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#fanwriter rec
threewaysdivided · 5 months
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for the ask game: 💥🤔📚
if we can only do one, your pick :)
(Fanfic writer ask game)
💥 What is one canon thing that you wish you could change?
I've talked about some other changes in a previous ask, but I think Danny Phantom could have been improved by either re-writing the episode Memory Blank or at the very least, cutting a couple of the jokes. The base-premise is potentially interesting but it was definitely one of the ones where the show did characters dirty for the sake of jokes.
If I had to leave it mostly as-is, I would at least want to ditch the two random insert jokes where Danny "remembers" using his powers to peep in the girl's locker room. Not only is the base joke a gross, sexist "boys will be boys" gag, it also just feels really jarring and almost out of character for Danny in particular. That's not to say that Danny isn't canonically chauvinistic in other ways at times, but this one doesn't jive with how he reacts to similar situations (and behaviors from Tucker) in other, more character-centric episodes. The abrupt musical punctuation feels more like a sudden insert of Fairly Odd Parents humour and I would say it's probably only there because this kind of "adorkable misogynist" punchline is a common staple in both Butch Hartman and Steve Marmel's comedy styles.
Ideally though, since the main purpose of the episode is to give Danny his marketable DP insignia, I would rather do a full re-write around all three trio members actively trying to design a logo for Phantom. Rather than doing Danny and Tucker dirty by making them into boring butt-monkeys who live empty lives without Sam (and doing Sam dirty by making her seem like a weird stalker who changes Danny's suit without his knowledge or consent) we could have had an episode that let the icon have actual symbolic meaning for the whole of "Team Phantom". It's sad that one if the most iconic symbols of the show ends up being tacked onto a character assassinating goof-story when there were so many ways it could have been great.
🤔 Would you ever want to write something canon if you got the opportunity?
Going to go with a soft no on this one.
For one thing, I believe the best stories happen when someone has a specific story to tell, and at the moment my Deathly Weapons fanfic is the main story I feel the need to make exist. As a mystery nerd, I guess I could maybe do a decent detective story involving Batman or Gotham, but on the other hand I don't think it would be the kind of story Modern DC wants to sell.
From a practical point of view, I also think the things and stories I find the most fascinating within the Danny Phantom fandom would probably be too tonally serious to "fit with the brand" of official canon material. (Although it has been awesome to see some of the Phandom olds getting ascended to the level of official canon creators with the AGiT comics!)
As for Young Justice Animated I think I'm one of several fans who wouldn't mind being tagged-in (or at least a fly on the wall) if DC/Warner Bros ever decided to give it the Fullmetal Alchemist: Brotherhood treatment, kick Greg Weisman's Whedon-worshipping incel ass out the door and let some of the prominent staff who were dropped after Season 1 have a do-over to continue the story they were actually setting up. I think there was a lot of potential in that initial cast, and there were some really cool character-centric standalone episodes that could have come from things like digging into Artemis and Jade having a diegetic connection to Alice In Wonderland while living in the same city as Jervis "Mad Hatter" Tech. But as it stands, I found Weisman's multi-season vandalisation of his colleagues' work to be so egregious that I ended up blocking both the main series tag and his name for the sake of my blood pressure. Look, even when he's not writing like the kind of man who probably fantasises about impregnating his colleague's daughter, the Nostalgia-Critic-level incompetence at basic narrative coherence is just exhausting.
📚 Is there a fanfic or fanfic writer you recommend?
Many!
For today's tasting, I would like to recommend Developmental Milestones and the broader Cor Et Cerebrum series by @audreycritter. Actually, let's just make that a general rec' for all Audreycritter's DC stuff.
I really like their interpretations of the Batfam and Superfam. They do such a good job of capturing the humanity of these characters in their non-cape moments, and I love their approach to dialogue. I think it speaks volumes to the strength of their character-writing that, despite not being a reader who generally goes in for Original Characters, I have become deeply obsessed with their on-call OC Batdoctor Kiran "Dev" Devabhaktuni. He is indeed the light of my life. Developmental Milestones is Dev's focus story but plenty of others put the focus on the canon DC roster if you prefer.
Go enjoy seeing Bruce get yelled at by a deeply affronted, potty-mouthed British Doctor with a heart of gold, though he'll stringently deny it.
Thanks for playing!
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zaruba-needslove · 2 years
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Due to recent issue with some people arguing about how ‘AO3 should have algorithm’ and such... I feel like these tweets need to be shared out more. Saw this tweets thread by chance and I had to admit it's a great advice esp on fic writing or fanworks in general.
[Edit] Also since I noticed this post blowing up, if anyone ever tell you that AO3 doesn’t have a function to RECCOMMEND fics you like to others or read other people’s fic recs on the site point them to this post.
