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scifrey · 3 years

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WORDS FOR WRITERS: The Value of Fanfiction

There’s been a lot of chatter on social media these last few weeks, recycling that trashy, self-aggrandizing, tired old “hot take” that reading and writing fanfiction is somehow bad for you as a writer.

Before we go any further, let me give a clear and definitive answer to this take:

No, reading and writing fanfiction will not make you and does not make you a bad reader or writer.

Period.

Why? Here’s the TL;DR version:

1) Reading and Writing, any kind of reading and writing, will make you a better reader and writer. And it’s enjoyable, to boot.

2) Fanfiction has been around as long as Original Fiction, so we’d know if there was any negative impact by now (spoiler alert: there isn’t.)

3) Practice is Practice, so matter what medium you get that practice in.

4) Comprehending and writing fanfiction is harder than writing original fiction because you have to hold the Source Media Text in your head at the same time as you’re reading/writing a different story. It improves your understanding of storytelling.

5) No hobby, no matter what it is, so long as it doesn’t harm anyone else or yourself, is bad. And that goes double for if you decide to keep it a hobby. Not every fanfic writer wants to write original fiction, and that’s just fine. Not every hobby has to be monetized.

Okay. But what do they mean by “fanfiction”?

“Fanfiction is fictional writing written by fans, commonly of an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator as a basis for their writing.”-- Wikipedia

Basically – it’s when you take elements (setting, characters, major themes or ideas) of a Media Text (a novel, a movie, a podcast, a comic, etc.) and create a different story with those elements. You can write a missing scene, or an extended episode, or a whole new adventure for the characters of the Media Text. You can even crossover or fuse multiple Media Texts, or specific elements, to create a whole new understanding of the characters or their worlds.

Similar to fanfic, you can also create fanart, fancomics, or fansongs (“filk”), fancostumes (“cosplay”), and fanfilms. These are called Fanworks or Fancrafts.

Fanfiction is usually posted to online forums, journals, blogs, or story archives and shared for free among the public. Before the advent of the internet, fanfiction was often printed or typed, and hand-copied using photocopiers or ditto machines, and distributed for free (or for a small administration fee to cover materials) among fans at conventions, or through mail-order booklets (“zines”).

Fanfiction has existed pretty much since the beginning of storytelling (A Thousand and One Nights, Robin Hood, and King Arthur all have different elements attributed to them by different authors retelling, twisting, adding to, or changing the stories; there’s no single-origin author of those tales.)

There are billions on billions of fanfics out there in the world—and while a majority of them are romance stories, there are also adventures, comedies, dramas, thrillers, stories based on case files, stories about the emotional connection between characters when one is hurt and the other must care for them, historical retellings, etc. There are also stories for every age range and taste, though be sure to take heed of the tags, trigger warnings, and age range warnings as your browse the archives and digital libraries.

As a reader, it’s your responsibility to curate your experience online.

So why are people so afraid or derisive of fanfic?

People who are hard on fanfic say that…

· It sucks.

o Well of course it sucks! As it’s a low-stakes and easy way to try out creative writing for the first time, the majority of fanfiction is overwhelmingly written by new and young writers. Everything you do when you first try it sucks a little bit.

I’m sure no figure skater was able to immediately land perfect triple axels ten minutes after they strap on the skates for the first time in their lives. No knitter has ever made a flawlessly perfect jumper on their first try. No mathematician has ever broken the code to send a rocket into space after having just been taught elementary-school multiplication. So why on earth do people think that new writers don’t need to practice? I can promise you that Lin-Manuel Miranda’s first rap was probably pretty shaky.

· It’s lazy or it’s cheating.

o Listen, anyone who tells you that writing anything is lazy clearly has not sat down and tried to write anything. Writing is tedious. It is boring. It takes hours, and hours, and hours to get anything on the page, and then once it’s on the page you have to go back and edit it. UGH. There is nothing about being a writer—even a fanfic writer—that is lazy.

o And anyone who tells you that trying to tell a fresh, new story within the limits and confines of a pre-existing world and have it make sense is cheating, then they have no freaking clue how hard it is to be creative with that kind of limitation placed on you. It’s harder when you have a set of rules you need to follow. What you do come up with is often extremely interesting and creative because of those limitations, not in spite of them.

o The argument that using pre-made characters, settings, tropes, and worlds to make up a new story is cheating is also complete bunk. Do those same people also expect hockey players to whittle and plane themselves a whole new hockey stick from scratch before each game? No, of course not. And yeah, a baker can grow all their own wheat, grind the flour, raise the chickens and cows so they can get eggs and milk, distill the vanilla, etc. Or a baker can buy a box mix. Either way, you get a cake at the end of the process. Whether you write fanfic or original fiction, you still get a story at the end of the process.

· It makes you a worse writer.

o * annoying buzzer noise * Practicing anything does not make you worse at it. And reading stories that are not edited, expertly crafted, or “high art” will also not indoctrinate you into being a bad writer. If anything, figuring out why you don’t like a specific story, trope, or writing style is actually a great way to learn what kind of writer you want to be, and to learn different methods of constructing sentences, creating images, and telling tales. Or you know, just how much spelling and grammar matter.

· It’s not highbrow or thoughtful enough.

o Sometimes stories are allowed to be just comfort food. Not every book or story you read has to be haute cuisine or boringly nutritious. You are allowed to read stories because they’re exciting, or swoony, or funny, or just because you like them. Anyone who says differently is a snob and worth ignoring. (Besides, fun silly stories can also be packed with meaning and lessons—I mean, hello, Terry Pratchett, anyone?)

· It makes you waste all your time on writing that can’t be monetized.

o No time is wasted if you spend it doing something that brings you joy. Not every hobby needs to be a money-maker and not everyone wants to be a professional writer. You are allowed to write, and read, fanfic just for the fun of it.

· It’s theft.

o According to Fair Use Law, it’s not. As long as the fanfic writer (or artist, cosplayer, etc.) is not making money on their creation that directly impacts or cuts into the original creator’s profit, or is not repackaging/plagiarizing the original Media Text and profiting off it’s resale, then Fan Works are completely legal. So there.

How, exactly, does fanfic make you a better writer?

Fanfiction…

· teaches you to finish what you start.

o The joy of being able to share your fic, either as you’re writing it, or afterward, is a big motivating factor for a lot of people. They finish because they get immediate feedback on it from their readers and followers. Lots of people have ideas for books, but how many of them do you know have actually sat down and written the whole thing?

o Fanfic is also low-stakes; there’s nothing riding on whether you finish something or not, so you have to inspire yourself to get there without the outside (potentially negative) motivation of deadline or a failing grade if you don’t get the story finished. You end up learning how to motivate yourself.

o Fanfic has no rules, so you write as much or as little as you want, stop wherever you think is a good place to end the story, write it out of order, or go back and write as many sequels or prequels as you like. Again, it’s totally low-stakes and is meant to be for fun, so you can noodle around with what it means to write a “whole” story and “complete” it, which teaches you how you like to write, and how you like to find your way to the finish line.

· teaches you story structure.

o Before you can sit down and write a story based on one of your favorite Media Texts, you’re likely to spend a lot of time consuming that text passively, or studying it actively. Either way, you’re absorbing how and why Media Text structures the stories it tells, and are learning how to structure your own from that.

o Once you’re comfortable with the story structure the Media Text you’re working in is told, you’ll probably start experimenting with different ways stories can be told, and find the versions you like to work with best.

· teaches you how to write characters consistently.

o Fanfic is really hard because not only do you have to write your fave characters in a way that moves the story along, but they have to be recognizable as those fave characters.

o This means you have to figure out their body language, verbal and physical tics, their motivations and they way the handle a crisis (fight, flight, or fawn?), and then make up the details you may need for your story that you may never see on screen/the page, like how they take their eggs or what their fave shampoo is, based on what you already know about them. That takes some top-notch detective work and character understanding to pull off.

o Once you know how to do that, just making up a whole person yourself for original fiction is a breeze.

· Teaches you how to hear and mimic a character/narrator voice.

o You have to pay close attention to how an actor speaks, or how a character’s speech patterns, dialect, work choice, etc. is reflected on the page in order to be consistent in your story.

o And all of this, in turn, teaches you how to build one for yourself.

o I have a whole series of articles here about building a narrative voice, if you want to read more on constructing an original voice for your narrator.

· Teaches you how to create or recreate a setting.

o Again, like achieving character consistency, or mimicking a character or narrative voice, it takes work and paying attention in order to re-create a setting, time period, or geographical region in a fanfic—and if you’re taking your characters somewhere new, your readers will expect that setting to be equally rich as the one the Media Text is based in.

o Which, again, teaches you how to then go and build an original one for yourself.

· teaches how to take critique.

o Professional writing is not a solitary pursuit. In fact, most writing is not entirely the work of an author alone. Like professional authors work with editors, critique partners, and proofreaders, some fanfiction writers will sometimes work with beta-readers or editors as well. This are friends or fanfic colleagues who offer to read your fanfic and point out plot, character, consistency, or story structure errors, or who offer to correct spelling and grammar errors. This is a great way to practice working with editors if you decide to pursue a professional career, and also a great way to make friends and strengthen your community and skill set if you don’t.

o Many fanfic sites offer readers the opportunity to leave a comment on a fic, rather like a reviewer can leave a review on GoodReads or Amazon, or any other online store or blog, for a novel they’ve read. Sometimes these comments/reviews are 5 star and enthusiastic! Sometimes they are… not. The exact opposite in fact. As you get comments on your fanfic, and learn to ignore the ones that are just mean rather than usefully critical, you gain the Very Important Skill of learning to resist firing back at bad comments or reviews, while enjoying the good ones. It also teaches you how to ignore drama or haters.

· Teaches you how to exist within a like-minded community.

o While the actual writing part of writing is solitary and sometimes tedious, nothing is ever published into a vacuum, whether it be fanfiction or original. Besides your editing/critique/beta reader group, you will also likely develop friendships, a support network, and mutuals. It’s always great to uplift, support, cheer on, and celebrate one another’s accomplishments and victories, whether the writing is fanfic or original.

· Teaches you that it’s okay to write about things important to you, or your own identity.

o You can change a characters ethnicity, cultural background, sexuality, religion, or disabilities to match yours, and talk about your lived life through the megaphone of that character. Or, you can insert original characters based on you, your desires, and experiences.

o Once you’re comfortable writing in your #ownvoice in fanfic, you can approach it in original fiction, if you like.

o See my article titled Your Voice Is Valid for more on this.

What if I want to be a professional writer?

Notice how I didn’t say “real writer”. Any writer who writes any kind of story is a ‘real’ writer. I mean, pinch yourself—you’re real, right? The difference is actually between being an “amateur” writer (a hobbyist who does not write for pay), and a “professional” (who is paid for their writing). Just because you only play shinny on the street with your friends, or in a house league on the weekends, it’s doesn’t mean you’re not still as much of a hockey player as someone who plays in the NHL.

Writing fanfiction before or at the same time as writing original fiction that you intend to sell is a great way to learn, or practice, everything I’ve mentioned above. If you read it widely, it will also expose you to different story telling styles, voices, and tropes than your reading of published fiction.

