Charlotte to juggle multiple jobs at the same time, and the only time she'll agree to a single job, at the exclusion of all other work is if she knows that that one job will be worth it. Related to this is the fact that Charlotte has a very hard time saying no to job offers; it's a habit ( read: stress response ) she is trying to unlearn, but it continues to be a struggle. Lastly, despite having successfully taken on leadership roles in the past, Charlotte expresses a strong dislike for being consigned to a "boss" role as she still much prefers to be hands on, in the action, at risk rather than sitting back and letting others do the work. She becomes restless if she finds herself "at the top" or in the position of too much obvious power; recall the adage about how it is lonely at the top, and how isolation is not something that the void's vessel can allow. She needs to be among people; she needs to be present to catalyze chaos. That being said, this doesn't mean that Charlotte simply allows herself to be treated or thrown away as a mere lackey or just another body, but that is still part of the struggle, isn't it?

i finally understand what got fans went hrough when i watched fiona and cake (spoilers in tags)