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vinillain · 2 days

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Great wave chapter 2 spoilers// analysis cuz ahahahaha Adamai… when I get you…

Alr, rant because I’m the biggest Yugo & Adamai fan of all time. And I overanalyzed this chapter to death.

And how the way Adamai treats Yugo is one of the main reasons he’s distant from Amalia.

This pattern of behavior isn’t new, in s4 he was quick to come to Yugo’s defense when Nora was chastising him. Using words like “we” and because both of them were still feeling the euphoria of their reconciliation came to each-others defense in a new unfamiliar environment. But after he sees how shady and “heroic” their family is he ops to leave, and does so without explaining himself (about the dofus) to Yugo or trys to convince him to come along. Something he definitely would have done in s1-2. (And this is because they have grown so far apart the bond they once had is distant, albeit still there)

This behavior is similar, and again appears here in their entire conversation.

Yugo who was brooding and trying to be alone after his vision is greeted by Adamai, who IS genuinely worried about Yugo, since Yugo now carries the dofus of their people he and Adamai’s bond is “strengthened tenfold” allowing him to “almost hear his thoughts” and definitely feel his fear and dark feelings. And he immediately calls Yugo out when he tries to hide how upset he was (which tbh he likely does because of Adamai’s next reaction in a bit, meaning this is a common cycle)

Eventually after some talk Yu breaks down and is honest that he isn’t okay. That his visions terrified him, and here Adamai isn’t dismissive right off the bat, he states that he could feel how bad it was because of their bond, and knew it must have been bad if it shook Yugo up this much

And Yugo tells him about the vision and how “I am the cause.” To which Adamai questions as he seems to think internally, and Yugo like in chapter one with Amalia doesn’t question anything, again he only says “It was real.”

(I am roughly paraphrasing their dialogue so it’s not 100% accurate)

At this point Adamai scoffs at him to which Yugo who’s still upset by his vision flips out on him starting an argument. Asking if he “bores” Adamai

And Adamai tells him he needs to think with his head. He possesses the power of a god and can’t afford to think with emotions. Which is true, TOT said that Adamai was the logic to Yugo’s actions. He is the thought and the anchor, but while he isn’t wrong for saying this, the way he went about it is making things worse, but it also it makes sense why he did act this way towards Yugo.

Adamai is not someone who bases his feelings on emotions anymore.

He’s spent his entire childhood training and getting ready to meet Yugo and find their people. After the loss of Grougal he has spent his entire life trying to fill the void with an adult parental figure who holds power and wisdom that can help him achieve his goals the way he knows mortals can’t. Hence the “we needed someone with more guidance” like in s4 to Yugo. We don’t see exactly what happened to him from the OVA’s-s3. But we know it had a drastic change on him physically and especially mentally. And a big part of that is that he essentially became a vessel to their peoples dofus. In order to cope with his own trauma and feelings and taking on that responsibility of all this power he surprised any emotions or feelings that could cause him to act rash or get in the way of his main goals.

And when he did let his emotions take over because of his blind rage, he ended up hurting people he cared about which left him even more apprehensive to show any ever again. (Hence why he left his newly found family in s4) But in doing this to such an exstent the way he does, he never actually solves any personal problems of conflicts. Especially with his loved ones. He can’t rekindle his bond with Yugo or try to fix their relationship because he refuses to show any vulnerability. Which makes sense after he was left behind, betrayed and hurt so many times, and more so when he realized that he hurt others in his own pain. He doesn’t want to get hurt or hurt others again.

And as he states, Yugo has power beyond any mortal comprehension. He now carries the weight and responsibility of their people, and their siblings dofus. Honestly just their peoples future in general. He holds power, power many people want to steal from him or rid him of. Adamai compares Yugo’s situation to how he had to handle the dofus. That he needs to swallow any emotions and think logically. Which he has always done more out of the two of them. Vulnerability is a weakness to him. And Adamai doesn’t want Yugo to get hurt or hurt others like he has in the past.

He is cruel and harsh in his words. Telling Yugo he does “bore” him. And completely downplays his twin’s feelings because he sees them as being weak. But he DOES care about Yugo, in his eyes Yu will end up suffering more if he shows this vulnerability. It’s why he is mean and tells Yugo he can’t be acting like a child when he has all this responsibility and power in his hands. This isn’t the same when they were little kids, the stakes for them and their people are much hire now.

But to Yugo, who’s tried to fix their relationship countless times, is naturally upset at this. He feels unheard, that’s he’s being over dramatic and that his feelings don’t matter. That he isn’t allowed to be upset at his own trauma. Which is something i think paralells Goddess Eliatrope. How people dismiss her feelings and say she’s overreacting. That she needs to “get over herself” because she is a great goddess with all this power. Etc. something I hope we see more with Yugo aswell.

Being a king already isolates him enough, being a demigod with all this power does so even more. To Yugo, Adamai is the only one he can turn too when he’s upset. It’s why he was so desperate to find him in s3. Over growing old and being immortal. The problems that mortals can’t comprehend. (Something that definitely upsets him because the more power and godhood he gains the more distance he has between himself and his loved ones.) But when he opens up to Adamai about his fears and issues he is shut down or ignored. And that’s why he won’t open up to Amalia. If Ad dismisses and scoffs at his feelings then why should he try to open up to her? He adores and loves Amalia and fears the rejection she might give him. It’s why the moment she was slightly dismissive with her “Calm down, it was just a dream” he immediately leaves to be alone. He already has to deal with Adamai, he doesn’t want her to do it to him too.

But by doing this he is hurting her too. Like him Amalia is STRESSED beyond belief. She has a ton of weight and responsibility on her shoulders. And she can’t manage the conflicts of her people (especially with the eliatropes) If Yugo isn’t there to help her, If Yugo won’t be vulnerable to her. If he doesn’t trust her or won’t rely on her with his problems then how can she? How can she be open with him if he runs away from her at the deepest issues when they share so much intimacy and love.

Their is already clear tension among the Sadida’s and the (VERY FEW) Eliatropes who now live among them. Many are unhappy with the changes, some openly voicing how “Armand would never have allowed this” suggesting they don’t like Yugo as their king either. And the old man talking about how he lost his son in the war, that the eliatropes haven’t faced sacrifice. (And this is despite that fact that they don’t know anything about their past or the war they went through, how they lost their own families- claiming they don’t understand Sadidan culture or tradition but never trying to learn the other sides either.)

Communication is the key to relationships. Being open and vulnerable is how we understand eachother. Something reflected in the main three so far and the Sadidans+Eliatropes. Yugo keeps shutting Amalia out because of how Adamai treats him. Creating this endless cycle of distrust among the two and it’s reflected in their own people. Both could be amazing rulers and created a better place if they were both open with each-other. But they won’t, and unless Adamai and in turn Yugo open up and show vulnerability. They don’t have to show all of it, trust is slowly gained. Little by little in a healthy manner. But if Yugo doesn’t then the discourse and tension will continue to grow among all their people. (And if you’ve seen the teaser for a certain upcoming chapter you can see how that’s going 😭😭😭)

Anyway, in conclusion: someone please get them therapy

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yuurei20 · 2 days

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I don't think you talk about newest content so it's fine to ignore this if you want but, yesterday I saw a theory that said something about the counting for chapters was changed on JP? And it's proof that 7 ended two updates ago, and now the game is going back to 1? Something about Ace's title? eopfkefkefj yeah this is vague I don't really get it but just if you've heard anything.

Hello hello!! Thank you for this question!

This blog typically pretends that main story content not released on EN does not exist because spoilers are the worst :<

I will do my very best to be vague but just to be safe, minor spoilers (vaguely plot related) under the cut!

I have also come across theories that maybe the story is going backwards now!

I think that is where "Book 7 ended two chapters ago" comes from: two chapters ago on JP the content of the Main Story changed from Diasomnia characters to Ignihyde characters!

