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#Media analysis means so much to me its so not even funny
drak2000 · 6 months
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fury road. when furiosa has one evening of downtime for the first time in two days and also two decades and goes blankie mode
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#she's everything. obviously#the rich genre of ppl driving around killing people then respectfully Not having a convo literally face to face#presumably not just downtime but also abt having had a [furiosa's big day] or two lately#your arc as a protagonist Just had its low point. you can't just walk over normally like so anyways....#walk over normally but Cozy Mode while getting through mutually coughing up blood over the effort of a brief exchange. never gets old#anyways i'm obsessed with literally everything she does at any point & think of any of it all the time b/c. i've simply seen this film#obsessed with things other people do also and even go ''yeah this action movie is like an action movie to me'' for once but You Know#everything i could cite is like this is so funny. and so excellent. and so [aaarghhh i - ]#tangential but when i learned they were originally trying to produce this film in the 00s......god delayed that#for one thing i couldn't have seen it like at least once a week for as many weeks as it was in theaters if that happened lol#partly just so happening to go see it the first time like going ''ah. i see'' over & over after various shots like well. i'm different now#blankie mode not necessarily among them lmao but hey. 7 yrs later N viewings later you can appreciate specifics afresh#there was something or other i only Got watching it the other year for the zillionth time that wasn't even like meant to be like#an easter egg or tiny detail or anything. i just missed something / needed to receive the info totally afresh lol like oh okay [parses]#the other day it was like damn haven't read through this narrative comic in ages & that means i forget plenty of details / how they connect#had only done a handful of Straight Through catchup rereads Ever but only this time was i like ohh. i've connected some dots so much more#clearly in a case or two like [didn't quite Get this one plot point but kinda had breezed past it] [a Mystery point is obvious now]#anyways#i've gone ''did the blanket somehow survive / make the transfer'' (not so far as i can tell) like oops doing more media analysis like nice.#there's threads here....have your last seen exchange while more literally coughing up blood. more literally face to face & Yet Only Kinda..#okay anyways. she's everything. and [cinema]
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ratrrriot · 1 year
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How do you feel when people call Amy a stalker?
People can call her what they want, however…
Do i think it's fair to call Amy a stalker?
In some of the games? Yes, and even in some of the ones she wasn't a stalker per-se, she still showed possessive and obsessive tendencies. So i get where it comes from...
Generally? No. Her character originally wasn't supposed to be a harasser and she sure isn't one in the present. the franchise has been clearly trying to do better for her these past few years.
I think Amy's changing characterization is an interesting topic of discussion, so even though i technically already answered your question i'll take this chance and proceed to talk about my fave for way longer than i need to :).
Note: This is just my take on Amy and the way i understand her ENGLISH PORTRAYAL. I won't be talking about her japanese one which would deserve its own analysis.
Sorry for any writing mistakes in advance (english is hard) and feel free to correct me if i'm factually wrong about something (i wrote this thing mostly from memory so i imagine i must be.)
Amy has changed A LOT troughout the games and has been in the hands of many different writers across Sonic media ,so when talking about her is important to be specific about what game,series or comic we are talking about (and language),and while i know that some of you might not agree and i respect that, i think that -looking at the subtleties- Amy has had at least 6 different portrayals through the course of the games. That being said,i believe the idea that she is a stalker comes especifically from the characterization they started giving her around 2003
Originally,Amy was envisioned as a sweet 12-year-old kid who had a huge unreciprocated crush on her idol and a passion for fortune-reading ,but who wasn't exactly much of a heroine herself. In the classic era,her place in the narrative was just to serve as a damsel in distress and a cute,funny detail. Ofc,in comics and animated shorts for games like Origins, we have gotten more content of classic Amy being fully independent and capable of defending herself (even more with the upcoming playable mode for her in Origins Plus), but i think we can all see how such aspects of her character weren’t included at the time she was created (only exception being Sonic Fighters)
Especifically in the adventure era (AKA the birth of modern Amy) they gave Amy her iconic strong,compassionate,romantic personality and an interest/love for adventure (and her sassy attitude ofc). She's outspoken,stubborn,brave and honest. I also want to point out that in this first portrayal ,her love for Sonic feels more like innocent childish idolization than an obsession and that her character doesn't revolve exclusively around it (she will stand in his way if she doesn't think what he does is right). Tbh i think she's incredibly funny,cool and lovable,
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They slowly started planting the seeds for her character to stop being a "damsel in distress" by making her playable and defeat ZERO all on her own at the end of SA1,then also being playable in Sonic advance and helping Sonic get out of prison in SA2 (and tagging along for the rest of the adventure). In all these games,her character revolves around empathy,optimism and kindness. The way she protects the flicky since the moment she finds it,how she defends Gamma from Sonic and the iconic moment in SA2 where she convinces Shadow to help save earth are all great examples.
THEN, in Heroes , they decided to try something new with her taking her confidence and sassy attitude to a whole other level. Giving her the chance to be a fully-fleshed hero who didn't need rescuing anymore. She became independent and the leader of her own team of friends who she wanted to help. I love this Amy cause she feels really strong,determined and empowered without losing her peppiness,silliness,positivity and kindness. Her flaws are also especially endearing to me: How much of a wild kid she is,How even if she means well, she relies way too much in brute force, How she has trouble getting out of her own head, etc. She really feels just as confident and energic as Sonic,but just like him,you can tell she has a huge heart.
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HOWEVER, as much as i love how they made her strength and bravery shine in this game, Heroes was the game that gave birth to the idea that Amy is willing to chase and even fight Sonic just to insist that they should marry (in SA2 she did follow him to the prison but it was only to help him and tag along in the adventure).
Ofc this was supposed to be comedic and to be seen as childish,harmless behavior- I say this because the rest of the characters,including Sonic himself,don't seem to take it seriously- but what was supposed to be seen as an endearing flaw at the time, would rapidly mute into what's probably Amy's worst portrayal ,as the writers turned it into harassment for the next mainline games (Ignoring Shadow the hedgehog where she is the same as in heroes and only has a brief appearance.)
Before i go into Battle,i just want to say that the definition of stalker according to google is “a person who harasses or persecutes someone with unwanted and obsessive attention.” A definition that definitely did not apply to her before Heroes,but that i can't deny that does apply to Amy for the next few games:
In Battle, Amy is suddenly written as aggresive and self-centered. All her compassion and empathy from the adventure era is gone, intimidating people (even Cream) and demanding information from them from the get-go. Of course she does a few good things throughout the game too,like take care of Emerl and such,but she still mainly uses him for her benefit (calories counter and emerald radar). Right off the bat,at the start of her storyline she insists on searching for Sonic even when she herself assumes he is hiding from her -which implies she knows what she's doing is worth hiding for- and tries to justify her behavior by saying that Sonic actually loves her and that he is being “ just shy “ or that “ he got cold feet”- while others characters react in a way that implies that's obviously not the case and that her behavior is worrysome..
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I think it's important to mention that before Battle, we hadn’t gotten a single line of dialogue that implied that Amy tought that her behavior could be hurtful for Sonic, nor did she ever threaten anyone at all unless it was self defense. She knew he didn’t reciprocate her feelings and was actively trying to make him fall for her anyways,sure, but we gotta remember that while the canon ages might have been scrapped recently, at the time Modern Amy was created they were still very much canon and you can tell they had them in mind when writing these characters. Amy was supposed to be 12 ,so it makes sense that she didn't understand why Sonic wouldn’t accept her affection. She idolized him and misinterpreted the fact that he always was protecting her as possible romantic interest,but never actually imposed anything on him. The worst thing she ever did to him was wanting to hug him without consent,and again, the games implied that she clearly didn't realize such a thing wasn't ok. Sonic also didn't seem to want to hurt her feelings so while he did run away and expressed being annoyed by her he never explicitly told her to stop. I actually think that if he had sat her down and made it clear to her that what she was doing was truly bothering him, The Amy from the adventure era would have stopped, but i doubt he cared enough to do that honestly (after all ,in his recap screens it is implied that what truly bothers him about Amy being near him is not her crush,but that he thinks shes exposed to danger.)
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BUT in Battle and for the next three games,Amy doesn’t seem to be written as a 12-year-old who mistakes admiration for love anymore. This is where the writers started to portray her as someone who is clearly still young and definitely childish but not innocent. Her whole character revolves around harassing Sonic and using her strength to intimidate others, and don't get me wrong,I like that Amy gets angry easily!! i like that she isn't afraid of a fight,that she complains a lot, and that she isn't peaceful. After all,those are important parts of who she is. But Battle!Amy is on a whole other level: she gets mad at her friends just because they don't agree with everything she does or says. It's not about having a strong personality anymore,she's just generally aggressive. For the next few games she and Sonic can't have one normal conversation that isn't Amy imposing her own wishes over him and him trying to get away from her, so it's hard to believe she wouldn't realize that what's she's doing is wrong nor accidental as we were supposed to before. This time It just feels like she is deciding to ignore the signs.
This continued in advance 3 ,where she literally threatens him with her hammer just cause he shows signs of not being interested in spending time with her when they meet, Then in rush she becomes possesive and jealous the second he mentions Blaze and also seems to treathen him with the hammer in the credits scene because he is running from her hug.
They changed the direction of her characterization again after Rush. The best way i can describe the Amy that is present in Riders,06,etc is one that has two very polarized sides to her personality. On one side,she is a peppy,sweet,over enthusiastic and romantic girl, on the other she is a pretty intimidating one with an obsession with Sonic and very fiery temper. However,contrary to her last portrayal,she is more polite and actually asks Sonic if she can come with him various times,doesn't harass him and doesn't threaten people simply cause they don't agree with her anymore, but she still doesn't seem to have any sense of boundaries,still follows Sonic without permission sometimes and still clearly has no consideration for his personal space. Another thing about this Amy is how her flirting is really intense, and even if she isn't as aggressive as the Amy from Battle,if someone messes a bit with her she doesn't hesitate to resort to intimidation or take her hammer out.
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She still gets violent towards Sonic sometimes,but what's different from her last characterization is that instead of doing so merely because he doesn't show romantic interest in her ,its mostly because he doesn't follow on his promises (end of Black Knight) or shows up to save her “properly” (Referring to 1- that scene in Riders where he blows eggman -who had caught Amy- away with wind and she chases him with her hammer because “how could he not think that would hit her too “ and 2- the one in Zero Gravity where he arrives late to save her and she playfully throws him a few fists saying that “it took him long enough!”). I don't think she's necesarily right to do that but i don't consider it to be problematic either, since by that point the games had strongly implied that there was a non-spoken agreement between the two that he'll always show up to save her and the whole thing feels more playful than anything else. Mostly because Sonic seems to be fine with her being around again, as he never really denies her acussations or runs away when she gets mad,and even tries to explain himself to her.
So yeah,this Amy is one of the more famous -and infamous- ones,as her negative and positive qualities are more balanced than the one from Battle. However,i personally don't like her much as there's almost no focus on the empathetic/compassionate side of her character that was so prominent in the adventure era and ,even if i wouldn’t call this version of her a Stalker , she's still is way too obsessive and possesive for my liking. The writing for her character is still pretty much completely based on being attracted to Sonic, to the point that In 06 she tells Silver that, if she had to, she'd “choose Sonic over the world".
In Sonic Chronicles , Amy gets a lot of dialogue. She gets jealous in a scene but its not as bad as in Rush and she tries to make Sonic jealous by inventing a fake boyfriend (terrible trope) but her levels of aggressiveness are up to the player's treatment of her. I am ,however , mentioning this game because of a scene in specific near the final section in which Amy is scared they might die and aks Sonic if she can have a moment with him. She then tries to have a serious conversation and politely asks if he cares about her or if he likes her at all. if the player chooses to make Sonic say he does care for her she is legitimately surprised and thankful. Idk what happens If he rejects her cause i haven't been able to find any recordings of that and i never owned this game,but i'll assume that her reaction won't be too bad considering she is asking in the first place(?) feel free to tell me if you know…
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This portrayal of Amy is still present in Unleashed (2008) ,in which Amy is there to cheer/support Sonic on throughout the game and to serve as an important indicator that Sonic is quite self conscious of his looks when he's a werehog. She is generally very sweet towards him in this game (especially when she shows no rejection towards his werehog form,which is a detail i adore), even if she does get annoyed when he doesn't pay as much attention to her as he does to Chip or reciprocate her feelings.
