this is what the dw opening credits eventually turn into when you just keep rewatching the same season over and over
4K notes
·
View notes
Ongoing List of very tiny details in the pjo show that are ridiculously book-accurate:
The WORD BY WORD narration if the first page
Grover being a vegetarian (as shown in tge scene at the met where Percy wordlessly takes Grovers ham from his sandwich)
The turquoise uniform of the candy shop sally works in that’s hung up on a shelf in the background of the scene between sally & percy in their flat for like 2 seconds
The Chevrolet Cameron Gabe drives
Grover being 24
The minotaur wearing panties
„you drool when you sleep“
Mr. Ds Tiger-Print Shirt
The diet coke in his hand
The satyrs on the strawberry fields
Riptide being a pen with a cap
The fact that percy sleeps on a mat & and a sleeping bag in the floor of the hermes cabin when he first arrives
The number of pearls on luke & annabeths necklaces
Clarisses Cargo Pants & combat boots
Annabeth fixing Percys Armor
5K notes
·
View notes
“Most purpose is more burden than glory.” -Mobius M. Mobius, Loki Season 2
5K notes
·
View notes
Genuinely, what is the point of setting the Fallout show on the west coast if it was just going to invalidate everything that happened in the West Coast Trilogy. Shady Sands has fallen, the NCR is a memory, New Vegas is a crater in the ground. The New California Republic, Caesar's Legion, The Enclave, Mr. House, all brushed to the side for a wasteland with no semblance of human society beyond shanty-towns; with no semblance of the legitimate cities of Fallouts 2 and New Vegas. All to what end? To allow the Brotherhood of Steel to make an undeserved comeback?
If anything, I think the series should be the final nail in the coffin that Bethesda fundamentally misunderstands Fallout. In a franchise whose very nature is defined by the Atom Bomb and how it was used as a means to an end by a corrupt Capitalist system; how humanity rose from the ashes of a broken world with the dream of building something better; how our only hope for the future is to learn from our past mistakes and create a world where they can never be made again; Bethesda seems determined to keep us stuck in the past. That we should never advance past the ideals of the nation that led us to this nuclear landscape in the first place, that we should never try to make something new atop the ashes of what came before. That we should just forever stay rats scurrying in the wastes, amongst the shattered visage of Ozymandias and the fruits of his labor, looking up to what he left behind as an example of the kind of existence we should strive to create. Very telling indeed.
2K notes
·
View notes
Tao having separation anxiety because of his Dad's death. Tao wanting to be a part of his friends' lives to the point where he comes off as clingy or nosy, because what if they're going through something life threatening. Tao who's afraid of drifting apart from his friends because he may lose them without being able to say goodbye. Tao who's afraid of falling to deep in love (romantically) with people because he saw how crushed his mother was when his dad died. Tao who just wants his friends to be happy and protected.
4K notes
·
View notes
The yassification of ghouls in fallout needs to be studied
Set (Leader of Necropolis, seen in Fallout 1 and 2)
Gob/Gobtholemew (Slave/Bartender, seen in Fallout 3)
John Hancock (Mayor of Goodneighbor, seen in Fallout 4)
Cooper Howard/The Ghoul (Bounty hunter/U.S. Marine veteran, seen in the Fallout TV show)
914 notes
·
View notes
Okay so maybe rewatching Thor for the Loki content was a bad idea because wow the ending of Loki really does parallel the ending of that movie, the way Jane searches for Thor with her scientific equipment because that's how she found him in the first place, the way Mobius waits for Loki at his own spot on the timeline because he knows that's where Loki would choose to be, the way both brothers know their loves still have hope for them and they smile
2K notes
·
View notes