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#I still love Nimona I really do
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Hey.... Heyyyyyy.... How y'all doing.... take the Nimona headcanons that have been rotting in my notes app for the past four months
Ambrosius has kept track of the weirdest things he’s signed for a fan
At the very tippy top is a dinner plate a dog crate and a baby
And by baby I do mean living breathing crying baby
He tried really hard to find something else to sign but for some reason the parents were really insistent on it being their baby
And for some reason he did it
There are hundreds of photos of this infant with a signature on his forehead 
And that kid to this day will whip out his baby photos and show people that he was that baby 
Multiple knights (cough cough Todd) tried to recreate that situation but it didn’t have the same effect 
I feel like Bal gets really bad migraines (which kind of comes with the territory of using your head like a bartering ram) 
And when they do happen Nimona and Ambrosius do everything in their power to make sure that it doesn’t get worse 
I feel like Ambrosius is stupidly good at video games 
I have this little headcanon that books and games were kind of an escape for him
His own personal little oasis from being the golden child with a million expectations and responsibilities on his back 
He's not very good at playing with other people tho because he was always scared people would figure out who he was just based on his voice alone (and he’s not wrong for thinking that)
Nimona is also really good at video games (I mean she’s also half of the reason they were invented but that’s a long ass story) 
So because I’ve been away for so long I wanted to bless you with my friend's reaction to the movie
Just for some context tho it did take us months to finish because we all have work and school and we couldn’t see each other for a while so if I missed some stuff I’ll add it later
“Aw boyfriends” (When they were on the catwalk)
“Why are they so cute” “they’re literally my otp” and “they have cute banter” (The entire time before the knighting ceremony)
JB: “Oh she’s got Daddy issues huh” Me: “why do you say that?” JB “cause why else would she follow a man”(As they’re walking through the kingdom)
JB: “God what a fake fucking bitch I hate the way she talks” (As the director is scolding the knights)
“He knows him so well”(He hates freestyle jazz)
“It’s his boyfriend” “aw bae why’d you throw a smoke bomb at me” “look how frantic he is to find him” “he can’t shoot look at that face” (the entire subway/market scene”) 
JB: “I think this scene is curing her daddy issues and yours” (the alley scene)
(Same scene) KO: “why is he acting like it’s hurting him more?” Me: “Cause that’s his kid” KO: “wow this really is healing your daddy issues” 
JB: “What am I even watching?” “I fucking knew it she was such a fake bitch” (The squires video) 
“Oh my god he’s so embarrassing” “is he really jealous of a kid” “oh my god the director really doesn’t give a fuck huh?” “He didn’t say that out loud” “but does she?” “No” (Ambrosius freak out) 
JJ: “oh my god this is like Archane” Me: “shut the fuck up about Archane” (in my defense he kept mentioning Archane the whole time)
“If I could turn into a dragon I’d never turn back” “same I’d love to breathe cereal” (during the fight) 
“He’s so embarrassing why is he dying that dramatic” (proceeds to make fun of Ambrosius' “death” the whole time) 
“Did they really upload her confession to their version of YouTube” “is his account name really BalliSTAR?” “Why are they dancing?” “His username is Loins_of_gold? Why is he such a dork??” 
JB: “Awe nachos are totally their thing” “he remembered he’s allergic he still loves him!” 
JJ: “he’s a knight?” Me “have you been watching this movie with your eyes closed?” 
And then we freaked out about Ambrosius saying I love you and Bal not saying it back 
We said nothing when Bal pulled a sword on Nimona they kind of just sat shocked 
JB kept mentioning the flashback and after it happened all I said was “you wanted the flashback there’s your fucking flashback” while she sat in sad silence
They also just kept saying in shock “that’s her? That’s Gloreth” while I laughed 
We kind of spent the rest of the movie in silence until Bal and Ambrosius kissed at the end and then everyone collectively lost their shit
They lost their shit again when Nimona showed back up and JB went upstairs because even tho Nimona came back to life she was still sad
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fangomango · 9 months
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I'm so not used to seeing notifications despite my lasts posts blowing up
Anyway here's more Nimona art from our good friend ND Stevenson's tumblr
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It's for another AU ND made :)
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babykittenteach · 4 months
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2023 in review! I made an effort to try more things and it worked mostly (at least for TV and movies). New things, new-to-me things, and new installments of old things all had characters to love even if I didn't necessarily feel fannish about them, and I'm hoping 2024 does, too.
