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#Princess Ariel
academia-core · 18 hours
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princess ariel aesthetic
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gojoforever69 · 1 day
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NAH THIS WIIILLDD. YALL NEED TOO CHIILLL.
Credits to og owner
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hallessiren · 1 year
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Halle with a 'Fro 😍 ✨️
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cyarskaren52 · 11 months
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animations-daily · 1 year
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THE LITTLE MERMAID (1989) dir. John Musker & Ron Clements THE LITTLE MERMAID (2023) dir. Rob Marshall
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junk-drop · 11 months
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womeninfictionandirl · 11 months
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Ariel by Tanya Lehoux
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hallelegion · 1 year
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literal princess
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the-type-a · 11 months
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The ship The shipper
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Grimsby said Team Ariel when he kicked that ring. 😂✌🏼
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ghostpainters · 1 year
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Little Mermaids at the Laundromat 
I saw a lot of other artists drawing both versions of Ariel and I thought it looked like fun. So, I made some funky, silly art with bright colors. TBH, The Little Mermaid was never my favorite story, but the aesthetic of the 1989 was really gorgeous. I’m excited to see all the new designs and art in the new film with Halle Bailey.
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academia-core · 23 days
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modern princess ariel aesthetic
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alienbycomics · 7 months
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Ready to Stand: A comic retelling The Little Mermaid with a twist 🏳️‍⚧️
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[Begin image description- Comic with 10 panels inspired by Disney’s The Little Mermaid. Comic title: “Ready to Stand” by Alienby comics.
Panel 1: Ariel, a mermaid, holds a dress up in front of her and looks into a mirror longingly. Ariel’s flat chest covered in scales and gills makes her gender ambiguous. Ariel is in her underwater cave surrounded by trinkets from the human world. Ariel’s voice over: “Maybe Father’s right. Maybe there is something wrong with me.”
Panel 2: Ariel leans on a rock on the surface of the water, looking hopefully at 2 human women walking along the beach in the distance. Ariel’s voice over: “But I want this more than anything.”
Panel 3: Ariel is seen swimming away from her home in a shadowy nook, looking back at her father and sisters, who are laughing together. She is sad to leave them. Ariel’s voice over speaking to Ursula: “So you can really turn me into a human?”
Panel 4: Ariel approaches Ursula the Sea Witch in Ursula’s lair pleadingly. Ursula speaks to Ariel over her shoulder. Ursula answers: “I can. You’re not the first, honey. Life down here is so drab, isn’t it?” Ariel replies: “Yes. I don’t belong here. Please help me.”
Panel 5: Ariel and Ursula’s conversation continues as we see a flashback of Ariel’s father Triton, who has angrily destroyed Ariel’s trinkets from the human world with his magic. Triton holds Ariel by the arm in one hand and holds her dress, which is now in shambles, in his other hand. Ursula’s voice over: “What do you have to offer me?” Ariel’s voice over: “I have… well, I had a trove of treasures until my father…” Ariel trails off. Ursula’s voice over: “How about your voice?”
Panel 6: Ariel looks over her shoulder back at Ursula. Ursula appears more devilish now and lurks in the shadows behind her. Ariel asks: “My voice?” Ursula replies: “You can’t get something for nothing, kid. Your voice for your legs. Do we have a deal?”
Panel 7: Ariel and Ursula now are at opposite sides of a bubbling purple cauldron, full of a potion that will make Ariel human. Ursula holds a vial of this potion out to Ariel. Ariel’s fists are clenched and her face is poised in resolve. Ariel simply says, “okay.” Ursula warns Ariel: “But the transformation will be painful, and you can never return home. Are you sure this is what you want?”
Panel 8: The comic cuts to after Ariel’s transformation. She breaks the surface of the ocean and takes a sharp breath of air. She no longer has gills or scales, and she now has noticeable human breasts with seashell coverings. Ariel’s inner monologue voice over: “Air in my lungs…”
Panel 9: Ariel is seen in 2 poses. The first pose shows Ariel sitting in the shallow water on the beach, admiring one of her feet on her brand new legs. She has a huge smile on her face. The second pose shows Ariel trying to stand, now wearing a skirt made from a piece of canvas from nearby ship debris. Ariel teeters and falls over with a chibi-like expression that exaggerates her panic. Ariel’s inner monologue voice over continues: “Sand between my toes, the warm sun on my soft skin…”
Panel 10: Ariel blissfully but silently laughs while laying in the warm sand on the beach. Her arms and new legs are sprawled out in relaxation. Ariel’s inner monologue concludes: “Now I’m home.” / End image description]
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tampire · 6 months
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Our Flag Means Death / The Little Mermaid
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ohiko-artsworld · 21 days
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In the new event, I thought Azul's hair looked like he just came out of the water, and that reminded me of something...
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dameaylins · 11 months
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And you don't know why But you're dying to try You wanna kiss the girl  
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nessa007 · 7 months
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"As a black woman, being in the black community, our hair is so important to us. It's spiritual. It's everything. So, I was grateful to Rob Marshall for saying, you know, we're re-imagining this character, she should be allowed to have [Halle's] hair and wear her hair the way that it is in all of its glory. Just make it red because Ariel's hair is red." - Halle Bailey THE LITTLE MERMAID (2023) Dir. Rob Marshall
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