[Edit 2] Check source for the original tweet.
[Edit 3] Not OP, but usually when ppl talk about ‘rude or demanding comments’ it usually refers to those that tend to message fanwriters to write according to what they want to be either on the flow of the plot, shipping, etc to the point of harrassment/toxicity. And that would make writing not be fun anymore for some. 
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pawapoppet · 2 years
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Presses as if to carve it out, but he can't, (not again)
Fanart for "against a sodden sky" by @wellthengetouttathesoupaisle ! Please check the fic out!
I took some liberty in the interpretation for my favorite line, I hope you like it :^)
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sunfoxfic · 2 years
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"Do you know of any unpopular fics that should be popular?" "Yeah! *links to a fic with 300 kudos*"
#vaguepost#sorry i just. if you think 300 kudos in the ml fandom is unpopular then PLEASE read more fic.#and if someone links to an ''unpopular'' fic that has 300 kudos#then they probably aren't actually reading enough fic for their recs to be all that meaningful?#like i'm not saying that popular fics don't get popular for a reason#(though i do question why some fics are so popular)#but like. i could name so many fics that are underappreciated with less than 30 kudos.#i dunno i just think that some people's opinions hold a lot of gravity toward fic recs#when it really seems like they sort by kudos#and that irks me because i am friends with so! many! good! writers!#who struggle for kudos!#it is DIFFICULT to get ''popular'' in the ml fandom as a fic writer#i say this as someone who has the privileged ability to publish fic semi consistently#as someone who doesn't write rarepairs very often#as someone who doesn't feel demotivated by lack of engagement#it is HARD#and to see one of the most popular ml fanwriters on tumblr getting recommended as ''unpopular'' really annoys me#because i honestly don't care. i am getting everything i want out of my fanfics.#i have a couple of good friends and a loyal commenter and i feel plenty happy at that#but i see people losing motivation over getting 15 and 20 kudos and i want nothing more than to help them#so like. maybe if you're calling something ''unpopular'' when it's already achieved more success than 95% of fics.#maybe that feels like a punch to the gut.#please don't rb#vent
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I have SO many fics i need to read just from looking througg your blog you get so many fic recs
i know right!!! don't get me wrong i am delighted but combined with the fact i'm writing more for this fandom than i have in literal years i have no idea when ever i will get behind reading all of them. but oh i will.
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grifalinas · 5 years
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One day I’m gonna get one of y’all to read/watch Jeeves and Wooster and then you can talk shop with me about how utterly gay it all is
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franeridan · 7 years
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Fran what are your favorite kiribaku fics?
I have lately made a kiribaku fic rec list!!! It’s sort of long tho so if you want something more specific I’d say anything from @newamsterdame, anything from @shizuumi151, this fic and this fic and also between the ones I’m following Burn Like The Sun and Tonight We’re The Sea 👍👍👍
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dirigibleplumbing · 2 years
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this blog
Me:
Hi, I’m Naomi! My pronouns are she/her. I’m a Jewish queer woman on the Autism spectrum. My spouse is nonbinary (they/them/all).
I’m a fanwriter and fanartist. My main fandoms are Marvel 616 (Steve/Tony) and Supernatural (Dean/Cas).
Please contribute to my ko-fi. Every little bit helps!
I try to have a queue set up to keep my posts staggered evenly, but often fall behind and build up a reserve of stuff I plan to queue.
My stuff on tumblr:
my art
my fic
my collages and edits
my rec lists (so far all are Steve/Tony)
@artthatremindsmeofhannibalnbc my Hannibal aesthetic sideblog (note: I don’t tag for cannibalism and other common triggers there)
My ao3:
I use my ao3 as an archive of my writing, not a portfolio. That means there are some stories on there that I don’t like any more, but I won’t be deleting them. (I may, someday, orphan some of them.)
I welcome remixes, sequels, fanart, podfic, etc. based on my work. I appreciate getting a link to anything you make!
Contacting me:
I love getting asks. I am sometimes extremely slow about responding to them.