· Can I sell my fanfic?

o No. For fanfiction to remain under the umbrella of Fair Use Law, you cannot profit off your fanfiction. There’s some grey-area wiggle room around things like charging a small amount for a ‘zine or a PDF to cover administrative costs, but zero wiggleability around, say, selfpublishing your fanfic and charging heaps for it.

· Can I “file off the serial numbers”?

o “Filing of the series numbers” is when you take a fanfic you’ve written and essentially pull it apart, remove everything that’s clearly someone else’s Media Text, and reassembling the story so that it’s pretty much a completely original piece of creative writing.

o Yes, you can sell these, provided your filing is rigorous enough that you aren’t likely to be dinged for plagiarism. It’s widely known that Cassandra Claire’s Shadowhunters was once Harry Potter fanfic, and that Fifty Shades of Gray was once Twilight fanfic. But did you know that my Triptych started life as an idea for a Stargate Atlantis fic? There’s lots of stories out there that were once full fics, or the idea for the novel was originally conceived for a fandom, but written as original instead.

o So long as you’re careful to really rework the text so that it’s not just a find-name-replace-name rewrite, you should be fine.

o Be aware, though, that the agents and editors you might pitch this novel to know how to Google. They may discover that this is a filed-off story, and depending on their backgrounds and biases, might be concerned about it. There’s no need to inform them of the novel’s origin straight off in your pitch/query letter, but you may want to have a frank discussion with them about it after it’s been signed so they can help you make sure that any lingering copywrited concepts or characters are thoroughly changed before publication.

o Should you take down the original fic-version of the novel while you’re querying/shopping it? Well, that’s up to you, and whether you’re comfortable with an editor/agent potentially finding it.

· Should I be ashamed of my fic, or take it down, or pretend I never wrote fic?

o What? Why? No! I mean, I have hidden some of my most immature work, but I’ve left pretty much my whole catalogue of fanfic online and I don’t deny that I was/am a ficcer. Why? Because it’s a great repository of free stories that people can read before they buy one of my books, so they can get a taste of how and what I write. Also, you will be in good company. Lots and lots of writers who are published now-a-days started in fandom, including:

Steven Moffat

Seanan McGuire

Rainbow Rowell

Claudia Gray

Cory Doctorow

Marissa Meyer

Meg Cabot.

Naomi Novik

Neil Gaiman

Lev Grossman

S.E. Hinton

John Scalzi

The Bronte Sisters

Andy Weir

Sarah Rees Brennan

Marjorie M. Liu

Anna Todd

...and me, J.M. Frey

How fanfic can harm.

Like with anything else, there are ways that reading and writing fanfiction can actually harm you, or others, but it has nothing to do with the reading or writing of fanfiction in and of itself.

· Some creators may prefer that you don’t (and may or may not follow up with legal action).

o Anne Rice famously went after fanficcers in the 90s who wrote fanfic of her work, handing out Cease & Desist notices like confetti.

o 99% of creators don’t care. Those who do will generally have a notice on their websites or social media politely asking fancreators to refrain. Mostly this is due to their general discomfort over the idea of anyone else getting to play in their worlds. The best thing to do is respect that request, and find a different fandom to write in.

· Flamewars and fandom fights leading to bullying and doxing.

o Regrettably, just like any other community filled with people who have different favorites, opinions, and preferences, there will inevitably be clashes. It’s up to you to decide how to react to negative interactions, and how to model positive ones.

o Don’t forget, you curate your online experience, so don’t be afraid of that block button.

o Also, don’t be the jerk who goes after people for liking different aspects of the fandom. Everyone is entitled to interact and like a Media Text their own way. “Don’t yuck my yum,” as they say.

· Trying to make money on other people’s IP/Media Text (law suits, etc.)

o It doesn’t belong to you, so don’t try to make money on it.

o There’s a grey area here in terms of selling prints/plushies/jewelry/etc. and there’s no hard line about where one copyright owner will draw the line, and another won’t. Warner Bros. owns the film rights for both Harry Potter and Hunger Games, but I’ve seen Harry Potter-themed bars spring up while fans wanting to make Hunger Game fanfilms have been shut down. A friend of mine sells hand-made fandom-inspired items at cons—there is no rhyme or reason to what she gets told to stop making and what she’s left alone on.

o Best thing to do if you’re told to stop is just so stop, move on, and find a different fandom to be active in.

· Writing Real Person Fanfic (“RPF”) can be considered a violation of consent.

o This article sums it up pretty well, but basically… if you decide to write RPF, be aware that they person you are writing about is a real person, with real thoughts, and emotions, and they may feel violated by RPF. If you decide to write it, never send it to the people it’s about, and always clearly tag it so other can choose to engage with it, or avoid it.

o Also be aware that it could ruin their love for what they do. For example: the friendships between the members of 1Direciton became strained and the band eventually disintegrated because people wouldn’t stop sending band members smutty stories or art of them having sex with one another, and it made them too uncomfortable to continue in the band.

· Showing/sharing fanfic & fanart outside of its intended context. Fanworks are for fans, and there are definitely issues if…

o It’s shown to celebrities/actors/creators.

Shoving your fantasies onto the people who create or portray your fave characters is rude, and wrong, and also kinda gross. If they seek it out themselves, that’s one thing, but the same way you wouldn’t throw it at a complete stranger, don’t throw it at them. You may love the characters these people play, but they are not their characters, and they are not your friends.

It may also really weird them out and ruin their love for what they do.

o it’s shown to writers working on the series.

There was a famous case where a fanficcer sent a story to a novelist, and the novelist was accused of plagiarism by the ficcer when their next novel in the series resembled the plot of that fanfic. There was a whole court case and everything.

Because of this, writers of TV shows, books, etc. don’t want to (and often times, legally can’t) read your fanfic. They don’t want to get accidentally inspired by what you’ve written, or worse, have to throw out something because it resembles your fic too closely. Just let them write their stories the way they want, and if they choose to seek out fic, they will.

o it’s mocked by celebrities.

I’m not letting Alan Carr and Graham Norton off the hook. If it’s super rude and gross to shove fanworks at actors/writers/creators when you’re a creator, then it’s doubly rude for anyone to take a story or art made for a specific audience (the fans), by a specific community (the fans), lift it out of it’s context, and invite the public to mock it while also shoving it at the actor/celebrity in a place where they are literally cornered and can’t leave (i.e. the chat-show sofa). Man, it really steams me up when they do that. It’s rude and it’s tone-deaf, and it’s not fair.

And most of the time they do it, they don’t even ask the artist or writer for permission, first, which is just…. Uuuuugggghhhh. It may be fanfic, but it was still created by someone, and you should always ask permission before publicly sharing something created by someone else.

Grrrrrrr.

In Conclusion

If someone tells you that reading or writing fanfic is bad for you as a creator, tell them to get bent.

Famous Fanfic

· Hamilton by Lin-Manuel Miranda

· Wicked by Gregory Maguire

· Wicked: the Musical by Stephen Schwartz

· The Phantom of Manhattan by Fredrick Forsyth

· A Study in Emerald by Neil Gaiman

· Sherlock by Mark Gatiss and Steven Moffat

· The Dracula Tape, by Fred Saberhaugen

· Paradise Lost, John Milton

· Inferno, by Dante

· The Aeneid, by Virgil

· Ulysses, by James Joyce

· Romeo & Juliet, by William Shakespeare

· The Once and Future King by T.H. White

· A Connecticut Yankee in King Arthur’s Court, by Mark Twain

· The Three Musketeers, by Alexandre Dumas

· Pride & Prejudice & Zombies, by Seth Grahame-Smith

· Phantom, a novel of his life by Susan Kaye

· …and so many more.

#words for writers #fanfiction #fan fiction #fan fiction is good for you #writing #am writing #writing community #writing fanfiction #writing fanfic

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faintwalker · 3 years

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Artist Asks!! Number 1, 2, 5, 7, 15, and 25 :D Thank you and apologies for the disturbance ^^"

Lots of questions to answer! I’ll give it my best!

1. Do you prefer traditional drawing, or digital?

Ah, this is a tough question! I like both of them, really, and they both have advantages-- there are certainly things I can do with each one that I can’t do with the other. Drawing with ballpoint is a nice activity that I like to return to, even though I’m now learning digital art, and I do often find it very enjoyable. Hybrid projects where I combine both types are fun too! So, to me, on paper is more relaxing and digital is more challenging, but I am new at it-- I started learning digital art in January, so how I feel is still growing and changing as I continue to learn.

(Also related to preference, I suppose, is the fact that I am very light-sensitive. I have a glare-resistant drawing tablet that I keep quite dim, but if I am not feeling well, paper out of direct light is safer to draw on, so sometimes that is also a factor in what I prefer in a moment.)

2. How long have you been drawing?

...huh. How do I answer this...? I’ve drawn on occasion since learning to hold drawing instruments, but mostly just doodling and not always very often. A lot of it was just pencil on the edges of worksheets. I drew some pieces with more effort during the 2016-2017 school year in moments of spare time, and then had the occasional project going on since then, but not much. Really, my recent bout of drawing started last summer, and suddenly it became one of my main hobbies. So an answer on “how long” is hard to decide on. I feel in many ways that I am quite new to it.

As I said above, I began digital art in January 2021. Lots to learn there!

5. What’s your favorite thing to draw?

At present, it’s definitely Itsuwaribito fanart, but I’m not sure if that’s specific enough or not. Outside of that, I like to draw somewhat creepy things, like spirits and odd creatures. There are other things too-- it’s hard to pick a singular favorite thing.

(Maybe my favorite thing to draw is emotion, but that’s hard to pin as a thing, and it’s not something I can be sure carries across to others through the art.)

7. How often do you use references?

Depends on what I’m drawing (and sometimes on how much I care about how it turns out). If I’m new to drawing a character, I will usually look at pictures (or detail information) from the source to try and make sure I have an idea of details like how long their coat is, how many buttons they have, what the basic shape of their hair is, etc. (I wouldn’t copy any poses without calling it a redraw.) Sometimes I prop my phone somewhere with a timer set on the camera to get a picture of myself for pose reference-- I have to adjust for different body shapes, but it gives me the basics of poses for some projects. On occasion, I will look up or seek out a thing to get a picture for reference of stuff not mentioned above-- for example, I looked up the bone structure of human hands and ribcages for that one picture I drew of Choza.

Mostly with references I just eyeball them. I sometimes forget to use them as well. They can be helpful. Other times they aren’t needed, like when I draw yet another chibi Uzume.

15. How long does an average piece take you to complete?

Another good question that I wish I could answer more precisely! Most things I tag as “doodle” don’t take very long, as the goal is to worry less on them. Some of my projects are small ballpoint drawings completed in less than an hour. Some are ballpoint projects that take several hours. If a piece takes up a full page of (non-digital) paper, it probably took around a full waking day to do. (Hard to tell online how big everything is, though!)

Digital art goes slower than on-paper art for me at present, in part because of how new I am to it. With paper and digital both, however, my speed is increasing. I can draw more quickly now than I could half a year ago!

...Sometimes it’s best to be slow and careful on a piece, though. The aforementioned Choza picture took about eighteen hours to draw when I drew it, and I don’t know if it’d take a much shorter time to do a similar piece now. Paper-based projects don’t have an undo button for the pen stage, so a slip of the hand will remain.

So, all in all, most of what I draw is done in more than an hour and less than a day. Some big projects, including complicated pieces and not-as-short-or-chibi-style comics, may take longer. (Digital chibi comics take much longer than paper ones, I’ve been finding out.)