While technically we are still in Book 7 of the main story, the content seems to be going in reverse order (further proven by the announcement of Rook's new card 👀), and the theory goes that now that we have "finished" with Book 7 (Diasomnia) and will be going to Book 6, Book 5, etc.!

The "counting for chapters was changed" part is maybe about what happened on JP back when Book 7 began:

Originally the different books were not separated into "chapters" on JP!

They were separated into beginnings, middles and ends, which worked okay when books were shorter.

But then in Book 5 and Book 6 we started getting sections called "Middle Part 1," "Ending Part 1," etc., which was confusing, but it meant that we could still more or less tell how far along we were in the story and when we could expect it to end.

With Book 7, everything changed!

Suddenly we no longer have a "beginning," "middle" and "end"--we have are numbered chapters. The game has broken from its own, linear, "Book 6 -> Book 7 -> Book 8" timeline, and now anything is possible!

And that is not all! We also ran out of dorm uniform cards. Dorm cards were not released until we reached the Book about the dorm in question, and then right after Diasomnia received their dorm cards, they also received Book 7-exclusive cards that seem to be related to the new titles released on both EN and JP:

Ortho's new title for Book 7 and his Cereberus Gear is, for example, Guardian of the Underworld.

The theory says new cards do not have personal stories behind them because the information that would normally be included in these cards has been woven into the main story (which has also been proven true of both Lilia and Sebek). Another part of the game that Book 7 has changed!

It seems that the new titles will each be associated with their own cards, picked up in backwards-order just like the dorm uniform cards were picked up in forwards-order.

And that brings us to Ace's title:

If this theory is true, Heartslabyul is going to be one of the last, if not the very last dorm that we visit. And Ace's new title has been taken directly from the summon line of his dorm uniform: Trump Card of Hearts 👀

But, like most theories, this one is not air-tight!

If we are truly going backwards to pick up all the new cards, then where are Malleus' "Ruler of the Abyss" and Silver's "Knight of Dreams" cards? Aren't we already in Book 6? And if we're already going into Book 5 with Rook, have we already skipped Idia's card for "King of the Underworld"? Are they skipping overblotters for some reason and saving them for later? (Silver's missing card has an entirely separate theory of its own.)

I do not know! :> But I do very much like the theory that we have technically already completed Book 7 (Book 7) content, maybe even Book 7 (Book 6) content, next will be Book 7 (Book 5) content, etc., as the game progresses! ^^ Exciting!

#twstask

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mostlygayrage · 2 days

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OBSCURA: Trailer Analysis

SPOILERS AHEAD!!

In the trailer/video that goes with Chapter One of OBSCURA (Here. Watch it on your own, sub to Rotten Raccons) is PACKED with details and all sorts of information. Let's start with the first thing we see when the video starts.

Cirrus:

This is a snippet of Cirrus' CG in game with some things added. The text in the top left is what we're interested in. "18. presbyter//ecclesia lunaris" What does the number mean? Well if we take it in terms of Major Arcana for Tarot cards. the moon in number 18.(XVIII) Fitting for the lunar priest, but the deeper meaning also fits. Usually meaning hidden danger or enemies, deception to darker forces at play. Then we have the Latin. If we take the dashes and an indication of a break, then the translation is roughly "Preist// height of the moon" But if we take it as one sentence it translates to "Priest of the Lunar Church" Keir:

Again, staring with the number. 20 (XX) is Judgement. I find this fascinating. With obvious associations to justice, scales, balance etc it;s an interesting connection that I wouldn't have originally thought of to Keir but it fits well. The card itself means reflection, reckoning and awakening. Usually taking a look at oneself to see where an imbalance lies so you can fix it and move forwards while reversed can mean a lack of self-awareness, doubt and self-loathing. (yikes) The latin here is interesting too. Instead of having the dashes like everyone else, he had the latin next to the number and then a separate, less visible one at the bottom center of the screen. "Cavilator Fur" translates to "Scornful thief" and the dimmer, less noticeable word is "Cultelluss" or "knife" and it's pointing to where his dagger in on his belt.

Oleander:

The Number 11 (XI) is Justice. Meaning cause and effect, clarity and truth and the reverse meaning opposite. Oleander is a character who knows the effects of his actions. They are measures and precise. He is aware of the cause and effect. And in his neutral and good endings we see him bring his own form of 'justice' or balance. When Lord Valentine tried to have him killed, he simply returned the favor personally, and succeded. "Nerii//periculosum scurra" when translated as a sentence means "A dangerous clown". This obviously references the way Vesper calls him a clown when they first meet and telling us directly that he is dangerous. Francesco:

The Wheel of Fortune is what is assigned to Francesco, meaning change, cycles and inevitable fate, greater forces as play that are pushing towards and ultimate and unavoidable end. This theme goes along with theming that he is running out of time. THere is a reason for him coming to the underground, for rushing Vesper and the tailor so he can experience as much as he can. There is something pushing him forwards.

"Francisium//innocentes nobiles" At a first glance it looks like a latin version of his name, and "innocent nobiles." The second part is correct but the whole phrase means "The innocent nobles of France" which is FACINATING to say the least. The connection to France is interesting to me and brings my mind to the French revolution. Another detail I think is interesting is that his secondary outfit we see him in, the jewelry that is around his neck is right where a beheading would happen and once I saw it I couldn't unsee it.

Thats the first portion. Later in the video we get some images that flash across the screen with more latin and numbers. The numbers correspond with the numbers we were given previously. Again, in the order of how they appear in the video: Cirrus: Snake Skeleton

Latin first. "Obsequium// ducit as caelum" means "compliance leads to heaven" This connects to his entire theme. To get the best end with Cirrus, you don't question him. You don't question his motives or hesitate, you just comply. The imagery of a snake skeleton is interesting too. The obvious imagery and symbolism with snakes, deceit, lies, danger. But also connections to the story of Adam and Eve. The snake that tempts Eve, causing her fall from grace.

Keir: Scales

The Latin here is obscured a bit but it says "Fatum// vestrum vel extaneus" meaning "Your fate is at stake". This one leaves me wondering quite a bit. It says 'your' as if it's talking to the player, to us. To Vesper. This could tie into how Vesper is roped into Mouse Hole, how they are forced to get a noose around their neck like the rest of those living in Mouse Hole. They have to perform well in the heist that happens otherwise they risk death that comes a lot sooner than would be caused by fractum anima. They also risk the lives of Keir and those in Mouse Hole.

The imagery here is super interesting too. Scales are usually associated with justice which happens to be Oleander's tarot card. Scales, are obviously associated with balance, with equilibrium, and fair deals. While we mostly see one side of the scale it seems to be balanced. And in combination with the Latin, I think it's referring to the delicate balance that is Keir's life. A balance of his line of work being risky but lucrative, but if it's too much of a risk, he not only risks his life but all the others in Mouse Hole.

Oleander: Human Skull

"Pantiantur// sicut habes" roughly translates to "Let them suffer as you have" which, WOW. OKAY. Again, Oleander delivers his own form of justice to Lord Valentine by delivering the same thing Valentine tried to do to Oleander, but more personal. Let them suffer as you have. It brings to mind the "eye for an eye" metaphor. An eye for an eye and the world goes blind. But Justice is blind is she not? The skull imagery is interesting as well. This is all painting Oleander as a very dangerous man. Charming and witty, with a flair for the dramatic, yes, but dangerous all the same. A man who can kill. In the neutral ending he says, "For now you are safe with me. If you want to stay like that, you need to follow my lead." If he doesn't have the same attachment to you as he does in the good ending, you are an asset to him and he doesn't spare you the same kindness.