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simcardiac-arrested · 6 months
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i don’t think we’re ever getting out of the “we’re just friends” “oh yeah those characters are such good friends (sarcasm)” “they’re not friends they’re gay” etc etc hole. we’re never getting out of that hole
#yes it’s bad when people try to erase gay relationships to portray them as friends and nothing more#that is NOT what i mean. i’m talking about when people do the Opposite Thing and decide that when characters are romantic togethr#then suddenly they’re not friends anymore! or if they say they’re friends they’re lying!#like … i was watching nimona with my friend yesterday and like. if you’ve seen the movie you know how obviously gay and in love bal and#ambrosius are. and then there’s this one moment where ambrosius says ‘i have lost everything the man i love my best friend’ and at that#moment my friend was like It’s sad that they decided to censor their relationship even though this movie is still rly gay :( and i was like#WHAT are you saying ? these two men are clearly in love with one another BUT they’re also best friends. Like those are things that can#coexist!! and DO coexist!!! there are many cases where people consider their romantic partners their best friends . or even refer to them as#their best friends more than just partner!!!!!! LIKE WHAT ARE YOU SAYINGGGG . does anybody get it#does anybody understand#i’m so sick of amatonormativity i’ll start eating drywall#yes i love making ‘oh they seem like really good friends’ jokes because i know how most people interpret those jokes. but to me it’s like#well. they ARE really good friends. they’re just also romantic/gay about it. ghhehghh#maybe one day friendship will stop being seen as something lesser maybe one day people will realize that most romance is also friendship#and your partner can be and in most cases is your friend or your best friend even#and maybe one day we’ll stop acting like friendship & romance are two mutually exclusive things#and maybe sure that gay character is calling their love interest their Best Friend because of denial and repressed emotions and whatever#but have u considered that it’s just true and they really are best friends ?? like when crowley calls az his best friend sure that might be#gay denial but they also literally Are best friends i don’t know what to tell you. and they will always be best friends#DOES ANYBODY GET IT !!!!!!!! js any of this making sense i dont know. I love complaining#crammerposting
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jytan2018 · 10 months
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I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.
- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.
- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.
- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.
- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).
- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.
- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.
- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.
- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.
- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).
- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.
I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:
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[ID: A pink-haired Nimona grinning evilly while holding up a knife.]
Watch Nimona. This is not a request.
Edit: Added more thoughts!
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comicaurora · 2 months
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Have you read/watched Nimona? If so, thoughts?
The kind of emotional gutpunch I can't bear to watch without ample preparation. The first ten minutes are the hard part for me - it's always a wrench for me to get through a "good-hearted character is cruelly framed" plotline, so I really appreciate how quickly they get that out of the way and how Nimona immediately brightens the mood when she shows up.
Overall, truly one of the best examples of how a creator can use their personal grief and rage at injustice as a medium to sculpt a story. The narrative manages to feel deeply authentic to a real emotional journey while still feeling completely contained within the story. I'm not entirely sure how to put this, but sometimes when a writer gets allegorical with their experiences, it can feel like the story gets put on pause so the characters can turn out to the audience and speak in the author's voice about their thoughts on the subject - a pretty clumsy way to communicate a message. Nimona does not do that. Instead, the many real-world parallels to bigotry, propaganda, queerphobia, church corruption, xenophobia, and regressive policies driven by terror of change feel like they arise naturally from the setting within the story rather than being imposed on it from the outside, which is extremely quality writing and characterization. Nimona's story is so clearly informed by ND Stevenson's life and gender journey, but Nimona herself feels like her own person who is messy and grieving and putting up walls and self-destructing and still - still - a fundamentally joyful, gleeful person who absolutely loves being alive when she isn't being brutally beaten down for the crime of existing inconveniently.