25. Do you like to draw in silence, or with music?

The easiest question! I draw in silence. Okay, sometimes there is noise in the background from other people, but I have only tried drawing while listening to music a few times, and the music stops and I don’t keep it going. Sometimes I hum a bit or have a song stuck in my head, but I tend to hyperfocus while drawing, so that fades out and I end up only focused on what I’m looking at. When I get distracted and have less focus, I may think about songs or music, but even my music-related art isn’t done while listening to the music! My focus just doesn’t work that way.

(I find it really interesting how that works for different people! Looks like others are curious too. -wWw- )

---

Thanks for sending in all those questions! It’s not a disturbance at all, and I hope my answers are informative and not too rambling! Art is fun, and I like to talk about it.

#ask answered #ask meme answer #about drawing

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thatbanjobusiness · 3 years

Text

Early 1920s Non-English American Records by OKeh

I’ve only begun researching the history of the early recorded music industry. From the beginning, I’ve been interested learning about certain series of records sold by OKeh, a company (of course not the only one) which sought out musicians from a variety of cultural and ethnic groups to appeal to North American and American immigrant demographics. OKeh was one of the first companies to regularly conduct field trips locating musicians in areas that previously lacked recording studio access.

OKeh is responsible for tapping into multiple demographics that had been underrepresented or absent from early commercial music records. In 1920 OKeh recorded Mamie Smith’s “Crazy Blues,” in which Mamie Smith was the first African-American female singer to lead a commercial recording. It was “unexpectedly” successful and broke open the doors for major recording companies to produce materials specifically for African-American audiences. This song alone is worth a ton of research, discussion, and analysis regarding its social background and its bold, hard-hitting lyrics like, “Get myself a gun and shoot myself a cop.”

The same individual who supervised Mamie Smith’s recording, Ralph Peer, is also credited with bringing us the first successful country music record, that of Fiddlin’ John Carson in 1923. It was almost the first country music record, too, but A. C. (“Eck”) Robertson recorded in the summer of 1922 for Victor and saw his music released in April of 1923; John Carson was recorded on June 13, 1923, and his music released August 3, 1923. Even though Peer considered either Carson’s singing or the recording quality “pluperfect awful” (different accounts say different things), this record sold like hotcakes.

To be clear: the motivations behind OKeh and Ralph Peer were that of profit, not representation. And Fiddlin’ John Carson, despite being an integral part of country music history, is no personality to celebrate. But it is nevertheless a unique and informative area of music history to explore for both the good and bad residing in it.

I’ve known the stories of Mamie Smith, Ralph Peer, and John Carson for some time, but I haven’t delved as much into OKeh’s early 1920s music in which they recorded many other cultural groups in North America. Today, I’m peeping into their early catalogue, which is excitingly available online, and contains occasional digital files of the old records.

From 1918-1934, OKeh designated entire catalog series numbers to music and comedy from many people groups and languages. These were, as designated by OKeh itself: Race [that is, African-American] (8000 and 20000), Italian (9000, 84000, and 86000), German (10000, 81000, and 85000), Polish (11000, 67000, and 87000), Hungarian (12000 and 86500), Roumanian (13000 and 83500), Finnish (13500), Jewish (14000), Porto Rican (14000), Russian (15000), Ukranian (16000 and 81500), Mexican (16000, 16400, and 88000), Bohemian (17000), Slovak (18000), Scandinavian/Swedish (19000), Danish (20000), Irish (21000), French (22000), Serbo-Croatian (23000), Slovenian-Krainer (24000), Croatian (25000), Norwegian (25000), Lithuanian (26000), Swiss (27000), Welsh (27500), Greek (28000), Portuguese (29000), Chinese (29000), Spanish (33000), West Indian (65000), Bulgarian (69000), Armenian (77000 and 78000), Hebrew (80000), Portuguese (80500), Greek (82000 and 82500), Turkish (83000), and Bohemian (89000). Think I got all that right.

I’m not here today to seek out the most famous songs that have come out of OKeh’s early 1920s, but I am here to have fun, and I hope it’s fun to share with you songs in different languages I’ve found, looked up, and listened to. Because what’s cooler than what American immigrant and minority populations listened to 100 years ago?

Do note: lots of the audio files are quiet, so you’ll need to crank up. Also note: since this was a hundred years ago, sometimes the record label’s language choices can get... wonky... from a modern perspective. I don’t think here anything’s weird, but I want to give warning because I’ve Seen Things before.

S-70969 OKeh 14054 Mein Griner Cosin / Ich Bin A Border Bei Mein Weib

Tenor Morris Goldstein, singing in Yiddish and backed by an orchestra, was recorded November 1922 in New York, New York. As you can see on the label above, OKeh has it labeled as a “Jewish Comic Song.” Both Morris Goldstein and the composer of this song, Morris Rund, have their names appear on many other records. In fact, looking at Morris Goldenstein, he appears on a large number of records from five companies (Victor, Columbia, OKeh, Brunswick, and Edison) between 1916 and 1929. I desperately wish I could find more information about him, especially given how well-recorded he was, and at such an early time, indicating some level of prominent singer, but regrettably the internet is turning me up dry. I will say, even with this audio being nearly 99 years old, his voice sings out wonderfully.

I actually just stumbled across a copy of this record on eBay, which is fun to see floating around. And reliable discogs has this listed, too, albeit to no surprise, there’s no copies for sale.

8440 OKeh 26024 Pamylējau Vakar / Vai, Varge, Varge

Lithuanian! I found a hundred songs in the OKeh matrices in this language. This recording by baritone singer Kastas Sabonis was recorded in Chicago, Illinois, in July of 1923. Unfortunately, I have less on Sabonis than I do Goldstein, but I noticed Sabonis reappears on Columbia in 1925 and Victor in 1926.

One of the things I am fascinated by is how the main label material (song title, performer) is in Lithuanian, but the rest is in English. In some ways, you could say this makes sense... non-Lithuanian consumers can understand the gist of what it’s about, and Lithuanian people can potentially recognize the title of a song they’re already familiar with. And like, it’s always better to keep the title of the song in its actual language.

Also ironically, one of these records was sold online in late January 2021. So these do float around, still.

S-7310 OKeh 4801 Kuu Pua Loke / Mauna Kea O' Hawaii

We have records of Prince Lei Lani between 1913 and 1928. He started with Victor and switched to OKeh in 1920. This song, Mauna kea o' Hawaii, is the second song he recorded with OKeh; he was recorded in New York, New York. It’s a beautiful recording.

He was born in 1887 in Hawai'i as Edwin Kaumualiiokamokuokalani Rose. Sometimes you’ll see his name as Prince Leilani, Edwin K. Rose, or E. K. Rose. He was in three movies: Waikiki Wedding (1937), Hawaiian Nights (1939), and Bird of Paradise (1951). Lest you forget how nascent the recording industry is, Prince Lei Lani died in 1971. I’ve found one blogger, a relative of his, who’s translated articles and advertisements from Hawaiian to English and collected information on him, in case you’re interested seeing photographs of him and learning more. There’s some fun stuff here.

73798 Odeon 18056 Prychod Z Krčmi Na Svite

Comedy! Slovak comedy! Although the database tells me this is a “Male vocal solo, with accordion,” there’s clearly two singers, and the majority of the recording is speech. The singing duet backed by accordion seems to be, to my untrained ear, an opener and a closer to the act. Comedy recordings are a fun element of early records I need to get more into, and while I can’t understand Andrej Gellert’s speech, the fact he’s intentionally interspersing his speech with hiccups makes it clear to me this is a humorous sketch.

This was recorded November 1925 in New York, New York.

There are more digital files of Andrej Gellert on this site. These ones are music. That’s probably why he got listed as “Male vocal solo.” You can hear Mlynské kolo tosa toci, from the same recording session as Prychod z krčmi na svite. There’s also Lístie opadlo (this one’s really cool) and Na ćo som na svete?, and Veselý pastier recorded May 11, 1925. Frankly his list goes on forever. He did quite a lot for Victor and OKeh between 1923 and 1928.

And to again emphasize these things can be found: there’s a copy of one Andrej Gellert record for sale on discogs for $7.67 + shipping.

That’s about all the time I have today to screw around with early recordings. If I come back around again with more tidbits like this, don’t be surprised.

#thatbanjobusiness #that banjo business #old tags--#Americana Deep Dive #I need to fix my tags on this blog so bad I'm sorry #music #General Banjo Business #long post #Haddock Deep Dives #Country Music History #Collectors Corner #Playlist #sorta a bunch of things at once I s'pose

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swannkings · 3 years

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Do I want to wade into the murky waters of Ye Old Fanfic Vs Original Fic wars? Yes.

I don’t know who amongst Twitter or Tumblr needs to hear this, but your edgy as fuck takes on whether fanfiction has value or not aren’t new or enlightened. I tend not to get public with my takes on writing, because I was there 10+ years ago doing this exact thing on Quizilla & Mibba, and an individual’s medium of writing and impetus is their own damn business. Any and all writing has value. Sometimes it’s meant for personal indulgence or for small communities or friend groups, other times it has to pass muster for professional publication (which is a whole other shit bag of contention) or mass public consumption.

These arguments (they are never discussions) are also exhausting and pointless. Nobody wins these things.

I agree that Cassandra Claire/Clare and E.L. James are poor examples of professional writers having begun their careers in fanfiction. But, I’d also point out that actual literary agents and publishing houses signed and printed them, and professional editors did at least skim over their works. The authors aren’t the only ones to get blame for shit writing. And let’s not forget Anne Rice, infamously unfriendly toward fanfiction, chucked professional editors out of her equation altogether because she didn’t like them having opinions on her work.

Not all writers want to be published nor want fame.

It does seem to baffle when those words enter the ears of pretentious writers, readers, and others who don’t write at all. Some people write because it’s fun, like a hobby. Sometimes those people, who write for fun, will edit their work and sometimes they let it go as is because it’s just for catharsis.

My big personal project is to track down all digital and hard copies of my writing and catalogue them. I’ve been doing it for 10 years now. I’ve been writing and sharing my writings for the last 18 years. I have a hard copy of the very first major piece of fiction I wrote (a Lord of the Rings fanfic from 2002/2003) and a hard copy of the last piece of fiction I worked on (an AU fic for a Japanese otome game) and a hard copy of my first original novel (a urban gothic from 2017). There is an absolute difference in my writing from age 11 to age 28. And looking at my catalogue of writing, most of it is fanfiction. Do I have original works in there? Yes. Are they good? I think they are, and my friend thinks they are, but whether or not those works are up to snuff for a book deal—that’s up to an agent I haven’t sought out.

Improvements to my writing can be attributed to age (I’ll be 29 in a little over a week), to a university education (a BA in Performance Art from a STEM based offshoot of a way more prestigious school is the most I could afford after 3 years of community college), and alternating writing fanfiction online with a built-in audience/community and sharing original works online (where they got much less attention) and with writing groups/friends.

The truest rule of any endeavor is: you get better with practice.

Does fanfiction enable bad habits? Sure, but so does being educated at an Ivy League school. There’s no shame in acknowledging our own shortcomings. I mean, fuck though, I’d take overusing the phrase “carded his fingers” or inexperienced writers with funky grammar over being a snob with a Linguistics degree and a podcast.

