hii ive had this idea for a while now and its basiclly a crossover with twst and monster high, it could be a clawdeen yuu or a operetta yuu or or a cleo yuu headcannons. but theres this other idea wity SIX the musical im not sure if youve seen it but you could do any of the wifes of your choosing but i would think it would be good if they were all platonic (especially with k howard)
I'm sorry but I'm not comfortable with doing the SIX Wives because they are based on real people!
I will do your Clawdeen, Cleo, and Operetta Yuu though!
-GN Reader
-Reader IS Yuu
Sorry it's short!
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Clawdeen! Yuu
- Everyone first thinks that Y/n is related to Jack, and both of them have to constantly correct people on that.
- Y/n is unbelievably good at keeping Ace and Deuce in control because of their siblings in their world
- They probably redesigned their uniform and made a new outfit for every unbirthday party
- As much as they get along with Vil their best friend is Epel. Y/n understands why Epel doesn't want to learn useless manners and dress impractically and Y/n is able to help him make clothes he likes and that Vil approves of
- Vargas loves that they aren't afraid of playing hard and would put them in the spell drive team if they had magic
- Y/n probably spends a lot of their time at the Savanna Claw Dorm, helping Ruggie, working out with Jack, and talking (bickering) with Leona
Cleo! Yuu
- The change of being in Twisted Wonderland was pretty hard for Y/n, not having their daddy's money and not having any respect like they did in their old world, but it didn't take long for the students of Night Raven to fear them.
- They easily became Crewels favorite, from their sense in fashion to the kindness that they only had for their friends. However, Crewel tends to get frustrated when they turn into a complete diva.
- As soon as they met Vil the two were inseparable. They did skin care together, shopped for new clothes (paid for by Vil), and even started vlogging on Magi-Cam.
-Speaking of Magi-Cam, they grew a following on their rather fast, partly thanks to Vil and partly because people were so interested in Y/n being a mummy
-Half way through the year Y/n was running the school and helping overblotted students without breaking a sweat.
-The Ramshackle dorm had never looked so extravagant, Y/n had to get it redone because it wasn't fit to their standards. (Honestly they probably broke down when they first found out they were staying there)
-A couple of students confessed their love to Y/n but they turned down each one because they were so loyal to their significant other in their original world
Operetta! Yuu
- Y/n loved the Ramshackle dorm, it reminded them of the catacombs of their old school, they were able to restore the building and kept a lot of the original features
- They play music at Mostro Lounge for extra money, because of this Azul and them are relatively close, if Y/n has any information on a student they don't like then they tell Azul
- During book two Y/n was able to shut the Savanna Claw students up so fast
- When Epel starts speaking in his southern accent, Y/n is the only one who can understand him and normally has to help translate
- Speaking of Epel, Y/n and him will play sports together and Y/n might teach him how to fight
- Vargas loves how competitive they are and finds it amusing to watch the magicless students beat up his spell drive team
- They're definitely Teirns favorite mainly because of their accent
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Do you have favorite actors for the various roles in "Cyrano de Bergerac"? I would love to hear your thoughts!
I do! I actually rambled a lot about this while I was watching the different productions I could get my hands on (I tagged it "Cyrano de Bergerac" and "I talk too much").
My favorite productions are the one with José Ferrer and the one with Benoit Solès, and those actors make the best Cyranos in my opinion. Though that's probably something in part beyond the actors' choice, their dynamic with their respective Roxane and Christian are the best ones, I think, and I find how Cyrano moves around these two particular characters at the core of a good Cyrano characterisation.
José Ferrer's use of his voice, which is arguably Cyrano's true most characteristic feature, is unmatched imo (although McAvoy does a very good job with this too), and he manauvers very well several of the different aspects of the character, such as his playfulness, his shittiness and longing. By the end of the play you believe he is the most beautiful man on Earth. Cyrano, however, is a bit pathetic (not just in a "pathos" way), and I'd say Ferrer gives off an air full of dignity very fitting of many scenes, but that eats almost entirely this aspect of Cyrano; Benoit Solès manages this very well, while also playing well with some of the other ones, such as the playfulness, the longing, the pain and the despair. Both Ferrer and Solès are hilarious, tender, a bit shitty, vulnerable, playful and sad. Albeit neither of them portrays 100% what Cyrano is, I think both come pretty close in slightly different flavours, and by the end of the play one ends up being terribly fond of them.
My favourite Roxane is Clara Huet in the production with Benoit Solès, but Mala Powers in the 1950 film is a close second. I think they portray wonderfully Roxane's spunk, and her mix of honest playful cheerfulness and her haughtiness, her intelligence and wit, and how much like Cyrano she is.
I've not come to love for now any Christian as much as I've loved Ferrer, Solès, Huet and Powers, but again I think the Christians in the 1950 film and the Solès productions are very very good. I love the dynamic they have with their Cyranos, especially the one Christian and Cyrano have in the 1950 film, enhanced positively by the added scenes (they actually work so well in showing their developing as friends, their deep love and care for each other!). I don't want to expand too much on this to avoid spoilers (beyond the already known 'Christian dies' ones I mean), but some things they do with both these Christians are a thing of genius, and both feel vulnerable, kind, ready to fight and truly desperate at times; I like when they do that.
There's an Italian production which has a Cyrano I truly enjoy as well, despite how they dumbify him more than I usually like my Christians. His mix of anger and deep pain when he discovers Cyrano's feelings for Roxane were so well made, and his physical presence makes you identify who Christian is even before the play starts.
The Podalydès production has two different Christians. The one in the version on youtube isn't bad, but @ride-a-dromedary likes Éric Ruf a lot. I actually adore him based on the clips and gifs she's posted of him, but I haven't been able to find the version with him online, so I can't know. But he truly seems one of the best. Based on what little I've seen, I love his intense gazes and subtle gestures.
I'm not entirely sold on any Le Bret, De Guiche or Ragueneau yet.
I think the German musical has a decent Ragueneau in vibes, and the 1990 French film does as well. I found his poem made song for what I think is a Spanish production (I'm not sure if it's a fan creation based on the Spanish production), and while I've not been able to find that production online, the song works well in vibes too I think.
The German musical's Le Bret in vibes is very good. He encompasses well his deep love and worry for Cyrano while also being done with his shit. They truly feel like close friends. The 1950 film kind of combines Gaston de Castel-Jaloux and Le Bret into one character, which sadly changes Le Bret's dynamic with Cyrano a bit, but that's a very good Le Bret as well. The one in Solès' production is pretty good too. He has my favourite delivery of the scene in which Le Bret chastises Cyrano for risking his life sending letters.
De Guiche is complicated. I think productions often make him too pathetic and laughable or too bad, so bad it makes the last act kind of not make sense. The 1950 one, the 1990 French one, the Kevin Kline one and the Solès one are all good, but I am not passionate for any of them either.
And basically that's it!
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