What. The. Fuuuuuuuuuuuck?

CHOOSE YOUR CHAMPION

man wears a coca cola shirt ONCE and look what happens

Hello Trigunblr, happy WooWoo Wednesday! I drew a poster for Tristamp for one of my class finals, really pleased with how it turned out! There's an animated version where the markings glow and fade away, I'll add it under the cut.

(Note for this version, I made it before I realized that I forgot to add Meryl and Vash's earrings, but I'm too lazy to fix it rn)

Every year around Easter Ghost hides somewhere on the training grounds. If you find him you get half of his leave.

Soldiers all around go fucking feral, Ghost never takes any leave and there's rumours that start around Christmas of how long you'd be able to go home. Weeks probably aren't enough maybe a few months? Some are sure it's at least a full year.

Except of course no one ever finds him.

He's the Ghost and if he doesn't want to be found he isn't. He's just taking the piss, enjoying how the event has people riled up for weeks. He's not one for practical jokes, but this has him cackling.

Enter Soap, the FNG, the man who brings Ghost to his knees. They do their whole song and dance, and come Easter Ghost is hugging his boyfriend before preparing to hide.

Soap promising with a cocky smile that he'll find Ghost and they are going to use that leave for a nice holiday. Which Ghost smiles at, his sweet naive Soap, as if he's gonna hand him a win just because he loves him.

Imagine Ghost's shock when a few hours later he spots Johnny from his hiding spot. He's still high in a tree but the other man is walking directly in his direction and after a few moments he looks up.

Once Ghost is down the tree, still incredulous, but also very much in love, he asks Soap how he did it.

"Let my heart guide me, L.t." is the answer he gets which he calls out for the bloody nonsense it is.

Takes him all the way back to base to make him talk. And even then Johnny just hugs him, reaching around putting a hand in his back pocket (not unusual) and digging around (definitely unusual). Producing a small piece of technology.

"You fucking tracked me?!" his jaw nearly drops at the realisation.

"Aye, slipped it in this mornin' when we hugged."

"You little shit." is all that his brain will allow, mostly hung up on the cocky smile on Soap's face. The same as this morning.

He should be fuming. His proud record broken, he actually has to make good on the promise that so far has been all but hypothetical. Price will be in hysterics about the amount of paperwork that comes with it.

But he can't find it in him to care. He's mesmerized at Soap outplaying him. Drunk on the weird sense of pride that Johnny is so observant and skilled. Most of all he's blown away by the fact that he never even considered the possibility. It would be easy to blame hubris here, but that's not the reason no-one ever pulled a similar stunt.

No, Soap was able to do this because Ghost let him get close. Because he trusts him.

The Ghost that met Soap a few months ago would've panicked at this point. Soap had not only seen his weak spot, he clearly was also cunning enough to use it to his own advantage.

The Ghost that has been loved by Johnny for months now doesn't. Because he trusts him. And because he's proud. And because the rational part of his brain realises that any enemy agent would never have exposed their advantage for a game.

"If you ever do anything like this again-" he doesn't need to know where he wants to end that sentence, but Soap's interjection saves him the trouble "No worries, I like meself alive too."

He'll still have to be careful next year. After all he found a worthy opponent and he can't just make it too easy on him. Probably can not let Soap touch him before the game. Maybe not even the night before. Just to be safe. A fortnight should do it. But that also means a fortnight of not touching Soap...

But he can consider that later. For now he and Soap have a holiday to plan.

Please more buff aang I'm thirsty 🏃🏽‍♀️🏃🏽‍♀️

well i hope these will quench ya....

i had wayyyy more fun with this than i should have had. i was giggling and kicking my feet nonny, it's my first time doing quenching drawings like that. i'm not that great with manly muscles so i'm sorry for the messyness and mistakes. thank you sm for this ask my dear thirsty anon! also sorry if the kataang wasn't that you expected but in this house we serve kataang at every chance