What makes me, an unknown writer, a maybe valuable voice in this here shitkicking?

Because I’ve been doing this for half of my life and because I love stories. I’m an advocate for education and reading, and libraries and accessible information. I’m all for kids (anyone really) picking up comics or graphic novels, or reading fanfiction or webcomics, reading whatever genre or medium floats their boat if it means they’re engaging their minds and imaginations. This extends to film and video games and podcasts and audiobooks too because not everyone has the same level of literacy or ability to physically read or stay engaged with written text.

I don’t have a lot of experience in many things, and I am by no means a fabulous writer, but I am old enough to recognize an old argument and threadbare talking points coming from the mouths of unhappy people.

But is there really merit to writing fanfiction? Yes.

It’s a great way for people new to writing to learn how and practice creating engaging narratives.

It’s a great way for young writers to deconstruct their favorite worlds and characters in order to better understand both the creation of fiction and the types of fiction they enjoy writing. (Heads up: published literary fiction also uses tropes and archetypes)

Fanfiction has a built-in audience. This is perfect for any writers who a) are unsure of their abilities and wish to get feedback, b) wish to remain anonymous for various reasons such as being made to feel embarrassed for writing fanfiction but want a modicum of acknowledgment, c) have rich and engaging lives and just want to share some raunchy fantasies because they most certainly aren’t alone, and d) simply enjoy writing things that make others happy.

Have you seen the goddamned news? Let people have some silly little pleasures.

But what about... you know... brain rot?

That’s a real thing. Twitter has it too (have the last 5 years shown us nothing?) And have you met A Dude From Film School?

Let’s be clear: age doesn’t negate brain rot, neither does only writing original fiction. Young people who are Extremely Online, y’all can have brain rot too, it isn’t just Fandom Olds or your Uncle on Facebook.

You should never let your age dictate whether you are able to engage in fandom or fanfiction, but absolutely should in the ways you engage. Not every piece of fic is meant for you to read and not everyone has to praise the things you write, not even your friends.

For the record: writing tropes, even squicky ones, isn’t brain rot. Not believing fandom is racist or gate keeps is though.

The big take away...

Listen.

If you are a writer who primarily writes fanfiction and you want to someday be a published author of real live books, you do need to create original works and engage with writers outside of AO3, Tumblr, Wattpad, or whatever site is still hosting fic when you read this. It’s imperative you see other parts of the creative world. Stretch your wings, experience other ways of doing. Allow yourself to grow beyond what you know.

There is no guarantee you’ll have a career in writing. There is no guarantee your magnum opus will get you a publishing deal, or will even make it out of the slush pile. Writing to a career endgame can be just as detrimental as writing to a trend.

None of this is even getting into the gate keeping that exists in publishing already and only allows in diverse voices when it’s profitable, making fanfiction and online communities all the more important to marginalized creatives.

It’s perfectly alright to just write because you like writing, and it’s perfectly alright if you like playing in other people’s sandboxes. No one but you gets to place value on your hobbies or take merit from you for not writing like you have a MFA in Creative Writin. Writing a 100k Slow Burn fic takes just as much dedication as writing a 60k original novel, they just stretch different muscles.

#fanfiction #writing #will i regret this?

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nekkyousagi · 4 years

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Artist asks! What's your favorite art medium (or genre to write, if you're a writer), and what's one that you'd like to be able to use well? What's your favorite thing to draw (or write), and what's one that you'd like to draw (or write) well? Finally, what's a skill you have (other than drawing/writing), and what skill do you wish you had? Copy and send to 5 artblr/writeblrs you admire!

Thanks for the asks!!!!

What's your favorite art medium? I've tried a good handful over the years, but currently my favorite traditional art medium is watercolor, and pen and ink!! And for digital art, using Clip Studio Paint. I like to add heavy inking lines to my character drawings, and I tend to lean more toward a somewhat textured coloring to my illustrations, instead of smooth shading. My art journey is rooted in traditional art, so I’ve always liked the textures of traditional mediums so I like to incorporate that in my digital work.

What's one that you'd like to be able to use well? I've seen many other artists using gouache very skillfully and I hope to learn how to use this medium. It's somewhere in-between acrylics and watercolor, and seems to be very versatile. Just have to try a good brand and learn some techniques to get it right.

What's your favorite thing to draw? I do enjoy drawing characters, especially well-tone male characters. Haha!! But I've always enjoyed drawing animals and creatures. Comes more naturally to me since before I was introduced to anime, I had a very difficult time drawing people. But with hard work, patience, and a lot of practice, now I really love drawing people in a more semi-realistic style with hints of anime. But what I really, really love to draw are dinosaurs! Always have! I should really draw more...

What's one that you'd like to draw well? I'm still learning to draw many things that interest me. I hope to improve in painting backgrounds, and rendering more realistic and emotive lighting. Still need to improve more in how I draw girls and women, and my current project drawing mecha and robots. I've always had a weakness with drawing machines and mechanical objects. Gotta keep learning!

Finally, what's a skill you have other than drawing, and what skill do you wish you had? A few years ago I learned how to play the ukulele, thanks to youtube videos, and I do enjoy singing. And once I was confident enough, I'm currently learning how to play acoustic guitar. I haven't been the most musically inclined as far as reading traditional piano music notes, but guitar and ukulele chords are something I can understand, so it's been fun getting to express creativity in playing music and writing songs. I do wish I had more skills in writing stories and making comics. I'm an illustrator and have story ideas, but I'd like to improve my writing, especially now that I'm working on a personal sci-fi comic project.

#usagi replies #artist asks #ask meme

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nbmahoushoujo · 4 years

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i can’t remember if i’ve spoken much about this before but i was thinking about gcse art, and how it managed to make what should have been my favourite subject so unenjoyable (i haven’t taken art for a-level because of this so i can’t say for sure if it’s any better, but from my friends who do it seems to be the same)

there was obviously some people who chose to do art for gcse because they thought it would be less work than other subjects, and hated it when they realised that “art” was not code for “not doing anything for 2 hours a week”, and i at least hope that now they appreciate how much hard work artists do. but a lot of us who genuinely loved doing art as a hobby or even wanted a future career in it found we were having trouble keeping motivated.

i think the problem was that all the things we would do were not interesting to teenagers in the 21st century, it was all studying and imitating the work of old famous artists. we never got a lesson on anatomy, stylisation of anatomy, character design, making comics, animation, digital art forms, etc.

like maybe one person in the class would be interested in making art like a 19th century wandering artist, but i’m sure a lot more would love to be an animator or a comic artist or a children’s book illustrator, and they weren’t even being told that’s an option or given the opportunity to learn those skills and try it out

we had maybe one lesson on colour theory that boiled down to “these are cold colours, these are warm colours, and these are complimentary colours” but not how to use them effectively

we were told “never use complete black in your art unless it’s a black and white piece, use a very dark shade of another colour” but never why we should follow that advice or given any example of when that rule can be broken

it was always “draw these bottles” “copy this famous artist’s painting” “paint these bottles” “take a photo of these bottles and copy it” “this time you get to draw a teapot, isn’t that exciting”

it was always still life drawings or artist studies, rarely letting us truly get creative and make things we felt passionate about

the one time drawing a still life was actually fun was when we had a food theme so our teacher got to bring in biscuits, sweets, cake, etc for us to draw and then eat (my teacher was great, the system sucks but not her) and not every group even got the same theme as mine

long story short, you can’t as a school act like you give your students equal opportunities in different subjects when some of them are set up in a way that will discourage creativity and individualism and make them feel unable to pursue the path they want in life

#millie.txt #long post //#not that many other subject were better #but art was the one most of use were really hopeful about #it doesn't come as a surprise when maths is boring to most people #but art is supposed to be an expressive and creative subject #this probably seems random #i just keep thinking i should have taken art a-level #then i remember this and see how much my friends are hating it

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lesbianarcana · 4 years

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Asher... Your mind, your heart👀 I can't get enough of your art. It's absolutely incredible. Tell me! How did you start? What was a driving force for you to stick through boring anatomy (or whatever you find boring? Landscapes? Animals? ) what made you stay with it? How do you handle bad art days? Sending you loads of love an many social distancing smooches ❤️ you're an inspiration!

why are you so sweet omg ok *rubs hands together*

1. How did I start - I started drawing when I was literally like 5 but I started actual digital art in 2011 when I got my first tablet and it was all downhill from there! Fun fact, I’m not super great at traditional art so digital art really opened up my world.

2. How do I stick through it - I have ADHD fhkshdfkjsdf which has ensured I draw obsessively. That’s a semi-serious answer; at least SOME of my dedication has probably been hyperfixation.

Other than that—I practice. That’s really the key and what I say to everyone who asks how my art is good. I look at lots of tutorials -- not just about painting techniques, but about things like... composition, the ‘rule of thirds’, and breaking down subjects for easier painting (e.g. breaking bodies down into shapes, painting with values, gesture drawings etc).

A few years ago I wasn’t all that confident in my art and I relied too heavily on references. I’m very good at exactly copying a pose or facial features, and some people in the fandom thought I was tracing my art, so they made me the target of some stuff that was frankly cyberbullying, harassment etc.

I lost confidence in my art and didn’t draw for a long time, but then I started getting back into it over the last...two years? I knew my art could be looser, but during that time I didn’t really have the spoons to start working on it, and the people who targeted me would often make fun of my art and writing, so it was hard to post anything new while knowing it would ‘make the rounds’ in the wank forum, as it were. But after tripling my antidepressants, a year off work and gaining a little more resilience I was able to get back to basics and start with gesture drawings, anatomy studies, etc.

3. What makes me stay with it - other than hyperfixation and the need to draw my OCs? I love designing characters, either my own or other people’s. I love bringing other people’s creative designs to life, collaborating through commissions. I love doing comics right now, where I’m learning to create something that is in between a static illustration and an animated piece.

I completed a Diploma of Concept Design in 2016 so ya boy’s a qualified concept artist. Unfortunately I didn’t do as well as I would have liked due to ADHD and depression (the former of which I did not realise I had at the time) but I still finished it and learned some good techniques, and my art has only improved since then.

I also get inspired by the art and writing I see from other creators in the fandoms I’m in. Everyone has something great to contribute and I love seeing all the creativity, it makes me want to try new things.

4. How do I handle bad art days - I don’t have bad art days. Seriously. It’s okay sometimes if what you draw doesn’t come out the way you envisioned it, that’s just part and parcel of being an artist. If you’re ever not feeling inspired, it’s alright to just take a break for a couple days. Watch a cool tutorial, do some basic sketches, even if it’s gestures. Help someone else out with their art—that gets me inspired.

Thank you for asking me these questions, sorry I gave like an entire novel in response fdjkhsd if y’all have any more questions lemme know! I’m always here for help, art tips, redlines, etc.

#honeypeabrain #answered asks

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houseofvans · 5 years

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ART SCHOOL | INTERVIEW WITH JUSTINE JONES

Baltimore based artist and illustrator Justine Jones creates her vein of psychedelic fantasy horror drawings–filled with tiny black lines and an occasional pop of bright colors–which have been featured on the covers of Kobold Press and Warlock magazine. Using the hashtag #VisibleWomen to amplify the voices and portfolios of women comic artists, Justine has be able to do more illustrative work and character design. We’re excited to find out more about Justine’s artistic journey, her love of role-playing games, comics, art, her influences and much more. . . Take the leap!

