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#I wrote this in no time at all
becca-e-barnes · 2 years
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ok i know subby!men are just something else but i will literally be riding the subby!sugar baby!nat train until i die that drabble you wrote about her trying on different lingeries
mmmmmmm
sure i love men but im a whore for a woman
Look, I'm a simple woman, there's not much I love more than a whimpering sub. So imagine sub!Nat with a wand tied between her legs while she's kneeling on the floor, eating you out 😈
You've tied the vibe to the inside of her leg and there's no way for her to squirm away from it. Each little attempt only serves to rub her throbbing clit against the buzzing head of the toy, adding to the stimulation that's already threatening to overwhelm her.
She can't stop getting herself off. She tried to hide her orgasms at first, knowing that she hadn't asked for permission but she doesn't need your permission today. You just want to see her pretty thighs trembling and you can tell they’re close to being at that stage.
"Good girl, Tasha." You hum contentedly, running your fingers soothingly through her hair, keeping her mouth pressed to your own dripping sex. She whines at the praise, just as she always does.
"Such a sweet girl for me. You have the most perfect mouth, you know that?" Her tongue flicks relentlessly over your clit while two of her fingers curl inside you but what really gets you is the look in her eyes. There's a real desperation swirling in them. A desperation to make sure your orgasms match hers. A desperate need to please you. A desperate need to lose herself on the toy humming between her legs until she's mindlessly humping it without a single care about how pathetic she must look.
"You're such a pretty girl. I bet that toy feels nice. Is it too much for you yet, baby?" Your voice is so soft, it makes her melt just a little more, shaking her head no.
"I hoped it wouldn't be. I know you can take more for me. But sweetheart, you've made such a mess. You're dripping all over yourself. I bet you're going to make a slutty little mess on the floor next." Now that you've pointed it out, she tries her best to clench her thighs tighter around the toy but that doesn't provide any relief. Quite the opposite, actually.
"You're so slutty that your little cunt is just drooling for me, isn't it? Maybe it needs to be filled up? How does that sound? Should I get you something to stuff in your pretty pussy?" Her cheeks are beautifully flushed and she's getting to the stage that she doesn't know what she needs so it makes perfect sense to you that she should at least have the option.
You hear her whimper when you pull away, letting her fingers slip from you as you head to the closet to retrieve a dildo with a section cup on the base. You line it up with her body, right where you know she needs it and take your place back on the edge of the bed. Before you've even positioned yourself, she's slid down on the toy with a broken sob, letting her hips rise and fall, fucking herself totally senseless.
"Th-thank you." She whines, bouncing so beautifully, you can't help but let your own fingers drift between your legs as you watch her.
"You're very welcome, darling." You can't help but laugh quietly at the way she's losing control so quickly, almost ready to cum again. "Go on, let me see just how quickly you can fuck yourself silly for me. You're going to cum for me but then you're not going to stop, do you understand?" Your hand on her chin keeps her eyes on yours and of course, she's more than happy to do anything you tell her. Your Tasha is such a good girl, after all.
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inkskinned · 4 months
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i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".
it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.
do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.
but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.
do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).
you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.
walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.
no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.
do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."
you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.
there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.
i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.
he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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thekaiserroll · 12 days
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Hug
It's nearly impossible to have a quiet and peaceful day with the crew, like the strawhats. Nami is mostly used to the noise on Going Merry but one day she gets fed up with Zoro and Sanji arguing. Not only are they extremely loud, but they've also already broken way too many things during their fights.
She decides that If they want to act like brats, then she's going to treat them as such. So she makes them apologize and hug each other in silence for an hour. None of them are happy about this punishment, but Nami threatened to raise Zoro's debt, and Sanji couldn't say no to her. It could be worse.
It's awkward enough for them to not incite any fight for a long time and Nami is quite proud of herself. She knows it won't last forever but at least now she knows how to handle them. It inevitably happens again. And again. And again.
Much to her surprise, those fights became more and more frequent. And what's even weirder is that she could see the way both Zoro and Sanji occasionally glanced at her to make sure she was nearby. It's almost as if they wanted someone to make them hug each other. As if they needed an excuse.... these idiots.
Soon, they don't even need Nami's help. When they aren't busy training, cooking or fighting, they cuddle together. Sometimes Luffy or Chopper would join them, but most of the crew knew it was their time.
