I got really lucky at a charity shop today and I wanted to show!! I got a first edition French copy of La Dame Aux Perles by Alexandre Dumas (same guy who wrote the OG The Three Musketeers and The Count of Monte Cristo!) and an 1951 copy of Jane Austen's Emma!
I love Alexandre Dumas' works to death, especially The Count of Monte Cristo and La Dame Aux Camelias, so I was really surprised to find such an old edition, let alone in French, for only five quid. Let alone the old copy of Emma.
Are they musty? Yes. Is the cover coming off the spine? Yes. But is it cool to think I'm holding a book that has passed by hundreds of hands, sat on hundreds of bookshelves, and has survived two world wars?? Big yes!!
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prongsfoot week day#1
•when and why did you begin to ship prongsfoot? what makes you ship it ?
i had always loved james and sirius as friends and their friendship, and just their dynamic, used to get grumpy when authors at times replaced or sidelined either of them in favour of a different character, or just made them two friends on paper and didn't give them the material. i always just looked at them with the "bestie lens"
the person who got me into prongsfoot was lovely miss– @padfootastic
intially i came across her fantastic opinions of sirius on someone else's blog and immediately thought - must follow this person she thinks on a similar brain wavelength to mine. stalked her blog and just was on a cotton candy moonland when i found her ao3 account. loved all her fics and her portrayal of james/sirius/harry to bits
(shovel talk , the whole notes app drabbles have become my comfort reads)
she's the one (well more like me stalking her blog and her wide variety of very enjoyable tags introduced me to romantic and queerplatonic prongsfoot)
also camichats on ao3 works of prongsfoot are like fresh rain on parched land, much needed and very well loved.
the why?
see, describing prongsfoot is very hard to me they just exist in their own bubble just orbiting next to each other. two peas in a pod– i could go on with epithets for them. something about the how every marauder has james as a best friend ™ but James has sirus does it to me. the almost devotional level of loyalty that these two have in each other, the extent of comfort and stability they see in each other how they are each other's home, hope and responsibility.
it's funny how they only have like five paragraphs in books (actually nvm- 5 is fine, jkr probably would have made james a figment of sirius plan's to bully Snape or something if she wrote their whole story) but almost every other dialogue sirius had he was like - james my beloved (and rip james you were dead from page 1 you couldnt get dialogues).
everytime i think about how sirius just went mad with grief after seeing james die – it fully breaks me. like there was just this one person who always used to cover for him, save him and excuse his actions who used to be the shield for sirius's rough edges and that person is gone now. for the first time since he was 11, he's unsupported. his home was killed
like it's hilarious to think about (not really) a group that was known for it's unending friendship (animagus, supporting financially) just broke like strings of marionette before even james potter body was fully cooled down. fuck he wasn't even buried when sirius was thrown in askaban (and turning 21)
in the end it's really intresting to think about a chance meeting with james on the train- pretty much changes his life path entirely– talk about a butterfly effect indeed.
the fic i was talking about in tags
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I was already on a hair trigger today trying not to snap at a mutual for reblogging a "fuck authors who use Amazon" post, but, like, this shit is why some authors can only afford to use Amazon.
They don't have the $75+ to distribute through Ingram Spark. They don't have the $25 it takes to change your files if you need to update them after they've been accepted. They can't afford to take the cost of printing hit to their sales. They can't afford to lose an additional 40% of their income to retailer discounts.
And just so we're clear, Ingram isn't a vanity publisher. They're one of the largest print monopolies in the world. They're used by most mainstream traditional publishers and indie and self-pub authors alike. Amazon uses them when their print demand is too high.
My friend, whose work is published by Gollancz, is printed through Ingram, the same as mine. The difference is their publisher takes the hit for them. In theory. We won't get into dwindling advances here or how publishers are increasingly putting the onus of marketing and sales onto their authors or the fact that their editors can't afford rent or food while the executives get richer and richer.
So what do you do when the mainstream doesn't want you? What do you do when you're told if you can't keep up with the rat race, that you don't deserve to have your work published? What do you do if all you have is the ability to tell stories for a living, and no one wants you?
Well, you could die of starvation. I'm sure there are several people on here who'd be happy if that happened to me. (I know. Because they tell me. Often.) Or, you can shake hands with the devil, knowing it's a bum deal, knowing everything is fucked, but also knowing that every other aspect of this fucking industry is just as fucking bad.
There's no escape. It's relentless.
And you've got people out there posting things like, "Actually, I think authors who charge for their books are part of the problem."
And yeah, in an ideal world, I'd be making art for art's sake.
But we're not in that world. We're in the bad place, and you're actively making it worse. You're encouraging people to steal from people who are struggling just like you and calling it activism against billionaires or putting them in the same moral category as said billionaires as though we're not trapped in this system, same as you. Some of you are fellow fucking authors. And, like, my mind boggles at what it would take to stab a fellow creative in the back like that, but here we are.
Hell world.
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