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bettsfic · 3 years
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february pinned: the real & the ideal
in this month’s edition of my lowkey writing-related newsletter, in addition to my writing-related post roundup and consultation availability, i have short story recommendations for you and an essay on the nature of reality in fiction! 
if you want to receive my lowkey writing-related newsletter directly, you can subscribe here.
in other news, i finished two fics this month:
digging for orchids (hualian, 43k, explicit, fake marriage au)
let ruin end here (hualian, 8k, mature, neighbors au)
full newsletter below the cut, or you can read it here.
oof,
what a month. january is already a rough time. throwing in a pandemic, a coup, and an economic revolution spearheaded by reddit just seems unfair. as for me personally, the spring semester came at me fast and even though it’s only week 2, i am already buried in grading. which i realize is my fault, considering i’m the one who assigned homework.
so after hearing your feedback, i thought i’d make this newsletter even more writing-related by writing more about writing. this month i’ll start off by talking about the nature of reality in fiction in a segment i call “been thinkin a lot about.” more on that below.
new resource
i’ve compiled a folder of PDFs of the short stories i teach most often, which is to say, the stories i like enough to re-read every semester. most of them are literary fiction but a few veer into fantasy, sci fi, and horror.
i know before the MFA, i didn’t really know what a short story was. like i knew, abstractly, the concept of a short story (it is as it sounds), but i could only list a couple i’d ever read as an adult, and i hadn’t read anything that had been published in the last decade. i remember wondering why i was even being asked to care about short stories. who writes short stories? who reads them? apparently, a lot of people. short storyists are a lot like fanwriters in that they make no money and when you talk about your writing in public, people give you that “why would anyone waste their time with that?” look.
so here’s why i was asked to care about short stories: a good short story gives you the entirety of a world in a very condensed space. moreover, it can sometimes leave you as satisfied as a novel in a fraction of the reading time. all the stories i’ve compiled here are ones that stuck with me, that i find myself recommending over and over to writers who want a good example of developing character, or weird narration, or establishing stakes.
if you’re a writer considering publication or an MFA in creative writing, i highly recommend familiarizing yourself with short stories, if for no other reason than to get the feel for them so you can write some of your own. if you can get a few short story publications under your belt, it’ll be easier to open doors when you’re ready to query agents for a novel. also, short stories make a great writing sample for grad programs, workshops, fellowships, residencies, and grant funding.
if you want to check out more short stories but have no idea where to start, the 2020 best american short stories just dropped in november, or if you want a cheaper one, used copies of 2019 and earlier are available on thriftbooks. if you want an overview of the history of the (american) short story, there’s also the best american short stories of the century. fair warning, though, while it’s more diverse than expected, it’s still a bit heavy on dead-white-dude writing.
content warning: the stories in the above-linked folder may depict instances of sexual assault, suicide, and/or abuse. i have not labeled them individually with warnings but i hope to soon, as well as provide a catalog with summaries.
i’m also still working on my essay and novel recs. more to come on that hopefully next month.
writing-related posts
how i quit my banking job to do a creative writing MFA
how i learned to read faster/stop subvocalizing
how to write when you have no time or energy to write
my experience writing fic in small/dead fandoms (aka fics that will probably not get any traffic)
how to describe facial expressions
how to ask for help from your professors
how to navigate tenses during flashbacks
how to separate yourself from your work
how (and why you might want to) write a shitty first draft
why you should consider making the climax the inciting incident
for a complete list of my writing-related posts, check out this masterdoc (which i still need to update it with the past few months’ posts).
stuff i’m into rn
i’m about halfway through the rhetoric of fiction by wayne c. booth which has more or less become my narrative bible. it’s a little dated (1961) but it tackles banal writing adages that are somehow still believed, like “show don’t tell” and whatnot, and breaks them down with amazing insight, clarity, and research. it’s a bit of a dense text so i’m only reading a few pages a day, i think the first time i’ve ever let myself read something so intentionally slowly. now i’m kind of obsessed with doing things slowly. reading slowly, writing slowly, cooking slowly. i even drive slowly, because it’s so rare to go anywhere at all, and i want to enjoy it. also, it’s very snowy where i am. also also, the battery died in my car this month and i really have to make it a point to drive more often.
february availability
i have 2 openings for initial writing consultations in february! if you’re interested, please fill out this google form.
you can learn more about my services on my carrd.
been thinkin a lot about
compulsory reality in fiction. many of us have probably received feedback along the lines of, or thought to ourselves as we read, “that’s not realistic.” many of us believe, consciously or not, that fiction that is more “realistic” is inherently better than fiction that is less “realistic.” for some of us, real means a saturation of details, the clear depiction of the surfaces of things. reality is found in the rendering thereof; if you can “see” it, it’s real. for others of us, it might be the development of complex characters and their growth across a narrative. and for yet others, reality is subtlety, or misery, or the idea of “slice of life,” a term i don’t think means anything, because aren’t all stories a slice of a character’s life? what would a story that’s not a slice of life look like? you’d either have to take away the “slice” part and render a whole life, which is impossible, or you’d have to take away the “life” part and create a dead story, which may be possible, but why would you want to? even if you wrote a story about a rock, the rock would be brought to life by virtue of being written about.