A good example is how, before the last temple ,she asks him if he'd like to go on a date with her after everything is over. If you choose the positive dialogue option she is ,again, positively surprised and thankful. If you make him say no she complains about how he's being mean, but doesn't insist on it and just accepts it.
In Free Riders (2010) ,Amy just generally acts extremely out out of character (like,she doesn't even fit into Battle's portrayal). It really feels like someone who didn't know anything about the character wrote her, so for the sake of the pink hedgie let's ignore it and go back to talking about portrayal 4.
I already mentioned her brief apparition in Black Night and there's nothing worth mentioning about her in Generations so i'll skip them.
This portrayal ended in Lost World (2013),In which they toned down Amy as a character in general,leaving out all of her flaws and iconic traits out. She feels plain and her strong personality,confidence,sass,energy,etc all seem to be completely gone. She's just sweet and that's it . For some reason there's a scene where she literally tries to confess to Sonic and is cut off before she can finish,which is very funny considering it had never been treated as a secret before??? it really goes to show how hard they were trying to pull some kind of reboot on her. Fortunately,this characterization was only a two-game-thing (She is just as plain in Forces (2015)) so i'll put it in the same bag as the Free riders one and we'll leave it at that.
After Lost world came Boom (2014) ,and then we got the most recent change of Amy's personality,which we all know has had a mixed reception from the fandom. Originally people thought that this Amy would stay just in the Boom universe ,but this personality has been showing up in the mainline games for a while now,like in Team Sonic Racing (2019) and Frontiers (2021).
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This Amy feels older than any of the ones that came before her. She kept the sass,the love for romanticism,the positive attitude,the confidence and the strenght but her bad temper and over enthusiasm are gone,as she is generally more calm,less energetic and not childish at all. Most importantly,this Amy is extremely emotionally intelligent,as the rest of characters seem to look for her help and advice constantly ( to the point that she has been given the "therapist friend" title by the fandom and is even referred as "the nice one" by Eggman himself ). Another interesting thing about this Amy is that she doesn't flirt with Sonic anymore,In fact, she barely expresses her liking for him (She does so a bit more in Japanese chz the characterization varies) and Sonic seems completely comfortable with this version of her around.
A lot of people say that this version of her is out of character and I completely understand where that comes from, but i must disagree because this characterization of Amy is the first one since the adventure era that focuses on her compassion/empathy rather than on her crush on Sonic, which combined with her intelligence,makes her not out of character,just the most emotionally mature Amy to date instead. I actually think that if the og modern Amy had grown up,this is the kind of personality she would’ve developed while becoming an adult (although she isn't supposed to be one). A good argument to defend this point would be that one Egg-memo you can buy through the fishing minigame in Frontiers where Eggman talks about how Amy has "come a long way" and how it took her some time "to find herself" and get out of Sonic's shadow.
Only problem i have with this Amy is that i wish she was more flawed and bubbly,mostly cause she can come off as very plain from time to time and way too mature. She is a bit too perfect for my taste. I'd like her to mess up more,to not always be so smart,to be more impulsive,a little bit more clumsy,fiery and wild,just so she could have some more of the charm of the original,y'know?
Before i talk about her more recent Videogame portrayal (TMoSTH) i want talk about IDW Amy:
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in IDW, all of Amy's flaws and positive traits from past games are balanced pretty well: she is flawed and relatable and can mess up a bit sometimes because of her impulsivity,but she's emotionally and strategically inteligent, optimistic and incredibly kind. She is a great fighter and leader,but also a wonderful friend who offers emotional support. She has a strong personality, lots of sass and can be very aggressive and intimidating towards her enemies, but not any less of an empathetic and compassionate person because of that. Her strength and confidence are pillars for her character instead of nonsensical anger,but she still shows self doubt and fear from time to time. She is energic, idealistic and still a romantic,but not obsessive nor possesive. peppy but emotionally intelligent. She still loves Sonic, but her feelings for him feel authentic rather than childish idealization,and given that she now respects his space,she's written to be happy just with fighting by his side and jokingly flirt from time to time. (their bond also seems stronger,but that's a topic for another day.)
I believe this portrayal of her is one of the best we've gotten in the sense that she represents a good mix of most things that has made her positively memorable since the beginning and lacks every problematic aspect of her character that was added post her creation. And because of this good mix of characteristics, IDW Amy is constantly praised by the fandom. But something i hear a lot is people saying how they love IDW Amy and despise "Main Amy" -by which i'll assume they refer to videogame Amy just in general- and that way of summarizing all of Amy's game portrayals feels very odd to me, especially because IDW Amy is a culmination of every single good aspect that has been added to this character combined with most of what she was meant to be at the start. In other words,IDW Amy couldn't exist if it wasn't for all the game Amys before her.
It's true that in IDW we haven't seen her character be as impulsive and outspoken as in the Adventure era or Heroes, and i miss that as much as every other Amy fan. But I do think that ,because so much assertiveness wouldn’t coexist very well with things like careful thought, the reason for that change must be that IDW is writing an more mature version of the character and It’s hard for them to keep such aspects of her personality intact without her being seen as childish by the audience now that they are paired up with big responsabilities (ex: the restoration) Especially since that super impulsive nature of hers probably came naturally at the time because she was supposed to be a 12-year old and wether we like it or not, it was implied by the narrative that it was one of the main reasons she got caught by eggman both in SA1 and SA2. Aka,IDW Amy isn't allowed to make as many mistakes as the og.
After all ,Amy used to be written to be mostly seen as a comedic character and as an "extra addition" to the main team rather than as an important,needed member of it. ( even in Heroes,where she had formed her own team,she was still trying to catch up to Sonic and his team because she had been excluded of it.) If she made a mistake and got caught by eggman because of her stubborness,the writers would just make Sonix fix things. In IDW she doesn't just feel older,but she has also gotten to have important roles in the fight against Eggman and people rely on her with their lives,so it doesn't surprise me that the writers try to make her be more conscious and careful when it comes to her actions now that she has more responsibilities and can't allow herself to make as many mistakes as she did back when she was written to be more immature and impulsive because of that extreme assertiveness.
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Now,I personally believe that Amy in TMoSTH is the same as in IDW, just that she feels more like her OG self in TMOSTH because ,for the most part ,Bday Girl is on that train literally to just have fun and do as she pleases. She doesn't have any weight on her shoulders nor expectations,she is free of responsabilities all the way until the climax of the game and the game itself is very comedy-centric for the most part, so the writers pobably felt like they could set that impulsive,assertive side of her loose again, and i loved it!
In this game her character doesn't revolve around Sonic and she messes up a lot (The way she was so ashamed of how she broke her hammer when she tried to escape the closet with brute force that she lied, how she didn't realize Sonic was actually hurt because she was too excited about the game, how she was overconfident and impulsively tried to solve the case and completely failed ,how she and vector started beating a wall violently after realizing the train was alive,etc),but her positive qualities shine throughout the game as well ( How she took the time to organize a party that she'd think everyone would have fun at,How she is so thankful that everyone showed up and doesn't mind that Shad and Sonic didn't bring gifts, how she makes sweets remarks about others and cute jokes in distressing situations,how she has faith in Shadow's goodwill, The way she delivers the final blow at the end and says that despite everything,she loved the party because it was an adventure,etc ). Throughout the game,Sonic and the rest treat her in a way that really goes to show what a good friend and a lovely person she is ,and she expresses great appreciation for everyone's presence in her life.
It's honestly an amazing coincidence that this game takes place on her bday considering that it's the one that made this portrayal of her "game canon". As a fan of her, i celebrate it and hope we get more of it in the near future.
So yeah, i didn't talk about Sonic X Amy,Archie Amy nor all the comics,series and games that came out between the big videogame titles. There is much more about how Amy has been written that could be said, but i think i did a pretty decent summary of the most important changes her character has gone through the years mainline game-wise,at least good enough to defend my point that she wasn't a stalker originally and she definitely isn't one now. As i mentioned before,i agree that she was portrayed as possesive and obsessive for a long period of time and as an actual harasser for a shorter one , and that we should definitely recognize it and be critical of such things being portrayed as “quirky” and “funny” aspects when they are in reality, hurtful. BUT summarizing her whole character by calling her a stalker and an obsessive fangirl is defining her based on the worst examples of her characterization and ignoring her good ones completely.
Feel free to disagree with my character analysis,my opinions and the way i categorize her portrayals,but i strongly believe that Amy rose isn't meant to be a harasser,an obsessive fangirl or personal space invader.
My girl deserves better.
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66sharkteeth · 5 months
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WEEKLY THOUGHTS ON THIS WEEK'S EPISODE! Though tbh I think I covered a chunk of it last week-
This Claude arc has been some of the writing I'm most proud of in the entire comic, and I'm so happy other people are enjoying it too. Seeing Claude go from the series' punching bag to someone seemingly everyone's screaming over and pitying really feels like an accomplishment to me and I'm so glad even the people who don't love Claude are at least sympathizing with him (the vast majority anyway). Also shout out to Claude's leg for increasing my FP sales. I can't express enough how much my FP revenue's been impacted ever since the return. I got literally less than half of my usual income this month (when I needed it most lol) but the FP numbers *almost* returned to their old average this week, so thanks everyone who fast passed to see the fate of Claude's leg lol.
This is one of those episodes that was a long time coming and I have some kind of strong feelings about it. I've been planning to lop of his leg since high school, but I did admittedly start to get a pit in my stomach the closer it got. By the time these episodes publish, I'm usually over it and laughing to cope (see above), but I hope at least a few people were as disturbed as I was writing it. Which...I know sounds mean, but I really admire media that can get that feeling out of me (without going over the top and scarring me) and it's something I hope I can achieve too. Some of the most important pieces of media that influenced me growing up (FMA, some animations that inspired CoB, Paranoia Agent, etc), really gave me a gut-sinking level of disturbance as a kid, but boy I'm glad I saw them because they sure made an impact in a way that I think made me a stronger writer, and that's one of those things I hope I can achieve.
Anyway, to address a few points I'm seeing throughout the comments- 1. Jericho's reaction. I left it kind of vague on purpose. I have no comment on it and just leave you guys to speculate on how he will react or encourage you to FP to find out (sob please).
2. people legitimately criticizing joking about claude's leg. which is interesting to me. obv there's a lot of jokes and leg puns throughout the comments, and soooometimes I don't like that when a very serious episode's comment section is filled w/ nothing but jokes, buuut there are also enough real comments of concern and speculations and analysis of the ep that i really, really don't mind some leg jokes and puns, personally. like...as you can tell from the image above, even I'm not above making them. To the people who think it's actually fucked up for us to joke about this scene... I dunno. I personally laugh to cope, and I think a lot of other people are doing the same. I don't think anyone's literally going "LOL HE'S SO DEPRESSED HE MUTILATED HIMSELF," I think its just...funny leg puns to make a dark situation a little lighter. At least for the most part. I'm certainly not above joking about it, but as you'll see in the next episode, I'm also obviously taking it seriously and don't plan to make Claude such a butt of jokes now that he's reached this point. That would just be in bad taste. But... I think a leg pun here and there is still in line.
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jq37 · 5 months
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The Report Card – Fantasy High Junior Year Ep 1
We're SO Back
School is back in session y’all!!!!
Fantasy High has returned to us after a long break and I am thrilled to come out of my recapping hiatus to bring back the Report Card for Junior Year! You know I could let my favorite chaotic high schoolers go un-analyzed! 
This episode wastes no time in getting started so neither will I. Brennan makes what I think is a very strong narrative choice by starting us in media res at the end of a classic Bad Kids adventure. It is the summer between Sophomore and Junior Year and the party has spent the last four months hot on the trail of the dreaded Night Yorb.