Photography courtesy of the artist.

Introduce yourself? Hi, I’m Justine! I’ve lived in Baltimore Maryland for the past decade and currently live in a small apartment downtown with my partner and my shiba inu Mo, who is a cool and grumpy guy.

How would you describe your work to someone who is just coming across it? I used to call it storybook surrealism, but now I guess it’s more like psychedelic fantasy horror? Monsters and Wizards. Lots of tiny black lines, sometimes with lots of bright intense colors.

How did you start from doodling and drawing to what you do now? I feel like it sort of happened organically. When I was younger, I would do just pencil drawings, and then in my late teens, I got more into using micron pens. I didn’t really discover color until a few years ago, so I’m a huge color noob. I think a lot of it also came from working in comic shops for years and going to conventions. Seeing all of these amazing artists grow, and thinking hey, I could maybe also do that! I first started with t-shirt designs because it just seemed really fun, and I used to have a really hard time selling prints. People don’t need more prints, but they can always use clothes! Now i’m getting more into illustrative work and character design, and I’m loving it!

Who and what were some of your early artistic influences? When I was a baby, my dad hung an Aubrey Beardsley print over my crib. My mom thought it would make me deranged, and maybe it did, but it also made me love ink work and Art Nouveau style haha. I was obsessed with sword and sorcery stuff and loooved cartoons like He-Man and She-ra, and later, Pirates of Darkwater. I also spent a lot of time in elementary school copying sexy comic book ladies from 90s comics, and I know that is pretty far from what I do now, but it’s honestly how I learned to draw. I also copied a lot from children’s storybooks when I was little.

What are some things that inspire the drawings you make? What are some of your favorite creatures and beings you like to explore in your art? Video games are a huge inspiration to me, from SNES JRPGs, to games like Dark Souls and Bloodborne. Also folklore and mythology from around the world, and fantasy artwork from the 70’s, 80’s, and 90’s. Basically anything fantasy. My favorite things to draw are wizards and monsters. I love body horror, anything disgusting and beautiful at the same time. I take a lot of inspiration from Manga, like Berserk, or anything Junji Ito. I’ve done a lot of Illustrations for Clark Ashton Smith stories, which I find endlessly inspiring, visually. Just like, fantasy/ sci fi/ dying earth type stuff.

When did you start collaborating with Kobold Press on creating some awesome fantasy art covers for their publications? I remember getting the email from them when I was on the way to Necronomicon Providence in 2017. I thiiiink they found my stuff through the visible women hashtag on twitter? I was very excited because I owned some of their adventures from back in the day when I played Pathfinder!! Plus, I have always always wanted to draw things for table top RPGs, so it’s been really cool to actually do it! The Warlock mag that I’ve been doing covers for is awesome because it’s going for an old school DND vibe, but it’s all things that are made for 5th edition. You can get it on their patreon, and I hiiiighly recommend it to anyone who plays 5e dnd!!

Take us through your artistic process? What’s a typical day in the studio like? Haha extremely chaotic! I don’t even have a real set workspace, which I really need to change, I just draw where ever. Just chill out, listen to music or a podcast, and draw. If I’m further along in a drawing and don’t need to focus so much, I’ll watch movies or video gameπ– let’s plays while I’m drawing. I also love to listen to/ watch things that are in theme with what I’m drawing, to give me some inspiration. I try to go to coffee shops to change things up sometimes! Basically I just do a bunch of sketches until something materializes, and then I will just slowly refine the sketch. I guess it’s not that exciting, but it’s cool to see the first sketch and the finished product because in my head, the sketch always looked like the finished product, but when you go back to look at it, it’s usually just indecipherable scribbles.

What are your essential art tools and materials? 90% of my art is just done using a .05 mechanical pencil and micron pens. I also draw everything on smooth bristol. If I have time and want to make my lines super crisp before I scan them in, i will use a light box. Then for color, I generally use Kyle T Webster brushes in Photoshop with my Wacom tablet. If I’m on the go, I like to draw things in Procreate on my iPad Pro, but I’m definitely not as good at doing detailed lines digitally.

What do you do when you’re not drawing or working on projects? How do you unplug? Haha, I wish I ever truly unplugged, I think my brain is now melded into the internet! But mostly I love to play video games. JRPGs and anything From Software/ Soulsborne (currently obsessed with Sekiro!) I also love comics and manga. I’ve been reading The Girl From the Other Side, which is a beautiful dark fairytale Manga by Nagabe. I also just got one called Witch Hat Atelier, which has the most amazing art! My partner also owns an insane amount of board games, so we play a lot of those. I’m obsessed with coffee, and work part time at a coffee shop, and my favorite thing in the world to do is eat good food.

What has been the most challenging project you’ve worked on? How did you overcome those obstacles and what did you take away from it? I made a kind of cosmic horror short story in mini comic form last year for SPX, I had very little time, and it was my first time actually writing a story/ dialogue to go with my pictures. It was insanely challenging. I ended up with a finished product that I’m really proud of and that I’ve gotten a lot of positive feedback on. I think it really drove home the fact that I just need to stick with things and finish them, even if I don’t feel like they’re perfect. I’m never going to have the time that I want, and I’m never going to feel like anything is perfect. I can still make a great thing!

What advice would you give someone who wants to follow in your footsteps and pursue art? Don’t spend 4 years doing nothing, but playing World of Warcraft (Or doooo?). Uhhh, believe in yourself. Be nice to other artists. Draw all the time! Immerse yourself in things that inspire you! Also, like I said before, things don’t need to be perfect. Let go of perfect, because sometimes it’s an unattainable ideal. Just do as good as you can, and don’t beat yourself up so much! I’m horrible at advice!!!

What’s your best Art School tip that you want to share with folks? Haha, I moved to Baltimore to go to MICA like, 14 years ago, and then realized I was poor, and would never be able to go to MICA… sooo… I never went to real art school. I wanted to go so bad, and I still wish I’d had that experience, but I want other people who can’t afford it to know that you don’t NEED it. Things are a bit harder, but you can find so much free info online if you have the drive, you can teach yourself so many things. Don’t get discouraged just because art school isn’t gonna happen for you.

What are your favorite style of VANS? I love my lavender/ sea fog Authentic Vans, because they basically go with anything, but I am always eyeing those Sk8-His.

Anything you can share that is coming up? Ahhhh, I have some realllly cool things that I can’t share yet, but just everyone keep an eye out (It will be very exciting, i swear)!! As for things I can share, I’m working on some new t-shirt designs, and another comic, and also plan on drawing some more cool wizards in my spare time. So if you wanna see some cool wizards, uhhh, come to my Instagram–you guys! Let’s hang out and look at wizards. And talk about wizards. And if you don’t like wizards well, don’t come I guess.

FOLLOW JUSTINE: INSTAGRAM | WEBSITE | TWITTER | STORE

#Art #Vans #Vans Art #Justine Jones #Vans Girls #Comics #illustration #Art School #Interview #Baltimore

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castielartandcomics · 5 years

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Can you give inking tips? My inking techniques SUCKS, and you'rs are incredible! (Totaly ok if you don't tell me tho)

First of all, I’M SORRY… This ask is here from probably months, and at first I didn’t have time to answer, but then I just straight up forgot about it and I’m so sorry about this! Hope I can still be helpful after so long, and sorry again!!

Thank you for considering my inking incredible, it makes me super happy! /)u(\ I grew really fond on inking, and it’ll be a pleasure for me to give you some tips!! This post might get a little long so, prepare yourself.

So, first things first!

1. Study the heck out other’s inking.

Take yourself some sweet free time and get something of your favourite authors. Inking, like drawing in general and a lot of other things, can be improved by first of all observing and studying how others do it - pretty much like when learning how to cook!So sit comfortably and get everything in front of you, and begin to really observe! I will give you a lot of examples, and they’ll be all from comics, since these are my usual inspiration because of the job I want to do. If you want to make illustrations, consider various illustrators, or covers of the comics!Just to give you a rough example of just how many inking techniques I looked up and still look at…

… these are just a little part of them. Look at how many different hands you can find, because everyone inks differently - and you don’t need to have them in physical form, you can also just look on the internet, but showing off part of my collection of comics and mangas is nice, haha-

2. Black and white VS coloured drawing

Do you want to make drawings that will stay black and white, or do you want to colour them? This is a very important question you should make to yourself, because the ink will eventually serve two different purposes.

Let me explain.

If you want to make a drawing that will remain black and white, the result will be very flat (obviously, because there will be no shades!). This means that your drawing will need to be clear, which you can obtain by making the character’s border thicker, the background thinner, and/or by making black shadows or elements on the characters to make them stand out.The most practical examples I can make you of this is from mangas:

In these panels from Dragon Ball Super, see how the characters have pure black elements while the background doesn’t? It makes them stand out a lot!

And in this from BBC’s Sherlock’s manga, despite the use of a lot of grays, the characters have black clothes (like John’s, under the jacket) or shadows on them that make them stand out against the background, that remains instead much more clean.

An inking that has to remain black and white is often more elaborate, then, because it has to make the scene as clear as possible with just the white of the paper and the black of the ink!

But, if you want to make a coloured drawing, the inking is generally kept simpler, because the colours will give the drawing the right equilibrium. A very elaborated and complex ink can get completely lost, or even ruined, when coloured - unless you want to make flat colours and want to give the ink more importance, but sometimes it gets lost in there too.

Look at this panel, for example, from PK (which I think is called Duck Avenger in foreign languages?). The comic is coloured, so the inking is left pretty simple, filling with complete black just a couple of things that are useful to the panel itself (pk’s costume, and the background behind the dust, that gives the scene a more scary look). If you take away the colouring, the drawing is very flat: because the colours make everything stand out!

Same thing for this panel of Blacksad: it’s far more elaborate, but the details are left pretty simple, even “sketchy”. It’s the colours that make everything move (handmade colours, even! This comic is fully colored in watercolours!)

Now, it’s not always the case:

In Witch Doctor, the inking is very defined and complex and yet it is also coloured, and the effect is very good! Even a bit “dirty”, which is very nice to see, seeing the horror theme of the story. As someone who has read all of it, I can tell you: sometimes it’s a bit distracting, though. It’s an incredibly complex ink, because the equilibrium between black and colours is hard to find, and sometimes it doesn’t work entirely. But when it does, the effect is incredibly cool and nice to look at!

Personally, my biggest inspiration when it comes to inking is Sky Doll:

The inking is so smooth, but manages to remain dynamic and even sketchy in certain details. And it couples with colours just PERFECTLY.And about this, actually:

3. Make your trait dynamic!

What I mean with this is that I noticed that a good inking trait isn’t the same in the entire drawing. Look up at Sky Doll’s panels, especially the first one: the details inside of the face are thinner than the border of it. To make a comparison, look at the trait that defines the border of the cheek, and then look at the sign on Lodovica’s cheek: it’s much thinner! It gives a clear impression of what is what.For another example, look at my last drawing of Sammy: try to focus on one part, like the bandages on the hand. The external trait for them, that defines where they start and where they finish, is thicker; the inside traits are thinner, and the traits inside them is even thinner.