After two years spent separately, they became extremely clingy. It's no surprise when they start sleeping in the same bed. What is surprising is that despite them behaving like a lovey-dovey couple, those oblivious idiots are STILL unaware of each other's feelings.
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laundrybiscuits · 9 months
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(ETA: now edited and up on AO3)
Look. Eddie knows he can be a little uptight about these things, but. There are rules. If you become a vampire, you don’t need to go full gothic Count Von Dickhead or whatever, but you absolutely cannot just wander around in a puffy vest and light-wash jeans. 
“Why not?” says Steve. He’s leaning back in an armchair, sipping on a bloodbag like it’s a goddamn juicebox. “What, are the vampire police going to arrest me?” 
He pauses. “Wait. There aren’t vampire police, are there?”
“No,” says Eddie. “Probably not. I don’t know. But there are standards which you are refusing to uphold, Steven.”
“Thought you were all about hating conformity, Edward,” Steve says. He’s got an obnoxiously cocky little smirk, the smug undead fucker. 
Eddie grimaces. “Don’t call me that, asswipe. Don’t you feel, like—the call of the night? The siren song of life coursing through fragile human veins? A hunger for destruction that those paltry plastic bags of blood can never truly slake?”
“The bloodbags aren’t so bad,” says Steve, around the straw. “Better than protein shakes.”
“I actually hate you,” Eddie tells him. “Vampirism is wasted on you.”
Steve noisily slurps the last of the blood out of the bottom of the bag. “Come on, you can’t really picture me in some Dracula getup, can you?”
The problem, of course, is that Eddie really, really can. When Robin had read him in on the whole situation, obviously he’d been horrified and concerned—but also, a whole wing of his brain had immediately been cordoned off to work overtime imagining Steve in elaborate Dark Prince regalia, maybe leaning elegantly out of a castle window on the moors, gazing into the foggy dusk. Velvet might’ve been involved.
“...guess not,” says Eddie. It doesn’t sound incredibly convincing to his own ears, but Steve just shrugs and gets up to throw the bloodbag away. 
“There you go, man,” he says, clapping Eddie on the shoulder as he passes. “It’s the 80s. Vampires can be whatever we wanna be.”
———
It gets way too easy to forget about Steve’s condition, until Eddie ends up having to haul him out of a bar in Indy before they get banned for life.  
“Simmer down, buddy,” Eddie says, pulling him into the shadow of the van. “Let’s get those fangs packed away before any of the nice villagers wander by with torches and pitchforks.”
“I’m good,” pants Steve. “It’s all good. Don’t worry about it. It’s fine.”
Eddie lifts an unimpressed eyebrow. “Sure, that’s why your eyes are glowing red and you’re, like, fully vamped out. Which, by the way, looks extremely dumb with the whole clean-cut vibe you decided to rock tonight.”
“Fuck you, I look great,” says Steve, pushing a hand through his hair. He’s not wrong, it’s just not relevant to how he also looks extremely dumb like this, wearing a pristine henley with fangs hanging out in the parking lot for anyone to see.
“So what the hell happened in there, man? I was finally starting to get somewhere with Todd, and…” Eddie trails off in dawning realization.
“Holy shit, am I—I’m like your territory, aren’t I? Your stupid vampire brain got all screwy and decided to loop me in with Robin and the kids as part of your freaky human coven.”
“Uh,” says Steve. He looks unhappy in a shifty kind of way. “Something like that, maybe.”
“Wait, so, are Nancy and Jonathan—are you okay with them because they’re both already in the vamp pack? Is Vickie gonna have to be inaugurated before she and Robin can bone down?” Eddie perks up. “Shit, is there a ceremony? We could totally do a ceremony.” He bets he can get the kids to liberate some velour curtains from the drama club. With a few candles, they could get some serious atmosphere going.
“No, shut up, nobody’s doing a damn ceremony,” Steve groans. “Vickie’s fine.” 
“Okay,” says Eddie. “So…you gonna tell me what all that was about, then? Do I have to start running guys past you first so your vamp instincts don’t wig out? Or…hm, maybe Argyle’d be down to mess around sometime.”
Steve lets out an actual snarl with weird animal echoes, then claps a hand over his mouth.
“Sorry,” he says, muffled. The shadows around them seem darker somehow. 