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Also, it's a comparatively minor thing, but I really like how, like with She-Ra, Nimona creates a world that is passively non-homophobic, with gay relationships front and center and evidently regarded as completely fine and not worth commenting on - which, to me at least, made both stories remarkably relaxing and comfortable to immerse myself in, because I wasn't being randomly jumpscared by reminders of real-world hate - but it still uses allegory to address the real-world roots of homophobia in the form of xenophobia, correlated injustices like classism, and the monster-ification of The Other. So it can clearly state "hating people for how they exist is Always Fucked And Wrong" without having to dunk the queer audience in the icebath of "hey remember how people in the real world think you personally should be dead?" Again, not sure I'm phrasing this super clearly, but it's a balance ND Stevenson consistently strikes with his work, and I really love how he does it.
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Animation's gorgeous, voicework is consistently top-shelf, love the aesthetic of Cyberpunk Arthuriana. Wins across the board.
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candyskiez · 3 months
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A thing I really love and appreciate about Nimona is it says, bluntly, "Everyone can be a bigot, so you aren't exempt from assessing your behavior."
And I mean EVERYONE. Even the guy who was hated by the system so much it tried to kill him and ruin his life. Even the ally to OTHER victims of the system. Everyone can be a bigot, even other minorities. Even people who are genuinely allies to other minorities. Nobody is immune to being a bigot. Even if they view themselves as kindhearted or progressive! And bigotry isn't portrayed as less bad coming from Ballister or Ambrosius, even if they try so hard to be good people. It's still bigotry.
I LOVE how the movie addressed it. It really said "you are not immune to propaganda, so check yourself, asshole." Everyone can be bigoted. Everyone can hold bigoted views. You are not immune, so accept it , apologize, and do better. I Love this film.
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sunshine-zenith · 10 months
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A thought — Ballister and Ambrosius’s relationship probably wasn’t public in the movie until the end. They probably weren’t secretive about it, given how Todd (someone neither of them like or would confide in) was clearly antagonistic to Ambrosius after Ballister’s jailbreak, but even then that just might be because their connection was well known — they liked each other more than any of the knights liked them, most being neutral overall to Ambrosius and outright bullies to Ballister. No one in the public seems to know about them
Media perception is a reoccurring factor in the movie, with the opening scene giving exposition in the form of a news cast. During it, Ballister is shown to be controversial, with a there being a few comments questioning the Queen’s choices related to him. Ambrosius is also brought up as someone everyone’s looking forward to seeing officially knighted, with no one questioning his relationship with Ballister or even bringing it up
While everyone is fearing and hating Ballister after the Queen dies, Ambrosius is still popular among the masses — people stop him in the streets to get his autograph. Nimona, who admittedly probably didn’t do much digging into Ballister beyond the initial news reports on the Queen’s deaths, seemed surprised that Ballister and Ambrosius had a connection. She even had an “ohhhhhh” moment after picking up on their vibe the first time they saw each other post-arm chop (and yeah she initially calls Ambrosius Ballister’s nemesis, but she clearly clocks that something romantic was going on given the “arm chopping is not a love language!” comment). She also asks if he wants to die in a (literal) closet, which like. Y’all.
Before the Queen’s death, all their PDA is in private (on the catwalk) or subtly around other knights (helping each other put on their armor with lots of heart eyes and lingering hands). Otherwise, their interactions are those of Two People Who Are Close but aren’t necessarily explicitly romantic (Ambrosius wanting to throw hands on Ballister’s behalf, teasing each other, Ambrosius cheering with the crowd). Granted, there wasn’t a lot of screen time for them to just be happy before Everything Went Wrong.
We can’t really judge whether they were private from their interactions after the Queen’s death, since most are focused on a “so this traumatic thing happened and I don’t know where we stands right now” vibe or have them just fighting. The three times Ambrosius says he loves Ballister, one was just the two of them on the catwalk, one was in a mental rant and not actually out loud, and one was while they were trying to hide their identities. Ballister continues to defend Ambrosius, saying he’d believe them if they could just talk and that the arm thing is just “complicated,” “part of their training, up until Ambrosius outright tries to arrest them (which might as well be a breakup without saying “we’re breaking up”).