4. Experiment. A LOT.

You won’t find your way of inking a drawing if you don’t try. Do you ink a lot digitally? Try doing it handmade. Try using only inking pens. Then try to use a brush to ink. They try to mix them! Do you feel better inking eyes with a pen, but hair with a brush? Try it! Try making a drawing with much more complex ink. Then try to make one with very simple ink! Try colouring it! Or even both, and see the difference! And digitally? Try changing brush. Then try inking the whole drawing without zooming in. Try inking it with a brush that doesn’t change size, than with one that changes size depending on how much you press! Try, try, try. A fun idea is also to make a sketch, make various copies of it, and then experimenting a lot of ways on the same drawing, and then see the comparisons! Try really everything, without fear, and without looking for extremely professional stuff: once I made a lot of drawings with a pen! Yes, a simple pen, with the ones you write with! Try that, too!And yes, at the beginning you’ll make a mess after another mess - but you’ll see, slowly you’ll start to get the hang of it, especially when you’ll understand what path is the right for you!

Just to make you an example, always with that Sammy drawing of mine: inks are completely handmade. The face traits, lines of the hair, and thinner details, are all made with inking pens; the border lines and the thicker ones are made with brush and fresh ink; the black of the vest and tie is made with marking pens that are used to write on cds; the washed-out black of the Bendy cutout is made with the same pens, but unloaded!Nothing is ever wrong, just try! And you’ll discover some neat tricks!

I hope this helped somehow!! And sorry again for making you wait so long!!If you need any other tips, I’m here ready to help! And hopefully I won’t make you wait so long again, haha- ^^’

#inking #inking tips #inking techniques #tutorial #inking tutorial #klydiar

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elven-ariaera · 5 years

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Welcome all!

If you’re reading this, I’m assuming you’re familiar with my work as either an artist, cosplayer, writer or any of the other creative things I do. Recently, I had been asked about some of the work that I do, and I thought a fun way to just that was to fill out a few questionnaires. Here I talk about some of the high and low points of doing what I do, what inspires me, and my process of creativity.

For those who are only interested in certain segments, I’ve broken the article into the following sections for you to easily maneuver your way throughout the piece: Art, cosplay, writing, and questions asked by you.

I know I’m no professional and compared to a lot of others I don’t have as outstanding an amount of followers, but if this article can help inspire at least one artist to try something new or learn something they didn’t know, well, that’s good enough for me! I hope you enjoy!

Art

When did you get into art?

I’ve been drawing as long as I can remember, but I do recall middle school in particular being the time that I really started pursuing art. I had to choose between volleyball and art club after school, and guess which one I picked. It wasn’t just academics either. My notebooks were full of fan art of mostly Link and Zelda, but you could find some Kirby, Pokémon, and Naruto scattered in there as well.

Show us your oldest piece of art you have on hand.

Yeah. It’s… Something.

What defines your artistic style?

I think the faces of the characters I draw distinguish my art. I always have a certain way of drawing the eyes, ears, and other features. I always give my females more prominent eyelashes than males as well. Certain clothing as well — The way I draw capes and hoods are distinct. Not to mention when designing my own clothes, I tend to use similar patterns.

Do you practice other styles/have you tried other styles in the past?

I occasionally dabble outside my comfort zone. I’m not necessarily a huge fan of the “Cal-Arts” style, but I’ve tried it every now and then, especially when creating fan art for shows like Steven Universe, The Amazing World of Gumball, and Amphibia. I don’t really do it too often, but I’ve made a piece for my portfolio mimicking several art styles from a variety of different shows just to demonstrate that I can do it if I’d like to.

What levels of artistic education have you had?

Honestly, just high school. I thought I was going to college for digital illustrations but it turned out communication/graphic design was totally different. I actually got into that because I could draw when not many other people in that field could. Of course, I’m always interested in learning outside of school. I learn through watching other artists on social media, seeing how they create their work. Just watching a speed draw can help so much! The way I learn the most, however, is just by doing. Practice, practice, practice!

Show us at least one picture you drew or sketched recently that you did not put on a public site.

I’ve been doing a lot of Fire Emblem doodles for my new sticker line, so here’s Setsuna. Honestly, I just like drawing bust portraits like this.

What is your favorite piece that you have done?

I can’t just pick one! I’ve drawn over 900 things since I first joined DeviantArt (and I’ve been drawing even before then), you want me to pick just one? Haha, I’ll narrow it down to three of my favorites (in no particular order):

I love this one because it was like the first cute drawing of Ivysaur I’ve ever done. Ivysaur was always a tricky pokémon for me to draw, but this was the first time I feel like I nailed it. Ivysaur also happens to be one of my absolute favorites, so that’s a plus.

This is Minerva, a Guardian from my fantasy stories. Every time I drew her prior, I could never quite get the look I wanted. This was the one that I really liked and so I colored it and am very happy with how it turned out.

I don’t know why I just love this drawing I did of Dimitri from Three Houses. I think its the eyes and hair. And the color contrast — especially in the original ink sketch (that I hung up over my craft table.) I just love it.

What is your least favorite piece that you have done?

Again, you want just one? Haha, too many failures. I’ll be fair, though, and post three of those as well.

Here’s one from my early days. I was trying so hard to get the hair all detailed like and instead it came out looking like gross looking veins. Not to mention how atrocious the proportions were. Oh man, I’m sorry past me, I know you tried.

Here’s one I was so proud of: I copied the official art for Twilight Princess and thought it came out amazing. So amazing I titled the piece “Awesomeful Link.” Yeah. Um. Nope.

Here’s a more recent one that I’m not too pleased with. I was so excited about the latest batch of Steven Universe episodes (which I would later learn were a big bunch of filler episodes and that didn’t make anything better) I drew Pearl reciting her ‘big line’ of the trailer. I tried to mix styles and I tried something different with the eyes and all in all it just came out… Meh.

What do you like most about your art?

I like the faces that I draw. They’re always the most fun and I think they come out the best. I especially love the eyes, I go into so much detail on them (even though they’re usually so small when I print them.) I’ve had issues in the past where I made all of my characters look like they had the same face, but I feel I’ve been doing a lot better at individualizing the face of each character and that makes it all the more fun as well.

What do you like least about your art?

The hands. Sometimes I draw them well, but I still struggle hard and sometimes it really shows. For chibi drawings, I don’t really care as much, but on my more “serious” art, I get a little bummed when I’ve got a wonky hand hanging off their wrists. Feet also sometimes give me a bit of trouble, but usually only when I do poses that involve more movement, which is why I sometimes make my art stiffer and I don’t like doing that either.

Have you ever considered taking commissions?

I do take commissions. In fact, I’d love to take more if it were possible.

Are you looking to pursue a career in art?

I do it part-time right now. I’m satisfied doing commissions and artist tables at local conventions. I think I’d like to pursue writing more than art, but I do love art just as well, so part-time is perfect for me.

What do you like drawing the most?

As I mentioned before, faces. I love drawing facial expressions, I feel like it’s the very core of a character. It’s the first thing I notice when I look at anyone’s art, so I always go all out on my own. I also like drawing hair and wrinkles in clothing. I used to be really obsessed with wrinkles and it would always look like my characters didn’t iron their laundry, but I’ve definitely toned it down since then, haha.

All in all, I like drawing human characters the best — or humanoid. Elves, fairies, merfolk; I love them the most. I like drawing animals too, but not as much as people.

What do you like drawing the least?

Once again my answer is hands. They are still as difficult to draw as the day I started.

Backgrounds are also not enjoyable for me to draw. It’s an important part of a piece, but I get so bored drawing anything that’s not a character — which is why you’ll probably notice in a lot of my art that I do a lot of very minimal backgrounds. I’ve been trying very hard not to just take stock photos anymore (with the exception of my Mythical Month art as they’re meant to be stickers,) and I’ve been using games like Skyrim and Breath of the Wild as inspiration with their gorgeous scenery.

Do you draw more fanart or original art? If fanart, what fandom do you draw the most of?

I post a lot more fan art than original — at least I used to, but I also think I have expanded in sharing my original art more and more with my Mythical Months/Mondays. I guess maybe I’d say about half and half.

What medium/program do you use the most in your art?

Digitally I always use Photoshop. Always. As for traditional art, I’ve been using Copic knock-offs (I’m still learning, so I’d rather not waste the money) and the Sakura Micron pens for my ink sketches. I’ve really been enjoying them, actually, it’s very therapeutic. However, no matter digitally or traditionally, I always, ALWAYS start with a pencil. I like mechanical pencils, I don’t like traditional #2 pencils anymore. The thin lead helps me keep control better.

How would you rank your art? (poor, mediocre, good, etc.)

I always say I think my art is “above average.” I know it’s not bad, but I think it could always use improvement. I don’t know if I’ll ever get to a place where I think my art is phenomenal, but I’m content with it, it makes me happy, and that’s all that matters.

List at least one of your “artspirations.”

My art style was greatly inspired by Naruto, Fire Emblem, and Zelda. I always liked more proper body proportions with that hint of anime inspiration. I like bigger eyes on my characters because they help convey emotion so much better, but I also don’t like the oversized baby eyes outside of the occasional chibi style. Avatar: The Last Airbender was also a great influence since the creators did exactly what I like to do and execute it wonderfully.

What do you think you could stand to improve on?

I feel like I can always improve on everything that I do in my art. There are things I’m good at, but I don’t feel like I’ve mastered anything in particular. Then there’s hands and feet again which I definitely need to work on. Lastly, motion. I want to be able to draw more fluid character motions. I’ve been working on it with my original art that I don’t post online, but hopefully I’ll start incorporating it into all my work.

Do you have a shameful art past? (recolor sprite comics, tracing art, etc.?)

Ugh, yes, YES! I admit I was so bad at first, but I also think that’s just how we learn. I used to do a lot of tracing. I started first just full-on tracing images off my computer — That’s right, I’d put the paper up to the computer and trace it like that. Then I started using bases, which was better because at least I had to draw all the details like hair and clothing by myself. Then I finally worked up the courage to stop using them completely. I’d use references, but I would force myself to figure it out by eye rather than copy it straight from the source. I’m happy to say I haven’t been tracing since my late middle school- early high school years.

Cosplay

How many years have you cosplayed?

My first cosplay was when I was fourteen, and I’m twenty-five at the time of writing this article, so eleven years now. Wow.

How did you get into cosplaying?

I honestly don’t know. I was invited to a convention where I heard people dressed up and was like “hey, I want to try that!” I guess it was because I didn’t really do Halloween as a kid and I was so deathly terrified of costumed characters as a toddler that I never took an interest until high school.

How many cosplays have you done?

That’s funny, you want me to remember how many cosplays I’ve ever done. A lot. According to my photo collection, I’ve done about 60 different cosplays (59 exactly if I’m counting correctly.)

What was your first cosplay and why did you choose it?

My first cosplay was Osaka from Azumanga Daioh in her blue summer uniform. Azumanga Daioh was my second ever manga series and my cousin and I were so obsessed with it. She even went as Yukari with me to the convention (though only, like, two people knew who we were.) Tomo is probably my favorite character, but I related personally more to Osaka, being the air-head that I am. I also didn’t have to really style my hair (because that was an era before I used wigs.)

What is your favorite cosplay you’ve done so far?

It’s a tie between my Trainee Link (Hyrule Warriors) costume and my Royal Guard Link (Zelda: Breath of the Wild) costume. Both are alternative costumes for one of my all-time favorite characters that I hand made all the really detailed pieces all from scratch. Link has always been a special character for me to cosplay, but these two are my favorites.

