Tumgik
#RE: THIS IS NOT A DIG AT DC FANS
bonefall · 6 months
Note
Voted for Bumble bc of course but also if you think Alex would not pspsps Bumble you are wrong. If they could communicate they would go to therapy together /s
If then could communicate they would go to therapy together
/GEN
Kyle/Green Lantern resurrects her but then he becomes convinced that she's not the same person she was before the incident, OR SOMETHING SOMETHING Black Lanterns aren't ACTUALLY bad they're just misunderstood Grim Reaper types, in either case Alex ends up breaking it off with Kyle because they've become very different people.
And then Bumble's there
And then they go to therapy or Alex adopts Bumble, and then uhhh Bumble's like one of the superpets. Like Krypto the Superdog. Free premise go forth and play with it if ur a DC fan
#bone babble#Again I don't actually know a lot about the DC universe besides what my friend tells me#But also from reading into the Black Lanterns having them be evil sound like a WHOLE wasted opportunity#Lanterns are supposed to be emotions yeah? so why the hell are we downplaying the emotion of GRIEF?#There's a whole lot you could do with that actually. Death doesn't deserve to just be a villain of the week#And hell. You could explore some WILD emotions here about Alex becoming so much more than Kyle's tragedy#Can I still mourn you when you aren't dead?#What does it mean for me that the worst thing that ever happened to me has become an opportunity for her?#And... does this make me selfish for not being happy for her?#For not trying to understand the person she has become? for only thinking of how this impacts myself#RE: THIS IS NOT A DIG AT DC FANS#BUT I want to share that like... a reason I've kinda had a hard time getting into comics is because like... really interesting premises--#like that often get turned into Monster-of-the-Week struggles for the heroes to punch into submission#I've probably just seen really bad summaries or not found the editions that would appeal to me specifically#But it's kinda why the only DC hero I'm really interested in is Superman#Because a lot of his thing is that he's a good GUY#And that creates a lot of interesting moral questions#Like YES he's a good guy. YES he has no ulterior motive. But what if he DID?-- how can EVERYONE ELSE in the universe truly know that-#for sure?#And that's cool and I really like the snippets I've seen especially between him and batman#But anyway. so much fridging and misogyny in the world of comics has kinda turned me away from getting into it#because. VERY often. Misogyny can be... *tied* to a bit of a lack of imagination. Or empathy on behalf of a particular writer#RE: There is good stuff in DC PLEASE understand im not trying to be insulting
63 notes · View notes
swamp-spirit · 9 months
Text
I'm obsessed with the confluence of meta-decisions that led to Under the Red Hood as a story.
Like, we have the Joker, who was supposed to die in one of the first issues because Finger worried having re-occuring villains would make Batman look incompetent. The editor nixed it, and the Joker lived.
Jason Todd, meanwhile, had the opposite pressure. Laugh at the Robin insecurity trend all you want, but it represents the very real reaction of fandom. Fans /hated/ Jason for not being Dick, and called in to have him killed. He was quite directly murdered by fandom itself, and there was some genuine ghoulish cruelty from the fans calling in for his death.
The Joker was saved by editorial medling, Jason Todd was killed by fan vote.
And then UtRH brings back Finger's initial concern. Because, as much as fandom wants to argue to morals, the rogues live because the IP must be protected, because comics thrive on the status quo, the ability to bring back the big names and replay the same tragedies. UtRH digs into the pain that might bring to the characters, where their death changes nothing, where the characters who don't sell will be replaced and forgotten and their killers are immortal.
In a way, the real rage is at the medium/industry itself. The industry that killed Jason for being unpopular, then replaced him with another Robin immediately, the industry where no consequence can be permanent because, no matter how many times you killed a big hero or rogue, another writer or editor will always bring them back.
In story, Jason and Bruce aren't really having a moral argument. Jason is saying "I want you to love me enough to make me feel safe and make me feel like my death mattered. I want to be assured I am still worth protecting, even if I've grown and changed" and Bruce is saying "I love you, but there's no amount of love that will make me cross that line". They want the same thing. They want to be father and son. They want the Joker dead.
Over them looms the weight of the status quo. Bruce has tried to kill the Joker. Hell, after Jason's death, he wasn't stopped by a rule against killing, he was stopped because of a weird, racist plot where the Joker became an ambassador from Iran. Bruce can never be the father Jason needs, can't kill the Joker and hang up the hood, because he is Batman, and Batman sells issues.
And Red Hood is held back too, because he can't be 'the man who can do what Batman can't' because they can't have a DC character offing rogues. Writers had to choose between defanging him or making him a rogue himself.
Gotham can never heal, because the story cannot end. The Joker has lived almost 100 years, has been countless different characters, has changed backstories and motives, but he will never die.
87 notes · View notes
threewaysdivided · 6 months
Note
for the ask game: 💥🤔📚
if we can only do one, your pick :)
(Fanfic writer ask game)
💥 What is one canon thing that you wish you could change?
I've talked about some other changes in a previous ask, but I think Danny Phantom could have been improved by either re-writing the episode Memory Blank or at the very least, cutting a couple of the jokes. The base-premise is potentially interesting but it was definitely one of the ones where the show did characters dirty for the sake of jokes.
If I had to leave it mostly as-is, I would at least want to ditch the two random insert jokes where Danny "remembers" using his powers to peep in the girl's locker room. Not only is the base joke a gross, sexist "boys will be boys" gag, it also just feels really jarring and almost out of character for Danny in particular. That's not to say that Danny isn't canonically chauvinistic in other ways at times, but this one doesn't jive with how he reacts to similar situations (and behaviors from Tucker) in other, more character-centric episodes. The abrupt musical punctuation feels more like a sudden insert of Fairly Odd Parents humour and I would say it's probably only there because this kind of "adorkable misogynist" punchline is a common staple in both Butch Hartman and Steve Marmel's comedy styles.
Ideally though, since the main purpose of the episode is to give Danny his marketable DP insignia, I would rather do a full re-write around all three trio members actively trying to design a logo for Phantom. Rather than doing Danny and Tucker dirty by making them into boring butt-monkeys who live empty lives without Sam (and doing Sam dirty by making her seem like a weird stalker who changes Danny's suit without his knowledge or consent) we could have had an episode that let the icon have actual symbolic meaning for the whole of "Team Phantom". It's sad that one if the most iconic symbols of the show ends up being tacked onto a character assassinating goof-story when there were so many ways it could have been great.
🤔 Would you ever want to write something canon if you got the opportunity?
Going to go with a soft no on this one.
For one thing, I believe the best stories happen when someone has a specific story to tell, and at the moment my Deathly Weapons fanfic is the main story I feel the need to make exist. As a mystery nerd, I guess I could maybe do a decent detective story involving Batman or Gotham, but on the other hand I don't think it would be the kind of story Modern DC wants to sell.
From a practical point of view, I also think the things and stories I find the most fascinating within the Danny Phantom fandom would probably be too tonally serious to "fit with the brand" of official canon material. (Although it has been awesome to see some of the Phandom olds getting ascended to the level of official canon creators with the AGiT comics!)
As for Young Justice Animated I think I'm one of several fans who wouldn't mind being tagged-in (or at least a fly on the wall) if DC/Warner Bros ever decided to give it the Fullmetal Alchemist: Brotherhood treatment, kick Greg Weisman's Whedon-worshipping incel ass out the door and let some of the prominent staff who were dropped after Season 1 have a do-over to continue the story they were actually setting up. I think there was a lot of potential in that initial cast, and there were some really cool character-centric standalone episodes that could have come from things like digging into Artemis and Jade having a diegetic connection to Alice In Wonderland while living in the same city as Jervis "Mad Hatter" Tech. But as it stands, I found Weisman's multi-season vandalisation of his colleagues' work to be so egregious that I ended up blocking both the main series tag and his name for the sake of my blood pressure. Look, even when he's not writing like the kind of man who probably fantasises about impregnating his colleague's daughter, the Nostalgia-Critic-level incompetence at basic narrative coherence is just exhausting.
📚 Is there a fanfic or fanfic writer you recommend?
Many!
For today's tasting, I would like to recommend Developmental Milestones and the broader Cor Et Cerebrum series by @audreycritter. Actually, let's just make that a general rec' for all Audreycritter's DC stuff.
I really like their interpretations of the Batfam and Superfam. They do such a good job of capturing the humanity of these characters in their non-cape moments, and I love their approach to dialogue. I think it speaks volumes to the strength of their character-writing that, despite not being a reader who generally goes in for Original Characters, I have become deeply obsessed with their on-call OC Batdoctor Kiran "Dev" Devabhaktuni. He is indeed the light of my life. Developmental Milestones is Dev's focus story but plenty of others put the focus on the canon DC roster if you prefer.
Go enjoy seeing Bruce get yelled at by a deeply affronted, potty-mouthed British Doctor with a heart of gold, though he'll stringently deny it.
Thanks for playing!
15 notes · View notes
gerryrigged · 4 months
Text
20 Questions For Fic Writers
Thanks for the tag, @vellaphoria! ♥
How many works do you have on AO3?
14 total, 4 on my gerryrigged account.
What’s your total A03 word count?
27,558. A good number of my pieces are quite short ficlets. I don't have a big portfolio of work - I've been in fandom for quite a while, but almost entirely as a lurker. For a handful of years, almost all of my writing output was in RP.
What fandoms do you write for?
Right now? Just DC, mostly Bats for the time being. Previously, hockey rpf, Star Wars, K, X-Men: First Class, and One Piece.
What are your top five fics by kudos?
hgjkldsf, most of these are on my other account, but:
[redacted] - ~10k, ~1700 kudos, hockey rpf [redacted] - ~3.5k, ~900 kudos, hockey rpf [redacted] - ~600 words, ~600 kudos, hockey rpf Hold It Up To The Mirror - 2.3k, 347 kudos, DC Comics [redacted] - ~300 words, ~300 kudos, One Piece
Do you respond to comments? Why or why not?
I want to, because commenters are lovely and I appreciate them so much! And I try to, I just...don't always succeed >_>💧 or, looking at it from another perspective, I'm just very behind on them!
I adore people's comments and re-read them with fair frequency, and I do love interacting - but I also tend to get over-excited/anxious and then end up just turning the comments over and over in my little paws admiringly like sparkly gems instead of replying. Or, for another example, I got a bunch of lovely comments on my timeloop dicktim fic, but haven't been able to psyche myself up to reply because I still haven't been able to get out the promised follow-up fic, ha 🙃
What’s the fic you wrote with the angstiest ending?
Oh, probably Hold It Up To The Mirror. I left poor Dick and Tim in a really fucked up situation there, and it would absolutely have to get worse before it got any better. I do envision it getting better, though - despite where I end fic sometimes, I'm a sucker for eventual happy endings, especially for my OTPs. so I'm usually imagining a future path where things improve, even if it would be a (very) rough road to get there.
freefall (and the aftermath thereof) also left off on a pretty angsty note, but I give the edge to Hold It Up To The Mirror because of how bleak it is.
What’s the fic you wrote with the happiest ending?
I'm not sure how to quantify this, lol, I would say most of my happy endings are pretty happy. For fluff factor, maybe my latest, let your heart be light, because that one just revels in the shmoop.
Do you get hate on your fic?
Not so far - fingers crossed it stays that way!
Do you write smut?
Yes, sort of? Like. I have written it, and I would certainly like to write more. But I consider myself very amateurish/unskilled at it, so I'm embarrassed of it and mostly it doesn't see the light of day. Guess I need to spend more time practicing! 😅
Do you write crossovers?
Nope, not a huge fan of writing crossovers or fusions myself, though I'll read them occasionally. When it comes to fandoms, I tend to only have one hyperfixation at a time, and mixing two different ones doesn't really appeal, at least in terms of what I myself am driven to write.
Have you ever had a fic stolen?
Not that I'm aware of - fingers also crossed it stays that way.
Have you ever had a fic translated?
I don't think so? It's been requested before, but I never saw the results XD
Have you ever co-written a fic?
Not so far, though I'd like to! The closest I've gotten would be writing out closely collaborated scenes in RP, which can in some cases read like a fic.
What‘s your all-time favourite ship?
Oh no, if I was forced to consider all of my fandoms at once, I'd have no idea. For DC, it's definitely DickTim. (It was Tim/Kon before this most recent immersion in the DC fandom, when I started to dig into Bat comics more holistically and DickTim reared its head up and swallowed me whole.)
What’s the WIP you want to finish but doubt you ever will?
Hm, I don't know that there are any in particular that I would firmly put on the shelf. The ones that I more generally doubt are all the ambitious long-fic ideas >_> because I suck at those. But they still exist as goals of mine, so I won't jinx any of them here!
What are your writing strengths?
.......Humor, maybe? Oh, I've been told I'm good at conveying tone and character voice through prose, and at putting together memorable or hard-hitting turns of phrase. Possibly structuring emotional arcs? 🤔
What are your writing weaknesses?
Elaborate run-on sentences. Descriptions, especially of setting details such as locations, clothing, etc. (hence why these things are often missing in my fics, lmfao). Purple prose. Over-editing. Overuse of implication/ambiguity/metaphor to the detriment of clarity. Stringing multiple scenes together, scene transitions in general, over-arching storyline plotting and all the other difficult parts of writing longer more plotty pieces. The 'stage'-blocking of physical movement, and how much/little of it needs to be described to be effective. Research - I am way too prone to just handwaving and going ehhhh, something something fill in the blank here, you know what I mean >.>
Thoughts on writing dialogue in another language for a fic?
I've done this a couple times, but usually only short lines. Sometimes it's for effect - the POV character might not understand the language, so it's as impenetrable to them as to most readers. Or it's a line most English-speakers would be able to parse due to cognates/related languages, but it's just funnier or feels better in the other language. Or in like anime/manga fandoms, it might be a line in Japanese that most fans/readers would already be familiar with. Usually though I've just been Google translating, and have been kindly corrected on grammar etc. in the comments before, haha.
First fandom you wrote for?
well. that would be in like. middle school lol oh god. I think it was a Sailor Moon/Gundam Wing crossover hghkldjfskl. That or Dragonball Z. Thankfully my recollection of my FF.net account name has been lost to the sands of time.
Favourite fic you’ve ever written?
hm. I don't have strong feelings on this; I usually end up looking at my past fic with a critical eye. Maybe the little gen Dick & Tim ficlet I have on my other account? I wouldn't say it's my best, by any means, but that one kind of wrote itself in a fever state when I hadn't written anything in literal years, so I'm very fond of it for breaking through a creative block and being my first toe into writing for the DC fandom proper.
oh, and if you haven't been tagged yet and would care to play: @deepwithintheabyss, @annerp, and @the-alice-of-hearts?
9 notes · View notes
Text
Just what happened to my last pinned post?
Anyway!
Divinity resources you can find here:
[graphic, written, music&sound stuff]
Divinity 2 treasure vault (dev journals, music, art & more!)
Divine Ascension (DOS2 artpack)
Child of the Chaos Novella [re-edited] The pre-Beyond Divinity story
The Prophecy - the pre-Divine Divinity story
Godwoken novel
Full DOS2 OST [official and non-official tracks combined]
Old Divinity (DD,BD,Div2,DC,D:OS) soundtracks
Fane's voice lines
Origin introductions
[Lore morsels]
D:OS2 vs Div2 naming issue
Most interesting tidbits from dos2 kickstarter, old ideas, lore & more!
---fanmade content---
Fanmade timeline of dos2 by @divinityiswasted 3rd person POV footage of dos2 locations (reference)
[Game fixes] Fane's cut dialogue restored
Ending issues + mod fix
Custom Godwoken battle cries fix
You can find my lore ramblings under #nerd talks lore
You can find my headcanons and lore fixes under #nerd makes up lore
Game files finds and trivia? #nerd digs lore
You're as big Eternal fan as I am? #eternalposting
Want to keep an eye on me?
https://faneposter.carrd.co Read more for OC stuff and my other blogs
My OCs:
Beyond Divinity: Miodi the Soulforged Paladin
Divinity 2/DKS : Sylla the Slayer
Divinity: Dragon Commander: Raen, Son Of Aurora
Divinity: Original Sin: Haumea and Jazam (currently no posts)
Divinity: Original Sin 2: Elane Ravenloft || Vermil Irloux
Miscellaneous:
Mae'ven the Eternal
Ardea the Ancient Dragon
I do other things:
Heroes of Might and Magic blog
Elden Ring blog [it's all Radagon]
DnD blog infected with Mononoke(2007)
All things Warframe and the Void Lord of the Ice Garden
38 notes · View notes
thebibliomancer · 1 month
Text
Tumblr media
Earth X #0
On top of What If? I’ve also started Earth X.
Despite the name, it’s not necessarily an X-Men thing. Or… the Krakoa era has been slapping X on anything. Maybe the title has been reused.
But Earth X is what happens when Wizard magazine challenges Alex Ross to make up a dystopian future for Marvel since he’d done that for DC with Kingdom Come.
So Ross drew some concept art and came up with an idea of Bad Future where the entire population of Earth had gained superpowers.
This proved such a hit with fans that Marvel commissioned an actual Earth X comic from Ross.
And Earth X the comic made such an impact that its concepts keep finding their way into the 616.
My amazing powers of osmosis have only learned me some general ideas of the book. Usually the bits that get re-used in main Marvel continuity. So I’ve wanted to dig into it for a while.
And now I am.
This is an issue zero which usually means a prologue. Earth X is the possible Bad Future of the Marvel Universe. So a prologue for Earth X is the history of the whole dang Earth.
As narrated by the Watcher to Aaron Stack, Machine Man. After rapturing him through a Monolith from 2001: A Space Odyssey. And stealing his skin.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Uatu also insists on calling Aaron X-51 instead of Aaron.
So Uatu is kind of a dick in this. I mean, someone blinded him and he’s missing his stories on Earth. So that’s why he kidnapped Aaron. To be his seeing eye robot.
Tumblr media
You’d think he’d ask in a nicer way.
But instead, he’s a dick.
He dehumanizes Aaron. He ignores his questions. He gets mad that Aaron isn’t reacting the “right way” to this big historical recap. He criticizes Aaron for applying his morals to cosmic entities.
Tumblr media
Also, he appears on a giant screen, looking like a Zordon for some reason.
The thrust of Uatu’s big historical recap is that the Celestials came to Earth in several “hosts” to genetically nudge humanity and plant a “seed” in them that would one day grow them beyond the level of gods.
This seems relevant to the Earth X concept of a future where all humanity has gained superpowers.
So. That’s the prologue to Earth X. Aaron Stack will be observing Earth and narrating to a blind Uatu. An Earth X where humanity has apparently bloomed.
Why Earth X?
What does the X mean here? Issue 1 better explain that to me.
3 notes · View notes
soleminisanction · 10 months
Note
Omg I miss Barbara’s ruthlessness and detachment from others. I miss her being a bit of an outsider and navigating her feelings and lack of emotional intelligence.
Like where is the Barbara who said that she was invited to be on the titans or the justice league. The woman who made her own team and she had plenty of flaws and had her own motives and could also be manipulative.
I miss her.
I feel like she could come back. These things tend to come and go in cycles, and the vibe I get is that the last few years at DC have been about re-establishing a gentler sort of status quo to win fans back after the harshness of the Didio era scared them off. The pendulum, I think, will eventually swing back to more of a balance where writers are allowed to dig into the characters' flaws again and highlight the interpersonal drama alongside the external threats, but I get why, for now, it's a bit of a "softer" DCU, in terms of characterization.
But I do miss her too. When I get the chance to write Babs I try to work a bit of that ruthlessness into my stories.
18 notes · View notes
anthonybialy · 9 months
Text
Sticking with What Doesn’t Work
The only thing worse than the aggravation of change is sticking with what sucks.  Good turmoil rids ourselves of bad circumstances.  Adjusting to a new lifestyle is worthwhile if changing a rut of a routine means undoing what liberals inflicted.  Moving is a pain and totally justified if your new residence contains a pinball lounge and tiki bar.