“So I’m just not allowed to get laid ever again,” says Eddie slowly. “For vampire reasons.”
“Do whatever you want, man.” Steve’s still got his hand pressed tight over his mouth. 
“And it’s…just me?” Eddie peers at the tightness around Steve’s eyes; the way he’s scowling stubbornly at his feet. “Huh. Kind of…possessive, Harrington.”
“It’s—weird,” says Steve miserably, dropping his hand at last. “I know it’s fucking weird.”
“Maybe.” Eddie shrugs, biting down on the grin he can feel tugging at his mouth. “Lucky for you, I’m into that shit.”
“What?” Steve frowns. “You’re…”
“Always wanted a vampire boyfriend,” says Eddie. “Like, are you kidding? I would’ve sold my fucking soul at 15 for something like that.”
“I’m starting to feel a little objectified here,” says Steve, but he’s smiling, and he reaches out to snag Eddie’s belt loop and tug him stumbling closer. “Just in it for the fangs, huh?”
“Well, you’re kind of a shitty vampire, actually.” Eddie drapes his arms over Steve’s shoulders. “So I guess I must just be in it for you.”
Steve hesitates, searching Eddie’s face. Stray red lights are still sparking like embers in Steve’s irises. “Okay, but—you’re in it? Right?”
“Couldn’t get rid of me if you tried, Bunnicula. I’ll send the vampire police after you, just watch me,” says Eddie, and kisses him.
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misterradio · 8 months
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Im really curious how people know about Esperanto. Since its a relatively recent language (from the 1880s), its obviously not going to be as widely spoken in the world as other languages (altho apparently it is the most widely spoken constructed language). I assume most people are introduced to it later in some way?
If u know what Esperanto is, feel free 2 reblog this and say how you learned about it in the tags.
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rendevok · 10 months
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“Take my hand” pages 12-15
1 - 2 - day 3 - 💙free day❤️ - 4
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ruporas · 1 year
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i’ll find you again in every universe. let us be a little more honest, let us have a little more time.
#vashwood#vash the stampede#nicholas d wolfwood#trigun#despite it all though badlands rumble is like. the only universe where we get wolfwood thinking vash died first... and i think that means a#lot to their relationship and how it may bloom if there was more to badlands rumble considering vash literally saw wolfwood carrying a piece#of vash after his supposed death. u know! despite the short time they were together vash still meant so much to wolfwood that he couldn't#just move on or forget him in anyway. needed to keep a piece of him for himself and the rest of his days. but ofc vash lives and wolfwood#was like ill beat ur fucking ass into tomorrow. there's just so much honesty in vash being able to see that gesture bc he wouldnt know#otherwise just how much he might mean to him. ANYWAY. trimax with with the eternal pining featuring the two chapters where imo#where the both of them really fell for each other... i wrote my thoughts about this on another comic i did before#but vash solidifying his feelings during the hospital arc -- ww solidifies his when he realizes his allegiances are permanently with vash#98 my lovelies but also to me they are so one-sided bc ww pined like no tomorrow and vash only realizes after ep 23?24? his heart did tickle#whenever ww complimented his smile though#and tristamp vw my beloveds. it really just feels like they get the  chance to be closer and closer and more honest with each other#with every version that comes about. in trimax they knew how little time they had but struggled so desperately to get closer. in 98 ww felt#more willing to forsake for vash. in badlands rumble theyre Angry but as mentioned earlier ^ more blatant truth... due to circumstances#mainly but has the chance to lead to discussions and tristamp literally. first day of knowing each other ww saves vash - 2 days later vash#saves ww like. Man. AND NOW THEY MAY POTENTIALLY GET EVEN CLOSER!!!! with s2....#ruporas art
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nostalgia-tblr · 8 months
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One thing New Who doesn't really have that Old Who did was the thing where everyone (audience included) thinks the Doctor is this amazing genius from space with the best spaceship of all time, and then someone else from Gallilfrey shows up and goes "Oh, it's you. Did you get expelled from our university or did you just fail your degree? Is THAT what you're driving around the universe in? How does that thing even still work? And why are you dressed like that?"
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poorly-drawn-mdzs · 9 months
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Game night results (from this poll)
Character selection inspired from extraterezi's post!