We catch up to our Intrepid Heroes in the Red Waste and they’re trying to catch up to the Night Yorb which is a big, eldritch, manta ray like monster who threatens to plunge the entire world into darkness, creating a very slow (but still effective!) apocalypse! The Night Yorb is flanked by its groupies, made up of members of the many cults dedicated to it (collectively known as “Yorbies”).
As I said, the Bad Kids are hot on its trail, in (and on) the Hangvan. Gorgug (who has been leaning more into his Artificer vibes lately) has outfitted the top of the Hangvan with a solar lasso that can be used to capture and reel in the Night Yorb so that Fig and Adaine can defeat it with a magical sigil. I’m gonna quickly run down where everyone is and what they’re doing:
Adaine and Fig are both standing on top of the Hangvan in order to spring the sigil when the time comes. Adaine is also joined by Boggy and a new addition, Moggy the Doggy (aka, Mordekainen’s Faithful Hound), which is a very round, very cute, very invisible Pomeranian looking dog. 
Gorgug is also up top with them because he’s manning the solar lasso. 
Fabian is inside the Hangvan along with Baby (aka Wretchrot, aka Fig’s screeching blood imp who has no mechanical benefit unless she takes another level of Warlock as Brenan keeping reminding us) and Ecaf, a mirror with a sultry voice that Fabian is *heavily* flirting with, much to everyone’s discomfort. It’s tres Narcissus. (Also, ha, Face backwards. I see you Brennan).
Kristen is in the back with Fabian and Riz is driving, even though he is WAY too small to effectively be driving a Gorgug sized van. 
The Hangman–Fabian’s trusty motorcycle/hellhound–is out in front of the Hangvan.
Also Squeem is on the roof with the others! Beloved, fan favorite Squeem!
Yeah, so this episode does a thing of pretending like we’re jumping into the last episode of an arc that we’ve seen every episode of and introducing characters in a very Sam Reich, “He’s been there this whole time” way even though it’s their first appearance. I think it’s very funny and it reminds me of that Community episode where they’re all flashing back to episodes that never aired. But anyway, I mention this so that if I mention a name and you’re like “Whomst?” it’s probably just a bit, you’re not forgetting a major character.
Anyway, we’re joining this chase already in progress which means our kids are hurt and down spell slots but their opponents are as well. The distribution is pretty uneven–Adaine is way less hurt than Fabian and Kristen for instance, which honestly checks out (curious how they decided on that though). 
Because this episode is just one big battle sequence for the most part, I’m going to follow the precedent I set in the recaps for The Seven and just give the highlights in bullets and then do an analysis on where all the Bad Kids are right now at the end:
Murph comes in hot, using his first action of the new season to shoot his gun and doing 30 points of damage with a 27 to hit. New year, new Murph! 
Siobhan invokes the corn cuties debacle from fight one and all the falling off the tables that happened. Clearly, a bit of Adaine’s oracle energy is rubbing off on her because the next thing that happens in that Fabian decides to jump on top of the Hangvan to cast Faerie Fire on the Night Yorb (which has shrouded itself in magical darkness), rolls the first Nat 1 of the season, absolutely eats it, and gets run over by Riz–narrowly avoiding going down. He’s ultimately fine–The Hangman comes and picks him up–but it’s not a very auspicious star from Master Fabian. 
Emily and Murph have a cute moment of womping Brennan back to back by using Silvery Barbs to make him reroll two attacks on the Hangvan–one of which is a crit–and then giving each other the advantage on the next roll.
Kristen is a real pillar in this encounter–holding up the Circle of Power spell that allows her friends to ignore big chunks of damage that absolutely would have dropped them. But throughout the entire fight, her patron goddess, Cassandra, keeps trying to talk to her and Kristen keeps leaving her on read–we’ll get more into that in a bit. 
Adaine comes in clutch with a Nat 1 portent roll to stop the NIght Yorb from resisting Gorgug’s attempt to reel it in further. Truly, the best time to roll a Nat 1 in this game. Divination Wizards are awesome!
We learn that “Don’t Speak of the Night Yorb” is more than just a silly bit when Fig realizes that saying its name makes it heal up which isn’t great because they’ve been *very* cavalier about invoking its name. 
Squeem gets a big emotional goodbye with Gorgug on top of the Hangvan, heroically leaps off to fend off some Yorbies…and then rolls a 2 and totally faceplants. No! Squeem! Beloved fan favorite Squeem! They already had to revivify you once! 
On the Night Yorb’s turn, Brennan does an attack and shakes so many dice that it sounds like maracas. It’s 61 points of damage and squishy wizard Adaine goes down, but everyone else stays up–large in part due to Kristen’s aforementioned Circle of Power. (Siobhan, describing how bad her saving rolls were zings two separate friends saying, “It was Fabian level nasty. I fucking Murph’d it.”)
Luckily, Fig and Gorgug are up on the roof with Adaine so she does not go sliding off the van when she goes down. They catch her before she can fall. 
At this point the Van has sustained a lot of damage so Murph reminds the teacher that they have homework/Brennan that they have to roll for a mishap. That turns out to be the breaks blowing out. Now, all the Van can do is accelerate! It’s just like the movie Speed!
Two more characters who we totally know and have been here this whole time show up to help–Balthazar and Duggan McCann! A cool grizzled veteran and a centaur cowboy. Riz immediately starts doing cool guy banter with them because he’s somehow convinced them that he’s cool (which he is for the record, just in a completely different way lol). Unfortch, Baz almost right away gets eaten by the NIght Yorb. Who’s gonna take care of his litter (?) of parrots?????
 At this point in the fight, everyone gets a ping on their crystals, reminding them that school starts in three days. This stresses everyone out more than the fight that they’re currently in. 
Fig brings up Adaine with a Healing Word but she immediately has to do Wis save with the rest of the party. She and Fabian fail, but once again Fabian is saved by fear negating effects of his dad’s eyepatch. So Adaine starts to have a panic attack about the fact that she’s fighting the Night Yorb while standing on the roof of a moving vehicle which, real talk, very normal and valid reaction. In fact, probably concerning that she’s reached a point in her life where that *isn’t* the default reaction. 
The Hangvan is coming up on a jump it’ll have to make to continue following the Night Yorb (and it can’t even try to stop because the brakes are cut). Riz fails the roll which means that the van is probably going to fall on its side. Adding insult to injury, a pillar of rock falls and is going to crash into the van, doing even more major damage. 
Fig watches this, and almost dissociates, feeling the weight of the entire summer taken from them to do this quest. Feeling so so tired. Feeling the fact that even if they win, they’re just gonna have to go back to school and adventure some more. A piece of magic she’s been holding inside of for a long time flickers and she hears an enticing voice whisper in her ears. “If you would take me, you know what you would save.” She smells a sour, curdled scent and she knows that if she says yes, she can save her friends. Maybe there’s another way, but she just wants this to be over. “I’m yours,” Fig says. 
There’s a flash of “lemony, yellow, creamy” light (hmmmm) and the rock stops falling. The Hangvan starts righting itself.
And then there’s a sick gurgle from Fig’s stomach. 
Uh-oh, gang. 
For those of you who are new to these recaps, every week, I give one PC Detention and put one on the Honor Roll for their in-game actions. We’re starting off hot this semester with:
Detention 
Kristen Applebees for Being a BAD Friend to Cassandra 
Like, OK. Faith is complicated. Kristen’s relationship with religion is complicated. Being a cleric is complicated. But notice that I didn’t say being a bad *cleric*. I said being a bad *friend*. To be clear, she’s also being a bad cleric, and I’ll talk about that later. But having understandably conflicted views on religion doesn’t make sliding in your Fantasy Airpods while the being who is essentially a lonely teen girl and who is keeping you and all your friends alive tries to talk to you NOT seem like a giant dick move. Come on girl, get it together. 
Honor Roll
Brennan Lee Mulligan for Being a Great DM!
I realized as I was writing this that I’ve given Brennan Detention but never Honor Roll so he’s getting it today. It feels so good to have him back in the dome with the kids and he drew me back into the world, right away. I’m so psyched that we have a full season of this ahead of us! 
CHARACTER CHECK-INS
Like I said earlier, because this is the first episode back, I want to really quickly check in with all of the Bad Kids and where they are, character-wise. I’m going to do this roughly from least concerning to me to most concerning to me. 
-Adaine: Adaine seems like she’s living her best life. She has her frog! She has her dog! Her character art is so much more chill and she’s coming into her own. This season, I’m hoping we get to see more of her relationship with her sister (yes, I’m a predictable bitch. Sue me) and with Zayn (who is also living at Mordred in her tower) who I think has a lot of potential to be an interesting supporting character with more spotlight. But yeah, go Adaine! 
-Gorgug: Gorgug is making his parents proud (not that they ever weren’t) by taking another artificer level. He’s not a 7/3 Barb/Art split. I love that he’s gone from calling himself dumb to taking on this very technical skill. He also apparently has a homunculus? Fascinated to see what that looks like. 
-Riz: Now that his big investigation is over and he knows his dad is a cool secret agent, Riz has switched his subclass from Inquisitor to Arcane Trickster which means he’s got tons of gadgets and that he’s a ring guy now. Love that for him. He’s very much not a chill person though so I’m very curious to know what the next thing he’ll latch onto is. He the kind of guy who always need something going on, you know? 
-Fabian: Fabian is a fancy, dance boy now (6/4 Fighter/Bard)! But that doesn’t mean he’s any less athletic. I mean, have you ever seen a male ballerina? He still is, however, a total disaster. And I mean that affectionately. I mean, his current love interest (?) is a mirror that is showing a fuzzy reflection of his own face. My guy, what are you doing? Although I will say, idk if that’s more or less toxic than him dating Aelwyn. 
-Kristen: Kristen. GIRL. 
OK, so first of all. There is nothing inherently wrong with getting super jacked and like, respect. But in this context it feels like a red flag. Like the kind of thing you do because you’re on the rocks with your girlfriend or if you’ve recently broken up. I will be *very* interested to know what Tracker is up to as she’d not mentioned in this episode. Last we heard, she was out doing cleric stuff for the Moon Goddess, right? Long distance can be hell on a relationship. (Also, idk how seriously we’re supposed to take this but Ally mentioned the one shot it happened in in this episode so Kristen was also totally trying to flirt with a college girl in that college visit oneshot. Brennan shut it down pretty quick, but it very much did happen). 
Also, speaking of cleric stuff, Cass. I feel SO bad for Cass. Like, a god isn’t owed followers, but Kristen chose that role. She CHOSE it. This isn’t like a Helio situation. Cass wasn’t pushy. She specifically says in this episode that she doesn’t want to be pushy. Hell, she says in the episode where she’s introduced that if people don’t want her around she’ll go away. But Kristen chose to be her follower, knowing what the implications of being the sole follower of a goddess is. Cass is made in her image. That’s how deeply entwined they are. Her goddess is made in her image. In The Seven, we learn that Ost’s god hasn’t talked to anyone in years. Kristen has Cass coming in like a mom offering snacks mid battle and Kristen is leaving her on read! It’s honestly kinda hard to watch her be so blithely dismissive of someone so dependent on her even though it’s played off as kind of a joke. I felt like I was watching a loyal puppy get kicked every time they interacted. 
And like, I said this before, Cassandra is made in Kristen’s image. But specifically, she looks like Sophomore year Kristen. Still all skinny and still in her tie-die shirt and shorts. There is a definite vibe of almost wanting to kill the part of yourself that embarasses you, you know? It feels like she's being mean to Cass but also to herself. 
Also, mechanically speaking, it’s wild to be just ignoring the person you’re getting your powers from like this. Like, this is real Wizard behavior. You don’t have to answer to anyone if you studied for your magic but you absolutely do as a cleric. Does Kristen even want to be a cleric? It honestly doesn’t seem like it. She’s shown a pattern of behavior of chafing at every god put in her path, even the ones she literally made up. I thought Cass might be the end of her searching, but we’re right back on the Merry Go Round. The party absolutely needs a healer though so idk how she deals with that. 