Suddenly getting to buy health insurance from anywhere is an ideal version of proper radical change.  Having our most dreadful government involved in healing us creates steadiness in the same sense Oceania avoided major mapping disruptions.  Those kind guys truly knew how to let the populace realize government knew best.
Jobs going obsolete creates trouble for workers who’ve been told they must update skills for the present century.  Aside from hurt feelings about being lumped in with phones that have hinges, the uncertainty related to forced career changes creates fright.  But tumult caused by progress is the only way to move past serfdom.  Tractors mean far fewer job opportunities for the outdoorsy, but it seems food is still being grown while former farmhands made redundant seem to have located new career paths.
Worth is a matter to be hashed out between private parties, which is why Democrats loathe it.  A worker assigned to dig a hole then fill it back in is engaged in hard work may not necessarily be valuable.  Firing the person responsible for getting the ground back to level would create unemployment.  But liberated funds could be used to hire someone productive or buy something desired from another company.  Demands for an alleged living wage are popular amongst people who never thought of doing something people would want to pay handsomely.
Putting the right people out of work only sounds cruel if you’ve never paid staff to be unproductive.  It doesn’t work for the Cleveland Browns or anyone else.  Saved funds from dropping payroll’s dead weight can be used on productive quarterbacks or licensed apparel.
Start by not complying with continued employment of compliance specialists who ensure pretend alignment with capricious rules.  Beleaguered industries are weighed down by whole offices dedicated to tracking if there are enough hires by particular races and genders, which is as bigoted as it sounds.  Diversity officers should be uniformly unemployed.
There is not not nearly enough firing of useless employees we’re compelled to pay.  Liberated IRS agents would have to begin careers that actually contribute.  For now, federal parasites re perversely considered successful for leaching away even more assets.  The Bizarro approach to life doesn’t make it more pleasant on this particular DC Comics Earth.  Try meeting the needs of consumers while profiting by opening a Dairy Queen franchise.
A flat tax would create empty buildings in the capital.  But vacancies in Washington would fill them elsewhere, even if that means full employment in living rooms.  Productivity is to be discouraged for those who drag down others.  The IRS wastefully uses office space that should be abandoned.  Converting levy dungeons into the sort of office that meets customer needs or a laser tag arena would benefit those suddenly less victimized by the state’s piracy.  As for innocent responders to sick governmental incentives, tax preparers would feel lonely in their offices following instituting a flat rate.  But they can put their capacity for crunching numbers to good use instead of coping with villainy.
Fans of brutal bossiness want you to settle into depressing familiarity.  Keeping the Berlin Wall up would’ve prevented a lot of worry about where to dine and how to get cable.  The ultimate expression of political control remains a model for Democrats who rue the lack of a symbol of caring for citizens who refuse to appreciate it.
As for a modern tyranny holding ground, a divided Korea gives the spurious sense of stability.  The border has been in the same spot for quite some time, which hasn’t worked out for the colder peninsula portion.  Lots of landmines keep the status steady in the most ominous way.  Fans of mandated community lament change because they think the wrong side won the Cold War.
If constancy of awfulness at least buffered from surprises, know that’s gone, as well.  Trying unwieldy federal intervention yet again means we’re getting neither constancy nor comfort.  Unappreciative subjects benefiting from Joe Biden’s kindly wisdom can’t afford vehicles to drive to the supermarkets to peruse groceries we can’t afford, either.  Aspiring shoppers would be unlikely to have enough luck to find an outpost that sells more than empty shelves.
Upheaval downward is this very forward era’s defining feature.  Life uncannily got mean as soon as Biden got everything he vaguely remembers wanting.  Cruelty uncannily unleashed itself just as he tried to have an awesome presidency.  As a result of mean fate’s utterly random timing, Americans cope with a dynamic situation in the least appealing way.  Not having reliability is the worst during worsening conditions.  This somehow isn’t as bad as it’ll get.
Predictability can be one of the most overrated virtues.  Knowing an unwieldy tax burden does not make relinquishing cash to be incinerated by doltish planners any more satisfying.  Ghastly public schools, insurance, and retirement plans are all based on the notion that a government that can’t keep trains on rails can map the route life itself.  The only thing worse is if the number is made even more burdensome.  Sleep calmly knowing that getting a worthless education won’t lead to health or a happy retirement.
Dealing with chaos that comes with a lack of alleged guarantees is far better than learning how empty a lockbox issued by the Social Security Administration can be.  Spend a little time shopping to overcome losing assurances from the sort of government where Biden can be head of state.  Or keep thinking that the lack of options will finally bring down prices.  We don’t know what’s going to go badly next.  Everything is going well otherwise.  Try to at least enjoy the lack of relief provided by useless promises.
0 notes
nighttimepixels · 3 years
Note
TALK TO US ABOUT MASS EFFECT I HAVE BEEN AN INSANE MASS EFFECT/SHAKARIAN TRASH PERSON SINCE 20-FUCKING-11 AND LEMME TELL YOU THOSE FEELINGS HAVENOT TARNISHED A SINGLE FRACTION IN THOSE TEN YEARS OH MY GOOOOOOODDDSSSS!!!!!!!
Tumblr media
I DEMAND A PLAY-BY-PLAY UP TO THE MINUTE OF YOUR REACTIONS TO EVERYTHING!!!!
you are so valid and I totally see why everyone I've ever mentioned it to loves the hell out of it
aksdjlsdfj I meannnn if you want to hear my rambling about it then hell yeah
Okay, gonna put this below the cut to save everyone else XD also- since I'm not leaving this Mass Effect obsession anytime soon, if you're not interested in seeing occasional posts about it, please feel free to block the tag "night plays ME"~
(mild spoilers ahead??)
((also for real I mean it when I say this is rambling as hell lol, apologies and no stress if absolute no one reads all this))
OKAY SO Mass Effect 1-
Stars help me, I was honestly hooked right from the start?? Like even in Legendary Edition (the combined trilogy just re-released in one "can play it on one system + minor improvements", for anyone who doesn't know) where it's smoothed out, of course it's obvious that ME1 is a decade old... but the foundation for these relationships are all there and gods I love them already.
Like - Kaiden right off the top is a delightful good fightin lad, what the hell. I've heard that he's viewed as 'bland' by a good portion of the fan community but I dunno, he's a delight and even more complex by the time 2 rolls around and you encounter him on Horizon, it was honestly Ashley I was way more meh about - mostly because before you can learn about her family history/etc, she comes off as hella xenophobic and I was immediately offended for my growing space family that she didn't like/trust all the aliens around, pfff.
(she gets redeemed a bit through further actions/evolving thoughts, but I thought in retrospect it was a bummer that they didn't flip the order there, give her a chance to be liked before the complicating factor of being so rude about aliens >:c that then she could grow from... ah well. Apparently she has a good arc but uh, let's just say I chose Kaiden at the "key junction" in the latter part of the game so I won't be seeing anymore of Ashley uh... anytime soon, haha.)
Garrus??? Is??????? The ABSOLUTE best???????????
I liked him from the start, I'm always a bit of a sucker for a rogue-detective "the system won't bring this bastard to justice, so I've got to" type and all their moral shadiness XD But he just gets better, honestly, and where I'm at in ME2 (right before the Reaper IFF mission, as of typing this, with everyone's loyalty!) I am only digging myself deeper into this hole-
-*wheezing* okay anyways -
Wrex is AMAZING I love fightin' middle-aged krogan bastard, gods. Liara is great too, I'm a sucker for a wlw relationship (playing fem!Shepard, so) - buuuut I'll admit she's a bit more one-note in ME1. Last week while I was still on ME1 I remember hearing (while trying to dodge spoilers) that her arc is really good, though. I think they leaned a little hard on the 'innocent but sexy' sterteotype on her (so despite the yikes aspect of a few of the things I've learned in ME2, lol, I actually really like the complexity that's been added to her character.)
Saved Liara first, so by the time I got to Noveria and had the standoff with Benezia there was the chance to have emotions over Liara having to face her TwT and of course, I made the questionable but quality decision to free Queen Rachni heheh. no ragrets
More than a blow-by-blow of my choices though I totally wanna take the chance to say that even in the mild jankiness of ME1 (goddammit, the Mako.... please..... please just go up this impossible cliff I just want to resource hunt-) the way that the lore, both obvious/key to main plot and the lesser/filler/background/world-building kinds... I just love it. It incorporates it well, you can go ham in the codex learning more, or just dive into the basics - it's clearly a complex galaxy (and they do an even better job in 2 of fleshing it out further), and it never really felt overwhelming. It was pretty natural figuring it all out-!
Plus the interesting implications of resource hunting amongst the sapient races, and the little side missions you better bet I did every one of- there's so much rich depth in the story if you do 'em!! (And that lead with that Keeper side mission...? Looking back, damn, clever foreshadowing-!!!)
And oh my gods, Ilios??? hell yeah. I loved that mission so much, especially having Garrus & Kaiden with me when talking to the hologram/computer, and more than anything, that last sprint in the Mako trying to get to the jump before it closed-???
yeet the boi-
Also mannn I love a good setpiece, and having to go up the side of the elevator, space-side?? such a cool setup!!
Plus it felt good having been Paragon enough (as simple as the good v bad vibe system is, I don't hate it, lol) to avoid one of the Saren fights, ngl. And the er, "second fight" with Sovereign-Saren.... hell yeah
... I'll admit I had to double check my choice re whether to save the Council. I did in the end, but I swear, sometimes the way they phrase things I'm like ".... okay but Garrus is right, defeating Sovereign is more important than these few leaders??????" woops. Listen, priorities, is all I'm saying..... ( ̄ヮ ̄|||)ゞ
'Course later they emphasize (in ME2) that there were 10,000 people on that same ship and I was like well I wouldn't have second guessed if I'd known that, I mean c'mon-
Also I did indeed romance Liara in this one, so I got that scene ;Dc But,,,, I also knew by the end that I was totally gonna romance Garrus in 2 since he's an option then finally,,,,, lemme tell you the guilt as I waffled over whether to romance Liara bc of it. hahaha.
Aaaaand Mass Effect 2-
So I'm only up to right before the Reaper IFF Mission, so I don't know the ending, etc etc lol. That said, I've just finished every side mission I've found with the exception of the Shadowbroker Quest and the Arrival Quest (I've heard the latter basically leads into ME3, and the former is best either right before the Omega 4 jump or in postgame).
So from the start - fuck yeah fuck yeah what a high adrenaline start Shepard noooooo but also yes save Joker aH-
The motion comic too hot damn nice job
I loved this setup, seriously - especially forcing Shep into this situation, having to work with/for Cerberus, and the compelling reasoning given behind "why" they do what they do (I especially found it a good point that the Salarians have the Task Force, the Asaris the Commandos, the Turians the- etc... like, true, when you put it like that, having a similar group advancing human interests/solving human interstellar problems is pretty reasonable...). That said, I love too that it really isn't shied away from how Cerberus is nonetheless fucked up - or its at least done fucked up stuff.
Listen, I still think some messed up stuff is gonna be revealed in 2's endgame......... after that Horizon mission and the Collector's ship???? TIM I SEE YOU YOU SHADY MF-
aaanyways lol...
I'm so so glad on a gameplay level they nixed the Mako style exploration. A few Hammerhead missions are fine and a lot more focused than the slippery ass navigation in that glorified ATV, pfff. The probes are a neat way of getting after similar resources - and more importantly, having good levels and some good hubs (the Zakera Wards, Omega, Ilium, etc) is way way more fun than having a more 'sprawling' space that is.... a lot of empty nonsense, lol.
Then there's the fact that we get Joker right off the bat and you can interact with him so much - and him and EDI??? Get out gods I love them. Kasumi is so right when she says they sound like a bickering old married couple lol. I have a terrible feeling that some shit is gonna happen with EDI..... but I don't think she's evil as-is, at least.
Side-eying the hell out of those "access forbidden" parts of her that she doesn't even know.... and the fact that her AI core has a locked door access................... something's gonna happen gdi LEAVE OUR ADOPTED AI ALONE.
(Also Joker pls stop fracturing your thumb on the mute button)
Also please save me there are so many hot aliens in this game,,,,, the xeno/monsterfuckers really comin' through strong in the sequels............... doin' the lord's work........................................
In general, I love how many levels ME stepped up in two with complexity and interwoven narratives!! Like, to the point it'd be almost a drag to replay ME1, even though it was fun going through it (if occasionally a bit tedious with the cookie cutter rando planet science/mine facilities, lol). Like, just from how fun and interesting ME2 is, mostly! more of all the pre-introduced races, plus new ones, plus more filling in of intragalactic politics, and more interesting implications of all these space-faring races mixing....
Also gods WREX and his planet holy shit,,,,, fuckin' hell yeah my man get their shit together and also adopt Grunt yes good-
And Mordin??? My singing semi-evil scientist best friend forced to confront his choices more than he thought he ever would have???? With some of the best ongoing general report chatter of all the companions??
(when I tell you I choked on my coffee when I talked to him after confirming romance choice w/ Garrus and that 'pamphlet' and 'anaphalactic shot if ingesting-' kajsldkfjsldfjk)
Like, fuck, the fact that they actually dive into the mixed morality and horrors of the genophage, and you can confront Mordin on it, for good reason, yet he still stands his ground, until finally some bits of his loyalty mission seem to... affect him, and I'm guessing might set up things for 3 with him? Unsure, but either way, damn, the fact that they start to dig into it...
And Taliiiii my beloved forbidden alien wife TwT her loyalty mission was SO GOOD. I love how varied they all are?? Getting to defend her and discover what she'd unwittingly been a part of-!!
Zaeed is a bastard but tbh I love that he is and that he's unapologetic in him - and Kasumi omg, best thief. A heist?? Gods, yes- I love our couch lounge chats XD
Samara is..... illegally.......... she's an illegally powerful and beautiful and eloquent MILF...........................
(.... listen I'm sapphic as hell and I'm kicking my own ass for picking her up last aksjdlfksjdfl - but her loyalty mission, damn. And seeing how there's this interesting cultural subset, and the struggle with the Asari in that they unquestioningly accept/respect justicars, but also know that the impact outside their culture is a diplomacy nightmare waiting to happen-)
,.,,,,,T,,, Thane,,,,,
I am weak for morally implicated murder dads okay?? And that voice??? His mannerisms?????? How you first see him, and that prayer after assassinating her...???????? And his history/his people's history with the hanar, gods I love how messy it is, it feels so much more real!
Also Jack is a mess and I love her (and want to get her some therapy, omg), and her and Miranda nearly duking it out after you've done both their loyalty missions??? so good and makes a lot of sense-! Honestly I would love more interactions between teammates on the ship, but there's already so much the devs had to balance I can't blame 'em for minimizing, heh. But suffice to say I also love Miranda and Jacob, even if I'm softest for my alien crew XD Hell yeah Jacob, we'll get loud and spill drinks on the citadel indeed TwT
.... I could write a whole essay on how much I love Garrus oTL Perhaps because he and Tali are the throughlines from 1 on your 2 crew, I have some of the strongest feelings about them... but genuinely, he was one of my favorite companions in the first game, and how you find him as Archangel in two? Getting to help him fight his way out after he's gone nearly 48 hours straight fighting off three gangs alone, jfc. His vengeance quest and what can happen there.... That line? fuck me, that line -
It's so much easier to see the world in black and white. Grey? I don't know what to do with gray...
How DARE you come for my heart like this, devs holy shit
(also, some other choice faves so far from the series from him include We can disobey suicidal orders?? and This wasn't in my training manual... [in 1, if you have him with you @ th Thorian fight] and his whole.... pop the heat sink - in his romance ;Dc)
asdasdfksadjfkl like I said I can write an essay on him PFFF suffice to say I'm very looking forward to his romance scene and where things go in 3
But yeah gods I'm just gonna keep rambling if I'm not careful lol. Gods I don't even know what to talk about it's all so good and while I can understand people roasting the obviousness of Paragon V Renegade (v neutral) choices/alignments, I think they do a pretty damn good job in 2 of pushing it further - to the point that there were some times that I accidentally got renegade points and I wasn't that mad, haha. There's so much fun in the interactions that I just have a good time anyways~
I have so many thoughts about TIM (The Illusive Man) and Cerberus.... theories evolving galore............... and like, what the hell!! Omega 4 going to the center of the galaxy is such a cool twist, goddamn - though my heart still breaks at losing Kaiden (his line if you haven't romanced him?? about feeling like he lost a limb when he lost you??? holy shit.... but I also can't blame him for not trusting Cerberus to the point of it affecting his ability to trust Shepard... like fuck Shep go after himmmm) I'm really excited to see where that goes since he comes back in 3, and what the fuck happens with Cerberus bc while I love the fact that obviously there are a lot of people in it for the right reasons, doing good work, there are those that are doing the opposite, and I have a very bad feeling about where TIM will end up landing....
All that said though I need to do the Reaper IFF mission (where I'm lightly spoiled as to getting That Boy, but not how/what happens to make it so - just that it's apparently wise to have all your side missions done before getting him...) and the actual Omega 4 jump. So we'll see what happens and what I think about it from there heheh!
.... major kudos and genuine props if you made it here to the end, I am so sorry for not editing on condensing all this, and appreciate you so much ;w;
34 notes · View notes
tomblog727 · 3 years
Text
Sims 4 Demon Mods
Modding The Sims 4 can make the game more vibrant and varied, especially when it comes to your Sims’ looks. Here are some of the best mods that will put more skin tones, eye colors, freckles.
The Sims 3 Demonic Powers MOD - YouTub. Sims 4 Demon Mod; This Mod was created under patch v 1.63, & Sims 3 Into the future. But you only need base game to run this mod! This Mod works with patch 1.63 & Higher without issues; This Mod might work with patches under 1.63 but with issues.Not Recommended.
I installed a brand new mod today which lets my female Sims become a Succubus. If you don’t know what a Succubus is, it’s a demon which drains the health of other men through romantic interactions (I’m not really an expert in medieval legends so you can refer to THIS page if you’re willing to learn more).
To install the best Sims 4 mods in your game, all you initially need to do is download the mod file. Then open Windows Explorer on PC, or Finder on Mac, and locate Electronic Arts The Sims 4 Mods. Feb 21, 2020 For more Sims 4 mods to choose from, check out our master list of the best 200+ Sims 4 mods of 2019 or the best Sims 4 career mods the internet has to offer. Continue Reading.
Feeling a bit Halloweeny at the moment so I decided to make a post about some of the coolest masks I found for Sims 4. All of the downloads are free. I have also included some history of certain masks if it piques your interest. Hope you enjoy the post!
*Please Click on the Picture to Download
Cyborg Mask
Let’s start off with this one. This mask is compatible with all genders and all ages. It has 5 colors with 2 variants. The item when installed could be found in the eyeshadow and tattoo category. One look of this mask reminded me of the Terminator for some reason and let me say that the piercings looks absolutely great! The mod’s created by a featured creator named RemusSirion.
Akuma Mask
Akuma might be a funny word to some of you all, but it means “Demon” in Japanese. And the spikes on this mask in absolute reveals some demon like features on it. Created by Pralinesims, the mask has 60 different colors (but cannot be subjected to re-colourations) which is a quite extensive amount. Both your male and female sims can wear the demon looking mask. PS: the mask definitely gives Uta vibes from Tokyo Ghoul.
Joker Mask
This season of October is probably the outbreak of Joker inspired stuff. Unfortunately this mask does not relate to the original DC inspired joker but it definitely gives off the vibes. Inspired by Persona 5 character named Ren Amamiya who has also the codename “joker” is a rebellious teen boy who was falsely accused of a crime. Well they do say that certain masks have interesting backstories.
Ninja Mask
This mask was created by S-Club and has 4 colors to boot. Not your typical Naruto-Anbu mask but I do dig the cross and everything. It looks pretty smexy to be honest.
