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#I think this is the last thing of lineart I did before coloring
ahlatoad · 1 year
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Summer Hilda and Marienne
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mr-tsuyo · 1 year
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i love the style of that 3d render of your character! may i ask how you animated the outline and made the whole thing pixel-y? :0
Very glad you asked!
There isn't many tutorials on how to make this kind of stuff so I am totally glad to be the first one.
BLENDER 2.5D TUTORIAL
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First of all
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Get your model ready and steady, that part is what I ain't explaing, however if you want it to have these colors, you will have to put this nodes in your texture shader
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`[ This is for her red jacket, the lower nodes is for her primary colour and the upper nodes are for her shadows, which also has some extra nodes to give it a comic texture. ]
Quick reminder to give the model some lineart yourself to the parts that don't form its sihlouette, for example her shoes.
Now for the lineart, first of all make sure you have created a black Emissive material and that it has Backface Culling activated
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After that go to the Modifier Properties and add a Solidify modifier
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Make sure to Flip the Normals, set the Material Offset to where the Lineart material is, and adjust a little bit the Thickness of the mesh, then you will get some natural good-looking lineart like hers.
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Now, you could easily be satisfied like this, but now we are going to make it feel like each frame is a new drawing by making her model lineart jiggly
First of all create a Displacement Modifier and give it a cloud texture
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Make sure to lower the strenght and midlevel, otherwise it will look like this
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Now, create an Empty Plain Axes and go to the Displace modifier, change the coordinates from Local to Object and focus the object on the Empty
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And thanks to this adjustments, if you move the empty around, it will create a slight jiggle
Now what we want is for this empty to automatically move around without you having to do anything
Create a new screen and go to the Graph Editor section
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In here we will be making the empty move with a modifier
Select the empty and press "I" of Italy and select Location, this will create a keyframe for the empty that we will be able to manipulate
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Go to the Editor and ONLY SELECT THE Z POSITION, and then go to the Modifiers tab and add a Noise modifier
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Make sure to adjust the Scale and the Strength so that it looks more proper for the jiggle effect, make it look like a rollercoaster!
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And now, if you did everything right, your empty will be moving up and down and all around by its own
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WHICH also means, the model displacement will follow the path of the empty to create that jiggly effect we crave so so much
However...
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The model is indeed jiggling, but it's doing it the wrong way, we are trying to make it look like a cartoon not a gosh darnit gelatin
So to make it jiggle the right way we are going to make its noise feel more STEPPED
Go back to the modifiers of the Graph Editor and add a Stepped Interpolation, and make sure it has a Step Size of 5
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And now we finally get the choppy jiggle effect!!
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Now you can play around the Displace and the Noise to make it more or less jiggly
But nonetheless, if you followed the tutorial right, you will be gifted with the perfect looking 2.5D effect!!!
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Now you can go ahead and try to fool everyone into thinking a 3D animation is 2D
And before we wrap up, one more extra for the one who asked how this is made,
We are going to make the render feel pixel-y!
Go to Render Properties, make sure you are using Eevee, and in Sampling put the Render on 1 and the Viewport on 0
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Then go to Output Properties and you can do two things:
1) Change the X n Y to a size lower than 1000 px
2) Change the Resolution % to these numbers (8, 16, 32, 64) This way if you wanna do pixel art you are more accurate
For this render I used the 1st option
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And last but not least, in the Output Properties make sure you save your files in the right way with these settings
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THen render animation, make an image sequence with all the pngs, and TA-DAH
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You get a pixel-y 2.5D animation!!!
Thank you so much for checking, I hope this is useful for anyone who wants to do this stuff, if anyone has any questions don't be afraid to ask, I may have explained some stuff badly.
Anyways have a very jolly day
Tsuyo OUT
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camberdraws · 9 months
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I really like your art! Do you have any tips for drawing environments?
Ahhhh thank you so much!
I did some thinking before answering this ask... a lot of general drawing advice absolutely applies to creating backgrounds (such as using references, keeping perspective in mind, etc). But the #1 tool that especially helps me with environments is creating thumbnails!
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I depend massively on the thumbnail process, especially for environments. I use them to resolve almost every major detail before painting the real thing! It makes it so much easier to experiment with colors, values, etc. and figure out the important stuff in your image. You want to keep them very blobby and sketchy so you aren't afraid to make big changes!
The thumbnail shown above for my shaymin drawing leaves very few questions about what the final should look like. It only took around an hour to create, and the time it saved me from making any mistakes is massive! This is especially helpful as someone who has immense trouble visualizing color schemes and has struggled numerous times trying to make color work after finishing lineart without a good thumbnail.
The more complex an environment, the more I suggest a thumbnail. Some of my recent zine pieces would have been impossible for me to complete without a detailed sketch to guide me.
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Another big piece of advice, mentioned above, is USING REFERENCES! I think this is especially helpful for creating interesting and detailed backgrounds. Doing research on objects/props/scenes will enrich your drawing and make it more engaging to the viewer!
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Here is an example of the reference I gathered for my lurantis+gloom drawing. I brainstormed different plants/items I thought would be fun to include with grass-type pokemon, and threw them together in a PureRef file! (I highly recommend using PureRef, it's an excellent software for making reference boards). Generally speaking, it's difficult for humans to conjure up exactly how a watering can/gardening tool/fence/flower might look like down to super specific details, so obtaining reference to fill in those gaps is essential.
Finally, advice that applies very broadly to all types of drawings: do lots of studies! Starting last year I have done 50 environment/scene studies, and they have been extremely helpful for improving my general skill and ability to compose backrounds! I can't recommend this enough to all artists!
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And that's about it! I think it's easy for artists to be intimidated by drawing backgrounds, but it can be so much fun! Take it slow, do research, and create thumbnails for your drawing. And don't forget to do studies, they are good for you!
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furiarossa · 2 months
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"Danny looked down, thinking. Only then did he notice an inscription on the pedestal holding the three statues. “Madeline Walker | Vlad Masters | Jack Fenton The ghost friends honor them, April the 3rd, 1983: For the heroic saving of our lives" «They… they never told me anything» Danny looked at the statue, then at Skulker, then back at the statue «Why?»."
Okay, this lineart is so good that inspired a scene in me (I wrote it, even though I practically never write in English) and TWO different color versions.
7th submission for the @green-with-envy-phandom-event! This is a collab: the lineart was created by the awesome @ecto-stone, while we did the color. 
Alternative (golden) version + ficlet under the cut!
Danny approached the sculptural group, vaguely in disbelief. At first he didn't really understand what he was seeing... he just had the feeling that it was something familiar, that the shapes of those greenish bodies reminded him of something. There were three people, dressed like ghostbusters, with tools and protective goggles. There were also other details, rays and small figures.
Danny squinted. One of the three was too similar to his father... but younger, with more hair, with a cheeky smile. So the other two, they were... yes, he had only seen them like this one other time, in a photograph from their college days, but... they must have been his mother Maddie and Vlad Masters.
It was quite impressive, to see a statue of three people he knew so well as adults, but immortalized forever, frozen in time, as the version of them that had been real only years before.
«Why is there a statue of them in this place?» He asked Skulker «They are ghostbusters, why did you immortalize them here, in the Ghost Zone?».
Skulker looked up at the sculptural group, his gaze unreadable, machine-like. But his silence, which lasted a few moments too long, spoke for him.
«It's a celebration» He said «From the times of the ectoquake. We all risked dying... or losing all the information in our cores, due to altered magnetism» he touched his chest with his large gloved hand «We would have forgotten who we are, we would have become a bunch of babbling ectoplasms devouring each other to survive, unable to recognize ourselves. A fate worse than death».
Danny looked down, thinking. Only then did he notice an inscription on the pedestal holding the three statues.
