Do you ever get a comment on your fanwork that you just want to roll around in like a sun-drenched field because it makes you so happy to know your stuff makes people happy?

Much love to those amazing people who leave comments on fic/art. It means a lot.

(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉

Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!

Lineart by @ovytia-art which was such a blast to color - I love the entire vibe of all of them hanging out together so much @green-with-envy-phandom-event

from us it begins

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i have this headcanon that percy and annabeth are raging accidental flirts. but not with each other. like. they'll go to the coffee shop on fifteenth street. and compliment the barista on his hair and clothes and tip really well. but only for him. and they have no idea this boy is absolutely swooning over them. or. each time they to go the bakery downtown. they take the time to converse with the waitress at the counter as they eat her homemade muffins. and are incredibly vocal about how she's their favorite server. and how much they enjoy seeing her. and suddenly they're the only two customers that can get her services for free. except, they just think she's like that with everyone.

Just a silly guy, with silly silly thoughts.

@glowweek Day 2

Casual | Surprise

A casual surprise?😬😬😬

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

I love how everyone, including David Jenkins, keeps describing S02E05 as Ed and Stede just kind of having a "normal day". However, in OFMD-land a Normal Day means raiding a possibly-cursed ship where everyone has been killed in deeply creepy ways, stealing a possibly-cursed suit, trying to keep the suit out of the hands of your crew that wants to destroy it, and finally raiding another ship just to foist the suit off on them.

really gotta admire fall out boys relationship with music piracy theyre straight up like yeah we wouldnt have gotten anywhere if kids hadnt downloaded our music illegally in college dorms and shit. pete wentz would upload little demos and snippets to his blog and then take them down after mere minutes so you literally couldnt purchase them if you wanted to hear them, you had to rip them off his blogs. patrick stump had to illegally download infinity on high just to listen to it for the first time. american beauty/american psycho got leaked early but the leak was in such shitty quality that pete just went fuck it and leaked the album in high quality himself because if the kids are going to listen to a leaked album its going to be in HIGH QUALITY god damn you

i just dont really understand why theyd target les mis? and like. its interrupting the work of actors and crew and house staff who dont have anything to do with fossil fuel corps. people who just paid to see the show who dont have anything to do with it.

i understand les mis is a show about rebellion and humanity but to me it doesnt make any sense.

( i say this as someone whos probably very unaware and very slow to realize the deeper meaning of things so i apologize if it comes off snobby i am just confused !! /genuine )

I'm very sorry if this comes off as rude but like.... "I don't understand why people would use Les Mis as the symbolic centerpiece of an act of protest/rebellion against the government" is just a very strange thing to say, and I'm genuinely not quite sure how to begin to respond XD. Like....it's literally Les Mis. It is Do You Hear the People Sing. The original novel was written to be a political rallying cry, it was written to bind together activists, and it has been used that way thousands of times since its publication in 1862. It's Les Mis, I don't know what else to tell you XD. Also I know this next comparison isn't perfect, but:

“I don’t understand why Les Amis interrupted Lamarque’s funeral.  Obviously I agree with Les Amis’s goals, but was this really the right way to protest? Obviously the government is doing something bad— but was this symbolic event really the right place to talk about it? Why even choose to interrupt this event, and the lives of the workers leading it and everyday people attending it? It wasn’t responsible for what was happening! 

Okay, yeah, I get the funeral is ‘symbolically significant.’  I get that Lamarque has become, in popular culture, a symbol of rebellion and resistance against a government’s unfair policies.  I get Lamarque’s funeral is a pretty big public event that has a lot of symbolic significance ties to ideas of rebellion against the state.

I get that Lamarque’s words are often seen as a rebellious call to action, so illegally interrupting his funeral could be a statement about resisting tyranny. It could be a call to action playing off the popularity and symbolic role that Lamarque has in the public consciousness.

 But at the same time— shouldn’t Les Amis have just gone to the palace and attacked the king directly? Why disrupt this symbolic event instead? They’re not really going after the people responsible! 