Venetian Mask
Venice is probably most famous for their masks and has a lot of background history for their origins. The mask in this mod is typically one famously worn in the Venice carnivals which represented hierarchy in the olden days. These masks are usually adorned with feathers or golden leaves. The Italian government literally had to impose laws since the masks were used so frequently to hide a person’s identity which was out of the festival season. Well I do not really blame them because the masks are super exquisite! Thank you altea127 for showcasing this wonderful creation.
Tumblr media
Bunny Headband
Um.. Can’t really classify it as a mask (guilty) but I really liked this one. Leah Lillith has created this sims 4 cc which has 4 recolors. The headband is available for both males and females. If you are an Ariana Grande fan, then this is probably the best accessory you have stumbled upon if not this is the best thing for a bunny girl/boy cosplay you have been planning for ages! Again I’m so sorry that I uh put this along with the other masks. I have a thing for rabbit ears uwu.
Fox Mask
Probably one of the most searched masks for Sims 4. The fox mask is initially inspired from the Japanese culture. Known as “Kitsune” masks ( Kitsune means fox in Japanese). I have seen the Anbu of Naruto wearing the same masks probably with different recolors as well. Just some fun facts: the mask represents the cunning attributes of the fox where they can either become good or bad depending on the situation. Hanecco, made this mask with three colors and it can be worn by both males and females.
Phoenix Mask
This is probably most the aesthetic creation I have ever seen in the category of masks for sims 4. In the Chinese culture the phoenix resembles bravery and power. It is initially part of the Yin and Yang where Yin is the dragon and represents the male/husband and Yang is the phoenix signifying the female or the wife. The dragon and the phoenix were usually symbolized by the emperor and the empress in China. So you have learnt some damn history bro! Use this mask for your fancy dress costume parties or some really cool storytelling for East Asian sims.
Gas Mask
Psycho Mantis from Metal Gear wore this type of a mask to keep away “others thoughts” from invading his. Born in a Russian village amidst the cold war his father hated him because when he was born his mum died. So he went full psycho and killed his dad and the whole village. I’m not sure what type of outerspace material of this mask can shield his psychic powers but it was so iconic that his gas mask was found as an accessory in Metal Gear Online (even tho he was not available rip) This mask for sims 4 created by Toskasims has 1 swatch and is HQ compatible.
KDA Mask
Last but not least I wanted something inspired from Tokyo Ghoul because the TG mask made for sims 4 is kinda dead (link is dead until further notice) but yeah this is as close I can find to it. Some of you won’t agree but the teeth gives me TG vibes. OranosTR made this mask with six colors and it is HQ compatible and has emission maps. SO use it to your Sims halloween parties or whatever xD
Maybe you’re a fantasy nerd (like me).
Maybe you just love creating fae, fantastical, occult, and other otherworldly Sims in CAS.
Whatever the case may be, you’re looking for the perfect pair of horns or antlers for TS4. Because goodness knows we don’t have nearly enough exciting accessories for supernatural fashion.
Fangs, fins, and zombie skins are all fine and dandy… but where are our options for the more infernally-inclined?
Right here on this list.
1. Dragon Age: Inquisition – Qunari Horns by Valhallan
We’re starting this list strong with a pack of nine(!) horns from creator Valhallan.
These horns are based off of a fictional race called the Qunari from the game Dragon Age: Inquisition.
Mad kudos to the creator for successfully converting these horns into The Sims 4. They look great both in CAS and in-game.
If you’re planning to plop a tiefling, a demon, or some other horned creature right in the quiet town of Windenburg, this pack is fantastic.
Nine styles with 27 color swatches each (save for variation #1, which only has 26) means this pack is pretty freaking versatile.
Color Options: 27 custom colors | 26 custom colors (for var. 1)
Mesh Needed: No
Available For: Male & Female | Teen – Elder
2. Illidari: World of Warcraft Demon Hunter Horns by Valhallan
Another masterpiece from maker Valhallan. These Demon Hunter horns are all kinds of intimidating – but in a good way.
And you get six unique styles that perfectly suit different personalities. Slender and approachable, curved and daunting, large and in charge … whatever you want to convey, you best believe these horns can do it.
Each style has a different texture, too. Ribbed, scaled, smooth – the attention to detail for this particular CC is really fantastic.
Download all horns in one merged .package file, or pick and choose your favorites by getting the separate .zip file.
Want to plop these on your Sims kid, too?
Grab the horn conversion for children pack.
BONUS: Boys N Berry Sims also has a great recolor of these horns; 76 fun new swatches for you to play with.
Color Options: 25 custom colors (original) | 76 custom colors (Boys N Berry Sims recolor)
Mesh Needed: No
Available For: Male & Female | Teen – Elder | separate package for Child
3. CherryVanillaSims Recolor of Flapjack’s Ribbed Horns
For the casual demons, devils, and horned races that don’t want to flaunt their extra accessories, Flapjack’s original mesh offers four simple (yet stylish) horn designs:
Ribbed
Small (if you really want understated demon horns)
Thicc, and
Thicc (forehead)
Each has its own charm for sure. Unfortunately, they don’t have many color options.
Enter CherryVanillaSims’ recolor. While it’s only for the “ribbed” horns style, this recolor does introduce 66 new colors for you to play around with.
Honestly? I can dig the brightly-colored orange horns.
Color Options: 4 custom colors (original) | 66 custom colors (CherryVanillaSims recolor)
Mesh Needed: Flapjack-Sims Horns for Sims 4
Available For: Male & Female | Teen – Elder
4. Goop Horns by Blahberry Pancake
Continuing the “small and subtle horns” trend are Blahberry Pancake’s Goop Horns.
These cute nubs perch right on the top of your Sim’s head, and they look absolutely adorable.
I think they’re called goop because the multi-colored lava on the tips pretty much resembles that word.
And I’ll say that the bright, neon colors and the rounded edges kinda remind me of pastries.
Point is they’re cute. Get ‘em.
The DL link leads to a download page for Sim Teens to Elders, plus a separate download link for Children.
Color Options: 14 custom colors
Mesh Needed: No
Available For: Male & Female | Toddler – Elder
5. Capricorn Horn Accessory by Screaming Mustard
Who says you can’t dress up your horns? Certainly not this CC creator.
These Capricorn horns come in one style, and that style is stylish and dainty, dammit.
The textures work well with the three earrings (horn … rings?) dangling on the ends too. There are only four color options, but those four colors are pretty darn unique.
Note: you can find these Capricorn horns in Necklaces, by the way. Not Hats.
Color Options: 4 custom colors
Mesh Needed: No
Available For: Female | Teen – Elder
6. Crown of Horns by Nolan Sims
Okay hear me out. Mechanically speaking, I know this is a headpiece accessory with horns – and not actual horns/antlers CC.
But it honestly just looks so gorgeous, I have to include it!
And the placement of the horns on the crown looks like they could be growing out of your Sim’s actual head. That’s the goal, right?
So if you spin the right narrative, you can pass as a horned Sim wearing a flower headband.
The horns (or “twig horns,” as the creator calls them) don’t change color. But you can definitely alter the color of the flowers to better suit your style.
Color Options: 15 custom colors
Mesh Needed: No
Available For: Male & Female
7. Trapping’s Antlers by Deetron Sims
Here’s a quick but cute break from horns: antlers.
Specifically, these antlers in this CC.
Whether you’re designing a human-deer hybrid, or you want to spin the narrative of a druid who can’t shapeshift all the way… Deetron Sims’ Trapping’s Antlers fit both situations, and more.
They’re simple and straightforward deer-like antlers that sit on the top of your little Simmy head.
And they’re available for Kids too. So you can have a full forest family if you want.
Color Options: 3 custom colors
Mesh Needed: No
Available For: Male & Female | Kid – Adult
8. Rein Headband by Blahberry Pancake
Where the previous mod is better suited for realistic deer hybrids, this Rein Headband CC by Blahberry Pancake is better for Holiday Costume Parties.
It’s designed as a headband with deer ears and antlers. And it shows.
The headband is very clear on most hairstyles (especially with “flatter” hair), so you can’t exactly pass it off as a true anthropomorphized (Sims-morphized…?) deer.
But it’s cute, it’s unique, and it would make the perfect accessory for ugly Winterfest sweater photoshoots.
Color Options: 12 custom colors; 7 two-toned swatches, 1 tri-toned swatch, 4 solid swatches
Mesh Needed: No
Available For: Male & Female
9. Fantasia Headdress by Suzue
Just like the Capricorn Horns by Screaming Mustard, this Fantasia Headdress is basically horns with bling.
And just like the Capricorn horns, these look delicate and dainty. They’re long, slender, and they swoop up just so at the tip.
Rather than earrings, they’re adorned glass beads. Both horns feature a single strand wrapped twice around the base.
There are 10 custom colors for this package, and the color of the beads depends on the color of the horns.
Color Options: 10 custom colors; 1 two-toned swatch
Mesh Needed: No
Available For: Male & Female | Teen – Elder
10. Unicorn Horn by Bellassims
We have demons and tieflings, deer-shifters and deer-hybrids … of course I had to include one of the most majestic horned creatures ever.
This Unicorn Horn by Bellassims is a personal fave.
It sticks right in the middle and it’s decked out with a gem, plus some delicate chains.
These chains hang down until they disappear into your Sims’ hair, making it look all the more regal and expensive af.
Now this CC comes with 36 color options. The horn itself stays white, but the chains can be either gold or silver, and the gem can be a number of colors depending which swatch you select.
I personally love the gold-chain-red-ruby combo.
I also highly recommend you try combining this Unicorn horn with the Fantasia Headdress. The result is absolutely stunning on lady Sims.
Color Options: 36 custom colors
Mesh Needed: No
Available For: Female | Teen – Elder
11. Little Demon Horns by Rotteneyed & Cerberus-Sims
If the Goop horns were too colorful for your Sim’s color palette, and the Flapjack’s Ribbed horns were a little too big for their backstory, well these Little Demon Horns might be exactly what you’re looking for.
They’re one of the smallest horns on this list. Literal nubs.
And they sit right on the forehead (instead of on top of the head).
What’s pretty cool is there are four variations here, and you can combine up to two variations for a maximum of four horns.
Perfect for the little demon that wants to stand out from the crowd. Maybe.
There are 40 custom colors in all, with 20 of those options being two-toned.
But if you do decide to give your Sim four horns, you can’t mix the colors. The top horns will stay the same color as the bottom horns, and vice-versa.
Still a pretty versatile set regardless. And worth a try!
Sims 4 Demon Tail Mod
Color Options: 40 custom colors; 20 two-toned swatches
Mesh Needed: No
Available For: Male & Female
12. Horns Pack by Azentase
This horn CC pack is kinda like Valhallan’s Qunari horns, only with different shapes and a smoother uniform texture.
There are four variations: Panic, Bambous, Kleptomanie, and Maniac.
They’re all varying levels of “curved” and “swept back,” which honestly makes them look fantastic with hairstyles that follow the same flow.
I personally think they look especially stunning paired with Alpha CC hair (instead of Maxis Match styles).
Each version only has three color swatches, but they’re all neutral. So they pair well with most any hair color.
You can also install each version separately if you want.
Color Options: 3 custom colors
Mesh Needed: No
Available For: Male & Female
13. Bloodtotem: WoW Cenarius & Highmountain Tauren Horn by Valhallan
If anything, this is the crowning glory of this compilation.
The goddess of the fauna. The guardian of the forest.
The mother of all dramatic horned headpieces.
Valhallan’s Bloodtotem horns are incredibly designed and incredibly intimidating.
They spread out from the sides of your Sim’s head like sharp, majestic wings. Words cannot describe how regal, imposing, and straight-up grandiose these pieces are.
They’re like earthen antlers. Only less deer and more Goddess of the Forest.
There are two variations of these Bloodtotem horns: those with colored borders and those with colored tips.
Both have their charm. And 26 color options each.
Color Options: 26 custom colors
Mesh Needed: No
Available For: Male & Female | Teen – Elder
14. Lifebinder: Alexstrasza Horns by Valhallan
I think it’s a pretty safe assumption that Valhallan just rocks at creating horns for The Sims 4.
After all, she’s responsible for about a third of the items on this list!
Tumblr media
This particular pack isn’t a horns-specific package. It’s actually a full character (or at least, the character’s clothing) conversion – specifically Alexstrasza from Heroes of the Storm.
If you’re familiar with her, then you know she’s got a pretty impressive set of horns. One would expect no less from a powerful woman who can turn into a dragon at will, right?
Right.
This entire CC pack contains her iconic horns, regal tiara, and eye-catching red cloak.
The entire package is a .zip file too. So you can actually just install the horns and tiara without the cloak. If your Sim doesn’t feel like cosplaying, I mean.
Color Options: 1 default color
Mesh Needed: No
Available For: Male & Female | Teen – Elder
15. Horns Pack – Valhallansim Mesh Edit by Gerbithats
This mesh edit of Valhallan’s World of Warcraft Demon Hunter horns gives us players some one-of-a-kind options for our damned, demonic, fae, and/or fantastical Sims.
The theme of these horns seems to be “asymmetrical”.
And surprisingly, it’s a theme I can get behind.
There are four variations in total: Bune, Petrus, Lucius, and Damien.
Bune and Damien have two further categories: Left and Right.
Depending on which you pick, either the right or the left horn’s tip is broken off. Hence, asymmetrical.
I think either option is perfect for giving your Sim a little more character.
Sims 4 Demon Mods Ps4
Damian features longer curved horns growing from the top of the forehead.
And the Bune horns are smaller, pointier, and sit a little higher.
Lots to love about all of them!
Color Options: 25 custom colors
Mesh Needed: Lildari: World of Warcraft Demon Hunter Horns by Valhallan
Available For: Male & Female | Teen – Elder
Browse:The SimsVideo Games
Sims 4 Demon Mods Build
Stay Connected
Demon Mods For Sims 4
Related Posts
12 notes · View notes
elysian-entries · 3 years
Text
One film, two visions; The Justice League
It’s 2017; the highly anticipated “Justice League” film, directed by Zack Snyder, is set to be released later in the year as a continuation of the DCEU.
A blockbuster movie showcasing the biggest DC characters uniting. Taking down the ultimate super villain; bound to fulfil millions of past and present children’s, as well as current adults and elderly dreams.
Then a fork in the road appears, Snyder and his wife, Deborah, step down from the colossal project due to the incredibly woeful loss of their daughter, Autumn. News hits the fans like a brick. Resulting in Joss Whedon and the Warner Bros. Studio stepping up to the mantle. Or at least attempting to.
Whedon's theatrical cut lost Warner Bros. Pictures approximately $60 million dollars. With overall painfully negative reviews and reception. Breaking the hearts of DC fans everywhere.
4 years, campaigns, hashtags, sky banners, petitions, and billboards later; I can’t say how many of us would have predicted receiving the holy gift that is the “Snyder Cut”, in its full 4 hour running time glory (in a 4:3 ratio, which somehow adds to the grandeur). 4 years of dedicated, passionate and determined people helping in any way they can for the cause. It was a journey to behold.
A large section in Snyder’s 4 hour venture is used to build dimension and depth in the characters. Making an absolute world of a difference. Something that was sorely lacking in Whedon's cut. The film had a completely different feel and atmosphere instantly.
There's no better example of increased depth in characters than Cyborg's (Ray Fisher's) narrative. I was engaged, and intrigued by his story. In Whedon’s cut, he isn't even given a second thought. His entire backstory was cut as well as his father's important role also being stripped. His scene where he sacrificed himself in order for them to find the mother box was gone. And it took away such an important, integral part in Cyborgs story, and in the film in general I believe and also realised having seen the two movies; the complicated but delicately developing relationship between father and son. And just the whole story in general made such a difference in Snyder's cut, it really is almost indescribable the difference it made. It just felt so much more genuine and heartfelt. Like a real developed and executed narrative.
In Snyder's cut we were shown detailed flashbacks that fully fleshed out his character, his morals and his relationships. Creating a much needed deeper connection with the audience. We experience his conflicting journey to accepting his responsibility, accepting the past, the "gift he has", and his purpose in the league. Leading into receiving closure. He was given great and meaningful importance and purpose in this cut.
Similarly, Ezra Miller's Flash was too given a largely more meaningful and impactful role that left quite the impression on me. His character was light-hearted and charming but still had those important, emotionally impactful scenes. Which were painfully lacking in Whedon's cut. I was left loving Barry Allen a lot more than I already did. Barry's scenes with his wrongly convicted father were hard hitting for me. They also play a large part in making later scenes more impactful. Like his detrimental importance during the final fight. In Whedon's cut his big hero moment was saving a Russian family. The overall the inclusion of the family was superfluous and extraneous, along with the robber at the start and many other things. Not only that but Whedon's cut gave the Flash a silly, attempted comical relief role. To be fair he attempted to give everybody a comical relief role. Which hardly worked because none of the attempts were actually funny and were at time agonizing. It ultimately lacked substance and came across as almost immature. The scene where Barry went on about brunch was painful. Leading me to ask, why? Why was this so important to film Whedon?
After re-watching Whedon’s version, I had gained a new found appreciation for Snyder's representation of Barry. '"Make your own future, make your own past"; he echoes his father’s words. "Your son really was one of them, the best of the best," as his theme "At the Speed of Force" plays in the background of this pivotal moment. A powerful scene reflecting Barry's ulterior motive, doing his father proud. Which invoked many tears. And still does whenever I re-watch the scene or listen to the song. As if it were the first time experiencing it. Thomas Holkenborg's soundtrack truly amplified emotion and made the scenes much more powerful, It makes for one of the absolute best scenes in the movie; I'd say one of, if not my absolute favourite.
His job in charging up Victor was completely removed and I have to wonder why. Instead Barry was left to participate in "bug duty" (bugs being one of his fears also). Barry's role in Snyder's cut, and that one incredible scene where he broke the rule was arguably better than Whedon's Justice League as a whole.
I think the only scene in Whedon's cut involving Barry that I thought was actually meaningful was where he was faced with his first real mission. And he was confronted with his fears of "obnoxiously tall" beings. He appeared anxious and frantic. Fearful. Communicating to us his inexperience. And Batman simply told him to just "save one". To which he then, without struggle, saved them all. And was also able to participate in the final battle. The "save one" scene made those achievements more meaningful.
The scene after they won the battle, showcases the victorious team standing proud; and Barry with a sweet, goofy, golden retriever-esque smile plastered on his face. What a loveable smile.
An interesting contrast is the scene in where Barry reveals to his father his new position at an “actual job”. In Snyder’s cut the father was absolutely over the moon, shouting at the top of his lungs, "his foot is in the door!" repeatedly in excitement. It tugged at my heart strings; his shameless pride in his son. Making me wonder how he would have shown his pride if he found out Barry saved the whole Earth and humanity. We can assume Barry had that unequivocally powerful underlying thought too. Contributing to his saccharine reaction. In Whedon’s cut the reaction was softer and more timid but nonetheless a sweet moment. Barry becoming bashful.
It was a sweet touch to have Cyborg and Flash finally fist bump during that victorious scene after Victor rejected Barry's initial advance in Whedon's cut. Ezra Miller improvising that “racially charged” line, acknowledging the possible racism attached to a fist bump I assume. The whole fist bumping being "racially charged" was not included in Snyder's cut. The grave digging scene was entirely different. Which I far more preferred. It was a group excursion. With a little positive interaction between the Atlantean and the Amazonian. And funnier, more light-hearted dialogue between Barry and Victor.
Aquaman’s contrast was interesting. In Whedon’s cut he actually sought out to obtain the trident to help the league (although he was always disagreeing with them). Compared to Snyder; where he was apprehensive and had to be hesitantly persuaded by Willem Dafoe’s character Vulko (who was completely absent from Whedon’s cut). This was also an importantly established relationship by Snyder. Arthur first makes his desire to help the the team known saving them from the water rushing from Gotham Harbour. He isn't acknowledged in the theatrical cut but in Snyder's cut Diana notices and takes a moment to take in his presence (I assume?). Then Barry asks who that guy is. And of course we all know, it's Aquaman.