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specialgrades · 10 months
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Not really a request but what are your headcanons on the JJK men's dick sizes?
OHOHO cracks knuckles i can do that. going full in like nanami should be in me rn dick-scriptions time
characters: gojo satoru, geto suguru, nanami kento, toji fushiguro, sukuna, choso, atsuya kusakabe
GOJO SATORU : a bit above average, a good 6.5 ~ 7in. slight curve upwards. a good 2.5 ~ 3.5in thick. pretty pink flush on the tip, shaft a few shades darker than his skin tone. cut. carpets match the drapes of course, he keeps it trimmed. fun trail tell me i'm wrong (i'm not). super sensitive vein on the underside. sensitive thighs too. grower.
GETO SUGURU : honestly, average cock size. he rounds up to five inches but we all know it's 4 3/4. two inches thick. like gojo, a nice pink flush and a few shades darker. no curve. for sure has a piercing, prince albert probably; silver jewelry. uncut. not a jungle, mildly maintained. sensitive head, especially with the piercing. shower.
NANAMi KENTO : nothing overwhelming, though still impressive. 7.5in long, 3in thick. cut, duel toned because of it. top half is more pink than the rest. short trim. curve to the left. right under the head is the key, he'll bite back a really embarrassing noise if you focus there. grower.
TOJi FUSHiGURO : i pray for y'all toji simps for real, cause fuck. 8.5in easy. 4 inches thick minimum. man built like a tripod. uncut, darker with red undertones. upwards curve. jacob's ladder. three of 'em. this man doesn't shower i'm so sorry. two prominent veins when you pull back the foreskin, sensitive but he'll never show it. shower.
SUKUNA : i pray for y'all as well. find a pringles can. it's bigger. ten inches long, four inches thick. curves upwards and a tad to the right. cut, pale so it gets a nice flush. his tattoos make an appearance, wrapping around the shaft a few times. grower thank god.
CHOSO : average length, 5.5in but thick. four inches. curve to the right, uncut. darker than his skin tone by around four shades. not super trimmed, a delicious fun trail leading to a mild bush. mildly sensitive head, though go for his navel and you'll get a lovely show of him getting all breathy and twitching. shower.
ATSUYA KUSAKABE : i've only just met this man but i want him. carnally. so... six inches in length and 2.5 in width. cut, duel toned though you can't really tell until he's flushed and the top half goes a pretty dark pink. like choso, tasteful amount of hair with the fun trail. one prominent vein that's sensitive, under the head too. grower.
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kaiserouo · 2 months
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Tired Ghost
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starstruckodysseys · 2 months
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can you imagine being thirteen and having the world at your fingertips. everyone loves you - why shouldn’t they? you’re the epitome of a good girl, the ideal, the popular cheerleader type who gets The Guy. you giggle and you flirt with the football players and you have sleepovers with your friends (who don’t really feel like your friends but you’re all popular so you have to like each other, right?). you do your makeup and you bat your eyelashes and everything is perfect.
and then you start growing horns. you start looking like the devil - and you might as well be, the way everyone turns on you, starts looking at you as if you’re a freak, a monster. and, well, if everyone’s going to treat you as such, you might as well play the part, right?
so you rebel against your parents (if they’re not lying about that, too). you go out and you buy a bass guitar and you pluck at the strings until your fingers bleed. it’s better than listening to the arguments downstairs. you transform into people you’re not to pretend you could really be someone instead of the shell you are now. you flirt with guys twice your age to pretend you still have it in you, even if it feels hollow. you grin and you bear it but it’s hollow, in the end.
if you can’t be perfection anymore, why bother being anything?
(and then you meet the most wonderful people in your life. and they accept you as you are and don’t ask you to change. but you find yourself changing anyway, because they make you feel like you can be something. like maybe it’s worth it again. and you finally get The Girl. and maybe life isn’t perfection anymore, but maybe perfection is overrated, anyway.)
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eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
---
I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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onsomenewsht · 4 months
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All these people think love’s for show / but I would die for you in secret
About when she’s got a smile and you got impatient
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》 Leah Williamson × Reader 》 words count: 1.7 k 》 soft launch [verb, specialized]: to make a product, service, or business available or open for the first time, but only to a limited number of people at first
Being in a private relationship when you’re a public figure is even funnier than it sounds. And it sounds pretty funny as it is.
