#I need to find a good place for Alice to 'spawn' | Explore Tumblr Posts and Blogs

victorluvsalice · 3 years

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Hey, you know how I tried to restart Fallout 4 properly around my birthday with a new Victor save? Yeah, uh, ran into a few issues with crashes and whatnot and had to start again! Fortunately, after much fiddling and poking and whatnot, I seem to have finally gotten myself a save that’s at least somewhat stable, so this here should be my final Victor Sole Survivor to go through the game with. Allow me to go through some of the pertinent points of my playthrough with you:

Appearance: Yeah, I had to redo him again -- at least this time I’m a bit happier with the eye spacing. He’s always going to look rather weird simply because I’m trying to translate a Tim Burton character into flesh, but I think I did a pretty good job under the circumstances!

...As for his fashion sense, he found the chestpiece and whatnot in a suitcase by Sanctuary, and the hat gives him +1 Intelligence and thus is giving me a bit more experience for his early quests. He’s not here to look good, he’s here to level up.

Stats: I ended up having to tweak his SPECIAL, mostly because I forgot just how many points you get at the beginning, and because I wanted to pivot slightly with how I designed his build. Here’s what he started out with:

Strength: 3

Perception: 3

Endurance: 7

Charisma: 2

Intelligence: 7

Agility: 4

Luck: 2

He’s still a high Endurance/Intelligence build, but I’ve decided that Agility is probably going to be his third “main” stat, because perks like “Moving Target” (harder to hit when you’re sprinting) make sense for him. (I mean, dodging like crazy was how he survived so long against Barkis!) I’ve already boosted it twice -- once with the You’re SPECIAL! book that you can find in Shaun’s room, and once through a level-up. I’ve also boosted his Perception thanks to the bobblehead in the Museum of Freedom. As for perks, he’s currently level 5, so I have the following:

Scrapper Level 1 (scavenge more uncommon components from scrapping things)

Gun Nut Level 1 (basic gun mods)

Armorer Level 1 (basic armor mods)

Given Victor’s whole “thing” in this universe is that he’s something of a tinkerer and good at modding things, this felt appropriate. :p

Mods: Because it’s not recommended to play without them! Certainly not without the fixes. . . Anyway, my complete mod list as of now is below, if you’re curious. I did try to vaguely group them into “these mods are part of the same category and/or go together,” but it’s not perfect. Still, if you see anything you find interesting, feel free to go to the link and check it out!

Fallout 4 Script Extender (https://f4se.silverlock.org/): Allows for script changes, enables certain other mods and serves as my game launcher through Vortex

Achievements Mod Enabler (https://www.nexusmods.com/fallout4/mods/15639): Enables achievements in a modded game; requires manual install (extract files into Fallout 4 folder)

Mod Configuration Menu (https://www.nexusmods.com/fallout4/mods/21497/): Adds a menu for configuring compatible mods; uses F4SE

Unofficial Fallout 4 Patch (https://www.nexusmods.com/fallout4/mods/4598): General bugfixes and small improvements

Crafting Highlight Fix (https://www.nexusmods.com/fallout4/mods/27479): Removes the crafting “highlights” overlay so you can actually see your items while crafting; uses F4SE and requires MCM (to adjust things like how power armor pieces are highlighted)

Elevator Buttons Fix (Contraptions) (https://www.nexusmods.com/fallout4/mods/20664): Fixes floating elevator buttons from Contraptions (buttons can appear miles from the actual control panel)

Rusty Face Fix (https://www.nexusmods.com/fallout4/mods/31028): Fixes the rusty face glitch that may occur with the PC and NPCs (turning faces brown)

Nuka-World Bottle Scenery Fix (https://www.nexusmods.com/fallout4/mods/17853): Fixes the giant bottles that can sometimes spawn in Nuka World instead of the regular-sized models, completely obscuring the game world

No Aggro Impact Landing (Power Armor) (https://www.nexusmods.com/fallout4/mods/9019): Stops friendly characters getting aggroed if you jump from a great height and land near them in Power Armor

Vault 81 Molerat Disease Immunity with Power Armor and Hazmat (https://www.nexusmods.com/fallout4/mods/5646): Stops you getting infected with the Molerat Disease if you're wearing full power armor (chance of infection goes up with each missing piece of armor), or if your companion gets bit; lesser chance of infection if you're wearing a hazmat suit

CryoFreez Fix (https://www.nexusmods.com/fallout4/mods/10000): Fixes the bug where, if an enemy dies as a result of the Cryolater or other cryo-based weapons, they will respawn in a weird “dead” state with no AI

Cattle Feeders Immersively Filled (https://www.nexusmods.com/fallout4/mods/11998): Two files; first adds a filled water trough for brahmin to use, second fills the vanilla feed trough with plants

Worthwhile Caps Stashes (https://www.nexusmods.com/fallout4/mods/23464): Increases the amount of caps in stash and have them contain other junk items; also makes the stash tin itself a junk item

Piper Interview Restored (https://www.nexusmods.com/fallout4/mods/21829): Restores some cut questions post Piper’s interview about your pre-war life

Dumpster Diving (https://www.nexusmods.com/fallout4/mods/33474): Adds new containers to open dumpsters with new and amusing junk to collect

More Grind-Free Game Settings (from Thuggyfied – A Fallout 4 Mod List) (https://www.nexusmods.com/fallout4/mods/41435): Removes the need to get “Local Leader” Rank 2 to make crafting benches; quest markers display from five times further away; followers no longer auto-attack non-hostile Radstags; settlers run to the summoning bell; Jet doesn’t show up in pre-War coolers and containers (just Vault 95); pipe weapons no longer show up in Pre-War safes or trunks; ability to craft a “Jetpack Ring” at the chem station (I mainly got this for the first two items)

Useful Pulse and Cryo Explosives 1.1b (https://www.nexusmods.com/fallout4/mods/24848): Tweaks the cryo grenade’s damage output and fixes the “dead enemy AI respawn bug” for cryo grenades; tweaks how the pulse grenade works, making it affect robots and turrets more strongly and removing damage to organic enemies (though the explosion can still stagger them); also changes the crafting recipes

Wasteland Survival Guide 5 - More Map Markers (https://www.nexusmods.com/fallout4/mods/26367): Changes Wasteland Survival Guide #5 (available in Gorski Cabin) to mark not only Diamond City, but also Goodneighbor, the Glowing Sea, Boston Airport, and Quincy

Strong Back Improved – Weightless Equipped Apparel (https://www.nexusmods.com/fallout4/mods/17361): Improves the “Strong Back” perk to first halve the weight of worn apparel, then make it entirely weightless, and give more carry capacity out of Power Armor

Diamond City Plus (https://www.nexusmods.com/fallout4/mods/19293): Updates Diamond City with new shacks and interiors to the lower stands (including an arcade and a laundry!), along with new NPCs to populate them; also adds a proper farm with brahmin and chickens by the mutfuit plants

Commonwealth Wilderness Overhaul (https://www.nexusmods.com/fallout4/mods/41008): Adds lots of little scenes, objects, and creatures (including rad rabbits, rad chickens, and wolves) to the Commonwealth Wilderness to fill it out and make it more interesting

Nuka World Open Season Extend II -- Assignable Factions - Recruitable NPCs (https://www.nexusmods.com/fallout4/mods/47209): Allows you, post- the “Open Season” quest, to attract settlers to Nuka-World who can then be sent to regular settlements, and populate the parks and main market area with more traders, or various faction NPCs! (So if you really want the Minutemen to hold Nuka World after you gun everybody down, you can use this – though if you want them to come and HELP you gun everybody down, you need a different mod)

Flashy(JoeR) - Advanced Needs 2 - Customizable Survival Mode (https://www.nexusmods.com/fallout4/mods/40440): A customizable “survival mode” that allows you to play with a character who needs to eat, drink, and sleep periodically without necessarily dealing with some of Survival Mode’s other stuff (namely, the lack of fast travel in my case). Comes with expansions for being a playable ghoul, food spoilage, and other activities if you’re into that, and a patch for “Campsite – Simple Wasteland Camping” so you can use the two together.

Sunshine Tidings – No Ghoul and No Corpse (https://www.nexusmods.com/fallout4/mods/47044): Will eventually remove ghoul and human corpses from Sunshine; assigns Professor Goodfeels protected status if he hasn't already been disabled

Croup Manor Waterfront Extended (https://www.nexusmods.com/fallout4/mods/47144): Adds another chunk to Croup Manor's building area so you can actually access the water on the nearby beach for purifiers and whatnot

CWSS Redux V4 – Craftable Working Showers Sinks Baths Toilets Urinals Kitchens Etc (https://www.nexusmods.com/fallout4/mods/14326): Adds craftable, usable bathroom equipment and some kitchen equipment in a separate workshop menu so the Sole Survivor, companions, and settlers can go to the toilet, shower, and have pretty kitchens

Vault-Tec Workshop Overhaul Redux (https://www.nexusmods.com/fallout4/mods/43643): Fixes some errors with the Vault-Tec DLC items for Vault 88 and adds newer, better versions for some other items (e.g., better lights, in three variations depending on computer specs)

Wearable Backpacks and Pouches (https://www.nexusmods.com/fallout4/mods/3258): Adds a backpack workbench and a variety of upgradable backpacks to the game (three files – standard, ballistic weave addon, power armor capacity addon)

Campsite – Simple Wasteland Camping (and HD Sleeping Bags) (https://www.nexusmods.com/fallout4/mods/11734): Adds a book to Sanctuary (the root cellar) that allows you to make camping gear at the chem station and set up camp in the Commonwealth whenever you want

The Mobile Mechanic – Portable Workbenches and Junk Scrapping (https://www.nexusmods.com/fallout4/mods/18262/): Allows you to make a portable, customizable workbench for scrapping junk and in-game crafting anywhere

Atelier – Paint and sculpt (Unsupported) (https://www.nexusmods.com/fallout4/mods/36485): Allows you to make and mix paint, paint pictures (for the "Well Rested" XP bonus), and work on a sculpture; also has settler-ready versions to increase happiness in settlements. Unsupported and glitchy ("Well Rested" perk sound will play incessantly if you try to paint, with the animation popping up when you disengage from the easel – keeping this mainly for the look of the thing for Victor’s house)

Fallout Instrument Pack (https://www.nexusmods.com/fallout4/mods/46604): Adds four playable instruments to the game, along with a small (and unfortunately bit glitchy) quest to unlock the ability to craft them; also has two new instrument-themed weapons

New Recipes (https://www.nexusmods.com/fallout4/mods/12276): 60-ish new recipes added into the standard categories, with unique effects and healing (like new teas under Beverages)

Fine Dining (https://www.nexusmods.com/fallout4/mods/33128): Adds a “Fine Dining” section to the cooking menu with six new recipes, with strong effects that require a (reusable) steel plate as well as the food; also adds milk and cheese as items to be found in the world

Culinary Masterpieces – Useful Food (https://www.nexusmods.com/fallout4/mods/16055): Adds a “Culinary Masterpieces” section to the cooking menu with new recipes, and the ability to plant tarberries, hubflower, bloodleaf, and rice (after buying it from the Abernathys)

Apple Trees 3.2 (https://www.nexusmods.com/fallout4/mods/40388): Adds an apple and pear orchard to the game near Vault 111, and a “Fruit Recipes” section to the cooking menu for apple and pear-based food; also you can grow apples and pears for food in settlements

Tales From The Commonwealth (https://www.nexusmods.com/fallout4/mods/8704): Extended quests and companions mod – features new characters, new locations, and new quests across the Commonwealth, along with three new companions (contains additional file for DLC commentary from the new companions)

Tales From The Commonwealth Visual Fixes (https://www.nexusmods.com/fallout4/mods/43974): Patch to fix some of the broken precombines and visual bugs from TFTC

Tales From The Commonwealth – FaceGen Data (For PhysOp or Vanilla) (https://www.nexusmods.com/fallout4/mods/45148): Patch to help provide face generation data for TFTC; vanilla file used

We Are The Minutemen (https://www.nexusmods.com/fallout4/mods/6443): Overhauls the Minutemen, giving Preston a new outfit, making patrols more common and more powerful as you level up, giving you a command table to make Minutemen, and cools down the frequency of radiant quests

Better Companions – No Conflicts (Accuracy Version) (https://www.nexusmods.com/fallout4/mods/24233): Improves companions – in particular, making them more accurate and better at sneaking

Settler and Companion Dialogue Overhaul (https://www.nexusmods.com/fallout4/mods/41785): Increases the variety of companion lines while adventuring; gives certain companions their own radiant quests; gives settlers more variety in what they say to you while visiting settlements (acknowledging you as Minutemen General, complaining less)

Realistic Conversations Fallout 4 (https://www.nexusmods.com/fallout4/mods/32514): Makes conversations between NPCs more realistic, adds variety

Settlers Of The Commonwealth (https://www.nexusmods.com/fallout4/mods/8704): Adds unique new settlers to the Commonwealth that you can recruit

Level 4 Merchants Improved (https://www.nexusmods.com/fallout4/mods/40747): Puts all the level 4 merchants you can find and recruit in the Dugout Inn for easier location; also assigns protected status to certain ones that might otherwise easily die (like the Vault-Tec Rep)

Squirrels of the Commonwealth (https://www.nexusmods.com/fallout4/mods/20027): Adds a variety of (surprisingly tough) squirrels; using the “docile” version that adds Garbage Squirrels but makes most squirrels run away if you shoot them

True Storms – Wasteland Edition (Thunder-Rain-Weather Redone) (https://www.nexusmods.com/fallout4/mods/4472): Improved weather, with more intense thunderstorms and whatnot; also has files for earlier sunsets, compatibility with Far Harbor and Nuka World, and (if you want, I didn’t) more dangerous Far Harbor fogs and Glowing Sea

Atomic Radio (https://www.nexusmods.com/fallout4/mods/8704): New radio station with original radio shows and commercials

Where I Am In The Game: Given Victor’s only level five, you’ve probably guessed I’ve only just started -- and you’d be right! Victor’s about five days into his adventures in the Commonwealth, and has spent that time mainly cleaning up Sanctuary and the Red Rocket, meeting Dogmeat and Preston, killing raiders, and molotoving and machine-gunning a Deathclaw to death. I’ve completed Out of Time and When Freedom Calls for quests, and I’m currently working on Sanctuary before moving onto The First Step. Next playsession, Victor and Codsworth are going to go visit the apple orchard on the other side of Vault 111 and get some apples for everyone! And probably fight a bear! :D What, the gang needs food, and I want to give them more variety than gourds and melons.

What Comes Next: While I hope to actually start the main plot a lot sooner than I did in my original attempt at playing, we’re definitely doing some Minutemen stuff first, plus exploring the general area around Sanctuary so I can pick up that “double meat” magazine. Think of it as Victor getting his hand in as he tries to figure out how to survive in this brave new world.

#fallout 4 #sole survivor Victor #fallout of darkness #since what I do in this game is going to inform any writing I do for that #at the very least once I get Piper #I need to find a good place for Alice to 'spawn'#but yeah ran into issues restarted once again #then had to figure out my way around a crash at Concord #fortunately things seem to be working now #I will beat this game into submission with a baseball bat if I have to #because when I DO get to play it I enjoy it #it's just the glitchiness that gets to me sometimes #I don't get how people have hundreds of mods in this game #I'm genuinely worried about adding more to mine #though Advanced Needs 2 was a temptation I couldn't resist in the end #look I have all these cooking mods and camping stuff #I HAD to get a mod that gave me a reason to use them!#queued

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cicinicole-14 · 3 years

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Hi for the ship thing and headcanons, please do jolex 🥰

Who is a night owl:

dont get me wrong, they both most definitely will stay up late together or both pass out before 9pm on a Friday night, but some days when the depression hits, its jsut different and Jo is definitely more of the night owl. Alex is more of a morning person and Jo would rather sleep like the dead.

Who is a morning person:

as we’ve discovered, more so Alex esp when they have kiddos. Alex is the one to get up with them early and let Jo sleep, he makes breakfast with the kids’ help and keeps their room quiet for jo to get some extra sleep but will unleash their evil spawns when he deems she’s slept in long enough.

Are they cuddlers:

some days, yes, mostly. jo definitely loves the affection from someone who genuinely loves and wants her back. but there are days where she literally is like “do not come near me with your (temperature) hot body Alexander Michael Karev, you are a heater and I am already too warm”

Who is the big spoon and who is the little spoon:

Alex is def the big spoon. Jo likes cuddling into him because sh feels safe, he feels like home. but she def has big spooned him too it’s a 50/50 relationship we have equal roles people

What is their favourite sleeping position:

no lie, both spread out like starfish in their bed.

Who steals all the blankets:

Jo. Alex is a space heater and doesnt need blankets she freezes and likes being snuggled up and warm

What they wear to bed:

I mean some nights, nothing, but like jo def loves Alex’s old Iowa state shirts or his wrestling shirts from HS that smell like him. an old worn in t-shirt, anything with a pair of booty shorts or his boxers even. and Alex will just wear a t-shirt and boxers or flannels in the winter.

Who likes seeing the other wearing their t-shirt:

Alex wholeheartedly loves when jo wears his shirts unless its his favorite flannel and she steals it “come on, jo. you know that’s my favorite one. I wear it all the time.” its exactly why she takes it.

Who falls asleep mid-conversation:

jo, unintentionally. sometimes the insomnia hits and she won’t have slept for a couple days so when life catches back up to her she will fall asleep randomly. even more so while pregnant and right after their daughter is born. she just “night night Josephine”

Who wakes up in the middle of the night with nightmares:

they both have their fair share of horrid nightmares. Alex’s deal a lot with his trauma of growing up. his mom pulling various knives on his siblings and dad attacking them. even nightmares of jo leaving him like Izzie did and he wakes up without her.

jo’s are terrifying as well. she dreams that Paul’s death was just an illusion and that hes still out there and he’ll still come and get her. she wakes up drenched in a cold sweat and Alex holds her and they pull up his death certificate on the gsm database to prove it. she also has nightmares about being abandoned again. dreams of herself as a baby, dreams of her mother leaving her at that firestation. horrid nightmares. and Alex just holds her. she also has many nightmares about Alex abandoning her too just like her mother abandoned her but he’s never done that he’s always there when she wakes up and everything is okay again

Who accidentally punched the other in their sleep:

jo is an absolute horrible bed partner. she does NOT sleep still. she will move around so much during sleep its dangerous. yes, Alex did wake up with a bruise across his cheek one night from an elbow to the face...