What is your least favorite you’ve cosplayed?

Rapunzel (Tangled). I was obsessed with her at the time which is why I wanted to cosplay her originally, but my dress was not the best and I didn’t look good as her. At least I think so. It was the only costume that made me feel insecure.

What cosplay is the most uncomfortable or troublesome?

Okay, I love this costume and character to pieces, but my gosh the struggles I go through for Pearl (Steven Universe). Blue Diamond (Steven Universe) is the worst in terms of how long it takes me to put my makeup on, but Pearl is right behind her at about 2 hours being my best time. However, the thing that makes Pearl more troublesome to wear is one thing and one thing alone: armsocks.

They look great and prevent you from having to dab makeup all over your body, but I literally couldn’t even hit the home button on my cellphone and it’s not like I could just take them off like gloves. They’re attached at your middle and putting them on is a hassle on its own. Getting your fingers into each tiny socket is so time-consuming. Now imagine this while also being coated in body paint. Plus, having white be the color of the stockings, you have to be conscious of everything you touch because it will stain and show. Because of all this, I refuse to use the restroom dressed as Pearl, and while that is “in character,” it is not healthy and totally NOT recommended you do that.

What is your most comfortable cosplay?

During the winter, Ravio (Zelda: A Link Between Worlds) for sure. It’s like wearing a giant snuggie. However, in summer, it does get hot very quickly (which is why I literally only wear biker shorts and a tank underneath if I ever do take it out on a hot day), so I only wear it in summer if I know there will be AC. Heatstroke is a real thing. Miss Frizzle (Magic School Bus) is probably the best all-year cosplay in terms of comfort. It’s just a dress, stockings, and a wig really.

But in all honesty, most of my cosplays are relatively comfortable. There’s really nothing that I’ve been so uncomfortable that it’s made my physically ill or scarred me physically. My health is important to me, and should safety should always come first.

How do you research the cosplay before you make it?

I look up lots of reference images. I need an image of the front and back, though if it’s not available, I just improvise based on the images I do have on hand. After that, I kind of just wing it.

Do you sew your cosplays yourself?

A good majority of them, yes. There are a few exceptions to this, though: My Disney princesses are all bought since I use them in performances and want them to be durable if children come and tug on the outfit. Pearl, also being a performance cosplay, I did buy as well. For her second reformation outfit (the sleeveless with the ribbon) I got specially commissioned to look and fit me just right whereas her movie/future appearance (jacket and mom-jeans) I literally found at a thrift store. I also love to find costume pieces at thrift stores. Whether I use them as is or make alterations, they make life so much easier when you make a good find for a cheap price. Leni Loud (Loud House) is probably my favorite thrift/sew hybrid. I found a base dress, altered the top and added strap sleeves, put lace around the edges, found a blingy pair of sunglasses, bought earrings and painted them, and made bows for sandals I already had. The most expensive part of that cosplay was the wig I bought from Arda (and it’s always worth it to buy from them in my opinion.)

When I make a costume completely from scratch (like Ravio, Thranduil, any of my Link cosplays) are when I really love the costume and character and want to take on a challenge and bring it to life myself. They also tend to have pieces that can’t be altered from your everyday clothing, but that just makes me work harder and learn more!

How did you learn to sew?

My grandmother taught me how. Osaka was my first cosplay, but my mom altered it from a tee shirt we found at a thrift store and a lucky skirt find. Kabuto Yakushi (Naruto) was the first cosplay I made from scratch (and I won best novice at the convention I wore it to — even with my terrible wig, haha.) She showed me how to use patterns when we made that and my Ayame Sohma cosplay, but after that, I scrapped using patterns and I basically just eyeball everything now. It’s totally not recommended, but I’m a little weirdo and just prefer to do things the way I do. Still, I wouldn’t be able to use a sewing machine if it weren’t for her. Thanks, Nanny!

Do you make your own props?

Most of them. I don’t really use props too often as I find them cumbersome to lug around a convention (which is how I thought of the Fire Emblem, Gravity Falls, and Skyrim book boxes to store your stuff and add some extra flair to a costume.) The few props I have made include Link’s sword, his trainee shield, his original shield from Zelda 1, and Soren’s Wind Tome (which I used for Laurent (Fire Emblem: Awakening) because I didn’t finish Soren (Fire Emblem: Path of Radiance) yet…) Then there’s my prized cosplay prop; Victreebel for James (Pokémon). That was all thanks to my fleece hat business in high school that taught me the skills to build that thing.

I actually think the only prop I store-bought was my Hylian Shield because it was so lightweight and easy to carry, plus I was dreading doing all those details at the time. Maybe one day I’ll make it from scratch, but for now, I’m content with my store-bought.

Do you style your own wigs?

Yes. I have been improving my styling skills a lot more since I first started. It was always a more difficult task for me, but I’ve been practicing more and more. The first one that I attempted on my own was my short-haired Rapunzel. That was basically just giving it a haircut, though. My first real styling challenge was Breath of the Wild Link. It took a long time, but I actually had fun figuring out his hair.

For most of my costumes, it’s really just the bangs that need that extra pop, to which I use Got2B gel and spray. Does the trick every time and keeps everything in place. For those who are wondering, though: No, I did not style Pearl’s wig. I am not ready for that kind of gravity-defying styling. That was all E-Bay.

What skill has been most useful for making your cosplay?

Well, sewing mostly, but other skills that have come in handy for me personally have been painting, crafting, makeup, styling, and overall decorating. Probably other stuff too, just nothing more I can think of off the top of my head.

What is the hardest thing when making a cosplay?

Probably figuring out how things connect. This is the main reason I’m timid when it comes to armor. I’ve been getting better, but I’m still having trouble figuring out how everything attaches and how to put on these kinds of costumes, which is why my Skyrim Elven Armor has been put on hold.

What was the biggest screw up you’ve had making a cosplay?

I’m not sure if I had any major crisis’ when it comes to making cosplays, but I’ve certainly had my fair share of irritating mishaps and mistakes. I can’t tell you how many times I’ve accidentally sewn the sleeves on a costume inside out about 4 times before I finally got it right.

I’ve cut holes in my clothing, I’ve sewn sleeves on too tight, and I’ve even completed a hat that took hours just for it to wind up being too small when I put a wig on. I guess most of the major issues I’ve had with sewing are measurement issues, so my advice to you is to always measure and try on your costume as you go. Don’t wait until the day of the con to try out your new cosplay.

How often do you injure yourself while making a cosplay?

Not too often, I occasionally prick my finger with my sewing needles, but I haven’t had too many serious injuries. I think the worst was when I slashed my thumb with the exacto-knife when making my first shield for Link. Needless to say, there was a lot of blood.

Do you try to stay cheap or do you splurge on materials?

I am a frugal soul; if I can save, I will. That’s why I thrift so much. However, on a costume I’m really passionate about, I will spend more to ensure the quality. For example, I spent a little more going to a more shimmery material for Royal Guard Link. It cost about $50 for the blue and red material, which to me, is a lot (and that was with coupons). However, the results were 100% worth it. PS, Michaels and Joann’s ALWAYS have coupons. I totally recommend downloading both apps.

I also stand by that with wigs and contacts. I love Arda, their quality is great, but they are more expensive than Amazon. Contacts I don’t mind spending more for as well since the quality is VERY important in this case; they are going on your eyes, after all.

However, as I said, I am absolutely not opposed to going cheap. If you can make it work, make it work. My Nyo!Austria (Hetalia) cosplay came out very cute and it was literally made from bedsheets. From using mostly thrifted and recycled materials, a lot of my cosplays came to around an overall price of around $30. Some of these costumes include Mega Gardevoir (Pokemon), Tomoyo Sakagami (Clannad), Spyro (Spyro the Dragon), and Luan Loud (Loud House.)

Cosplay can be totally affordable, you just have to be creative and think a little outside the box sometimes to make it work.

Have you ever cosplayed with a partner or group?

Yes, a few times. I’d love to do more group cosplays, but we all have to think of something we all like. Luckily, two of my very good friends decided they would dress up as Steven Universe and Amethyst to go with my Pearl this year for Comic-Con and it was such a great experience! I’m trying to convince them to do others as well, such as The Loud House and The Magic School Bus with me as well, haha.

Do you try to act in character?

Always: but I don’t always succeed. It really depends on the character. Pearl I could roleplay for days. It’s probably because I connect so much with her and performing as her doesn’t hurt either. Dee Dee Magno Hall says her favorite lines to say are peoples names, and after giving it a shot myself, I totally see why. I even practiced Garnets “Stronger than you” monologue in Pearl’s voice and tone (in case no one volunteered to sing during our karaoke event) and it always makes my friends laugh.

The characters that stump me a little more are the more serious characters I choose to portray; Link, Laurent, Thranduil (the Hobbit), Belle (Beauty and the Beast), just to name a few. I’m kind of a goofball/airhead so those characters clash with my personality a little bit, but I am getting better. Blue Diamond is surprisingly the easiest of these types to stay in character for.

That being said, I love being the outgoing, oddball characters. Like I said, Pearl is second nature to me, as well as Anna from Frozen. Back in my Hetalia days, Austria and America were my go-to guys. I could act as them forever, and my friends and I literally lived as them for a while with how much we role-played. Most of the Disney Princesses it’s pretty easy for me to stay in character, especially (like I said before) Anna, Sofia the First, and Merida.

How do you react to cosplayers dressed as a character from the same anime/game/etc?

If there are some good character opportunities, I will role-play on the spot, but more often than not I will ask if we could all get a picture together. There were so many fun interactions with other Steven Universe cosplayers when my friends and I did our little group, but one of my favorite interactions was probably when I was dressed as Laurent and I stumbled across a Miriel cosplayer and I just shouted out “MOM! I FINALLY FOUND YOU!”

Do you try to duplicate your character’s expressions, walk, movements, etc?

I can talk the talk (mostly), but I have more trouble walking the walk. I’ve been trying to replicate movements better, but facial expressions I have trouble with (ironic as it’s my favorite part of drawing.) I’m not as photogenic as I’d like to be, as you could probably tell by most of my pictures being the same face, but I definitely am striving to improve on that.

What was your funniest experience of acting in character?

Okay, there’s a lot that I could share, and eventually, I want to do an article solely on cosplay “in-character” experiences, but the one I HAVE to share right now is a recent experience when I was dressed as Ariel from The Little Mermaid.

I was performing at the family day event my church helps out at my pastor’s air force base as Ariel, and after my sing-a-long, my makeup was a little smudged. I asked a volunteer where the restroom was so I could touch up before I headed back out to the crowds. I thought he’d take me to a private restroom, but he brought me to the public one where there were families waiting outside. They noticed and the dad joked “See? Even princesses have to go.” to which I laughed and gave my best Ariel shrug to play along. I went inside, fixed my makeup, and went back outside.

It wasn’t long, so the family was still outside the men’s room. As I walked by, the man’s son shouted out “Ariel, congratulations on going pee-pee!” to which I bursted out laughing. Everyone was. I mean, if you gotta congratulate a princess on using the bathroom, you picked the right one! After that, I did explain that I was just putting on makeup but I appreciated his enthusiasm and thanked him for it.

