one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.
one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.
i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.
the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.
my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.
i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.
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So, I keep seeing people expressing how disappointed they are that Filoni is "going with legends!Thrawn," but to me this sentiment makes it clear that they've probably never read past the original three books, or even the Thrawn Trilogy itself.
Let me explain.
The Thrawn Trilogy is only three novels. There was also the duology (Visions of the Future and Specter of the Past); the stand-alone novels Survivor's Quest, Outbound Flight, and Choices of One; the short stories Crisis of Faith, Side Trip, and Command Decision; and a few other non-Zahn novels and a couple video games wherein Thrawn is present if not in a starring role.
In all Zahn publications after the Thrawn Trilogy, we see a character that, aside from the random political/social debuff introduced in 2017, has a personality and morality system that is nearly identical to the one in canon.
It's in legends where you get Thrawn saying "we do not make war on civilians" and "as civilized beings, it is our duty to minimize suffering" (from the short story Crisis of Faith which takes place weeks before Thrawn began his campaign against the New Republic, so any excuse of "oh he got worse as Palpatine's influence deepened" doesn't really hold water).
And just look at the Empire of the Hand. If you want to know what kind of man Thrawn is, look at the organization he himself founded. To summarize, this is what an alien refugee taken in by the Hand had to say about it:
“The Empire that Senior Captain Thrawn is carving into the evil that pervades our worlds is not the Empire you chose to leave. His is an Empire of justice and dignity for all beings. His Empire is one we gladly serve. One we are willing to die for.”
Basically think the group of aliens and Chiss brought together at the end of Lesser Evil, add Imperials, and multiply it by 1,000.
This was in legends. That’s the vision legends!Thrawn had for a more ideal society. Rebels!Thrawn isn’t even true to what was available to Filoni prior to the canon books’ publications.
Now we can argue if Thrawn was as morally bad in the Thrawn Trilogy as he was in Rebels or not (I say short answer: T3!Thrawn’s greatest sin—for which he was killed—was apathy toward suffering in favor of results, Rebels!Thrawn simply enjoys hurting people because he’s a Bad Guy), but even if they DID hold the same fundamental values, they don’t have the same personality. Thrawn in the 90’s trilogy was expressive, he was having fun, he smiled and shrugged and fiddled with things and pet his ysalamiri. He was sassy and sarcastic and dry-humored and irritable. He was charismatic and, dare I say sometimes relatable. Sure he wasn’t a good person but that’s not the issue here. Thrawn had life to him in the Thrawn Trilogy.
In contrast, Thrawn in Rebel’s personality could be summarized as “creepy evil smart guy who likes art.” He’s really nothing more special than every Saturday mastermind cartoon villain out there. He’s bland and dry and lifeless and he’s scary not because of his intellect or his willpower or ability to read people but because he’s tall and skinny and lurks in the shadows and he’s got cheesy pipe organ theme music.
TL;DR: (as something a friend of mine mentioned) Filoni’s the kind of guy who goes with the very first idea that pops into his head. He goes with his first impression and runs with it. He’s not basing this guy on legends!Thrawn—he’s basing the entirety of it on the very first paragraph of the very first book the character shows up in.
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PJO SPOILERS!!!!!!!!
Can someone please explain to me why so many people were against Lin Manual Miranda playing Hermes? I'm not asking that question in an ironic way, I'm just genuinely wondering why I saw so many people upset about that. Especially since I thought he did a great job as Hermes, more specifically a concerned and frustrated parent, in this last episode. I don't really keep up with celebrity gossip, so I don't really know why so many people hated him in the role.
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thinking about jamie being gay just makes me feel shrimp emotions honestly like. first of all in the spirit of doing whatever you like with canon I can just. say he's gay. but also there's so much textual evidence which makes him so easy to read as queer. and THEN I think interpreting him as gay adds extra layers to the fact that his initial character brief leans pretty heavily into the (hyper-masculine, heteronormative) character trope of the romantic highlander, but his on-screen character undermines/subverts that trope in a lot of ways.
like it's fun from a shipping point of view AND a textual point of view AND an analytical point of view. just. *chef's kiss* truly the character of all time
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Something I think a lot about (and I don't often see being discussed) is that one of the saddest things about Suguru is that his hatred towards non-sorcerers began with Toji's intervention in the story (even learning from him to call them "monkeys").
Because it makes you think: IF Toji hadn't been hated and reclused by the Zenin Clan, IF they didn't look down on those who are not sorcerers... Toji wouldn't have grown to hate the Jujutsu world and wouldn't have gone around taking distasteful jobs to spite the big clans like the one that ended up with Riko's death.
What I mean is, that Riko's death is a direct consequence of the hatred that the Zenin Clan had against normal humans, and, consequently, Suguru's hate as well.
And I believe that's the biggest tragedy about his story: the three of them were victims of the corrupt system of the Jujutsu world. But, despite that, Suguru loved and believed with all his heart in his fellow sorcerers, never considering how their disdain for normal humans was what started everything.
It ultimately is a great example of how hatred often only brings more hate, and how those who are at the top are not usually affected by that. And it also gives a lot more significance to Gojo's goal: for his students to become strong enough to help him create a new world for sorcerers against the old ways of higher-ups.
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