Who can’t keep their hands to themself:

both of them. theyre notorious horndogs no autocorrect they are not corndogs please stop correcting me when you’re wrong

and just because, im throwing in the parenting meme one too bc my heart melts

packs the lunches

Alex. he gets up with the kids in the mornings and also we do not trust jo to make their children food. she’d feed them boxed Mac n cheese and take out the entirety of their lives. and while they love that and Alex wouldn’t care if it was jsut them, their kids need real food. he packs them lunchables and uncrustables but at least its a little more of a variety.

blows raspberries while cuddling

jo, more so. they both do, but jo LOVES a good chunky baby belly she can blow raspberries onto. and yes she leaves maroon lipstick marks on chubby cheeks and bellies.

is the tickle monster

Alex. and she runs to mommy to save her from daddy! “oh, now you want mommy, huh? as soon as daddy is the tickle monster all you want is mommy? not when I wanted cuddles, or we picked you up from daycare or I dont know, I gave birth to you and wanted snuggles you cry and want daddy but now hes the tickle monster you want me?” and jo scoops her up and tries saving her but ultimately they lose and get attacked in their very large bed by the tickle monster.

gives life lesson speeches

they both do just depending on the situations.

when the girls start dating, jo sits them all down separately, and explains to them a bit of her past. letting them know that no man should ever lay hands on them. she teaches them how to defend themselves and Alex ofc shows them in example how women should be treated. Alex makes it clear that if a guy or girl ever should treat his daughters or his son in any other way than he treats jo, that he needs to know and gOD forbiD one of them lay a finger on one of his children there WILL be hell to pay. jo obviously consoles him in front of her children but tells him “u already have a record. if anyone lays hands on our children I will be putting them in the ground not you”

kisses the boo-boos

Alex he is a pushover and 100% makes sure all boo-boos are kissed and even when the kids are way too old for having their boo-boos kissed, he makes sure the bandaids that are no longer avengers or dinosaur or unicorn or princess themed, have been properly kissed. even through protests of “dad, im not five anymore I dont need my bandaids kissed” “how do you expect them to heal, then, CJ? you’re my most clumsy kid, and I have had to kiss all your boo-boos and never once have I not. thats why you’re still in once piece”

breaks the bad news

jo makes Alex do it most times. she claims she’s the fun parent and tries to stay the fun parent by making Alex break bad news like “we cannot get another dog” she blames it on Alex but then brings home a puppy the following week.

joins the PTA

listen. LISTEN. when Greyson started big kid school, in kindergarten, they placed her in private school to give her everything they didnt have growing up. jo was determined to make sure she gave her daughter everything made sure she felt loved and was spoiled it was terrible. so jo, of course, sent her to Seattle Elementary academy and was not paying attention when she signed some forms signing up to be in the PTA. she loathed it so much and “Alex im sorry I cant do this. I know we wanted to give Gracie everything we didnt have growing up but I cant take it I cant take the private school. the volunteer hours the strict dress code violations? she is FIVE. I also have to volunteer FORTY HOURS this year alone. no! I am a surgeon, a mother of two and im pregnant! I do not have time for this! all these PTA moms are stay at home moms who have nothing better to do than gossip about their neighbors and drink wine. and I swear to god if I have to hear about Jessica’s fucking essential oils pyramid scheme one more time I will shove those oils so far up her a––” “Jo! Look, Ali, mommy’s here!” Alex interrupts her just in time. he doesnt blame her. those private school moms are quiet the handful. every time, one of them has the nerve to hit on him. “and I swear, if one more of those moms hits on you in front of me, im going to backhand her with my engagement ring on. no hate to most of them, but theyre too much” they end up ending Gracie, and Ali and the rest of the kids to public school just like they had grown up in and did just fine.

crashes sleepovers with embarrassing stories

oh one hundred and ten percent Alexander Michael Karev. he will find any moment to break out embarrassing stories and photos. hell, even when Zola, Bailey, ellis, Sofia, Harriet, scout, any of the bunch come over he’ll embarrass them too!

gives the crazy nicknames

not really either of them (that ive figured out in the moment) (the kkc kids do not have crazy nicknames yet) (we jsut have Gracie for Greyson, Ali for Alice, and CJ for Cristina Jo. Alexis goes by Sissy because of Alexis and Alexa and Eli usually goes by bubba seeing as how that’s what the twins have called each other growing up with Izzie and that stuck)

thank you so much for these! I loved loved loved doing them! even threw in some KKC universe things so if yall have questions about that feel free to ask I will share! tho there is yet to have a fic out about them yet… its been a bit difficult with writers block /:

#jolex #kkc universe #this turned into partially kkc stuff whoops #cici writes #ask coco

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peachyydesires · 4 years

Text

The YTTD Cast Playing Minecraft

genre: crack / platonic relationships

warnings: n/a

bloopers: 🌳 [tba]

a/n: my good friend, alyson, and i wrote this as a collab together! she has an ao3 account that she recently started for both danganronpa and your turn to die! if you like either fandom, i 110% suggest to go check out her work/subscribe to her! she’s an amazing person so go show her some love if you can!! i recruited her a bit last minute and we spent all day yesterday writing, but this was definitely one of the most enjoyable things to write so far!

Keiji Shinogi (Aka The 1st Boomer):

❏ This man has BARELY any idea how to play Minecraft at first. Hell, he even had to get Gin to help him install it on his computer. He has to learn how to even use the basic controls, and he’s constantly asking the others what certain keys do (does he do this just to be annoying? The world may never know).

❏ Once he gets the hang of the game, things go a little bit smoother, but not completely. While he may have quickly learned all of the buttons, there’s still a lot more to Minecraft such as PVP, building, mining, the bosses, crafting, etc, and that takes him an eternity to learn (don’t even get me STARTED on the Nether and the End). Without his other friends, he’d probably be stuck in the middle of the night with zero protection or tools on him to fight the mobs that spawn.

❏ He’s mostly just there for the laughs; while he’ll try to stay out of the way from his friends, he’ll show up at the most erratic times. He’ll either immediately teleport himself to someone in the middle of fighting a group of mobs or invade someone’s house and steal their stuff just for fun.

❏ While he’s not as much of a prankster as Shin, he’ll still do some of the most random actions ever, even if it’s not to annoy others. He’ll place down a random door in the middle of a room and just leave it there, or make several holes in the ground while trying to punch some grass to clear it out. When the group is on a voice call, 90% of the call is just the others yelling at Keiji to stop planting trees on their farms.

❏ He’s not one to explore, but wherever his friends are, he is. He’ll tag along with them nearly anywhere, whether they’re doing a dangerous excursion to the End or traveling across the sea, he’ll always be tagging along. He honestly doesn’t know the point of the game, but again, he’s just there for the laughs.

Joe Tazuna (Aka The Brave One):

❏ Joe has played Minecraft before, but he doesn’t care about building a pretty mansion or planting flowers. This man will live in a tiny dirt hut and beat the game. The one thing that Joe always plans on doing whenever he starts a new world is to get a dog and name them “Sven” after he watched one of his favorite YouTuber’s playthroughs one night instead of studying. He would do anything to save his dog, even if it means sacrificing his friends’ lives.

❏ When he plays on multiplayer servers, he always insists on getting the supplies and food for everyone. It’s pretty much all he does. He isn’t afraid of caves or mobs, and he won’t hesitate to run towards a creeper to stab it repeatedly. He is, however, terrified of skeletons and endermen since they always kill him. Once, he dropped down into a cave after spotting iron on the surface, only to be ambushed by a horde of skeletons. No one came to help him.

❏ He tends to forget about his hunger level until he actually starts taking damage. The same thing goes with drowning. It doesn’t help that he’s constantly sprinting wherever he goes. Because of this, he’s constantly falling into caves, ravines, and even little holes filled with water, yet no one ever helps him get out. They usually leave him behind, or they think that he’s simply lost.

❏ His girlfriend, Ryoko, hasn’t yet tried Minecraft, despite him begging for her to play with him 24/7. Although constructing a fancy house isn’t his cup of tea, he’ll do anything to play with Ryoko. He even once asked Sara to help him practice with his Minecraft dates. He needed help with his wording of asking Ryoko if he could put his bed next to hers, so Sara volunteered to assist him.

❏ Joe’s always falling into lava as well, and he gets very frustrated when it happens. Whenever he falls, he starts screaming into his mic while on voice calls (he doesn’t curse because he’s cool like that), yet still, no one comes to help him. Sara only says “teleport to me!” but it’s always too late. Keiji once offered to help him, but Joe declined, saying he didn’t trust or like him since he’s creepy towards Sara.

Q-Taro Burgerberg (Aka A Minecraft Veteran):

❏ Besides Joe and Gin, Q-Taro surprisingly knows the most about Minecraft. He used to play it a lot when he was younger before he started getting into baseball, so he knows the basics such as crafting and mining. Despite not picking up a controller in years, he still knows all of the mechanics the game has to offer as not much has changed when it comes to the controls.

❏ What HAS changed, however, is literally everything else in the game. All of the major updates over the years have nearly changed the game completely, including the Nether, the End, the villages, even the ocean became useful. He doesn’t realize this at first until he goes into the Nether and sees that it’s completely changed (He’ll stand there for a moment, wondering why the caves haven't been updated but the Nether of all things has).

❏ He’ll have to completely relearn the game, having Gin teach him all of the new mechanics such as elytras, banners, shields, etc, and all of the new structures including ruined portals, pillager towers, shipwrecks, etc. He’s always confused on call, constantly asking what a certain block is or yelling into his mic, “Uhh, I found something!!”

❏ One thing about Q-Taro is that he loves to mine. It’s the one useful thing that hasn’t changed all too much, so he can still help out and gather ores for everyone else. Although, he has to have the best armor out of the rest of the group or he might just commit theft. When he learns about Netherite, however, he refuses to wear it; he doesn’t want to admit that diamond isn’t the best in the game anymore, although no matter how many enchantments he puts on it, his armor will never be as good as netherite.

❏ In all honesty, he forgets the majority of the information that Gin tells him. Even after all of the warnings that Gin gives him to ‘not punch everything he sees’, he still punches everything he sees. He’ll run up to something new and whisper vaguely into the mic, “I’m gonna punch it.” And before Gin can scream for him not to, he’ll give the new block or mob a nice good smack. Beehives, llamas, polar bears, and pandas are prime causes of Q-Taro’s many deaths in the game. Regarding the new mobs, he encounters hostile ones a lot. He’ll often forget to sleep (despite everyone else yelling at him to go to bed) when he’s down in the caves, and he’ll emerge from his hole at night only to see 5 different phantoms flying in the air trying to murder him.

Alice Yabusame (Aka The Sailor):

❏ Alice is a rather frustrated player. Nothing ever goes his way when he plays, and he’s constantly cursing on voice calls. His sister, Reko, sometimes kicks him from the calls to keep Kanna and Gin as innocent as possible (although they don’t really care, and Gin sometimes picks up on Alice’s bad behavior himself when he gets mad).

❏ Similar to Joe, he’s an explorer. He loves exploring the ocean (especially the water temples), but his cheerful vibe suddenly switches into a pure, satanic rage once he starts drowning. He gets too cocky sometimes, though. Once while he was looking for an End City in the End, he lost control of his Elytra and flew into the void, cursing and screaming in fury the entire way down. The same exact thing happens whenever he falls into lava and loses all of his belongings; if anyone were to make fun of him when he died, he would craft a sword and kill them without any hesitation out of pure spite.

❏ He would try building a house next to Reko to get a bit closer with her, but once, he went out mining, and when he came back, his house was on fire. He then discovered that Shin was the one who set his house ablaze, so whenever Alice sees the troller, he grabs a stone sword and attempts to kill him (since he’s poor), but Shin is almost always in creative mode, which angers him more and only causes him to scream swear words into his microphone. He begs Sara, the one who created the server, to ban him, but Sara’s excuse is always, “he’s just having fun, which is the whole point of this server.”

❏ Since his house is always being destroyed, he usually makes small bases inside of caves or mountains to avoid Shin, but somehow, the troller always finds them and burns them down or blows them up, so he’s constantly on the run from him. He also does stuff alone since he doesn’t have any friends on the server (besides Nao who sometimes gives him food and supplies).

❏ Due to having to relocate nearly every time he joins the server, he rarely keeps chests on him. He has nowhere to store the treasures that he often finds in shipwrecks, sea temples, etc so whenever he runs out of inventory space he gives his materials away as gifts to his other friends, especially to Reko. Despite always giving out free resources and ores, nearly everyone in the server finds him odd, especially when he’s quiet for one moment only to be throwing a tantrum the next on the voice calls.

Shin Tsukimi (Aka The Troller):

❏ It’s no big surprise that Shin is just as chaotic as he is in-game, if not more, than IRL. Despite being over 20, he often lurks around on the Minecraft forums, always learning new hacks and ways to troll the others in the shared server. For some reason, everyone has server operator on the server, so Shin’s able to switch between Creative and Survival as he pleases, although he rarely goes into Survival.

❏ His only goal in the server is to create mayhem and confusion rather than to actually be productive; he’s always quiet on voice calls (except when he giggles loudly while he’s blowing something up or creeping behind someone), listening in on the other conversations so he knows who he can terrorize next.

❏ Since he’s in Creative, the minute he joined the game he automatically spawned himself netherite armor and tools while everyone else was running off to go trample the forests for wood. He builds a secret hut, making sure no one else could find it (in the side of a mountain, underwater in the sand using a conduit, really anywhere he can hide). He has chests full of TnT, flint and steel, potions, mob spawn eggs, and redstone in case someone forces him into survival.

❏ He’s played a prank on nearly everyone in the server; his favorite target is Alice, as he rages the hardest and tries to murder him despite him always being in Creative. He constantly will throw down an invisibility potion and follow Alice into a cave whenever he goes on a mining trip, waiting until he’s right in front of a conveniently placed lava pool before pushing him in. He’s always heard giggling in the background during voice calls while Alice screams out strings of curses and vows of revenge, which are never followed through.

❏ Sometimes if he’s really in the mood for some chaos he’ll switch into Survival and taunt Alice on the voice call, daring him to come and catch him and murder him now that he has a health bar. This immediately catches Alice’s attention and he literally drops everything he’s about to do just to partake in the wild goose chase that Shin ends up leading him on. He gets close a couple times, but Shin always stands still for a moment before teleporting away to someone like Kanna (“Thanks Kanna!” “SHIN GET YOUR ASS OVER HERE YOU COWARD-”)

Gin Ibushi (Aka The Kid Leader):

❏ As the youngest in the group, Gin obviously is the Minecraft pro compared to everyone else. It’s one of the many games that he constantly plays when he’s not playing with his toys, and it’s a good escape outlet for him. He’s been through nearly every Minecraft update, always mastering the new skills such as flying, potion-making, and new PvP tactics as soon as the game updates.

❏ He was the original one that suggested that the rest of the group start a Minecraft server with him, although Sara was the one that managed to start it up. As soon as he spawns in, Gin’s already off doing who-knows-what to try and speedrun the game, but nearly every 10 minutes he has to stop what he’s doing and help the others out of their confusion. He doesn’t care too much about having a fancy house or not, so he usually just builds a sufficient starter house (which is actually like, 3 stories) in between his adventures.

❏ Somehow, after the first day or so, he already has the strongest armor and tools in the game: netherite. While Shin cheated and used Creative, Gin managed to find the rarest ore in the game (probably after pulling an all-nighter or two admittedly). He’s very insistent on fighting the Ender Dragon early, but everyone else is either off doing their own thing or still on iron armor and afraid of even going into the Nether despite Gin insisting he’ll ‘carry’ everyone.

❏ Gin is always the one to lead excursions off into the other dimensions. He’s very eager to finish the game (despite having done so dozens of times), and he’s always pressuring/convincing the others to go out and explore. He knows everything about the varying structures and bosses, from the Pillgar Towers to the Ocean Monuments and the Wither to the Ravager(s).

❏ Surprisingly, he does die quite a lot. Despite having played for years on end, he still makes careless mistakes even when he isn’t being trolled by Shin; he’s fallen into lava pits countless times and died to the occasional skeleton even with his netherite armor (sometimes he forgets to put it on as he leaves it on an armor stand at home so it doesn’t break). One time he was looking for a Woodland Mansion using an Elytra, following a map while flying over several different biomes at once without a second glance as he was focused on the chords displayed on the screen. When he finally realized he was about to fly right into a mountain, it was too late as he smacked right into the wall and fell to his death even after trying to put down a water bucket to save himself.

Kai Satou (Aka The Quiet Fighter):

❏ Kai hates to admit it, but he’s actually quite a fan of video games, especially Minecraft, considering he played it a bit as a kid. The moment he spawns into the map, he gets wood for a crafting table and supplies for himself, Sara, and sometimes Q-Taro. He’s usually pretty quiet on voice calls since he doesn’t really want to bother anyone, and he logs on sometimes on his own to build a fancy wood house or to get some extra supplies. Once, he logged on and saw that his house was on fire with Shin standing by it, saying taunting things in chat just to piss the loner off. Kai didn’t really care, though, since his houses don’t take him very long to build. Shin is annoyed by this, but still, he just goes after Alice instead.

❏ Similar to Joe, he’s always out hunting for food or seeds. Every time he plays, Kai starts a farm by a river, pond, or even near the ocean. Whenever someone walks on their/his own crops, Kai silently rages inside his head, but he never tells them anything.

❏ He usually goes on mining trips by himself, and he isn’t afraid of mobs or hostile surroundings. Unless Gin is off helping the others, Kai is always the first one to build a Nether portal or travel to the End.

❏ Whenever he plays, he always gets a cat or two from either the jungle or a nearby village. He likes to give them fish, and he takes his precious pets on his less-dangerous adventures. Once when he logged onto Minecraft, he saw that one of his cats was gone. He looked around until he found Shin beating his helpless bundle of joy with a stick until it died. Kai didn’t say anything to him, but he was furious on the inside. He later blew up Shin’s house with TNT after finding his hidden shack, and being an expert with laptops/computers himself, he also got Shin temporarily banned from the server, making Alice exceptionally happy.