Francesco: Hour Glass

"Tempus//decurrit" means "time is running out". His is the shortest and simplest of the secondary ones. He is running out of time. He rushes you at the tailor to get an outfit made because he can't afford to wait. He wants to get as much as he can, done in the time he has left. No time to waste. The hourglass is the same message. Time is running out. It makes me wonder what is causing his time to run out. Here's the thing, Vesper's time is also running out with Fractum Anima, and interesting connection and it would be interesting if he also had it or something similar but I don't think that's the case with the other things we have seen. With the other things, the "innocent nobles of France" bit and the Wheel of Fortune, It feels like it's alluding to an execution to something similar. But that's purely speculation. That's it! That's what I have! (Thanks to Atlas on discord for great resources and helping me connect the dots with the numbers and tarot!!)

#OBSCURA #rotten raccoons #obscura vn #obscura analysis

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entomjinx · 1 day

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ONE PIECE CHAPTER 1113 SPOILERS!!!

It's tagged, it's in bold, if you didn't see it that's on you, but I'm sorry. (I'm also a little sick so sorry for how this starts to turn a little insane at the end.)

The reveal makes perfect sense. I've seen a few people struggle to figure out where it came from, so I'm gonna explain why it makes perfect sense and then pop off with some silly theory.

The first hint at the fact that the One Piece world is sinking exists all the way back in Long Ring Long Island.

That seems like an odd place to start, but it's the first time we're shown how drastic the tides of the ocean in the One Piece world can change. It's enough to separate entire parts of an island, causing it to appear as separate islands, once every year.

This implies that the tides change drastically over the course of much longer periods than it does in the real world.

After that, we get to Water Seven and discover that it's sinking, and that the Aqua Laguna is getting worse every year. We also know that it's caused by the water receding at Long Ring Long island. We're also outright told that they want to make the city float to stop the sinking problem.

We also, much later, see just how high Wano is in altitude.

Knowing that the Redline is so tall that it cannot be passed by any ship, cannot be broken through, and that Mariejois is sat right on top of it only adds to why it makes sense.

The world isn't "sinking," those some islands technically are(Water Seven, modeled after Venice), the tides are going to rise exponentially, and fast.

The force of the water would instantly drown most people, and those who survived would be those who could get to higher altitude islands, the sky islands, Fishman Island, or the Redline.

And because I know someone will try to point this out: land bound plant life can temporarily survive underwater, so Ohara's 5000 year old library tree would be fine for a a bit while submerged. There's lots of places with high tides who's plant life is just fine. (This also could explain why they'd be so willing to throw the books into the water. Not only was it to save them from the fire, but many of them had likely been submerged for long periods of time before. They knew the books would be find in the end because they had record of it. And well, it's mentioned in the chapter that Vegapunk means to finish what Ohara started.)

This would also explain how thorough the government was able to be with wiping out information from the void century. If only a few places can survive, then few things that tell the truth will survive, and even fewer people.

Do I think I'm 100% correct about any of this? Or course not, it's Oda. It's One Piece. Things are pretty much never predicted with 100% accuracy. But that's my thoughts on why it makes sense. Now we get into theory:

I have several points to make, so I'm going to write out the shortest ones first.

-This would, completely unironically, explain some of the centuries long racism campaign against fishman. They have no reason to fear the high tides. They will survive no matter what happens on the surface, and that scares the humans who cannot.

-I think that the extreme tide is a part of why the bridge is being built in Tequila Wolf. I believe the bridges purposes is to connect all the highest points of the world so there's no need for ships to carry them. This way, the Celestial Dragons will still have access to more slaves, produce, and anything they can't get within Mariejois on their own during the time period when everyone drowns.

-and now we get to the big one:

I think that the reason the 20 kings and their people destroyed the ancient kingdom is because the ancient kingdom had a way to survive the high tide while keeping the maximum number of people safe in the process, and while being able to save many more people. They refused to ask for help, and were instead afraid of the power the ancient kingdom held, so they sought to destroy it.

I think that the ancient "weapons" were instead a means of survival, and the reason they were hidden is because the 20 kings would have used them as weapons instead. We don't know much about the ancient kingdom, so much of this is speculation.

I think Pluton was a large enough ship that it could carry the entire kingdom. We've already seen some massive ships in One Piece, and Iceburg intends to turn the entirety of Water Seven into a ship, so the idea of an island sized ship isn't all that odd.

If you continue to think about it, why did none of the Beast Pirates manage to find Pluton while searching for the poneglyph in Wano? I have two theories for this based on the fact that we're told Wano would have to open it's borders in order to get Pluton. If the walls would need to be torn down, then we can continue to assume that Pluton is massive.

Theory one is that Pluton is is hidden within the mountain itself, and that the mountain was man-made to hide the ship. Not only would the walls need to come down, but the mountain itself would have to be destroyed. They would also need a way to survive the high tide without it, so creating a mountain that is high enough in altitude to keep them safe would have been a necessity. I think this is the more believable of the two theories.

Theory Two is that Pluton is Wano. The entire island is the ship, and many of Wano's people descended from the people of the ancient kingdom or those they rescued. This one is much less likely, but it's still a possibility in my mind.

We know that Poseidon was the former mermaid princess, and that the current one is Shirahoshi. She can control the sea kings. Why would this be important? Because if everywhere floods, then the sea kings, who are already very large creatures, suddenly have an influx of room to move, food to eat, and places to lay eggs. It would cause a population spike. *However,* that would cause an ecological disaster within the food chain. The sudden influx of sea kings would be desperate for any food they can get their hands on, and many would likely die of starvation. This means they need some way to repel them from the large ship.

We don't know anything about Uranus yet, so I've nothing for you.

Another thing we know about the ancient kingdom is that they seemed to be friendly with everyone, or at least it's implied via how many friends Joy Boy made.

Fishman: Along with the bonus of having Poseidon, the fishman also have access to the tree resin from Sabaody. Should the ship(Puton) or the ancient kingdom ever need to submerge in order to keep people safe or to have a temporary air bubble, They'd be safe.

Lunarians: The people who originally lived on top of the redline. Sinee the redline is high enough to not sink, it would have made sense for them to be trade partners.

Skypians and Shandians: Another race with wings. if the tides really got too high, then they could join them in the sky sea for a time. They could also trade with them.

Minks: Zunesha was a friend of Joyboy's. We don't know much else about that situation, but it's likely that Zunesha is plenty tall enough to keep the minks from drowning, and they could have traded often as well. Maybe Zunesha was even able to do something similar to the giants.

The Giants: This feels like the most important one to me, and not just because of recent chapters. Obviously the giants think very highly of Nika/Joyboy, but it's also very likely that Elbaf is tall enough to survive the high tide, and if not, the the giants themselves are. If you look at what's known about current giants, some of them are tall enough to walk along the sea floor, and the ancient giants were so large that it's said they pulled and moved continents.

Why is that bit important? Because a ship the size of an entire island would likely need a lot more than sails buoyancy to move quickly. The ancient kingdom was pulled by the giants. They moved to different areas to rescue people and to trade so that life continued while the tide was at it's highest point.

Another random thing that supports this is the giant's vehement hatred towards Charlotte Linlin. She has Totto Land, which is supposed to be a place where all races live in harmony, but it would be a mockery of what the ancient kingdom was like, and for giants, who live about 300 years, that's only a few generations back. They would still have stories about the ancient kingdom and remember the truth.

Again, I don't think anything I predict will ever be 100% accurate, but I hope you enjoyed my rambling nonetheless.

#one piece #one piece chapter 1113 #one piece spoilers #one piece theory #nika #joyboy #one piece ancient kingdom #this kinda turned into stream of consciousness at the end #so I hope it makes some sense.#if you read all of it #thank you #I love and appreciate you #drink something eat something and take your meds today

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liminalmemories21 · 11 hours

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There’s a way that panic can make you feel nauseous, and he has to swallow hard before he can get the words out. “Tell me what you need me to do.”

Trudie gives him an approving smile, like a teacher with a student who’s given the right answer. “You’re going to help me steal a statue.”

