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#Marie Manning
bizarrepotpourri · 3 months
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I received a link to the article above in my inbox and of course they had to remind me of a work-in-progress story that I can't finish. Mostly because as unashamedly horny as I am, I find writing sex scenes awkward.
From the nerdy point of view, the article - a bit rambling and stream-of-consciousness, as befitting "rough draft notes" - gives some really good points that fit with my #Special Officer 432 stories, like:
the British relationship with the noose is intertwined with concepts of celebrity which remain relevant to this day. That is to say, the gallows is both a stage and a celebrity drama.
This is, pretty much, the vision of a society I had in mind while creating the fictional Kingdom. I focused on it the most in "The Murderous Brat", where I wrote down four different tabloid headlines including absolutely spoilerrific "YES SHE DID" and went with a full battery of jabs (and a booster) against lowbrow sensationalist "reporting" by the tabloid press. Because the more I researched, the more I noticed the pattern.
There must also be a charismatic quality in the criminal, or alleged criminal, if not in themselves, then in how they are portrayed and what they come to represent. Take for example how Beatrice Pace, who was tried in 1928 for the murder by poisoning of her husband, attracted huge crowds of sympathetic women to her trial. While acquitted, it is clear this ‘fandom’, for want of a better word, and her image as tragic widow cum black widow would have followed her to the gallows.
When it comes to the stories outside of the Officer series, my intention is to make the characters distinctive in some way. Sometimes, they're inspirational in a bad way, for leading a band of brigands or pirates, sometimes they're supportive in some dirty way, like offing their perverted step-brother to save their sister or providing certain solutions like Aqua Tofana to other women. Even the narrator in "View from the Window" hints that she's ideologically motivated, part Greta Overbeck and even larger part Charlotte Corday. I want the readers to know that when they go, they go for a reason and are resigned but somewhat proud of their fate.
Celebrity must be built up, and raised to a crescendo. But then the celebrity must be brought low and destroyed, through their hubris, restoring order or the illusion of it. This degradation is a public spectacle, or at least comes with it an audience of some sort or another.
Well... This explains why the condemned in my stories are executed naked or mostly naked - aside from the expectations of the genre, it also fulfills this need for degradation in a straightforward and aesthetic way. You have a seductive woman on the scaffold, exposed at least partially, and in a moment you will witness her meet her grisly end.
This audience for celebrity must also be urban in nature, and atomised on a personal level, a product of industrialisation and post-Enlightenment society.
And this is where Mr Hay is wrong. Very, very wrong as history proved multiple times already. The fascination with criminals and their executions dates back a long, long time and both ballads and horror stories from the Medieval era prove that making someone famous or infamous doesn't need the trappings of modern society to happen. For example, we have the story of Klaus Störtebeker, as famous for his life as he is for his death. The popularization of print merely helped save some of the stories for posterity.
The rest of the article goes into a lot of interesting details about the case of Marie Manning and her husband, both executed in 1849 for the murder of Marie's lover. While I knew the basics of the case and got the idea for a story from it, it turns out from Mr Hay's notes that there's more to it when it comes to Marie's role in planning the whole thing than Wikipedia cared to publish, and the quotes from contemporary press he brings up indeed prove the sensationalistic tabloid approach to such cases. It also, unfortunately, throws the entire concept I had out of the window, even more than my dubious ability to write sex scenes. Oh well.
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woosh-floosh-art · 23 days
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What post Side Order does to you
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spiderverseconceptart · 6 months
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Concept art and color keys for Spider-Man: Across the Spider-Verse by Mike McCain ( 1, 2.)
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locallibrarylover · 8 months
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*by live theatre i mean plays, musicals, operas, ballets, concert versions of musicals, staged readings, & things of that nature. EDIT: YES this includes amateur, local, kids, high school, & community theatre. almost every show i've seen has been local
if you want, list the names of the shows you've seen in the tags!