“You’re overthinking it”, Leah says, even if she knows better than to tease who’s literally feeding her.
You don’t bite back but keeping the plate slightly out of reach is a clear enough answer.
She smiles.
Oh, the way she lights up your day when she smiles at you.
You and Leah aren’t much for sharing your lifes on social media.
She’s been pretty much traumatized by the immense and not-really-that-unexpected attention after leading her national team to an historic tournament win. You’ve been scolded enough times by your agent to take your online enthusiasm down a notch.
So, your relationship flowered from two friendly teammates - who happened to share a room after a worth to be celebrated win - to an overly in love couple - who barely manage to store that many jackets in a four door closet.
You both understand the importance of some privacy to grow a love so beautiful yet so fragile, also not really caring about the outside world’ hot takes.
But one year of unplanned dates, dances around the kitchen waiting for delivery and shared stories in the middle of the night are a lot to keep just between the two of you.
Your teammates are way over your not-so-discreet looks during practice and your constant touch, the skipper never been one to shy away from a teasing kiss or wandering hands and you never back down an opportunity to make your friends regret every single life choose ‘til that very moment.
“We’re having a good time, aren’t we?”
“Yes, we are”, Leah raises a perfectly shaped eyebrow.
Oh, the way she lights up your mood when she challenges you.
“Such a cute moment to share with our loved ones, isnt?”
Leah looks around, the pasta dish shared in your kitchen island definitely counts as a cute moment for her. Sure, the fact you both are just in oversized t-shirts adding points to her case. Or yours, she’s not sure yet what point you’re trying to make.
“You want to share this?”, she gestures at the scene with a smirk, “We eating undercooked pasta in our underwear at unholy hour?”
“Yes, I want to share us having a wonderful time and perfectly cooked pasta”
Her blonde head tilts studying you, thinking it’s more about the fact you’re looking at her like she’s the reason why the sun rises every morning.
You’re feeding her, Leah’s own hands way too busy caressing her girlfriend’s outstretched legs to bother with food. And you can see her nipples through the overworn t-shirt of yours she’s on.
It's definitely about the nipples.
“What if I die tomorrow and no one knows I managed to win you over?”
“That's a way too dramatic turn, even for you”, but then she cracks up and you sure will die happy if this is how you meet your maker.
Oh, the way she lights up your home when she laughs at something you said just for the sake of making her happy.
“What? Life is unpredictable and McCabe is getting more aggressive with the age, I don’t know how much long I still have”
“And your main concern is the world knowing you won me over?”
"Of course not, my sunshine", you reach toward her, brushing your lips so close to hers she can already taste the wine you paired with the pasta. “My main concern is not being able to survive a tackle by Katie, even dead I have a reputation to keep and it’s your duty to defend my honor ‘til your own grave”
It is Leah who is closing the distance now, and even if you wanted to keep the jokes coming - still making sure she does make up a great story about your noble sacrifice if needed - Earth stops running around the sun when she kisses you.
You’re whipped and she’s honored, truly grateful for the opportunity to learn all your ways to show her and the people you care about how much love one can gift the world with.
“I love you”
“Why are you looking at me like that, Williamson?”
“I love you”
“Now you’re scaring me, are you the one dying?”
She knows you, she knows humor is your way to deal with comfortable and uncomfortable situations alike. She knows you’re always up for a good laugh, but she also knows you never say things just for the sake of a joke. Your words are always meaningful, your retorts always smart enough to look effortless.
“You wanna make some big announcement?”, Leah asks with a smile that’s held back by the seriousness behind the question.
“No, but I don’t want to hide us”
“We don’t hide”
“We don’t keep a secret, but sometimes we do hide”
It takes her a moment, but she gets what you’re saying. Your relationship is not hidden per se, not a secret and never denied.
But sometimes the two of you have to delay your greeting and wait for more private settings, or think twice before posting anything on your social media accounts. Sometimes she needs to withhold the instinct to rush to you and be the first to celebrate you for an incredible and game changing goal. Sometimes you need to hold back yourself, walking a step behind with your head down just to refrain from taking her hand in yours.
Usually, you two don’t even realize you're actively hiding the deep love no speculative-but-surprisingly-high-quality video edit can really capture. It happens regardless and it’s starting to make you feel dejected, Leah notices.