❏ Sometimes, Kai invites Q-Taro to go on mining or exploring trips with him, and the athlete gladly accepts. Kai tells him about all the new updates that occurred over the years, even though Q-Taro never really pays attention. He’s pretty quiet whenever he talks on voice calls, so Q-Taro is always shouting for him to speak up.

Kazumi Mishima (Aka The 2nd Boomer):

❏ Mishima had never even heard of Minecraft until Nao brought it up to him one day in class. When Sara made the server for all of them to play in, he jumps into the server wearing nothing but a Steve skin, but Nao quickly helps him change it by making him a skin of his own image. Surprisingly, he got used to the controls of the game rather quickly.

❏ He wouldn’t really know what to do, and he would find Nao doing everything for him, including building his houses and getting him food and ore. He would make a lot of silly mistakes, such as mining gold with a stone pickaxe, eating raw meat, digging straight down, and ignoring fall damage. Mishima isn’t really bothered whenever a hostile mob suddenly appears either and tries to attack him.

❏ If Mishima ever stumbled upon a village, he would clap his hands in joy. He loves villagers and trading, and would even kidnap some of them via boats to experiment and test what they could do at home. Some of the others are a bit creeped out by his fascination, but Nao and Gin find it to be quite entertaining.

❏ Despite being a polite, smart teacher in person, his online persona is the exact opposite. He’s always barging into people’s homes and examining their shelters, sometimes stealing a bit of their stuff while quietly giggling on the voice call. However, he once accidentally killed one of Kanna’s parrots, and he was extremely apologetic about his mistake. He even went out in the jungle just to get her a new one despite her constantly reassuring him that it was fine.

❏ Mishima’s favorite mob would definitely be a cow. He doesn’t really understand why, but he loves their patterns and design. He refuses to kill or eat them, but he’s always on board with the idea of capturing them and bringing them home. If he ever encounters a mineshaft, he’s scurrying around the place, trying to find a name tag for his precious cows.

Kanna Kizuchi (Aka The One Who’s Scared of Everything):

❏ Even though she’s rather young, Kanna has strayed away from video games for a long time. Sure, she’s heard of Minecraft, but does that mean she’s ever played it? No. But she had watched several Minecraft playthroughs on YouTube before, so she was somewhat prepared when she spawned in with everyone else. She knew the basic controls and learned pretty quickly the other mechanics and new features the game had to offer.

❏ She thought Minecraft was a rather tranquil game, and she loved all of the details and peaceful mobs that spawned around her. She loves the flowers and trees the most, constantly picking flowers and exploring the grassland excitedly on the first day. She seems to be pretty good on her own until night comes along. After spending all day flower-picking, she doesn’t realize until she starts getting attacked by the hostile mobs that its night. She’s heard frantically screaming and panicking on the voice call before her death notice appears on screen to everyone else.

❏ After that night, Kanna is terrified of the night sequence(s). As soon as the sun starts to set over the horizon, she’s scurrying inside her house or spam-clicking her bed before she’s even allowed to sleep. Despite people like Gin always reassuring her that she has armor and a sword to defend herself with, she still refuses to go out at night no matter what. She’s also always pressuring everyone to go to bed to make sure she doesn’t have to sit through the night in her house and so that phantoms don’t spawn either (even though she’s never encountered them, she’s determined to keep it that way). She’ll be quiet one moment on the call before suddenly scolding everyone to get inside and go to bed so the server can time skip to day.

❏ Kanna doesn’t exactly realize that not every mob is either peaceful or hostile. While she isn’t like Q-Taro who’s always punching the neutral mobs, she’s still unaware of certain hostile variants such as the Killer Bunny. One day while Kanna was out picking flowers for the outside of her house, Shin got the grand idea to spawn a bunch of rabbits inside of her house along with a Killer Bunny or two that he hid in her storage room. When she came home, she was rather confused and could be heard quietly murmuring on the call, “Where did all these bunnies come from..?”. Her usual soft and melancholic whispers quickly turned to shrill shrieks as she entered her storage room to put away the flowers and the Killer Bunnies, which looked like regular rabbits to her, began attacking her. Shin obviously began bursting out laughing when his invisibility potion ran out and he was standing in the corner of Kanna’s house watching her run away from the mob(s). Although, after she began sobbing quietly on the call everyone went silent, including Shin for once (although some of her sobs were overexaggerated just so she could guilt Shin for traumatizing her) as he silently noted to never troll her again.

❏ It’s not very surprising that Kanna has at least a dozen pets. She has an entire pack of dogs (which she only managed to tame after stealing Gin’s collection of bones), several different colored cats, three parrots, two foxes, and even a panda bear she managed to kidnap using Mishima’s classic boat method. She has several rooms in her house that she built purely to keep her pets in, especially the untamable mobs like her foxes. She’s actually rather creative with her rooms, always adding in small details such as scratching posts for her cats and mini trees for her parrots. Her stable for her horses is also humongous and often mistaken for a second house when people run-up to her plot. She also somehow is an expert at coming up with names on the spot and she has a nametag on her 24/7 (admittedly, Shin always secretly restocks her name tag collection that she has in her chest since they’re rather rare and Kanna is too scared to go into dungeons herself).

Nao Egokoro (Aka The Helper):

❏ Nao has obviously played Minecraft before, and she was ecstatic when Sara announced that she would be making a server for all of them. She loves making Minecraft skins, and she made skins identical to how they really look for everyone on the server.

❏ She would totally use those Minecraft house building tutorials on YouTube and would help make houses for her friends if they were struggling. Nao would also get supplies for people (especially Alice since she pities him) out of the kindness of her heart. She really enjoys picking flowers with Kanna and getting cute pets/animals for everyone as well.

❏ However, Nao refuses to harm any animal/mob she finds. She sometimes goes on mining trips with her friends as well. Since she doesn’t want to lay a blood-thirsty finger on any of the animals, she begs Alice to go mining with her for materials since she knows he’s a good fighter, and he could fend off mobs for her as she mines. Alice obviously agrees since Nao has helped him out with Shin’s antics, and he would constantly jump up behind her to stab skeletons, zombies, creepers, and even endermen. They both left the cave even happier than before, and Alice didn’t curse once when he was mining with her.

❏ Nao invited Reko to live with her, and her friend happily agreed (Reko would do anything to move away from Alice). They would go on cute trips together, and Nao would build a stable for the horses that they found.

❏ She’s pretty nervous to play the game by herself, and she always waits until someone else is on the server with her (even Shin) before she does something a bit daring. Nao is always frightful when she has to travel to the Nether, and she has to beg people to go with her out of fear.

Sara Chidouin (Aka The “Mom” Friend):

❏ Although Gin was the one who suggested that they should make a server, Sara was the one who created it. She’s been playing Minecraft for a long time (especially with Joe) and was happy when Gin suggested the idea.

❏ Sara is technically considered the “mom” friend on the server, yet she won’t give a crap about her friends’ issues. If they fell into a hole or were being attacked by mobs, she wouldn’t help them. She would let them die with zero regrets regarding her actions, as she doesn’t think it’s that big of a deal since players can respawn.

❏ She likes to use Minecraft building tutorials, similar to Nao. She’s started to memorize building patterns, and she’s even gotten more comfortable with building in general. However, she doesn’t admit that she uses them, and she likes to flex her “skills” to the others (Shin always calls her out on this with a snicker or two, but he’s immediately silenced when Sara threatens to ban him from the server for terrorizing everyone else).

❏ Even though this has already been said, she still doesn’t give a crap about the others’ issues. Alice would always come to her and beg for Shin to be banned from the server, yet Sara would shrug it off and say that he’s having fun. Deep down, she would enjoy watching Shin torment and tease Alice, even if she was annoyed when he bothered her.

❏ Sara spends most of her time on the server with Joe, Keiji, and Nao, trying her best to avoid Kai, Alice, and Shin. She isn’t scared of doing things alone, such as mining or going to the Nether, but there is one thing that she is terrified of: zombies. She hates how much damage they can do, especially when they’re crowded together in a large horde. She has to beg her friends to kill them for her since she always fails. Joe always kills them for her and taunts her, saying that she owes him back. Keiji would accidentally hit Sara, so the two of them would just run away from the zombie. Nao, of course, wouldn’t want to hurt the zombie, so the two of them would also try their best to escape the annoying mob.

Reko Yabusame (Aka The Raider):

❏ Reko is somewhere in the middle of everyone; she used to play every now and then with Alice when they were kids, but the game has updated so much that she forgot half of the mechanics at first. As soon as she spawns in, the nostalgia hits her like a truck and everything comes rushing back to her. So while the others are stumbling around, voicing their confusion into their mics, Reko’s off along with Gin to go punch some trees down.

❏ Similar to her brother Alice, she gets easily pissed off at the game. While her rage isn’t on the same levels as him, it’s still quite strong. She’ll mutter curse words under her breath, barely audible so the kids in the call don’t hear her. The farthest she’s gone is thrown her controller across her room after falling into a lava pool in the Nether while bridging, and surprisingly it didn’t break. When it comes to her brother and his rage, she’ll often mutter, “Brb.” before leaving her room and storming into Alice’s, and often a loud slap is heard from Alice’s side with no further explanation to the others.

❏ When it comes to her brother, Reko is one of the few people who can tolerate him. She helps him at the start of the game despite her reluctant groans into the mic but ditches him as soon as Shin starts harassing him. It’s not uncommon for her to have to rescue Alice when he’s running back from mining and is being chased by a horde of mobs. She’ll leave her house with only an iron chest plate on and still somehow manage to murder all of the hostiles while Alice runs inside with half a heart. Besides Gin, she’s probably Alice’s mentor the majority of the time, always teaching him new features that he forgot like potion-making and archery. Whenever he dies (which is very often, unfortunately) she can be heard mumbling during Alice’s screams, “I told you…”

❏ Reko’s favorite part of the game is the Pillager raids. For some reason, she finds it an interesting challenge for her due to the different levels that raids can spawn in. She has several different strategies, some of which she made up at the last second. Some notable moments include dropping a block of TNT on a Ravager from her tower, spawning in a large group of Iron Golems at the start of the raid, and somehow shooting a Vex with a bow. She somehow hasn’t managed to die even once during the raids, and even Gin can’t believe her skill and sheer luck when it comes to fighting. She often tags along with him when he goes on adventures, especially when it involves the Pillagers (she finds them interesting, what can I say?). It’s no big surprise when she conquers a Wooden Mansion with ease one day while on a trip with Gin.

❏ After moving in with Nao, she got to teach her pink-haired friend a lot more about the game (especially since she was away from Alice now). She often encourages Nao to step out of her comfort zone and explore, as there’s a lot more to the game than just her house. She accompanies Nao on every mining trip (except for the few times that she chooses to go with Alice when Reko isn’t on) and even takes her out to the other dimensions. She’s always watching after Nao, always standing close to her with a netherite sword in hand to murder any mob that dare come near her. Reko even ends up teaching Nao how to defeat a raid (although she was the one carrying the entire time) and it’s not too surprising when Nao joins the excursion to the End to defeat the Ender Dragon.

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x--daughters-of-darkness--x · 3 years

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Evanescence: “Guitarists need to be honest. Use your voice. We don’t need fake – we need humanity and real people”

Jen Majura and Troy McLawhorn wax lyrical on the high-octane gear, influences and themes behind the band's upcoming fifth album, The Bitter Truth

The Bitter Truth, the fifth full-length from Evanescence set for release in March 2021, will be their first album of new material in a decade. The American arena group led by singer/keyboardist Amy Lee had already released three singles, though the record’s completion was stalled by the virus pandemic that dominated headlines for much of the year.

The first sessions took place at the beginning of 2020 with rock super producer Nick Raskulinecz [Foo Fighters, Rush, Alice In Chains] in his Nashville studio, spawning the tracks we’ve heard so far – Wasted On You, The Game Is Over and Use My Voice. Then, of course, came Covid, putting an end to safe travel and forcing virtually all plans to change.

For the members in America, it was incredibly problematic. For German guitarist Jen Majura, who joined in 2015, it was an absolute nightmare. Nevertheless, the group kept chiseling away and fleshing out their parts for album number five.

When Guitar World tracks down Majura and co-guitarist Troy McLawhorn towards the end of 2020, things are still very much in the process of being finalized...

Looking back now, that session in Nashville must feel like a very long time ago!

Majura: “Definitely! What hit me so hard was that we’d recorded that first chunk of songs and waved goodbye at the airport, thinking we’d be back in a couple of weeks. And then suddenly this pandemic hit, airports were all shut!

“I had never felt more apart from my friends in the States than since this all started. It’s so unnatural for me not to be there! I’m very old-school – I like my tube amp and 4x12 cabinet. I like to sit in the studio with the humans I’m working with and creating in the moment.

“Being away from Amy and the boys while working on material has felt so unnatural to me, but that’s the we have to do it and we have to make the best out of it. The time we spent with Nick in Nashville was the happiest ever.

“It felt amazing to see these songs coming to life – you have this idea but when you are all in a room creating, things change and become better, you end up trying out different ways. It’s such a vibrant and beautiful way of working. But I get it, there’s this thing called corona, so you know…”

This will be your first album working together on new material. How do you go about splitting guitar parts?

McLawhorn: “Whenever we’re jamming, if someone comes up with up something cool, they play it. There’s no set thing. So far I’ve probably played the majority of the lead guitar – if Jen comes up with something she is always welcome to play whatever it is. It’s a good working relationship. The first batch of songs, the first three that came out, were done in one session before the coronavirus hit. We were all together for those ones.

“But then Jen flew home back to Germany and we were supposed to tour in Europe, but it all got cancelled. Everything we’ve done since then has been without Jen with us, we’ve been kinda flying sessions back and forth. I probably played a lot of the guitar on the album, but she’s been coming up with cool ideas and putting her stamp on it too.”

The Game Is Over definitely feels like the heavier side of Evanescence…

McLawhorn: “There’s a lot of good stuff like that on this one, stuff that people will be surprised by maybe. There’s a fair amount of that aggressive type of music, but it’s a good mixture. So far everyone’s heard the lighter side of the album, like Use My Voice and Wasted On You… but then there’s The Game Is Over. It was a lot of fun to play and there’s more heavy stuff on there too!”

Majura: “That bridge is so heavy, I love it! It’s going back to the real rock roots and having lots of fun. When you have a low-tuned guitar you have to be a bit careful – you can’t just smash your strings but they will warp a bit.

“I remember forcing myself, especially during the bridge, to play gentle even though it had this badass attitude. It took me a couple of takes… the first ones were completely out of tune [laughs]!”

Jen, it must have been a rollercoaster five years for you. How did you end up getting the gig?

Majura: “What happened was that I was playing bass in another band, not really being happy as I’m a guitar player. We happened to play two festivals, one in Germany and one in the Czech Republic. And it turns out Testament were playing the same days as us.

“I’m a huge Alex Skolnick fan, so we ended up talking and keeping in touch. A couple of days later, I got this very mysterious email from him saying, ‘Jen! Some friends of mine are going to contact you and I can’t reveal too much but I think it’s something you should say yes to!’ I was wondering what the hell he was talking about…

“And then a day later, I got this email from Evanescence’s management asking if I would be interested in… and I didn’t even finish reading the email. I just immediately replied ‘Yes!’ and sent it. That was a total no-brainer.

“So this was around July 2015 and the next evening I was on the phone with Amy talking. She invited me to come visit her in New York and hang out. I thought, ‘Okay… cool!’ and three days later I was on a plane flying to fuckin’ New York wondering if this was really happening. It was insane.”

Did you bring your guitar?

Majura: “I didn’t! I asked her if I needed to bring one and she said, ‘Nah, I know you can play, I’ve seen plenty of videos – let’s just hang out!’ And that’s exactly what we did for the next three days. Hanging out, long walks and talks, going out for dinner or to a concert. Becoming friends and getting to know each other on a more human relationship kind of base.

“I realize now that’s the biggest deal when you have to replace a member. A band is a family. I’d like to quote Rob Zombie on that, because he said it in the movie Hired Gun!

“Finding a good player is the easy part – the world is full of virtuosos. You also need someone who can commit to touring, being on the road and that whole lifestyle. The third and last thing, also the toughest, is that you need people you can stand hanging out with 24/7.

“Concerts are only 90 minutes – what about all the other hours in the day? You need to all fit together. Within those first few days with Amy, I realized we both had a strong work ethic and know exactly what we want, which is beautiful.

“She’s a very strong character. I appreciate her musicality and personality too, she quickly became one of my best friends because we laughed about the same things and then figured out we both love Sex and the City [laugh]! I am so grateful and thankful to have experienced everything I have with her and the boys.”

Troy, you’ve been a member of Seether and filled in for Sevendust on some tours, but you’ve been an on/off member of Evanescence for over a decade now…

McLawhorn: “Yeah, to be honest, I never really left Evanescence. We have big breaks between albums. When I did my first tour with the band, Amy told me she was taking a long break, probably around four or five years. I just went out to find something to do in the meantime and ended up playing in Seether for a few years…

“When it was time for me to leave, it coincided with Amy being ready to do another album. And it was a huge coincidence. I ended up in New York and went to Amy’s house. I was having trouble in Seether and wasn’t happy there, and she said she’d love me to come work on the new album. That’s how it all went down.

“There seems to be some pretty long breaks in between albums with this band but I think that’s part of Amy’s creative process. She likes to take her time when she’s writing the lyrics. The final product always turns out really nice that way, so why mess with it?”

What can you tell us about the gear responsible for the guitar sounds on this album?

Majura: “I signed up with Synergy Amps in November last year. When I joined, I think Steve Vai was the only big name working with them, but I figured if it’s Steve Vai it’s gotta be fucking great. So I went over to check their amp out and I was very skeptical. It looks like a tube amp but with all these holes and parts missing!

“But I plugged in, hit one chord and realized it was actually phenomenal. They’ve sent all the different modules to me, like the Diezel, and the perfect solution for me was the Friedman HBE. It has the perfect rock and roll sound for my solos but it also has the mighty depth of high-gain stuff too – which are all frequencies you need for Evanescence.

“I was originally expecting I’d go with the Diezel one, but the Friedman felt more right for me. I’m very open-minded when it comes to technology. You have two modules, each with two channels, so you get a four-channel amp made out of your favorites.

“For example, I could combine a Vox AC30 Brian May sound with a Diezel VH4. It’s phenomenal what they’ve managed to open up for us musicians in terms of sound options. It’s been my tour rig and studio rig ever since.”