I particularly liked how Snyder chose to include Barry asking for Arthur's opinion on military hats. It's an odd, minimalistic thing to include - the reasoning as to why I like it. I also thought it was quite charming.
A scene I think deserves a mention is when Aquaman is first introduced, and then rejects Bruce's offer, he then makes his way back into the ocean. A farewell song is performed. This was quite early in the film and I think the voices being hauntingly beautiful, yet slightly eerie/poignant set the perfect atmosphere. A well done scene.
His overall character was also contrasting. He became a genuine hero who was proved capable of more than water powers and silly moments. Including that god-awful lasso of truth scene. In the theatrical cut he was bitter, a bit of a joke, not caring too much about the events that were unfolding. He had more of a heroes’ sense of purpose within Snyder’s cut.
Gal Gadot did not gain too much from the extra scenes. Though different to the theatrical cut, Snyder had paired her with a repetitive character establishing theme. It could be referred to as ancient lamentation music. Hauntingly beautiful. Something I could only assume would be the battle cries of the Amazonian warriors and the Amazonian warrior inside Diana. In some ways possibly over used, though I thought it was brilliant. It has a special place in my heart because I love that type of soundtrack. The almost eerie, maybe poignant but overall emotion provoking type. Especially her introduction scene where she faces off against the terrorists )which was overall better in Snyder's cut) The haunting warrior moans fade into her classic theme to create an incredible atmosphere. And that atmosphere was definitely missing in Whedon's cut, in more than just that one scene. It was also sorely lacking the lamentation music. We also didn't get that sweet interaction between Diana and the little girl.
When Diana began detailing Steppenwolf and the mother boxes past to Bruce, the cuts were very strange and abrupt/awkward in some way. And it felt silly and rushed; and I think that perfectly describes the whole film.
Whedon's cut also included uncomfortable scenes. Almost forcing characters to be funny where it was just completely out of place and character. Or just downright inappropriate. To be fair, Whedon is known for the Marvel movies in which fourth wall dimension breaking and odd self ware/ironic jokes are heavily used. One of the main reasons I don't particularly enjoy them, but rather enjoy the darker, more meaningful DC movies. I say meaningful in the way in which we are completely transported into this universe; where it's taken seriously and has obvious effects and meaning to the characters. Compared to Whedon's Marvel films in which the threat is joked about and the characters make fun at their expense.
Another negative contrast is the colour grading and overall shots. A good example is the conversation between Lois Lane and Martha Kent. In Whedon's version the colour is poppy, reminiscent of Buffy the Vampire Slayer, or The Office. As if it were an empty shell of a TV show. Lacking any artistic or symbolic aspects. Whereas Snyder's conversation between Martha Kent (who was actually Martian Manhunter) and Lois Lane was beautiful. The lighting was dim, with steam from their hot coffee creating a brilliant shot and conveying the perfect mood. Almost a piece of art. A lot of Snyder's cut looked as if it were ripped straight out of an incredible graphic novel. His talent when it comes to filmmaking is grandiloquent. Compared to Whedon's over saturated and flat scenes as if it were from a cliché sitcom.
Whedon also made the Justice League a lot more dysfunctional than it needed to be.
The scene where the team unanimously come up with the plan to revive Superman seemed really silly and lackluster in Whedon's cut. In Snyder's cut it was a genuine moment. A "wow" moment where the penny dropped. It gave me goose-bumps. The way it was implied, the explanation/analogy with the house, and then Cyborg creating a Superman visual as the team, standing around the table, stared at it in awe. All thinking the same thing. Without even having to say it (as Barry pointed out) It was a uniting moment. Whedon's version was just, disappointing. Lacking any impact at all. And it made the team seem disconnected in a way. Whereas in Snyder's scene the league's thoughts were in unison.
There was also an agonizing amount of Wonder Woman praise. I think praise is a...well...nicer way of putting it. It was more so adolescent boy humour, immature if you will; with her being the butt of the joke. To the point where it was little uncomfortable and borderline unnecessary. And to another point where Gal Gadot refused to do a scene, (the one where Flash lands on her) and Whedon insisted so much on still including it - that they used a body double. A scene so stupid and pointless it actually hurts. Why, Whedon?
Superman's main feature in this film is his moustache. Or, lack thereof. At the beginning of the theatrical cut, we witness the infamous Superman film scene, where we are introduced to his CGI moustache…then “Everybody Knows” by Sigrid plays as we see the aftermath of his death. I really enjoyed this scene, the song and the atmosphere. I think it was a strong start, setting the poignant mood. But of course it all goes out the window and downhill from here.
The biggest difference between the two Superman’s was the elimination of the godforsaken CGI removed moustache and the introduction to the “Recovery Suit” in Snyder's cut, which was a brilliant touch. We actually see Clark stumble upon the suit. A scene where various voices from his past, echo in his mind. An equally important and impactful scene; where he flied up into the universe, overlooking the Earth he is to protect.
I also really liked the whole, "Lois Lane is key" setup, with the eerie premonitions and glimpses into the “Knightmare”. Adding yet another deeper layer to the narrative. Setting the scene for Snyder's envisioned sequel.
In Whedon's cut during the first confrontation where Clark is confused immediately after his resurrection - the previous BvS battle is implemented more. With the "Do you bleed?" question being revisited. Giving us an unwanted closer look at the strange looking $3 million dollar CGI.
I liked Snyder's first confrontation better. It included more action and participation of all parties. And it was just a longer scene, making it seem more plausible and less silly. Before Clark reached Bruce he went through every member. Resulting in a little appreciated interaction between Arthur and Barry. I also thought Whedon’s scene showing Superman throwing Batman away like a ragdoll added to the ridiculous nature.
During the final battle. (Not mentioning how uncomfortable the colour grading was causing an unlikable atmosphere. Especially when it became daylight, taking away the exciting and intense atmosphere.) Whedon's Superman's entry was a little plain. Maybe cliché. Banging on about "truth" and "justice". Which isn't necessarily bad. It's just, maybe, too Superman? We then see the relieved faces of all the members. Batman's giddy smile was by far the best. It was nice to see genuine happiness and I think that played an important role in communicating to us Bruce's character arc. From lowest of lows, and his conflicting attitude towards Superman in BvS, to Superman giving him incredible hope. Though it slightly made me uncomfortable.
Snyder's entry of Superman was brutal in the best way. Appearing just before Cyborg was chopped to bits. Giving us that epic moment of 'He came.” Superman mercilessly rips into Steppenwolf for the next minute or two. No breakaways. Which was a great choice. It perfectly showcased his abilities. Though in the theatrical cut he was shown to be the only capable one of saving the world and being the real “hero”, in Snyder’s cut, especially The Flash, they were all shown to be powerful with meaningful parts to play.
Bruce Wayne appeared more guilty and conflicted about what happened in BvS in Whedon's cut. Though he was overshadowed in terms of writing by Superman and Wonder Woman. He also was the one who brought in the "big guns" a.k.a Lois Lane as a contingency plan in case the Superman resurrection went awry. In which it did. In Snyder's cut it was coincidence, or the doing of Man Hunter in that mysterious scene. Bruce was also quite tense and wasn’t too much a bright beacon of hope as he was in the Snyder cut. Even despite Snyder's vision of him being reminiscent and heavily inspired by Frank Millers version; darker, older, broken and violent in a way (which is brilliant) he still had this character arc. The lover’s tiff he suffered with Diana was irritating and what I thought was superfluous. Creating an unnecessary disconnect with the group. It wasn't an interesting sub-plot/complication at all .
Bruce's character arc (from the dark BvS time, to the hopeful present) was more thoroughly shown in Snyder’s cut compared to Whedon's. I briefly mentioned Bruce's schoolgirl grin when Superman arrived right on time. Though Snyder more effectively showcased this positive rise through his obviously increased in optimistic attitude. When the team are off the defeat Steppenwolf once and for all Alfred asks Bruce how he can be so sure of the Man of Steel’s arrival. And Bruce replies full of vigour, “Faith, Alfred, faith!” And in another instance Barry questions their strength against Steppenwolf due to the amount of demons he has won against. Bruce declares that, “He’s never fought us. Not us united.” It was a powerful statement that heavily elevated excitement for the final fight.
During this final fight, Batman basically goes out on a suicide mission. Then the rest of the league join him for a family reunion. The Snyder cut better represented this with an astounding freeze-frame, slow motion shot of the team. It nicely established the power of unity in this case.
The way in which Steppenwolf was defeated was vastly altered. Changed completely. Mostly due to Darkseid’s absence in the theatrical cut. Darkseid added an important extra layer of looming fear, and even gave Steppenwolf more depth. It gave him an important reason as to why he was doing what he wasy doing. As we saw his utter dedication to Darkseid. It alerted us of the larger dangers that were present. Steppenwolf’s death in Whedon’s cut was ultimately debilitated after seeing Snyder’s version. Instead of being anti-climactically eaten alive by his bug minions as the sun rose; (maybe it’s a personal preference but I heavily dislike the daylight, especially for action scenes) his head was chopped off, first horn by horn, then from the neck. His decapitated head thrusted back through the portal into his own world, landing at the horrifying Darkseid's feet, along with the terrifying parademons. Engulfed by a fiery hellscape. The horror that Earth could have faced. But still could face. It reveals the deeper and darker enemy, beyong Steppenwolf looming just beneath the surface.
A sinister tune plays, as we see the victorious Justice League looking back at them. The portal then closes. Although a victory, we can’t help but wonder what the demonic and powerful entities, far more powerful than Steppenwolf, have in store for Earth’s future.
The Knightmare vision being apart of that future. It's set up from BvS to the very end of Justice League. It's a very intriguing part of Snyder’s vision. The moment where you can link up and see the connections between all the post-credit scenes and the “premonitions” is an epiphanic moment. It’s a whole other narrative on its own that you can analyse, hypothesize and discuss. It’s a very intriguing/exciting concept to think of what would have been Snyder’s future movie where Barry (as we saw previously reverse time) goes back to warn Bruce that “Lois Lane is the key”, to avoid the whole disastrous scenario. We can gather that he is referencing what we see at the end of Snyder's cut, Superman turned evil. The death of Lois Lane, whose skeleton we saw Superman cradle previously, we can assume had a hand in that, and possibly the Anti-Life equation too. It's an incredible narrative, and there are few things I would love more than seeing the Snyderverse come to life on this epic scale again.
We also finally get a glimpse of Snyder’s joker. A very exciting moment for me. Seeing any new iteration of the Joker is an exciting moment. Could Jared Leto somehow redeem himself?
Well, it sure was infinitely times better than the Suicide Squad rendition. This Joker was actually eerie and unsettling. I felt almost uneasy watching these scenes, and his odd laugh caused shivers to form down my spine. Jokers comments about “boy wonder”, whom we find out was indeed Bruce’s adoptive son, were heartbreaking (I believe he was actually referring to Dick instead of Jason surprisingly as his grave was once seen in a previous movie) Leaving me holding my breath, wondering what Bruce would say next, or what other wretched thing Joker could say. Of course the "reach around" comment was a bit off, but I’ll just brush over that.
We also learnt of Arthur Curry’s death, Harley Quinn’s death. Proving that Snyder had such a colossal plans for all the characters, dead and alive.
It’s a poignant feeling; to see this incredible, vast narrative, just beneath the surface, unfold. Knowing that we won’t be able to see it fully developed. As of now.
While watching these two completely different cuts of the same movie; it occurred to me and I am sure many other people, that attempting to produce such an in depth narrative intensive movie on the small scale that Whedon attempted, will commonly end in a painful, empty and superficial representation. Or maybe that really was just Whedon's vision.
As the epilogue ended, the credits rolled. Hallelujah began playing, sung by Allison Crowe. And as they rolled, in big letters the words; "For Autumn" took center focus. White against black. Clear as day. Like a bus, it hit hard. The reason I was sitting on that couch finally having the great honour to watch such a film. The courage it must have taken to continue and finish such a project is beyond admirable, it's heroic. Also non-profit. It only further proves what we already knew, that the intentions were pure, as no one ever doubted.
Also acknowledging the giant billboard on one of the buildings promoting the American Foundation for Suicide Prevention. A very important cause, especially to the Snyder’s. To date fans have raised over half a million dollars to the AFSP in honour of Autumn. A truly incredible feat.
When looking at the two movies side by side, it blows my mind to see the difference that I do. The emotion, meaning, the depth. It all just made sense in Snyder's cut. The emotion was palpable, absolutley unmistakable. Things mattered more. The people mattered more. There were reasons, and purpose. It was a genuine journey for every one of the characters, and I felt it. There were so many little scenes that made so much difference that added depth and meaning, emotion.
And I cannot say such words for Whedon, though I won’t put all the blame on him. Warner Bros. is about equally responsible. .
The true, original and intended Justice League; expatiated heroes, people, stories and journeys coming together on a grandiose scale, executed with passion and care. But also giving us a bittersweet taste of Snyder’s epic trilogy that could have been.
The end of the saga; and the rest of Snyder’s visions, are left unfulfilled; as of now. But regardless, remains as one of the things I hope to see come to life. Watching this movie, and the feeling I had during and afterward is indescribable. I want to say a massive congratulations to Zack Snyder. The film was beyond breathtaking. It really is so special and it will forever have an important place in my heart.
Though I think the most important thing to take away from the Snyder's incredible work is Autumn's story.
Thank you Zack Snyder.
For Autumn.
Tumblr media
www.imdb.com/title/tt12361974/
29 notes · View notes
wiypt-writes · 3 years
Text
Too Loose And You’ll Lose It
Tumblr media
Ch1: GI Joe And Army Barbie Co-Written with @icanfeelastormbrewing​
Intro: Following the Child Sex Trafficking job, The Losers all go their own way for a break before they are due back in Fairfax County. Stella is enjoying some quiet time with her mother.
 And Jensen.
 But, it isn’t ever quiet where he is involved.
Warnings: Bad Language words.
Pairing: Jake Jensen x OFC Stella Stevenson.
A/N:  So here it is! We’ve been waiting to bring you this one for a LOOOOONG time, and we hope we don’t disappoint. We can’t wait to dive into this fic! We pick up in 2007, roughly 2 years or so before the events of the Losers Film (in our head anyway) and we can’t wait to cram it full of adventure. Please let us know what you think with a reblog and a comment.
TLAYLI Masterlist // Main Masterlist
Prologue
Tumblr media
May 2007
Stella and her mom sat in the kitchen of her childhood home in Manchester, New Hampshire. It was late morning one Friday morning, the day after she had returned home following debriefs at the CIA base in DC. It had been an emotional reunion, not having seen her mother for almost 8 months in person. They’d stayed up late with a bottle of wine before retiring to bed and after a lazy morning she had eaten a huge breakfast of pancakes, bacon and eggs, god knows how many rounds of toast and some decent coffee.
“Have you had enough to eat honey?” Her mom asked.
“Yup, honestly I’m stuffed, Ma. It feels good to be eating home cooked food for a change.” She smiled.
“Yeah, well, God only knows what you’ve been eating out there.” Julie mumbled as Stella smiled at her mom’s typical mother concern.
“So when are you due back in the office?” Julie pressed and Stella’s smile grew even wider at her mom’s name for the George Bush Centre for Intelligence in Fairfax County, the CIA HQ where The Losers would be based predominantly when they weren’t running missions.
“I have another week of leave. They gave me longer seeing as I was down there for so long. Clay and the rest only got a few days, much to Jake’s disgust, he heads back over there Monday.” Stella shook her head snorting “You know if he had his way he would be on permanent leave, drinking and watching football on TV.”
“He hasn’t changed then?” Julie grinned.
“Nope.”
“I bumped into his mom the other day at the supermarket.” Stella’s mom continued.
“Yeah? How is Janet?”
“She’s good.” Julie nodded “John has been building a new shed for the garden…or maybe it was a summer house. Either way, they were planning on having a BBQ soon when Gracie finishes school”
“Sounds good, have you seen them much at all recently?” Stella asked.
“We’ve got together a few times yes. Which reminds me….” Julie narrowed her eyes “She told me Jake has been back in the US now for 12 months. You tell him from me he’s gonna get a slap for not coming over to see me when he came back home to visit.”
Stella laughed “I’ll make sure he knows how disgusted you are in him, don’t worry.”
They sat chatting for a little while longer before Julie stood up to clear the plates, waving away Stella’s offer of help, as she always did when she was home. Stella headed into the lounge, picked up her laptop and opened up her browser, dialling into her military account. About 15 minutes later Julie walked in.
“What are you doing?”
“I got some paper work and stuff to sort, you know for the accommodation in the Condo that Clay sent me through.” Julie shook her head, “You know, Estella, I really wish you’d get a normal job-“
Stella sighed “Ma, don’t start…”
“You’re as stubborn as your father and look where that got him!”
“Wow.” Stella looked up, arching her eyebrow. “Nice. Good guilt trip.”
“You’re my little girl.” Julie’s voice grew quiet. “ I worry. And I miss you. “I know, but…this is my job. It’s all I’ve ever wanted to do.” Stella shrugged “But now, I’m home and…I’m not on tour all the time. I’ll be back for a week once very month and, well, you still have Rey, she literally lives 10 minutes away!”
Julie rolled her eyes “For all the good that does. She only visits when she wants food or to complain about something.”
Stella seized the opportunity to divert the conversation and she snorted “Complain about what? Which fucking sports car Richard wants to buy her next. Or because he doesn’t like whatever pretentious middle name she has planned for their first born?” Before Julie could reply they both heard the back door open to the kitchen and a familiar voice called “Yo, Stevensons…” Julie looked at Stella who rolled her eyes. “Speak of the devil…”
Jensen appeared in the doorway to the lounge, grinning “Oh, we’re you talking about me gorgeous?”
“No I was, and how you’ve been home on US soil for almost a year and not paid me one visit Jacob.” Julie glared at him, folding her arms.
“Oooh the full name. Am I in trouble?” Jensen grinned.
“Yes, you damned well are JJ.” Julie said, opening her arms “Now come here…”
Grinning Jensen stepped forward to give Stella’s mum a hug, pulling back with a yelp as she slapped him round the head.
“Shit, Jules!! What the hell was that for?”
“I told you! Your mother was telling me just the other day you’ve been back to Manchester now a few times and didn’t even think of paying me a visit?”
“Sorry Jules, been busy”
Julie narrowed her eyes “Busy doing what?”
“Wow. I really am in trouble huh.” Jensen shrugged. Stella snorted and Jensen looked over at where she was concentrating on the screen of her laptop. “What you doing Stel?” Stella let out a sigh at the same time her mother did, before Julie headed back into the kitchen.
“What’s going on?” Jensen asked, watching Julie leave before he turned to Stella “Am I supposed to sigh now?” “I was just filling in the paper work for the condo.” She replied as Jake sat next to her “Mom still isn’t a big fan of me being in the military. Swear she still thinks I’m 10 or something.”
“Well I know for a fact you aren’t” Jensen flashed her his trademark goofy smile and Stella slapped his arm.
“Shut up JJ” “Ouch…!” Jake rubbed his arm “Stel, be gentle.” She rolled her eyes and he reached for her laptop “Ok, let me see…” he glanced at the computer “You know this thing is totally outdated?”
“It does a job, I don’t care.” “Speaking of jobs…” Jensen looked towards the kitchen door, “How about you and me…”
“Jesus Jake!” Stella looked at him as he grinned “Here, whilst my mom is home? You have issues.”
“Didn’t bother you 10 years ago…”
“Yeah, well I didn’t know any better, you’re living proof of that. And besides, I’ve grown up since then. You should try it.” “Hmmm, you know one of the perks of being Black Ops means we all get our own private digs in the Condo” he wiggled his eyebrows.
“I swear to god Jake, you’re a fucking nightmare.” Stella rubbed her temples “Why are you here?”
“Came to invite you to the Petunia’s game tomorrow. It’s been a while since we went out on a date babe.”
“A while?” Stella shook her head laughing. “Your concept of time measurement really amazes me.” Jake chuckled “So whaddya say?” he asked, giving her a goofy grin.