anyway. i think the word “real” is a shitty word for the same reason “slice of life” is a shitty phrase: everything is real and therefore nothing cannot be real. slices of life are all we know because we are alive and cannot truly perceive not being alive; reality is also all we know, and any depictions beyond reality are thus made real because they have been depicted.
so the “goal” for fiction to be “realistic” seems to me to be a false one. all fiction is real because it exists and no fiction can be truly real because it’s only a facsimile of reality. not to get all “this is not a pipe” but writing is just making squiggles, and we as a community of English-knowers agree that certain squiggles correspond to certain sounds, and certain sounds together make words which conjure meanings. and words put together into sentences into paragraphs conjure even more complicated meanings. and when those paragraphs are woven into narrative we create yet more and more complicated meaning.
every time you write anything — a text message, an email, a tweet, a fanfic — you are taking the infinite abstraction of your own cognition, narrowing it into a single concept, and representing that concept with patterns in the form of sounds represented by letters and given meaning with words, so that the infinite abstraction of your own conscience can be fractionally witnessed by the infinite abstraction of someone else’s. and even though we can’t definitively prove for ourselves that any other thing possesses a consciousness, writing shows us the shape of someone else’s mind, and tells us we are not alone.
and yet we still expect writing to be “real.”
have you ever read a story where a character sneezed? like just, a description of a sneeze for the sake of it, with no purpose or function in the plot? if not, is it because our characters aren’t real enough to sneeze, or because the sneeze isn’t relevant to their plight? what would a written sneeze look like, and why would somebody want to write it? moreover, why would somebody want to read it? that leads me to wonder, do we depict reality in the service of narrative, or narrative in the service of reality? in other words, do we write to portray reality (sans sneezing), or do we depict reality to constrain our writing, the way one might request bumpers when bowling so as not to fall in the gutters?
i’ve never read an artful rendition of a character pissing or shitting, either, even when those things are related to a character’s plight and circumstance — stories involving long road trips, living in the woods, being kidnapped. the only exception i can think of is when those things are eroticized (we do not kinkshame here in this lkwrnl), the same way it’s rare to find detailed sex writing that isn’t for the purpose of reader arousal. are there just some things about the nature of being human that are too intimate, too complex, or too boring to write?
once i wrote a murder that takes place in a small fictional midwestern town in the 90s (for the ~aesthetic), and it went uninvestigated by said town’s police force. early readers repeatedly commented along the lines of, “that’s not realistic.” and i thought, no, if anything, the incompetence of police is too realistic for the heightened reality i’m trying to render. have you ever heard of a cop solving a murder that didn’t come with an obvious suspect or immediately found evidence? i haven’t. that doesn’t mean those cases don’t exist, but i definitely think they’re less likely than mass media has us believe, and the average small-town police force has far less motivation (and possibly training) to solve crimes than we think.
i started working on the above-mentioned novel in 2016, and my goal was to depict a reality that hovers above the surface of plausibility. in this novel, which is based on macbeth, a preteen girl, mercy, becomes jealous of the love her best friend elisa shows to her father. mercy decides to get her older and very unstable brother to kill him. naturally the deed goes awry, but it does occur, and the cleanup is far messier than anticipated.
is it plausible for a 12 year old girl to plot and execute the murder of her best friend’s father? no. is that what this book is about? yes. a book about a 12 year old girl who has a perfectly healthy relationship with her best friend and who has no feelings toward her bff’s father one way or another is probably far more “realistic,” but that’s not the book i’d want to read and certainly not the one i want to write. my goal of a heightened reality is what henry james calls the intensity of illusion, the thing that allows a reader, through the witness of one’s distilled cognition into language, to exit physical, knowable reality, and enter a new and unknown reality. and isn’t climbing to that higher place, that intensity of illusion, the purpose of fiction? if it’s not, what is?
the best feedback i got on the aforementioned murder scene was from one of my professors, who, of the perfect calm of all children involved, said, “they just shot a guy. at least one of them would be freaking out.”
he was totally right, but it opened up a lot of questions for me. by what standard did he reach that conclusion? was it something in the chapter itself, was it his personal understanding of the work of narrative, or was it the logical conclusion of the slim plausibility of the scenario? moreover, where did i come up with the idea that all of my preteen characters would commit a murder and proceed to be very chill about it? if an implausible scenario begs the expectation of emotional distress, would it be more compelling to buy into that expectation or deviate from it? is it even my obligation to be compelling when i can never have a cogent grasp of the personal tastes of my audience?
that brings me to what appears to be reality’s opposite: idealism, the state those of us who write fanfic are often trying to achieve. we’re working in an entire genre of ideals, of happily ever afters, of hurt that is always followed by comfort, of glossily rendered sex during which everyone orgasms and no one has to pee afterward. we fix broken texts and continue incomplete ones. sometimes, we want to make existing things better, deeper, more complicated. but all the time, we want to make a text more than what it is.