McLawhorn: “I used a combination of different things on this album. On The Game Is Over, it was basically my live setup which is an Orange Rockerverb 100, with an analog pedalboard.

“A big part of the tone I get from the amp comes down to a 10-band EQ I use to boost the mids on the lead channel. That’s about it – I don’t really use overdrive pedals or anything like that and probably use less gain than most modern guitarists. I almost use EQ to find a modern sound, instead of more gain.

“I also have a Fractal Axe-Fx III, which I’ve used here and there on the album, especially for clean parts – it’s really good for that. I’ve done some overdubs with the II as well, stuff that has a lot of effects or sounds really wet – Axe-Fx is great for that, too. I also have a 1969 Marshall Superbass 100 which we split with a Bogner Ecstasy or Uberschall, and used for the rhythm tracks on a couple of songs.”

And how about for guitars?

Majura: “I’ve been with Ibanez for many years now and I’m very happy. They deliver the most perfect instruments. You pick up an instrument and either like it or not. Some of them seem to instantly merge with your system – you become one – and that is true of most Ibanez guitars, at least for me.

“Of course I’ve played Les Pauls and other things, but they’re really not my style. I have so many Ibanez guitars now. I think the AZ series was such a smart move – the family is even bigger and better now… Look at players like Tim Henson, who is just amazing. He makes me feel so old. He’ll be nailing it and I’m at home just playing along to AC/DC or something!

“For pedals, I stick with the Line 6 Helix pedalboard because I remember at my first rehearsal in 2015, they would tell me certain parts would need a chorus or flanger or this or that. At the end of the rehearsal I had a battery of pedals in front of me and realized I couldn’t do it. I’ve never been a pedal dancer. I went to Line 6 asking for a solution and they were just about to come out with the Helix… it was perfect.”

McLawhorn: “I was using a baritone PRS SE. I changed the pickups out, but that’s it – I love the guitar and how it plays. I tried a few different sets, most by Seymour Duncan. One of my seven-strings has a Seymour that my tech put in on the road and I don’t know which one it is! He just found it in my guitar coffin and asked if we should throw it in. It stayed for the rest of the tour – it was probably a JB, who knows!

“But the one on the record is the Distortion (SH-6). I really like how they sound. At first, they were a little hot for what I like – I tend to prefer somewhere in between modern metal and classic rock. It felt like really high gain, way too much, especially when switching from my other guitars. But he really lowered the pickup down and that fixed everything, making everything super-tight and adding some nice mids.”

Use My Voice has a really powerful message behind it…

Majura: “Yes! Another thing that connects me and Amy very strongly is that we both went through moments in our careers where males would tell us, ‘You’re just a girl – what do you know?’ It’s time for strong women – in rock or wherever – to stand up and say being good at a craft has nothing to do with gender. It’s been happening for way too long.

“That feeling of our voices being suppressed needs to change, because every voice matters. We’re all the same. It does not matter if you are male or female or transgender… humans are humans. I think we should spend more time understanding why we’re the same. Use My Voice is an important message for women to stand up and be heard.”

Where do you think your influences differ as guitar players?

Majura: “The first guitar hero I had at around 10 or 11 was Steve Vai. He was so revolutionary in terms of what he’s done for the guitar world, both sound-wise and crafts-wise. Electric guitar wouldn’t be what it is today without Steve Vai.

“I respect him so much for how he feels and talks through his instrument. He’s influenced my thinking about a lot of things. He’s an amazing person, not just an amazing musician.

“Then I got into Nuno Bettencourt, who plays for the sake of the song instead of showing off. Which is what I tried to do on my first solo album, Inzenity, everyone expected a shred album and it wasn’t. I played for the song. If it didn’t require a guitar solo then fine, I’d just leave it. I didn’t need to prove to the world how good I was.

“Nuno also has the percussive style of playing, which brings this tone that I really like. And finally, Angus Young. I’ve been playing in an AC/DC tribute band for four years and I love his playing.”

McLawhorn: “A lot of them for me were the classic players while I was growing up. So Ace Frehley for sure… KISS were like Slipknot for us who grew up in the '70s [laughs]! Then there’s Jimmy Page and Jimi Hendrix. Tony Iommi as well, he was a massive influence on me as a kid.

“Eddie Van Halen was a huge influence on me, too – it was very sad that we lost him so early and so young. When Van Halen came out, I started taking guitar very seriously. The bluesy side of his playing always appealed to me but he also had all that technical prowess, too. A very inspiring guitar player for so many people.”

What advice can you offer anyone out there hoping to become a good session player?

McLawhorn: “You need to know how to communicate with people. I’ve done sessions with some Nashville guys that have this shorthand way of writing music. Reading music and knowing theory is always important… I wish I knew more myself.

“It puts you at ease walking into a session knowing you read and play anything back. I can’t really do that – I just really really listen and learn things by memory. I can read some music but that’s going back to trumpet at high school [laughs]. So I rely on communication always!”

Majura: “I think guitar players need to be honest. Use your voice. Be real. Be pure. We don’t need fake, we need humanity and real people. What I love about people like Mattias IA Eklundh is he’s just himself. He’s pure and innovative in a really interesting way.

“I’ve gotten to know guys like him, Guthrie Govan, Richie Kotzen and Jeff Waters – they’re all awesome and very honest players. I think one should never think one has seen it all and learned it all.

“We need to keep in mind we’re all on a journey in search of becoming better. In terms of advice, I always have to say being open to different styles is so important. There’s something to learn every day. You should never stop trying to improve to make the world a better place. You should never stop learning… that’s what makes you human.”

#Jen Majura #troy mclawhorn #Evanescence #2021 interviews

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jflashandclash · 3 years

Text

Tales From Mount Othrys

Jack: Silenced II

When he thought about rolling over to see Flynn making her bed, Jack smiled. Her muscular figure would be silhouetted by the rays of dawn coming through the window, a tan blur against the black obsidian of Camp Othrys.

She walked around in her underwear in the morning. Luke said it was invitation. Jack knew it wasn’t. It was a marker of tested trust, Flynn’s willingness to be vulnerable knowing that Jack wouldn’t make the first move or ogle her. At least, that’s what Prometheus said when Jack brought up his concerns.

But, when Jack rolled over, there was no Camp Othrys, no line of Flynn’s weapons against the wall. His electric bass guitars were gone, as were all of his sketches of the Orpheus Metal band posters. (They were terrible—Pax had made better ones.)

A harp and loom lingered against one cavernous wall. There was a built-in fireplace roaring, providing some respite to the chilly air. The ceiling was crystalline, reflecting purple, emerald, and blue against the white bedding. Someone else’s bedding. It smelled like someone else.

Jack sat up, shoving the feather pillow away. He clutched at his hair, finding that someone must have trimmed it. He choked at the gap in his memory.

They had fought the Romans—an aerial attack against the Princess Andromeda. Jack was snatched by an eagle. Screams. Flynn’s roar of fury. He remembered falling in the water…

The clothing he wore was white, baggy, and cotton, too much like his hospital garb from the first time Steve, his step dad, institutionalized him. This prank has gone too far, Steve had said, angry Jack would dare scare Ashton and Shelby by claiming the walls were screaming. Jack’s skinny jeans and band shirt were gone. What if all of it had been a hallucination: Camp Othrys, the Princess Andromeda, the monsters, the gods.

Jack choked back a sob. This. This wasn’t the hospital. Jack dug his nails into his pockets, the material too thin and delicate to keep him from clawing his legs in a panic. No Mr. Sunny. His pillbox, and all of his medication, was gone. How much time did he have? He knew the withdraw symptoms: vomiting, hypersalivation, diarrhea, diaphoresis, insomnia, agitation, and rapid psychosis.

He had woken in a cold sweat, but a cold sweat didn’t always mean withdraws.

Rapid psychosis. Jack’s heartbeat thudded in his head. This felt real, but everything always felt real—that was the problem. There was a distant song—lovely and eerie, just abstract enough to question its authenticity.

His stomach churned with ignored hunger. A platter with tropical fruits, bread, and a mug of water lay beside him. Jack knew enough about mythology and fairy tales not to eat something unless you were directly invited and only if you knew that the owner of the food wasn’t a witch with powers to trap you eternally.

She must have undressed me. That girl with the caramel braid. Unease squeezed away any hunger: a stranger had taken off his boxers while he slept.

When Jack got to his feet, his legs trembled and his head pounded. He slipped a blanket around his shoulders. As he wandered towards the cave entrance, he passed a shelf filled with dried and drying plants that smelled of Alabaster’s laboratory. Several ancient tomes lined a desk beside it. One was open to a page illustrating human anatomy with words in… Minoan, if Jack had to guess. Some of the titans at Camp Othrys wrote in the dead language. Jack turned the page and flinched. There was an inked sketch of him, sleeping. He turned the page back.

Was it him? Or had his brain filled in the gaps?

It’s starting. Monsters. He was going to start to see and hear monsters again. Not the real ones. Not the friendly ones on his ship. Not the ones that came to his monster seminars about how demigods were friends, not food. Innocuous, innocent things would become sinister and comfort would lilt to paranoia.

But there were no monsters outside the cave. Just her.

The sun’s amber and coral hues broke against the ocean’s horizon, bleeding into the water and clouds to unite them into zigzagging, heavenly passageways. Crepuscular rays danced through their holes, making this girl’s hair glow as though one more constant in the coming of dawn. She stood, singing, at the edge of a beach. Her bare feet made lumps in the sand, compounding with each flush of the tide; if she forgot herself for long enough, the earth would reclaim her.

Jack swallowed. In the oncoming lighting, he could see the silhouettes of flowers—so many flowers. There was a maze of roses, larkspur, delphinium, lilies, hollyhock, and sunflowers, all reaching towards the sky and curling about with a careless grace that looked both wild and tamed in their pattern. Some whisper cooed that these flowers didn’t belong together, making Jack fear they’d bow and bury him if he dared to walk through.

But he needed to walk through to get to the beach, to follow the siren call. He hesitantly passed the first rose bush, expecting it to jump into Alice in Wonderland levels of criticism.

“Jack!”

The call made him jump away from the roses. After an exhale, he realized it was the girl, not chatty flora. He rushed past the rest of the flowers.

“You’re already up,” she said when he reached her. The comment sounded more surprised than the disappointment he’d detected last time. Her white, sleeveless dress and braid fluttered in an ocean breeze. The effect made Jack’s blanket feel like an epic cloak.

He gestured to his clothing and back towards the cave. “Thank you for the hospitality, Ms…” He trailed off, frowning. His throat felt worn. He’d have to do his warm up exercises. At least there was plenty of salt water to gargle. “How did you know my name?”

“Ms?” she echoed, her brow furrowing in confusion. “Oh,” she giggled, “You talk in your sleep.”

Jack didn’t—or no one ever said he had before. Pax (and Axel under the guise of worrying over Pax) had slept in his room when they’d had particularly bad nightmares. That sounded like something Pax would abuse, even subconsciously, and would result in Flynn taping both their mouths shut. Morpheus liked to keep a strict record of who talked in their sleep, so he could play with demigods that slept through Alabaster’s lectures.

Jack swallowed. “Um, Ms., I hate to be a bother, but I had a pill box in my pocket—”

“I disposed of it. I don’t allow plastics on my island and the contents had been soiled by the ocean.”

Jack choked. That was the first gift Flynn gave Jack—the first time he realized all his ballads, poems, and offers to carry her books hadn’t just annoyed her. She and Phil had been teaching him to carry it on his own, a marker of independence that made him proud, even if Flynn double checked every hour to assure he hadn’t overdosed on anything. Most people didn’t trust him with important things, but she and Phil were entrusting him with that.

“You won’t need them here. Ogygia itself can soothe you—”

Trembles shook from Jack’s core to his fingertips. “Ogygia,” he whispered, taking a step backwards. The beautiful horizon tilted. His hair felt course as he tugged at it. “You’re—you’re Calypso the Seductress, detainer of men—”

Before the words left his mouth, he turned to flee. The sand slipped under his bare feet. The blanket tumbled from his shoulders, disappearing with the sight of that horizon. Jack ran towards the retreating darkness of the island, away from the sunlight that sparkled in that glowing hair.

Others at camp found Homer and Hesiod’s work boring, but he’d put the Odyssey to proper music and knew most verses. He knew of this nymph-goddess.

Each step made Jack’s body feel leaden. His panic numbed with an encroaching exhaustion. He shouldn’t be this tired—he knew his body. He healed fast. This weakness—how could she—did she—?

Jack’s legs failed him while racing through the gardens. Rose canes loomed over him and curled around in a canopy of thorns. In their sharp and cloy embrace, consciousness hazed to nightmares.[1]

***

Pain pinched Jack’s cheek. He jerked away, expecting to see Pax with a super glue tube and fake mustache to make Jack “look more esteemed.” That prank had not gone well. Turns out, Flynn did not like Jack with a Western train-robber look and she did not like how the fake black hairs tickled when he nuzzled her.

Instead of Pax, he saw Calypso with a small bandage that she must have ripped off his face. There was a tiny, brownish-red scab on the other side.

Jack sat up and jerked back from her. They were back in the cavern, on the mattress made of white fluffiness. She had a basket of tiny bandages at her side.

“Calypso the—”

“Don’t.” She placed her hands on her hips, glaring. Considering how she knelt beside him, her regale stature was impressive. “I get messages from the gods, you know. They call you Jak-Jak the Scourge of New Rome, Jak-Jak the Plague Bringer, Jak-Jak the Corrupted Spawn of Apollo. Need I go one? Shall I assume you’re here to plague me? To give me cancerous sores? Shall I make assumptions of your person off hearsay, like you have done with me? How long ago did Homer and Hesiod write that libel about Odysseus?”

Her eyes watered.

Jack frowned. Had his name really traveled that far?

A tear streaked down her perfect cheek: a raindrop down the smoothness of a statue. Rumor had it that Pax could cry on command. What if she could too?

Or, what if she was a good Samaritan helping out, decried, like many women had been, by the histories written by men?

Jack exhaled, telling himself to relax. He tried counting, the way Axel told him to when he got confused. Axel would be furious at him for this kind of assumption, for upsetting a mythological creature based off hearsay. There were lots of fabled monsters at Camp Othrys that were friendly (when well fed. Jack had to make rules about demigods being in the dining hall during monster feed time).

“I—I’m sorry, Ms. Calypso,” he said, looking down at his hands. There were more little bandages tapped across his forearms. From a quick examination of his skin, the thorn pricks had already healed and scarred over. The base guitar chord was still braided in a bracelet around his wrist. He touched the scars there, finding ridges where he’d healed Lucille and Lou Ellen’s skin by peeling off his own. That new kid, Ethan Naka—something, had joked that Jack’s arms would start to match Flynn’s burned face. Jack gave him a case of chicken pox for that. No one was allowed to talk about Flynn’s face, except Flynn herself and their son, Pax. Pax, only because he was a sweet little munchin and the only person other than Jack that could make Flynn blush.

Calypso gently touched his chin. Jack didn’t flinch back this time. “It is alright.” And, she ripped off another bandage. Some hair came away with it, making Jack wince.

Everything seemed… clearer. Sharper than it had in years. His thoughts raced with a hyper clarity that scared him. “What else was wrong from the myth?” he asked, observing the cavern in a new light. The cool breeze that rustled the white curtains was refreshing, intermixing the gentle sweetness of flowers with the herbs in her cabinet. He frowned at the tomes there. Had he imagined the drawing of him?

She dabbed a cool, wet cloth against his stinging skin. Sadness lined her eyes. She hesitated. “I don’t know what you know of this place, brave one. The island is a phantom island, my imprisonment for helping my father in the first Titan War. Time does not have the same meaning here as it does elsewhere.”

Jack glanced past her, to the roaring fire in the wall’s inset fireplace. There was a pot over the flames, boiling furiously. He swallowed, despite her earlier assurance. “You’re not going to… eat me, are you?”

“Eat you, my sweet?” Her eyes seemed to dance.

“Well, that response reaffirmed every fairytale fear that I had.”

Her laugh was melodious. She must have thought that had been a joke. It was not. “I’m afraid we mostly eat vegetables and fish here. There’s a scarcity of cannibalism on the island.”

Jack nodded, somewhat comforted. That hadn’t been in the original tale, but you never knew with Greek mythology. He didn’t want to be rude (again) but, if this was the Calypso, he had an important question. “How do I get off the island?”

“Jack, a terrible fate awaits you off the island. I cannot, in good consciousness, allow you to leave until you are healed, well-rested, and well.” She gestured to his lanky frame.

Once again, Jack considered pointing out that this was his natural state of stick-figure Jackness. He let the offense slide. In the Odyssey, she said something similar to Odysseus. Staying here would worry Flynn, Luke, and the boys, but he had no way off the island unless he lucked into some abandoned boat or cartoon-barrel. In the Odyssey, Calypso gave Odysseus a bronze axe so he could build his own raft. Jack doubted he could lift an axe over his head without falling backwards let alone build a raft with it. Greeks were master ship-builders. Jack was a master builder of group-therapy sessions for monster support, metal bands, and stories to make Luke, Flynn, and his boys smile.

Besides, Calypso helped Odysseus only after she held him captive for seven years and he provided her a son (or several, depending on the author). There were no sons on the island, unless they were hiding in the cartoon-barrels. Maybe the ancient authors truly had discredited her.

“I can stay,” he said hesitantly, “but only for a few days. Flynn, Luke, and my boys need me.”

Calypso’s lips pursed and her gaze softened, making her look both relieved and troubled. She glanced away. “You’re so young to have children.”

“Oh, we adopted.” Jack beamed. “Luke says they’re too close in age to be my sons, and Axel says I’m not allowed to both be the head of our metal band and his father, but they’ve taken well to it. They haven’t started calling me dad yet, but I’ll work them over.”

Calypso looked confused. “Metal band?” she repeated.

Jack leaned forward excitedly. “We already played once at the HMM—a bar for monsters—er—a tavern.” He scrambled to find words that would translate to ones she would recognize. “The crowd loved us. Clops threw a goat at us!”

“A goat?”

“Yeah! A goat’s this four-legged—” Jack fumbled, realizing that’s not the part that confused her. She repressed a smile at the pause. “It’s a really big deal to have a monster throw a goat at you instead of trying to eat it. Kind of like when people throw their underwear at the stage and about as sanitary. Much lighter impact.”