I saw the snipped clip of Ally’s interview about Kristen’s arc this season involving what happens when chaos stops being cute, and I can def see seeds being planted. Fascinated to see how they explore that because this feels like a real ticking time bomb of a situation. 
Oh also, her Dex went DOWN????? GIRL!
Fig: I had a lot more to say about Kristen but Fig has to be last on the list for making a deal with a literal devil lol. Like, classic Fig though, right? This WOULD happen. Emily talked about potentially retiring Fig and getting reeled in by some enticing plot hook from Brennan and it feels like we might be about to find out what that is. I won’t speculate on it too much right now because we’re presumably about to find out but there were a LOT of yogurt themed adjectives when that magic activated which has me very split on whether this is about to be deeply concerning or deeply silly. Or both! It could be both! 
Random Thoughts
I LOVE that we have a proper theme song now. It feels so fitting and I love the opening art and it’s all so cool. The show’s so profesh now!
Also, shout out to @caitmayart for making the new art! It has the quality of a professional and the extra love of a fan. It’s my fave D20 official art so far. 
I don’t know when this feature was added but I love that there is a full transcript you can pull up and search and jump to that time in the video now. That’s gonna be SO useful for me. 
One of my favorite things about Adaine is that she’s generally polite but occasionally she’ll just absolutely verbally decimate someone so casually and this episode she said to the Solesian Yorbie they encountered, “What movie theater were you assistant managing before you decided to become a Yorbie?” Brutal. 
Also love how vehement she was about the fact that Brennan couldn’t touch Moggy, even when she went down. You are absolutely NOT gonna kill that dog Brennan.  
“Object interaction, touch Gorgug’s foot.”
Fig asks Gorgug how they can heal a van and he says, “Take it to a shop for 3-4 days.” Zac, underrated comic genius. 
I really can’t overstate how funny it is that Fabian spends most of this episode flirting with his own reflection. I’ve said this many times but something I love about Lou is that he’s not afraid to make Fabian deeply uncool, even though Fabian’s whole thing is being as cool as possible. 
Kristen says she needs to have an intense conversation with Cassandra when the fight is over and what does that mean? Like a breakup conversation? Which I guess would kill her because then she’d have no followers again? I am, como se dice, concerned. 
Also, just looking ahead, Tracker is also a cleric. A pretty faithful one from what I can tell. I have to wonder what her take on Kristen completely neglecting her goddess and church is. 
I think it’s so funny that Emily was thinking about retiring Fig so she could just ride off into the sunset with her cool rockstar life and awesome girlfriend because Riz’s big thing last year was being worried all his friend would pair up and leave him so for him to accept it and then have his fears validated right away would be like, welp. 
At a certain point, Murph has to roll damage and he rolls 45 out of a possible 50 damage. That’s crazy. Let’s see how long that luck holds.
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snow-lavender · 17 days
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now that we're a week out from the finale, i'm feeling settled enough to make my sappy post. TL;DR is: fable has been incredibly important to me, and i think it's a story that's important to have out there. to the community and cast, you've made something beautiful and helped me more than you could know.
so here we go-
i started watching fable in the summer of 2022, to kill time in between summer courses (and thank fuck for that, cause my brain desperately needed to have some fun after 5 hours a day of doing psych stats by hand.) i was originally pulled in by vo'lete, as dissecting a conlang is really fun to me. it became basically the only media i consumed, as 2022/2023 was the fourth year of my BA and i was crazy busy. and then the characters pulled me in further with their earnestness and their devotion to redemption and compassion.
i think one of the theses of fable is "people always deserve happiness. doing awful things doesn't erase your ability to change." and i think the simplicity and love of that take hit really close to home. in the era of modern fandom where bad actors try to make everything black and white, it's an important point to make.
i started making shitposts on tumblr, started enaging with stories from an analysis standpoint again, and found a lot of joy in the community here. i don't have the words for what that means to me, so i'll just default to you guys are great <3
then mid-august happened
those of you who frequent rin's streams might have caught bits and pieces of this, but basically, i had a fall and my knee became royally fucked beyond belief. it can only be fixed with a surgery that's not very common. the pain was (and still is) debilitating to the point that i had to drop out of my second degree, and couldn't walk more than like, a block every few days. my life, my dreams, my future all got put on hold. i was in a new city with no supports, no friends, and no way to leave my apartment. fable went from the only media i consumed to the only thing i did, period.
the fandom became the only people i talked to regularly, other than my family, as online relationships were the only ones possible to maintain. in fableblr and in rin's chat i've found people who i really click with, people whose company i enjoy and who enjoy mine. when i was lying in bed, feeling so alone and less than human, having people on the internet go "i know who you are and you are making an impact," quite frankly, kept me sane. i know i don't talk to people super often, but know that seeing you in my notifs brings me so much joy, and i'd love to talk to you more.
to assuage any worries- i'm doing a bit better now. i've moved back in with my parents so i have human contact and people who can make up for the things i can't do. i have a new doctor who is taking the severity of my condition very seriously and is fighting to get me treated asap. i'll be okay.
so yeah. fable has been super important to me, and will remain so! for me it's a story with so much joy and deep feelings and rediscovery of passions and just. fun. it's been so much fun. and i'm not letting go of that fun any time soon. i'm gonna keep making and watching and enjoying.
to sage, corn, and cob- you guys are great, i cherish every time we get to talk. i hope that it's okay that i count you among my friends
to my other mutuals and people who are here frequently- recognizing you in my notes is such a joy and i hope to get to know you better. y'all are cool and i'm glad you think i'm funny
to rin- thank you for nurturing your little community and creating a space where i have so much fun. also thank you for putting up with my constant setting off of automod
to beck- thank you for making a story that explores sisterhood in all its ugliness and beauty, that shows how even families full of love can fuck up, that holds space for loneliness and loss and joy and fear and new beginnings
to the rest of the cast- thank you for making a story with so many varied and yet connected points, characters and world. with so much love in it. you've truly done something special here and its impact will not be forgotten
to all of you- thank you for knowing my name. thank you for breathing life and joy into these stories. i can't wait to see what else we make. <3
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suffarustuffaru · 7 days
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Scrolling through your blog is such a fun experience, you bring an absolutely great vibe to this fandom and I love it SO MUCH. Could even say you restored my hope in it, since there has been some aspects that made me force myself to leave it, and I hope me bringing one of them up here won't upset anyone.
Now I completely understand if you wish to not answer my ask, but I figured it's worth a shot. So, one of said aspects was a controversy regarding one of the rezero characters that made me feel like you can't mention them without being called names (mostly on tiktok, but other social media also, tho not as much).
Yeah I'm talking about Felix. I'm not transphobic by any means, and I'm fine with people headcannoning whatever they want, but seeing thousands of people calling others transphobic for calling Felix a 'he' made me so unsafe I forced myself to look for other interest. Which is funny since most of the people saying this weren't even part of the fandom. I was wondering if anyone else here had similar situations and just.. how do you deal with it? It seems silly, I know, but feeling like I can't speak about a rather important character from a media I love made me so upset.
No matter how much I tried explaining it, they either dismiss it or say Tappei made him a trans girl without knowing.
Now, if you do decide to answer this and say that Felix indeed may have been 'trans coded' a little bit (Did I used that term correcly? Idk) I'll understand (hell, I would probably agree, you character analysis are great), I'm just upset at the absolute lack of respect for any other way of referring to Felix other then she/her.
(Also in case people don't know, their proof of Felix being a trans girl is the scene from EX1, with the whole calling himself a girl in front of a mirror thing)
Sorry for this is being long and probably messy I just had to get this off my chest.. also I hope I didn't came of as offensive in any way, if I did I'm really sorry.
hi there anon! first of all - aw thank you for your compliments about me and my blog. im super passionate about rezero (though thats probably super clear to anyone whos seen any content i make for a while aljsdlkf) and well. ive been lurking about in this fandom since summer 2020 so i definitely understand having to leave/distance yourself from this fandom because outside of tumblr, the rezero fandom is kind of . well. to put it simply, theres a lot of metaphorical landmines unfortunately!! T^T and admittedly i wouldve left this fandom a lot sooner if i didnt stick to my own corner and curate spaces with other people who were super chill (like lots of people lurking about here on tumblr + rz tumblr in general!!). so i totally understand how you feel anon (and youre not silly for being upset, i promise!), though admittedly im not super super familiar with some rezero spaces (such as rz twitter) bc i 1. dont speak japanese and 2. i try very hard to avoid the negativity whenever possible!! T^T
and also i apologize for taking a while to answer your ask!! you're one of my older asks that kinda got lost in my drafts hah but i also just wanted to like. take extra care with your ask bc its a super important topic. like not just to me (though its definitely important to me) but its important in general. and i really like felix so. <3
a quick disclaimer is that i myself am not transfem. i am however afab and most likely genderqueer!! (im winging it as i go hah.) felix is also not a character id say im as well-versed in yet, but i do like felix a lot and ex1 changed my entire brain chemistry. and ill also be defaulting to he/him pronouns in this post because thats what he uses in canon.
felix is - at the end of the day - a fictional character, and tappei is a cis man who doesnt Entirely write characters like felix through a queer lens. arguably tappei is Self-Aware when he writes characters who are into other characters of the same sex (though the Representation is arguably a little bit questionable at times depending on how you look at it), but when it comes to characters like felix or subaru who have some Gender Stuff going on, it's more nebulous there. i dont know if tappei 100% realizes he's made characters that could be read as Trans/Genderqueer (emphasis on "read as", because i support different interpretations of these characters), but tappei Definitely Is Very Aware that gender and gender presentation and gender roles are super important when it comes to characters like felix, subaru, and crusch.
i think tappeis own perceptions of gender and gender roles do bleed a bit into the text as much as tappei is pretty purposeful with themes surrounding gender in rezero, but rezero itself still has all sorts of identity issues to explore with a lot of its characters and gender is a big part of that!!
so first and foremost im gonna be examining felix the best i can Purely Off Of The Canon Text, though i do like viewing rezero from a queer lens myself (and it is arguably very queer). im gonna talk first about felix and then ill move onto talking about my personal feelings on rezero fandom stuff :o !!
so felix's relationship with his gender is complicated and he Absolutely does not fit into traditional gender roles or gender presentation right now. these are undeniable. and if people headcanon felix as transfem thats totally understandable and valid!! but to say a headcanon is 100% canon and that other interpretations of a character as complex as felix are invalid isnt exactly it. for sure. i mean i myself interpret him as nonbinary haah. but felix's relationship with gender is so so so So complicated that i dont think you could just say hes transfem and then Not Elaborate More.
but regardless of how Exactly you label felix, i think you could possibly say that hes trans coded. tappei, even if he probably doesnt entirely know hes made pretty genderqueer characters, is Aware and Purposeful of how gender affects felix and his perception of himself and his identity and other peoples perception of him and this is brought up Over and Over Again in canon—felix’s gender identity, at the moment, aligns more with femininity in his presentation in every way, though he still perceives himself as masculine. felix’s case is complicated, and while im not entirely sure on this i think you could argue that hes trans coded—“coding” suggests a level of intent when making these characters, and i think that intent is present in some way with tappei. because tappei Knows just how important gender is with felix’s character and you can tell with how often and how Integral it is to felix’s entire character.
(more under the cut) (i do have a habit of being rambley/wordy sometimes if. if you couldnt tell already. but i hope this response is up to your standards!!)
these three analysis posts on felix's relationship with gender have all discussed this topic in-depth before i have, and i 1. really like the rezero content i see from all three of these people and 2. they All have slightly different takes based on the canon we have but also some similar points. because felix is complicated!! of course our takes are probably gonna be a bit different - he's a multifaceted character with such a complex relationship with his gender that it's hard to tell what every single one of his personal feelings on it is (especially when at the moment he hasnt appeared in the main story since arc 5 and he still has a Lot of character development to do). and of course fiction is fiction, we can all take away any sort of meaning from a story like this.
but you know. this is my post so im gonna try to analyze felix right now and say my two cents on what i think of his relationship with gender.
so im gonna try not to retread too much on what liquidstar, sufferu, and gourmet of gluttony have already said about felix (and i think theyre all very smart people with interesting analysis posts and theyve all explained their thoughts pretty well) and instead add on with my own thoughts - theres this felix excerpt from arc 4 wn that i think about sometimes. im gonna put it down here!!