some see this process, this drive for the ideal, as antithetical to realism, and i think that’s part of the reason fanfiction and other idealistic genres (romance, etc.) get a bad name — the assumption that more real (which for some means more miserable) is better, and therefore its opposite, the ideal, is worse. for them, i have this quote from vladimir nabokov:
For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.
the ideal, aesthetic bliss, the intensity of illusion. these are all phrases that boil down to the same thing: you the writer get to define the constraints of your own reality. you get to choose if your world even complies with the known laws of physics. and if it doesn’t, you get to choose which ones to break, and why to break them. you get to choose if your stories take place in a real house in a real town on a real day. if you wrote a story that takes place on september 11, 2001, would the events of that story be shaped by the events of that actual day, or are you writing a better world where 9/11 doesn’t happen? consider the consequences of both: why might you want to write reality? why might you want to write ideality? how do these things shape your identity and goals as a writer?
no matter where a work falls on the real-ideal spectrum, you have to accept that prose itself will only ever be a verisimilitude of reality and therefore an interpretation of it, one that might be interpreted differently by a reader. in writing and everything else, you can never have complete control over what others perceive. it’s like giving someone cash as a gift. they might buy themselves something nice with it, or they might spend it on groceries. the point is, eventually we all have to let go of our realities.
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kissmeaboutit · 5 years
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Fic recs part 1
The Intern- https://archiveofourown.org/works/979988/chapters/1929352#main
Armin was convinced that it was the opportunity of a lifetime, but Eren just saw it as just another chance to fail. Nothing good could possibly come out of an internship in a stuffy office at Survey Corporation. Eren would have been content to sit and watch the remainder of his senior year pass him by. However, after one elevator trip, Eren finds himself questioning everything he thought he knew about life and himself.
Tentative Bliss- https://archiveofourown.org/works/1131646/chapters/2286009
In the D/s community, a contract is the agreement between the Dom and sub: It outlines the structure, expectation, rules, and limitations of the temporary relationship. After Eren nervously signs one with his new Dom, Levi, they both have a month to decide if they're right for each other and to see if Eren can fit in the household without clashing with the others. Although, Eren is a little surprised by Armin's kindness and Levi's actual objective...
1994- https://archiveofourown.org/works/875756/chapters/1683367
Before cell phones. Before the Kardashians. Before internet porn. The year is 1994. Eren, Mikasa, and Armin, poor kids from the wrong side of the tracks, have been transferred with the rest of their neighborhood to the posh, uptown Trost High (Home of the Titans). Mikasa and Armin seem to fit in well enough, but Eren isn't quite so lucky. Of course, most of this has to do with Eren's personality. When he accepts a bet to lose his virginity (and actually prove that someone likes him) by the end of the semester, it's hard for him to deny the improbability of winning. After all, the only one he seems to be talking to these days is the weirdly pretty (and just plain weird) goth working at the donut shop down the street...
Louder Than Words- https://archiveofourown.org/works/1810396/chapters/3885151
My boyfriend, Eren Jaeger, disappeared ten days before his seventeenth birthday.
Six months later, he was found again, completely intact save for his mental and emotional scars. Oh, and the fact that he would never be able to speak again.
And so, we all started to rebuild from the debris that had been left in the destruction of our lives.
Little Titan Cafe- https://archiveofourown.org/works/1032582/chapters/2057524#main
Just another cliche AU in which Eren works as a barista in his mother’s café, specializing in latte art. And then there’s Levi, who’s not exactly your typical patron, because, well, he’s blunt and rude (which Eren supposes isn’t that much different from regular customers) but mostly he just confuses Eren’s poor little homosexual heart.
Chasing Summer- https://archiveofourown.org/works/4059769/chapters/9136579
Two more weeks left before Levi Ackerman graduates from high school and leaves the small town of Shiganshina. He can't wait for the moment that he can finally put that dreadful town behind him. But when a Grisha Jaeger becomes the new family doctor, bringing along his ill son that breathes new life into the town he desperately wants to escape, will Levi find a reason to stay?
A Forged Wedding- https://archiveofourown.org/works/1557026/chapters/3301223
Modern AU, based off of the Japanese game: "I... Don't think I heard you right. What did you just ask me, Rivaille?" "I'm asking you to marry me for a month. How did you not hear me right?" (Rated M for later chapters, mentions of other pairings, more warnings inside)
Don’t Let Your guard down- https://archiveofourown.org/works/5440217/chapters/12572078
Eren and his adopted sister were raised in an extremely Christian household and as a result, are very ignorant to the world around them. And there's one big problem with that. Eren is gay and has been hiding it from everyone since he realized it, out of fear of his homophobic father and other people finding out. One day he feels tested religiously when he meets some eccentric people as a result of him drawing attention to himself by exhibiting his athletic abilities. Little does he know, he drew their attention because they are all apart of their school's color guard team and are desperate for a new member. He's hesitant to join, however, it may not be his choice to accept the offer after all.