In the comic, the Director says she knew about their relationship and that she disapproved. Given how much she manipulates things, it wouldn’t surprise me if she knew in the movie, and encouraged them to downplay things at least — “you should keep your private lives private so you don’t taint your public images/yes we support you, obviously, but you’re here to protect the people, not show off to them/you don’t want to overshadow things with more controversy, wait a few years until after you’re knighted/what if this is just a phase, it would be a mess to clean up if you go public now/people will talk if they hear Gloreth’s only current descendant, a promising young man, is being courted by someone they aren’t certain about who comes from nothing and can’t pass your genes on/you have each other, shouldn’t that be enough?/etc.”
We don’t see them be in a relationship publicly until after the wall — the symbol of fear of the unknown, systematic abuse and oppression, refusal to learn and grow, and let’s be real homophobia/transphobia — comes down and the Director — the one going to murderous extremes out of fear of change — is dead
I dunno. This movie is a large celebration of being queer, but it’s also about how queer people are demonized by society to the point of everyone suffering. Ambrosius is the model minority everyone loves but no one knows because all eyes are on him; Ballister is both tokenized and targeted from the moment the public meets him, having to prove himself over and over until the public unquestionably turns on him entirely; and Nimona is called a monster for just being herself. All three already had to hide who they really were. I’m not 100% sure if Ballister and Ambrosius were out or not about being together, but it’s not a stretch to see, and it fits in with the themes/arcs of this movie
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Details I noticed in my third watch through of Nimona:
(I’m so normal about this movie)
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Ballister’s sword originally had a G engraved on it which has been made into a makeshift B via scratchings.
My guess is that the sword either used to be Goldenloins or his families and Ambrosius gave it to Bal at some point as kids (given that Ambrosius is the only one I can think of with a G name)
Also about the sword: people have been pointing out the religious themes (like with the T in “true villain” looking like a crucifix) on that note the symbol on Bal’s sword in this shot looks a lot like the Christian fish
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Ballister literally hopped the fence and broke into the knights practice to beat up a dummy as a kid before getting tackled by a bunch of knights
I just thought he was doing an obstacle course when I saw it before but nope! This makes everything about him becoming a knight so much funnier. Also the fact they have this footage? Amazing 100% Ambrosius has it saved to tease Bal with, no way he isn’t embarrassed about that
On a sad note; dang the institute really drilled in “do what I say, be a good kid and don’t break the rules” cause Bal as an adult didn’t even want to break the rules when his life was on the line vs as a kid breaking and entering into an ongoing knight practice while being chased
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The director asks Ambrosius for a sword during the roof scene but Ambrosius looks at her and back at Ballister before telling her she needs to get to safety
He saw how angry she looked and knew she’d try to hurt Bal so he sent her away instead
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Where Nimona as Ambrosius broke the wall on the miniature of the city being foreshadowing for the end of the movie
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Bal batting Nimona off when she starts mocking him for caring about what Ambrosius thinks
So clearly a recurring conversation given Bal’s ‘whatever’ gesture here lmao
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Ambrosius being really timid with this crowd of people and overly polite
He’s chasing down a criminal/the love of his life and barely even says excuse me 😭😭 and he half heartedly asks them to move before immediately folding and giving an autograph, we love a man whose great at public speaking but still has social anxiety
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Ambrosius’ eye roll as soon as Todd shows up
(He’s so done with him)
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Todd’s actual name being Thodeus
Idk why I just assumed this was a different guy the first watch through
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OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵
one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.
one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.
and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.
another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.
additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.
ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!
to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.
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yrrtyrrtwhenihrrthrrt · 8 months
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Something I don't see talked about in regards to Bal and Amb's healing/forgiveness arc:
As we all know, Ambrosius (unlike his comic counterpart) is really sorry about severing Ballister's arm. It was largely an accident, but he feels awful about it pretty much from the moment it happened (I know that in the comic he feels bad, but he doesn't say so)
However, also unlike his comic counterpart, Boldheart isn't actually angry with Ambrosius about the arm. At no point does he express resentment or hostility in regards to that specific incident, if anything, it just made him anxious of Ambrosius rather than angry (evidenced by him pulling back his hand reflexively after seeing Ambrosius at the institute)
Boldheart is angry with Ambrosius, though. Not for his arm, but for failing to hear him out, for believing the Director over him, for repeatedly and entirely misjudging his character.