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and also important to note—like other people have mentioned, crusch and felix made a “deal” of sorts in the past where crusch takes on felix’s masculinity and felix takes on crusch’s femininity. and also like other people have said—and i myself have said in the past—i do have some mixed feelings on this wkdndn and as i said before also i do wish tappeis feelings on gender bled a little less when theyre Not Integral To The Story. bc i dont think tappei 100% knows hes made trans coded characters, but. anyway yeah so thats the whole deal with crusch felix. and in its own right i think it has So Many Interesting Implications!!
i think when it comes down to it, gender presentation IS a bit of a performance, isn't it? like i love to wear dressses and skirts and i love to keep my hair short and wear suits, but you know - these sorts of things tend to be gendered. our gender is often perceived through how we present ourselves, but in recent years gender roles being attached to clothing has gotten a bit less Rigid. but these rigid roles associated with presentation are even more dialed up to Eleven in a medieval world like the rezero fantasy world. and i dont use the word "performance" in a negative way -
what i mean is that when it comes to felix's character, does felix think he's a boy because that's what he's been told? does he think he's a boy because he TRULY sees himself that way, or does he THINK he has to see himself as one? does felix try to present and perform femininity, ie as or like a traditionally feminine girl, purely ONLY for crusch's sake, or is it because felix ALSO WANTS to? what does felix think of gender outside of crusch? who is felix outside of crusch? who is felix outside of tying his entire personality to other people? does felix’s femininity show the “radiance of ferris’ soul” bc of the deal he made with crusch or bc this truly is felix’s soul? these are like the big questions behind his entire character and character arc that would determine in the end how felix identifies in both his gender and In General.
so what is felix's identity at the moment? bc right now, felix is stuck between his feminine self, tied to crusch, a symbol of crusch, tied to his own reliance on crusch and worship of her—and his masculine self, someone broken off from crusch. felix is tied to crusch right now to worrying extents with his obsessive devotion to the point of changing himself to mold into her image, and beyond that, hes still tied to guilt surrounding fourier’s death. gourmet of gluttony puts all of this way way more intelligently than i ever could, but at the end of the day, i think the best narrative decision here would be for felix to accept himself in ALL of his entirety.
healing in rezero is noted to be a kind power, specifically by fourier and fourier saying this right to felix when hes the most talented healer in lugunica, and healing itself is often stereotypically feminine activity. knighthood is stereotypically masculine, and on top of all this, we see in ex1 that biehn argyle twists the power of healing into something grotesque—trying to bring back the dead and revive what cant be revived, which is once again another reoccurring theme in rezero.
how far can “from zero” go? what HAS to stay dead and what can be revived? who is allowed to live? HOW do you live freely? felix is someone born from a horribly abusive and neglectful family who twisted healing magic’s kindness into cruelty, felix is someone who was taken into a family that showed him kindness and now hes desperate to pay them back with everything he has and everything he is, felix is a healer who lashes out when hes cornered and a healer who treasures life and a knight who cant physically fight like the others, felix is someone stuck with the horrible knowledge that he cant save everyone—that some things just Couldnt end better no matter how much he wished for it to.
felix is stuck between all kinds of worlds, and in terms of gender, hes quite literally still stuck between boyhood and manhood in the biological sense—hes purposefully made it so that he hasnt hit puberty yet so he can better pass as feminine. he hasnt Physically Grown past puberty—which is the mark of becoming an adult. and he hates himself in a number of ways, but he also hates himself for failing to be traditionally masculine. his abusive family stole ten years of his life and the torture left him physically weaker, so he cant be strong physically, which is something associated with traditional masculinity. felix is the best healer, a traditionally feminine job and skill, but he cant save everyone. felix becomes more feminine as part of his deal with crusch, but while crusch accepts her femininity and masculinity readily, and while crusch’s memory is erased by gluttony—felix is left behind, alone, still holding onto femininity while not entirely being able to hold onto it while he also cant entirely hold onto the traditional masculinity he expects out of himself. and with arc 3 on, felix feels hes failed both fourier and crusch. the two most important male and female figures in his life.
felix is basically stuck in this liminal space where hes not Enough for himself in literally every direction, and the only way out is to accept every part of himself and move forward by trying to define who he is without other people—his birth family and his found family dont define him. they can shape him, sure, but he has to stop shaping himself to meet them and figure out how to let himself just. Be. and take up a space thats firmly his. from a queer lens, this kind of thing is pretty queer—because to stop being in between worlds, you have to accept everything instead of splitting yourself into halves over and over again. killing or maiming yourself or parts of yourself is no way to live, and felix is Life itself.
and i think regardless of the Exact Labels you could give felix, i think his arc—which is perfectly in line with all of rezeros themes—is inherently about self acceptance and the bridging of the gap and combination of femininity and masculinity. felix is both and identifies, in one way or another, with both, similar to how he loves someone who identifies with both (crusch) and just as hes loved her and fourier. imo it wouldnt be right for felix to choose one or the other in terms of feminine vs masculine—he needs to be the one learning and navigating his honest feelings on both sides bc i think he Yearns to be both. hes a boy who dresses like a girl and its up to him to know if he wants to be a man and/or a woman due to his own internal desire or if parts of that is Only due to external pressures.
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and alright now that ive said all my thoughts on felix atm im gonna address the other questions you had in your ask!! note that this is just my opinions and thoughts regarding my own experience in the english fandom, you dont have to agree or anything 👍
but i AM very sorry about your negative experiences in this fandom. T^T people calling other transphobic for using he/him for felix (and also people being transphobic about characters like felix or subaru/natsumi in general) is something ive seen as well. the rezero fandom is sadly very often toxic and Bigoted in a lot of ways (with the exception of rezero tumblr and certain segments of rezero ao3, from what ive seen), which is Ironic for a story thats so clearly about love and self-acceptance, which is also ironic because arguably tappei and otsuka and the rezero marketing team (i Love the female characters in rezero but theres just so much sexualized or vaguely sexist merch/moments that dont add to the story, you know? kind of just. misses the point of their characters sometimes.) sort of contribute to it a little bit as much as tappei does do some really great things with his writing.
rezero is the first fandom ive been active in but its definitely not the first ive ever been in, and ive been in some insane fandoms before. like i said earlier though, i think i just cope by curating my experience to what i like, yknow? liking posts i enjoy, looking at stuff i enjoy, etc :O !! fandom is a hobby so i try not to look at negative stuff when i can help it wkdnd. which im sure youre aware about already but i always have to keep reminding myself of this bc places like rezero reddit or twitter get pretty rough!! but its really helped me just following artists and creators i like, enjoying their content, chatting with cool people i vibe with, rezero tumblr being the chillest rezero space in the whole fandom, and its also helped me a lot making rezero content of my own—like this whole blog!! its really shocked me how much people seem to value my thoughts enough to ask me things frequently but i appreciate it pfft. and i hope you guys like reading my posts!!
but yeah like. curate, curate, curate. it helps a LOT and it gets me excited to experience rezero not only by myself you know? not that i didnt have fun by myself but its its own level of fun finally finding spaces to have fun with others!! and i LOVE finding beautiful fanart!! chef’s kiss. and trying to be the change i want to see is satisfying on its own :,) i want to post random shit about rezero, so i post it. i want to make fanart for fun and share it. i want to brute force people into loving otto more so i ottopost (dont worry, i still hate him bc true otto fans also hate him at the same time <3 /lh). i want more queer rezero content so i try to make some more!! brings more personal power i think and its very fun!! and it helps with lessening the quiet despair of fandom toxicity ;-;; (which is something ive done many times and will continue to do sometimes so i feel your pain 🫂) and i promise theres cool people in the fandom 👍 i may reply late to asks or dms but im ALWAYS down to talk about rezero things its so fun 👍👍
and its really really hard sometimes to deal with fandom toxicity especially if its forcefully knocking at your door—definitely dont force yourself to stay or look at things if you cant, bc thats totally understandable!! and i myself have been harassed a little in the past. but definitely having some sort of coping—the block button, backing out of things you dont agree with or like, lots and lots of curating, etc—helps me a lot. and i think mental health wise i feel much better trying to look on the bright side of things!! its MY hobby goddammit!! ill fight people subaru-style if they try to poison it!! and however long anyone reading this decides to spend with rezero and rezero tumblr—you are welcome here 👍
but yes my very Long rambling aside - i hope this post somewhat helped you!! felix is a very important character that i like very much and need to learn more about and i have Many Feelings on the english side of this fandom, but im very grateful to all the cool people ive met over the years here for sure!! :o
also ill probably post the finished version soon but if youve read this far here is a sneak peak of felix art i did recently (just as a reward for once again reading all of my Endless Yapping)👍👍
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lilover131 · 10 months
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Clear Card Chapter 76 Analysis
HELLO!!!
I am so sorry for the lateness on this chapter review! I was on vacation when chapter 76 came out, and honestly…I completely forgot about my analysis after that. I made a mental note to do it when I returned from vacation, and that mental note obviously did not last (DAMN MY ADHD!!). Anyways, I also found myself busy looking into a lot of big life development things! For example, this week, I am officially adopting this beautiful fur baby and bringing her home!
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Her name is Diana, and I hope y’all don’t mind if I spam my social medias a bit with pictures of her once she is home. Here is my gif of the month!
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CLAMP never ceases to draw stunning color pages each month, and this one is no exception! I’m not surprised to see Akiho here, but I gotta say, she looks quite nice in green! I love the lily flowers in her design and it seems to be a really nice connection made to her mother, Lillie. Other than that, it seems to be a rather basic portrait of Akiho in elegant clothes.
The chapter starts with the group at Yukito’s house. The video feed from the cameras Tomoyo left them with has unsurprisingly cut out with Sakura and Syaoran entering the space where Kaito is trapped. Tomoyo asks if they just lost reception in there (I honestly find this question pretty funny), but Eriol chimes in and states that this is not the case. He lets everyone know that before the feed cut out, he did manage to see the inside of the space for a brief moment, and based on the sight of those broken clocks, he suspects this place isn’t just one with halted time, but broken time. Now, you might be wondering what this means exactly. My theory is that it means time doesn’t function normally in this space. I imagine events in time are probably twisted together or nonexistent. After all, Kaito essentially had to break time to change it, so this doesn’t really surprise me. It seems to be, from what I can tell, at least isolated to this space, but it’s unclear what kind of damage it could do if it weren’t.
Syaoran looks around at the space and tells Sakura that there doesn’t appear to be anything wrong with the watch itself and that it only looks to be broken in appearance due to the pressure placed upon it. Sakura clutches at her head and seems to wince in pain. Syaoran asks her if she is all right, and she seems to have discomfort in head. He explains to her that the spell around them is strong enough to make an influence on her physically, and when asked, he admits that even he is feeling it (Syaoran I imagine has a much higher pain tolerance and hides it well). However, it seems that without the watch to guide them, they most certainly would have gotten lost. Sakura smiles and claims that this is as if Akiho herself is guiding them.
Sakura takes the watch back now that it has seemingly served its purpose and looks the trapped dragon Kaito. She says to him that she doesn’t know how to address him since she does not know his name, but that she feels the watch in her hand has a connection to him. She tries to ask him if the watch feels connected to him purely because of having the same magic power or if he is the owner of the watch. Dragon Kaito obviously doesn’t respond, but Sakura takes the moment to ask Syaoran, who has impeccable magical senses particularly for moon magic, if the magic that made the false moon is the same magic coming from the watch. Syaoran focuses in on this and advises her that they are not of the same magic and that something is different. I’m honestly really happy to see Sakura utilizing Syaoran’s skills and knowledge here. She herself is very intuitive and able to figure out things naturally, but that can’t entirely replace the level of training and experience Syaoran has, so I’m glad CLAMP has really made use of that here. Sakura deduces that the cage itself around dragon Kaito also feels different from the magic in the watch, so she comes to the correct conclusion that he is not here willingly and is locked up in here by someone else (-cough- Squid Clan -cough-).