“Madeline Walker | Vlad Masters | Jack Fenton
The ghost friends honor them, April the 3rd, 1983:
For the heroic saving of our lives"
«They… they never told me anything» Danny looked at the statue, then at Skulker, then back at the statue «Why?».
Skulker pulled his gun from the holster, a handkerchief from his back pocket, and began cleaning it. That gesture worried Danny, but the other ghost didn't seem to want to attack him.
«They never told you anything because they don't know anything» Skulker revealed, speaking in a low voice «They themselves asked for their memories to be erased»
«Why?» Danny shook his head «Vlad certainly wouldn't have thrown away the opportunity to be adored as someone's savior»
«You know nothing about Vlad» Skulker's voice was thick, sticky, full of menace. Danny realized that they had never talked about Vlad before: how had he and Skulker met? What did they think of each other?
«Vlad wouldn't let anyone, not even himself, see him as a hero» The ghost hunter continued, moving the cloth more rapidly on the butt of the gun, as if he was trying to remove a stain «That's not what he does. But on that distant day… he and your parents saved the lives of all of us. They saved the entire Ghost Zone ecosystem»
«My parents probably did all the work and he joined the group only to take the glory» Danny snorted
«You don't know anything» Skulker said slowly
«I know Vlad quite a bit»
«No. You are a fourteen years old boy who thinks he knows how things go, but he doesn't. I've known him for twenty years, and you for... how long? Less than a year? And most of the time you just argue like two children»
«The fact that he fights with a fourteen year old» Danny pointed to his chest «I think already says a lot about him»
«He's training you, brat. For my part, if I could I would have taken your head off a long time ago... but he saved you, remember?».
Danny blinked. Yes, the first time they had seen each other… he had been trapped in the cube, powerless, with only his head sticking out, like a trophy. And Skulker would have gladly used his new blade on him, if it hadn't been for Vlad, who had stopped him.
«He's only doing it because he wants to have me as his son» Danny muttered
«Doesn't sound like a bad reason to me» Skulker growled.
For a few moments, there was silence. Only the movement of the ectoplasm could be heard, like the riptide of the sea in a bay, there wasn’t even the sound of breathing.
«So...» Danny, who had no intention of arguing with Skulker, continued «What's this about the ectoquake?»
«It's something that... happens» explained the ghost hunter «Every now and then. It's not exactly cyclical, but almost. And anyway, you can predict it, but you can't stop it. An ectoquake is the most terrible circumstance the community can experience: it not only destroys the lairs, but also the physical forms of the ghosts and their memories. It is a magnetic storm of such magnitude that it destroys everything it touches, rearranges it and turns it into something different. Every time an ectoquake occurs, thousands of species disappear forever and those who survive become mindless cannibals. It takes years for species to re-evolve and for ghosts to regain a minimum of reasoning»
«Wow. It really sucks...»
«Indeed. Usually very few ghosts survive: those who have access to a portal and can escape into the material world, for example. You get out of here» Skulker pointed up, as if there was a ceiling (which wasn't there) «The ectoquake can't get you. But the problem is that ectoquakes can also be predicted by humans»
«And so?»
«And so the ghost slayers remain stationed outside any natural portal, trying to kill every ghost that is escaping. It's a sealed fate»
«The ghost slayers?» Danny wrinkled his nose «I've never heard of them...»
«You're used to seeing those ridiculous ghostbusters... the Guys in White, those bad copies of Mystery Incorporated, your parents... but there are real monster hunters out there, with real weapons capable of blowing your head off. They don't go hunting for flying kids, they want to collect large quantities of ectoplasm at once, and to do so they predict ectoquakes and capture and kill those who escape»
«Terrifying».
Even though he was in his ghost form at the moment, Danny still felt goosebumps. Perhaps his ectoplasmic body simply remembered the reactions of his flesh body, or perhaps the idea disgusted him enough to change the surface composition of his ghost.
«At that time I was… little. Small. In the physical sense of the term» Skulker seemed a little embarrassed at this revelation, but he didn't stop recounting «I didn't have the armor yet, I was a small and defenseless body, and I managed to get out early, without the ghost slayers noticing. The ectoquake was a month away. But I was captured by them» he pointed to the three statues «They were in college and still studying, they weren't dangerous. Maddie and Jack wanted to dissect me, study me and then kill me» Skulker's voice softened «Vlad begged them not to do it. He saved my life»
«I can't imagine it»
«Too bad for you, kid. Too bad that you can't imagine that your parents, exactly as they do today, try to destroy the ghosts, while Vlad, exactly as he does today, helps me»
«Touché»
«I told them about the ectoquake. And they did something incredible: they built a portal for the first time. Not that little thing that would later destroy Vlad's life: a real portal, bigger than all the others. Huge, inside an abandoned building. Six meters in diameter, so that ghosts of any size could fit through. No ghost slayer expected us to escape from there, because they didn't know that portal existed. And then they invented something else, the Fenton thermos, a device capable of capturing ghosts, with which I was able to collect and transport the slowest or weakest ghosts, or those who were too afraid, into the material world» Skulker frowned «When the ectoquake came, the damage to the Ghost Zone was incalculable, but… but we didn't have to start from scratch. There had been many casualties, but many of the plants and animals were safe, my friends and I were still sane, we were fine. We had spent all the necessary time inside the abandoned building. Some inside the thermos, others free… we were all alive. Thanks to them: Madeline, Jack, Vlad»
«I… I didn't know. Why didn't I know?»
«I’m telling you, they don't remember anything»
«Why?»
«They knew ghost slayers were dangerous, boy. They knew they might have let some information slip: how to build the portals, where the escape route they'd created for us was. They decided together that they would forget it. There is one of us who can make wishes come true...»
«Desiree»
«Yes, exactly, Desiree. To protect us all, they wanted to forget what happened»
«Couldn't you just wish the ghost slayers would stop hunting you? Or that ectoquakes didn't exist?»
«You have a skull as thick as a bison's» Skulker placed his index finger on Danny's forehead «Do you really think ghost slayers are stupid? They are protected by amulets, ghost powers do not work on them. As for ectoquakes, they cannot be avoided in any way, they are an integral part of the Ghost Zone!»
«Well, yeah, I didn't know» Danny's cheeks turned a light shade of green.
Skulker withdrew his hand and approached the sculptural group, placing his hands on the pedestal. «Their heroism, their intelligence, their sacrifice… we will never forget them. They have already forgotten them» He sighed «It's a real shame that Madeline and Jack betrayed him and abandoned him like this. He didn't deserve it. Together they could have conquered the world, obtained everthing, but instead...»
«They didn't betray and abandon him!» Danny exclaimed
«You weren't there, ghost boy. How would you know?» Skulker looked at him over his shoulder, a single green eye visible, luminescent like a light bulb «You should listen to the story as told by others too. And maybe even your stupid parents would be ready to admit what they did to him. You weren't there, but I was. And I don't wish for anyone to see what I saw».
Danny looked up at the statue, feeling a myriad of emotions boiling inside him. An invisible hand squeezed his stomach. He didn't know about this, about how they had become heroes of the Ghost Zone… what was there that he still didn't know about them?
---------------------------------------------------
(I will definitely expand this thing later... for now, you got the idea XD).
Aaand here there is the golden version (of course there are gold statues of the saviors, somewhere!):
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[Oh, and a lot more of our Danny Phantom fanarts: Here’s our tag!]
★ Instagram|Facebook|FurAffinity|Deviantart|Commission prices|★
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genericpuff · 5 months
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to add to that last ask about highlights, can you explain how you think the colors don't work now? bc as far as I can tell the colors for the background and characters are still the same as they were in s1, but they for some reaosn don't work now. is because of the lack of values? the lack of shading and highlights? no use of textures? you can explain it better than me
A lot of it comes down to color theory and lack of proper rendering.