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

Okay but I need to know what the people who have only watched c3 think about Beau and Caleb because I've been rotating them in my head for three years too long to be objective anymore but like. Getting to see them through the eyes of a new party just reminded me that even though so much of our delight in C2 was focused around the constant indignity of the Nein, they are objectively a flickering metronome between "how the fuck are these people alive" and "this is the most hyper competent group of mercenaries I've ever seen" and I just. Do they know. Do they know that Beau is so fucking cool. Are there people who learned these two npcs have a whole campaign and want to learn more about them. I look at these two and see a montage of tiefling dicks and red eyes and promising to kill the other if something goes wrong. I see Caleb smearing mud and bat shit on Beau's face and Beau just resigned even as she makes the most aggrieved and annoyed sounds, Beau hauling Caleb's dissociated ass over her own skinny shoulder and walking him to safety. I look at them and see 500 hours and more of the empire siblings. The weeks and months they spent going from hating the parts of themselves they saw in each other to loving in the other what they still struggled with in themselves. I see chosen siblings, best friends. What do other people see?

that WHO in no longer u oh my GOD

YESSSS

Like, yeah, Odysseus is like "Yandere" (joking but also not) because kills all who even go near Penelope and Telemachus and he's very protective of them AND jealous.

But I think this "WHO?!" is also a desperate plea as to who is this dangerous man who is near his wife? A warlord? A conquerer? A man who would not even care about Penelope for who she is and mistreats her?

Because even in the Odyssey, Odysseus asks about Penelope to his mother.

Tell me of the wife I married. What are her thoughts and plans? Is she still there with our son, keeping watch on everything? Or has she been married                            to the finest of Achaeans?

(Book 11, Johnston)

There's not even much resentment in his question. There could be but Narrator does not say. The use of "the finest of Achaeans" almost is a "Did she at least marry the best man? Did she at least marry a GOOD man?"

In "No Longer You", when he hears of this dangerous man NEAR his wife, he is SCARED. It could be jealousy but I feel it's more of concern. As it is in the Odyssey.

"I understand if she would remarry, it pains me but I did tell her that when Telemachus finally grows his beard, she could. I will love her always but is she at least happy? Is she safe?"

And she's not safe. She's not happy. He is terrified.

Psst. The reason why My Odysseus takes a long time to grow his beard is because of that line. He's hoping that his son will take after him and take forever to grow a beard like he did (as he doesn't really have one even when he first leaves for Troy) because he would try forever to get home. Penelope even teases him that he still doesn't have one so that's a silly request and that's the point. "I will never stop trying to come back to you. He and I will likely remain beardless forever." (it's a little funky for him when he finally grows one by the end of Troy. He's thinking "...Shit. Telemachus, stay baby-faced for your dad please.")

ANYWAYS.

I mean we all know that these two are obsessed with each other in the Odyssey and in Epic. They are likeminded and are so integral to who they are. They mean everything to one another. I think Odysseus genuinely does want Penelope happy. As even in the Odyssey with him simply asking for another bed, shows how much he loves and respects her. He could've been like "get in it" even though she had rejected him at first but he LISTENS BECAUSE HE LOVES HER. Only breaking down into a sobbing mess when he believes she destroyed their bed.

"Heaven made you as you are, but for sheer obstinacy you put all the rest of your sex in the shade. No other wife could have steeled herself to keep so long out of the arms of a husband she had just got back after nineteen years of misadventure. Well, nurse, make a bed for me to sleep alone in. For my wife's heart is just about as hard as iron."

(Book 23, Rieu)

Please note that this is his attempt to insult her in a way and yet he still talks about her being from Heaven 👀 SIMP

But even though he's deeply hurt by her rejection (poor guy would've probably sobbed himself to sleep) He still asks for another bed. After sleeping on the floor and in the dirt since he's been on Ithaca, refusing beds unless it's his own marriage bed, he takes her 'no' because he values her happiness and comfort over his own. He takes a lesser bed so she can still sleep in their own luxurious one.

I mean we know how fucking awful the suitors are. Hold Them Down is a disturbing song. (as it should be. As they are not good men) He does not even know how bad these men are yet. If his future self could speak with his past self, he'd probably be like "Yeah, don't worry about the guy who kills a bunch of people, they had it coming. ;) " or something.

That "WHO?!" is a mix of jealousy AND fear.

The Mario movie thing is so funny to me. Here, look at this:

Sonic movies (1, 2, & w/ 3 on the way) come out, does INCREDIBLE in box office, decimates Marvel films, who previously had a stranglehold

Nintendo sees this, wants a piece of that pie, buckles down to make a Mario movie Incorrect order of events, as pointed out here! Mario movie announced before the public knew about Sonic movie.