Looking into dragon Kaito’s eyes, Sakura senses a familiarity that she recognizes it not simply because she saw him in a dream. Moreover, she recognizes that these eyes once watched over Akiho. Sakura reaches her hand out and tells him that he can’t stay here and to come with her, but before she can proceed further, the warped clocks around them appear to react, and Syaoran is quick to move and protect her with his thunder attack.
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Meanwhile, in the Tsukishiro home, everyone is waiting patiently for some sort of update. Akiho seems to be the most focused and determined of the bunch, making sure she’s ready to go in case Sakura calls for them. Everyone smiles and Yukito says that he is happy they have each other.
Back in the fake moon space, Syaoran is fending off the attacks and tells Sakura that he doesn’t think his spells will be able to break the cage around the dragon, but he will protect her while she figures out how to break through. Sakura remembers Momo’s message to her through the RECORD card that there are other cards left behind and waiting for her to call their names. As she looks down at Kaito’s watch, she thinks about her mother’s watch and remembers seeing a card that looked just like it, though she doesn’t remember making it. She calls out for TIME and smiles seeing it, as this was a card she feels she and her mother, Nadeshiko, made together (that’s a sweet way to look at it!).
Sakura calls for the card to break the ‘cage frozen in time’, and this seems to do the trick in breaking it. It makes sense that this cage was built from time considering where they are and the very type of spell that triggered this trap in the first place. So it seems logical that time would be the thing to break it. I think even Kaito himself once said that spells could be broken more easily when you used time magic.
The cage breaks and Kaito spreads his wings in freedom! Sakura and Syaoran quickly look for an exit and starts towards it, but when they look back, they notice that dragon Kaito isn’t following them.
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However, before they get much opportunity to think about why, there seems to be an attack coming from above. And OH BOY does this attack look familiar. It actually looks to be exactly the same as chapter 33 when Kaito fended off that attack from the Clan and Association! It would make complete sense to me that this was an attack from them considering how dangerous Kaito is to them. Certainly they don’t want him escaping his punishment.
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I think things are really going to ramp up action wise in the next chapter, and I do think as well that Akiho’s part is very near. I have a feeling Kaito wasn’t just staying where he was to avoid attacks from the Association and Clan but also because he doesn’t feel he deserves to. And who of all people but Akiho could convince him of his worth and to come out? I’m looking forward to seeing how this goes and what sort of repercussions will arise from dragon Kaito entering Tomoeda!
I will try to make sure I post the next analysis soon after the next chapter comes out here and won't leave y'all hanging! I can't wait for the next one!
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04tenno · 1 year
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I have to admit I’m so unsure of what message they were trying to send with Nick Ogata
Looks classically fruity but I’m still… unsure
Well, they say if it looks like a duck, swims like a duck, and quacks like a duck...
I think it goes past appearances, though. Of course, he does dress like a dandy (the same way Yokoyama first visualized Mine dressing, incidentally), and there's a certain flamboyant charm there. And he does have Those Mannerisms. You know the ones, I'm sure.
If that much seemed tenuous, the fact he frequents Earth Angel, more or less acts as Ichiban's "sugar daddy" over the course of the game, and is very excited to hear all about Ichiban's "date" with Arakawa while clearly under the impression Ichiban means it in a romantic sense (💀💀💀) leaves few doubts for most about what they were trying to get at.
But as always, I'd like to talk about queerness in the context of Japanese culture. Earth Angel no longer billed as an "okama bar," but that was part of its history, and the Champion District is also home to Drama Queen. Like I've touched on before, the "clustering" of LGBT-friendly establishments in the Champion District makes it more like a cross between Golden Gai (what it's actually based on) and Nicho (Shinjuku's hub of gay subculture), which naturally carries implications for regulars.
Another thing I've touched on before is wealth. Among the sexual minorities in Japan, gay men appear to have the highest ceiling for financial mobility. Characters like Nick and Mine, who've accrued more wealth than most other characters could even dream of, demonstrate that perfectly; the sums of money at the core of games like Yakuza and Yakuza 4 are pocket change to them. To a degree, this goes for Oda too, though in a cast of characters of characters who are also filthy rich, he doesn't stand out as much.
Those are pretty broad, of course, but there are a few things specific to Nick. For one, his theatricality and dramatics. In particular, his showmanship in the iconic finale scene stands out to me. There is a fair amount of crossover with queerness in Western culture here, so I'm sure it'll sound familiar. Let's see...
"Mainstream" visibility and acceptance of transgender identities and homosexuality in modern Japan first came to be through big spectacular televised events inviting queer entertainers to perform. And although these were joyful occasions that many were happy to see, the lack of seriousness in media in general has more or less lead to the generalization of queer people (mainly gay men and trans women) as entertainers and performers, theatrical, dramatic, camp.
To quote Queer Japanese, "Curiosity is the only driving force. Sexual minorities portrayed by media are funny and entertaining, but without real voice. The invitation of sexual minorities to the program by NHK satisfies the curiosity of viewers while also showing the viewers how open, accepting, and tolerant the media has become." This is the case for a lot of Japanese media, RGG included.
Another thing specific to Nick is that he's half-American and has clearly spent a lot of time stateside, being bilingual. Now, that might not sound related, but frequently in Japan you'll encounter the sentiment that being queer is a "foreigner thing"; many people are more willing to accept foreigners and the diaspora as being queer than the alternative. The sentiment lies at the intersection of too many ingrained assumptions to unpack here, but it's one that's reflected in characters like Nick (or even Mine, who is heavily Westernized himself.)
Analysis aside, the biggest instinctive "tell" for me was the attempt to subvert expectations with him dating women and enjoying their company (unlike Mine, for once). In attempting to subvert expectations, it's necessary to acknowledge the fact the expectations are there in the first place. So to me, Nick is a character who is crafted to set those expectations, and his character cannot be divorced from them.
And my reasoning may sound counter-intuitive, but... I'm not sure what man who's actually interested in women only dates them to refine them to their best selves and then immediately breaks up with them. It's like, he only gets in relationships knowing they'll end and he'll be the one to do it, and that's not only fine with him, but the appeal. So it kind of just circles back around to being pretty gay.
While I'm here, Nick is partly based on this guy from RGGO (whose name I never bothered to learn/remember, but I assume he has one.)
Neat.
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#long post#asks#my analysis#anonymous#yakuza 3#yakuza like a dragon#ryu ga gotoku online#nick ogata#ichiban kasuga#kasuga ichiban#yoshitaka mine#mine yoshitaka#yeah fuck it im tagging#brought to you by the guy behind the Mine Gay Essay: the Nick Gay Essay#not that i needed to really make an argument here. i mean...#i was gonna make a joke like For More Gay Essays drop random characters in my inbox but. nah. realistically i don't have that many thoughts#or THE TIME like jesus christ mine and nick barely have screentime but they've got me writing PARAGRAPHS#but yeah i don't think he's bi or anything despite what he says#as a certified bisexual i have nfi what he was talking about lol#what do you MEAN catch and release. what do you mean by that.#i haven't seen the business storyline though so i'm missing out on The Full Picture. but i'm pretty sure about this one#HONESTLY THOUGH LIKE. SLAY#HE'S SO OP FOR NO REASON WHATSOEVER AND I WAS BEYOND THRILLED TO SEE HIM DO SO MUCH SHIT THAT'S PIVOTAL TO THE PLOT#like. usually. characters like nick will just be bit characters at most. relegated to substories or side content#but there's so much of the story that literally COULD NOT have happened without nick#it was so foul for ichi to give him the impression he was going on a /date/ date with arakawa though that shit made me vacate my skin#i know you didn't know he was your /dad/ dad at the time but...... ichi............ just think once before you speak please#i don't have any opinions one way or another about how nick is handled as a character though#i mean. sure. plays off stereotypes. But Have You Considered I Love Him#i was going to say something else but i don't wanna ruffle feathers soooo yeah :) PLEASE come back in 8 king
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lesboygamzee · 7 months
Text
ACT ONE - PART ONE
in reading homestuck again im going to try my best to analyse it to my fullest potential ; while i definitely like to enjoy homestuck Casually i think that doesnt necessarily mean i need to abandon fullblown analysis . i can acknowledge Hard Canon and The Implications in the same way i can acknowledge silly stuff + how im usually going to write characters . something something you have to know the rules to break them . thisll be half rambling half ( poor ) attempts at analysis and a bit of me going Hehe joke funny also i will use the characterses canon names and pronouns for simplicity + i feel its most suited . the exception is tavros because i have tried to not she/her tavros before and it was difficult and Painful i would never do that to her ... anyway .
[…] My intent was always to make the start date a very significant number in the story, recurring frequently. Consequently, I decided to make him thirteen years old, thus making the story about four thirteen-year-old kids. There are more references to this number than can be mentioned casually, some of which are serendipitous. Playing cards, which have a good deal of relevance later, are comprised of four suits of thirteen cards each, for instance.
(page 1 author commentary)
i wont point out every case of 413 occurring but i will point out cases i find particularly interesting or fun :o) the suit of cards thing isnt something i picked up on at first but thats interesting to know ! on page two john is incorrectly named ' zoosmell pooplord ' . zoosmell being a reference to an older comic ( series of comics ? ) of hussies . i read it to see if theres anything of value i can find in there ; even in the silliest and least plot driven media you can find some sort of significance to an authors later work . maybe an idea , a character archetype , or just the plot structure . zoosmells holds no value at all and is stupid though so
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im not sure if i talk about it much but i do really like how each main characterses room is in homestuck . not only are they typically really good at getting across a characters basic interests but early on with the beta kids they really sold the whole ' webcomic pretending to be a game ( that is actually a game pretending to be a webcomic ) ' thing . the simplicity of it all , the items of interest scattered around in sometimes nonsensical places , even shit like how the walls are drawn just gives the impression of a guy who you can walk around and play as . and you can ! eventually .
Your name is JOHN. As was previously mentioned it is your BIRTHDAY. A number of CAKES are scattered about your room. You have a variety of INTERESTS. You have a passion for REALLY TERRIBLE MOVIES. You like to program computers but you are NOT VERY GOOD AT IT. You have a fondness for PARANORMAL LORE, and are an aspiring AMATEUR MAGICIAN. You also like to play GAMES sometimes. What will you do?
(page 4) time for analysing interests . while characterses interests definitely dont mean NOTHING in the greater scheme of things theyre probably not as important as most other shit . i find them fun to look into , though :o3
really terrible movies - i need to actually watch these , and i plan to ! im not much of a movie guy unfortunately . i dont think theyll be the end all be all of john analysis but i doubt theyll hold NO value . apparently theyre quite shit but i willing watch the big bang theory so i think ill be fine programming computers - john is the ' player character ' in a story that is currently quite programming-joke-heavy . the fact that hes kind of dogshit at it adds to this . guy doesnt know what hes doing yet and neither do you ! simple enough . paranormal lore - johns interest in ghosts is relatively significant but id consider it more ' iconic ' . the guy likes ghostbusters , his tshirt is a knockoff slimer , etc. i think all of the kids have one of these . it doesnt matter much in the greater scheme of things but i think its cool to see what interest a character is sort of built off of even if it gets overshadowed by other shit quickly ameteur magician - im a little lost on this one honestly . it can kind of go hand in hand with pranks i guess ? maybe theres something worth looking into with regards to characters and their relationship with magic . john seems to specifically focus on magic tricks which is opposed to roses interest in Real Fucking Magic . probably not though thats stupid
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on page six is a rare appearence of the cursor . its a remnant from the homestuck beta where every panel was going to be a flash panel . it was ditched for good reason
its also one of the most blatant parts of the video game feel of early homestuck . thats a reader input interacting with a fictional world ! thats all there really is to say on it though i just thought it was neat
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biggest plot twist in fucking history
You stow the SMOKE PELLETS on one of your CAPTCHALOGUE CARDS in your SYLLADEX.