“Yeah why not?” Stella asked “Which girl wouldn’t dream of going to watch an under 8’s girl soccer game? Can’t believe my luck.” “Don’t be a whiny bitch!” Jake rolled his eyes “We’re meeting Pooch and his girl later in the evening for drinks.”
“Great, so now it’s turned into a double date.” She rolled her eyes.
“Why you being so grumpy Stel?” Jake frowned.
Stella sighed “Sorry Jakey…just..oh I dunno, I guess mom just pissed me off a bit that’s all. Bringing up my dad, suggesting I’m gonna go the same way he did.”
Jake pondered this for a moment before he took a deep breath. “You know she’s just worried about you that’s all.”
Stella smiled “I know…I know. Doesn’t help I can’t really tell her what I’m doing, other than running CIA tasked missions.”
“Come’ ere…” Jake threw an arm round her and she leaned into him, laying her head on his shoulder. “How about I help you fill that paper work out and then we can head and grab some lunch or a drink, whatever.”
“Now that’s actually quite a good idea.”
Jensen smiled and gently kissed her head. “It happens occasionally.”
Stella looked up at him “Guess it’s my lucky day then.”
“Well mine was like 10 years ago so guess I can say about time Stel.”
“Smooth…” she rolled her eyes and he shrugged, dipping his head and pressing his lips to hers in a soft kiss, but before it could go any deeper another loud voice rang out from the kitchen and Stella pulled away giving a groan.
“Just what I fucking need.”
Jensen grimaced at the sound of Stella’s eldest sister as her airey tone grew louder, before the door to the lounge opened
“Aww GI Joe and Army Barbie are back in town.”  
“Fuck off Aubrey.” Stella looked up at where her sister was stood leaning in the doorframe.
“Hello to you too.” Aubrey rolled her eyes.
“S’up Rey? How’s Dick?” Jensen grinned at her. Stella nudged him, trying hard not to smirk
“You know full well his name is Rick, Jacob.” Aubrey replied with a bored tone. “You were at the wedding after all.
“Yeah…” Jensen mused “Still looks like a Dick to me.”
At that Stella snorted and he flashed her a quick wink. She loved how he always had her back against her sister and her snobby bastard husband. Aubrey merely rolled her eyes, she was well used to Jake and his quips by now.
“Yeah laugh all you want losers” and with that she left and made her way to the kitchen
“Well, she’s not wrong we are Losers.” Jake shrugged “Yeah but she doesn’t know, let’s keep it that way.” Stella sighed, before she shook her head “I don’t know how your sister is still friends with her, I mean out of choice? Really?
“Well, us Jensens are made to please.”
At that point Julie re-entered the living room “Jake are you staying for lunch or are you expected anywhere else to please today? I’m making lasagne.”
“Mom we literally ate breakfast an hour ago.” Stella looked up at her and Julie smiled.
“I know, but I’m making the pasta from fresh and have a few other things to do so it won’t be ready for a while.  You two do your…thing and let me know what you decide. Rick and Rey are staying, he’s coming later so…” “Can’t wait.” Stella deadpanned.
“Please don’t start Estella…” Julie shot her a look.
“Anyway, change of subject…how is her shit soap selling?” Jake leaned back on the sofa and Stella snorted.
“Ask her, I dare you.  I’d pay to see her face.”
“I’d do it for free if it makes you smile.”
“You two, behave if you’re staying.” Julie said sternly, pointing at them both.
“You gonna be pissed if we don’t stay?” Stella looked at her mom.
“I’ll be more pissed if you do and don’t behave.” The reply came back.
“Cross my heart Jules…” Jensen made the sign over his chest “Best behaviour. Anything for your lasagne.”
“Glad to hear it Jake.” Julie raised her eyebrow and then turned from the room.
“Looks like we’re staying then.” Stella looked at Jensen who merely grinned back.
“Sorry Stel, but you know I love verbal sparring with Rick the Prick.”
She snorted “You’re a bad man JJ” “I’m your bad man.” He winked.
Stella looked at him, cocking her head to one side trying to figure out what exactly he meant. As far as she was concerned he wasn’t after anything serious. Especially seeing he was the one that broke it off 8 years ago. Sure they’d fallen into the whole friends with benefits thing but it was no strings and all that…
She took a deep breath, cleared her throat and nodded to her laptop “So, er…forms?”
****
Two hours later they were still filling in the damned paperwork, Stella having a lot to complete…that and the fact they’d been distracted a bit by laughing and joking around, Jake showing her on Google Maps the location of a few good restaurants and bars not too far from the Condo to head to. They both looked up as Julie walked back into the lounge to tell them lunch would be ready in 20. They finished up what they were doing before walking into the Kitchen where Stella was greeted by her brother-in-law with his usual stiff hug, whereas Jake took great delight in pumping his hand up and down furiously, grinning at him.
Stella shook her head, smiling to herself as they all sat down outside in the garden, making the most of the nice weather, and began to eat. Richard was telling some boring tale from his office and Jensen was hanging off his every word, pretending to give a shit when Stella knew nothing could be further from the truth. He was merely waiting for his opportunity, which was handed to him a few minutes later by Rey who couldn’t resist getting the first shot in.
“Jake, how’s the army geek life treating you?”
“Great Rey, how’s the soap?”
Stella instantly choked on her water, and Jensen looked at her, patting her on the back as she recovered.
“Oh, it’s ok.” Rey waved a hand “I haven’t made much recently, been so busy with you know…other stuff.” “Yeah, that other stuff just keeps gettin’ in the way of…soap.” Jake shook his head.
“Are you joking with me now?” Rey narrowed her eyes.
“Wouldn’t dream of it.” Jensen shook his head. “In fact, I’m in awe of you. I mean it literally amazes me how you can make that stuff and sell it when you hate getting your hands dirty so much.” Jake swallowed a mouth of his food and grinned at her.
Rey glared at Jake “I wear gloves, ass-wipe.”
“You really don’t get irony do you?” Stella laughed, taking a drink from her glass of water.
At that point her mother caught her eye and gave her a stern glare, her earlier warning to the two of them to behave flashed across Stella’s mind but she was struggling to care. Her and Jake ‘Tag-teaming’ Rey and Rick was a well-practised art that the two of them had fine-tuned over the years, and it was the only time Stella ever felt she could get one up on her sister.
Rey looked at her and flicked her hair behind her shoulder “You may laugh but its selling really well. I’m actually thinking of expanding into a baby range.”
“Be handy for when we get pregnant.” Rick smiled at her.
Stella pulled a face as Jake grinned “You guys have that planned too? A designer little Rick or Rey on its way?”
Aubrey smiled and looked adoringly at Rick in a way that made Stella want to barf “Yeah, we’ve been trying.”
“Code for we’ve been fucking non-stop like Rabbits.” Stella mumbled.
“Estella!” Julie said sharply as Rey glared at her.
“Just because you can’t get your own relationship sorted…” she shot
“I’m not in a relationship, as well you know.”
“You sure?” Rey stared back at her, her eyes flicking to Jensen for a second.  Stella felt herself grow red.
“Fuck off.”
“Ok that’s enough!” Julie said loudly “Can the pair of you just not stop this sniping for even one damned hour?”
Stella took a deep breath “Sorry Ma.”
Jake who had remained quiet, up until that point chipped up again, deflecting the conversation.
“Huh…” he pondered something before he pointed his fork at Rey “You know, if you’re trying to get pregnant it’s highly recommended to be in good spirits. You keep getting so angry and snippy at people, you’re gonna scare Rick’s little soldiers away. It’s a question of PH.”
Rey and Rick exchanged a glance whilst Julie looked down at her plate, coughing slightly, a smile flickering on her mouth, her admonishing clearly forgotten. Stella’s eyes moved from her mother to Jake and she mouthed ‘are you for real?’
Jensen simply grinned, shrugging, as Stella shook her head, trying not to laugh. She adored Jake when he was in full on playful mode like this. He was always full of random, stupid trivia that you could never tell whether was actual fact or simply made up for the sake of sheer, stupid comedy value and he could use it perfectly to diffuse a situation and divert attention just as he had done right now. The best bit was, that Rey and Rick were utterly oblivious to his tactic and were now looking at him, like his words were gospel.
“Where the hell did you hear that?” Rey asked.
“I read it in Nature…” Jake shrugged, taking another mouthful of his food.
“I’m impressed Jake.” Rick looked at him.
“Well, sometimes I’m more than just a pretty face Dick.” Jensen shrugged.
Rick blinked “Did he just-“
“Jules, I gotta say…” Jensen cut him off before he could finish, flashing Julie his best smile “This lasagne as always is delicious.”
*****
“Damned Stel…” Jakey mumbled to himself as she heads to car. Taking in her tight jeans that show off her ass and legs, her khaki green silk chami top which hung loosely off her frame, exposing her collar bone and her light grey jacket, set off with a pair of stylish Oakley Holbrooks with matte black frames and red iridium lenses. Her hair was pulled into a side braid which hung down her right shoulder and when she smiled at him he shifted slightly in his seat.
“You look nice.” He recovered himself enough to smile as she climbed into the car.
“Thanks JJ.” She turned to him, taking in his dark jeans and grey and blue button down. “No Petunias T-shirt?”
“Well I figured seeing as we’re going out afterwards I should make a bit of an effort.” He grinned, pushing his glasses back up his nose. Stella arched an eyebrow but didn’t say anything.
“See your dad got a new car…” she mused, taking in the interior of the silver chevvy blazer before she grinned “Pity he got rid of the ford…”
Jensen smirked “Yeah, we had…good times on that back seat.”
Stella smiled and looked out of the window, before she turned back to Jake as he drove off up the road. “So who are they playing today?” she asked
“A team called the Oaks.” He said “I was checking their scores the other day, they lost their last 5 games so...” Stella smiled “You get far too invested in this you know?”
Jensen shrugged. “What can I say, I like soccer.”
Their conversation continued on the 10 minute or so drive to the Petunia’s home pitch, and eventually strayed to Jensen’s sister Jane before it moved onto their lunch yesterday and how Julie had given Stella a ticking off once Jake had left.
“You know Rey has been googling that PH bull shit don’t you?” Stella looked at Jensen as he drove towards the soccer pitches “And she’s realised it’s just that. Bull shit.” Jensen shrugged “I don’t care, she was being a bitch to you.”
“Well thankfully she left about an hour after you did yesterday so I didn’t have to put up with her for much longer.” Stella shrugged “Still, was long enough for her to keep talking about fucking soap.”
Jensen grinned “I think I touched a nerve?”
“No shit.” Stella grumbled “You know what she said? After all that about how well it was selling and them expanding the range, she told ma she only made $500 last month!”
Jensen laughed as he swung the car into a spot by the side of the road. “Yeah, that’s…not great.”
“I did point out that maybe the reason people don’t buy whatever shit she sells because they freak out at the ridiculously ostentatious name of the company.
“The Bath To Righteousness” Jensen grinned as they both climbed out. “Yeah it is pretty pretentious. Stuff like that needs an angle you know? These companies selling homemade, organic shit are ten a penny. It needs to be a catchy name, something punchy.”
“What would you call it?” Stella looked at him, slipping her arm through his as they headed over to the pitch The Petunias were playing on.
“I’ve got Soap, Bitches.” He nodded firmly. Stella burst into laughter. “Or Lick My Soap.” Jensen continued reeling off stupid names as they approached the side lines. “Soap In Your Hole…Hit Me with Your Best Soap…Slippery when Wet… Don’t Buy Soap, Won’t Be Soap”
Stella was laughing that hard she was struggling to breathe. Jensen grinned as her nose crinkled up and she let go of his arm, doubling over, clutching her stomach. “Don’t buy soap, won’t be soap?” she managed to stutter, wiping her eyes “What the fuck does that even mean?”
“It’s from an ancient Tibetan philosophy- don’t start none, won’t be none.”
“You’re so full of crap.” She snorted, shaking her head.
“Maybe I should eat one of those soap bars then?”
Stella began to laugh again and at that point Jake’s sister Jane appeared from wherever she had been and looked at the pair of them over her shades. “What the hell’s got into you?” she looked at Stella, a smile playing on her face.
“Hey Jane, What’s soap, I mean up.” Jensen quipped and Stella let out another loud howl of laughter. Jake looked at her, laughing a little before Jane shook her head
“I just can’t with you two…” Jane grinned and gave Stella a hug. “Good to see you Stel.”
“You too Jane. You look well.” She said, stepping back to take the blonde woman in fully. “Where’s Gracie?” “Oh they’re over there with their coach.” Jane said, waving her hand in the direction of the pitch “She’s been asking about you all day. Ever since Jake said you were coming she’s been so excited.”
“I can’t wait to see her either, it’s been like a year!”
“Oh she’s grown up a lot. You’ll see.” Jane smiled.
“Hear that JJ- grown up.” Stella looked at him. “Seems even your niece can manage it.”
“Says the girl that almost pissed herself laughing at the phrase slippery when wet.” Jensen eyed her over his shades and she shrugged.
“I daren’t even ask…” Jane looked at them both and Jensen simply waved her comment away.
“Oh we were just trying to think of ways to help Rey boost her soap sales.” He shrugged.
“Do I really wanna know?” Jane asked, “Mind you, she’ll probably chew my ear off about it all later.”
It wasn’t long before the teams head out to the pitch and the three of them took their seats on the small stand as they kicked off.
“I’d kill for a beer.” Stella mumbled about 5 minutes later.
“Well, I nearly bought some but thought better not. I got caught last time and fined- broke a by law apparently.” Jensen said, his eyes not leaving the game “Jane went bezerk. She’s kinda scary when she gets mad. Like you.”
Stella smiled and turned back to the game for a little while, until the Petunias made a break for goal, only to have the girl who was running through felled down by one of the Oak’s defenders.
“Oh look at that!” Jensen yelled, jumping up “Foul ref…are you blind?”
“Jake sit down.” Jane hissed, looking up at him from where she sat to Stella’s right.
“I’d say this is embarrassing but I’m used to it.” Stella shook her head.
“I swear to god behave or I’ll ban you for life.” Jane threatened him again as he continued to yell down to the pitch.
“Can you sit down please?” A voice came from behind them and Stella looked at the woman who was speaking “You’re blocking my view”
“For fucks sake…” Stella grumbled, reaching up with her left hand and yanking on his shirt “Jakey, sit!”
With a grumble he did as he was told and leaned across Stella to look at Jane “You soccer mums are a nightmare.” Jane glared at him, Stella remained focussing on the game, trying not to laugh. When Jensen moved to sit back she looked at Jane and mouthed “Sorry.”
“Don’t be.” Jane shook her head “He’s far worse when you’re not around.”
“God help you.”
“Yeah there was this one time he was that bad Gracie stopped talking to him for an entire weekend. Poor Kid hadn’t been so embarrassed in her life.” Jane mumbled. Jensen turned to look to his right at Stella and his sister, frowning.
“What are you two whispering about?”
“You.” Stella looked at him “Now shut up and behave.”
“No need to be so aggressive babe.” He arched an eyebrow but obeyed anyway.
“Stella, can I hire you for like ALL the games?” Jane asked, nodding to the fact Jensen was, for once, doing as he was told.
Stella snorted, shaking her head as she turned back to the match.
As it was only a kid’s game, they only played 20 minutes either half. The first one closed at 0-0 and after a quick 5 minutes break they swapped ends and kicked off the second half. About 5 minutes in the Petunias broke and this time thanks to a great pass through from Gracie they scored. Naturally Jake cheering loudest. The rest of the half was uneventful and the game ended at 1-0. As everyone began to move, the three of them headed down to the side lines, Gracie trotting towards them.
“Stella!” she grinned, throwing herself at the woman. Stella grabbed her in a hug, swinging her round slightly.
“OMG look at you! You got taller!” she smiled, ruffling her hair.
Gracie grinned “I know. But it has been a while since I saw you.” She admonished Stella a little.
“Really?” Stella grinned “Doesn’t seem that long.”
“Did you see my goal assist?” Gracie asked and Stella nodded.
“Of course I saw it honey, you were great!”
“Alright, alight, favourite uncle right here.” Jensen said, gesturing to himself.
“You’re my only uncle, duh.” Gracie rolled her eyes.
“Well guess that makes me your favourite by default then.” Jensen shrugged.
Stella pat his shoulder gently. “You were brilliant JJ.”
At that Gracie gave a snigger.
They chatted for a little while longer before Jake said they needed to leave to meet Pooch and ‘future Mrs. Pooch’. Gracie wasn’t impressed at Stella going so soon and there was a brewing tantrum until Stella assured her it wouldn’t be too long before she saw her again. In all honesty, Jensen could have spent the rest of the evening watching his niece and Stella interact. He had to concede Stel had a way with children which contrasted with the focused military Captain persona who was now part of an elite black-ops team . Mind you, Gracie had known Stella her entire life. Granted, Gracie had spent more time with Aubrey, being as she was one of her mother's best friends, than with Stel and yet it wasn't hard to tell Stel was one of Gracie's favourite people in the world. 
So after a vague promise to take Gracie out for an ice cream during the week she still had left of her leave, Stella managed to avert the tantrum and they said goodbye and headed back to the car. 
When they got to Tandy's, almost half an hour later, Pooch and his fiancé were already at the bar waiting for them.  Pooch stood up as he spotted them approaching and he pulled Stella into a hug before greeting and patting Jensen's back and introducing Stella to his wife-to-be, Jolene. They grabbed a drink and sat down, the 4 of them chatting for a little while. Pooch and Jolene told Stella all about their wedding plans, which sounded like a beautiful ceremony planned for the following year in Mexico. 
Stella was asking the reason for their wedding ceremony being in Mexico when they finished their first round. Jensen, noticing their glasses were empty, stood up to go get another round, he had already had his share of Pooch's wedding plans for the past year, and Jolene excused herself to go to the bathroom soon after, leaving Stella and Pooch alone. 
"So you enjoying the chance to be at home for a few weeks Arty?" Pooch asked her.
"It’s great being with my mom but she’s already driving me crazy, telling me I need to leave the army and get a good, normal job. She’d have a fit if she knew I was part of this Elite Black ops shit."
Pooch chuckled "Well, it’s not all undercover life or death situations. You know, Jensen ended up doing 2 months at HQ working on some online terrorist cell last year. Cougar has run a few sniping jobs too. I ran a couple of training ops with some troops in Canada."
"Yeah. Clay mentioned I might get a few normal jobs…" Stella nodded, as she fiddled with the coaster on the table.
"So it’s good to be reasonably close to home, you know? Well, I say reasonably close…still like a 7 and a half hour drive. Hurrah for Military Discount on airfare…or you can go via New York and take a night there.” Pooch shrugged “Me and Jensen done that a few times. Although keeping tabs on him in Times Square can be a pain in the ass…"
"Yeah I can imagine." she laughed.
"So, what’s your dad think about your career choice?" Pooch asked then.
"No idea, he died when I was 10." Stella shrugged.
"Shit, sorry." Pooch apologised, eyes wide open at the realisation of his gaffe.
Stella gave him a comforting smile. "It's ok. You didn't know."
"No siblings?" Pooch inquired and Stella could feel his wariness as he asked another personal question.
"One." she smiled again. "Sister, she’s…” Stella hesitated, trying to thing of the most diplomatic way to phrase what she wanted to say. “Well, she’s very different to me. Her husband is a Finance Director for Lockheed Martin and earns a ridiculous amount of money so she doesn’t work. Well, unless you count running an online Etsy shop selling home-made soaps. She’s friends with JJ’s sister although fuck knows how Jane puts up with her."
"I could ask you the same thing about Jensen." Pooch joked, nodding at Jensen at the bar and Stella smiled again. 
By then Pooch had noticed Arty smiled a lot. She had a warm smile that made him feel comfortable around her. That and the fact she wasn't shy to talk about her life with him. He liked her and thus he was curious about what the real nature of her relationship with Jensen was.
"So you know his family as well then?" he asked.