Concerning the colors, they definitely aren't the exact same as they were back in S1. Someone on reddit actually did a far better visual breakdown of it than I have time to put together, so full credit goes to /u/LowPHvinegar for the following images!
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There's this problem with the undertones and shading used now that makes the characters look very 'plastic'. Before they looked ethereal, now they look rubbery and artificial. And there are a few reasons for this, one of which includes how Rachel shades the comic now compared to S1.
There's also the backgrounds themselves. LO's always been minimal in its backgrounds, but they used to have loads of texture, lighting effects, and glow.
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(seriously, when was the last time we got an iconic panel like this? So many of the panels in S3, even the ones that TRY to feel 'iconic', don't come anywhere near the level of the S1 art that was truly memorable).
Rachel's also clearly uh... checked out of the comic in a way that shows through her lineart specifically. Rachel's old art is known for having very thick, varying, distinct lines, and there's been a lot less of that lately.
Rachel's lineart:
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Who the fuck:
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And what happens when the backgrounds stop pulling their weight? The colors look even worse.
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The void backgrounds, unlike in S1, have been VERY muddy and dry. So it makes those hyper-saturated colors look even MORE saturated and ugly.
Now, to Rachel's credit, there have been more backgrounds as of late:
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But see how the characters still look whack? It feels like Rachel's making attempts to address the criticism while still avoiding the massive elephant in the room - she's not putting in the same efforts anymore and any efforts she does make feel performative and hollow, and it shows. And this happens a lot with Rachel attempting to address criticism, she's trying to address a specific point that isn't taking into account the larger picture where the grander point is coming from. It feels very "SEE! SEE!" while turning a blind eye to everything else.
And yeah, it means even using some of the same colors from S1 can't and won't save the comic from looking like cheap reproduced garbage. Because just using those colors on their own is missing the forest for the trees, the old colors were only part of a much larger thing. Lore Olympus used to be the sum of its parts - now all those parts have been smashed up with a hammer and left in a mess on the floor, and Rachel is simply trying to pick up those individual parts and call it "fixed".
Frankly, until she understands this and is willing to play a more active part in creating the comic genuinely and with real effort that isn't purely performative or meant to "get back" at her critics, then what LO used to have will forever remain a mess on the floor.
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trinoxtrinox · 3 months
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Abbeyofcyn Colour in your style
Painting the lineart for this was really fun, and I really enjoyed doing it, even if I feel like I bit a bit more than I could chew at first, what with me wanting to do two different light sources XD
I also wanted to colour the lineart of this, however the results that I got aren't that good, so I'll be uploading two pieces, one without the lineart painted (the one I like more), and the one with the coloured lineart. Hope you like it everyone and @abbeyofcyn
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Ok, now that the art is done, I have a lot to say about how I chose to color everything, but that could get long so I'll leave all of that under a read more, expand at your own risk XD
Allright, so first of all, a detail that I'm not sure many people will be able to catch in the first place. The flowers, I colored them in a specific way, because each of them represents a different person.
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In here I added the flowers to represent each of the beings present on the art, Red for Raph, Light Blue for Leo, Purple for Donnie, Orange for Mickey, Dark blue for F!Leo, and finally Pink for the Krang; because the latest might not be present literally, but the sky and pink light clearly indicate that they're still a presence to be felt in the world.
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In here we have the four turtles again, with the flowers being their respective colors. However, since all but one of them are cut, I chose to color them in what I believe the order they died in the bad future is. First is Raph, I doubt he'd let anyone die before him, so the single corner of a red petal goes to him, then Donnie goes next, hence why a petal and a bit of the center is the only thing that can be seen of him; and now we come to the first scene of the movie, which makes it so that Mikey is the next flower that's cut off, and finally Leo gets the only not cutt off flower, because he's still living here.
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This are the last patch of flowers, and the reason why I colored them that way is because each of them represent a different person that's important for the turtles. The Green represent April's Ninpo, I wanted to add her and ther ninpo was the only way I could think of, and on the same vein, the white and black next to her are Splinter when he's on his Ninpo state at their final fight against Shredder. Below them there's the gray and sorta orange flowers, this time they both represent Splinter in his normal form, and yes I know I put him twice in there, he's their father, he deserves it XD
Finally there's the dark brown and gray flowers, these one represent Cassandra Jones and Cassey Junior, you can't argue that they end up being pretty important to the turtles, the first one helped them in the fight against Shredder, and the second one literally kickstarted the movie XD
Next thing to discuss is why I chose to have two different lightning sources and why they are what they are.
First is the Krang sky at the front, I chose this because I got inspired by this idea for the AU behind this lineart from Abbeyofcyn and wanted to continue said AU idea. My take and continuation is that even after the Magic Tie Portal that Mickey did to send Casey Jr. to the past exploded and send the Krang at the battlefield away (and considering how big the battlefield it was, it most likely killed or pushed away every single Krang at New York) and F!Leo got the Tots!Turtles, there were still enough living Krang around the world that are still ravaging the world, this time more out of spite than anything since they know the won and simply want to kick down a dead horse. F!Leo is going in that direction because he's aware that there are Krang still left, and the sad reality is that he can't shield the Tots!Turtles forever, but at least he should be able to train them and teach them everything he can, while also giving them the chance to have a childhood as well, similar to Casey Jr. but more chill.
F!Leo and Tots!Raph are the only ones facing the Krang light, and that's on purpose, the former because obviously he'll be the main force against the remnants of the Krang that are still on Earth, and the latter because no matter the form, Raph will always want to protect his siblings, and he ain't afraid to punch a few f them in the face to do so. Tots!Mikey meanwhile is in the backpack, being shielded from the Krang light, with it barely reaching him, and again, that's on purpose, everyone will want to protect him since he's the youngest, and the fact that he also will become the strongest Mystical Warrior the world will ever see again, and so F!Leo will try to teach him whatever he knows about Ninpo and the Mystic Powers, doing his best to shield him from the horrors of the Krang so that he can focus on learning Mystical Powers.
Tots!Leo and Tots!Donnie are giving their back to the Krang light, but that's not because they'll ignore the menace they represent, but rather because they're focusing on what's more important to them at the moment, for Tots!Leo is his twin brother and the shenanigans/drama he can get with him, while for Tots!Donnie is his curiosity and need to learn about the world around him (Also he's autistic and likes rocks, fight me XD). Leo here is shielding Donnie from the Krang's light, agan made on purpose, because he loves his twin too much and wants to protect him from the horrors, while also pulling his rope to bring him back to the present; Donnie meanwhile only has a little bit of Krang light on him, which is their looming threat that they represent for a great while, however they aren't the biggest thing occuping his mind, and thanks to his twin, he's able to not focus on them for a while to concentrate on more things that'll help everyone in the future; which brings me to...
The yellow light, which comes from the sun that's behind them, and considering how it's a yellow and not an orange one, the current time is morning and it's Dawn, the rise of a new day, new begginings and start for a new hope. It might seem like they're walking away from the light and into the Krang's side, however with this idea I had it's less that they're getting further away from the light, but rather bringing the light with them, illuminating everyone's path and pushing back against the Krang.
As you can see, everyone is bathed in the sun's light glow, however Tots!Donnie, Tots!Raph and Tots!Leo are the ones that are literally bathed in it, while F!Leo has his legs covered in it and Tots!Mikey only has sunlight on his head. Once again this is all on purpose, and I'll explain everyone's light position now :3
Tots!Raph, The sunlight is mostly on his shell, tail and arms, which is because he'll be in charge of protecting everyone's uture, and that sadly also means that he'll be bearing the heaviest burden out of his brothers, but that'll also means that when the burden is eventually lifted, he'll be the one that looks forwards the most.
