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#and fucking HELL they both get it.
monty-glasses-roxy · 3 months
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Hold on something's just hit me.
If everyone in the Plex were to believe that Gregory dropped Cassie at the end of Ruin to keep himself from being found, whether he did it or not, wouldn't that make Roxy to one most able to understand him?
As Mimic's guard dog, surely she would know the lengths you have to go through to keep that fucker trapped. A whole team of Raceway construction workers went straight to their deaths down there. Roxy won't let the Raceway be repaired and re-opened in order to keep people safe. She's probably been able to see Mimic and its victims through the floor this entire time, she knows what it can do and what it's done, even if she doesn't know the full extent of it.
She's willing to sacrifice her Raceway and Salon to keep people from finding Mimic. Her pride and joys, basically her whole reason for being built in the first place. They're not worth the risk to her.
Whether Gregory sacrificed Cassie to keep Mimic trapped or not, surely Roxy would realise some sort of similarity. She may think doing that to Cassie was too far, she may think he's a monster for even considering it and she may feel as though nothing could justify what he did... But there's a part of her that gets it. The absolute terror that comes at the slightest possibility that Mimic could escape. She gets that sacrifices have to made, fuck she's made those sacrifices herself. She would never have sacrificed someone for this, that's why she ran headfirst at Mimic instead of just sealing the exits again, but there could be that tiny little part of her that feels the need to constantly to remind her that Gregory was trying to do the same thing she was.
The key difference here, is that if Gregory had done it, it would fall in line with almost everything else we've seen him do. The sacrifices he makes, are of other people, and not himself. He sacrificed Roxy, Chica and Monty to upgrade Freddy for his safety and possibly the safety of Vanessa. If he also dropped Cassie, then he's once again sacrificing someone else for the sake of his own safety. Not like he has that much else to lose, but I'm drawing comparisons here.
Roxy on the other hand, sacrifices herself. She sacrificed her Raceway and her Salon for the benefit of both herself and others. Unlike Gregory finding himself in a hopeless situation and hurting others to get out of it, Roxy was given this job (probably) and chose to give up what little she has in the world to keep the situation from happening. Even when Cassie deactivates her and ends up face to face with Mimic, Roxy jumps straight at it to buy her time to escape which could have easily killed her.
So now you have Roxy, who unfortunately does understand Gregory's choice to drop Cassie (if she believes he did it which yeah she probably does) but has absolutely no sympathy for him. She couldn't care less about him. There's potentially a fearful little voice in her head that she's the same as Gregory that fuels her anger towards him even more. She hasn't ever sacrificed someone else to keep the Mimic at bay and she's been doing it for fuck knows how long, what gives Gregory a free pass? Maybe if he hadn't stolen her fucking eyes she would have been able to stop the whole thing from getting that far anyway!
I'm not saying this to frame Gregory as a villain or anything. I don't think he dropped Cassie and I still think it was entirely Freddy's fault for what happened to the others in SB. I just think this is interesting from a character stand point. The one person that could understand the choices they've made to keep Mimic from escaping is each other, but they're both too hateful of each other for it to affect anything... If they were ever to settle their differences, I think it would have to start here. The only common ground they share, is the one thing no one else does.
But Gregory didn't even fucking do it so I bet that goes well lmao
#fnaf security breach#roxanne wolf#fnaf gregory#fnaf ruin dlc#I'm just thinking here#if Gregory DID do it that would be a fun direction to take this#Roxy so fiercly protective of Cassie and so angry and hurt by Gregory but god fucking damn it she GETS it and she's MAD about it#if he didn't then like. she won't believe him anyway#can you IMAGINE that though??#roxy and gregory end up talking somehow. it's angry its painful and it blows up#they're both crying they were both on the same side that whole time and had just gone about it differently but so similarly#and fucking HELL they both get it.#Mimic scared the shit out of BOTH of them and they were both willing to do whatever it took to stop it#Cassie was Gregory's FRIEND and he felt he had no choice. she was all he had to give whether he liked it or not#Roxy had more to give but her attraction is her life. She was built for the Raceway everything about her and her identity ties back to that#and she felt she had no choice either.#in a way I suppose they both gave their hearts to Mimic. the things that make them who they are were the only things that would do#Gregory's closest and possibly ONLY friend. the only true connection he still has in the outside world.#and Roxy's entire life's purpose as the Pizzaplex's resident racer and hairstylist. the identity she was born into was too risky to keep.#they destroyed huge parts of themselves with their own two hands for the greater good and they did it alone.#what else could they have done?#if they ever came to an understanding about this they wouldn't be able to tell anyone#how can Roxy emphasise with Cassie's would be murderer?#how can Gregory emphasise with someone that would be Freddy's murderer if she didn't think it'd upset Cassie?#I don't think either would sympathise with each other... but I don't think they'd need to#someone else that gets it even a little bit is probably all they want#they stil hate each other after all! they just understand each other more than they might be comfortable with#anyway I'm fucking shattered goodnight lads
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originalaccountname · 3 months
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Dazai, in Fifteen, described the act of living as "we breathe, eat, fall in love and die". Through that statement and a few subsequent incidents, like telling Oda planning someone's death was romantic, flirting with nearly every girl he sees, and his fixation with finding someone to commit a lover's suicide with, we can conclude Dazai is a deeply romantic man. Therefore, the REAL tragedy of soukoku as a pairing is that Dazai is a very romantic individual and will not, cannot let those feelings out with Chuuya of all people, due to the mostly antagonistic nature of their relationship. In this essay, I will-
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firelordhotman · 2 years
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“disability isnt a competition or something you have to Prove is Bad Enough to deserve being taken seriously” and “some people are objectively more or less disabled in certain areas than you are and that isnt an attack on you” are two concepts that yall absolutely MUST allow to coexist. im so tired
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rustedhills · 4 months
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Disney, releasing Wish: "so it's all about legacy--the new generation surpassing the old, overcoming the evils perpetuated by them, relinquishing singular power... and there's an old man in a tower, uh... animal sidekick, i guess..., ah... magic...?