Trost Landing- https://archiveofourown.org/works/1622420/chapters/3458933
After a fire devastated their apartment, Levi and Eren move into a new housing community on the outskirts of town. However, after a little while, things don't turn out as happily-ever-after as they had planned.
A voice from the rubble- https://archiveofourown.org/works/5014987/chapters/11525746
It all just took 30 seconds. Thirty seconds that kept replaying in my mind over and over again, the details so vivid. Thirty seconds that would change my life forever.
Thirty seconds earlier we had all been safely tucked up in bed. Shiganshina Lodge was my home, my family was visiting for the holidays; it had now become our tomb.
Shiganshina District had been a second home to all of us ever since I was born. I know this place. I know its beauty... I'm now learning its terror.
OR: Eren's trapped in a landslide and Levi's the paramedic that finds him.
Freedom of the press- https://archiveofourown.org/works/3261971/chapters/7113611
Eren is just an ordinary college student, wondering how long he can put off his art projects and if it's possible to live off of only ramen and mac 'n cheese. Oh, and if his medical alert bracelet is really necessary, because honestly, it shouldn't be. His part time jobs as a barista and a photographer for a major newspaper help pay the bills, but when he gets assigned the task of photographing the upcoming professional soccer match, he can't believe his luck. He has been given permission to legally stalk his idol, center forward for the Scouts, Levi Ackerman!
Levi Ackerman is a famous soccer player, and the object of millions of girls' and guys' wet dreams. For Levi, the life of a celebrity is nothing to complain about. He can walk into any bar and leave with his choice of men to take home. And with a sexual appetite that can rival that of a porn star, this is a benefit of stardom he takes full advantage of. The only problem is, it's hard to keep secrets when constantly under a spotlight. What the world doesn't know is that he's gay, and he's determined to keep it that way. Levi struggles to keep his deep, dark secret out of the public knowledge, but a certain green-eyed brat is making that exceptionally difficult.
Both sides of the same coin- https://archiveofourown.org/works/1966659/chapters/4255494
Eren is a werewolf, captured by humans for experiments, and wakes up in a cell that he soon realizes he's sharing with a vampire. The two work together to get out of their unpleasant prison but the price for their freedom may end up being too high. How will they cope with the consequences of the choices they have made?
Help Me Stand- https://archiveofourown.org/works/934319/chapters/1818776
Eren's best childhood friend and high school boyfriend, Armin, dies in a car accident in which Eren had been the one at the wheel. Unable to keep from blaming himself, life itself becomes agonizing for Eren and he turns to the more negative side of coping mechanisms. Eventually, he meets a college student named Levi who seems like he has it all figured out, just to discover that they have more in common than he thought. Modern!AU.
Also, Levi has a motorcycle because it was definitely necessary.
Make You Feel My Love- https://archiveofourown.org/works/4863482/chapters/11146277
Levi is Trost's strongest soldier, he's Captain of the Special Ops Squad and he's also the only chance Trost has to end their long war with Maria. Eren is Maria's Prince, he's beloved and respected by all of his people, he's also the only hope Maria has to survive their long struggle against Trost.
What neither of them expected was an arranged marriage to try and solve all their problems. Fun fact: it doesn't.
A World Of Our Own- https://archiveofourown.org/works/2632715/chapters/5875388
Eren wasn't happy knowing his whole life that he'd have to be forced into an arranged marriage, but finding out that his fiance is one of the richest, most famous heirs of the modern age wasn't exactly helping. All about the struggles of being forced into a modern day arranged marriage.
And Eren being a little shit in the process. Cause he's a brat.
The Music Room- https://archiveofourown.org/works/5043655/chapters/11596453
Levi Ackerman resides in a facility for the terminally ill, angry and bitter toward the world for being stripped of his life before he's even allowed to live it. He keeps to himself and in fact shuns any kind of social interaction with anyone. That is, until he stumbles upon the music room, inhabited only by a cancer-ridden teenager who's just as lonely as he is.
Leave your Lover- https://archiveofourown.org/works/2062431/chapters/4482963
Levi is a 30 year old divorced Chef who works at his best friend's restaurant.