F!Leo's future is uncertain, the sunlight covers only his legs completly because even if he's the guiding light of everyone's future, and no matter how much light he has on his back, shell, legs and arms; he's not covered in any of it beyond his role as a guide, so still uncertainty envelops him.
Tots!Mikey is literally being carried in a bag to the future, which again is because he's the youngest and the strongest mystical warior out of them, but he's also somewhat of a backup plan, his role will be less to guide anyone to the bright future and more ensure that no one gets left behind under the looming threat of the Krang, hence why he only has the sunlight on his face and he's not covered in it like his brothers.
Tots!Leo and Tots!donnie, the disaster twins, they both are encased in light because both of them will help create the brightest future as well, however Donnie is covering a half of Leo, not letting him be truly fully under the sunlight, and again, that's because while he protects his twin from the Krang, Leo is sacrificing part of his abilities to guide everyone else but his brother. Donnie meanwhile is literally encased in light, his face fully iluminated, and that's because with his smarts and creativity, he'll be the biggest reason that a brighter future will be created for Earth, his inventions carrying everyone towards it.
Finally, why I started with dry grass on the foreground and ended with green grass at the mountains on the horizon, and that's because even with their uncertain future, even though they are the guiding light that'll bring a new brighter future to the world, that doesn't mean that the world is at such a critical state that they literally can't be saved. There are still people out there, living in hiding, no matter how it seems from the start point, there's still life out there.
And that's all I wanted to say about how I painted it and why I did so, I had so much I wanted to say and, to anyone who bothers to read all of this, thanks for doing so, I put way too much thoughts into this ambitious for me painting, and I loved writing all of this down as well. See y'all in the future n.n
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baskeigh-ball · 4 months
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Ignoring the fact that ibis had the ai paint feature a couple years before this whole ai fiasco, after seeing your post, I decided to try it out to see if it really held up. I already knew what you said made no sense, as even stuff like ai painting requires heavy human input that isn't just someone typing a prompt in a thing and looking through thousands of images and somehow still calling it 'art'. Really, it's just some weird advanced bucket.
The ibis ai paint... really sucks. I'm pretty sure it hasn't even been touched since it was added. No matter what I did, I got random colours and whatever colours I had put there looked like it were from a filter, not to mention how my lineart bled everywhere like it was blurred out.
Ibis isn't problematic for adding that feature as not only was it added ages ago, but it was also just a gimmick only added because a few more popular paid programs added them, like Clip Studio Paint. I highly doubt even the company took it seriously considering how poorly built it is. This is actually the one time I'm glad some feature in an app sucks so much.
Another reason why ibis isn't problematic by the mere feature alone is that, when you look at the artists making content during the time of that update, it was received with humour. It was something fun to try, but ultimately dismissed for actual artwork, as nobody would use it to fully paint their works. Nowadays we see something slapped with the words 'ai' and think that it's instantly bad due to the latest issues with it and big corperations/ certain production companies but it isn't. It's just a lot of people abusing what was previously some fun gimmick, which it can still be, and for certain apps, still is. Nobody throws pitchforks at character ai, after all.
You can tell just by the size of this that I'm procrastinating on something. Ima go and let this rot away in your askbox now lol
You really thought this would fade away in my ask box, mwahahaha /j
I wanna start off by saying thank you for holding me accountable, I will admit that I got buzzworded pretty hard in this situation lmao
This information came as a surprise to me-- I was seeing posts pop up within the past week complaining about the ai feature on ibis, so I assumed it was recent. As it turns out, after reading your ask, I discovered that I got a few wires crossed! Because yes, the auto paint feature I referred to in my post has been around for years now, and was never taken seriously anyways
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So that was my bad (and yea ur right it's completely unusable, lmao)
But as it turns out, the feature that people have been complaining about DID come out recently. It was called the AI Example feature, I think the idea was that you make a simple drawing and the AI adds 99% of the detail and color, which I've seen a bunch of other programs do.
...and then it was immediately removed due to some pretty major backlash, which, duh
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^ This is the only evidence I can find of the 11.2.0 update that included the AI feature on the actual site; their update history stops at 11.1.0. But there's also the news page about the removal of the update, so it's not like they're trying to pretend it never happened.
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So tl;dr, I jumped on the hate train a little too quickly and never did enough research to figure out what the actual update was, and that it's been removed by now anyway (which I couldn't have known until today, ofc, but i did kinda post that thing about ibis today so it's still a pretty major oopsie)
I think I can say with confidence now that I agree, ibis paint isn't problematic to use-- they made a mistake with this update, but they actually listened to their users and removed it LITERALLY the next day. So, thanks for letting me know! I'll also edit my last post to prevent any misinformation, just in case people make the same mistake I did :]
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quibbs126 · 28 days
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Also could you make a kouign-amann x capsaicin fanchild?
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@amythecat2001 also asked for this before, but I made the other part of that ask previously and posted just that one with the ask, so I’m tagging
Anyways, she’s been done for a few days now, I just forgot to post, this is Spicy Roll Cookie
So she’s an absolute sweetheart, she just tends to be really loud. She’s great at giving motivational pep talks, and she’s someone you’d want as a friend. She’s also an incredibly powerful fighter. I didn’t draw her with a weapon, but she is supposed to have an axe, as shown by me trying to sketch one out somewhat in the top
She’s a Paladin in the Crème Republic, and tends to be more fond of their types of outfits, but she still has some fondness for her Dragon’s Valley heritage
That’s about it for her, I mostly just have vibes
As for her name, she’s basically just a cinnamon roll, but spicy. It was because pastry + spicy. I remember this pairing was giving me a lot of trouble because I didn’t know how to combine the two, and I eventually just kind of made something up. But I still like the name
Cinnamon roll:
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I was considering making her color scheme more brown/orange, to fit in with the cinnamon roll thing, but ah well I suppose. That is half the reason her dough’s brown, as well as it just working as a medium between Kouign Amann and Capsaicin. And it’s also the reason she has all those swirls
Oh, another thing I should mention, this wasn’t the original design I made for Spicy Roll. It’s not that much different, but it is somewhat different
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I had asked my Discord group if it looked good, since I had been watching Venture Bros while working on her, and I felt like I hadn’t been giving Spicy Roll my full attention as a result. I got some critiques and changed her accordingly. I do think the final design looks better tbh, but I still have some fondness for this version
I also did it on the same layer as the original lineart, so this you see here is the only physical proof of the original design
Anyways, back to her actual design, because I took a detour there
So when I was first rough sketching her back some time ago, I had planned on giving her the down facing horns, but I couldn’t get a hairstyle that looked good with it, so she got shelved temporarily. But I think I have something that works now
Her diamond pupils were supposed to be like a combination of Capsaicin’s slit pupils and Kouign Amann’s heart eyes. With the colors of Capsaicin’s eyes semi reversed because I like it better that way, at least on Spicy Roll
And yeah I think that’s all I have to say on her design right now. I like it overall
Oh wait, one last thing about her, in the notes on my list, the original first thing I put was “Barbenheimer?” Since I think that was going on or had just gone on at the time of the first request
Anyways, that’s it for Spicy Roll, I hope you like her!
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mrghostrat · 4 months
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Okay I cant -- I need to say it out loud.
I am 100% sure, at this point, you are my favourite artist so far. And I have to honestly thank you for a lot of stuff so let me get to the point before my anxiety takes me back --
I came across you less than a month ago. I don't remember if I saw your art before reading your fictions (Mon Horrible Cherì was my first) or the other way around, but both inspired me so much I can't describe it properly. Art itself is my absolute weak spot. In my past years I always struggled working on that, I was never happy with my results, and mostly had drawn to pay bills than for my own happyness. In the end I hated it at the point that every line I drew was a cut on my hand instead of a moment of joy. And that was horrendous.