And what's interesting to note is that Ambrosius is not clearly sorry for those things (at least not during the movie, it can be assumed he was sorry after)
When Ballister meets him in the Antlered Serpent, he tells Ambrosius he has 30 seconds to explain himself. When Ambrosius says this is unreasonable, Ballister says "Why? It's more than you gave me," but Ambrosius is defensive. He doesn't say he's sorry, he says "That's not fair."
He is more like his comic counterpart than people realize in that when it came to the thing Ballister was actively upset about, he became defensive, he felt he was justified, he didn't apologize. Yes, he apologized for the arm, but that didn't seem to matter to Ballister. He needed him to apologize for the emotional betrayal more than for a reflexive physical action.
I think a lot of people portray Ballister as an UwU smol bean who would forgive Ambrosius wholly and immediately because he was never upset with him in the first place, to which I reiterate, he was never upset about the arm. He was proper fucking pissed at him at the Antlered Serpent even before Ambrosius started accusing Nimona of shit. Even when Bal thought Ambrosius was actually going to finally be on his side, he was thankful and obviously still loved him, but he was wary and prickly. Then Ambrosius proceeded to, for the Nth time, not believe him again.
Similarly, a lot of people portray Ambrosius as super apologetic, utterly unproblematic, and regarding himself as being entirely in the wrong and of a "Bal can do no wrong" attitude which is really not what we see in the film.
And this, to me, makes their relationship more compelling because it shows how these two must have worked and grown to be able to trust each other again.
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I dont have a long funny title for these Nimona headcanons
Nimona will steal the boy's stuff all the time 
she’ll eat food off their plates when they’re not looking or will steal their food from the fridge 
She also steals all of Ambrosius’ rubber bands and claw clips 
And when she thinks the boys aren't wearing their clothes enough she’ll take them and either upcycle them or wear them as pajamas 
They’ve asked her a million times why she does this and her answer every single time is “It's fun”
The trio all have stims that the others view as harmful 
When Bal is stressed he’ll grind his teeth or bite his nails 
Nimona will bite his lips or pick at scabs that he let form
Ambrosius will bite the inside of his mouth or pull his hair 
And they all have little signals for each other to make them mindful that they’re doing it 
They don’t try and stop each other they know it’ll just make it worse but it’s a little reminder that they’re doing it 
Just a little “Hey I know you know yourself best and what you can handle but you’re also starting to bleed so please be careful” 
When they have their mouth stims the other will do things like whistle or hum just small things that you can’t do easily when you’re grinding your teeth or biting your mouth/nails
When Nimona is picking at his scabs the boys will tap their feet or drum on their legs 
And when Ambrosius is pulling his hair Nimona and Bal will offer to tie it up or braid it and sometimes they’ll just slide a rubber band over to him
If he doesn’t want the rubber band or doesn’t want them touching him they don’t force him they consider it a success because they still got through to him 
And if he lets them mess with his hair they consider it a bigger success because they love braiding his hair
When Ambrosius doesn’t have to go to work or doesn’t have to be in early Bal and Nimona take turns styling his hair
It doesn’t matter if it takes 5 minutes or 50 he’ll wait patiently for them to finish
And he leaves the house like that too no matter how crazy or stupid it looks
They have a little collection of pictures that they/civilians took and posted of their “masterpieces” 
Ambrosius has an 8-step skincare routine that he does every single day
Doesn’t matter if he’s witnessed every atrocity the world can throw at him he’s still doing it 
He also has a dedicated hair care routine that he spent hours researching 
Bal doesn’t give a singular solitary fuck what he puts on his face
As long as it’s cruelty-free not expensive and works he doesn’t care 
When Bal and Ambrosius first became friends Bal told him that he didn’t really wash his face even after he joined the institute 
Ambrosius almost passed out while whining about how the world is a cruel and unusual place 
He has worn Bal down over the years and made him use two products face wash and moisturizer 
He also found out that Nimona doesn’t take care of their skin at all
And when they saw how shocked Ambrosius was they continued by saying “In fact I take dirt baths like a chinchilla”
All he could choke out was “My lovely little tornado why?” They started laughing and claimed it’s “good for my immune system” 
Which caused Ambrosius to ask almost hysterically “What immune system?!”
