Tumgik
#I loved thinking of the most absurd true things about me
bestworstcase · 10 hours
Note
Hi, just joined Tumblr earlier today as part of an unrelated thing, thought I'd check your page out on a friend's rec, and... wow. Just, wow. This is practically the nine-dimensional chess of media literacy. I would have so many question, but everything you discuss is promptly explained in such great detail that I can't even say that. One question remains, though: *how?* Where do you get the absurd amount information and brainpower required to connect the show's many, many dots at this high of a level? It's something I struggle with myself (though that may be due to there being over a year between watching V1-V8 and seriously starting to reflect on the show beyond "well, that was a fun sequence of events"—thank you, newish fanfic writing brain—but that's besides the point), and I was wondering if you had any tips for expanding one's thinking in this direction, as the show still means a *lot* to me—there's a reason, however unexplainable, that I stuck with it so long before the reflections started—and I'd love it if the deepest parts of my brain could reflect it as such.
...Unless that's too much to ask, in which case, whoops! Either way, thank you.
really fundamentally the most effective thing you can do to practice is make a deliberate effort to cultivate a sense of curiosity toward the text. and what i mean by that is, get in the habit of asking yourself questions as if you’re in a high school english lit class: what happened in this scene? why did this character say or do that? does this conversation remind you of anything that happened in an earlier scene, and if so, what’s similar? what’s different? what did you learn about the characters from this scene? what did you learn about the world they live in? why do you think this scene was important enough to be in the story? what changed in this scene (something will always have changed)?
it may feel a bit patronizing at first BUT over time if you’re consistent about it, doing this will train you to approach reading or watching as an active participant. analytical interpretation is a skill and like any skill it takes sustained effort and practice.
after that it’s sort of just pattern recognition. this is true of all stories but it’s especially true of theme-driven stories like rwby because they tend to be very deliberate about repeating and refracting their ideas and often develop rich symbolic vocabularies. so you identify a pattern and then examine the text until you can develop a compelling argument for what it means.
one thing to keep in mind if you’re generally familiar with fandom is that fandom encourages a lot of practices that are cool and fun in fannish contexts but will poison analysis because they are (by nature of being transformative) untethered from the text. headcanon, for example, is things held to be true irrespective of the text—one could have as a headcanon that ruby is allergic to bee stings or that qrow is her father or whatever and it doesn’t matter that there’s no textual evidence or that the text says otherwise because the text is not relevant—but analytically, you must be able to back every part of your argument with textual evidence. so it is useful to practice compartmentalizing to keep headcanon strictly separated from the text in your mind.
(that’s also a practice i recommend in general because being able to say “i like this idea and i have it in mind when i create fanworks, but it isn’t canonical” is healthy)
a good habit to get into is arguing against yourself and holding yourself to a high standard of proof. the reason my argumentation tends to be so thorough is that i try to be as skeptical of my own theories as i am of other people’s. if i have an idea that seems right but doesn’t withstand textual scrutiny, i discard it. (or i might toss it into the headcanon/au idea pile, if i’m very fond of it.) i will often develop more than one argument about a given subject and then lay them all against the text before i commit to one. being skeptical will push you to pay closer attention.
cultivate curiosity about your own emotional reactions, too. what did this scene make you feel? why? how do you feel about this or that character? what draws you to your favorite characters? what distances you from the characters you don’t like? what ideas come to mind when you think about the story and what it means to you? if you have a strong reaction to something—good or bad—try to trace that feeling to its root. what sparked it and why?
once you start digging into that you’ll find that your intuitive reactions to the story are non-arbitrary—you’re subconsciously picking up on certain patterns or themes that resonate with you. so paying attention to what the story makes you feel and asking how and why it incites those feelings will guide you to conscious discovery of things you’ve already noticed without noticing.
and another good point of entry is to look for recurring symbols / imagery—for example, silver-eyes get associated with death and reincarnation through a combination of harvest/reaper imagery (scythe, sickle, ‘the grimm reaper’) and butterflies (ruby’s first glare resembles wings, butterflies everywhere when she and maria discuss her eyes, butterflies symbolizing ascension in the ever after). adding this pattern together with the white light in the liminal void between realms (the threshold of life and death!), the implication that silver-eyes came from ozma (who dies and reincarnates cyclically), the stated purpose of the glare (to preserve and protect life), ruby hearing pyrrha’s final words in her dreams (which she didn’t hear in reality), and the glare having destroyed the hand cinder used to kill pyrrha, is how i got to “silver-eyes are psychopomps,” because both the symbolism and the narrative facts about the power line up in that direction.
the one thing to be careful with in relation to symbolism is not to treat it like a secret code! symbolic meaning isn’t universal so you should always consider symbolism in context with the narrative. the first question should always be “what idea does this image appear in connection to, when it appears?” i.e. the burning rose in rwby symbolizes mourning. think of symbols as more like trail markers that the narrative has placed to help you understand the story by connecting dots. we see the burning rose on summer’s grave and then we see it on ruby; she carries her mother’s absence with her. she gives the brooch away in the ever after right after the blacksmith shows her a glimpse of summer, and then in the storm her reflection is summer but ruby doesn’t look, doesn’t see: she’s avoiding her grief, trying to pretend it isn’t there. and then the brooch returns to her once she faces what the blacksmith wanted to show her about her mom: now it’s a symbol for acceptance of loss.
and with a story like rwby that uses allusion to develop its thematic narrative it’s really helpful to read the texts it alludes to! the core narrative allusions are the marvelous land of oz, maiden in tower fairytales (petrosinella, persinette, rapunzel), cinderella, and the little prince, plus alice’s adventures in wonderland & through the looking glass for the ever after. and then every major character has a specific character allusion. both kinds of allusion are symbolic/thematic (you can’t use allusions to predict specific plot events but they help tie together emotional arcs and character relationships cohesively, and the narrative allusions are pretty good weather vanes for very broad-strokes things like ozma’s symbolic blindness being ‘healed’ in the end).
rewatching the show a couple of times will also help, especially if you take notes. i’m not sure how many times i’ve rewatched v1-8 but it’s a lot and i’ve watched v9 in full twice, plus rewatching a lot of specific episodes or scenes for reference. rewatching will help you spot patterns that you missed before and increase your familiarity with the text in general, both of which help tremendously.