The Knave of Clubs . . . swears he'll take her part

liner notes below the cut

First things first. Yes, Iris is in this alot. No, there is no secret marriage. This is not a spoiler, this was referenced in the previous story in this series. The Carlos in this universe is a step to the left of the Carlos in canon, and he has different experiences. Also, this is my unhinged AU, which means I get to pick and choose which bits of canon I work with. I did not vibe with that one.

Second things second. This was going to be a caper, y'all. It was going to be a short caper. Carlos and TK were going to go to NOLA and help the Leverage crew take care of some business , and, I don't know, eat beignets and popsicles. Why popsicles and not po'boys? Because the last time I was in NOLA I had the best popsicles of my life - they sadly no longer exist, but I can resurrect them for fic. I also had excellent po'boys, but the popsicles were better.

[eyes fic] I don't know what happened? Okay, I do know. One of the weird upsides to writing a series is that you get to deal in consequences and messy afters, and the way that making a decision isn't the end to that decision, and what you did last time around keeps echoing in what you do this time. Nothing exists in isolation. And, I love love a story about what happens after - after the war, after the quest, after the reveal. How do you rebuild, what happens next. That is my die-hard kink. Also, there was S4 of Lonestar and I had . . . thoughts, questions, concerns, reactions. I worked them out in fic.

Third things third. My characterization of Trudie in this fic owes a debt to Mags Bennett in S2 of Justified. She was terrifying, and ruthless, and totally in control, and one of the most interesting characters - she's why that season was so good. Also, go watch Justified, it's fantastic.

Fourth things last. As ever, don't try this at home y'all, this is not how any of this works.

Reference links in final chapter, because see previous notes about being too much of a geek not to footnote.

And finally, the chapters aren't for @rmd-writes, but they're not not for her either (sorry @freneticfloetry- but this time, the structure did actually lend itself to chapters).

#knave-verse #tarlos #911 lonestar #au #fic complete

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daydreamalley · 2 days

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A Ramble about Phase 19 of the Fifteen Manga Ft. Storm Bringer spoilers

Just absolutely cannot get over the 15 manga. I love the light novel so much, but this manga adaptation is so ridiculously amazing. Dazai and Chuuya’s proximity/touching has been amazing of course. I adore the way Hoshikawa draws Dazai and Chuuya as well (my baby boys, especially Chuuya). But these last two chapters with Rimbaud and Verlaine. Like, fuck. The whole “At least, one of them felt that way,” part just hits so much harder in the manga for me, with the art and page placement. And this whole most recent chapter. Like firstly, you don’t have to end every chapter with like Chuuya getting stabbed okay, help me out here.

Comparing the last page of phase 18 with Verlaine and the first page of phase 19 with Chuuya makes it so obvious that Rimbaud is seeing the similarities between them with just that parallel, which is confirmed later with Rimbaud quite literally seeing Verlaine standing behind Chuuya.

Not to mention in phase 18 the “That’s right Paul, I remember you,” in conjunction with him seeing Verlaine in Chuuya.

Then that flashback with Verlaine carrying Chuuya and Chuuya’s just so small I could cry.

Like, I knew he was small, but he's just so young, I can't. People were experimenting on him. Like, how??

The way Rimbaud wants to ask Chuuya something and Chuuya crouches down to him. Which leads to Rimbaud putting a hand around Chuuya as he tells him to live. How close and personal they are when Rimbaud says all of this just make it feel so much more impactful for Chuuya. Kinda love too that Chuuya isn't just standing over Rimbaud. He's making it obvious he's open to listening.

Rimbaud says a lot of shitty things to Chuuya up to this point, even complaining that he has to kill a kid while only referring to Dazai, completely not acknowledging Chuuya as anything more than Arahabaki. But once he fully remembers what happened with Verlaine, I feel like that’s when Rimbaud remembers what he truly believed about Verlaine and his humanity and how that extends to Chuuya’s humanity. Because Rimbaud’s whole final speech is most definitely things he’d also thought of or told Verlaine before (as I think is confirmed in SB). I think those are Rimbaud’s true thoughts and beliefs on the matter, it just took that long for him to remember the full story and how he felt about it all. Rimbaud saw Verlaine’s struggles with humanity, and now he also remembers why Verlaine betrayed him. And so he tells Chuuya to live, just as Verlaine wanted him to back then, live without the burden of worrying about your humanity or where you came from, because “you are you.” It doesn’t matter if Chuuya (and Verlaine) “are but a pattern etched on the surface of raw power.” In Rimbaud’s mind, and honestly where we eventually end up at the end of SB, is that it really doesn’t matter what your origins are, whether someone is an artificial personality (aka pattern) etched onto raw power, because really everything is some version of a pattern upon the world. And in a word with abilities, a lot of people are a pattern connected to a power. Just as in SB Chuuya decides that even though Adam isn’t human and he knows it, it doesn’t take away from Adam’s actions, his sacrifices, or his dreams. Same goes for Chuuya and Verlaine. Their origins don't affect how human they truly are. Their humanity is significant no matter what. It just took a bit more convincing for Chuuya to get there, a little more than what Rimbaud could offer on his (almost) deathbed.

Anyway, Chuuya holding Rimbaud’s hand as he dies just does things to me. Like, the book described that “Both Chuuya and Dazai quietly listened as if there was something in what Randou (Rimbaud) was saying that they couldn’t allow themselves to miss… Some things, however, would not return to normal: the body of a man who no longer felt the cold, and the hearts of two boys who stood rooted to the spot, staring at him. A gust of wind peered through their souls as it passed them by.”

This page just so well depicts that last line. It truly feels these boys have heard something so monumental, that they won’t ever forget. Standing in the aftermath of their first fight together, hearing these words about humanity that both mean so much to both of them. Dazai’s expressions really convey this to me in the manga, and convey it just so beautifully. And Chuuya being so close to Rimbaud when he speak those words just makes it feel like those words truly are so monumental for him. And also this means that Chuuya fought to kill a man, that to be entirely fair and clear was trying to kill him first, and then held to his hand as he dies, and there’s just something about this added detail that’s so significant to me in portraying the weight of it on Chuuya. Chuuya's connection to Rimbaud is a complicated but important one. But really these words are important for both boys, because let’s not forget that Dazai also struggles with his humanity. Even if he doesn’t have a physical reason to doubt his humanity, like Chuuya, there are many other reasons that he does doubt it. So hearing that all people and all of humanity are really just patterns within the physical world, human or not that’s true of everyone and everything, and that’s important for Dazai to hear too. I think both boys think back to Rimbaud’s final speech quite a bit, if I’m being honest or did for a while.

I am NOT getting over the detail that someone (Chuuya??) put Rimbaud’s scarf on his grave. I just… it does something to me and I love that detail so much. And cutting back to that “You are you” line while Chuuya’s talking to the grave is just so perfect in my opinion, and again just shows the significance of it so, so well. It’s like, he's talking to Rimbaud, complaining about his actions really, and then it cuts to that “you are you” and it just shows almost the contrast I guess between Chuuya feeling unrest at not finding stuff about his past that Rimbaud could’ve given him, but maybe wouldn’t have anyway, and Rimbaud’s statement that those things don’t matter because Chuuya is who he is beyond all that. Also the little dandelion blowing into the wind, to me also signifying a wish being spread.

Anyway, entirely unnecessary to end the chapter with a big knife in Chuuya’s back, thanks. Especially after Chuuya mentions how he’s still exhausted from everything. Like let’s just, stop, please.

He's just a boy, leave him alone for the sake of all things good.