(Potentially because the previous Mario movie was so out there, did poorly, & was disliked by fans & then promptly forgotten,) they pair with Illumination, a studio that is largely known for making very sterile films

Btw, is it just me that finds it weird that there is no mention from Nintendo or online of the previous movie, in all this? Maybe I'm the only one who remembers this film idk

They announce casting. Everyone immediately boos because they cast Chris Pratt as Mario.

Immediate outrage, as Charles Martinet, the voice of Mario for DECADES, was not cast in his claim to fame roll

There is a (unsourced) rumor that a test screening for the film was met with disappointment, making Nintendo unhappy

Slightly corroborating this, Nintendo buys Dynamo Pictures, to make Nintendo Pictures, with the intent to make future movies in-house

Anticipation for the movie likens it to other sterile animated movies of the last 10 years, like the Minions movies

Trailer comes out.

People continue to boo Chris Pratt, a bad cast for a beloved character who is putting 0 effort into his voice, in comparison to all other VAs putting in 110%

Chris Pratt goes to bed "depressed," at seeing the response I was incorrect, that is an older article, about when he was thanking his wife for providing a healthy child, to which people drew immediate parallels to his ex-wife's son, who has many health complications & needed many surgeries.

But with your help, we can make him being depressed after media backlash reality!

Lol, &, may I say, lmao.

mission launch for minkowski's crew was in march 2013. ostensibly, they were put through some mission training, though the extent and effectiveness of that is kinda dubious. pagliacci takes place in 2013, exact date unspecified. but it has to be early. let's say... mid-january.

eiffel thought he had ruined the rest of his life before he'd even turned thirty. he probably spent his thirtieth birthday in jail. and then... for some number of days, weeks, maybe even a couple of months, he exists in this state of, well. of limbo. cutter gets him released from prison, and flies him out to canaveral. he doesn't speak to his family, obviously. they don't want to hear from him, and don't even know. he's still a prisoner, but no one around him knows that, either. at some point in this time frame, goddard first exposes him to decima, before hilbert even knows who he is. and he lives wherever goddard is accommodating him, and he has to go about his day-to-day life in this transitory state between a 26-year sentence he'd just started really grappling with, and the very immediate reality he's now about to be sent into deep space instead.

they give him a certain amount of freedom; it's not like he can go anywhere. he doesn't do much, anyway, is not feeling appreciative for his momentary second chance at life, given the circumstances. he blows off most of his mission training, and they're surprisingly lax about that, which in retrospect probably should have been a sign. he sits around and smokes, mostly. gets takeout food. but he goes to see movies, as much as he can. as much as he wants to punish himself, he needs to do something, or he'll go crazy, and it's not like he'll get a chance to see a movie in a long time. he was already resigning himself to maybe never going to a movie theater again.

the film adaptation of les misérables was released in december 2012. it's entirely feasible it could've been one of the movies he saw in this time period. i think the idea adds some resonance to his shared reference with minkowski in the finale, at least, in the way it pulls things full circle. intentionally or otherwise. and, incidentally, the 2012 film adaptation of les misérables, a story that notably features an ex-convict protagonist seeking redemption, was released on december 25th. call that serendipity.

I've been thinkin' on it, and I think the biggest reason people are still insisting that Ed is just awful and abusive and whatever (aside from the racism of it all) is because the writers of OFMD fundamentally assume that viewers will like him and be on his side.

And, like, that is one hell of a reasonable assumption. Before s2 we spent a lot of time getting to know Ed; we see he's very sweet and smart and can be silly, and his self-esteem isn't great and he already has a lot of self-destructive tendencies and struggles with believing he can have nice things. These are all things we see in s2 and none of them should come as a surprise. We've gotten to know Ed and in s2 the writers assume we will be able to grant him even the barest ounce of sympathy.

"But he's being super violent and hurting the crew!" Ed's behavior at the beginning of s2 is best described as "a bit over the top" in the context of the show, and before he pulls out all the stops trying to get the crew to mutiny on him in his suicide attempt, he never actually hurts anyone except for Izzy (Izzy's the guy who threatened him and caused all this, or he'd still be crying in his blanket fort at the start of the season. OFMD has ALWAYS had a "talk shit get hit" philosophy and Izzy should not be the sole exception).