Do you compete in cosplay contests?

All the time. I love them. Whether I win or lose, I always get something out of it. I learn tips from other cosplayers, get to meet so many interesting people, and those times I do win I get prizes which is always nice as well. Most importantly, though, the memories that are made there are the very best part.

Have you won anything?

I have won quite a few. I have three trophies, a medal, a few certificates, and have won a cash prize as well. My first win was my second convention as Kabuto where I won the best novice trophy. My most recent win was for Ravio in August of 2019 with best in show. It’s amazing, I never thought I would get this far, but I’m so grateful for everything I’ve been a part of.

Again, it’s totally not about winning, but I’ll admit that it does feel really nice to have my hard work appreciated. Just as drawing, I still feel like I have a lot of room for improvement in my cosplay, so winning a few contests here and there definitely helps my low self-esteem.

Do you prefer skits or walk-ons?

I’ve only ever done walk-ons. I’ve never had anyone to do a skit with and I don’t think I could pull one off on my own. I’d love to do one eventually, but for now, our panels are good enough.

How many friends have you made because of cosplay?

Quite a lot. My Instagram is full of cosplayers I’ve met at conventions and I love seeing their cosplays and drawings, it’s all so inspiring!

Do you attend photoshoots and meet-ups outside of conventions?

Occasionally. I’ve never done a professional photoshoot (though one day I’d like to,) but I have attended a few meetups. I’ve done one for Steven Universe, Once Upon a Time, Disney, and I actually accidentally walked into a Fire Emblem: Awakening one dressed as Laurent, so that worked out.

What is the funniest reaction you’ve gotten cosplaying from people outside of the community?

The best one was when I was dressed as Link and my friend and I were on the subway. There was a mom and her kid sitting across from us and she pointed to me and said to her child, “Look, an elf! You see? Santa’s got his helpers out all year round, so you have to be good!”

I also had another wonderful experience outside of a con dressed as Link, though it’s not as funny but more just a sweet memory. It’s quite a bit, but luckily I’ve already written about it for Zelda Universe so I’ll just link it here for anyone who’s interested.

Name a few cosplays you’re planning to do next:

I’ve got to get Soren (Fire Emblem: Path of Radiance) done soon. I’ve been wanting to do this cosplay forever and I did start it, but I need to finally finish it. Dimitri (Fire Emblem: Three Houses) is also on my list to do next. Not sure about who else I want to do for sure, but some ideas that have floated around in my head have been Tilly Green (Big City Greens), Anna with her Frozen 2 look, Princess Peach (Super Mario), and a Thalmor Mage (Skyrim.)

What is your dream cosplay?

Princess Zelda from Twilight Princess. I’m still too scared to try to cosplay her. I bought a cheap starter costume that I was going to build off of and it wasn’t turning out the way I wanted, so I put it off again. One day I’ll feel confident enough to make her costume, but until then I’m totally satisfied with my Link cosplays.

What do you take into consideration when picking a character to cosplay?

Honestly, I just have to love them as a character and the costume itself has to seem do-able. I mean, I’m totally not opposed to buying cosplays if I really want to be a particular character, but like I said, making it means all the more to me. It’s my display of affection towards that character, the creators behind them, and the series as a whole.

Is cosplay serious business for you?

Yes and no. No because I don’t do it for money, likes, or internet fame. I do it because it’s fun and what I like to do. Yes because I go all out when I cosplay. I do everything I can to get the look the way I want it and I put my blood, sweat, and tears into it when I make them by hand.

What is your favorite thing about cosplay?

Everything: Dressing up as a character I love, roleplaying them, taking photos, just everything! I would do it more often if I could!

How do you want to grow as a cosplayer?

I want to learn how to make more. I want to build armor, I want to learn new makeup and hairstyling techniques, and so much more. I’m happy where I am, but I know I can be better. I will watch others and learn from them and push myself to try new things!

Are you willing to answer questions and help other cosplayers?

Absolutely! I may not be a top dog of cosplaying, but if I can help someone with something I’ve learned along the way, I’m more than happy to help!

Writing

When did you start writing?

I started in middle school as well, I used to write a Nintendo fan fiction called “The Kirby Show,” where Kirby and his friends would get into wacky sitcom scenarios. They were really just knock-offs of the television shows I used to watch back in the day, but hey, everyone’s gotta start somewhere.

As for my original writing, I started that more in high school. I still wrote a lot of fan fiction at that point, but I was starting to develop my own characters as well. I thought it about time to think of my own creations, and I did. I remember I was in my Godmother’s car when I thought of the main three characters and since then the cast has expanded so much, their stories are much better developed, and the lore is much more solid.

When you were a beginning writer, what did you write primarily? What do you write now, primarily? (i.e. romance, fan-fiction, poetry)

As mentioned before, I started out writing stories about characters that were not my own. Now I do all original writing — well, aside from my work at Zelda Universe. There I get to write about all the unique aspects of one of my favorite game series of all time, so there’s that as well. Writing there has helped me start writing little fandom topical posts for my own blog, such as top 10’s, reviews, and other things along those lines.

How often do you write?

I make it a habit to try and write at least a half-hour a day. If I’m really on a roll, I could write up to a few hours a day before I get burnt out. Even though I’m not always writing, I’m always developing the stories in my head.

When is your favorite time of the day to write?

I always write a half hour before I go to bed. The later it is, the more ideas keep rolling in. With my early hours for work now it’s harder to stay up late, but that doesn’t stop the ideas. I just gotta push myself a little harder to start earlier to have more time before I need to go to bed.

Do you have a writing muse? If so, who/what?

Not in particular. I always just write about what I like and incorporate different aspects of my life into it. I guess I’m my own muse in that sense? I don’t know. I just write what I do know.

What is your most popular lit piece?

Out of all my public pieces, I’d say either my “Animal Crossing Diaries” series or my “Endless Ocean” screenplay. “Vagabond” gets some decent attention as well, which is nice, but honestly, I’d be happy if there was just one person enjoying my work, so I really can’t complain.

What is the piece you are currently writing?

Out of my public blog works, “Vagabond,” from my Zelda Universe collection I’m working on a character piece on Colin from Twilight Princess.

What is the piece you most recently finished?

On my blog that would be my “Top 10 Favorite Fire Emblem Characters” list. For Zelda Universe, it’s actually a piece about Fire Emblem as well — It was DS week, I could write about whatever DS game I wanted to, of course I have to sneak in some Fire Emblem.

What piece are you most proud of?

While “Vagabond” definitely needs some more work, out of all the pieces I’ve posted publicly, that one is the one I am the proudest of. If anything just for Kurt and Maerwynn. They are two of my favorite characters to play around with and I’m so happy that somehow I was allowed to think these two up.

In my more private works, my fantasy story is my pride and joy. I feel so blessed to have been able to come up with these characters, and I do hope that someday I will be able to share them, whether on a television screen as I’ve always dreamed of in a novel of some sort. One day, maybe.

What piece are you most disappointed in?

It’s not so much disappointment, but rather I’ve grown so much in my work, it’s very hard for me to look back at my first romance story. It’s a little cheesy and the dialogue is a bit clunky, some of the actions that my characters had performed totally go against what their characters have become now after spending a lot more time with them. It’s something I would love to revisit and maybe even go public with, but it’s going to take a lot of work.

From all of your stories, who is/are your favorite character(s) and why? (try to limit it to 3)

Since I only published “Vagabond” online, I’ll stick to characters from this story in particular.

Maerwynn is definitely a favorite because she’s got a lot of qualities that I wish I was bold enough to enact myself. She speaks her mind without a care of what anyone else will think, even if it’s blatantly rude. She goes for her goals, even if they may seem ridiculous, and she pursues them with great passion and ferocity. Even with this rough and tough exterior, she’s still got a softer side that she’s just discovering in her new life at the palace. Now, I wouldn’t ever recommend being like Maerwynn ALL the time, but there’s definitely is a time and place where we could all be a little bit more like her, I think. Her confidence is the thing I admire most about her.

Kurt I connect with as well. Again, he says all the things that we all wish we could get away with at one point or another, but he knows he can because he’s royalty. However, he’s got so much going on underneath the surface as well with the complications of his past. He’s learning to open up, connect with others, and understand his feelings. Despite feeling restricted by the laws of his kingdom and the traditions of the royal family, he finds his own way to feel free and be himself.

What is the best compliment you ever got on your writing?

My best friend who I’ve been sharing these stories with for as long as we’ve known each other told me the nicest thing not to long ago. I always laugh at myself for going so crazy in-depth with the lore and characters of my fantasy world, but she told me how she’s admired that and the love and care I put into each little thing was what made it so great. It really meant the world to me to hear that and I can’t thank her enough for all the love and support throughout the years!

What is your main goal in writing?

I don’t know if there’s one main goal in particular, but I suppose if I had to pick just one, it would be to show good through the works of my characters and hope and pray that it inspires others to be like them. Kindness is growing scarce in the world, and if I can just inspire a little bit of it in someone, I suppose that’s all I can ask for.

Have you ever been published?

No, but I am aiming for it. Once I complete Vagabond, give it another revise myself, and hopefully find an editor to give it another look over, I’d love to find someone to publish my book or even self publish on a platform like Amazon. Just something to get my work out there.

Questions asked by you

Who is an artist that you look up to? There are a few artists online that I follow who I just adore their work. Three that come to mind in particular are Bianca Roman-Stumpff, Bellhenge, and TheStarfishFace. Their art is so different from mine, but I think that’s probably why I love it so much (if that makes sense?) They each have such a unique style and great subject material, I highly recommend giving them a look!

What did you think of “Frozen 2”?

I loved it. No secret that I’m a huge Frozen fan, so I was bound to like it. I was actually really nervous about how it was going to end, but I can say (without spoilers) that I am 100% satisfied with how it concluded. Also, Kristoff finally gets the spotlight that he deserves, thank you, Disney.

However, as much as I did love it, I do totally admit I do see flaws in it that could have been improved on. That being said, there was that in the first movie too and I stilled loved it. The characters have enough charm to keep the film entertaining throughout and I just adore them!

What does your family think of your art?

My parents have always encouraged me about my art and I know my grandmother loves it; I gave her a sweater with the art she liked of mine last Christmas and my mom says she wears it all the time. The rest of my family knows and supports my art as well, I never really had any issue with my small art business and the family.

Any memorable cosplay experiences at a con?

So many. I’ve shared a few before, but I think I’d like to make a whole article on the great cosplay experiences I’ve had! There are so many to talk about and stories to share.

Is there a type of art that you would like to get into? I’ve seen a lot of people doing wood carving and burning, but that looks insanely difficult.

I’ve actually been considering wood burning, haha! It does look difficult, that’s why I’ve been hesitant, but maybe in the future I’d give it a shot. I think they’d make my Skyrim wood pieces look legit.

I’m really up for trying anything. If money wasn’t a thing, I’d have tried a lot more by now. In the future, I’d love to try needlepoint as well!

Recently, I had been asked about some of the work that I do, and I thought a fun way to just that was to fill out a few questionnaires. Here I talk about some of the high and low points of doing what I do, what inspires me, and my process of creativity. Welcome all! If you're reading this, I'm assuming you're familiar with my work as either an artist, cosplayer, writer or any of the other creative things I do.

#art #artist #ask #author #cosplay #cosplayer #Q&A #writing

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