“What?!” Her face scrunched in disgust. The expression was almost cute. It put Jack at ease. This was the first time he felt like she wasn’t acting or hiding anything. “People have thrown their underwear at you while you’re performing? Is that… normal?”

Jack considered this. “I don’t really know. It never happened to me when I did solos in the church choir—” Well, once after service but that was a little different. One of those instances where the boy denied it happened the next day. “—but Pax—one of my sons—talks about it like it’s a marker of success. I think they’re mostly thrown at Axel. He’s a handsome boy and a hearthrob amongst demigod and monster alike. Plus, he’s the guitarist, and the angsty one, and people always love angsty guitar players.”

The look of confusion deepened. Jack absently tugged a lock of his hair, wishing it was a little longer. “It’s like a lute—oh, wait, that was 13th century. Uh, it’s a fretted stringed instrument—anywhere from four to nine strings though standard is six, and you play it by plucking or strumming with one hand while fretting with the other—or picking. Or bapping the body. Uh—how about I make you one? All I need is a box, a longish piece of wood, some sticks, and some of your uncut harp strings.”

I can make an instrument, but can’t make a boat. Not for the first time, Jack wondered why Luke and Flynn wanted to keep him around. He managed to use his powers to save Axel, Pax, and Alabaster (though, really, he thought it was mostly Flynn. She was so incredible). But he still didn’t feel like he was great at the killing department, regardless of Phil’s continuous encouragement. Even during the interrogations he and Flynn had been conducting on Romans, he flinched and shrieked when someone’s finger was broken. Despite all this time, he hoped Flynn and Luke found him useful.

Calypso nodded slowly. “Will you teach me how to play?”

Jack nodded enthusiastically. “The positioning might seem weird, but you’ll pick it up easily. From what I’ve heard of your singing and harp-playing, you have perfect pitch and a natural grasp on music—”

She tucked a lock behind her ear. “You like my singing?”

He tilted his head quizzically. “Of course. You’re incredibly talented, both naturally with your voice quality and the amount of work you’ve put into perfecting your craft.” Jack supposed that’s what he’d do, too, if he had an eternity to work on anything. An eternity of music—the foundations for paradise. Maybe that’s why God is said to have a choir of angels and how he crafted souls: by singing them to life. “Each word you sing weaves a secondary layer of emotion—both melodious and melancholic, interweaving multiple stories into—” He frowned, feeling his explanation lacked poetic value—ah!

“’Tis sweet, when mournfulness enshrouds

The spirit sorrowing and pale,

And gather round the angry clouds,

To take the harp and tune its wail.

‘Tis sweet, when calmly broods the night,

To wander forth where waters roll,

And, mingling with the waves its voice,

To rouse the passions of the soul!”

When Jack was done, she stared at him, her eyes wide and her expression unreadable. He frowned. “I—sorry—” he said, his insides churning. Had he done something wrong? He didn’t feel confused right now. The world felt so much clearer. An uncomfortable dread settled into him upon realizing something for the first time: not everyone burst into poetry at random. How stupid had he been to not know that before?

“No.” She put a hand on his. Her eyes watered. “I—that was beautiful. Did you—”

Jack blushed and pulled his hand back. “No. It’s by John Rollin Ridge, a famous Native American poet. I was just reciting.”

She cleared her throat and looked away. “I—let’s get you a box. I wish to hear this guitar of which you speak.”

***

Normally, Jack felt such mania for whatever project he focused on, everything else fell in the background. As he twisted the tuning pegs of his guitar (sabotaged off Calypso’s extra harp) his mind scattered with worry.

This newfound clarity was almost overwhelming. There was so much wrong in the world for him to mull over. Each time he stopped singing, it hovered on its peripheral, like a night terror lurking along the receding rays of the sun.

Between each question from Calypso—she enjoyed hearing updates from the outside world—he’d hum or sing the ballads he’d composed about Flynn’s ventures. Calypso would pause her work on the strings and stare at him with that unreadable expression.

After she finished with the sixth string—winding them of her hair—she sat closer to him. They worked in the shade, where the woods met the beach. Some distant whisper warned Jack that more time had passed than the evening angle of the sun, but he couldn’t be sure. The sun was all he had to go off of, and he wasn’t used to the awareness of passing time. Normally, Jack felt the passage of existence through the crystal notes of a song, the annoyed flash of Flynn’s smile, Pax’s giggle, or the upwell of elation at the end of monster help session, measuring life in crescendos and decrescendos of energy and joy. Jack didn’t like wanting to look at a clock, especially now that there were none. That was always someone else’s job.

“Why did you adopt children?” Calypso asked it with the practiced calm of an over-thought question.

“Flynn can’t have children.” Jack had to be gentler with these strings than the metal ones from home. He wondered how their sound would differ, and hoped it would ease the 2,000—4,000 year transition in music for Calypso.

“She’s barren?”

“So says the goddess of childbirth.”

“And this doesn’t bother you?”

Another reason Jack couldn’t stay long: it was almost the weekend before he vanished and he and Flynn would need to go to her Nainia’s apartment to sing to her, as they did every Sunday. The kind grandmother’s health was failing and Jack knew they needed to visit more often. “Why should it?” Jack frowned, repeating the question in his head. “Well, it did when I first found out. I wanted a family. Then, I adopted[2] the boys, and now we have one. And, it wouldn’t matter even if she could. We’re not… physical. Recently, we started curling up without clothing, but nothing else. Just snuggles.”

Jack felt his cheeks flush, both at the memory of Flynn snuggled up in his bunk (she never let him near hers; she wanted a place of her own) and that he’d told Calypso about it. Was that something else people didn’t normally blurt out? To Luke or Phil? Sure. To Calypso the Seductress, the Detainer of Men…

Her cheeks rouged. Shame crept along his awareness. You weren’t supposed to blurt stuff like that. Negative two on the Jack social protocol scoreboard.

“Oh… um… But you’ve already adopted—have you two not been married long?” She struggled to maintain eye contact.

Something pinched in Jack’s chest. “Um… she’s not really into the idea of marriage, but we’ve been dating for…” With no clocks on the island, he didn’t know how many days he had been unconscious. Normally, Jack could recite the length of time down to the minute. The thought of Flynn’s blush when he asked her to prom. The day before he met Luke. The day Jack accidentally killed his whole mortal family with a song.

That memory hadn’t resurfaced in so long, not since he was sobbing into Flynn’s arms over it. How could he banish it from his thoughts? It wasn’t like the thoughts of his half-siblings he killed—the other children of Apollo. No. They deserved it. They had reaped the favor of their father since birth. The cessation of that favoritism brought the world back to order, the way things should be to balance the scale that an unfair god created, like correctly a flat note to perfect harmony. But his family… Had he ever even had a funeral? And did it matter?

“And that doesn’t bother you?” Calypso asked.

The funeral part did bother Jack. It took him a moment to retrace the pieces, sliding his fingers along the guitar string. Flynn. Sex. Marriage.

Flynn would puppet and charmspeak boys into their room to humiliate and toy with them, but, she wouldn’t take Jack. Jack never wanted to pressure her, but icy insecurity crawled through him at the thought. What was wrong with him? It didn’t matter that Prometheus said Jack and Flynn viewed sex differently: Jack, as an expression of love; Flynn, as subjugation. Jack didn’t understand that. All he wanted was to be everything Flynn needed, and he didn’t understand why she could puppet others but wouldn’t puppet him. If that’s what she wanted—

The string snapped and lashed him across the cheek.

He shrieked and jerked backwards. Blood trickled down his skin. A full string wasted—an instrument piece dying before it could sing its first song.

Something cool touched his face. Humming filled his ears. The lashed skin tingled and Jack wondered if this is how others felt when he healed them.

When Jack blinked to clear his vision, Calypso knelt beside him. Her too-perfect face rested in a gentle, knowing smile. The strap of her white dress slid onto her shoulder, tickled by the length of the braid. For the first time, she looked like the goddess of the island—something about the subtle shift in confidence.

Jack flinched when he felt her spider fingers in his hair. She must have put them there to hold him steady for a cheek-cleaning. “You ran from me when you first found out who I was. Do you—did you really think I could make you forget Flynn?” The question could have been rhetorical, but there was enough real curiosity to make Jack tremble.

Fear coiled his confidence, the same fear present when Luke lost himself to Kronos or his anger. If Calypso lost her temper…

“Odysseus never forgot Penelope,” Jack whispered, “So the stories say.”

Could that fear come from the possibility of forgetting Flynn? Do people only experience fear when they’re experiencing doubt or uncertainty?

At the watery glisten of her beautiful almond eyes, an idea made Jack sit up and almost clock foreheads with her. She startled at the sudden movement. “And you never forgot Odysseus!” Jack cried. “Calypso, do you always fall for the people on your island?”

Calypso hesitated. A tear broke from the dam along her eyelashes. “I… I try not to say anything when travelers first come…”

“Have you heard of platonic love?”

Her brow furrowed. Her melancholy faltered to confusion. “Platonic? You mean… relating to Plato? Or the idea that abstract objects are objective, timeless, and are non-physical and non-mental?”

Jack would need to ask Alabaster about that later. “Uh—well, I want to be your friend. You’re really nice, but you don’t need to fall in love with everyone you meet, or at least not romantic love. Let’s be friends! I mean—have you ever heard of a rebound?”

“What do you mean?”

“I don’t think you ever fully moved on from Odysseus. So, we should talk about him. Tell me what you loved and hated about him and why you fell for him in the first place.”

Calypso’s expression darkened. “I don’t want to talk about him.”

“Exactly! You never forgave him for hurting you or yourself for loving him. Both are still hurting you. So, let me be your friend. Let me help you get over him without being a replacement for him. And, after this war is over, we can still be friends! Either we decapitate Zeus and his lackeys and his power no long holds you to the island, or we can keep in touch. I know the myths say I can’t come back twice, but I’ll bet I can Iris Message you. I mean, you have rainbows and Iris can go anywhere rainbows can.”

Her lips cracked to protest. Upon considering his words, she stared off at the coastline. “No one has thought of that before.”

Jack beamed. The fear was gone. He shoved a hand between the two of them (awkward due to the close quarters). “Let’s shake on it?”

Calypso glanced from Jack’s hand back to his face. Curiosity perched her lips. “You’re… one of the oddest men I’ve ever met, Jack Flash.”

Jack blushed. “I get that a lot.”

Cautiously, she shook his hand.

At the time, Jack didn’t think to make her swear on the River Styx.

He should have.

***

author’s note: Thank you for reading! I hope you enjoyed! This series is going to continue! I’ve just been struggling to focus on writing with some crazy stuff going on at home. ^.^’‘‘‘ Thanks for your patience and continued support!

Footnotes:

[1] So, Homer’s Ogygia is as Riordan described it. I needed to at least alter the flowers so Jack wouldn’t immediately recognize where he was. Also, flowers for symbolism because I’m a tool.

[2] I kept accidentally writing, “kidnapped” here. Not too far off.

#Tales from Mount Othrys #Percy Jackson and the Olympians #Heroes of Olympus #TFMO #PJO #HOO #fanfiction #Jack Flash #Calypso #My cat is named after Calypso #Her screams are not siren like #especially not at 4:30 in the morning #I hope you're staying healthy!

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that-shamrock-vibe · 4 years

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TV Review: Crisis on Infinite Earths (Spoilers)

Part One: Supergirl

Spoiler Warning: I am posting this review the day after the episode airs in the U.S. so if you have not yet seen the first part of the crossover or are waiting for the entire crossover to become available then don’t read on until you have.

Overview:

We have SO MUCH to discuss! So much so that my Easter-Egg section which is usually more or less a minor tag-on at the end of these reviews is possibly going to be the same size as a lot of these other sections we are going through because, as promised by Marc Guggenheim, Easter has come early and we were treated to quite a few very tasty Easter-Eggs, one of which had me cheering at the screen.

But with Part One of this 5-episode crossover already giving us so much action, drama and emotion, it’s not only a question on how the Multiverse survives, but how the rest of the crossover does as well.

In the Beginning:

I love a good theory of evolution story, and we have heard in Arrow over the past season that The Monitor has been around for eons so it stands to reason he was around at the start of creation itself.

I just the sentiment of “In the beginning there was one singularity that soon spawned a multiverse”. It’s a lot like Doctor Who’s first rock theory from “The Runaway Bride”. I don’t know enough about the beginning of all life to actually determine what created the universe, I am more inclined to believe evolution than creationism, but I do like this idea of one reality spawning many.

I wasn’t so crazy about the visuals of this, especially considering in the past whenever we have viewed the Multiverse it’s always been within the Speed Force so we’re used to that blue energy rather than this red darker energy but it seems to be in-keeping with the theme of the crossover so I’m going with it.

Also LaMonica Garrett, who deserves some sort of award recognition not only for appearing as a series regular in both Arrow and The Flash this season but also wearing what I’m sure is the heaviest outfit created, but selling it very well, even the cheesy prophet of doom voice he has down rather well.

Multiverse Annihilation:

Alright so this was obviously to be expected that we would see some if not a lot of Earths be destroyed during this crossover, but my god they don’t pull punches in starting by letting you know “Yeah we’re killing off a lot”.

Now the Earths we see erased during the opening of this episode are Earth-9, Earth-66, Earth-89 and Earth-X. Of those four, we have only ever seen Earth-X which was the Nazi-ruled Earth from two crossovers ago.

Now while there was a great and uncredited cameo here from it and we’ll discuss that further down, would anyone really be sad if a reality where the Nazis won and ruled was wiped out? I know there are inhabitants on that world and for the most part they are innocent and good people, but you would think just maybe find a way to evacuate them like they do on Earth-38 later and then if it goes extinct then fine because it’s not exactly a good reality.

Both Earth-66 and Earth-89 also has great Easter-Eggs just in the name and we’ll discuss that also further down but it is interesting that both Earths-66 and 89 only focused on Gotham City whereas this was the Supergirl episode of the crossover.

Rallying the Team:

Okay so Harbinger, who either was Lyla Michaels but is now an emissary of the Anti-Monitor or simply likes using her Task Force X codename, appears to all the major heroes just as we saw her do in last week’s episode of Arrow and summons them all to Earth-38 aka Supergirl’s Earth.

I have to say as well, I know they’re on a TV budget and can’t really afford to have as many characters in one scene as say Avengers: Endgame did, but the fact they cheapened out and only gave us two Legends (Sara and Ray), rather then also showing Nate, Constantine, Mick and Charlie as well does seem a tad unfair especially considering they’ve been absent from screens the longest, some may say for the better considering the way their show is going.

Also, I will probably talk about this more with the Batwoman episode tomorrow, but they need to clarify the timeline of her show. When we first met her in Elseworlds last year she was Batwoman, but the start of her season saw her become Batwoman, and now she’s still hunting for Alice? How long has it been?

Also, as expected, Tyler Hoechlin’s Superman and his Lois Lane join the party after Argo City is destroyed and they send of their newborn son in a pod to safety. Argo City’s destruction also sees the death of Kara’s mother Alura played by Erica Durance but because I know who’s coming in tonight’s episode and the possibly jokes they’ll make about it I am okay with that as a Smallville fan.

I do always like it in these crossovers when the heroes either first meet or reunite, this time Oliver’s daughter but from the future Mia Smoak and Batwoman are officially introduced as Batwoman reveals herself as Kate Kane, to Oliver’s bemusement.

I do wish also that there was more time spent on character interaction because that is usually what I enjoy most about these crossovers, we had a little bit of that with Brainy and Ray, but Elseworlds I felt established a great repour for Batwoman and the Trinity yet that wasn’t really seen here.

My biggest complaint in this Supergirl episode though is that both Brainy and J’onn were never seen in their natural forms. I know it’s costly and timely to have them look like Brainiac 5 and the Martian Manhunter, but when they just look like Jesse Rath and David Harewood, no matter how great these guys are it’s a comic book crossover event and I would love to see more comic-booky character looks.

Alright so, Harbinger sits down the newly formed or reformed or updated team because they’ve come together now four times to help save a world or multiple worlds or now reality itself and just need to be called the Justice League and get it over with, but anyway I digress.

She instructs the team that the tower that randomly appears was one of many placed by the Monitor on Earths he thought were at risk...why he didn’t just place them on every god damn Earth if he could see the future is beyond me but that’s what we’re getting.

I did like a couple of interactions before going into action where Oliver seamlessly interacted with Barry, Sara and Mia without making it seem forced.

My favourite was the interaction with daughter Mia when he effectively passes on the mantle of Green Arrow to her despite the fact she’s not ready to lose him. I don’t know whether or not the spin-off series focusing on Mia as New Green Arrow has been confirmed yet but we know she will become Green Arrow in the near future.

So Oliver, Mia, Ray and Kate go off and battle the Shadow Demon army that are swarming the tower trying to destroy it for the Anti-Monitor, while Barry, Kara and Clark are off trying to save the people.

I will admit Ray didn’t annoy me quite as much as he has done in recent seasons of Legends during this episode. I did love his interactions with Kate about her suit getting an upgrade and then her asking him to upgrade her batarangs, when Brandon Routh is good he is good and he is pulling double duty in this crossover so let’s hope he’s very good.

Also at this time Lois, because she needs something to do, has gone to Earth-16 with Brainy and Sara to retrieve baby Jonathan who wound up going through a wormhole and ending up on a parallel world...in the future...2046 to be exact.

This was, I feel, there for two reasons. 1) Another Easter-Egg appearance but this time in-house as it references Legends Season 1, but also 2) To still keep the events of “Star City 2046) canon despite the fact that in that episode Connor Hawke was actually John Diggle Jr. and in present day they are not only two separate people but also adoptive brothers...and also we know Oliver is supposed to die so how is he alive in 2046? Well it’s an alternate reality version who apparently can’t remember meeting Earth-1 Sara before.

Our two other teams rallying really only serve to give the rest of the Supergirl cast something to do as Alex enlists Lena to help either build or activate portals to get the inhabitants of Earth-38 to safety while Dreamer and Kelly help get those inhabitants onto ships including the Legion Cruiser that J’onn is piloting because apparently Brainy was given it by the Legion before they left with Winn despite the fact they left in the Legion Cruiser. It doesn’t really make sense but I enjoy seeing that ship again so I am letting it slide.