"But he never had to face any consequences for his actions!" I think almost getting beaten to death and then having to spend an entire episode convincing yourself you deserve to live is a pretty big consequence, actually.

"But he never apologized!" The group apology in s2e5 was obviously a joke (Stede clearly wrote it anyway and made Ed memorize it, look how Stede mouths along and Ed fumbles his lines), and it's pretty clear that Ed's conversation with Fang is meant to represent what he's doing with everyone. He's trying. He thinks up a way to try to give Lucius closure, even though it doesn't work, and when Fang mentions something Ed did that hurt him, Ed immediately and genuinely apologizes. It is not a wild jump to assume Ed's doing that with other characters and the show just assumes we're smart enough to figure that out from context considering how the crew are good with Ed again in s2e6.

"What if he hurts Stede/is abusive to Stede?" Multiple characters ask Stede something to this effect, Stede says "that's really stupid, of course he won't," and Stede is right. Question easily answered.

We're shown that Ed's response to being hurt and upset is not immediately violence. His first response is to go and hide and make himself feel safe - tub, blanket fort, hiding under the blanket and Anne and Mary's. Violence is Ed's response to feeling threatened. There's a difference. We're shown this over and over and over again, and frankly the only reason I think some people miss it is because they don't care to think about what's making Ed feel threatened in the first place.

It's just so clear that some people watching this show care so little about Ed and only care about what he can offer in a scene with other characters. Ed did not enjoy anything that happened at the beginning of the season - the last time we see him in s1 he's sobbing his poor eyes out and that's implied to have been consistent through s2e2. He's suicidal and having a miserable time and yes, he's hurting people who care about him, but it's not just for funsies, it's because he's trying to get himself killed. It's wild to me that some people can turn on the Ed and Stede show, see Ed pull himself out of such a terrible place by the end of the season and commit to a life with his boyfriend, and think that the show is setting up Ed to be abusive or imply he hasn't gone through any character growth and just coasted through the season.

best date locations near me 1. condemned apartment complex

he had a face before i did things...

Remember what they took from us. RIP Eva's drip, you will forever be missed.

Something about the way people talk about Solomon's dismissal of his vulnerability rubs me the wrong way. (I don't have any specific examples, I'm just gonna hope you know what I'm talking about lol.)

I've never seen anything inherently mean, but I have seen comments that seemingly take offense to his "just kiddings" when he expresses his feelings, whether it's romantically or talking about past hardships... And I couldn't pinpoint what it was that confused me about the fandom's responses to that until now.

What Solomon is going through in moments like those is a trauma response. And yes, while trauma responses aren't always beneficial and can sometimes be hurtful to others or the person responding that way themselves, reacting with "negativity" to said responses just makes it worse.

Solomon has an avoidant attachment style, which means he struggles with opening up and being genuine in his feelings even if he wants to. I, myself, am the same way. More often than not, I also follow up a heavier topic with "I'm sorries" or "just kiddings." The thing about this, is it's not meant to be malicious. So, when I see people taking Solomon's comments as if it's a slight to them, I just...??

I can almost guarantee that if those comments where said to him right after he'd attempted to open up, even if it had good intentions, it'd probably make him want to close back up completely. Because there's no patience to his avoidance, no acceptance to why he behaves that way. There's just this perception of not being understood or that his feelings/thoughts aren't safe. It just feels like he's not allowed any grace.

Emotionally, 23.5 (episode 10) is like a cheaply made puzzle, where like, the edges are cut roughly, so like, you THINK that you have the right pieces next to each other, but when you smush them in, and they don't fit QUITE smoothly enough, you're like, oh maybe there's another piece, but like, you CAN'T find another piece that works, because like, the piece you have in your hand IS the piece that is the right one for the picture you're making, or like, you THINK it is, so like, you keep smushing the pieces together, and you THINK the puzzle makes sense, but you kinda feel like you have the wrong piece, or worse, you're MISSING A BETTER PIECE, because everything's NOT QUITE JIVING.

I hope this post made as much sense as the emotional journey we attempted to take with the script in this last episode. What the FUCK is this script doing to Ongsa? A little more context, some smoother edges, would be really helpful here!