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goldenheart-supremacy · 9 months
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Shortly after Nimona's disappearance, it's been relatively peaceful with minor crimes while the city is being rebuilt.
During this time, most of the important headlines is about Ambrosius and Ballister's "will they/won't they" journey to becoming "Goldenheart power couple" again.
Of course, Ambrosius and Ballister loved each other and that never stopped. However, after everything's that happened and considering how they hurt each other during the time apart, it took some time for Ambrosius and Ballister to figure how they were going to handle their relationship moving forward.
Like, "Ambrosius, I love you, but stop saying how much you feel guilty about chopping off my arm. We've been over this. No buts, it isn't about you and even if I forgive you by now, I shouldn't be feeling bad that you still feel bad about it. Are you sorry I lost my arm or are you sorry you had to be the one to do it?"
Or, "I know we were both mad at each other at that time, but when you called me 'Goldenboy', that really hurt especially since I know that you knew how much the pressure of being a Goldenloin and Gloreth's descenant gets to me that it gives me anxiety and sometimes I can't sleep at night. It wasn't fair of you to use that just because we were on opposing sides."
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They managed to figure things out eventually, and this happened shortly after that.
The media had a field day.
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eunnieboo · 7 months
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IYHM ask replies!!
also, a current snapshot of my mind:
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💛 burrito-puppy asked:
Love to see the progress and art you made along the years! Can’t wait for the release 💕💕💕
thank you so much! 💞💞💞 i can't believe it's less than a week away... i can count the number of days left on one hand! AHHHH
💛 Anonymous asked:
Listen. The way that I too am freaking out! Gah. So excited. Can't wait.
THANK YOU!! every day i wake up and i lose my mind LMAO... the only time i'm calm is when i'm distracted, so i can forget it's actually happening haha!
💛 mickiee-art asked:
Where have you been my entire life?? I love your work so much! So excited for your graphic novel release! 💕🫶🏼
thank you so much omg!! i'm so glad! 🥺💖
💛 tabsters asked:
YOO DUDE ONE OF THE PROTAGONISTS OF YOUR SAPPHIC GRAPHIC NOVEL IS VIETNAMESE??? I'M VIETNAMESE AND BISEXUAL AND YOU HAVE NO IDEA HOW HAPPY THIS MAKES ME HSAKSHKAHSKAHSKAHSAKJ
AHHHHH i'm so thrilled to hear that!!! i live for these messages HFDSKDJHSK HAVE A WONDERFUL DAY
💛 Anonymous asked:
I just found your art today and after scrolling through your stuff I went and pre-ordered your book. I'm so excited!!
oh you are too kind!! ;_; thank you so much <3
💛 nimona-antifa asked:
WAITTT THE BLACK HAIRED CHARACTER IN IF YOU'LL HAVE ME IS A BUTCH LESBIAN? I THOUGHT IT WAS A DUDE OMG THEY'RE BOTH SO PRETTYYYYY FBFBDGD I'M GAY 💗💗💗 I seriously love your art its always so wholesome
HAHA OMG I LOVE THIS 😂 thank you!!! BUTCH LESBIANS FOREVER AND ALWAYS 💕💕
💛 albedosleftb0otych33k asked:
I don't know how but I only just found out about your graphic novel and OML! I WILL BUY IT THE SECOND IT COMES OUT! Anyways, I love your art and just wanted to tell you ( ´ ▽ ` )ノ
omg thank you so much!! you are the sweetest! ( *´ω`*)♡
💛 jeweljupiter asked:
I just wanted to say seeing your art of Momo and PG makes me feel seen and heard I love the poc representation I’m a plus size dark skin nerdy black girl and seeing more women who look like me finding love gives me hope and makes me happy
when i tell you this means everything to me... it means everything to me. thank you forever T_T ❤️
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i've been so focused on IYHM for the past couple months... now that the pub date is so close, i'm full of giddy anticipation and terrible dread. so thank you everyone for the love and well wishes! it's really getting me through it.
also, i wasn't sure how to announce this so i wanted to mention it while i'm here: Waterstones now has a special sprayed edge edition of IYHM! i got my copy a little while back and it's really gorgeous. if you like paperbacks i think the color is a lovely touch!