Saving the Multiverse, Take 1:

This may be quite cynical for me to say but this is what the remainder of the episode was, the first attempt at saving the multiverse because Earth-38 is where The Monitor wanted the heroes to make their stand against the Anti-Monitor.

The Anti-Monitor does not appear in this episode and his army of Shadow Demons are 1) Poorly rendered compared to the likes of the Time Wraiths and 2) Quite easy to defeat when you consider Darkseid has Parademons and even Thanos with his legion of horribles.

In any case while the Supers are trying to fix the tower to make the sky not red which works margingly well before they exhaust themselves, the other heroes are on the ground battling the Shadow Demons. I would have maybe liked if Ray had to cover the Supers while they were doing what they do because it seemed slightly daft that the Shadow Demons wouldn’t try and stop them but that’s what we got.

It was a very small-scale battle and I know we’re only in part 1 and usually it’s the final episode we get the big battle but this was still small scale considering what is at stake here.

The biggest surprise of the battle was Kelly Olsen, who I haven’t really liked all season as she seems pointless other than just being Alex’s girlfriend who always needs saving, apparently has the Guardian armour left to her by James who retired from vigilantism to take over a newspaper in his old hometown and that’s why he left despite never actually being part of these crossovers, his dopplegangers were.

This was also a very low-powered battle. Think about it, the Supers, Flash and Atom all have CGI powers or tech yet we didn’t really see much of it, aside from the Supers trying to fix the tower. Maybe they’re saving the budget for later episodes but it better pay off.

The Monitor comes in as the prophet of doom to basically tell them that they’ve lost this battle but the war still rages, so transports everyone aside from Oliver to Earth-1 Star City.

Oliver refuses to leave and makes one of the most poignent comments I have ever heard him say when The Monitor says “It’s time” and Oliver asks “Has everyone been evacuated” The Monitor responds with “No” so Oliver responds “Then it’s not yet time”. From the trailer I thought this to mean it was time for his death, but actually this was something The Monitor was trying to prevent as he did not see him dying this way, but he does.

Stephen Amell delivers both this line and scene very well. I have never been the biggest Stephen Amell fan and do feel as if he goes to the corny side a little too much but here, given the interactions he had with Barry, Mia and Sara in the episode, and knowing that Arrow is ending and he is supposed to die, it was minorly emotional which is the most emotion he’s ever got out of me.

Fallen Arrow:

The Monitor returns a battered and bleeding Oliver to the Arrowcave in Star City Earth-1 where the rest of the heroes have returned to. Along with the news that they were somewhat successful at evacuating Earth-38 before it was destroyed, it seems that Oliver does actually die in this episode.

First of all, the fact that Supergirl is disheartened to know they didn’t save everyone is stupid because they only worked to evacuate one city compared to the entire planet. Secondly, we know that the episode of Arrow after this crossover will not include Stephen Amell...but to lose him on part one of the crossover does seem like a red herring.

Also I do not think he would die on any other show but his own and that part isn’t until January 14, so I don’t think this is the last of Oliver we’ve seen.

However, out of nowhere, Pariah appears. Pariah is Harrison “Nash” Wells who is the latest Harrison Wells to appear on The Flash and was the main focus of the Crisis teaser at the end of every Arrowverse show over the last two weeks.

I have to say 1) His suit makes him look like Doctor Doom and 2) I haven’t had the time to be as invested with this Wells as I was with Harry Wells or H.R. Wells or even Sherloque Wells to supposedly feel bad for him that he has become Pariah as his penance for freeing the Anti-Monitor.

He is however another harbinger which sounds stupid to say as there is a character literally called Harbinger but not only is Lyla one but so is the Monitor and now Pariah. I’ll be curious to see where this leaves him after the crossover because, unlike almost every crossover before, this is the one that promises ramifications across the multiverse.

Easter-Eggs:

Alright here we go, as I said in the opening Multiverse Annihilation alone, there were multiple Easter-Eggs that not only connect the Arrowverse to various other DC properties but also just have some very cool cameos.

I do have mixed feelings on what they’re doing, as it does look like they are actually trying to combine every DC TV property and possibly movie into the same multiverse which is crazy but it could possibly work.

Titans:

This is the one I cheered at my screen for in a similar way to when they played the Smallville theme while showing their version of the Kent Farm in Elseworlds last year.

As mentioned before, one of the Earths wiped out by Antimatter is Earth-9. On this Earth we focus on San Francisco and two costumed heroes as Antimatter obliterates everything, Hawk and Jason Todd’s Robin. These characters are portrayed by Alan Ritchson and Curran Walters who are the actors portraying these characters in these suits in Titans over on DC Universe.

It was rumoured some time back that Titans would appear in this crossover but never confirmed, I know because for my job I’ve reported on everything to do with Crisis.

Now clearly there’s nothing to say these are the same characters from Titans, particularly as the end of Titans Season 2 saw Jason Todd leave the Titans and we don’t see Nightwing, Dove, Starfire, Raven or Gar, but considering Black Lightning is joining the Multiverse it stands to reason that Titans can as well.

This does also mean that Titans is now on Earth-9, while Arrow, The Flash, Batwoman and Legends are primarily on Earth-1 and Supergirl is on Earth-38.

Batman ‘66

Speaking of other Earths, we have two others that are wiped out in the opening and both focus on Gotham City, why? Well we have Earth-66 which features an elderly gentleman in red walking his dog and seeing the red skies exclaims “Holy Crimson Skies of Death!”.

This gentleman is portrayed by Robin veteran Burt Ward and the character is confirmed to be Dick Grayson of the Batman 1960s series.

This is wrapped up very nicely and honoured in the fact that the Earth is numbered 66 to pay homage to the fact that 1966 is the year the Batman series begun.

Batman ‘89

Similarly, the other Earth we see obliterated is Earth-89. Here we see another Gotham City with a man reading an edition of the Gotham City Gazette that shows a distorted image of Batman with the headline “Batman Captures Joker”.

The man reading the paper is revealed to be Alexander Knox portrayed by Robert Wuhl, reprising his role from the 1989 Batman movie starring Michael Keaton as the Dark Knight and Jack Nicholson as The Joker.

It has also been rumoured before that Michael Keaton would reprise his role as Batman in this crossover, while I still choose to debunk these rumours, it’s official that the 1989 Batman is now canon within the Arrowverse. This takes the Arrowverse from simply being the DC TV Universe to an actual Multiverse spanning TV and Film, something the MCU hasn’t properly managed to do yet.

Star City 2046:

So as mentioned before, DC’s Legends of Tomorrow’s first season had an episode titled “Star City 2046″ where the Legends arrived in a dystopian Star City where Deathstroke’s son Grant Wilson was the new Deathstroke and Connor Hawke was the new Green Arrow and revealed as John Diggle Jr, Diggle’s son which at the time was crazy because Diggle had a daughter Sara before Barry created Flashpoint and replaced Sara with John Diggle Jr...keeping up?

So in the future of this Post-Flashpoint timeline that this universe is now in, we see that Connor Hawke and John Diggle Jr. are two separate people with Connor being the biological son of Ben Turner aka Bronze Tiger and John Diggle Jr now being the leader of the Deathstroke Gang.

This of course caused conflict with that episode of Legends, but because Legends never really follows the rules anyway I think everyone simply let it slide but now we have a loophole way of explaining things.

It turns out that when the Legends travelled to Star City in the year 2046, they also travelled to a parallel Earth, Earth-16. Now this is still in the future so I don’t think they’re saying it’s set, but what they are saying is it still happened and they didn’t overwrite their own lore basically.

We do only see Oliver here, who still has a cybernetic arm from before which Sara remembers and uses to her advantage, but Oliver doesn’t seem to remember that this Sara is not his Sara despite them having a rather candid conversation in that episode.

Also Joseph David-Jones portrayed Connor Hawke of that Earth in “Star City 2046″ so of course it makes sense for him to return as the Connor Hawke of Earth-1 in the future, but why didn’t he appear in this episode if he is already part of the cast of Arrow this season?

The Ray:

Briefest of cameos and unfairly uncredited in my opinion but we see a brief glimpse of Ray Terrill aka The Ray portrayed by Russell Tovey flying through the skies of Earth-X before being obliterated. Tovey first portrayed The Ray in “Crisis on Earth-X” two years ago and was part of the first openly gay male relationship in comic-book history with Wentworth Miller’s Leo Snart.

He then went on to voice the character in his own short-lived animated web series Freedom Fighters, but to see him return in live-action even for a brief uncredited cameo shows how much Tovey respects both the character and this universe and I love him even more for that.

Jonathan Kent:

Alright so I’ve mentioned baby Jonathan a couple of times because we knew Lois was pregnant at the end of Elseworlds last years however now seeing Jonathan Kent Jr. I am excited for what this could mean going forward.

In the comics, Jonathan is the son of Superman and Lois Lane given the full name Jonathan Samuel Kent to honour both his grandfathers and is a Kryptonian-Human hybrid who becomes the new Superboy and teams up with Damian Wayne, the Teen Titans and the Legion of Superheroes.

So when Brainy mentioned him going through a wormhole and time-travelling I thought they may be setting up that he’ll be taken in by the Legion, Mon-El may return with a grown-up version of him later in the season or something, but no he’s safe and Lois has him back.

The one thing I will say about him is I hope the writers don’t relegate Tyler Hoechlin’s already minimal Super-Antics into simply being Super-Dad. The odd dad line is funny but I hope that’s not all he is.

I am going to wait until Part 5 to rank the entire crossover but if they keep the momentum that Part 1 managed to accelerate then this could be the greatest TV accomplishment ever and could even rival Avengers: Endgame in how they literally bring worlds together.

So that’s my review of Crisis on Infinite Earths: Part One, what did you guys think? Post your comments and check out more DC TV Reviews as well as other TV Reviews and posts.

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tisthenightofthewitch · 5 years

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Q & A with Ghost's Tobias Forge

Depending on who you ask, Ghost has been on the hard rock scene since 2006, or for more than half a century, with occult roots stretching back even further. The current frontman, known as Cardinal Copia, is the fourth embodiment of the band to lead the charge at the front of the stage as well as vocally. The band itself has grown, also, with the ranks of the Nameless Ghouls – the masked, black-clad musicians playing and singing behind the Cardinal, has swelled to include new members, including the Ghoulettes, and has occasional appearances by the original band leader, Papa Nihil. No one is quite certain who any of these musicians are, or even if they're the same from show to show, but they put out incredible music and assemble to bring amazing live shows to the stage.

The answer to the questions surrounding the Swedish rockers may be hard to nail down, but the music they make is easy to find. Just in the past year, Ghost's fourth album, “Prequelle,” landed in the number 3 spot on Billboard, has spawned two number one singles, two Grammy nominations, and a live show that's only gotten bigger. Their online following includes over a million fans following them on Facebook, and over 200 million streams of this latest album.

Following last year's “A Pale Tour Named Death” run, primarily in theatres throughout the US, Ghost joined Metallica in the opening slot for that band's WorldWired European run, playing stadiums all across Europe. After captivating audiences across the pond over the last four months, Ghost is ready to invade the US and Canada once again, this time bringing their entire, full-scale production to arenas in every corner of the continent.

Last week, the creative force behind the band, Tobias Forge, took a few minutes out of his schedule to talk about the personas on stage, the new tour, and the future of Ghost.

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Mike Sorensen: I know in the past, you've talked about your influences, and anybody can see influences like KISS and Alice Cooper if they just look at the band. But with Ghost, you've taken the mythology side, and taken it to an entirely different level than any of those bands have that I've seen. Was that something that you've done consciously, or has that just felt like something natural as you've continued to build the band?

Tobias Forge: A little bit of both. I mean, it was always intended to be theatrical and have some sort of...I guess, in the beginning, you could call it some sort of vague narrative, because it was supposed to be more clandestine. And then as the public interest seemed to be a little bigger than I had anticipated, it ended up being a little more outlined than I had probably predicted ten years ago. So, you know, you continue working with it as it's grown. But you sort of build where you stand, as well. Fortunately, it sort of grows quite organically, and it sort of ties in. I guess the biggest steps of the narrative is just to be seen, which is kind of exciting, I think!

MS: I know you've been building the stories with the video shots, the rise of Cardinal Copia, or maybe the fall of Papa, depending on how you look at it. Have you, or are you, if you want to tell, considering something closer to a more traditional film? Maybe your “Ghost Meets the Phantom of the Park?”

TF: I hope that what we're doing is slightly better! But I guess in the context of a rock band trying to tell a story, you can't have too high of hopes of it being a blockbuster success! Hahaha! We're still a rock band, and it's there for fun. But yeah, the intention is to, in one way or form, tell that story, and if it becomes a film one day, potentially...but there is definitely other ways to tell the story, as well. And it might come out in paper form.

MS: That's a nice tease, and from a fan point of view, now I'm really excited to see where you're going to go with it!

TF: Good!

MS: Sticking for just one more moment with the mythology part of it, in past interviews, you've said that introducing the Cardinal, you've referred to him as an underdog character that some people may not like. Do you think that's proven to be the case, and do have – it may be like picking a favorite child if you have more than one child – do you have a particular Papa that you've enjoyed more than the others?

TF: No, not really. That would be Cardinal in this case, actually. I think he's the most accomplished so far, also because I see the potential. This album cycle was always meant as a...a sort of a cleansing of the palette, in a way? The Cardinal was meant to be a little bit uphill, and he has been for me, as well, but I definitely see the potential of him, potentially rise to an exalted place where he gets all the attributes of the previous Papas. That is, IF he gets to be Papa!

MS: It's a fun journey, and I'm grateful that you're taking us all along for the ride!

TF: I'm very happy that you guys want to be on the ride!

MS: With the tour just kicking off, you've just wrapped up the stadium run in Europe with Metallica, you've done other headlining tours in the US before, but this is the first full headlining run for arenas in the US. You've had a handful of shows that have started off the tour now, how does feel being out there doing these headlining shows in arenas now?

TF: My main focus has always been that I wanted to take the same production to anyone, regardless if you live in big, metropolitan, hipster cities, or if you live in a slightly more rural town. I didn't want to segregate anyone, and that has taken a long time. Usually bands don't do that because of spite or out of malice, it's just that economically most bands do not have the means to take the same show to everyone. So there's always a little bit of weeding out, which I've always been uncomfortable partaking in! And finally, now, we've come to a point where the opportunity was to take the same full production to everyone, and that's the main focus of this tour. What it meant was that we needed to go into venues that could house our production. And that is predominately arenas, or smaller arenas, that can swallow a full-production show. My main focus now, I'm not trying to think so much about it being arenas, because it's our first steps into it, and the point that I want to prove is for, in this case, the American and the Canadian people, if you go to see a Ghost show, you can count on us giving you the same thing you saw from that clip in New York.

TF: For me that's a great accomplishment, to even be able to try to prove that to people! If we manage to prove that? We'll see, but it feels good, and there's people coming out, the tour just started, it's been going very good so far! We're three shows into it, so we're still getting there, a few kinks, mechanically and technically, you always sort of end up with a little bit of push-and-pull in the beginning. But throughout the tour, we get into a vibe pretty quickly.

MS: Speaking from one of the more rural areas that you spoke about, I can say that I'm glad you're looking at it that way, because that means we get to have those shows where we might normally get a more scaled-down version, so I appreciate that as well.

TF: That's what I was thinking!

MS: With your shows, and with Ghost's music overall, you walk a really fine tight-rope between the darker imagery and the lyrics, but you have a lot of fun and humour in the shows that I think would surprise a lot of people that haven't seen it before. How do you manage to keep that balance without tipping into too dark, or being a parody?

TF: That's hard to answer. I can't exactly tell you how that...you know, you have a hunch, right? You just have to have timing, and I think so far, we've had that. That's also a little bit of trial and error. I think the tour that we did a year ago? [2018's “A Pale Tour Named Death” US Tour] that covered a big portion of America, from a technical standpoint, it was a little annoying, because – since we were doing theaters and arenas – we had to do a little bit of that segregation thing that I told you about before, that we're trying to avoid now. But it was also “An Evening With...” so we did a two-and-a-half-hour long show, out of which a great deal of that was sort of talking! And that was fun, I don't think that did us any harm, but I definitely wanted to do a different show this time around.

So it's way more to the point. We have a support act, which is different, and I wanted it to be more to the point. Scale off a bit of that talking, scale off a few songs that weren't really...I wouldn't say up to snuff, but that took a little more patience, if you want. Where this set is constructed to be a little more overwhelming, a little more for getting, and I like that, as well. I mean, I like the drawn out stuff as well, but I like the quick stuff. This tour is definitely way more to the point.

And also thinking that, when you're playing small clubs, playing to 300-500 people, you're most likely playing to...you're selling Bibles to preachers, because everyone already knows all your songs, and people are really, really into it. You get so many diehards at shows like that. As soon as you, sort of, grow out of the clubs, you will have a lot of people coming that are fans, but that might not know every song that you have, and they're not diehard, know every detail of your band...they're there for the spectacle, to be entertained. And there's nothing wrong with that sort of fandom, it's just that you have to take that into consideration when you're playing. So there is a certain amount of recapping that you have to do, in order to kind of explain to people what you're about. I think that's even more true when you're coming up to arenas or even more so when you're playing stadiums.

We've just done a four-month tour with Metallica, doing stadiums in Europe. You could tell that most people, maybe 25,000 of the 50,000 that was average [show attendance], they knew all the Metallica songs. But 50,000 knew “Enter Sandman.” The people come for the spectacle. They don't know every song! The might have heard them, but they don't know every song. You have to treat it, not like a showcase, but a little. You have to stick with the best thing that you have, and get people to understand. You have to win everyone over every night. You cannot think that all of these people are already 100% sold, you have to win them over.

I think that is very important also in trying to figure out the measurement of slapstick and humour. And in this case, you were talking about the episodes. We cannot assume that 100% of everyone in the hall has seen the episodes. Some people are there because their friend at work told them this is a kick-ass rock show and you should come because you like KISS or whatever, and they haven't seen the episodes. So we cannot assume that everyone has seen it. So the bigger you get, the more you have to be attentive to things like that, I believe.

MS: With the new tour, you've also had the new songs that have just been released, and I've noticed a lot of talk going on with those. Did you have a particular inspiration for those new songs, or a particular sound that you were going for with those new tracks? TF: What? No, those are 50 years old! MS: The newly released tracks!

TF: The newly released tracks, yeah, yeah! Well, I mean, they were written 50 years ago, and I'm only 38, so I can't really say!