But then I came across your art, at some point - and I was amazed. Your style is something I wished to achieve years ago, or very similar to that at least, so I was totally into looking for more, and more, and more. I can't produce art of that quality, but for the first time I wasn't envious of another artist's ability and talent, I was just... Amazed. I felt very happy, can't say why, but your style totally fascinated me. It still do. Anytime you post something new it gives me a shot of serotonine, it makes me feel happy and inspires me to get back on my Huion and draw something too. I started to push it through everyday, and in less than a month I grew a lot. You don't know that, but you pushed me into art with a passion I didn't had since I was 16, and I turned 30 couple months ago. Now it gives me joy everytime I draw. It doesn't matter if the art I produce is no good, or if I change my style everytime (I'm trying a lot of styles right now), the only thing that matter is the way I feel when I sit here and just let my inspiration go. And I feel happy. Happy to draw. Happy to experiment. Happy to share. Somehow I don't feel ashamed of my art anymore, and I was for a long time. I improved so much in these weeks. I watched carefully almost all of your timelapses (I am in love with all of them btw) and followed your tutorials more than once. Your examples, the way you work, is just inspirational for me. I've seen someone was thankful to you for the way you use references and says people out there to do it too: I want to thank you for that too. References was a taboo until last month for me, and I was SO wrong! Those helps so much!
So, well. I am not sure I wrote this all correctly, english is not my native language (I'm italian) and I may have done some mistakes, well, I do not care. I just hope I was able to express you my gratitude for all you did for me - I had to let you know how much this means to me everyday.
Oh also: I love every part of your art, but I could stare at your linearts for days and never get bored by that. And the way you color! Don't make me start on that. I could speak for hours. Not sure you'll want that, believe me.
So, thank you. Thank you from the bottom of my heart. Thank you for making me believe in myself again. Thank you for giving me back my passion. Thank you for reminding me everyday I can draw for myself, for my own happyness. And thank you for making me happy.
You are a great artist.
Thank you! <3
i put off replying to this because i wanted to draw you something, but i just haven't had the energy after work and dont want u to think im ignoring you 😭
but i dont have WORDS. i'm so fucking proud of you. i'm so happy for you. browsing your blog and seeing the sheer amount of art and AUs you're making is so inspiring. your happiness is contagious and i hope you only continue to grow, and continue to foster all that joy for art.
thank you <3
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chubs-deuce · 23 days
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Hi!! Love your artwork and your Charlastor AU with Dawn!!
I was wondering if you think Alastor would make any dawn-themed dad jokes and puns in your AU, and if he does, what would Dawn and Charlie think of them? I can’t really think of any off the top of my head right now, but I know ‘a brand new dawn’ is a phrase he could maybe use!
Again, love your art!!! If you don’t mind answering questions about it, do you have any advice for artists who want to improve their drawing or any practices that have helped you develop your skills? And are there any particular artists that really inspire you?
You’re one of my favorite artists and I don’t know how to explain it but your drawings have so much life in them!! 🌟
sdlksdflkj thank you so much omg!!!
I'm so glad you're enjoying them ;W;
And he would be insufferable with them lmfaoo, especially because I'm sure Charlie would hop in on a few of them and add to the pile as well xD
One more I can think of rn is "Oh, I was wondering where the sun went!" whenever Dawn enters a room, because the implied punchline is "but then it Dawned on me" or something? XD idk I'm not good with puns sadly
Now regarding the art advice!! This one got HELLA long so I'll hide it under a cut for everyone's comfort lmao
I know it sounds shallow and like worthless advice, but a huge huuuuge part of getting better at art is to just... make art! Practice makes perfect - it develops your motor skills, gives you somewhat of a muscle memory for certain basic shapes that are a necessity to have a good feel of for good foundation sketching.
Practice also develops your eye for compositing and for how color theory actually applies in practice, it basically helps you develop a more consistent grasp on art as a whole :D
There are some things I've learned over time that definitely helped speed things up though xD
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here's some rough sketches I did just to demonstrate what my rougher drawings can look like - also a little diagram (on the right side of the image) of things I keep in mind for the average proportions of a human body!
I tend to sketch very loosely and try to capture the overall vibe and silhouette/rough shapes first before I even think about adding details - there's a certain flow, squish and stretch to everything that's just much easier for me to get a good feel for when I use quick, loose brush strokes and as few lines as possible to convey a concept.
Repeatedly sketching humanoid characters of various shapes, builds and sizes for years genuinely helped enormously in getting not only faster but also more consistent with it!
I'm fairly well practiced with hands and expressions especially at this point since I like to focus on those in my art often, so those come fairly easily to me as well now!
Something I learned along the way about keeping a certain liveliness to my artworks is that sometimes you have to forego anatomical correctness a bit if you want to fully express specific emotions - if you try too hard to keep everything perfectly proportional and realistic, it can make the outcome look stiffer than you might've aimed for - this is something I actually struggle with in my cleaner artworks :'D The ones I do proper lineart for, since a lot of the flow of the original sketch gets lost in the process haha
As for artists/artstyles that inspire me...
There's @/southpauz for example!
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Her artstyle is unbelievably expressive and her eye for compositing and her use of shapes is SUBLIME - it inspired me to let loose more with my expressions, exaggerate features a bit more and to push the way I try to vary facial features :D
Then, back when I had that massive Rise of the TMNT phase, the artstyle of it has actually greatly influenced how I draw today!
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It manages to be detailed and highly recognizable despite its deceivingly simple style - it exaggerates shapes and uses it to communicate personalities, emotions and action super effectively and taught me a lot about utilizing those more efficiently myself :D
And last but not least Ishida Sui - the mangaka behind Tokyo Ghoul (which used to be a highschool obsession of mine)
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His striking use of colors, textures in abstract, yet symbolically heavy ways and his courage to be rough and expressive rather than looking polished, yet also having such a solid understanding of realism blew me the fuck away as a teen and still does now!!!
His art may have less of an influence on my style today than it used to back then, but I think in my more exagerrated, more horror-esque drawings you can kind of see it still :'D Either way I greatly admire him as both a writer and artist.
-----
I'm genuinely so so flattered that you enjoy what I do enough to give me such high praise, thank you so much for writing me such a wonderful ask <3 I'm glad I got to gush about some of my favorite artists/artstyles for a bit haha
If you have any more specific (digital) art related questions don't hesitate to reach out!! I love giving pointers about a subject I'm so passionate about, we don't gatekeep helpful information in this house!!! <3<3<3
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taeiris · 15 days
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if I’ve already sent this ask before I’m so sorry, I’ve got adhd, but how did you find your art? (I’m in my questioning phase)
hihi!!! no problem! i think i have some kind of glitch with asks bc when i go look for them it says i have 3, but when i check it, there isn’t any so im sorry if any of u have ever sent asks and i havent answered them it’s probably bc of that😭
but anyways lets get on it!
finding you art style is not smth simple at ALL. ive been drawing my entire life!!! and ive had a bunch of different styles until now, they kinda used to change every few months or so, i was always happy with them but it never really lasted??? and i always had at least one part of the process of it to dread doing, for example, coloring.
it wasn’t until recently i FINALLLYYY found a style im 100% comfortable in.
it really takes experimenting and finding what elements of creating art you love and enjoy the most. for me, i used to mostly do traditional art, just pencil or ink sketching and i would OCCASIONALLY color them. so i really used to enjoy kinda the messiness of the pencil on trad mediums and stuff? and i never rlly found a way to translate that element to digital art which is the one i enjoy the most now.