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iwasbored777 · 11 months
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I will never forgive them for doing this to me
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mayasgolem · 22 days
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hi
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yeti-zeus · 3 months
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wow I can't believe they made cole sprouse transgender and gave him bottom surgery via murder and a tanning bed, glad to have my opinions agreed with on this one (that frankenstein's creation has always been trans)
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mirrorlabyrinth · 8 months
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squid sisters ft. ian bgm
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sodasquidsart · 28 days
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splatoon character eyes for fun/practice
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siliconcat · 2 years
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guide to idols
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spaceistheplaceart · 2 months
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Listen, Side Order is fun and great.
But...
what if... it was a little different? 👀
SIDE ORDER REWRITE THOUGHTS DOWN BELOW:
(please reblog!)
OKAY SO the main issue I have with side order is a lack of incentive for Agent 8 and the player to complete the spire with all the palettes. YES. LORE. and I like that a lot BUT fighting Smollusk everytime? Snore. Let's spice it up. We free the owner of the palette by fighting the grayscaled version of them. Each final boss is different, so we as the player have an incentive to see new boss and Agent 8 has to save their souls!!!
So in pic one, Deep Cut (at least Shiver and Frye) still haven't been freed, so they're spaced out. They still give the news, but their dialogue is different and more tired/boring. It'll be like this until the player frees their palettes. (or until they complete the first run? that'd be more forgiving for casual players)
Speaking of, apparently a lot of people got pulled in, right? Let's show them in the order plaza!!! Wouldn't it be creepy to just have grayscaled people wandering around- and the text boxes that usually contain players messages and art is just... blank? (or all replaced with the same message like "Order Will Prevail")
Some other notes:
On your first run, Marina is the final boss. You gotta rescue her!!! First phase it's Marina Agitando, then the second and third phases are Overlorder
Pearl stays a Drone until you complete her palette
As you complete palettes, less and less grayscaled people will be in the square. It makes it more empty, but that's only because you're saving people. But in contrast the lobby becomes more full of instruments and light (like in the actual game)
lmk what you think :)
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k-kroomie · 10 months
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When Miles gets mad, he speaks Spanish. And I'm talking bout that, "Rio is mad about to beat somebody ass" type of Spanish. That's how any spider-person knows they've pissed him off.
And it scares a good amount of them too because he's acting like somebody Mama snapping his fingers when they aren't paying attention to what he is saying, pacing back and fourth, shaking his head, mumbling stuff ect.
But you know Miles, he is switching back and forth from Spanish and English. Which makes them like 10times more scary. Because to them it's like "I understand you man and I'm sorry," then it's "I lost you- what did you say!? What am I supposed to do!? Oh my gosh!!" And he ends ever angry rant with either, "Don't do that shit again" or "do you understand me" (like I said - like somebody's mama)
And Hobie? Hobie is the biggest instigator, so if he so happens to hear, walk by, be in the room whatever- he will back up Miles all the way. Because he thinks Miles looks cute when he gets mad. Yea, he's scarying the crap out of whoever he's screaming at, but to Hobie, it's cute. The way his face is scrunched up and the way he's probably cussing the person out. Hobie doesn't understand him but he backs him up all the way even if Miles is wrong.
Bonus:
Miguel agrees with everything Miles is saying when he's mad because he found out that Miles got a B in Spanish, so he is shocked when Miles comes into his office one day going on a full rant (in Spanish) about some of the spider-people who where being openingly racist. Miguel is so shocked that he doesn't say anything, making Miles walk out of the room to sit them straight himself.
And ever since then, Miguel just agrees every time he hears Miles say, "Right, Tio!?" And he records and sends it to Rio.(I believe that Miguel, MJ and Rio have become Mom Friends you can't change my mind-)
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Honestly so hot of Rogue to bridal carry Gambit
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haro4869 · 10 months
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a normal museum visit
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distantsonata · 29 days
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X-Men 97 S01:E05
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pocoyitos · 6 months
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THIS HAPPENED. ITS REAL.
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