MS: So, they were the Ghost of the time, their attempt to try to get on the stage at Woodstock.

TF: I guess, right! They were trying to do the most exciting rock you could do at the time. A little bit like if Phil Spector had produced The Stooges. Something like that.

MS: For this year, you have this tour that's just getting started in the US, and then back to Europe. Do you have plans for what's going to happen next year already?

TF: Yes. There will be very little touring. To be specific, it's going to be absolutely zero touring in 2020. We have one show in February, and that's going be in a country that to the south of the US, and that will be it, that's the only show we're doing, and that's going to be the wrap-up of this tour cycle. The year is going to be spent making a new record, a new record that will come out in 2021, the beginning of 2021, and then we're looking at eighteen months of touring again. Next year is going to be, at least from a touring point of view, off. But there's going to be a lot of other things happening, so be sure that you're going to see plenty from Ghost next year.

MS: Definitely no rest for the wicked!

TF: No rest for the wicked!

MS: Was there anything else you wanted to add before I let you go to get ready for tonight's show?

TF: We're really looking forward to coming to Moline, and I'm very, very happy to be able to tell people that we're coming with all the bells and whistles.

---------

Ghost is one of the most dynamic bands performing around the world right now. From their heavy-grooved, melodic music to their engaging, bombastic live shows, to the mystique surrounding who's under the masks and make-up, they continue to build up steam on the way to complete world domination. If you aren't sure, see for yourself. You can go to ghost-official.com to get your own tickets, then slip up the road a little ways on October the 8th to Moline and join the party.

HERALD-WHIG

#Tobias Forge #Tobias Interview #The Band Ghost #Ghost Band #Cardinal Copia

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stereostevie · 4 years

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Jazz musicians have always placed a premium on “saying something.” Technique, training, and theory will only get you so far, and may even lead you in the wrong direction; what matters is the ability to hit on an emotion or an idea that feels at once familiar and revelatory—to speak a common language in a decidedly uncommon way.

From this standpoint, few musicians have said more than the saxophonist Pharoah Sanders. Born in Little Rock, Arkansas, the son of a school-cafeteria cook and a city employee, Sanders moved to New York in 1962, at the height of jazz’s postwar avant-garde—also known as “free jazz” or “the new thing”—which was spawned by the late-fifties experiments of the saxophonist Ornette Coleman and the pianist Cecil Taylor. Sanders’s début album, recorded in 1964 for the ESP label, garnered little attention, but his playing caught the ear of John Coltrane. Coltrane invited Sanders to join his band in 1965. The following year, Impulse!, the label that had been exhaustively documenting Coltrane’s evolution, gave Sanders another chance to record as a leader. The result was the surging and expansive “Tauhid,” an album that positioned Sanders as both Coltrane’s foremost disciple and an artist with ideas of his own.

Coltrane died in 1967, and Sanders recorded some with his widow, Alice Coltrane, a multi-instrumentalist and composer, before returning to the studio for Impulse! two years later, with his own group. The resulting album, “Karma,” set the template for a remarkable five-year run. While remaining as fiery as ever, Sanders had developed an interest in soaring, magisterial melodies, and the rhythms of his recordings, while dense and multi-layered, often hewed toward a steady groove. He also incorporated unexpected elements: non-Western instruments, yodelling by the sui generis vocalist Leon Thomas. As the title of “Karma” suggests, Sanders, like Coltrane, felt that music had a spiritual dimension. “The whole musical persona of Pharoah Sanders is of a consciousness in conscious search of a higher consciousness,” Amiri Baraka later wrote.

Subsequent Impulse! releases, such as “Jewels of Thought,” “Thembi,” and “Black Unity,” extended a musical quest that has now, in one form of another, lasted more than fifty years. But for someone who has said so much through music, Sanders has said very little to the press, doing only a handful of interviews in the course of his career. I spoke with Sanders earlier this fall, in Los Angeles, where he had just celebrated his seventy-ninth birthday by playing two shows in the area. Sanders still projects a distinctly Southern brand of soft-spokenness, one that’s equal parts humility and aversion to fuss. Although he is an acknowledged master who has been honored at the Kennedy Center, he speaks of himself—and seems to sincerely regard himself—as just another working musician trying to make a living.

We talked about his beginnings as a musician, his approach to recording over the years, and his collaborations with jazz legends. But Sanders was more inclined to reflect on the challenge of finding a good reed than to dilate on his legacy. What really mattered, it seemed, was his feeling that he could never get it right. Over the course of the conversation, it became clear that he wasn’t being compulsively hard on himself or willfully oblivious. Rather, he was still searching, possibly for something that he knew he would never find.

The interview has been edited and condensed.

You just had your seventy-ninth birthday—happy birthday!

Thank you.

What keeps you going, musically? Why are you still out there touring?

Well, I still try to make a living. I haven’t retired. I’m not working that much, but, you know, jobs come through.

What are you trying to accomplish artistically at this point?

Right now, I don’t even know myself!

Your sets these days touch on all the different things you’ve explored in your career. I saw you play in Portland earlier this year, and you played some standards and ballads as well older, more open-ended material, like “The Creator Has a Master Plan,”1 from “Karma.”

I just play whatever I feel like playing. It’s hard to keep a band together these days, so I never know most of the time who’s going to be in the band. Whoever I decide to use, if I can use them, well, that’s it!

Let’s go back to the beginning. Before you took up the saxophone, you played the clarinet in church?

I started playing drums first.

Oh, I didn’t know that.

Then I wanted to play clarinet. I went to church every Sunday, and there was this memo up in church that someone had a metal clarinet. That person just passed away maybe a few days ago. He was about ninety-three or ninety-four. That’s how I got my first instrument. Seventeen dollars!

When did you switch to saxophone?

Well, in high school I was always trying to figure out what I wanted to do as a career. What I really wanted to do was play the saxophone—that was one of the instruments that I really loved. I started playing the alto. It’s similar to the clarinet—if you can play the clarinet, you can play the saxophone.

Why did you switch to tenor from alto? What did you like about the sound?

Tenor was the most popular instrument at that time to get work. I would rent the school saxophone. You could rent it every day if you wanted to. It wasn’t a great horn. It was sort of beat-up and out of condition. I never owned a saxophone until I finished high school and went to Oakland, California. I had a clarinet, and so I traded that for a new silver tenor saxophone, and that got me started playing the tenor. The minute I bought it, I wanted an older horn, so I traded my new horn for an older model.

I read that you went to Oakland because you were studying art and you were going to go to art school.

I was painting all the time, pictures. I got into music very late. I used to do all that kind of work.

Have you painted at all since then?

No, I haven’t done anything for many, many years. I’ve wanted to go back into it, but I just haven’t.

After just a couple of years in Oakland, you moved to New York. Had you decided to focus exclusively on music?

I had to get it all together. I didn’t know enough about lots of things—basic things. I knew I needed to get some studying in, in order to get into playing saxophone, because I wanted to play jazz. So I had to cut out a lot of activities that I was doing and spend more time practicing scales and stuff like that.

Is it true that you were homeless when you first moved to the city?

I didn’t have nowhere to stay. Everybody was talking about, “You should go to New York.” They said, “That’s the place to go!” So that’s the reason I went to New York. I hitchhiked a ride to New York.

What year was this?

1962.

So, when you get there, the avant-garde—or whatever you want to call it—is in full swing. It’s been three years since Ornette Coleman’s residency2 at the Five Spot.3 Sun Ra has moved the Arkestra4 from Chicago to New York. Were you following all of this?

I didn’t know what was going on. I was trying to survive some kind of way. I used to work a few jobs here and there, earn five dollars, buy some food, buy some pizza. I had no money at all. I used to give blood and make fifteen dollars or ten dollars or whatever. I had to keep eating something.

But you managed to establish yourself as a musician.

I always wanted to work with my own band, so I got some guys together and started working down in New York, in Greenwich Village. I could pick up a few little weekend jobs. You had to do something to survive.

Who was in that band with you, your first band?

I would ask around for some musicians, and we played—I didn’t even hardly know their names.

Was Billy Higgins5 in that band? I read that you two knew each other—and that he was homeless, too.

Billy Higgins, he would come around in that location a lot, in the Village. I met him, and I heard him play. On occasion, we kind of talked a little bit about the music, and I found out how great he was. I started listening to some of his recordings. Like I said, all the time, I was still trying to find some type of job or work—it didn’t matter whether it was playing music or whatever it was. There was one time I got a job being a chef, cooking, in order to survive.

You started working with the Arkestra in 1964, and then, in September, 1965, you joined Coltrane’s band.6 That was a lot of people’s first exposure to you. Do you know why he chose you?

I don’t even know the reason myself. I don’t feel like he needed me or another horn. I think he just felt like he was going to do something different.

What was it like to work with him? There’s an idea of him as this saint-like figure.

His whole demeanor reminded me of a minister. He didn’t act like a lot of musicians that I’ve met in my life. John, he was always extremely quiet. He didn’t say anything unless you asked him something. I never asked him anything about music.

Really?

Never.

But he was making a conscious choice to work with younger musicians.

He always had some kind of a way of looking to the future, like a kaleidoscope. He saw himself playing something different. And it seemed like he wanted to get to that level of playing—I don’t know if it was a dream that came to him, but that’s what he wanted to do. I couldn’t figure out why he wanted me to play with him, because I didn’t feel like, at the time, that I was ready to play with John Coltrane. Being around him was almost, like, “Well, what do you want me to do? I don’t know what I’m supposed to do.”

He always told me, “Play.” That’s what I did.

What was your relationship with him like?

I loved being around him because I don’t talk that much, either. It was just good vibes between us both. We were just very quiet. All the time that I’d been listening to John, I’m hearing something else, just being around him. He would never start some kind of conversation—he would say something, but it wouldn’t last that long. He never would elaborate, or go deep into it. He said a few words, and that was it.

Was he funny at all? Did he ever joke around?

He had a sense of humor about him, I think. One time, Jimmy Cobb was playing with him, and his stick got loose, and it went across to John and hit him, or something. John said, “Yeah, he’s just trying to get back at me.”

His sense of humor was in his music. Sometimes he’d remind me of Monk.7 John would play things Monk would play, but it was a little bit different, faster. I’d turn around and look and say, “Oh. O.K.”

Monk’s music is definitely humorous, but I don’t think many people hear that in Coltrane.

He got a lot of stuff from being around Monk. He didn’t sound like Monk, but he understood the humor.

After John passed away, you continued recording with Alice Coltrane.8

You know, her playing was amazing. I loved what she was doing. But I always felt like what I was doing wasn’t good enough. Maybe I was playing a little bit more dominant than what she wanted—she seemed more intellectual than I was. But I tried to play something close to the concept that she was doing.

At one point, I had told her, “I don’t know if you like the way I’m playing or not. I don’t know whether this fits, or what.” She said, “You’re doing O.K. Just keep on playing. Keep on blowing.”

Around this time you also start leading your own bands, and you start recording for Impulse! as a leader. Did you feel like you knew what you were doing then?

No, I don’t think I was really ready. But I had to go on anyway, and study while I was trying to get it all together. I knew I had to be better than what I was. I had to keep moving. I learned a lot from John. I remember I used to talk to Philly Joe Jones.9 I talked to a lot of different people.

On those Impulse! records, you’re experimenting a lot with non-Western instruments, finding ways to use vocals in a freer context, and getting into more groove-oriented rhythms. Were you thinking through things in advance or just figuring them out in the studio?

We just worked it out while we was there. That kind of spontaneous move.

You started working with some musicians who people didn’t know well at the time, like Leon Thomas,10 Lonnie Liston Smith,11 Sonny Sharrock.12 What were you looking for when you heard them?

I was looking for musicians who played with lots of energy. I wanted to be able to play that way myself. In order to do that, I had to find musicians to work with who had that kind of energy.

You were making incredibly intense music during this period, on albums like “Jewels of Thought” and “Thembi.” Was that just where your head was at that time—constantly in a kind of heightened state?

I don’t know. I was still trying to reach for something, I didn’t know what.

Today people call this music “spiritual jazz.” But it wasn’t like anyone sat down at a table and said, “Let’s invent this whole new kind of music.”

It just happened. That’s the way I look at it. It just happened. I was never satisfied with my playing, for a long, long time. Still sort of have problems like that.

Still? Do you feel like you’ve ever had a moment, or a record, where you’ve been, like, “I got this one right”?

No.

Really?

I used to hear other bands, other groups, when they were making a recording. And a lot of musicians I’d hear would be working on one song maybe for, could be a week, or a few weeks. Make sure everything is right.

You, on the other hand, were recording two or three albums a year with Impulse! Was that how often the label wanted you in the studio?

Well, they wanted a certain number of records a year, being signed with somebody. The thing you don’t want to do is make them too close together, playing the same way as you were before. You’ve got to do something fresh. Some people like to wait for that kind of thing to happen.

But that’s not how you approached it.

I just felt like going in there and doing what I wanted to do.

Would the label give you any direction, or were they hands-off?

They tried to let you know how many songs to play. I just kind of ignored it. Sometimes, I would just play one tune for the whole side. I just kept on playing, like it was a suite. Looking from one thing to another. If you’re in the song, keep on playing.

Did you rehearse?

No, we never rehearsed.

Did you ever do more than one take?

Maybe on a few things we did, something where I didn’t really like the way I first got started up and started out playing. But whenever I heard it back, I kind of liked it, so I said, “Well, I should have kept it.” Anyways, it’s too late now.

It kind of taught me something else. It made me think, Why do I have to do it this way? Let’s keep on playing until it all comes together. That’s what we did. That’s what I always do. You know, try to keep on creating.

You’ve mentioned several times now having not liked how your playing sounded—this seems tied into the idea of your always searching for something new. Is there any recording where you’re happy with your sound?

I haven’t made it yet. Sometimes on my horn, a couple of notes, I’m feeling satisfied with it, but the rest of the notes just is not sounding right. So I’m still working on that.

I have a problem with finding the right reeds, and the right mouthpiece, the right horns. I used to buy boxes of reeds, and if they don’t play right I’d just throw them right on the floor, put them in the trash. Maybe a box of threes, or a box of fours. They never sound the same.

Do you think most musicians think this way? Are you all just perfectionists?

I don’t know. I know when I listen to other musicians, they sound beautiful to me. When I hear myself playing, I sound like… They sound beautiful. I just wonder, what are they all using?

What do you listen to these days?

I haven’t been listening to anybody.

Not even older stuff?

I haven’t been listening to anything.

I listen to things that maybe some guys don’t. I listen to the waves of the water. Train coming down. Or I listen to an airplane taking off.

Have you always been listening for sounds like that?

I’ve always been like that, especially when I was small. I used to love hearing old car doors squeaking…. Maybe it’s something you’re really into, then maybe you’ll get a sound like that. I just wondered, Would that be a good sound?

Sometimes, when I’m playing, I want to do something, but I feel like, if I did, it wouldn’t sound right. So I’m always trying to make something that might sound bad sound beautiful in some way. I’m a person who just starts playing anything I want to play, and make it turn out to be maybe some beautiful music.

When you were first in the public eye, with Coltrane, people didn’t get that.

I don’t know if I got it myself.

Do you go back and listen to your recordings?

Yeah, I look at them sometime. I’ll change it up if I’ve been playing something that I’ve maybe played before.

The goal is to never repeat yourself?

I try not to, but it seems like I do at times. Then I stop playing and catch myself and say, “Let me try something else.” It’s almost like I play one idea and then I just try to look at it, like, “O.K., I’m going to try to see if I can play it backward.”

People still associate you with the kind of music you were making in the sixties and seventies. But over the years you started doing a lot more traditional playing.

Well, I was trying to do a lot of things—like ballads. I was playing a lot of those before I came to New York, before I started recording. Maybe I just kind of slowed down a little bit. A whole lot.

What are your favorite ballads to play?

I like “Berkeley Square.”13 I feel like I haven’t played enough on it. Every time I play it, I try to play something different.

It makes me think of Coltrane’s “Ballads.” People were surprised by that record, because they didn’t think of him as that kind of player.

John always loved to play ballads. He played some ballads when I was working with him, when he kind of opened up more freely. On some jobs I did with him, he played a ballad every now and then. Then he got back in his spaceship and took off again.

That’s where he was. You never knew what he was going to do next until he did it. He just started playing himself, and we all just start coming in. Whatever time we felt like we were needed, we came in.

Do you still feel like that? Like you have no idea where you’re headed and are just going to see where the music takes you?

A lot of time I don’t know what I want to play. So I just start playing, and try to make it right, and make it join to some other kind of feeling in the music. Like, I play one note, maybe that one note might mean love. And then another note might mean something else. Keep on going like that until it develops into—maybe something beautiful.

#alice coltrane #avant garde jazz #free jazz #john coltrane #pharoah sanders

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believerindaydreams · 5 years

Text

noir at high noon: twelve snippets in a life

susan’s POV. a little snippet of post-canon, among other things.

4. I knew Angel Eyes was trouble. That's why I went to find him.

You'd think it'd cost me something: money, self-respect, time at least. Enough to make my search sound difficult, when the truth is it took me two days and no trouble at all to make the connection I needed. Why not?

By then, I'd already lost the only thing that ever made my life worth a damn.

1. "Some day, I'll steal a car so fast it'll make you puke when I drive it."

My brother, aged six and a half. Even back then Charlie was already a handful, running wild in the streets, snatching wallets and peeking up skirts. He never did get any better.

I loved him, but I knew better than to dote. If he'd died on his own terms, bit through by exotic fish and drowning in tidal surf, or crashing over a cliff with a harem of screaming blondes, I could have taken any kind of crazy exit. It was his life to lose.

But my husband cheated him of that bright and burning death, gave him a two-bit piece of nothing in a back alley; and I wasn't going to stand for that.

5. "You're not one of the regulars here," Angel Eyes said to me, puffing smoke from his pipe like Alice's caterpillar. "I'd know you if you were. Which one did you bribe for that apron?"

"Cindy. She thanked me for it, she says she was glad for a day to look after her sick kid."

"She should have told me. I'd have arranged help." His dark eyes bored into mine, more remorselessly than any bullet; that would have brought relief and he wasn't going to promise any. "If it's a job, you take that up with Rose. I don't do house calls."

"I don't want you to kill my husband."

"No?"