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cassandrva · 3 days

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let's talk about the fish/water/christ symbolism in the game of kings. with spoilers

fish (as ιχθυς) is an acronym for christ, and it's the first food jesus eats after being resurrected, right? it symbolizes rebirth, life, and christ himself. i personally think fish are slippery and cold-blooded too, but that's neither here nor there.

now look at how the game of kings starts: "lymond is back". we immediately know this book is about returning, it's about rebirth. in fact, the first thing we see is the man himself submerged in a body of water and coming out on the other side, after a baptism of sorts, as the character he will play for most of the book: lymond the outlaw, lymond the traitor.

the first words out of his mouth are "i am a narwhal": he identifies himself as a fish right away, and not just any fish but the unicorn fish; the unicorn of course being scotland's national animal. in perspective, he tells us everything we need to know about him: his status as a christ figure, his destiny to be reborn, his complicated relationship with his country.

the next time he's in a body of water, it's the second chapter and he's dying from a head injury in a bog. he's washed clean, this time, too: from his own identity. he's free to inhabit another character from the lymond constellation. it's also pretty funny that he's found by sym while he's going fishing ("you’ve hooked a twenty-pounder this time, my lad"), and he's nursed back to health by someone named Christian. not subtle.

lymond seems to be pretty into this whole fish and rebirth thing, does he not? he wouldn't lie to us. he wouldn't pretend to embrace life while actively seeking death, right? anyway, no relation at all, when the baby queen mary tries feeding him a fish he pretends to eat it and secretly throws it away. the fish is described as struggling and barely alive, which again i am sure is a coincidence.

then some stuff happens, and the next time lymond is offered fish he doesn't have it in him to keep pretending. he doesn't want the damn fish. newsflash, asshole (richard): he really, really wants to die. this is my favorite scene for many reasons, and one of them is the perfect juxtaposition of its literal and symbolic meanings: richard says he wants to see lymond hanged, but what he does is to drag him away from the tomb-like dovecote and towards running water, makes him eat the damn fish again and again until the miracle is complete. he's holding on to his brother with both hands and teeth before he even realizes he's doing it.

when it comes to an end the fish is off the hook, christ is off the cross and for once he's not sacrificed for the sins of others, and we close on him in his mother's arms in a beautiful literary pietà.

there's so much stuff i purposefully didn't mention and probably didn't notice, this is just a tiny example of the gorgeous figurative and thematic cohesion in this novel. i love it. thank you dorothy dunnett.

#lymond chronicles #the game of kings #the amount of symbolism in 4.3 knight adversary makes it almost look like a tarot card #something between the star and the knight/king of cups #i have a lot to say about tarot too #probably for a later post #i seems like you can't run out of things to say about the game of kings it's sooo well done #dorothy “three meanings at least per line” dunnett #if you think i'm annoying just know i've been talking like this on discord with the book club for the last two months and a half #thank you book club #anyway this is a rambling mess but you get it. you get it #ughhh lymond my brain will never be the same #lymond #the lymond chronicles

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ywpd-translations · 4 months

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Ride 755: Departure 2

Pag 1

2: Ding ding

3: The boarding the flight number 621 to Fukuoka, departing at 10:30 will close soon

4: If you're boarding, please speak to the staff member closest to you

Pag 2

2: Ah, that guy is angry

Shh

3: Oi

4: He said “I'm coming”, right?

Yessir!! I called him thirty times but he only picked up once....

He just said “soon”....

5: Then why aren't you here, Manamii!!

Pag 3

1: There's the Inter High soon, the Inter High!! Buah!!

So-sorry, I even sent many messages, but his current location-

It's been more than thirty minutes since you've said that, how's that soon!?

Pag 4

1: “Arriving late is a crime”!!

“Causing troubles is a serious crime”!!

Yessir

We told him that, too!!

3: Alright, I put Manami's ticket there, let's go

Huh!? Next to the window!?

That's a little-

Enough

4: Let's go, Yuuto, Tobirama

This time we'll fight as five people in the Inter High

'lright

Yes

No, but, he's the captain!?

Can't be

5: Ah... this must be my ticket

Pag 5

1: Kyushu

3: Take me there, too!!

4: Waaaa, Manami-saan!!

I'm so glad you came!!

Thank you so much!!

Well...

You really are like an here who arrives in the moment of need!!

Pag 6

1: Oi, don't misunderstand!! We were the ones in a pinch and this guy was the culprit!!

Yessir!

Sorry!

Ah, you exposed me...

2: Don't think you can dodge the matter of your tardiness just with your mood and cute face!!

Ah I thought I could make it

3: So?

Why... why were you late?

4: Ahh, I forgot my passport, then I remembered and turned back to get it

5: Ohhh... that's a problem indeed...

Wait!! You don't need a passport to go to Kyushu, right!?

Pag 7

1: Woah!! That was a clever excuse, Manami-san (It was so cool!)

It wasn't clever, and now let's go!!

Did you doze off?

2: Mh...? Well, on the train... it was only one stop?

So he really slept too much...?!

3: Jou-kun and Yuzukoshi-kun went on ahead?

4: They went there with yesterday's flight

Huh!

5: So, when you said “passport”, earlier- what was it, really?

6: Did you really turned back to go get something?

7: Mhh, how should I put it

8: In order to fulfill the final promise....

Pag 8

1: “The final promise”?

It was

3: a necessary piece

4: You're still wearing that ridiculous hat, Manami?

Ah... it's the one Ashikiba-san wanted last year... (Yuuto)

This is for exclusive use during the Inter High

Ohh... “exclusive use”, cool (Tobirama)

Pag 9

2: Kyoto... Kyoto...

7: Small fries!!

Pag 10

1: Then, should we go?

Are you...

Pag 11

1: finally ready?!

2: Yes....!!

3: Mi!!

6: This year's victory will be ours

Our long-awaited victory

Pag 12

1: It's checkmate!!

2: They're coming!!

3: They're coming!! One by one, to this land of Kyushu!!

4: Won't it favour us!? It's our hometown – us, Kumamoto Daichi!!

#yowamushi pedal #yowamushi pedal translations #yowapeda #yowapeda manga #yowamushi pedal manga #yowamushi pedal spoilers #ride 755 #another short chapter i really hope sensei is okay!!#I dont mind the short chap at all (especially bc lately ive had little time to translate) but im kinda worried :')#This chapter was so asdhsdfksdg Manamiiiii you absolute disaster #who would have thought that the responsible one in this team would end up being doubash huh #now that's the surprising thing lmao #manami really went back to get the best boy cap i cant with him #btw i dont remember; does he know that the one who gave him the cap is onoda's mum?? how does he know #'i went back bc i had forgotten my passport' 'you dont need a passport to go to kyushu!?!?!?' ashdkasdfs well at lest he tried lmao #also 'Yuzukoshi-kun'??? is he the other hakogaku member?? :eyes emoji:#cant wait to see what other weirdo hakogaku will have this year #i think this year's hakogaku is the weirdest one - which is a lot tbh #i feel like its going to be my fave hakogaku team #btw doubashi wanting to leave manami behind and just run as five assdgfkdfgs hes right and tbh he should just do just that whenever manami #doesnt show up - 'well i guess we're a five people team from now on'#btw i love i we saw everyone! only kiji's team is missing #(maybe theyll shop up next chapter who knows wanatabe loves kiji enough that it wouldnt surprise me)#midosuji shows up for exactly one panel and hes already creepy af i love him #cant wait to get to know the new guy!!#and hiroshima!!!! cant wait to see them try so hard and then get defeated in the most pathetic ways like every year #i love them i cant wait to see what kind of weirdo higashimura has become #he was kinda normal last year but we cant have a normal person as the hiroshima captain lrb #and then theres kumadai #acting all important and then we all know theyll do absolutely nothing ajsgfksadf

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hiboulu · 2 years

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The fate of a protagonist is a lonely spotlight