(page 9)
i love sylladexes . johns is obviously based off a stack data structure . john rose and dave all have data structure inspsired moduses which i appreciate but i kind of like the silly ones that come into play later on too !!! like all of jades . unfortunate that they get dropped almost entirely eventually :o(
i should give characters that dont get one them . theyre pretty awesome i think
John: Examine Problem Sleuth Poster.
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PROBLEM SLEUTH MENTION !!!!!!!!!!!
John: Read note on drawer. This note is rich with the aromas of FATHERLY AFTERSHAVES AND COLOGNES.
(page 12)
i made a seperate post awhile back on how dadbert is a sort of symbol of masculinity of fatherhood of manhood etc etc and more specifically how this interacts with reading jeggbert as transfem or otherwise Not A Dude . i still think that holds some decent value
In any case, you now feel like you have gathered enough things to get down to business and do some really important stuff. The next thing you do will probably be exceptionally meaningful. John: Squawk like an imbecile and shit on your desk.
(page 15)
snrk . anyway , since it reminded me : regarding analysis that strongly take timelines into consideration when i look at a lot of homestuck character analysis i see a lot of people try and make a point of ' oh the homestuck characters dont actually HAVE these specific character traits because in ANOTHER TIMELINE they did so and so ' and while i get that , timelines are interesting as a concept and its fun to think about , it doesnt exactly have a place in character analysis . homestuck is ultimately a story and the characters are less like people and moreso tools to tell that story . this is simple shit i am well aware i am not acting like what i am saying is revolutionary but it does lead to people losing the plot a little ( literally lol ) but like .. character a doing something instead of character b or character c sparing character d or whatever blah blah blah . did these all happen ? yeah sure probably . hell you can explore that in an au and ill probably go ' woah , cool ! ' because again its fun to think about . but it doesnt matter .. homestuck tells a story and while it focuses on multiple timelines . just because john took a shit on his desk in one timeline doesnt mean i need to be factoring in ' probably took a shit on his desk at least once ' to how i write him as a character . he would not fucking do that because he does not do that in homestuck . go and write your shit-on-desk-taker!john au but it has no place in canon analysis and you dont really need to think about it all that much
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typheus is a wind god etc etc basic observation . i would really like to read more on the denizens and what gods theyre inspired by but the sources i find are really long and hard to parse .. ill have to look at other peopleses analysis if i want to understand anything i will be honest
on page 25 is the first pesterlog to appear in homestuck , between john and some loser nobody cares about . in a post i unfortunately dont have the link to , said loser is compared to a sort of tutorial character for early homestuck , similarly to johns status as the player character . obviously as homestuck goes on more characters become ' playable ' , as in you see the story through their perspective . but its a pretty neat observation for the early comic !
TG: but who cares about this lets stop talking about it TG: did you get the beta yet EB: no. EB: did you? TG: man i got two copies already [...] TG: why dont you go check your mail maybe its there now EB: alright.
(page 26)
^ classic tutorial conversation . go do your objective !!! your first quest !!!!
[...] The red flippy-lever thing means you have new mail. And that means the beta might be here!
(page 28)
FACT CHECK : this is false === SHITTY ASCII 'BANNER' THAT OF WE ARE DONE HERE ===
anyway it is day two of me working on twenty eight fucking pages and it just hit midnight which means i am going to play miitopia . this is likely going to be one of the shorter posts but i hope i get less rambly as i go on so i can read more than an average of fourteen pages a day jesus fucking christ . Anyway
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obsolete-stars-if · 5 months
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That's amazing, good luck on your Bible journey
i think my bible journey and my general spiritual journey is so fucking funny. you look at me and im like a guy, wearing pink dresses and cat ears regularly outside. and i end up being targeted by christian ppl who tell me to find god/read the bible, and i whip out my 3 bibles, multiple 10-15 page documents about bible analysis, theology studies and majoring in religious pedagogy, and they r terrified, bcs not only am i on their side, but way more into it than they ever will be. And they realize im the future pastor of their kids.
but in general tho, bible reading can be so much fun. the different translations and their intents behind their wordings, realizing the many authors and translators attempts at keeping myths, stories, laws and (back then) current events, that shaped history as a whole, into a single coherent book, the differences between the original writing and the more sophisticated translations, the historical and cultural meanings behind certain phrases and actions, wanting to answer every possible question in a single book. if you don't look at the bible in a religious way like I do (im not actively christian, but baptized, confirmed and active in the community, so denying Christianity as a whole for myself, even tho I don't vibe with it, just feels wrong bcs of the endless influences it had on me) but rather at what it actually is, a collection of myths, laws, stories and attempts at explaining the world, it's way easier to understand, get into and digest.
its a historical book, and its sad that the loudest fans of it, have the media literacy of a 6yo watching coco melon all day. Its so disheartening to see the community and church condemn ppl to hell, on the basis of nothing in the bible, just for a power trip.
i could talk about the bible for hours and days without a break, but the people who i want to reach wouldn't listen bcs of their previous treatment in the church, and i cant blame them. bcs fuck, i cant separate the church from the bible, as much as i want to. the same ppl who use the bible as a reason to hurt others, wont ever accept that there are many different interpretations of it, and each of them are valid and important, the bible doesnt exclude, and in fact celebrates non believers if they return and found their truth, regardless of if it includes god or not.
the bible has many stories that can help people through pain and hardship by giving them answers and an ear that listens to their pain. besides revelations. i fucking hate it i will personally dig everyone out who decided to put that in and i stab them and throw in a river before burning them and i'd offer their rotten ass hearts to ammit if she wouldnt get food poisoning from it and i hope they burn in fucking hell and get their asses spanked nonconsensually with flaming whips drenched in acid while maggots and rats eat through their stomachs and crows pick at their eyes -- I have very strong opinions about revelations.
But I think ending on my intense hate of revelations is a good stop to my bible ramblings for now.
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galacticplayer · 1 year
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THE FUNNY OTHERSIDE PICNIC REVIEW/MINI-ANALYSIS
ok since no one follows me on here im gonna write my thoughts for Otherside Picnic so. spoilers yk. (this isn't meant to be serious or in-depth just my personal thoughts and experiences!)
TL;DR 9.5/10 One of the best things I’ve ever read. It has its issues but they're so small that it doesn't detract from the story. When the main issue is “It’s so specific in what it wants to do you’ll either really love it or not like it at all” you know it’ll be good. Please at least try it!!
I went into Otherside Picnic thinking “oh this is gonna be Roadside Picnic but with yuri” and to an extent that is what i got. but I think Otherside Picnic is. so much more than that. It's a deconstruction and rebuilding of a lot of themes and ideas Roadside Picnic suggested into one whole and uses being a yuri and its notable influence from Slavic literature as a backing to the main ideas of liberation, freedom, grief, and what it means to love despite our insignificance. which, reading that yeah no shit that’s how media works, but the specific way Otherside Picnic does it is so intense and so specific that I can't really tell you another series like it. I can state its inspirations and works in the genres it's in but I can't give you anything that is “like” Otherside Picnic because I don't believe that exists.
Otherside Picnic and Iori Miyazawa’s use of psychological and cosmic horror and sci-fi to portray the raw emotions love can induce on a person, especially someone who is very much traumatized and not used to the feeling of being loved or loving works so well you’d think all psychological horror is yuri (which... you could make that argument but I won't be getting into that.) I believe the main point Otherside Picnic is trying to make is that queer love is scary. The Otherside is supposed to be an escape for Sorawo, a place where she can run away and hide, but it ends up becoming the reason she opens up and finds her place in the world. Despite its use of cosmic horror, Otherside Picnic’s narrative feels exceedingly personal, and this is for its narrative as a whole, not just the interpersonal relationship between Sorawo and Toriko. It feels like it’s saying “No matter how big you think your problems are in the grand scheme of things they don’t matter and neither do you.” and even though that seems scary and depressing it uses that to portray so many positive emotions. The characters don't matter, the plot doesn't matter but despite that it keeps going. Love is the driving factor of the plot, not just queer love but the concept of love in general. Most of the characters in some way love each other, or they simply want to be loved. In my opinion nobody exemplifies this better than Toriko.
Toriko is an extremely interesting character. She’s seemingly an open and quite silly girl who's in over her head with trouble she can’t quite grasp and while yes, as a baseline that is true you very quickly realize that there's much more to her than just that.Toriko is a timid girl who is scared who just wants to love and have her love acknowledged but is so scared to commit to her love that she can end up seeming pushy and overbearing. She ends up not committing to her feelings for Satsuki which leads her to be the way she is with Sorawo. She just really doesn't want to lose her and at first ends up not really displaying much care for Sorawo’s feelings even though she very quickly starts to love her. She wants to do the things she couldn’t with Satsuki through Sorawo because throughout most of the story Toriko is grieving. She couldn’t handle the thought of Satsuki being dead and once she finally accepts that she is, she's able to start being able to genuinely love Sorawo. All she wanted was love and it took her a while to realize.
Other aspects of the story are less about love and more about how love affects us.It takes elements from Roadside Picnic, mainly, the insignificance of man and says “Yeah, you’re right about that, but I don’t care.” With this it builds up a narrative separate from Roadside Picnic that is about queer women finding a place where they are free from society’s and the universe’s indifference and cruelty. It’s a story about finding your place in the universe and loving who you are and the people around you, no matter how cruel life is. Otherside Picnic says that all it takes to be free is committing to yourself and who you love and not caring what the universe thinks.
In conclusion Otherside Picnic is a deconstruction and rebuilding on a lot of the things Roadside Picnic was about. It's about finding your place in a universe and society that is indifferent or outright hates you and learning how to love. Although love is a scary thing, especially as a queer person. Committing yourself to someone in whatever way, whether that is romantic or otherwise can feel like a task of cosmic proportion. Being free to do such a thing can feel just as hard as confronting an entity from another world. All Otherside Picnic suggests is to try fighting, for the people you love and for yourself because finding yourself and being free is all that matters. As it stands currently I believe Otherside Picnic is one of my favorite pieces of media ever created. It stands beside Revue Starlight and Undertale for me which are two pieces of media that legitimately changed my life. I can’t give it anything but my highest praise.
If you read all of this and haven’t read it yet. Please do yourself a favor and READ OTHERSIDE PICNIC!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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voiceofsword · 1 year
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sry to bitch in your inbox abt this but im so glad you pointed out how so many modern enstarries Dont read the stories and base everything off fandom perception.. i saw these users joking about which character would say slurs and someone was ADAMANT rinne would and tho i knew it before it Really struck me then
a) none of them have ever engaged with this text in any meaningful way, ESPECIALLY not the first games' stories, because surprise! characters in es! did Canonically use slurs! and back then Nobody Liked It. we didnt joke about it. most people i know completely stopped paying attention to the characters who did until they apologized. (tho ofc its more a problem w the writing than the characters, but still. we were young. we had the spirit.)
b) people really like using rinne as a punching bag because they dont read the stories and know literally nothing about him except funny drunk drugs gamble man "fuckboy" who harasses niki and the other bees and its. infuriating.
i dont understand how anyone can claim to like a media without ever properly engaging with it, i dont understand how people have fun misunderstanding characters so drastically, and i also think joking about slurs has gotten wayyy too normalized where people feel comfortable saying these things about these characters they allegedly like. and characters like rinne (with a constructed mask of obnoxiousness and such) are the perfect target for these people. which SUCKS. all of it sucks.