"I want you to teach me how to do it." I took the knife out of the pink ruffled pocket. Charlie's knife, still encrusted with his own blood from when they'd given it to me. "So I can do it myself."

"...open the blade, stab, keep stabbing until either you're dead or he is. Easy enough if you don't care about getting caught."

"I want to know how to do it right."

Ask Angel Eyes, why that impressed him.

I'm content enough that it did.

2. "Listen," my sister said. "You need to learn this, if you're going to catch a husband some day."

Charlie and me and Daphne. All caught in each other's webs, all hating each other for the traps we lived by. "I won't be like you. I'll never be."

"You think putting on airs will bring you anything but misery? Shut up and listen."

Every afternoon for years, she drilled me until I could have run that bakery better than she did herself. How you bake pies, doughnuts, cakes, every kind of fat that ever broke a man's heart. Don't ever overcook a flan. Use a light hand with the salt, a little goes a long way.

She'd fought her way to a kind of stalemate with life after mother dropped off the map, flirted hard and married young. Looks like mine, smarts like mine, and she'd settled for a man who wanted nothing more out of life than his slippers and a newspaper.

If my husband had nothing else to recommend him, at least he had a hell of a lot more nerve.

5. "Hmm. So you did show up."

The second time we met at that diner, not the first; Angel Eyes told me to go home and think hard before I saw him again. I think he knew already that I'd never second-guess myself; but the man takes pride in his small courtesies. Frees him up for the grosser breaches, I suppose, he's far from the only one who believes in that. My husband for instance.

"As you can see." Not thank you, not, I'm so grateful. Not until he gave me something worth a pleasantry.

"End of shift, I imagine you're hungry. I ordered enough for two," Angel Eyes said. Pushed over a bowl heaped with piping hot chili, my favourite. He hadn't wasted any time checking up on me, to be sure. "We can eat and talk business."

"Fine." I crumbled in dry crackers, picked up my spoon.

"Stop."

Anyone else, they'd have grabbed my hand, seized my wrist, restrained me. All he did was steal my spoon.

Dipped it in the chili. Out came the expected redness, tomatoes and beans, violated by a blue speck that had no business being in there at all.

"This is what you're going to have to think about constantly, if you take this on. No movement anyone makes towards you will be safe. Ever again."

"Trust me, that's my life already." Not in the shape of pills, but expecting an undercover cop behind every stranger's face, listening to sirens and thinking they were coming for me. My bargain with the devil hadn't brought me enough pleasure for the pain. I wanted some of my own back.

He put the capsule on his own plate, burst it open with the tip of his knife. Took a bite of mushroom and steak and blue liquid, while I watched.

"Nothing more than food colouring. That's the second thing you're to know-- if I teach you; I'm never going to hurt you unless you expect it. You'll learn to face unexpected violence on your own terms, then you'll understand it." He handed back the spoon.

It wasn't what I was asking for. It was what I needed; and I had the sense to recognise that much.

"...so I'm to trust no one except possibly you?"

"Put in those terms, that's the same contract I was given."

"Agreed." I took my long-awaited bite. "You know, though, I might have spat it out anyway. This chili's not nearly as good as anything I could make."

"Remind me to bore you with my soup recipes sometime," Angel Eyes said, with all of an enthusiast's sincerely idiotic pleasure.

Looking back, he was going off-script right from the start.

7. "I suppose he's training you up, the same way he did me," I said to Manco.

He had a hideous way of biting into oranges, tearing away the rind with his teeth. Not an appealing habit for a man who cared so much how he looked and sounded. I'd never seen such concern for appearance before, paired to indifference such as that.

"Maybe not so much," Manco said, dropping peel into the trash. "I'll tell you honestly, Susan, it's- let's say I stumbled into this ass over tea kettle. I'm not good enough for it. I'll get myself killed if I push my luck any further."

"Why tell me? Angel Eyes is the one who ought to know."

"He's got more going for him than any man I've ever met," Manco said, shoving his face into the orange. Messy as hell. "I might be more afraid of disappointing him than dying, I don't even know."

Which is what I told Angel Eyes, when Manco up and fled on us the first time.

Seemed to help a little.

8. "Why can't you call him Angel Eyes like everybody else?"

"I do sometimes," Tuco said, yanking his feet up on the kitchen stool. Pulled himself close, arms wrapped around his knees, that's a dirty habit. Means more cleanup for me afterwards. "Didn't he say you were from Mexico City?"

"I was partly brought up there, yes." There and a lot of other places, but Mexico had been better than some; scant dollars had stretched a little further that side of the border. "What's that to do with it?"

"Then you should know about nicknames, it happens a lot. Something you do to people you-"

he stopped himself then, with a gulp. "Sorry. Sorry. I know you don't like me."

"You're fickle. I thought you were partnered with Blondie, why didn't you run off with him?"

"Maybe he thought I loved Angel too much to come along. I don't know I like it either, Susan, I'm scared. I miss Blondie. It feels like everything's spinning out of control."

"...look, why are you even in my kitchen?"

"That was a nice chili you made for lunch, only it was way too hot for me to eat and I'm starving, can I please have something else?"

All in a rush, like his hunger was what mattered here; when the thing he'd just completely passed over, taking it for granted, was that he could talk about love for Angel Eyes like it was an assured and settled thing. For an assassin. For the worst man I'd ever met, in terms of pounds of flesh and lives taken.

I knew my reasons for being there. He didn't seem to have a single one for staying in our house of death; and yet he was anyway, sunshine and Spanish and all.

So I fixed him up with a plate of warmed-over lasagna and retired to ponder, what the hell kind of universe spawned innocents like that.

9. "You'll be back, Angel Eyes."

"Not this time, I don't think." He ran the cleaner through his pipe, one last smoke before bed. One last smoke before he left, in short. "If nothing else, it'd be a shame to waste the effort. I haven't prepared my death in so much detail to pop back to life any time soon."

"But a priory? You'll be pacing the walls inside of six weeks."

"I'm doing that regardless, Susan." Pipe clean, he put it back on the stand; frowned at it reluctantly. "Suppose I'd better leave that. Rose will know damned well I faked it, if my favourite pipe goes missing the same time I do."

"I'll keep it as a souvenir. If it's safe enough, I'll see about sending it to you later."

"You're very practical, Susan," he said. Nearly grateful. "All these years, I've talked and you've listened. Listened better than I ever did."

"I won't ever make half the assassin you are."

"Maybe you'll be something better- I don't know, Susan. Alma taught me how to live, but those two have given me something to live for. Sentimental bastards- for the life of me," Angel Eyes said, picking up his hat. "I could not tell you whether I hope you'll find the same one day, or that you'll never get within fifty miles of this kind of hope."

"I had that and decided it wasn't worth it, remember? You'd better be sure about these two."

"Enough to take the risk."

"Good luck. But I'm not selling the house, all the same."

6. This is the last thing my husband said to me. "Honey, what's for dessert?"

I let him have the first spoonful of berry crumble, piping hot and perfect. Then he died.

That's all there is to say about that.

10. The hacienda was very quiet after that.

I shut it up. Stayed in my own place, the small apartment I'd paid for with my first year's wages. The kitchen wasn't so much, and the oven unreliable, but it sufficed; I had more important notions in mind.

My husband taken care of, I turned my attention to the system that'd let him flourish. Rose had kept a tight grip on his empire for years, but with Baker in jail, with his best assassin off the radar, there were signs of slippage.

He was on the lookout for traitors, of course, informers and whistleblowers. G-Men. Any kind of man who might want to seize what he had, and turn it to account for money or repute or a drive for justice.

What he wasn't looking for was me.

Just wanting to burn it all down.

11. Next time I saw Angel Eyes, it was another restaurant. Wrong side of the border, the chili still wasn't any good, and I didn't bother to ask who was picking up the check.

One of the boyfriends was slumped against his shoulder, the other was swigging orange juice like vodka. Angel Eyes spread his hands wide.

"I think you should know. I was always far more of a disaster than I let on."

"Uh huh," I said, not batting an eye as I reloaded the gun. "It figures, you hopeful maniac. These two treated you all right?"

"No. Yes. It's a bit past that point, Susan," Angel Eyes said, his face lined with exhaustion and pleasure. "I'm in love. The rest doesn't matter."

Like I said, he went off-script. Anything might have happened to the trio after that night.

(Even if I did know, I'm not telling you.)

3. “You’re pretty.”

“Sure.”

“You cook well?”

“Sure.”

“Ever dream of being a mobster’s moll?”

That’s all my husband had to say, to net me. I’m not sorry.

12. I still don't have anything that makes my life worth a damn. Not like Angel.

That's okay, though.

Before I'm done with Rose, a whole lot of other people are gonna feel just like me...

#70s au #the good the bad and the ugly #noir

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thetygre · 6 years

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30 Day Monster Challenge 2 - Day #23: Favorite Bad Movie Monster

Alright, so most of these movies aren’t really all that bad; they’re just kind of ‘meh’. But they would have been a lot worse without these cool and/or goofy monsters.

1. Jabberwocky (Alice in Wonderland 2010)

I am prepared to disclose that Tim Burton’s Alice in Wonderland was not horrible, but 60% of that opinion stems from the Jabberwocky. (The remaining 40%is 30% the other monster designs and 10% lesbian subtext.) The Jabberwocky has always been my favorite part of the Alice mythos (surprise surprise), and not to sound petty, but I have dropped Alice movies just for not including the brilling beast. Burton’s Jabberwocky might not be my favorite, but it has a lot going for it. The way they treat it is basically as Wonderland’s Tarrasque; a living WMD, a legendary kaiju, the ur-monster in a world teeming with dangerous and crazy creatures. The way it wakes up is even a direct nod to Chernabog from Fantasia; they are literally equating this thing to the Devil.

Second off; Christopher Lee.

Finally, when the Jabberwocky meets Alice to fight, he says this thing about meeting his ‘old foe’, ‘the vorpal one’, in battle again. It is made explicitly clear that he is talking about the vorpal blade, not Alice. And that just… I don’t want to say that that changes the entire movie, but yeah, it kind of does. The implications here are that the vorpal blade and the Jabberwocky have fought each other countless time before in the past. The history of Wonderland is just the history of a dragon and a magic sword fighting. Is the vorpal blade sentient? How many times have these two fought? This kind of transforms everything about the setting the movie has established for the last hour and a half. It’s just so filled with so much potential to me.

2. Torgo (Manos: The Hands of Fate)

Y’know, when you’re in a dark place, you have to find your own light. A source of motivation, something you can cling to to pull you through to the other side. Maybe that’s a dream, a goal at the end of the tunnel, or maybe it’s a hero, someone you can look up to. I’m not saying that Torgo is a hero, but he inspires me. There are weeks at work where I just don’t want to get out of bed in the morning. I come home at night to an empty room and fall asleep alone. It gets hard, is what I’m saying. But you know who never stopped trying, even though he hated his job and was lonely too?

Torgo. That’s who.

Everyday Torgo gets up, throws on his blazer and hat, and he goes out there and busses a haunted motel for a boss he hates. But he does it, every day. And if Torgo can do it, you can too. So you’ve got to get out there and be the best damn lackey you can. You’ve got put in the work to make it to tomorrow. And when the good times roll in and come shining down on you, you take a minute to remember the man who helped you get here. Take a minute to remember Torgo, looking down on you from Cloud No. 9, shedding a tear.

3. Radu (Seventh Son)

The Last Apprentice series is actually a pretty cool (and grim) series of dark fantasy/horror young adult novels, kind of like junior’s first Solomon Kane. The Seventh Son movie based on the series has piss-all to do with it, and its only redeeming features are some cool monster designs and Jeff Bridges. Of those cool monster designs, the stand-out for me is Radua aka Muslim Dragon Kratos. He’s one of our villain witches chief thugs, and is unnecessarily cool for a side-character. He’s got this whole Nosferatu Zodd code of honor thing, and wields these two chain blades and probably could have been the villain in his own movie.

Now that alone would have been a neat detail, but then he can turn into what I honestly consider one of the more interesting dragons in recent cinema. I talked before about how one archetype of dragons was of being these unholy, scavenger type wilderness monsters, and that’s kind of the vibe I get from Radu’s dragon form. It’s all lanky and feral looking. It has too many limbs, and it walks around like it doesn’t know how. It’s another unnecessarily cool design for such a generic movie, and it’s definitely worth checking out.

4. Krakensaurus (Jack the Giant Slayer)

I don’t want to be mean and discount Jack the Giant Slayer as ‘discount Ray Harryhausen’, but thems is the breaks, as the saying goes. The movie is kind of charming in how earnestly it plays to being a 1960s fantasy movie, with princesses in pink dresses and warlocks with goatees and a rhyming leprechaun. The movies stop-motion monsters don’t really live up to industry standards, though. But I can’t sit here and lie and say that I don’t have a special fondness for the sea monster at the end. The movie’s penultimate scene sees our heroes trying to escape the warlock’s castle, so the villain summons a two-headed giant (or ettin, if you know your monsters) which looks suspiciously like one of Ray Harryhausen’s cyclopes. Trapped in a sea cave, the rhyming leprechaun trapped in a bottle (roll with it) summons a sea monster to deal with the problem.

Sometimes it’s the little things in life, like watching two weird looking monsters fight to the death. Our sea monster is a blue-green mixture of kraken and allosaurus, and I’m pretty sure its toy had more detailing than the actual moving model. When this guy showed up on the screen, six year old me was hype enough to punch through a wall. I spent the next week drawing pictures of him so I wouldn’t forget him. This movie has 100% more sea monsters and singing leprechauns than The Seventh Voyage of Sinbad, and that almost makes up for its deficit skeleton warriors.

5. Queen of the Lair (She Creature 2001)

Stan Winston was on the helm for this little lady’s monster design, and it shows. A mermaid queen, it’s hard to tell if her monster form is her real shape or just something she can morph into. Even her basic mermaid form is pretty interesting; the split tails remind me of sirens or tritons. Her monster shape, though, is pure Stan Winston gold. There’s more than a little bit of the xenomorph queen in there, between the crest and the fangs. Someone threw it into a blender with a sea serpent and a viper fish and what comes out is the most badass mermaid to ever slink across cinema. She rips people’s heads off, her tail is covered with bone spikes, and she can sing a siren song to summon up her mermaid swarm. Oh, and psychic impregnation powers. That part’s kind of important.

6. She Creature (She Creature 1956)

Aforementioned sea monster queen was part of a series of horror films based on old b-movies, so this is the original She Creature. Even today, this is one of my favorite designs from the 1950s. Paul Blaisdell might just be the king of B-movie monster suits, and belongs up there with Ray Harryhausen in the great monster hall of fame. The she creature looks like the sum product of an orc, a lobster, and a scorpionfish. It’s a shame you only see her in monochrome, because her color scheme is a startling mix of green and pink. What I find most fascinating is the concept that this is supposed to represent some parallel evolutionary stage of humanity. This is supposed to be a different version of Homo sapiens that never left the sea. Stan Winston’s mermaid queen is great, but I would still love to see an updated and more articulate version of this design.

7. Vampire Spawn (Van Helsing)

This raises so many questions. So the crux of Van Helsing is that Dracula needs Frankenstein’s monster to power a force-field that will allow his swarms of vampire spawn to survive past infancy. I bet you thought vampires reproduced by biting people, right? Well, apparently they also have egg-sacs. Just, massive, Aliens style egg-sacs full of bat/human fetus monsters hungry for blood. It’s so stupid that I love it. These things are horrible and adorable; they remind me of chupacabras. I want one as a familiar, or at least statted up for a tabletop roleplaying game. Just really try to avoid thinking about the whole egg-sacs thing and all the implications that brings to vampire mythology.

8. Emperor Tyrannus (Attack of the Super Monsters)

I don’t… I don’t think I have the strength to really get into Attack of the Super Monsters. When I watched it, liquor was involved. Describing it reads like a parody of Japanese media that involves anime, men in monster suits, and giant robots meant to sell collectible toys. But it’s real, and the realest shit ever is Emperor Tyrannus. Emperor Tyrannus is literally a giant tyrannosaurus rex who is the evil mastermind of an underground civilization of dinosaurs. The dinosaurs talk, because shut up, and Emperor Tyrannus in particular talks with a villain voice that I just can’t really convey through text. I think the closest I can get is saying that he sounds like someone doing an imitation of Brian Blessed while having a stroke. Emperor Tyrannus shoots laser beams from his eyes that mind control the other dinosaurs into being evil, and watches them fight a hermaphroditic cyborg superhero in a drill/airplane. Look, you need to see this for yourself. I’m not doing this justice. Get your friends, find the DVD, and strap in for a wild ride.

9. Witch Tree (The Last Witch Hunter)

The Last Witch Hunter is another guilty pleasure move where Vin Diesel brings what I’m pretty sure is one of his D&D characters to a movie and somehow ropes Michael Cain and Elijah Wood into it with him. Our villains are, in a surprising twist, witches that cook up some fairly grotesque magic. One of the creatures meant to act as the witches’ guardians is a magical sentinel, and it just goes so hard and so dark for what amounts to a stick golem. It’s the fine details that make this construct stand out. The extra limbs let it move faster and have extra attacks, the jawbones around the front form a crude mouth, and the branch rib-cage makes it look like something that used to be alive instead of something that was just magically summoned. There’s so much work poured into this one monster, and it’s definitely a treat to see it at the end of the movie. Rethink your golems, kids; treat yourself better.

10. Giant Leeches (Attack of the Giant Leeches)

I used to be pretty intensely leech-phobic when I was younger (and by younger, I mean a couple of years ago), but even then I knew the giant leeches were lame. Incredibly lame. Like, honestly kind of pathetic. I kind of like them out of a bizarre sense of pity. Giant leeches should scare me, but these guys are just goofy. A leech isn’t a hard design; it’s a tube with a sucker on each end. But I am almost convinced that the person who designed these monsters had never actually seen a leech, or possibly even a worm. But the movie still treats them with all the dignity and awe of the Creature of the Black Lagoon. There are prolonged sequences of these guys swimming underwater, floating around like hungry garbage bags. These things are not, nor were they ever, leeches; they are some kind of aquatic octopus or confused anemone. That’s why they need our love, our protection; because they’re too stupid to survive by themselves.

#30 Day Monster Challenge 2 #30 Day Monster Challenge #monsters #movies #fantasy #mst3k #stan winston #paul blaisdell #long post

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