#restauration of fate #the greatest estate developer #the greatest estate developer spoilers #tged #tged spoilers #javier asrahan #habiel asrahan #my art #the spoilers are kinda vague but without the novel's recent arc about the restauration of fate it doesnt make that much sense;;#listen I have so many feelings for original timeline! Javier and I can't get him out of my mind #but also; can we talk how awful is that the is called that when it just keeps trying to kill javier's new home?#like we aren't even talking just about Lloyd; but the baron/county couple; the queen's fate and health #even julien's ending!!! give the poor knight a rest; the protagonist's role for Javier is just him losing everyone he cherishes #anyways here have some angsty fanart since I can't get this out of my head yey #NO BUT ALSO; so you know the ending spoilers right? so there was this chapter where it was implied that they actually happened?#like not really; but it was show how lloyd disappeared but his presence was still in his room while he is watching the spoilers #so are they another timelines? does this means there has been 4 timelines (at least) that Javier watched his loved one die???#i may have also a really angst idea for an au about the 2nd ending spoiler but I want to wait the webcomic to catch up too

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decarbry · 1 year

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hey,, what’s up friends, I bring you... a literal summary of the Yabureme story up until around war arc events. obviously this is spoilery so if you don’t want to know what happens until the relevant comic pages come out don’t expand the post! this is just for people who don’t mind spoilers. also keep in mind that this is a summary so I kind of just. word-vomited. it’s... weird? short and sweet but not in some places. a literal mess. I put 0 effort into writing good and some sections are more wordy than others because I've thought them through for longer and have them more solidified. also things are subject to CHANGE between this and the actual comic pages so read with a grain of salt. the major events are probably gonna remain the same though. things might get inserted or removed. idk. also it’s LONG I’m so sorry. enj... oy ?? ?

Aizawa has been taken. Midnight and Nezu attempt to comfort Mic; there are no leads, but the faculty have already started working schedules out to help search, which reassures him. Though he is desperate to join the search, Nezu refuses to give his blessings until he knows Mic won’t act rashly. Mic hosts the Sports Fest in an attempt to ground himself and find unity with the students.

Hidden away, Garaki has begun his work on Aizawa. The injuries are bad; though Garaki is an accomplished and varied medical professional, he can’t do what Recovery Girl can, so Aizawa is merely stabilized and the bio-engineering in later dev stages will be relied on to do the heavy lifting. Aizawa suffers 2 days and nights of infusions (one for each new quirk) and barely powers through an intense fever on the last night. The capsule is the final and longest stage to allow the quirks to take hold and the body to heal. All for One is a regular voice in the background during the entire process, though those visits stop after an incident in the capsule in which Erasure activated for a solid ten seconds and strikes everyone in the room before going inert again.

Time passes with no news. Mic is becoming frustrated and less willing to listen to reason. Classes 1-A and 1-B attend their summer camp with Vlad and various other heroes that have substituted since Aizawa’s absence. Bakugou is kidnapped by the League in an attempt to recruit. Though the topic is raised, Shigaraki refuses to do more than tease Bakugou about his missing teacher, as well as use him as a bargaining chip. We still have yet to see him since his abduction. The mission to rescue Bakugou begins.

All Might engages in combat with AFO at Kamino. His weakened form is exposed to the world and he musters up his strength for the last strike. Instead, OFA fails, and all heroes present immediately know why. Edge Shot rushes to interrupt Erasure while Endeavor attempts to reach All Might. Neither get there in time and All Might takes a blow straight through his chest. Endeavor takes over the fight against a wounded AFO and Edge Shot engages in battle with Yabureme. Edge Shot is killed and Endeavor manages to subdue AFO.

Hours after the battle ends, Kurogiri searches for Yabureme, who has not reappeared as he was meant to. He finds Yabureme badly injured and hiding after his fight with Edge Shot and warps him back to where the League has taken up to recover. Shigaraki only knew that AFO had plans for Aizawa, not that Yabureme was to be a gift for him, but Kurogiri informs him of this. Shigaraki is unimpressed considering Yabureme’s wounds after only a single fight, but he’s going through some stuff, so he has license to be a bratty child for a night. Once Kurogiri hears from Garaki, he takes Yabureme to be patched up. Later he’s returned to the League, who as a whole are unsure about what to do next now that AFO is captured.

While everyone else is appalled to hear rumors that the supposed-missing Eraser Head was present at Kamino and had a hand in assisting the villains, Mic suddenly has a new fire lit under him. He breaks away from UA and strikes out on his own, against the pleas of friends such as Midnight. He manages to track the League’s movements after much work and finally sees Yabureme for the first time… but is unable to reach or speak to him as his quirk is erased during their escape.

Class 1-A witnessed Mic depart and, with the help of other pros, manage to convince Mic to let them help in catching Yabureme. He is very resistant to putting them in danger but relents with the alliance of Midnight and Gran Torino. During a previous sighting it was noted that Yabureme’s movements slowed and stiffened the more eyes were open on his body, so a plan is hatched to surround Yabureme with as many enemy quirks as possible in order to stun him.

Yabureme is located. He’s alone, which is odd, but not wanting to miss their chance, the operation is launched. Surrounded by what he believes are hostile enemies, Yabureme opens enough eyes to erase the quirks of every student, stunning himself. A short battle ensues; Kaminari is injured but proves instrumental in the discovery of a weakness in the Nomu: that an electrical current will force all of his eyes to close and subsequentially interrupt Erasure. Mic, Gran Torino, Midnight, and Class 1-A succeed in capturing Yabureme.

Too much of a threat for any normal prison containment, Yabureme is taken to Tartarus. They learn: about the nature of his engineering, that exhaustion has nearly killed him, that unlike every other Nomu contained so far he is not a corpse, and that three quirk factors were combined to create Yabureme. Erasure and Dupli-arms (or related) are confirmed, but the third is still being investigated. Because the third quirk is still unknown, containment is at a risk and a shock collar is placed to help mitigate any attempts at escape. The students are brought in to speak to him after everyone else, including Mic and Midnight, fail to get any response out of Yabureme. Unfortunately, the students are also unable to get through to him. Their failed efforts leave them dejected. Yabureme doesn’t speak a word the entire time he is inside Tartarus.

After a few days, the third quirk is activated by an unknown trigger. Yabureme and AFO escape Tartarus with the help of Kurogiri— the timing of the pieces prove that this was orchestrated from the beginning.

In the wake of the escape, Mic is told in secrecy that Yabureme has not removed the shock collar, probably because of its failsafes. It’s been tracked, and his location is known— a new operation is underway to recapture him. Mic rushes to get there first, finding Yabureme in solitude at an abandoned building, having split ways from the League temporarily to avoid getting them tracked while he tries to find a way to remove the collar himself. Mic and Yabureme have a tender moment, or so Mic thinks… but Yabureme slyly uses Mic’s obvious obsession with him to get the hero to take the collar off. Mic falls for it and Yabureme flees.

Though it seemed to be just manipulation, this kind interaction has left the first shred of uncertainty in Yabureme. He returns to the League and resumes his role in protecting Shigaraki and the others. A long period ensues where the League and the heroes play cat and mouse, Mic returning to society in order to accept help from friends and family rather than trying to go it alone as he had before.

Day after day, Yabureme’s doubts deepen as small things burrow into his mind: things like a song on the radio, a familiar black cat, names that he’s heard before. He can’t shake the face of the hero that spoke to him gently and had something warm in his eyes. He meets Eri, but seems to be merely a moment of warmth in her life before departing. Time passes.

The League grows frustrated with Mic, considering his constant interference as troublesome and annoying. Dabi sets a trap for Mic and attempts to kill him. Without any understanding of why, Yabureme takes the worst of the trap himself. He drags an unconscious Mic away from the inferno before collapsing with horrific burns across the right side of his body. Mic wakes in time to feel Yabureme’s heart stop, and in his anguish accidentally causes it to start again with the impact of Voice against the Nomu’s chest.

Mic manages to smuggle Yabureme to a hiding spot, containing him with the only thing available: simple metal handcuffs. Recovery Girl answers his call to the secluded site warily, unhappy that she is asked to keep such a dangerous secret. She stabilizes Yabureme and begins healing some of the burns, but considering his physical deterioration and exhaustion, can’t do much in one sitting.