brushes are very important! it depends on the look you like. since i like that pencil feel, i use a pencil looking brush! (softy from esbenlash’s procreate brush set) and i also got a paper feel screen protector for my ipad to enhance the experience🔥
i found i mostly enjoyed doing lineart and didnt rlly look forward to coloring, i didnt find my past styles enjoyable bc they kind of felt restricting in that area? since i didnt find a way to make it more abt the lineart and less abt coloring that i liked (ofc theres plenty! i just didnt find one for me)
so tbh i think what mostly influenced the style i enjoy the most now is film, and baroque art!
i had recently seen:
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Crimson Peak (2015)
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The Shape of Water (2017)
and ofc
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Stranger Things DUHHHHH
and i fell in love with the way the lightning was, heavy dark shadows and moody lights, and tried to match my style to it and found that it highlighted all the things i enjoy doing the most while drawing! so thats where i am now
special mention to the one movie im obsessed with currently
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The Crow (1994)
also has the similar style
all that + experimenting, studying other’s art i liked and finding elements to integrate to my art, ANDDD music also played a huge part in it. so as you can see for me its about kind of combining aspects of every single piece of media i like 😭
its not gonna be the same for everyone, but its always good to have a guide so i hope this was useful for you and anyone else! im always willing answer any art questions :)
don’t worry too much about speeding up finding your style, it’ll come to you eventually, so focus on enjoying the moment and learning, take mental notes of what you like and don’t like!
sorry this is kinda long as hell… but i like rambling
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mykatzone · 7 months
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Answering asks #4
I have been... procrastinating over answering asks in my inbox... just a bit 🥺
I'm really grateful for everyone's patience so I'm finally sitting down to answer all the asks I got! Again tysm ;w;
• Finny art request + Timelapse and brief overview of my art process
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My deepest apologies anon! Not only did you send this ask back in July, but I additionally promised you a reply back in August- and it's October now! 😭 I am so sorry for my lateness and am so grateful for your patience!
In any case, you asked for a Finny drawing so I offer a Finny drawing! As well as a timelapse of my art process and brief overview of how I do things since you were interested!!!
I wasn't sure what style you wanted me to draw him in (I have so many styles RIP) so I picked the most difficult one I (sometimes) use! Aka my painterly style!
As for how I draw like this uhh, it's a lot of messing around trying to find the right colors basically!
Also focusing on quick brush strokes that communicate the shape of whatever surface I'm rendering!
I also love casting most of the upper part of the face in shadows. Does it make sense? No. Does it look good? Yes!!
As for my lineart, again- rly depends on the style I'm going for- but I tend to use a more sketchy style of lineart these days.
Like a superrr clean sketch. I think it looks nicer with my rendering style, bc the lines have that sketchy rough quality so it's easier to hide the imperfections bc I can hide under the "well it's supposed to look rough duhh" excuse LOL. Work smart not hard! I always say that.
I hope I'm making sense with my rambles. I've never been the best at explaining my art process bc I myself don't rly get what I'm doing usually. It just kinda comes as a reflex almost?? I've been drawing for so long I just kinda go with the flow at this point.
Anyhow hope it was worth the wait XD enjoy your Finny!!!
• Kuroshitsuji Musical idea suggestions
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To refresh everyone's memory (bc I'm so late at answering asks), awhile back @shadowalkingschemer asked if I ever planned to make a Kuroshitsuji musical parody type songs/animations like I did for Umineko, to which I said "probs no bc an actual official Kuroshitsuji musical exists, but it sounds like a rly fun idea tho". ANYHOW- this was the followup ask I got from the same person! So let me finally answer!!!
Oki so I looked up this Beethoven's Last Night thing you mentioned and???? OMG??? It goes hard from the first few minutes I listened to. It's a rock opera I assume? And it's such a bop?? And yes this would be perfect for Kuroshitsuji, it matches that classical sophisticated vibe SO WELL with the general edge of the story (bc duh. it's a recreation of Beethoven's compositions but with epic rock music). God this is so good, thank you for the recommendation I will have to listen to the full album soon bc WOW.
• Nice person in my inbox :D
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Thank you so much @eynnwwyjth !! That's such a sweet compliment too ;W; to call my art enchanting AAA ty!!! :>
• Animation advice
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Thank you for checking out my YouTube @aeowolfestheater !! It's my primary social media, and I'm glad you fell down the rabbit hole of my many many uploads I posted over the years XD
To answer your question, I don't rly have the best personal advice when it comes to starting out as an animator rly! I kinda... fell into it? XD I started animating (well trying to animate in MS Paint), before I even turned 10, so I didn't really have that traditional learning curve? It was mostly a lot of trial and error, trying to figure out what works and what doesn't.
(If anyone wants to see how my old animations looked and how they improved over the years, I posted many "Animation Improvement" type videos that showcase my work over the years, so you get the idea of what I'm talking abt!)
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Best advice I can give to any animator right now is probably the boring advice I personally never took (hence why it took so long for me to get where I am now). Learm the fundementals (the principles of animation, the ins and outs of the animation program you're using, general art skills are also a bonus depending of what you wanna animate). I think it's also important when you are first starting out to focus less on making your animations smooth and clean and more on learning how to capture movement itself (that's the point of animation after all!). Learn how things move depending on material, speed, physics etc. and how to communicate that in animation. I think just observing life helps a lot. References are your friend (video references are probs the best). Ofc clean and smooth animation is great as well, but that comes after you learn the basics I think. Stay on model the best you can while animating any shot (ofc unless you are doing squash and stretch or experimental animation). It makes it look less janky. Uhh I can't think of much else right now (bc again I never rly learned animation the normal way haha), so I will link my two animation tutorials here! They are abt Clip Studio Paint EX though, idk how helpful they are if you don't have that program :'0!
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• Tumblr mutual reunion!
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Omg hi @rissynicole and so sorry for the late reply!! As this post has shown so far I am extremely slow at replying to the asks I recieve in my inbox! Anyhow it is me! Katrinci! I got back on Tumblr in 2022 (has it already been over a year??)! Sadly someone else took my old username (an innactive empty blog too... I'm so mad), so I got a new username heyooo. I hope you've been well!! I'm doing better then I have in gosh, years I feel like XD. Mostly bc I'm finally out of school and finally focusing on stuff I wanna be doing (art career stuff and irl stuff!) But yeah I hope you've been well too!!! Feel free to reply or shoot me another ask if you feel like, I'll do my best to reply on time this time! (I'm so so sorry for being so late!!) Anyhow YIPPIE!
• Where to watch my silly Umineko Musical parody
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It's here! I privated it on my main channel bc I thought it was too goofy/self-indulgent even for me (also it wasn't doing well and y'know how YouTube is with channels that underperform T_T), so I moved it to my secondary channel! It has both the song you are referencing and the other song I did! Enjoy :>
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• What Croatian stereotype is Katzone?
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Well every region in Croatia has its own stereotype, I'm from Dalmatia, and we are stereotyped as loud. So I def fit that one! And also I fit the "cura iz umjetničke" (girl from art school) stereotype quite well. I went to an art highschool and I'm gay, autistic, slightly mentally ill and look vaguely alt (literally I don't btw, but ppl see a buzzcut and it blows their minds, like "woah that's so alternative and quirky", not knowing I only have a buzzcut so I can't pull my hair smh (trichotillomania, look it up for more info)). Though I don't smoke weed so mby I am a bit subversive and not like other art girls.
• Kat sexuality confirmed??
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Oki so what @xxparanoidvampirexx is referencing here is when I posted a poll asking my followers to guess my sexuality.
These were the results!