Miyazaki, just out of frame, sledgehammer raised:
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3x10
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a-sketchy · 3 months
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persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”
like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”
and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea
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hecksupremechips · 2 months
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Akihiko becoming a cop is something that simply doesn’t happen in the coma route cuz Shinji would see that shit and be like Aki what the actual hell is wrong with you
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mamawasatesttube · 3 months
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superboy (1994) #92
kon having a real normal one about his boy best friends during his fucked up nightmare sequence ♥
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0fps · 10 months
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BLADE ❖ death approaches until your sin is cleansed, my vengeance will pursue you
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cherry-bomb1985 · 12 days
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I feel like The Father and Hell both understand and experience love in all the worst ways.
The Father sought to create a life form that would follow and love him unconditionally. It wasn't enough that he had a great cosmic kingdom of angels who are unquestioningly loyal, no, he needed something that knew suffering and mortality and the threat of oblivion, and would still find love at the end; love for him above all else. But after numerous implied failures at that, in his desperation, he instead created the threat of eternal damnation to force them to love him in order avert that fate. Lucifer's words must have been like a splash of cold water, but by the time he realized sheer magnitude of suffering he had unintentionally set into motion, it was too late. He could not destroy Hell; he could not stop the cycle of violence.
That guilt drove him to seek a death that, from the looks of it, eluded him in spite of the hollowness consuming him. And now he is... somewhere, helpless to stop his experiments from consuming one another and themselves in a glorious show of blood and violence.
And then there's Hell itself, who seems to recognize love as an act of violence and cruelty. It is something that derives joy only from the suffering of other living creatures. God gave it so many toys to hurt and break and reform, and Mankind gave it new ones. Why would it understand love as anything but? It gave Minos a facsimile of the son he is most ashamed of, and delighted when he cast it, once more, into a labyrinth. Gabriel flattened all the souls within it's confines beneath his heel and gave those that did bend false hopes.
Now there's V1, tearing its way through the remaining layers and creating a spectacle of violence like nothing Hell has ever witnessed before. How could it not love them all for all the entertainment they've provided?
But deep within its recesses, hidden away from the eyes of Heaven, there was a Gutterman. A machine built for war, who eventually came to love that which it gave it life at the cost of their own. Enough to give the human welded within their coffin the mercy that both Heaven and Hell had denied them; enough to write a single love letter to them, even knowing that it would never be read by its intended recipient.
So, as things turn out, you /can/ teach a machine to love. And they will understand and experience it more sincerely than God or Hell ever could.
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tuff-ponyboy · 4 months
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when soda said "you end up like dallas. not dead, but like how he was before. and that's worse than dead" like damn.....i mean he's right! but damn
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oh-allie · 3 months
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guys are we thinking that, cause its been confirmed that demons CAN be redeemed (with sir penis) are we thinking that adam is in hell now ?? I ACTUALLY REALLY HOPE SO 💔 he was too cunty to die <\3 he is THE dickmaster, THE misogynist, THE man, and his nuts DID create all of humanity 🙁
well he mightve been the first dickmaster but lucifer was obviously the best because jeez dude your chick got stolen twice by the same guy 💔
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(understandable i am in the process of selling my soul to him he is my wife)
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snowshinobi · 10 months
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hear me out: divorce ceremonies. divorce cake and divorce outfits. toasts to the uncouple spoken by the Worst Man and Maid of Dishonor (gender neutral). separate piles of gifts for the freshly parted, stuff like nice sheets and Target giftcards and cookbooks. marriage gets to have all this ritual attached to it and by god divorce deserves some of that action
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miniagula · 2 months
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they make me ILL and SICK IN THE HEAD
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autism-alley · 1 month
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ik it’s been forever in internet time but i’m gonna die mad abt the way the live action atla show got a good amount of backlash and criticism from the fanbase meanwhile the pjo show was THAT horrendous and the fanbase treats critics like they’re out to kill their mother. as someone in both fandoms am i crazy bc i keep fucking seeing people say yes 💀 like!! these shows, whose original series were both about a 12 year old boy born with godlike powers going on quests with his friends to save the world, released in the 2000s, and had a shitty movie adaptation, now reboots released within weeks of each other, both committed nearly identical crimes of character assassination, exposition dumping, dumbing down their source material, sanitizing “problematic” elements (that the characters originally had to overcome), and wasting actor potential (also at least live action atla had good action scenes CANNOT say the same for the pjo show)—and i’m seeing like mainstream(ish) social media coverage of new atla show critique by people with millions of followers all across different sites, but nothing even close to that for the pjo show?? if that coverage exists for the pjo show somebody fucken send it to me bc like!! the pjo series is Not an unpopular series, i get it’s a book series and not a tv series so i didn’t expect the popularity to be exactly the same, but Damn! i feel like i need an hours long video essay comparing the two audience reactions to these series’ first season releases bc they were WIDLY different
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anonymocha · 1 month
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Dear Laika
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