When the Nomu wakes, Mic and Yabureme have their first real conversation, speaking mostly about the latter and how he’s feeling, what he’s thinking, and why Dabi, his supposed ally, would harm him so badly. He also points out that Yabureme could get out of the cuffs easily, and yet, for some reason, hasn’t.

On the second day, Recovery Girl returns, but so does a second guest: All Might. He is partially wheelchair-bound, the apparent repercussions of the wounds he took at Kamino. He expresses his unhappiness with this situation: Yabureme needs to be properly contained, not hooked to a chainlink fence with fragile metal handcuffs. Mic wants his blessing but plans to keep Yabureme here at least for a short while, highlighting the fact that he’s behaving more openly now than he ever did while in Tartarus. They notice Yabureme watching them and All Might speaks to the Nomu alone. He and Recovery Girl have agreed to give Mic a few days with Yabureme until his burns have been treated, but that he will be returned to Tartarus after that— and now that the third quirk is known, escape will not be possible a second time. He shares some belief that Mic is right that there is hope for Yabureme and that if anyone deserved a path back to normal, it was Shouta Aizawa. He urges the Nomu to try his hardest to remember anything he can.

In the ensuing days, Mic spends time conversing with Yabureme. Unlike the catatonic state he was in while at Tartarus, Yabureme is nervously conversational, answering questions and asking them on his own. He admits his confusion and doubts to Mic, and Mic learns that the whole reason Yabureme was unresponsive while at Tartarus was because of the lights and the intense head pain they cause, utterly decimating his senses and thoughts. He wasn’t shutting down because of his programming or a need to be disobedient— he simply could not function in those conditions.

The morning of the intake comes. Tsukauchi and numerous officers arrive to take Yabureme into custody. Mic attempts to keep everything smooth, warning Yabureme about their arrival and making sure that there aren’t too many men appearing at once. Yabureme nearly panics anyway at the sight of firearms, but is calmed when Mic holds his hands and gives encouragement. Yabureme is taken into custody without a struggle, though he shuts down when he’s led away from Mic.

Mic apologizes to Tsukauchi for hiding Yabureme, but is forgiven considering the relative ease of the capture. The detective promises to keep Mic with Yabureme as much as possible this time around, since his presence clearly helps. He also acknowledges Mic’s request for accommodating Yabureme’s aversion to the bright lights of the prison, especially with the confidence that it might help with getting information out of the Nomu. Yabureme’s shutdown reverses some when Mic reappears in the police transport to travel with him to Tartarus.

Yabureme and Mic arrive at Tartarus and the Nomu is immediately assaulted by the lights. He’s given relief in the form of a sedative. His wounds are checked over while he’s out: it’s discovered that his right eye took far too much damage from Dabi’s flames and must be removed before the dead material causes an infection, shock, or worse. The majority of the burn scars will be permanent because of the lack of proper immediate care in a supplied burn ward. Aside from a handful of new scars and wear and tear, nothing else is noted.

Yabureme startles awake, finding himself in a Tartarus cell with Mic at his bedside. The lights are dimmed rather than blindingly bright. Mic gives him the rundown of what happened, and proudly tells him that the hardest part, getting to the start line of his recovery, was over. He is questioned for the first time the day after waking, and though he is much more responsive to interrogation compared to his last stint in Tartarus, Yabureme still shies away from answering questions that would cause the League a disadvantage… though he is clearly conflicted.

So begins Yabureme’s long road back to someone he didn’t know he used to be. Mic becomes the only foothold of stability Yabureme has, finding that his physical reassurances such as hugs and hand-holding are intensely grounding. The second time he is questioned, he holds Mic’s encouragement in his mind, and manages to talk shortly about some of the Leagues’ hideouts.

He still has doubts about all of this Shouta Aizawa stuff, but Mic works him through stories of his past gently and at a slow pace. The first bit of information that helps Yabureme see that the possibility exists of a connection between himself and this other person is a story Mic tells about Aizawa feeding cats on the street; Yabureme shyly, but excitedly, admits that he does that a lot too. After this, things begin to come more swiftly. Mic brings him his wedding ring, and Yabureme asks to hold Mic’s as well, and remembers the sensation of them clicking against one another in his hand.

With Mic’s help, and the help of a therapist that meets with him daily, more and more begins to come back. Even memories he reclaims are left blurry and dull, but once the flood gate opens, it doesn’t close, and Yabureme’s progress quickens the harder he works. When his memories begin to focus on Class 1-A, he asks to see them. Plenty is still missing, but he apologizes for the things he did to them, focusing on Kaminari and the wounds inflicted during his first capture. He wants to work for their forgiveness, but doesn’t expect it. Midoriya mentions that he seems a lot more like his old self, which fills Yabureme with a hidden relief and encouragement.

Time passes. Yabureme continues to work hard at getting back to himself, and the image of Shouta Aizawa gets more clear by the day. His old mannerisms begin returning in small amounts: rolling his eyes at stupid things Mic says, muttering about things that annoy him. When he gets a surprise visitor, both Mic and Yabureme are surprised to find Kaminari requesting advice for a hitch in his hero training. As Yabureme converses with Kaminari in an observation room, Mic and Tsukauchi watch, and both are amazed to see the clearest image of Aizawa they’ve seen since before his abduction. Mic takes the opportunity to ask about a road that leads outside of Tartarus and, though Tsukauchi doesn’t shut it down, he admits there are many concerns— specifically regarding hidden triggers that might still exist inside Yabureme’s mind. An idea is floated: bring someone in with a voice-copying quirk, and see what happens when Yabureme is faced with orders from Shigaraki or All for One.

Yabureme (Aizawa? Yabuzawa by this point?) agrees to the experiment, though he is clearly discomforted by the idea, unsure of how he mind be effected. The experiment begins. Yabuzawa is secured heavily just in case, but he is clearly determined, if nervous. The voice-copying quirk speaks in Shigaraki’s voice first, ordering him to turn his head to one side. Yabuzawa doesn’t seem to have a problem disobeying, but when the speaker doubles down and becomes hostile about his refusing to obey an order, Yabuzawa spirals and has a panic attack. All for One’s voice cuts in with an order that is obeyed immediately, and Mic is only able to snap him out of it with a slap to the face. The results are clear: Shigaraki’s orders can be ignored with enough work, but AFO’s orders seem unquestionable. Yabuzawa is frustrated by his own perceived failure in the experiment, understandably upset that despite all of the progress he’s made, they still hold some power over him.

Time passes. Yabuzawa improves with his response to Shigaraki’s voice, though still shaken after being faced with it, can do so without panicking. AFO’s orders seem unbreakable. Mic once again breaks the topic of getting him out of Tartarus, and after some debate, it’s agreed that the UA students and the hero efforts (and Yabuzawa himself) would benefit more with Aizawa back in the world. By this time the unknown of the League and AFO and the PLA have long been poisoning society’s trust in heroes; Erasure can’t be hidden away in a bunker with tensions growing by the day.