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I have been democratically declared a lesbian by popular vote. This is probably true. Listen I'm like 95% certain I'm a lesbian but you never know. My autism makes it hard for me to figure out any sense of my identity bc I often mirror ppl around me (and most of my friends are lesbians or sapphic women in sapphic relationships), you get me? We can never know. My sexuality is currently a Schrodinger's cat situation I'm afraid.
ANYHOW, to answer LMAO- I mean fair assumption. I do mostly post about women on my blog (Saldy... I got back into Adventure Time recently and my blorbo there... is a *shivers* man. I saw someone on Twitter today as that fictional middle aged men are to lesbians what Taylor Swift is is to gay men. And like. Yeah.)
• Nice person in my inbox #2 + "What's your favorite Ciel outfit?"
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First of thank you so much anon for the kind words!!! I'm rly happy to hear my art makes you gayer (the only correct compliment ever). Jokes aside, but fr this is super sweet :'D thank you!!!
To answer your question, I had to go skim through this video by @/nullbutler to refresh my memory on what outfits Ciel wears throughout the anime/manga/official art.
Here's the video if you wanna watch it!
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Anyhow, my personal fave fits of his are extremely basic. While I do love Ouji fashion, I dislike seeing him in most of the oufits Yana puts him in. Like yes they look lovely, slay extremely hard and fit the visual aesthetic of Black Butler perfectly- but every time I see him in these frilly oufits I'm like "this is not reflective of his personality in any way, he would not wear this on his own, it's pure camp". Don't get me wrong- I love camp, and this anime/manga is as camp as you get. So while I love the more campy frilly oufits he wears aesthetically (and those are way prettier), I perfer when he's in stuff like this:
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Like yes, these outfits are objectively less interesting and pretty- but I see stuff like this and I'm like yeah that's him. If Sebastian dropped dead and couldn't pick out his clothes anymore, this is what he would wear on his own accord methinks.
• STOP MAKING ME FEEL OLD 😭
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Here's my live reaction of reading your ask @porfiriea :
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What do you mean?? You were 6?? I doubt you watched my 2014 MS Paint animation era, I assume you found my channel during 2016-2017 at earliest (my Undertale and Yan Sim animation era). I refuse to believe you were born in the 2010s. Nuh-uh. No. Not happening. Fake news.
Jokes aside, but it's always cool to see ppl be like "oh I watched your stuff b4, I didn't know this Tumblr user was you!" It's a strange feeling!! Makes me feel like I did leave a mark on the animation side of YouTube. Feels nice! :'D but also old. And I'm only 20!! How will I feel when I'm 30 or 40?? Will I just turn to dust on the spot??
• Grelle's gender masterpost update
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I'm so sorry anon, but I completely lost interest in this topic T_T! Plus even if I ended up making a masterpost, it wouldn't be fully accurate (or at least- I wouldn't be able to verify its authenticity completely), as I don't speak Japanese. So I would have to go off of Google translate and translations by English speaking fans who understand Japanese. And I don't wanna talk too much abt Japanese queer culture either. Even though I did a ton of research, I'm not Japanese and I never went to Japan! So I'd rather not risk spreading any potential misinfo. Sorry to let you down ;;!
• Another YouTube viewer spotted me in the wild!
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Omg you spotted me!! In the wild!! That animation was crazyy, bc I made it rly fast and rly didn't expect it to do well. But I remember it did super well during the first day (got 100k views on the first day it was wild), and while I love that old video, I'm like. Rly? That one blew up?? Out of all my other ones?? I mean the idea was creative! But I feel I half assed it a little, I barely animated anything for it outside the headbop tweening and blinking animation XD. Mby I'm being too harsh on 14 year old Kat here. Nahh I'm not, I felt the same when I posted it innitially as well. But hey I still love that vid. Love the style I drew in at the time, I was still using a mouse for everything back then. Love the colors too! Mby I should remake it one of these days. Mby!!!
If anyone wants to watch the animation @gentle-starlight is refering to:
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• Umineko time
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@anawkwardlady This is the universal Umineko fandom experience I'm afraid. Being sad over Beato and wishing she was vibing (after you learn abt... the horrors...) XD
• ???
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I'm so very concerned and do not know what this means or what this is refering to. I'm afraid O_O @hononyan what does this mean...
• What happened to my old Tumblr blog
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It's completely ok to ask anon! In truth, I have this rly bad habit where I delete social media accounts when I'm having a bad mental health moment. It's always an impulsive decision I end up regretting. I deleted my old Tumblr in early 2021 I'm pretty sure, and I'm still so sad about it. I wish I didn't delete it. I had that blog since 2015 and now it's gone like poof. I can't get it back and I'm always emo abt it.
I might make like, an archive or something of my old art one day. I mean I still have most of it saved on my computer, but it would be nice to have all of it in one place publically again (it's always good to have stuff backed up somewhere)! Adding that to my to-do list XD
Oh and the worst part? I can't use my old username on Tumblr (Katrinci). Someone else took it. A BLANK EMPTY BLOG. I'm so mad. I'm soooooo mad give it back to meeee.
• THE END!
And with that I have answered all the asks I had in my inbox! Well, all the questions and stuff, I still have other stuff in my inbox like art requests but I'll get to that some other time if I feel like doing any of those! In any case, tysm for being patient everyone! Ik it took me very long to reply but I hope my responses were worth it! I wish all of you a nice day! My hand hurts from typing owie.
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martilyongabo · 7 months
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EO3 (partial) lineup - November-December 2022
Peak MAbo is collaborating with your best friend for a(n admittedly unfair) final project (for web development!!!! an elective!!!), saying you would post it, forgetting about it for a year, posting it on Artstation and forgetting about it again.
As always, AC drew the lineart, and I colored. Designs were more of a collaborative effort between the two of us!
Probably should have shared this when the HD collection came out... anyway it's here now!
Some design ramblings under the cut :0! There's a lot i wanna share especially given that we recently did a soft rewrite that departed from the guild system entirely ^^" and EO3's cast was actually one of the first that we had, surprisingly!
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Micah is quite clearly alt gladiator 3, but in an entirely different profession. instead of going into the labyrinth, he works in what i imagine would be an analogue to the forge in Tharsis (aka helping people make things busted af). It probably works best for his character, since he was always a gizmo freak even in his first iteration! geomagnetic (or submagnetic, ugh) gizmo is AC's idea!
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Micah's brother, Eva, is a very loose spin on zodiac 3, but with a wayyyy lighter colour palette. Admittedly, i did steal a little bit of the spiritmaster's coat from bravely default, but AC managed to spin it back to resembling the original coat that the class had. Eva works as an astronomer, hence the little telescope he always has on him.
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Next up we have Eva's protégé, Miri (who was imported from AC's stories)! Theoretically, Miri would be a second zodiac, and, after watching some EO3 speedruns, would probably be really strong in the earlygame when working with Eva in an actual playthrough. AC's design heavily borrows from Patho II's Grace, hence the coat + dress combo.
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Following Miri in this lineup would be Noa, her admittedly very lazy but clingy sibling. I think it's apparently here that we didn't have much time to filter what a believable design would be in an EO setting, given that Noa's clothes were translated directly from our designs of them in school attire. It's actually funny how for we diverged from their original portrait (buccaneer 3) to the point that she is literally unrecognizable. Truly a pipeline from good sea boy to j-horror twist character.
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Last in the OC section would be Masaru, who recently found work for the Senatus. Admittedly he does have another example of "incongruent time period" clothing (the jacket), though it's a lot more reworkable than Noa. We also made his design a lot less poofy and rugged compared to the original, and I mixed the base and alt color palettes as well to make him less, well, glaringly red. Probably one of the funnier things is that his clothing palette made him blend in more with the likes of Kujura, but given that they work for the same place, it'll probably work out fine.