An ex military Sergeant, Levi lives his life according to a strict routine. One day, his strict schedule is thrown off when a mysterious cat makes it's way into his apartment from the open Balcony. When Levi hears it's owner knocking on his door, he wasn't aware that his life would be turned upside down and all because of this boy standing in his doorway with the biggest, brightest green eyes he'd ever seen and his name is Eren Jaeger.
The story in which Levi doesn't know he's gay and is in denial about it until a certain bright eyed boy moves in next door and steals his heart. The only problem is... he's got a boyfriend.
Comment On... - https://archiveofourown.org/works/7897357
Levi has come a long way since he started writing fanfiction, but there's always been that one reader who's stuck by him since the beginning. A fanartist for his fanwriter who goes by the name of Jaegermeister. After months of talking back and forth in the comments of AO3 one of them finally becomes brave enough to send a message on Tumblr that takes their conversations to a whole new level.
Promises Travel-
https://archiveofourown.org/works/5524034/chapters/12751232
One promise could lead to more.  
And for Levi, he intended to keep every one of them no matter where Eren may be.
A Place for Hearts To Rest- https://archiveofourown.org/works/7189850/chapters/16318364
Levi is Eren's captain, and Eren assumed it would always be that way. Captain and subordinate, the way it was meant to be. But, when Eren's heat hits and the two can't resist each other, will the change be for the better, or the worse? Especially with the extraordinary circumstances that follow. There were orders they were meant to follow, rules that were not meant to be broken, and repercussions that would be dire, but no one can withstand the battering of wild instincts indefinitely and even taciturn captains sometimes have slip ups.
Only with the help of their friends are they able to come to terms with the sticky situation they'd managed to get themselves into. But, will it be enough to save them?
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Johnlock Fic Recs
Never done a fic rec before, but have seen some posts about encouraging the amazing artists and writers in the fandom, and since I’m about to nosedive into some fic to take a breather from tin-hatting, thought I would share some of my faves. (BTW-never even heard of fanfic/fanart until I got hooked on this damn show this year, lol).  
My absolute favorite fanfic is The Hunter’s Choice: Love or Pride by Breath4Soul (@Breath4Soul)  Absolutely stunning writing.  The quiet desperation of Sherlock’s love in this piece just grabbed my heart and refuses to let go.  
For delicious smut with feels, I love Rearranged by ItsAllFine (@librarylock).  Takes the “for science!” trope to a new level.  Couldn’t stop reading until I reached the end.  
Before discovering the Sherlock fandom, I never would’ve believed I’d be reading (much less recommending) a werewolf slash fic, but I have to say I was drawn in by  Man and Beast by Jupiter_Ash and thrilled to find the follow up series: You. Impossible You Series by darkwood.  Incredibly creative stories that kept me coming back for more. 
I was incredibly happy to find myself blindsided by You Are the Perfect Drug (And I Want You) by trustingno1.  This story took my breath away and made me look at Sherlock in a new light.
Another beautiful story that draws you into the lovely world of 221B is The Safety in the Spaces of Your Mouth by darcylindbergh.  How a story about nicknames can make you feel so much is beyond imagination.  
Thank you to all the incredibly talented and creative writers and artists in the Sherlock fandom!   
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actualbird · 6 years
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hey, so, this is gonna sound like a weird question, but how did you get to be so well known for your writing? i've written a lot of bmc fanfic and i'd like to think i'm pretty good (i'm actually on your fic rec a couple times) but I feel like it's way harder for fanwriters to get noticed than fanartists. Do you have any advice on how to get word out about your fics? Thank you so much and have a great day!!
not weird at all and in fact ive gotten this question a lot (albeit in dms/private convos) i absolutely agree with you that fic writers have it tougher concerning getting noticed. it’s definitely not because the production of one is harder than the other, but it’s simply by virtue of creating content via a medium that takes longer to consume on social media platforms that are inherently fast paced. on that note, getting “well known” is a mixture of things you Can Control and things you Cant.
Can Control is based on what i guess we can call quality which youve got cuz if ive recced you then i LOVED whatever it is you wrote!!! and im a little bit of a picky reader kjfhkdsjf. but theres also the intricacies of making sure your fic has a good, enticing summary (ive grown quite fond of the “excerpt + actual fic summary line, possibly witty, possibly vague, you’ll have to read to find out” formula, since it works wonders in getting people to Click), well tagged, well titled, no author’s notes that go “sorry this is crap” (number one turn off is an author who apologizes for quality. if you dont believe in your work, how do you expect anybody else to? that isnt to say all writers should be sure of themselves, but def keep it out of the summary/notes. youre tryna sell yourself, so make it look Good). now that that’s done, make sure to post and promote your fics well. post it on ao3 at a time when people are most likely to be reading (ive assumed this to be in the general morning of the western hemisphere since ppl wake up to check ao3 like a daily newspaper), and make a post on tumblr too if youve got one. tag that post well and reblog that post a bunch of times too. stand on a table and yell at followers to read your fic. i did this sneaky thing where i’d link my other bmc fics in the endnotes of some chapters of forest, kinda like a netflix recommended page, but the only thing i was recommending was Me. perhaps slightly narcissistic but hey, if it works, it works. assuming youve already got all that down and good and your fics still arent getting noticed, this is where things unfortunately lapse into the realm of things you Cant Control.