Mic is permitted to confine him to their apartment under police guard for increasingly longer periods of time, regular check-ins and evaluations, and lots of rules. Yabuzawa isn’t permitted to be alone with anyone aside from Mic, and when outside of the building must cover his neck, arms, and hands. Finally, the shock collar is back as a last resort. If you read this whole thing you’re a certified #1 Yabureme fan sorry I don’t make the rules

#boku no hero academia #my hero academia #Yabureme Spoilers #Yabureme Aizawa AU #text post #I mostly just wanted to put this out there so people who wanted to dig further into the au could do so #and maybe widen your questions a bit if you felt like it #since there's a LOT more here we haven't touched at all hehe #but a lot of this I want to do in comic form. like the actual comic form I did the first chapter in #but some of it especially filling in the holes would be great for little side content comics #also I just want to put it out there that the canon timeline doesn't work with this au #so I'm making the executive decision to stretch it out a lot more #instead of the war starting at the end of the first school year #it starts way after that #ok? ok #it was already a pain in the ass trying to figure out the nomu dev timeline to fit with what I wanted to do in Kamino #I hate timeline shit HAHA #heck tbh I don't even know if there is still a war arc anymore #AFO has erasure now and it fucks everything up #anyways just pretend that that stuff doesn't matter right now #I'll get to it eventually #just focus on the erasermic. erasermic. erasermic. xoxoxo

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anistarrose · 4 months

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inverted murder mystery: "who the fuck killed my archnemesis? i need to thank them personally"

#spoilers + meta for my own fic (a monster might begin to worry) in the tags below bc i just reread it and cried but #if magnus was less depressed and more assured of his own worthiness of being stood up for and protected #then ammbtw would have almost immediately turned into this #instead it doesn't really become this until the final chapter - where magnus finally believes that protecting him was the right thing #before that - when he did have the capacity to “solve” the case; and obviously even *did* solve it with some help -#he was so torn up over motive. over *why* someone would've intervened. and because mags thought so poorly of himself -#he wasn't convinced that killing kalen *was* a heroic act. because sure; magnus felt that kalen deserved it #but he also felt that *he* was getting off easy. that he wasn't having to atone for *his* perceived failures #in that last chapter though. in that last chapter. just when he's lost the ability to remember or comprehend the answer #which is the *same* time he finally claws his way up into good enough mental health to believe that he deserves nice things #*that's* when he finally wants to do my little shitpost above. to give the murderer a truly heartfelt thank you #and the irony is that the killer is right under his nose... and magnus doesn't know; and can never ever know #but instead of being a dark ending a la “the murderer committed the perfect crime and got away; where will they strike next?”#it's a “magnus is safe and loved and supported” ending :) even if he still doesn't know the lengths his family's gone to for him #because he's getting to a place where he can be happy without knowing all the answers :)#a monster might begin to worry

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my-current-obsession · 1 year

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My second playthrough of Engage is going well (just finished chapter 17) and I’m still enjoying the gameplay and have definitely had a better time getting supports with my knowledge of how to game the arena as well as having access to the new support-gaining options from the start. However I’m starting to worry about the game’s long-term replayability.

In most FE games, even if the gameplay is only so-so, I can power through several runs basically because of shipping - I’d play the game multiple times to get different paired ends. I’ve already complained about that a lot in other posts, so I won’t rehash it here beyond saying obviously that’s not possible in this case. Sure, you can get different paired endings for Alear, but honestly most of the pact ring scenes and ESPECIALLY the endings are weak. Even for the people who care more about the self-inserting and picking who they want to be with as opposed to matchmaking, I doubt this would be satisfying enough on its own to merit multiple runs of the game.

So if that aspect and reason to replay the game is gone, what’s left? Gameplay, obviously. And yes, the gameplay is good - great, even! This is the most fun I’ve ever had in an FE game when it comes to actually playing the maps. However I can already feel myself falling into complacent gaming - I KNOW from a previous run which characters are better (unless they get super RNG screwed) and which combinations of emblems/units works best, and I find myself defaulting to those rather than experimenting.

It doesn’t help that this game makes it kind of difficult/punishing to do so. There are A LOT of resources to track and use in this game, and they’re all somewhat limited. Up until chapter 17 you’re limited on how many master/second seals you can get, and even once you have unlimited access... they’re expensive! And more than ANY other FE game, this one makes it hard to get money. Even knowing NOT to spend as much money donating to the countries on a second run, you’ll probably run out of cash FAST between buying seals, weapons/staves, and forging the weapons.

There are certain units that basically NEED to be reclassed in order to perform well - in particular, Anna, Etie, Lapis, and maybe Clanne would be better in classes they can’t promote to naturally. But it’s hard to justify using them and wasting TWO seals (a master AND second seal) when the rest of your army only needs one seal to do well or comes as a VERY good pre-promote. That’s not even getting into how due to the relative lack of seals and their cost, I’m less inclined to reclass units just for fun or to see how they fare in radically different roles.

3 Houses had a lot of flaws and overall the gameplay is NOT as good as Engage, but I DID appreciate being able to build my starting class however I pleased. It was a tedious process, but it was rewarding to play the same route multiple times and use most of the same units, but with VERY different classes/roles. In particular, the more balanced, well-rounded units were SO fun to teach since they could perform well in almost any class!

Meanwhile in Engage, I spend a lot of time LOOKING at the classes available to everyone and thinking it might be nice/fun to reclass some people, but ultimately, they’re doing “well enough” in their default class and I can’t justify wasting the seal(s) just for an experiment that might not pan out. If I use that seal, either one more person doesn’t get to promote/reclass or I’m wasting 2500+ gold.

That’s not even getting into the scarcity of the forging resources or how quickly you can blow through your bond fragments (and in ways that aren’t ideal) if you’re not careful. With so many resources to manage, all of which you CAN technically gain more of but only through playing extra battles (which are at best boring or difficult, and at worst DEADLY on classic), it really feels like you’re discouraged from experimenting. You want to hold onto as many resources as possible for as long as you can, so you can’t throw them around for fun to see what works.

What this game needs (as several people have pointed out already) is some kind of new game plus. There NEEDS to be a version of this game where you carry over at least SOME of the things you gained/accomplished into a new game. Personally I’d like to see it carrying over your donation levels, emblem bond levels, and MAYBE bond rings and the weapons you had/forged (though obviously removing any engravings. Also probably still erasing all the special S rank weapons).

I don’t see HOW people are expected to “complete” the game without that, honestly. Donating to the countries is too much of a money sink for one contained run, but if you had multiple playthroughs to do it, it wouldn’t be an issue. Especially since you’d get a bunch of money at specific chapters each run, and if you retain weapons too, you’d spend less of it on forging. If you don’t retain weapons... well, at least the higher donation level means you’re getting more iron/steel/silver from every map from the start, so you don’t HAVE to do skirmishes just to get resources.

Retaining bond levels means you don’t have to waste fragments getting the SAME bonds and skills and conversations with the same units. Instead you can chip away at the CBA bond level for every Emblem/unit pair. As for bond rings, I’d mainly want to see them retained so you don’t have to deal with as much gatcha hell in getting all the rings.

And of course on a new game plus, with all the extra resources at your disposal and less ways you NEED to spend it, you’d be free to experiment more with reclassing units!

I’m just disappointed because I genuinely LOVE this game but there are so many ways it could be better and give me a reason to keep playing it. A lot of the characters are great and I honestly see a ton of shipping potential in the supports... but they all go nowhere without paired endings. The gameplay is the best it’s ever been for FE, and I’d love to experiment and come at it with different units and builds... but I’m so scared of wasting valuable resources that I’m mostly unwilling to experiment and instead stick to the units that are reliable as-is.

#fire emblem #fire emblem engage #fe17 #we should be getting one more free update to go along with the 4th dlc #so there's a slim chance we'll get new game plus or paired endings then. but i wouldn't bet on it #it's just depressing because honestly EITHER ONE of those by itself would mostly save the game for me #either i could focus on shipping and replay for different paired endings #or with new game plus i'd be able to relax and actually use my resources. so the gameplay would get a shake-up #and every run being more unique i'd be able to get by more on gameplay alone. right now it's getting a bit stale #for the record i haven't bought the dlc so i don't know how much it impacts the whole resources issue #i know you get a bunch of free money which would be nice but... the story AND gameplay are SO tightly designed #around having specifically 12 emblems (plus the lategame spoiler)#HOW am i supposed to get into chapter 11 or 22 when I have an army of dlc emblems?#or 17 which is explicitly a 6-on-6 emblem war? but uh with dlc that's very much not the case #hell the final battle specifically wants you to have and use all 12 emblems. but if you have dlc you probably used some of them instead #i like the added CONTENT of the dlc - more maps and more characters that the units bond with #but i don't like how they break the story and probably also the game. so i've abstained.#i know i COULD buy the dlc just for the story. but it would feel ridiculous to HAVE these characters and powers and NOT use them

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