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Now we go onto NPCs, and who better to start than with Flowdia! Admittedly, her art was one of the last ones that we did, hence why her design looks relatively plain (sorry lola). Probably one of the things I would like to add would be more ornate patterns, perhaps of butterflies to tie her closer to Gutrune!
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Before we get to the Princess, we gotta get through her bodyguard first! >:0 I honestly don't like Kujura because I answered honestly in his first question, and he said that I was prideful, but AC likes him so he looks really good here. He isn't as rendered here as he is in his portrait, since he was also one of the last characters we made, and I didn't really get to notice that he doesn't have as much value contrast in his clothing as Masaru does. Probably something to think about next time I color him >:0
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Next up we have Gutrune!! We decided to make her look more jellyfish-like, while still keeping it a bit uncanny and unsettling. We tried to give her a more traditionally Filipiniana look (mostly on the Maria Clara gown), but we haven't yet made a poncho design that mixes well with butterfly sleeves without looking cluttered. As such, she has a more nightdress-y look here. AC drew in a few tentacles, and I couldn't help but make them look squishy.
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Last but not least is Olympia! We wanted to align her appearance more with her background, hence her altered design :0 Having rips of the artbook easily accesible online also helped us flesh out her hair in particular, since we didn't want to just transplant Gutrune's hairstyle onto her.
And that's all of them!!! I'm honestly hoping to draw more EO characters, though Seyfried's design scares me (honestly the reason why I couldn't make a Reversed Emperor comic).
Currently, I've made a lot of progress on the EO4 game, and I'm excited to draw up the three N-turned-PCs + Xiuan >:'0!!! I don't think I can ever get as cool as Morika tho. If you've come this far and aren't into EO, please check out their blog!! Their art is stunning and has come a really long way :")
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sharkfinn · 3 months
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Hey mootagen :)
So, I'm in the process of making a mini comic for a scene from my AU and I wanted to make it fully rendered and colored.
I was wondering, what do you do to color your comic? More specifically, is there a step by step process that you do? Or do you have any tips or anything?
I'm mainly concerned about getting the background right. You do backgrounds really well, in my opinion, so I thought that maybe you would have some advice for doing backgrounds.
i think this is all advice more for longer comics but oh well
alpha lock/layer masks, lasso brush and fill bucket tool all save me a bunch of time colouring
just do what you can first, not every panel needs to be perfectly drawn and pretty and rendered, you can save better drawings for most important/impactful panels
for BACKGROUNDS though i really iust try to make it understandable before anything else. not every panel needs a background too, a flat colour is fine and sometimes better
you can always look at other comics you like and see what they do :)))
this is all stuff ive learnt and am still learning and am trying to do better at myself. im still making mistakes- backgrounds and rendering are the biggest things i need to cut down on to make pages more time manageable
like the last page i did? page 24? that one has only one or two panels fully "rendered" and the rest were only single colours or rushed shades of purple and yellow and very very simplified? compared that to page one. thats a lot easier and faster to do
another thing!! lineless blocking out shapes with colour before lineart helps me a lot when im struggling with shaping something
i use lineless a lot for backgrounds, its faster and easier, i am not aiming to have my perspective line up as long as its understandable (take some shots inside the treehouse of adventure time for example, theyre super detailed but still time manageable because theyre never asked to be perspective accurate)
ye!!!!
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yousei-no-mori · 1 year
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Ijiranaide, Nagatoro-san - Rant
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I am currently watching season 2 and I have some thoughts (about both seasons).
First of all why did I start watching this anime? Erm... So I know what the target audience is, it's people who self insert as Naoto and want to date Nagatoro. As for me? Oh, it's the other way around. I think Naoto is cute and I want to bully him. I thought maybe my female friends were similar but the only friend I have who read the manga wants to make out with Nagatoro. Sorry, I forgot lesbians exist.
Uh, anyway yeah Naoto is cute and I want to be Nagatoro. Not sure if girls like me watching this was intended since these anime are usually made for lonely dudes, lol. Anyone else feel like me though?
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The scrunkly.
Okay, so, my thoughts on season 1... Lemme check the episodes to bring back my memory a little bit, as I watched that to calm down from the stress that is social work during last Winter.
The first two episodes made me really scared to watch this series, for real. Nagatoro just straight up mentally tortured Naoto, and not in the hot way. I felt really bad for him because I know what it's like to be the shy nerd kid. Anyways at around episode 3, I think, Nagatoro starts showing her softer side more. And she hardcore crushes on Naoto.
The dynamic between Nagatoro and Naoto is really cute in my opinion, even if it is very simple. Nagatoro has her first crush because she finally found a guy that doesn't bore her to death but she doesn't know how to handle it so she bullies the fuck out of him. Naoto is pretty much the opposite? He doesn't really realize how much he likes Nagatoro sometimes and thinks he would rather not be around her. He tries to manage that by fighting her off in which classic anime romcom things happen. You know the "Holy crap you did something on accident, PERVERT!" thing, except it sometimes works really well. Maybe it's just because I think both of them are really cute, but I like when they have their little "Oh god, we both fucked up" moments.
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Then there's the more obvious romance aspects and they're by far my favorite. The momens of honesty and the cute glances... Yep, they're adorable. I don't want to give away too much, sorry. Just know it's, in my opinion, the best thing in the series.
I don't care for the side characters by the way, but they can be enertaining when they point out how obviously both of our main characters are trying to "prove" that they don't like each other. They're the audience, the "just kiss already!" guys.
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Also funny face cute. I like when she snaps. I like her. The cutesy. Okay no, for real, I love when Naoto and Nagatoro support or protect each other when they really need it. They can be a bitshitty towards each other sometimes but in the end they're actually kinda... healthy? Like Nagatoro is creepy but I love when the girl is a creep instad of the guy, since Naoto is actively watching out not to disturb Nagatoro. And how she will constantly accuse him of being a creep makes sense later when you realize that she's actually much worse than him, lol.
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Okay let's get to season 2, since I keep using too many screencaps of that season anyway.
Oh boy, another anime studio took over with season 2 (now OLM, before it was Telecom) and it's very noticeable. The animation is stiff and sometimes just straight up doesn't move right, the art is a lot more bland, in season 1 there were a lot of beautiful warm colors and lineart, and the voice direction is very strange... That and also our main characters seem to regress a bit? Now being overly flustered over small things that they would've been fine with in season 1? I get it, they're supposed to be cute and awkward but it's the classic romcom regression...
I'm in the middle of watching season 2 and sadly the things I loved in season 1 just aren't that apparent anymore. It's still cute and I love Naoto and Nagatoro together, but I can hardly pay attention to that when Naoto is animated like Chargeman Ken.
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^ little appreciation for the beautiful lighting in season 1!?
Anyway, Ijiranaide, Nagatoro-san will forever be my biggest guilty-pleasure comfort anime and I'm only a little ashamed.
Love ya
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thilsiktonix · 11 months
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This woman should not be able to fly.
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Finals week is finally done, and I'm officially out for the summer again. I have two commissions to work on, but after I finished my last final on Thursday, I've decided to take a small break before jumping back into the swing of things. I'm testing out a new way of doing fullbodies- that being with colored outlines. I think it looks much better than what I was doing originally, so I'm likely going to switch to colored outlines for most of my lines from now on!
This is actually a redo of an older ref of the same character. It was during a small point in my life where I decided I hated lineart, and did everything to avoid it at any cost; I did awful sketches with my lineart brush, I refined sketches into lines, and, of course, I made pixel refs.
They don't stand the test of time too well.
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This reference was made in 2021. I think it's safe to say that I've improved a lot since then, in practically every aspect possible when it comes to ref-making.
Commissions are open. Check out my commission site in the pinned post!
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