you Cant really control stuff like what the audience wants. i got well known in bmc because the fic i was writing just so happened to coincide with the thing a lot of people wanted. they wanted boyfs and pining and i just so happened to be writing exactly that. there was a demand and i had supplied it. you Cant really control timing either, something i got super lucky with because i entered the fandom at its mid-early first surge. there wasnt that much fic yet but many people wanted to read, so people flock to whats there. economics or something. you Cant really control the amount of “well known-ness” you already had prior. i’d been writing fic for a long time and picked up a lot of followers bouncing around fandoms which def helped with my fics getting off the ground. you also Cant really control how your fics spiral after that. sometimes somebody else with a lot of followers will like it and rec it, sometimes that wont happen. my fics ended up getting fanart which i am so eternally grateful for and still stare at lovingly from time to time, and that also helped with promoting the fic further. but that was something out of my control. in short, i was pretty goddamn lucky
a lot of “getting noticed” is really not up to you at all, and it makes me really sad to see wonderful works and wonderful writers not getting the recognition i feel they deserve. it’s why i keep making ridiculously annotated fic rec lists and reblog fic posts of fic i enjoy. the only thing you can do as a writer is write what you want to the best of your ability and hope things go well. but for the fic readers, it really goes a long way to show your appreciation through reblogs, comments, bookmarks, and recs. come on guys, we do fuckloads of words for free. throw us a bone. 
anyway, i hope this….helps? this isnt advice so much as me shaking my fist at Circumstance, but i hope your fics get more attention and love. i also hope you have a nice day!!!
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canadian-riddler · 6 years
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The best fanwriter I know, probably the best one I ever WILL know, she wrote only genfic. Over a hundred of them. All of them beautiful, all of them painstakingly thought out, and her English is divine. Her prose is poetry. But despite having written over a hundred fics nobody knew of her. Nobody ever put her on rec posts. I remixed one of her fics once and I had twice as many hits and kudos as her merely because people knew me from my shipping fics. My version wasn’t better. Hers was. But people didn’t know who she was because she only wrote gen, so nobody read hers.
Being a writer devoted to genfic really means being in it for yourself and only yourself, and despite that it really does suck when you see people going ‘boy I sure wish there was more of x kind of fic’ and you just sit there and stare at the screen and think about all the stuff you wrote that is just that that nobody cares about.
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3fluffies · 6 years
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Hey! I was wondering if there were and fics you could rec that are Tony critical, like not bashing (cause I still love him, lol) but some of his actions have not sat well with me and I feel like most people just gloss over them. I read your Consequences and it was so good! Like a logical follow through of what we've seen so far, that mostly is just dropped (in fan on and canon). Ignore this if you'd like, but I thought it would be worth a shot. Thanks for your time!
Sadly, I know of very few out-and-out Tony critical fics, but I’ll point you to those I do know of:  all of them are by the same awesome fanwriter:  Gibbs_yeah
 Their 5 fics are actually collections of ficlets dealing with some of the valid criticisms of Tony AND debunking some of the more bizarre Tony-woobifying tropes (often giving Tony more agency and strength and character than the woobifiers did)!
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servantofclio · 7 years
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Evidently yesterday was Fanfic Writers Appreciation Day.
I more or less missed it yesterday, but today I felt like I wanted to say a couple things.
First off, I’m grateful for every single comment or recommendation or heart or kudos or fave I’ve gotten. They totally make my day every time, and I’m so appreciative of all of you who’ve taken the time to read anything I wrote.
Second, I also so appreciate every writer out there that I’ve read. I don’t feel comfortable making a rec list because I know how crappy it feels to get left off someone’s list, and I’m sure I’d forget someone, but I’ve gotten so much joy and fun and catharsis from so many fics. I love seeing all the different OCs and headcanons and perspectives fanwriters come up with. Reading and writing fanfic have enriched my life immeasurably, so thanks to every single one of you who's taken the leap and put any of your stuff out there. <3
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Having a tough down-on-myself-time tonight because deep down I still wanna be a Serious Fanwriter who’s really prolific and does huge novel-length fics and gets recced everywhere and it’s hard to accept the me that I actually am and the work that I actually do as worth anything sometimes.
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