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and as another reminder, i'll be having an in-person launch event next tuesday with Brick & Mortar Books in Redmond, WA! truthfully i'm torn between my desire to interact with people and my embarrassment at being seen in public, so please feel free to spare yourselves lmao 😭 i wasn't sure i'd do an event at all but i decided to try at least once before deciding if it's for me. so we'll see how it goes!
whew. the 17th is coming up so fast but i still have so many little tasks to do. the last time i talked about my busy schedule on here, someone sent me a message that said "you deserve a spa day," and i think about it all the time. maybe someday, anon. maybe someday...
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chillyfeetsteak · 4 months
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5 pieces of animation that knocked my socks off in 2023
TMNT: Mutant Mayhem
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My favorite thing about this movie is how different it looks compared to most of the things coming out of mainstream animation right now. A lot of the rules that studios like Disney have laid out about what makes a character design appealing are ignored here, and it is so refreshing. They’re also doing all kinds of cool and interesting things with the rendering style and effects animation. I loved watching this.
Scott Pilgrim Takes Off
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When I was younger I read the comic and enjoyed the movie a lot, but haven’t thought about these characters much since. I was expecting some cool animated fight scenes and a fun cast-reunion from this series, but not much more. We got that, but we also got some really thoughtful, funny, meta writing that showcases the supporting characters in a novel way.
Nimona
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I’ve cried all three times I’ve watched this movie. When I’ve talked to the people who worked on it it is so clear that it was an incredible labor of love, both to the people who will be changed by it and to animation itself. It elevates the comic in every way while still being loyal to the source material. And it is a miracle that it was finished and released at all after Disney initially axed it. It feels extremely special.
Blue Eye Samurai
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After Primal’s second season last year, I have been hungry for more adult animation that isn’t primetime sitcom. This show scratched that itch in a very satisfying way. It utilizes beautiful 3D animation that mimics traditional Japanese screen prints to great effect. Set in Edo-period Japan, it includes themes on race, gender, imperialism, colonialism, and revenge. Maya Erskine is incredible as the protagonist, Mizu. 
Scavengers Reign
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I have been following @charleshuettner on tumblr for ages, so when I saw he had a show coming out I was psyched. I have long been a fan of his design sensibilities and weird animations. Scavengers Reign exists in the overlapping space between sci-fi and horror. One of my favorite things about it is that it kept surprising me: obvious writing decisions that other shows would have made are continually waived in favor of unexpected and compelling character choices. It doesn’t talk down to the audience, and it doesn’t pull its punches. It is also absolutely beautiful.
Honorable mentions/other recommendations: Spider-Man: Across the Spiderverse, Adventure Time: Fionna and Cake, Star Trek: Lower Decks (season 4), Invincible (season 2)
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Hey tumblr, I’m a heteroflexible trans man. Since coming out I’ve really noticed how little representation straight trans men get in the media. I’ve always known that trans people are some of the least represented people in the LGBT community, especially trans men, but since I’ve started looking for representation that represents me I’ve maybe found two things that cover the two bases (trans guy that likes women). Don’t get me wrong I still love to see representation for trans women and nonbinary people (nimona is probably my favorite movie of all time 87 million/10) but it makes me feel misrepresented when every trans guy I see in the media is gay.
Added some extra answers cuz I’m wondering how many trans people are actually straight. If youre bisexual please select whatever feels right to you whether that’s what you’re primarily attracted or who you primarily date.
Feel free to add your favorite trans media or if you know any straight ftm media please let me know what it is.
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