NEVER BE SORRY!!!! i hope this is alright to post i thought your ask was good and insightful and i'll add onto it a little bit with my own thoughts (heart emoji)
yeah um ! was definitely a ride. i wouldnt recommend it to everyone but at least we have hindsight and things like slurs and general offensive terms/behaviors can be warned for, so that much is nice. i remember being really upset about a few of these, and then getting back into enstars earlier this year and reading a few of the more current stories + !! stories i was happy to see that the writing has developed CONSIDERABLY in terms of this especially after beasts. something ive noticed a lot of newer fans do (referencing my previous post irt the feeling morally superior) is that if you like a specific character for whatever reason youre actually a horrible person because that character said something awful once. of course youre allowed to dislike characters for whatever reason but dont tell other people they should perish because they like them (as if liking them means you implicitly agree with said views, more often than not One line in a miriad of stories that you might not even have read). but like you said, characters making ignorant comments (an unfortunate occurrence, although rare, it still happens) is not a reflection of 2d pixels on a screen but rather a team of writers..... idk. its a complicated situation. i see both sides and i think people are justified in liking or disliking but this is a game about idol boys (and girl) got dam
yeah i hate how people treat rinne a lot. like because characters like him and eichi are villains that means everything that they do or say is, at worst, a straight, physical threat to everyone around them, or at best, an annoyance that can make the fandom feel justified in making them the butt of reoccurring jokes. idk what else to say about him that i havent said already but its also 3 am now and i SAID i was gonna go to sleep an hour ago but i think i might just be a filthy liar
ALSO its probably because enstars is long, there's a lot to read and although tl's arent necessarily hard to come by you actively have to seek them out. again i understand how this might be a nuisance but instead of sitting down and listening to summaries or analysis ive noticed that a lot of short form consumption content lends itself to people just. posting the most reactive interpretations, and people playing a game of telephone with said information until a lot of the fandom has come to accept this misinformation as true. LIKE SOMEONE ON TIKTOK SAYING HAJIME AND WATARU WERE RELATED? IDEK IF THAT WAS A JOKE OR NOT? and yeah the use of slurs is like ridiculously normalized now im not one to say whether people can or cannot reclaim slurs and people are free to do as they like if they can. i see this one thing specifically with tatsumi a lot where people jokingly bring up how said character is homophobic or make homophobic comments towards characters even if theyre being like. excited or happy. and idk. personally it makes me sad. like maybe its fandom culture now maybe im old (is 23)
WHY WOULD RINNE SAY SLURS HES LITERALLY GAY AND IN LOVE....COME AWN NOW
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egg-emperor · 1 year
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I hate to ask this, but do other eggman enjoyers... Want him not to be evil? I mean this in the most respectful way, but eggman doesn't have a whole lot going on canonically besides being evil. If someone doesn't like that part what part are they into?
I regret to inform you that it's been a very shockingly controversial aspect of his character in recent years, despite him being the main villain of the series and it confuses and frustrates me to no end lol. I think part of it is because of small things outside of the game canon media, where he has vastly different portrayals and isn't anywhere near as evil. Which is all fine and good for them to like of course but then they dislike and can't accept that the original Eggman in the games has always been pure evil without any genuine good morals and traits, and no chance of redemption. And they'll get mad and judge one's character over those who actually like it.
And as a result of them liking those lesser evil versions of him more, they will attempt to ignore or highly misinterpret Eggman's scenes in the actual games, because he's one of the most unpopular versions for actually being a lot more evil and doing so is the only way they can like him there at all. And if someone actually likes that he's evil and chooses to acknowledge and embrace those things and correct the misinformation instead, they will tell them to stop ruining their fun and accuse them of being a bad person for caring. I've unfortunately been a target of this for appreciating his evil and making passionate analysis and writings based on that.
Eggman has become the subject of a lot of tropes based around giving him redeeming qualities that he doesn't have that doesn't make sense for the character he was established to be and has remained consistently so. The most popular fanon Eggman interpretation is vastly different from the game canon and liking him as he appears in the games and expressing that openly gets you alienated. It's at the point where I'm being kicked out of the fandom by newer fans that have only liked him for as long as the nicer versions and fanon of the character has existed and some older fans that latched onto them while ignoring and misinterpreting game canon.
And yeah you're absolutely right and that's especially wild about it, he doesn't have anything going on canonically in the games that doesn't involve his evil in any way at all. Even if people like his charming funny and casual moments, his evil is still a part of everything he does, it defines him, his personality, his actions, his beliefs, even his humor. He was even given the first name "Ivo" because its pronunciation is supposed to sound like "evil"! So his name is literally "evil" and 99% of what he does on screen in the games is evil - yet that's controversial, disliked by Eggman fans, and it gets fans that actually enjoy it shamed. It's so ironic.
I can't imagine that fans of him enjoy actually consuming the game media much when they don't actually like anything he's doing. And I don't know what they actually want him to do, if not be evil because they want him to become a better person despite everything he does coming from the fact he's evil, his entire character is built around it as the villain. In all the games where he doesn't have an active villainous role, he's just sat there doing nothing. If he somehow stopped being the villain after 30 years then he'd barely be used as a character anymore. I don't think that's worth occasional scenes of nice pure wholesome Eggman for people to coo at.
All of the things that make Eggman so charming, entertaining, and lovable all stem from his evil and it's involved and evident in every aspect of his characteristics and actions. He's a very evil and selfish character that will gladly do terrible things to accomplish his just as evil goals in conquering the world, he's motivated solely by that and even finds sadistic enjoyment in it. The way most the games' adventures even begin is by Eggman kicking it off with another evil scheme. It's a very important part of his character at the very core and it's important to the overall plot in most games, nothing would be the same without it, there'd be no conflict and nothing interesting left.
It saddens me that it's something that's so disliked or ignored by fandom but you know people can be when it comes to villains, they don't like it when they're genuinely evil and don't have good redeeming traits so they can have something to be interested in and feel justified in liking them because they don't like his evil and think it's wrong to enjoy it like I do. But I love seeing Eggman being his best true self as a super evil and dangerous threat and all the thrilling badass scenes that come out of it when he's in action and being a real diabolical bastard, which is 99% of the time he's on screen, and I'll always give it the love and appreciation it deserves! 🥰💜💕
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I'm seeing a lot of online creators I follow falling into increasingly toxic styles of Online Brainrot "Discourse" and its making me really sad. They're getting that flat-behind-the-eyes, closed-mouth-wide-smile look where you can SEE the empathy, kindness and connection to reality dying.
I want to comment and tell them I'm worried abt them but ik it comes off as condescending. at least one of them is a lot younger than me (19yo) and as someone who went through a version of this at that age, it breaks my heart. I know I may just have to unfollow and let them hit rock bottom on this themselves, but.... Christ! Fuck!!!!
and the worst part is that they all seem totally convinced that they've ESCAPED The Brainrot, that they're COMBATTING it, that they've found the "truth" behind the Brainrot and are the ones (sometimes ~The Only Ones~) who are brave enough to tell the world. its not conspiracy crap, just really REALLY bad takes like
"fandom is inherently anti-intellectual, discourages analysis and understanding of texts and needs to be slowed/stopped/actively fought against BECAUSE FANDOM IS DANGEROUS!!!1!!!1!!!1"
or
"being the CEO of a children's clothing brand automatically puts you at suspicion of being a P3d0 because why else would you look at little children's bodies so much" (this one baffles me fr, like??? where do you think all children's clothes come from if not from people designing and making them?)
like just bad, stupid takes that border on paranoia but also you can kinda see how they escalated from other less drastic Terminally Online mindsets
but these ppl used to be saying stuff that was smart, or at least funny and interesting, and in a lot of cases these opinions/styles of content are 180-degree shifts over a week or even a day
like honey. i mean this with all the care and genuine respect I can give. you're not serving hot takes, you're wrong- but more importantly your behavior is really concerning. you're starting fights in your comments and then putting them on blast in main posts/reels. "the haters" have become a stock character for you. you're doing 180 turns on things that used to be core beliefs. please get offline, like FULLY offline, and re-discover the world for a while- and maybe really do seek help. not in the funny online-insult "seek help". I Am Really Worried About You.
god. fuck. so many of these content creators are like 19 years old, and honestly I wish I could magically be in a role/place/physical location to help them because I'M WORRIED. worried like checking-their-feed-now-scares-me-because-im-worried-they-will-have-harmed-themselves. not because they've made any threats but bc their regular content has shifted so drastically and quickly to be angry, cynical and that kind of smiling-with-nothing-behind-the-eyes self-centered Righteous Hate that is indicative of
well
of something going deeply wrong inside
fuck im sry this is just rly upsetting me rn
(ALSO TO BE CLEAR. THIS IS NOT A VAGUEPOST TO ANYONE ON TUMBLR. THIS IS HAPPENING PRIMARILY OR ENTIRELY ON OTHER PLATFORMS. TUMBLR IS THANKFULLY, FOR THE MOST PART, FAR PAST THIS. TUMBLR IS FOR ALL ITS FAULTS A WELL REGULATED ECOSYSTEM THAT KEEPS THIS KIND OF BS LIMITED TO CERTAIN SMALL ECHO CHAMBERS. ITS WHY IM ON HERE AS MY PRIMARY SOCIAL MEDIA.)
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i’ve been watching a lot of patricia taxxon video essays and it’s been striking me just how much of analysis is like, completely out of line with the aesthetic experience of the actual piece.
it’s like when someone talks about breaking bad and goes “it’s crazy, the first season is basically comedy!” when it’s like. the entire show is a comedy. it has jokes, like a lot of them, and they’re funny, and clearly meant to be funny. even when shit hits the fan over and over it still is funny. arguably the jokes only stop in the latter half of season 5, i.e. it maintains huge elements of comedy up until the very end of its plot. and it’s not just background gags, either, a ton of plot important events and character work is framed through comedy. it is, very firmly, a tragicomedy. it’s kind of crazy how people overlook that.
and like, this happens with a ton of media! i’ve been getting back into bsd recently and people will provide so many analysis pieces about the characters and the themes etc etc, and yet everyone, in their analysis, fails to talk about the aesthetic experience of bsd. they talk about the plot points, the information provided etc, but they rarely talk about how that information is delivered. because, actually, bsd is camp as shit.
like, for example, people will write pages upon pages about dazai and his tragedy etc etc, but if you only read those you wouldn’t realize that he’s actually a very funny guy. he’s basically the closest bsd has to a comic relief! he provides comedy in most scenes he’s in, and often while other characters are only funny to the audience, like the characters are unaware that a comedic moment is taking place, dazai jokes and is amused in universe! comedy is very, very prevalent in his character.
and you could say “oh it’s just a facade” (a take i wholeheartedly disagree with), but 1. it is still something he does pretty much all the time, half his screen time is dedicated to a level of comedy, so how can you not talk about something that he does constantly in your character analysis and 2. he says multiple times he does it for his own amusement! he says he finds fun in making people think he’s weird, and dismissing that as a “facade” seems highly strange considering how big of a thing this is for his character. even in his more serious scenes, he’s consistently cracking jokes, often in contrast to the sometimes playing along but still serious tone of other characters.
and maybe you could argue people do mention this, by mentioning his detachment or his closed off nature or blah blah blah, but you can’t really address that aspect without mentioning the fact that it’s funny. it is. it just is, so in all those essays upon essays about his depression or whatever they fundamentally fail to mention the framing of the entire thing. bsd, like most media, is not a bullet point list of events, of plot points or disconnected lines. it is not an array of facts or summaries. it is all conveyed through certain lenses at certain parts of the story, and those lenses are the meaning. the medium is the message. it would be missing the forest for the trees to talk about dazai’s, say, attempts on himself without mentioning that most of the time he makes those attempts into a joke. they are comedic within their framing. that doesn’t mean they’re not serious or should be downplayed, mind you, it just means that we cannot just ask “what do these events within the story mean”, we have to consider “what do these events within the story mean by being presented this way”.
this happens a lot with comedy, too, i’ve noticed. people think the sad parts are the “real story” while the comedic scenes are “just meaningless entertainment”. something cannot be both funny and meaningful in some people’s eyes, and i think that’s just a great disservice to art in general! comedy, and things framed through a comedic lens, can be and are meaningful! the comedy doesn’t obfuscate the meaning. the comedy adds to the meaning.
anyway watch “art, furries and god” as well as “the autistic horror of don’t hug me i’m scared” by patricia taxxon
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