After all, there were so many people there who just wanted a normal day. They weren’t responsible for what the government was doing and had nothing to do with it.  They wanted to see the procession, to hear Lafayette’s speech and grieve a political figure they cared for. They wanted to hear people praise ‘resistance’ in the abstract, without actually doing it.

 Weren’t Les Amis disrupting that?  

Aren’t Les Amis bad activists? Isn’t disrupting people’s everyday lives for the sake of 'activism' always inherently a bad thing? I’m not against activism, but isn’t doing that kind of disruptive activism rude? Isn’t disrupting the lives of ordinary people just doing their jobs or going out for a special event evil— no matter why you’re doing it, or what your goals are, or whether the government actually is doing something vile that we should start to stage great events rallying against?

Even if this Lamarque's funeral has special significance because of its symbolic pop cultural ties to rebellion against tyranny—shouldn’t they have just avoided rudely interrupting some regular people’s everyday lives? 

Protests shouldn’t disrupt things. they should be big parades that don’t make anyone uncomfortable, don’t interrupt anything, and don’t disrupt any aspects of ‘normal people’s daily life.’ No one should ever target symbolic events— like a funeral for a political figure or a musical about revolution—  to make a political statement. Protests should be little quiet festivals that cause absolutely no interruption in everyday life so that we can all just safely ignore them, until the climate catastrophe they’re warning us about arrives.”  

to be, or not to be (romanticization of the inevitable)

How was to be in a gay relationship (klaine) on screen?

“It was fucking awesome man. I mean the main thing here, like not because I’m trying to be blasé about the obvious thing in this question because we are saying that this is a gay relationship, nowadays, we just call it a relationship on tv, but to contextualize it, a gay relationship on mainstream Fox Network, that’s a pretty cool thing to be a part of. I often equate my relationship to that whole experience to Slumdog Millionaire which is, if you are familiar with Slumdog Millionaire is a kid that gets ask a bunch of questions and he just so happens to have the experience to answer this very specific things, now being cisgender straight kid you go 'oh oh what? are you going to allow this guy to talk gay shit?', I’ve been so culturally queer my whole life, not because I’m trying you know, actually, I was gonna say not because I’m trying to be cool but I’m gonna erase that, is because I am trying to be cool. All the sh— in my life that I have tried to emulate, learn from and be inspired by are one hundred percent queer as f—. It was in queer communities that I’ve found people that I idolize, that I want to be, to learn something from. And I’d say that’s a gross generalization, that’s a lot of things and a lot of people. But I grew up in San Francisco in the ’90s. I watched men die. There was an awareness of the gay experience that was not a foreign concept to me. So, it was a narrative that I cared deeply about. I wasn’t like a f— saint or like 'I’m the man for the job', they hired me and they said, 'You’re the guy,' and I said, 'Okay, I’m the guy I will do my best, I will do my best to talk about it in the way I believe and a way that I’m passionate about'. So in many ways I’m glad that it was me because it was a thing that I really like showing up for and it meant a great deal to me that it meant a great deal to other people. Because when people say they were affected by that show or that relationship, it’s not because of me, it’s because of that relationship on a TV and the risks that people took to put that on TV and most important of all it took the people watching it to have the "aptitude" for seeing beyond what was maybe given to them in other avenues of culture. People of all ages, all spectrums of awareness say, 'I didn’t grow up with a show like that and it was a really meaningful thing for me to see,’ and I go ‘I didn’t grow up with a show like that’ and that would’ve been very meaningful for me too, you know?, regardless of the fact that I’m a straight kid. That has value. For anyone who’s been an underdog, we all know, in any shape or form — sexual, religious, biological, whatever — it has value because there’s going to be a lot of people who see that and go, 'Okay, I can now understand this in a context that maybe I wasn’t able to before'. So short story long, what was it like? It was a fucking privilege and I love talking about it and I’m so grateful I got to do it." - Darren Criss at the Chicago Comic & Entertainment Expo Q&A | April 27th, 2024 

Pookie in blue

📸 Scuderia Ferrari