"Yeah I’ve known them all since I was 11." she offered.
"That’s nice." Pooch nodded.
"What is?"
"You guys being so close since you were kids." he said, smiling.
Stella smiled at him again but it was now a mischievous smile "He told you how we met?"
Pooch shook his head "No."
"It was first week of middle school. I was walking to class and my bag split. He came over to help me pick up my stuff, smacked his head straight into mine as he stood up."  she stopped to let Pooch laugh it up.
"He banged his head?” Pooch snorted “Yeah that…that sounds like Captain Chaos alright…”
Stella shook her head as she gave Pooch a nudge, stretching her arm over the table. "Don’t laugh, he was cute. A dork but cute. And he was a friend. My dad had only been dead 6 months or so and we had moved back home from Kentucky to be nearer our grandparents so I didn’t really know anyone. But, he came straight over when everyone else was laughing at me and he deliberately placed himself so no one would see me crying." At that Pooch saw Stella glancing over at Jensen, smiling softly. "Been hanging out ever since."
"So when did you two…you know…cross the line so to speak."
"He asked me out on my 17th birthday. I’d liked him for years but didn’t think he thought of me in that way. We dated through senior year and then we both went off to Norwich University for the ROTC." She explained.
"Oh, so you didn’t direct enter either then?"
"No. I talked to Clay about it and he suggested I do the ROTC so I could get a college education as well. I suggested it to Jakey and we both went for it."
"So, excuse my prying but why you two beak up? Seems like you were together for pretty much the most important decisions of your lives?"
Stella hesitated before answering. Although she didn't mind talking to Pooch it was the first time she explained her and Jensen's story to anyone. She hadn’t needed to up to that point, seeing as everyone she had met till then didn't know Jake too, bar their respective families and friends and they already knew what the deal between them was. Sort of.
For the first time Pooch felt like she wasn't that willing to answer. "Well, after the ROTC thing we both got our first overseas postings and, well, he suggested that maybe it was better if we called it quits before the distance tore us apart and we resented one another. I agreed. We stayed friends though."
"Friends with benefits, huh?"
"Yeah, you could say that." she snorted.
Pooch looked at her. He sensed it was better not to pry more on the subject so he decided to change topics.
"So, you know Clay of old then?" he asked, remembering Clay had warned them she was like a daughter to him.
"Yeah he was in the Army with my dad. My dad was a major in the Screaming Eagles, you heard of them?"
Pooch nodded "The 101st airborne division, right?"
Stella nodded too. "Clay was first lieutenant in his command. He was killed when they launched the operation to cut off Highway 8. One of only 16 to die. Clay took it hard, he was literally right by dad when he died. A foot to the right and he’d have taken the bullet not dad, and he felt guilty for ages for not spotting the sniper but…either way one of them ended up dead. I mean, dad was only 45 when he died and Clay would have been…what, 28 or so at the time, maybe? Either way it’ no age, total waste of a life."
"You know, Clay never really talks about his past much but he did tell us once that seeing his friend die at the hand of an insurgent was what spurred him into the Special Ops. He wanted to get involved in tracking down terrorists, making places safer. Never knew who he was talking about though." Pooch offered.
"Well now you do." she shrugged "I expect it's painful for him to talk about. We’ve all been there, lost people …it’s hard."
"So that's why you joined as well? Your dad?" Pooch asked.
"Yeah. Much to Mom’s disgust. She called Clay, thought he would talk me out of it. I think his words to my mum were, and I quote “ I don’t stand a chance Jules, you know she looks up to Ian’s memory like he’s Captain America….”." 
Pooch laughed out loud and Stella grinned. "Yeah she’s still not best pleased with him. And when I got stationed over in Iraq, well, I thought she was gonna hunt him down and kill him with her bare hands."
"You clearly made the right career choice though, I mean you made Captain pretty fast." Pooch stated with real admiration. “Just like Jensen did.”
"A lot of that was down to doing the ROTC and circumstance. Right place, right time…you know what it’s like in the field. They need commissioned, senior officers in Delta Force, I dare say female ones specifically to ‘fil the quota’ so to speak. I did my job well and…" she shrugged.
"From what I hear you’re selling yourself short. Clay speaks very highly of you. He was raving about this person on the inside for the entire time we were running that last op."
Stella smiled, after the conversation with her mother the day before and having to put up with her sister and brother in law's perfect life all over the weekend, Clay's words were like a balm to her. 
"Good to know I’m doing something right."
Pooch was pondering Stella's words when Jensen returned from the bar with a couple of beer bottles and two deep orange coloured cocktails.
"Sorry guys, they had a new bartender who wasn't very sure about the best way to prepare a Sailor's Grave." He shrugged “So, this is for Pooch, this is for Mrs. Pooch and this one is for my girl…" he said, placing the drinks ceremoniously on the table, flashing a wink at Stella when he said the last part.
Pooch raised an eyebrow at Stella. The boundaries in Jensen and Stella's relationship, whatever that was, were clearly a little blurred.
Stella rolled her eyes before speaking "I’m not your girl Jake, not since you dumped me when you went over to Burkina Faso." She flinched a little as that came out slightly harsher than she meant and Jensen noticed.
 "Ouch doll. Bitter much?" he frowned.
Stella took a deep breath but didn’t say anything. Worst thing she could do was encourage him, whether it was in favour or against, his attempts of flirting. Thankfully, at that moment Jolene returned to the booth.
"Sorry I took so long, I got a call from the office." She apologised as she sat at her place next to Pooch.
Stella seized the chance to divert the conversation and get Jake out of her mind and sight for a minute and she smiled at Jolene and asked “So what do you do for a living?”
"Oh I’m a paralegal for a local firm in Concord." Jolene explained before taking a sip from her cocktail.
Soon both women were engaged in a lively conversation as Stella continued to ask her questions, happy to keep her mind occupied and off all thoughts of Jake and the little tension earlier. Eventually, however, last orders were called and the 4 agreed it was time to go.
“Jolene seemed nice.” Stella broke the silence that had fallen in the car. “They make a nice couple.”
"Yeah, Pooch is a good guy and she’s a nice gal so…" Jensen agreed, hands on the wheel.
They both fell silent again, Jake concentrating on the road ahead. He was anxious and hoped Stella hadn't noticed, though they had never been so silent in a car drive. Something had been bugging him since that night in the barracks after the mission. The sex had been amazing, it always had been, but whereas they normally left it at that but now… well, being around their hometown, the place they had grown up and first started dated, going out and just doing things they used to do was sparking all sorts of feelings within him. Just an hour before, calling her his girl had just slipped out, and he’d realised from her reaction as soon as he’d done it that he shouldn’t have.
He chewed the inside of his cheek as he drove, trying to convince himself that he had done the right thing breaking it off 5 years ago. But he was also cursing himself at the same time, because being around her yesterday and today, in a normal environment, he realised that just as he’d told her that night after the mission he missed her. And not just the sex. But her. The difference being now, as he pulled onto her road, he realised he didn’t just miss her because he hadn’t seen her. He missed her being his. 
 His. That was his last thought as he parked up at her driveway.
"Thanks Jakey, I had fun today." Stella said, looking at him for the first time since they got in the car.
"Me too, Stel." Jensen said as he nodded.
And there was a silent pause as Stella digested the fact he wasn't even looking at her. His eyes were fixed on some point beyond the windshield.
"Ok, erm.." Stella spoke but paused to clear her throat. "Well, have a safe trip over to Base and I guess I’ll see you in a week."
He still didn't say anything, he only nodded in agreement. His eyes still not on her. So she opened the door, ignoring the lump on her throat, and made to leave when she felt him gently grabbing her arm.
"Stel…"
She stopped and looked at him. He was now looking at her, almost pleadingly, as he reached out, gently gripping her chin in his finger and thumb, his eyes bouncing across hers.
"Jake, I don’t think we..." she whispered but her protests died as he pressed his lips to her.  It was a furious and needy kiss, his tongue harshly dominating hers, and when he pulled away he pressed his head to hers.
"See you in a week, doll." he said, his eyes boring into hers.
"Yeah, see you." she whispered, before getting out of the car
She looked back once to wave as he was waiting to make sure she got inside, as he always did. Once in she shut the front door and headed to the kitchen. Just as she turned around and took the first step her mom walked out of the living room.
"Not in a relationship, eh?" 
"Were you spying on me?" Stella asked. Best defence is offense after all…
Her mother shrugged, a smile threatening to spread on her face. She liked Jake, she had always liked him and what was more, though she would rather be caught dead than admit to it, she liked him more than she would ever like Rick in a million years. But then, what was more important to a mother than their daughters' happiness?
 Stella sighed. "It's complicated."
"Sure it is. Night honey.” her mother said and, after placing a kiss on her head, she left her to it.
Stella said goodnight and headed into the kitchen for a bottle of water.  She uncapped it and leaned on the counter. It had taken her a while to get to a point where she could simply fuck Jake and leave it at that, but even then deep down she knew she had been kidding herself, fooling herself. He had been right in the bar before, she was bitter. Bitter that he had given up so easily when she thought they had something special. And she’d been that much of a sucker that she’d gone along with the whole ‘friends with benefits’ arrangement because the thought of not being with him at all had made her feel sick. 
During the last 12 months they had drifted apart and even though she’d hated it at first and it had killed her, it had done her the world of good in that she had finally worked him out of her system.
Or so she thought she had.
Because here she was, less than 2 weeks of being back in his presence and she was already slipping back down that deep, dark hole. After that night post the mission they hadn’t been together that way, at all, but then the previous day he’d shown up and today he had taken her out, for what had been a really fun afternoon and evening, and it had felt just like old times. 
Especially when he had kissed her like that. 
Jensen was the king of giving off mixed signals, he always had been. Hell, it had taken her years to figure out he liked her that way. But they weren’t in high school anymore, and it was easy, far too easy to get swept back into something that meant more to her than it did to him. She knew she had to put a stop to it, because someone was going to get hurt. And that someone was likely to be her.
Lost in her thoughts she drained the bottle and tossed it into the recycling bin before running her hand through her hair sighing to herself. 
“I’m fucked.” 
**** Chapter 2
70 notes · View notes
Text
ALRIGHT, HERE WE GO, RELEASED INTO THE WILD AT LAST:
Supergirl: Woman of Tomorrow #1
Beware! Spoilers and panels and ~vibes~
OKAY, SO. The way I would describe this comic is that it’s a very unique and specific flavor of Supergirl, and as such, not everyone will dig it.
But, that unique and specific flavor is not bad.
IMO, anyway.
Like. I enjoyed this. And I want to see more.
Okay, enough stalling. ON TO THE GEEKING OUT!
THE STORY:
This is True Grit. Straight up. 
Which means, of course, that I kinda love it. Because True Grit is one of my favorite books. 
Ruthye is essentially Mattie, our POV character.
A big criticism I’ve seen is that Ruthye is the main character here, not Supergirl, and that is a fair point.
BUT. But. I think it *is* possible to have a satisfying narrative about your title character while having a different POV character. Take! For instance! Season six of Supergirl, where we’ve got a LOT of time with the Superfriends and not a ton of Kara time, but you see Kara’s influence and heroic qualities in the other characters, so it’s like. Indirect Kara content.
Also, willing to forgive it b/c King has to set up a lot of stuff/introduce Ruthye, so that we care about her and her relationship with Kara and HOPEFULLY now that most of that is out of the way, we can get less narration going forward, and maybe more Kara.
If this were a two issue limited series I’d be mad. But it’s not! So I’m gonna wait and see! 
As for Ruthye herself--I like her! One thing in particular that I think is cool is that her culture is very rustic--she is quite taken aback when she discovers Kara’s spaceship. It’s such a contrast to Kara’s whole deal as a space-faring Kryptonian hero, so it makes for interesting interactions? And I’m hoping we’ll see more of that going forward.
This book is pretty firmly PG-13. I’m always a little dismayed when I can’t recommend a Supergirl book to kiddos, but also, like. I don’t think there’s much in DC’s mainline continuity right now that you could give to a kid? In Action Comics, a Warworld dude pulverized his hand and broke open his own skull--on panel--trying to fight Superman, so.
(Can’t wait to see the double standard from SG comic fans, how Action Comics is a loving testament to the Superman family while SG is horrible and ultraviolent and like. Buddy.
Smashed. Skull. ON. PANEL.)
(Side note: Action Comics is very good. In spite of the skull splattering.)
Right, so. Plot is really simple and straightforward, there’s not a ton of stuff to actually talk about? Basically: I dig it. 
Moving on to the COOLER STUFF, IMO:
KARA-CTERIZATION:
Aaaah, yes. I’ve already seen folks insist that Kara is OOC and that King has broken her characterization to suit his narrative and to this I say...nah.
There are shocking things that happen in this book. Kara gets drunk! Kara swears! Kara beats people up! And that is absolutely gonna drive some fans away. 
But also there are some good bits of characterization in there--things I really love, actually.
For instance, I already typed at length about the bar fight sequence. Once you get past the shocking, ‘She’s drunk and swearing!’ you can see that Kara gets involved because this guy has stolen something from Ruthye and he hits her. Kara’s not just belligerently picking fights for fighting’s sake. He ‘shoots first’, as it were. She uses his own brute strength against him. It’s good character stuff that will unfortunately be ignored b/c of the more sensationalized set-dressing.
But there are other good bits later, as well! 
I’m sure there’s gonna be a lot of chatter about how King has made Kara a murderer (Ruthye says on like, page two, that they eventually find Krem and Kara delivered the killing blow) but before we get there, this whole first issue is Kara refusing to join Ruthye because she doesn’t kill people. She tells Ruthye that she should seek justice, not revenge.
(Obviously, something changes over the course of the story that results in Kara killing Krem. We don’t know what it is yet, so. I’m inclined to wait and see what’s up, as opposed to prematurely labeling Kara a cold-blooded killer.)
(Like, I think about the whole White Martian situation in that one episode of Supergirl, where she used the staff to destroy them. So this information/reveal is not *necessarily* a deal-breaker for me yet.)
(Because again! Kara spends a significant chunk of the issue trying to tell Ruthye, ‘hey, don’t kill people!’ so she’s clearly not too gung-ho to go kill the guy.)
(But I digress.)
When Kara and Ruthye have their big heart-to heart, I like that Kara comes to talk to her, and kneels down. Meets her at eye-level.
(Folks who read my previous rambling will recall that the bad-guy at the outset towered over Ruthye and literally talked down to her. Kara doesn’t do that.)
Tumblr media
Additionally, when Ruthye expresses confusion over Kara’s spaceship, Kara explains what it is/how it works, as well as the danger of being too close to it when it launches, by comparing it to a form of travel Ruthye would be familiar with--a mount/horse.
I also appreciate that, though Kara is firm with Ruthye/ kind of ‘yells’ at her, it’s all rooted in her concern re: Ruthye potentially getting hurt, if she’s too close to the ship. She needs Ruthye to leave, not because she’s being cruel or dismissive of Ruthye, but, you know. She doesn’t want to see the kid get ‘kicked’ by the force of liftoff. 
(She also calls Ruthye ‘sweetie’ and explains to her that she’s not a hunter, she needs to get back to Earth because she has a job protecting people, etc. etc.)
(So the folks who were worried about Kara being in the Rooster role of this True Grit take, like...okay yes, she fills the role of ‘older, more experienced mentor figure’, but she obviously doesn’t have Rooster’s mannerisms. She’s still Kara. She cares, and shows concern, and is kind/gentle in her dealings with this alien child.) 
And then...okay. There’s like, a series of panels from two separate pages that I’m gonna include in full because I like ‘em so much.
Tumblr media Tumblr media
Like, oooOOooooH, you can just see it, how it hits Kara right where it hurts. 
THE ANGST. THE FEELS.
I had assumed, based on the solicit text, that Ruthye’s planet had been destroyed, a la Krypton, but come to find out, the ‘world’ she lost refers to her father, and that reminds me of when Kara was talking to Winn about his dad, waaaaay back in season one of the TV show.
Obviously, it’s very different, the loss of one person vs. an entire culture/society, but Kara’s empathy/compassion allows her to see that for her, it was a literal world. To someone else? Their whole world might be a parent, or a friend, etc.
I love this. I love the horizontal panels, the emphasis on just Kara’s eyes and eyebrows, and how much emotion is conveyed there. And the way Lopes adds a touch of red to her eyes, as she starts to tear up.
IT’s. SO. GOOD.
Now, we don’t see Kara agree to help Ruthye in this issue...because she’s. Promptly shot with several arrows, after this.
And of course she has her big badass moment where she takes on the two goons because they SHOT KRYPTO, THOSE FIENDS. And she does so while she’s got arrows sticking out of her chest, NBD.
(Should be noted, she’s on a red sun planet. No invulnerability.)
And there’s this bit where one of the goons--Krem, the main antagonist of the series--takes off and steals Kara’s spaceship, but Kara doesn’t pursue him, because Krypto whines so she just sort of crawls over to him and they both sort of collapse in the middle of the field and
HNNNNG. FEELINGS.
And thus ends issue one! 
And like, okay. This is not the greatest Supergirl comic to exist. This is not my ‘ideal’ Supergirl, this is not Gates/Igle level. I’m not suggesting that.
But.
I am DESPERATE for issue 2, and I cannot say that any recent Supergirl comic has made me wish that the next issue was coming out right now to get more of the story.
So YOU WIN THIS ROUND, KING.
THE ART:
Okay. This is what we’re REALLY here for.
This book. Is heckin’. Gorgeous.
Even the less favorable reviews on this book (I’ve seen a few so far) insist that Evely and Lopes are doing career-best work here.
Which is SAYING SOMETHING because their stuff is ALWAYS amazing.
(Lopes just shared his next project, Ka-Zar of the Savage Land, and gosh, the colors look stunning.)
But, okay. This book.
The landscapes that Evely creates here, just. AMAZING. The intricate detail and worldbuilding on display...
King briefly stopped by another ComicPop podcast, and talked about how Evely is so good at worldbuilding (he also mentioned that Doc Shaner is the same way and YES, AGREED) that you can just. Trust these artists to design entire planets and locales and cultures.
SO TRUE.
And the expression work is top notch as well!
Here is one of my fav panels:
Tumblr media
The FACE and the HAIR and the BODY LANGUAGE! 
I love it so.
And then there’s the sequence I already shared above and I just!!!!
As mentioned in previous posts, my biggest complaint of current comics is that often, the character acting is just...not there. 
But man, look at all Evely says/does with just Kara’s eyes.
Even if you wanna claim that King doesn’t care, or that he’s the worst thing to happen to Supergirl (he isn’t) you cannot say that Evely and Lopes are phoning it in.
(For those keeping track, the worst things to happen to Supergirl are Harras, DiDio, Berganza, Kreisberg, Loeb, and Johns. Actual predators and/or racist jerks, and the jerks protecting the racist/predatory jerks.)
(Anyways)
King’s repeatedly mentioned that Evely had a mood board with a bunch of 70s European sci-fi artists on it and you can TOTALLY TELL, because this book feels like a French fantasy comic in the best way.
So when I said ~vibes~, I do mean some very specific vibes. Cool, world-build-y, melancholic vibes. 
Okay, one more page, b/c I want folks to just. Bask in the artwork. 
Tumblr media
I mentioned earlier the contrast between Ruthye’s world and Kara’s, and here we can see it visually; the cold blues of the spaceship, the specific shape language of all the lines and hard angles on the metal, surrounded by the soft organic shapes of the clouds and ground plane, AS WELL AS the warm tones of the red sun planet...SO. WONDERFUL.
Oh, wait, lettering!
I love the more handwritten/organic font they’re using, it totally matches the feeling they’re going for; again, this is not the slick, ultra-modern, highly rendered art you’d see in Marvel’s X-Men line right now. 
This has a rougher quality; just look at those panel borders! You can tell they’re hand-inked, not placed in digitally with a shape tool.
I also lamented that the SFX look a little light on the page but I think it works really well in this one panel:
Tumblr media
(I laughed, NGL. Like, in an ‘oh, kiddo...’ type way.)