“Then we don’t”
You look up, stopping playing around with the now cold pasta. Your girlfriend’s hands are still on your legs, her soft touch never hesitant or refrained despite the tricky topic.
“What are you saying?”
“You know what I’m saying”
Your lover lights up again, the world lights up again.
She’s smiling a lot tonight, she thinks. She’s also perfectly aware of the permanent grin on her face whenever you’re around. She’s whipped too after all.
You wait for her to elaborate, so she does.
“I’m saying we do whatever we want whenever we want, and we share what we feel like sharing about our lives together”
“Whatever we want?”
Leah is pretty sure you have some very specific images in mind, you’re always taking photos of everything and everyone. Needless to say, your girlfriend is by far your favorite subject to capture.
Pictures of her sleeping with face masks on, or her frown while she’s playing board games and not necessarily winning, or when she’s trying outfit after outfit to make sure she’s dressed up for the occasion. Pictures of her taken during intimate moments, not necessarily suggestive but definitely meaningful given the nature of your relationship and the level of trust in each other.
She’s confident you have several photo albums of her in your phone.
You do.
That’s why when you reach for the long forgotten device, putting on a show of taking as many candids as you can, Leah happily plays along. Your shenanigans get a more creative direction, let's say, and some of the photos are taken just for the two of you to admire.
~
“We can soft launch”, she insists hours later, archives improved and clothes forgotten.
You’re lying on your back with her head placed comfortably on your thigh, sheet all over the bed. She can see your pensive gaze, despite you being at ease.
“Who educated you on such slang?”
“Beth but that’s not the point”
“It clearly is, she did the soft launch thing all wrong”
The hand you have between her blonde locks stops its ministration when Leah bursts out laughing like you just said the funniest thing possible.
“Let’s show them how it’s done!”
~
The next couple of days you both shared a bit more on your social media pages, nothing too revealing but enough to give your agent anxiety.
She posted a few photos on her stories, like a restaurant set up that’s most definitely a date and you from behind preparing tea in her kitchen in the middle of the night. Surprisingly you take a more subtle approach, posting teasing pictures but nothing really telling, even if Leah’s in most of them.
It lasts three days, by the end of which you’re even more pissed than before.
“I genuinely can’t believe it! You’re shoving her during practice and you two are basically married, but you post my hand on your thigh and I’m a really supportive friend”
The team’s admin posted some training shots in the morning and the vast majority of the comments are about the cute interaction between your girlfriend and Lia, the two always messing around a bit.
You’re mostly joking but the English capitan is aware that the constant rumors and the oversexualised comments she often receives upset you. Not sparked by jealousy, rather by the lack of respect towards her and her personal life.
“Relax, my love, they comment about us too”
She’s holding you from behind, her hands on your sides and her freshly washed hair leaving wet spots on your shirt. She lays her chin on your shoulder, trying not to giggle too much at some unhinged comments she can read under the posts you are scrolling.
“The way she looks at Leah: same”, you read out loud, faking annoyance. “Oh, that’s enough!”
You must have spotted something that snapped your sudden reaction.
Your lovely girlfriend stays unfazed in her position as you determinately search for a particular photo, type a caption, then stop to silently wait for her approval.
Leah barely nods, but you feel her smile and then her lips on your skin when you post it.
A picture of the two of you looking at each other with heart shaped eyes, dressed up to the nines since it was a snippet of a date on your summer vacation.
Her black attire was to die for and you sure died in some way. The blonde remembers in vivid details your care and attention, slipping it under her with such reverence later that same night.
She shivers, comments already popping in.
“You'd have tagged me”
“They know who you are”, your grin getting bigger by the seconds as you lock your phone and toss it away muted.
You turn around in her arms, and even if you know Leah’s most definitely sporting one of her best smiles, when you look at her it’s life changing.
Oh, the way she lights up your entire existence when her love for you it’s clear on her face.
You pick her up by her thighs, holding her as close as your bodies physically allow.
"Impatient", she teases.
“I’m gonna show you impatience”.
~
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fine.
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venomous-qwille · 5 months
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Introducing Noon, or 'New Moon' from GITM AU. Noon was the last Moon animatronic made by Fazco before it shut down- created for a themepark based on their popular childrens cartoon 'Fazteam Cosmic Rangers'.
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