But, yeah. Not to get too...gross, but the shape and design of the letters here...really sells the action, ya know? XD
(Also one last quick art appreciation note, look at Kara’s hand, I love the little bits of like...visual interest in the poses. It breathes life into the book!)
TL;DR: Mark me down as a bad Supergirl fan for enjoying this, I guess. XD Can’t wait for issue 2, and I HOPE THE DOGGO IS OKAY!?!?! 
8 notes · View notes
duhragonball · 3 years
Text
BEGIN: Battle Tendency Liveblog.   JJBA Ch. 45-47
Tumblr media
🇺🇸🗽🧗‍♂️🧼🪀🌵Part 2, Hell Yeah!🌪️🎈🛩️🌋🚬
I'm pretty friggin' excited for Part 6 anime, and Part 6 is one of my faves, so one could understandably assume that Part 6 is my favorite.  And I post a lot of other JoJo stuff on this blog, so it's probably not obvious, but Part 2 is the best.   
I got into JoJo in 2017, watching Parts 1-4 in anime version, then reading the scanlations of Parts 5-8 while I waited for the anime to catch up.    Then I re-liveblogged the Part 5 manga because there was finally a proper translation available.   And technically the Part 8 liveblog never ended, since the manga is still ongoing.  
As I developed an appreciation for the manga, I started to feel like I should go back and check out the comic versions of Parts 1 through 4.  Where better to start than my personal favorite?   But I never got around to it, until now.
There's a few things I want to explore with Part 2.    First, I want to go through and work out why exactly I like it so much.   It's kind of tough to articulate, but usually I just say that it's fast-paced and something's always happening.   Part 1 takes a while to get going, and Parts 3-8 rely on the Stand concept, which means that each of them occasionally fall into the trap of becoming formulaic.   Part 2 doesn't have the hassle of introducing all the lore, and it doesn't have the luxury of just doing a gauntlet of Stand Battles to pad out the story.   But I think there's more to it than that.  Battle Tendency has a charm all it's own, and that's what I want to talk about.
Second, now that I've become familiar with Parts 1-7 (and most of 8), I want to go back and see how 2 holds up as part of this mythos.   BT sort of gets overlooked, I think, and that's fair, since it doesn't involve Dio, Stands, or the more outlandish costumes of the later installments.  A lot of fans write off Parts 1 and 2 for being "boring", but at least Phantom Blood carries the prestige of starting it all, and providing the origin of Dio.  Something I think a lot about is whether or not Part 2 "connects" with the later entries in the JoJo series.  It forms a trilogy with 1 and 3, and Part 4 features Joseph's legacy in an important way, but what about the later ones?   Parts 5 through 8 owe a huge debt to Stardust Crusaders for introducing Stands, and to Phantom Blood for introducing JoJo's, but what does Part 2 give them, if anything?   
Third, I'm interested in seeing how BT holds up in isolation.    It's a direct sequel to Part 1, and it ends with a prelude to Part 3, so it's clearly designed to function as part of a larger saga.   But Parts 4 and 5 really don't operate that way, and that got me thinking that maybe Part 2 is more self-contained than I give it credit for.  
But enough about that, let's get this started.
Tumblr media
There's two plot threads in these opening chapters.  One reintroduces Robert E. O. Speedwagon, now a 70 year old oil tycoon, and Straizo, who has succeeded the late Tonpetti as the Ripple Master.   Speedwagon has been using his oil fortune to fund a research organization called the Speedwagon Foundation, and it discovered something major during an archaeological expedition: an engraving of the stone mask, the same one Dio used to turn himself into a vampire 50 years earlier.   Note that the mummified corpse lying on the slab with the engraving has vampire fangs.   Whoever this guy is, he didn't just know about the masks, he used one personally.
It might get revealed later in the comics, but I'm pretty sure the anime version had Speedwagon explain that he primary purpose of his foundation was to learn more about phenomena like the Stone Mask, which is probably why they were digging up an Aztec temple in Mexico to begin with.   As I recall, the Stone Mask was discovered in that part of the world, and taken back to Europe, where it eventually came into the possession of the Joestar family.   Speedwagon would know this tale, and so if he wanted to find out more about the mask, he would have known where to start.   Fifty years later, he seems to have hit paydirt.
Tumblr media
But the mask engraving isn't why he called Straizo all the way in from Tibet.   Deeper in the temple, there's a weird looking area that looks like something from out of an H.R. Giger painting.   In the center stands this column, or pillar, if you will, and mounted on the pillar is...
Tumblr media
...This guy, surrounded by more stone masks.   When I first watched this part of the anime, I though the big reveal here was that there were lots and lots of Stone Masks, which would be a big problem, since Part 1 made a big deal out of destroying the one Stone Mask that started all the trouble.   And maybe the guy in the pillar was the one who invented the things, I thought, but the bigger problem is that he made so many of them.   But no, Speedwagon explains that the "Pillar Man" is not an image carved into the stone, but a living being, in some form of suspended animation.  He even has a pulse.   
So who is this guy and why did he create the Stone Masks?   Speedwagon does not care.   He only wants this Pillar Man destroyed before he wakes up, and that's the sole reason he called in Straizo.   The two of them were the only survivors of the battle with Dio 50 years ago, and Straizo's Hamon power, also known as the Ripple, can destroy vampires that were created by the Stone Mask.    So he's desperately hoping Straizo can finish off the Pillar Man the same way.   But Straizo doesn't seem as concerned about it, and he asks about Joseph Joestar instead.    So I guess I ought to circle back to the other plotline... 
Tumblr media
Fifty years after Jonathan Joestar sacrificed himself to defeat Dio Brando, his wife Erina and his grandson Joseph have moved to New York City.   Joseph tries to buy a Coke, but this kid swipes his wallet.   Kind of funny how Joesph's first and last appearances in JJBA are him getting robbed. 
Tumblr media
But the kid runs afoul of the local corrupt cops, who bludgeon him with their batons and threaten to put him in jail for 20 years unless he agrees to give them a cut of whatever money he makes from pickpocketing.   When Joseph catches up to this scene, the cop even says he's going to keep Joseph's wallet "as evidence".   I gotta say, not everything from Battle Tendency has aged well, but this police brutality stuff has become incredibly relevant.  This could be 2021, except the cop would have had a gun, and he would have shot Smokey, then Joseph because he mistook the Coke bottle for a rocket launcher.  
Tumblr media
Joseph tries to defuse the situation by claiming he gave the wallet to the kid as a gift, but the cop doesn't believe that story, and he wouldn't care even if he did.   He even smears boogers in Joseph's face just to prove that he can say and do whatever he pleases.    Up to this point, Joseph looks and seems a lot like Jonathan.  Later artwork tries to downplay that resemblance, probably just so it's easier to tell them apart.   The anime gave Joseph different color hair, and Hirohiko Araki himself started drawing young Joseph with aviator goggles all the time, even though he doesn't wear them that much in this story.  But starting out, the idea was that Joseph is the spitting image of his grandfather, and it almost looks like this is just an clever way to sneak Jonathan back into the story and transport him forward in time, except....
Tumblr media
Coming through, coming through, coming through now  
Coming through, coming through, coming through now
Tumblr media
Coming through, coming through, coming through 
Shake it like it's heat, Overdrive!
Tumblr media
Yeah, so Joseph can do Hamon/Ripple tricks just like his grandfather, and all the others guys who could use Hamon back in Part 1.   The difference is that when Joseph does it, it looks coooooool.  After breaking Officer Hulk Hogan’s trigger finger, Joseph takes a big swig of soda, because it’s awesome.
Tumblr media
To Smokey’s surprise, Joseph did all that badass stuff a second ago, but he’s terrified about his grandmother scolding him for it.  So Joseph wants to run for it, and that suits Smokey, so they rush off together, beginning a long tradition of JoJo’s running from things.   Enemies, consequences, you name it. 
Smokey asks Joseph how he learned how to do that trick with the coke bottle, and he says he has no idea, he’s just always been able to do it.    He knows his grandfather had the same power, but he’s dead, and so are his mother and father.  Curiously, Joseph’s father did not have Hamon powers, so it seems to have skipped a generation. 
Tumblr media
And that sets up the other side of the plot.   Speedwagon wants Straizo to destroy the Pillar Man immediately, but Straizo first asks about Joseph.   He had heard some time ago that Joseph had innate Hamon abilities, and he had used them once to rescue Speedwagon from a kidnapping attempt in midair.   A flashback shows us this moment, with guys threatening to ransom and kill Speedwagon, but Joseph is just chilling in the back with a Superman comic. 
Okay, time out.   This panel rules and all, but the Superman comic book didn’t start until 1939, a year after Battle Tendency begins.   Superman was featured in the 1938 magazine Action Comics, but this scene on the plane is a flashback to Joseph from his early teens.   Also, the earliest DC bullet logo didn’t appear until 1940, so what is this?  Some kind of magic, time travelling comic book?    I hope someone got fired for this blunder! 
Anyway, Joseph was content to ignore the hijackers until one of them struck him, and even that wouldn’t have upset him except he got his own blood on his clothes, which Erina bought him, so that sends him into a rage.   Speedwagon was worried that Joseph might clobber the hijackers, but instead he knocks out the pilot, then drags him and Speedwagon out of the plane before it crashes.    The main thrust of that story was that Speedwagon was more worried about what Joseph might do than the hijackers who had already threatened to murder him.   Joseph is slow to anger, but once you piss him off he’s going to go to war, and he doesn’t always think things through.
Tumblr media
But he’s never been trained to use his powers like Straizo’s order.  Upon hearing this, Straizo kills his own disciples, and all of the Speedwagon Foundation guys, then knocks Speedwagon himself out.   This will anger Joseph when he hears about it, but Straizo is counting on this.    As he explains, Hamon power can slow his aging process down considerably.   He and Speedwagon are both about 70 here, but he looks much younger.   Even so, he’s feeling his age, and he confesses that he always admired Dio for his immortality and power.   So now that there’s Stone Masks available, he’s decided to use one on himself, become a vampire, and become “a being that surpasses all”.  
And that’s a theme that runs through all of Battle Tendency, along with the rest of the JoJo franchise.  The main villains always seek power to position themselves above the rest of humanity.  At first, it seems kind of random for one of the men who opposed Dio to suddenly switch allegiences like this, but in truth, it’s human nature to be tempted by this kind of power.  Dio succumbed to the lure of the Mask, and now we find that Straizo would have done the same.   He just didn’t have the opportunity until now.
But the reason he’s concerned about Joseph is that he’s thinking this through.  Dio was defeated after all, so Straizo wants to eliminate anyone who could potentially defeat him.  Aside from himself and Speedwagon, the only others who know about the battle with Dio and the Stone Mask are Erina and Joseph.   Once he eliminates them, he’ll be free to do as he pleases.
Tumblr media
Back to New York, this is a pretty sweet drawing of a car.    I’m not a car guy, but even I can get behind this.  By now, Smokey has met Erina Joestar, and he finds out some of the backstory from Part 1.    Erina’s husband died at sea, and she was pregnant with their son, Joseph’s father, and had a baby girl whom she rescued from the same incident at sea.   The two children grew up, married, had Joseph, and died, the father in World War I, and the mother of some unspecified illness.  Perhaps out of loneliness, Erina is “unflinchingly kind” even to someone like Smokey Brown, who doesn’t seem to think he’s worthy of her favor.
Tumblr media
Anyway, Erina wants to take Smokey out to dinner at this nice Italian restaurant, but this racist mafia guy makes a big stink about a Black person being allowed to eat there.    Joseph gets up to kick his ass, but first he has to check with Erina to make sure it’s okay, and she’s like “Yeah, destroy that guy,” because even though she doesn’t approve of Joseph beating up people, she can’t abide disrespect to her friends.   This leads to the memorable fight scene where Joseph is like eight steps ahead of his opponent.  He goes for his brass knuckles, but can’t find them, and Joseph deduces where they are because of some bloodstains on his shirt.  He even suggests what this guy is about to say next because he’s so predictable.
Tumblr media
Then he dodges every blow, moving so quickly that this jerk thinks he was hitting Joseph, when in fact he was punching a hat rack behind Joseph, and somehow he didn’t notice that he impaled his hand on broken wood until Joseph explained it to him.     And honestly, this feels like the prototype for a lot of Stand Battles down the line.  I’ll have more to say on that later.
Tumblr media
What puts Battle Tendency over the top is how Joseph not only outwits this big lummox, but the rest of the diners at this restaurant all start applauding him for doing it.    They’re just honored to be present in this insane comic book where literally anything can happen.   “He made that asshole punch a hat rack!   This is awesome!”
Tumblr media
Then this dude suddenly speaks up.   He’s not only the mafia guy in charge of the first guy, but he’s also heard a hot tip about Speedwagon getting murdered in Mexico by a Tibetan man.   He knew Erina would be interested in hearing this, but he’d never met her before.  Small world, huh?  
How would this guy already know about it, though?  I guess Straizo deliberately leaked the story, specifically so Joseph would find out about it sooner, but it seems awfully convenient.   But that’s how Battle Tendency rolls.   This thing’s only seven volumes long, and we’ve got a lot of ground to cover...
12 notes · View notes
captcas · 3 years
Text
Screwed (A Destiel AU)
Tumblr media
Screwed by capthamm (Part 1 of 2)
Dean inherits the old family inn and has to move home to fix it up for selling. When the work proves to be too much, he enlists in the town's only contractor's help– his neighbor, Castiel. Dean is short on time, stuck in a hometown riddled with old flames, and falling for the man who lives next door. He's screwed.
notes: I'm halfway through season 7 and missing Mr. Castiel on my screen so this poured out. I'm almost finished but here is part one. My first ever attempt in the Supernatural fan fiction world... please be kind. Thank to my lovely beta, Luke <3 (@bawley_bug) read on ao3
At this point, Dean’s left thumb had been hit by the hammer more than any of the nails and he was regretting every single choice he ever made that led him to this exact moment.
Why the fuck did he think he was cut out for restoring an inn? Not just any inn– the inn. The one John ran before he got too old and retired, eventually– well let’s just say Dean isn’t here out of any sort of living guilt.
Dean’s not sure why he’s here.
If he breaks it down, it’s because he received a letter in the mail exactly two months after the passing of his father detailing how Lawrence would have no choice but to tear down the old inn unless someone from his family claimed it.
Sam’s not going to leave his law practice and the life he built for Jess and the twins, out in California.
Dean’s the only one left.
So, taking things extremely literally, he’s here because a bunch of lawyers told him he needed to be.
Another slam into his thumb jolts his train of thought off its tracks and convinces him to pack it up for the night. He snaps the tools back into his massive toolkit and stands back to look at the old built-in shelves he decided would probably be the easiest to tackle on his own. Nodding at the good-enough outcome, he turns to scan the rest of the main floor.
Maybe the built-ins are the only thing he’s going to be able to do alone.
Dean doesn’t like the thought of teamwork– especially not with the grumpy prick who lives next door. His neighbor stopped by the day Dean arrived because apparently it was John’s dying wish that their neighbor offer his services when his estranged son eventually showed up to fix the inn. (Leave it to his father to leave Dean feeling inadequate from the great beyond.)
“No, thank you.” “Excuse me?” “You offered, I’m declining. Debt, paid.”   "As you wish, Winchester.”   Even wrapped in the neighbor’s deep lumbering voice, Dean winces at his last name– it feels just as constricting as it did when he thought he’d be stuck in this town forever, “Dean.” “Whatever.”
Dean thought that’d be the last he’d see of the guy until he marched away and slammed the door just across the small garden. That house used to be for whatever innkeeper his parents had hired, but when the inn closed they rented it out to whichever soul felt like a one bedroom one bathroom home was enough to live in.
Apparently that was this asshole.
They’ve seen each other three more times since then, but never long enough to even exchange names. Dean isn’t sure why he’s keeping track– each time just as unpleasant as the first. Sure, Dean could’ve been friendlier, but warning bells rattled through him every time the neighbor’s stormy eyes met his. Dean may have sworn off unnecessary human interaction for the foreseeable future, but he’s not blind and his neighbor isn’t hard to look at.
But his life has no room for attractive neighbors with an attitude problem.
Convincing himself there must be someone else in this town who knows their way around a fixer upper, Dean heads to the Roadhouse for dinner and hopefully the name of someone else to help him get the inn fixed up enough to sell.
Walking through the front door of the restaurant-meets-dive-bar, the familiar smell hits him like a breath of fresh air. He can’t believe he held out for almost a week before eating here. The Roadhouse is one of the few places left in the town left untouched by rotten memories and painful nostalgia. Nothing but good ever happens once he crosses this threshold and it’s that fact that allows him to relax for the first time since moving back to Lawrence.
He starts to order his usual and Jo winks signaling she remembers even after all these years– Dean can’t believe she runs this on her own now. Jo always swore she’d get out of this town, break the chains of her mother’s legacy, but nevertheless here she is– here they both are.
Jo looks happy, maybe even at home– Dean? Not so much.
The plate drops in front of him and Dean catches his old friend lingering a bit. He looks up and says thank you and that was all it took to spark some small town gossip from Jo. While he didn’t come back to rekindle any old relationships– friendly or otherwise– Dean doesn’t mind her company and before he knows it he’s laughing and taking his last bite of burger. The conversation starts to die and Dean remembers why he came to town in the first place, “Oh! Jo, I meant to ask. I’m fixing up the old inn and I need help. Do you have the number of someone who–”
“Of course, Dean! Chuck retired, but Castiel took over, after Gabriel ran off to Thailand.” Dean raises his eyebrow and Jo laughs, “ That’s a story for another meal. Here,” she hands over a napkin with a number scrawled across it, “Castiel is the best in town and will fix up that inn in no time.”
Castiel.  
Dean racks his brain for any recollection of someone named Castiel from their childhood but the name doesn’t ring a bell— and a name like that definitely would ring a bell. He supposes people must move to Lawrence, just like any town, and resigns it to someone new since he left.
He can’t expect everything to stay the same while he spent the last 15 years trying to change in every way imaginable.
Thanking his friend for the help, Dean pays and heads home for the night. Finally having the name of someone to help has lifted a huge weight off his chest. He sighs as he crawls onto the old mattress in the first floor suite, thankful it’s dark enough that he can’t nitpick all that needs to be done. The sooner he can get the inn fixed up, the sooner he can sell it and go back to Sioux Falls and the life he chose rather than the one his parents forced on him.
Maybe it was the comfort of the Roadhouse or the knowledge that this process will move twice as fast with a little help, but Dean sleeps better that night than he has in years. When he wakes with the sun, he feels energized and ready to continue his work on his family’s property.
He decides to start with disassembling the kitchen cabinets and it doesn’t take long for him to find a rhythm in his work— four screws and a trip to the pile, four screws, trip to the pile. Lost in the easy monotony, Dean forgets his decision to call for help until late into the morning. Hoping to catch the contractor before lunch, he brushes the dust from his hands and digs in his pocket for the napkin Jo had written on last night.
He’s not sure why he feels so anxious as he waits for the man on the other end of the line to pick up, but he supposes it rests on the fact that this man only knows Dean by the reputation he left town with— John’s other son.
Sam was always the golden child— pretty blonde cheerleaders and a full-ride to Stanford are not even an exaggeration when it comes to his younger brother.
Dean, on the other hand, was always rough around the edges, emotional, and different — let’s just say he’d go for the cheerleader or the quarterback.
As soon as Dean was shoved out of the closet— his dad walking in on him and Benny not leaving very much up for debate— John shut him out completely. Dean brushed it off as his dad’s way of fighting every piece of homophobia he was raised with, but the fact is: it was more likely he was disgusted by his own son.
But that was ages ago and, from what Sam’s told him, John died swearing his love for both his boys.
Not that Sam would tell Dean otherwise.
“Hello?” A gruff voice breaks him out of his daze and he’s startled back to the present day.
“Uh, hi. Yeah, uh, is this Castiel?” It’s the first time Dean’s said the name aloud and he can’t help but notice how easily it rolls off his tongue.  
“This is. How can I help you?” The man is all business, clearly not as affected by Dean’s use of his name as Dean was.
“Oh yeah, uh, I got your name from Jo at the Roadhouse? My name is Dean Winchester and I’m fixing up the old Winchester Inn and I’m realizing the job may be too massive to handle on my own.” Dean winces at his blatant request for help, never one to ask outright for assistance, but as he looks at the pile of kitchen cabinets which need to be sanded, painted, and rehung, he knows he can’t do this alone. He realizes the man on the other end of the line hasn’t said anything when he continues, “Uh, that is if you have the bandwidth for that…”
Another pause before the man, Castiel, speaks again, “I can be right over.”
Dean didn’t really know how to respond, he was expecting to bargain for payment or at least for a delay in starting the project. He’s not used to this immediate willingness to help a complete stranger. He’s about to stumble through a response when he realizes Castiel is no longer on the other end of the phone. He shrugs, and sets it on the counter as there’s a knock on the door.
Shit. The only way Castiel could’ve gotten here that fast is if he’s...  
Dean opens the door to the man he’s now seen a mere four times despite his permanent residence on Dean’s property. His neighbor— Castiel— looks different today. The usual softness that accompanies the man overtaken by strong arms, an AC/DC t-shirt, and a tool belt placed perfectly on his hips.
Whoa, Dean.  
“Uh, hi?” Dean isn’t sure how one goes about re-introducing themselves to apparently the only help in town after being an ass before. But he’s here and Dean introduced himself on the phone and he still came.
“Hello.” The man– Castiel– greets Dean so matter of factly as he glances around Dean quizzically, presumably taking in the whole of the inn. Dean is a little taken aback by this whole interaction and the way it’s entirely different than any they’ve shared previously. Castiel’s eyes meet Dean’s and Dean can’t help but notice a hint of playfulness before Castiel speaks again, “So you do need help?”
Dean rolls his eyes and Castiel laughs sending a shockwave through Dean he hasn’t felt in ages. He promptly ignores it before motioning towards the foyer and inviting his new contractor inside. They don’t exchange any pleasantries, but rather head right to work. Castiel asks questions about everything from the crown molding and stair railing to Dean’s plan for the half shattered French doors.
The man is thorough and he knows his stuff.
Maybe teamwork with him won’t be so bad.
They finish their walk through and Dean is relieved to hear that Castiel agrees the upstairs mostly needs some fresh paint. John left some money to fix up the inn, but not enough for a total overhaul. After working through the budget, they decide it’ll be more cost effective if it retains its original charm.
“Well, Dean, I like what we’ve got here and I think we can make something out of this.” Castiel slouches into one of the bar stools near the kitchen island as he surveys the room one more time. Dean does his best not to notice the sweat slowly making its way down Castiel’s collar bone and beneath the collar of his t-shirt, and the way he says Dean, and his implication that this is theirs . Dean hasn’t shared anything for most of his adult life– mostly because he hasn’t had anyone worth sharing something with.
But this inn feels like it’s meant to be shared, and Dean can’t seem to find any reason not to do so with Castiel.
“I’m glad you think so. I suppose we should discuss payment…” Dean trails off as Castiel’s gaze becomes confused.
“I don’t intend on charging you a dime, Dean.” Castiel’s matter of fact smile returns and Dean can’t ignore the way his gut flutters.
He’s not a nun, Dean’s been attracted to people for as long as he can remember being alive. From Lucy Jones in kindergarten to a myriad of characters in his adult life, he’s always been a people person loaded with an innate attraction for the kind of itches you scratch and forget ever existed.
Castiel is beginning to feel like an itch he’d like to scratch.
But that’d ruin everything, especially Dean’s plan to sell the inn for as much as humanly possible and then get the hell outta dodge.
“I appreciate that, but I have to give you something…” Castiel waves Dean off and he realizes arguing would be useless. “Thanks.”
Castiel nods before taking time to study Dean until it almost feels awkward. Dean is typically the one doing the studying, and he feels naked under this man’s gaze. They remain in a silence delicately balanced between comfortable and awkward until Castiel speaks again, “Well, best I get back to my place. I will see you tomorrow morning, Dean.”
As Castiel stands, he adjusts the toolbelt around his waist and Dean forces himself to look away, not willing to tempt himself with the flash of skin exposed during the adjustment. The contractor must notice because he smirks slightly before nodding his head in goodbye. If he didn’t know better, Dean would swear Castiel walks a bit closer to him than is necessary. He shakes it off before heading to the bathroom to shower off the grime of the day before checking in with Sam, Jess, and the kids.
. . .
They work surprisingly well together.
His new partner is a quiet but sturdy presence throughout the day– rarely chatting about more than the weather or whatever task needs to be done– but on occasion Dean will learn a bit more about him. He’s started to compile a list of Cas’s likes and dislikes– for example, Cas likes that Dean gave him a nickname.
“Hey, Cas, can you hand me the socket wrench?”   "Cas?” “Uh, yeah, short for Castiel. You got too many syllables, man.”
Cas nodded and moved on with the task, but Dean can’t help but notice the small smirk everytime he has to call Cas by name. Cas also smiles whenever a screw goes in without a fight and when the first raindrop of an impending storm hits his forehead.
Dean likes it when Cas smiles. (Apparently Dean’s compiled a list for that, too.)
He’s tried to largely ignore the growing attraction for the man he’s working with for more than eight hours a day, but it gets more difficult with each glance to make sure the other is still in one piece and every accidental touch of hands when they pass off a tool.
At least Dean tells himself it’s accidental.
He hadn’t gotten enough out of Cas to even know if he “plays for that team,” as Sam likes to say. Dean is almost positive John wouldn’t have encouraged the two work together if Cas is gay, but there are moments that give him more hope that he deserves.
“Dean!” Cas’s steady voice startles him from the monotony of painting kitchen cabinets and his overflowing thoughts.
He puts down the paintbrush and walks over to the fireplace where Cas is supposed to be sanding down the mantle, “Yeah, Cas, what is it?” There’s that smile– sometimes Dean wonders if he uses his nickname for Cas just to get a glimpse of it.
“I’m hungry and I’m out of sand paper.” Cas looks up from the stool he’s been sitting on for hours with a hint of puppy dog eyes. Dean isn’t exactly paying Cas so he could definitely come and go as he pleases, but they tend to stick to a similar schedule everyday. Checking his watch, Dean sees it is lunchtime and agrees to head into town for a sandwich.
“I should probably get cleaned up a bit…” Cas trails off as he surveys his dusty jeans and sweat drenched t-shirt. Without trying to, Dean gets lost in the unfairly attractive mess of it all for a moment too long. He looks up to speak again and Cas is smirking almost knowingly.
Shit.
“Yeah, sure. You can use the shower here if you want but no promise there’s any hot water.” Dean scratches behind his ear nervously. This wasn’t any sort of purposeful invitation, but he can’t help but feel a wad of want fall into his stomach. Cas simply nods his thanks before heading into the main floor bathroom with a change of clothes he brought “just in case”. Dean laughed when Cas told him that he’s always that prepared and cited the fact that Cas only lives thirty steps away from the inn. He simply shrugged and said “You never know” and that was the end of that. Dean supposes Cas was right and the change of clothes had come in handy.
Though, not exactly how Dean thought they would.
As he hears the shower turn on, Dean goes back to painting kitchen cabinets in hopes of distracting himself from the very attractive, very naked man that is showering in the next room. It works for a while but eventually the knowledge feels stifling and Dean decides to clean up quickly and wait for Cas on the porch.
“What’re you waiting out here for?” Cas walks outside, resting his arm on the doorframe to only accentuate his bicep muscles. Dean knows if he looks at what is probably disheveled and wet hair from the shower it’ll take every piece of willpower he has not to jump the guy right then and there.
“Let’s go.” He leads Cas to his car without looking in his direction or answering his question. As Dean walks around the back of the impala he sees Cas smirk again.
Bastard.
They take the short drive into town before stopping at the hardware store. Dean needs to pick up some new screws so he can finish the cabinets and Cas needs some more sand paper so they decide to split up and grab what they need. Cas cuts right, beelining for the aisle like he lives here– now that Dean thinks about it, Cas probably does come here a lot– and Dean wanders to the left looking for the screw aisle.
He ends up finding them along with a confused pre-teen boy comparing screw sizes to an outlet cover. Dean laughs to himself before offering his help, “Anything I can help with?”
The boy turns to Dean, startled at first, but then relaxing when he doesn’t sense any immediate threat, “Yeah, that’d be great. My mom sent me in here twenty minutes ago, but I don’t know anything about this stuff.”
Dean laughs, “Well, your Dad should’ve taught you screw shopping at the very least.”
“How could he do that when he doesn’t know I exist?” The kid says it so matter of factly, Dean isn’t even sure he heard him correctly. He scans him for signs of distress, but whatever therapy he’s getting must’ve worked because the kid goes back to comparing screws without missing a beat.
“Fair enough. Here, you’ll want these ones,” Dean grabs a four pack of the screws the kid is looking for and hands it to him. “Then you’ll have extras in case you need to replace another one.”  
“Awesome, thanks! My names–”
“Ben? What’s taking you–” Dean winces, he’d know that voice anywhere and the fact she paused means… “Dean?! What are you doing talking to… what’s going on here?”
“Mom!”
“Lisa…”
Ben (apparently) and Dean speak at the same time, both turning towards the woman Dean hasn’t thought about in years. They were something– more than something– for about a year, but John’s pressure pushed Dean out of town and Lisa refused to leave Lawrence... so now they're here, awkwardly looking at each other in a hardware store.
“Lisa, look, I can explain–”
“Dean, I found the sandpaper and I also grabbed some extra paint for that wall in the living–” Dean’s cut off as Cas rounds the corner looking down at the sandpaper packaging and clearly missing all the fun in aisle nine, “Oh. Hi!”
Then Cas waves , an adorable wave that if Dean wasn’t so goddamn turned around probably would’ve sent him spiraling. Dean facepalms to hide his smile and proceeds to rub his calloused hands through his hair trying to decide what to say next. But Ben must be oblivious to the absolute shit storm happening a foot above his current height because he chooses this moment to chime in, “I was confused about which screws to get and Dean offered to help, Mom. That’s all. And look,” Ben holds up the package Dean handed him what feels like an eternity ago, “Got ‘em!”
That kid just saved Dean’s ass.
Lisa still looks a little stunned to see Dean– his return had seemingly not reached the far ends of the town gossip chain quite yet– but then she glances back towards Cas… and then back to Dean.
He’s about to correct her when she surprises him with a hug.
They didn’t exactly end on bad terms, but he probably could’ve been nicer when he told her he was leaving.
Hence why the hug catches him off guard, as does what she quietly whispers in his ear, “I’m glad you found someone that makes you smile like that again.”
Dean can't even formulate a correction before Lisa’s telling Ben to thank Dean for his help and the pair is heading down the other end of the aisle. He turns towards Cas who is staring intensely at a speck on the floor by his feet, but seems to be smiling all the same.
Maybe Dean isn’t wrong about him.
They check out and head back to the Impala in silence. It isn’t until they get home after swinging through the drive thru that Dean even realizes he forgot to grab the screws.
6 notes · View notes
theliterateape · 3 years
Text
I Like to Watch | Zack Snyder’s Justice League
by Don Hall
Mythology is fun.
As a kid I loved reading Edith Hamilton’s book on the Greek gods and the myths. Hercules, Perseus, Apollo, and Hera—this fell completely in line with my love for superhero comics. The strangely petty human traits of envy, greed, and lust combined with the power to level cities make for some great storytelling.
Zeus was basically Harvey Weinstein in the retroactive revision we’re mired in today. If Harvey could’ve changed into a golden animal and boned unsuspecting ladies looking for careers in Hollywood I’m pretty certain he would. The gods and demi-gods of the Greeks dealt with daddy issues, mommy issues, bad relationships, and fighting. Lots of fighting. Sometimes for the good of humanity but more often for the glory of winning.
Zach Snyder is in the business of tackling myths and reframing them with a style all his own. His career has become its own myth.
From Dawn of the Dead (not so much a reboot of Romero's zombie mythology but a philosophical reimagining of the genre that arguably jumpstarted The Hollywood fascination with it), 300 (a borderline homoerotic take on the myth of the Greek underdog), and Watchmen (a ridiculously ambitious attempt to put one of the most iconic takedowns on the potential fascism of the superhero legend machine ever written) to his nearly single-handed hack at answering the Marvel juggernaut with Man of Steel and Batman vs Superman: Dawn of Justice, Snyder is in the artistic business of subverting and re-envisioning the mythologies we embrace without even seeing them as such.
Snyder's style is operatic. It is on a grand scale even in the most mundane moments. The guy loves slow motion like Scorcese loves mobsters and Italian food. When you're tackling big themes with larger than life stories, the epic nature of his vision makes sense and has alienated a good number of audience members. With such excess, there are bound to be missteps but I'd argue that his massive take on these characters he molds from common understanding and popular nomenclature elevates them to god-like stature.
Fans of Moore's Watchmen have much to complain about Snyder's adaptation. The titular graphic novel is almost impossible to put in any other form than the one Moore intended and yet, Snyder jumped in feet-first and created a living, breathing representation of most, if not all, of the source material's intent. Whether you dig on it or not, it's hard to avoid acknowledging that the first five minutes of Watchmen is a mini-masterpiece of style, storytelling, and epic tragedy wrapped up in a music video.
Despite a host of critical backlash for his one fully original take, Sucker Punch is an amazing thing to see. More a commentary on video game enthusiasm with its lust for hot animated chicks and over-the-top violence that a celebration of cleavage and guns, the film is crazily entertaining. For those who hated the ending, he told you in the title what his plan was all along.
The first movie I saw in the theaters that tried to take a superhero mythology and treat it seriously (for the most part) was Richard Donner's Superman: The Movie. Never as big a fan of the DC characters as I have been of Marvel, it was still extraordinary to see a character I had only really known in pages to be so fully realized. Then came Burton's Batman movies. The superhero film was still an anomaly but steam was gaining. Things changed with Bryan Singer's X-Men in 2000, then Raimi's Spiderman, and those of us who grew up with our pulpy versions of Athena, Hermes, and Hades were rewarded with Nolan's Batman Begins. A far cry from the tongue-in-cheek camp of the 1966 TV Batman, Christian Bale's Bruce Wayne was a serious character and his tale over three films is a tragic commentary filled with the kind of death and betrayal and triumph befitting the grand narrative he deserved.
I loved Singer's Superman Returns in 2006 because it was such a love letter to the 1978 film (down to the opening credits) but by then, the MCU was taking over the world.
Snyder's first of what turns out to be an epic storyline involving perhaps seven or eight movies was Man of Steel. It was fun and, while I had my issues with the broodiness of Kal El, the odd take on Jonathan Kent, and a redheaded Lois Lane, I had no issue with Superman snapping Zod's neck. Darker and more tragic than any other version of the Kryptonian, it was still super entertaining.
Then came Batman v Superman: Dawn of Justice. By 2016, Marvel had codified their formula of serious characters wrestling with serious issues of power and responsibility peppered with lots of good humor and bright colors. Snyder's desaturated pallete and angst-filled demi-gods was not the obvious road to financial competition.
I'll confess, I hated it. BvS felt half-rendered. Lex Luthor was kind of superficial and played as a kind of Joker. The whole Bruce Wayne wants to kill Superman thing felt undeveloped and the "Martha" moment was just stupid.
When Joss Whedon's version of Snyder's Justice League came out in 2017, I was primed for it to be a turd and I wasn't surprised. So much of it didn't work on any level. I dismissed it as DC trying and failing miserably and was comforted by the coming of Thanos.
Following Thanos and the time heist was COVID. Suddenly, we were internationally sidelined and the movie theater industry caved in. Streaming services started popping up like knock-off smartphones and Hollywood was reeling, doing anything and everything to find a way back. Since Whedon's disastrous helming of Snyder's third act, fans online had been demanding to #ReleasetheSnyderCut but no one was ever really taking them seriously until all movie production was shut down for a year.
The stage was set to remedy a mistake (or at least make some bucks on a do-over of a huge box office failure). Snyder had left the production in part because of the suicide of his daughter and in part due to the constant artistic fights over executives looking for the quippy fun of the MCU but he still had all the original footage. Add to that the broiling accusations that Joss Whedon was "abusive" during the reshoots, the path seemed destined. For an additional $70 million and complete control, Snyder delivered a four hour mega-movie streamed on HBOMax.
Of course, I was going to watch the thing as soon as I could.
The Whedon version opens with an homage to the now dead Superman (including the much maligned digitally erased mustache on Henry Cavill). The SynderCut opens with the death of Superman and the agony of his death scream as it travels across the planet. It's a simple change but exemplifies the very different visions of how this thing is gonna play out.
Snyder doesn't want us to be OK with the power of these beings unleashed. He wants us to feel the damage and pain of death. He wants the results of violence to be as real as he can. When Marvel's Steve Rogers kicks a thug across the room and the thug hits a wall, he crumples and it is effectively over. When Batman does the same thing, we see the broken bones (often in slow motion) and the blood smear on the wall as the thug slides to the ground.
The longer SnyderCut is bloated in some places (like the extended Celtic choir singing Aquaman off to sea or the extended narrations by Wonder Woman which sound slightly like someone trying to explain the plot to Siri). On the other hand, the scene with Barry Allen saving Iris West is both endearing and extraordinary, giving insight to the power of the Flash as well as some essential character-building in contrast to Whedon's comic foil version.
One thing I noticed in this variant is that Zach wants the audience to experience the sequence of every moment as the characters do. An example comes when Diana Prince goes to the crypt to see the very plot she belabors over later. The sequence is simple. She gets a torch and goes down. Most directors which jump cut to the torch. Snyder gives us five beats as she grabs the timber, wraps cloth around the end, soaks it with kerosene, pulls out a box of matches, and lights the torch. Then she goes down the dark passageway.
The gigantic, lush diversity of Snyder’s vision of the DC superhero universe—from the long shots of the sea life in the world of Atlantis to the ancient structures and equipment of Themyscira— is almost painterly. Snyder isn't taking our time; he's taking his time. We are rewarded our patience with a far better backstory for the villain, a beautifully rendered historic battle thwarting Darkseid's initial invasion (including a fucking Green Lantern), and answers to a score of questions set up in both previous films.
Whedon's Bruce Wayne was more Ben Affleck; Snyder's is full-on Frank Miller Batman, the smartest, most brutal fucker in the room. Cyborg, instead of Whedon's sidelined non-character, is now a Frankenstein's monster, grappling with the trade-off between acceptance and enormous power. Wonder Woman is now more in line with the Patty Jenkins version and instead of being told about the loss of Superman, we are forced to live with the anguish of both his mother and Lois Lane in quiet moments of incredible grief.
To be fair to Whedon (something few are willing to do as he is now being castigated not for racism or sexism but for being mean to people) having him come in to throw in some levity and Marvel-esque color to Snyder's Wagnerian pomposity is like hiring Huey Lewis to lighten up Pink Floyd's The Wall or getting Douglas Adams to rewrite Cormac McCarthy's The Road.
I loved Snyder's self-indulgent, mythologic DC universe.
So much so that I then re-watched Man of Steel and then watched the director's version of BvS (which Snyder added approximately 32 minutes). The second film is far better at three hours and Eisenberg's Lex Luthor now makes sense. Then I watched Zach Snyder's Justice League a second time.
After nineteen hours of Snyder's re-imagining of these DC heroes and villains, I saw details that, upon first viewing, are ignored or dismissed, but after seeing them in order and complete, are suddenly consistent and relevant. Like Nolan or Fincher, Snyder defies anyone to eliminate even one piece of his narrative no matter how long. With all the pieces, this is an epic story and the pieces left at the extended epilogue play into a grander narrative we will never see.
Or maybe we will. Who knows these days?
12 notes · View notes