23 notes · View notes
mikeyisbrooklyn · 3 months
Text
It’s Share A Song Sunday!! If you have trouble reading the caption for it, I brought up a playbill for Hadestown signed by the cast, gifted to me my ride or die, I love her so much💛.
Anywho, this one is called “Two Truths, One Lie”! Denial is a river in Eygpt, but I’m a terrible swimmer, so I’d rather play silly kids games with myself. Everyone’s played Two Truths, One Lie before, right? Right??
Link for those who want it: https://www.tiktok.com/t/ZPR3xuVct/
63 notes · View notes
sarahreesbrennan · 3 months
Note
Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?
Genuine question.
Ohhh, my dear anon, I don't believe this is a genuine question.
But it does bring up something I've been meaning to talk about. So I'll take the bait.
Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.
Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.
… I have to say from my experience of women and men's writing, I haven't found that to be true.
I’m not in this to have an internet argument. I prefer to leave my anons open since not everyone has a tumblr, as @neil-gaiman says it’s an internet backwater, but a lovely one for those like myself who enjoy an essay about fictional characters! Still I will close my inbox to anons if I must. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.
I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.
In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.
Depiction isn't endorsement. Depiction is discussion.
Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.
I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.
I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?
I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.
If the moral thing to do is shut people out and shut people up? Count me among the villains.
2K notes · View notes
erosuguru · 10 months
Text
Bimbo doll
MINORS + AGELESS BLOGS DNI, Satoru gojo x reader, all characters are 18+, reader is heavily bimbo coded and loves pink, satoru's gross here, 1.3k words approx
CW: Masturbation, satoru gets horny over reader sending him pics of her dresses, satoru has fantasies of reader and she's unaware, again satoru is gross here you've been warned, some proof reading but very little
Notes: I'm so sleepy and I'm too lazy to fix any other mistakes so if you see mistake no you didnt. had to write sth for Satoru, as wit all of my creative works I hate this but I hope u like it though!!
Tumblr media
Satoru thinks you're absolutely adorable. From the moment he was blinded by the absurd amount of pink you were wearing, he thought you were the cutest thing on this planet. The coordinated color palettes of your clothes that always had a splash of pink, that shiny layer of gloss on your lips that you regularly reapplied, he gets so happy when he hears the clack of keychains because that means you're near.
Of course he couldn't keep himself away and you both exchanged numbers at one point, you gladly gave it to him after he shot you a lame pick up line— to which you laughed and smiled, simply telling him "you're funny! Sure!"It was almost too good to be true.
You got along well with each other, you both liked sweets, complimented each other's fashion sense, shared a similar sense of humour— when satoru asked you to describe him, you told him that you love being around him because he's fun (you said something about how he 'gets it', a quote about girls.. getting it and others not getting it..? He didn't understand, but he deduced that you like him, and that's all that matters.)
Satoru notices you love sharing tidbits of your day, and most of the time, you usually share a photo related to it in some way along with multiple typos, abbreviations, and emoticons.
"(Name)💘: Toru omg look at these shoes! Super cute right :3" Attached image sent.
"(Name)💘: I went 2 that cafe u told me, the strawberry shortcake is soooo good" Attached image sent.
"(Name)💘: I have 2 go 2 a party tonite, which dress should i choose!1!!??" 4 images sent.
Being friends with you had its benefits, you were comfortable with Satoru, so comfortable that he almost dropped his phone when he opened the images you sent; all of them were minidresses, all of them different shades of pink, all of them hugging your figure so tightly and snuggly he was tempted to stalk your social media to know where this party is.
He couldn't see the details that differentiated each dress, or at least he didn't focus on them as he felt his cock throb in his sweatpants.
"Ooooohhhhhfffuuck..." he mumbled longly to no one in particular, Satoru almost choked on his spit as he sat up from his position in his bed, all the heat rushing to his face as he examined your photos closely. Your poses so cute as you stared at your phone screen in the photos with a small pout, you had the pretty sparkly gloss on this time, that's his favorite..
(Name)💘: TORU OMFG PLZ ANSWEERRRR MY RIDES ALMOST HERE >:(
he almost forgot your little dilemma.
"Sorry lol I was eating, go with this one!!" he forwarded one of the four dresses with his response and sent his text, he felt guilty about lying but what was he supposed to say? 'My bad! You were so hot I got a little hard like some Virgin!' No way in hell.
You answered back quickly, how did you type quicker than he did with nails longer than his? He has a hunch it's because you don't care about typos but the dedication is admirable.
(Name)💘: TGANK UUUUU ill text u after the party!
(Name)💘: thank* lol
He let out a small laugh at your typo, scrolling back to the photos he zoomed in on one of the four he hadn't picked, and the reason why he didn't choose this dress is that he knows no sane rational person with a sexual libido would be able to resist you in this.
You looked so cute, so perfect, Satoru let out a small sigh as he pulled his dick out of his pants hissing at the cold air, his thumb smeared the precum over his tip. He should feel bad– terrible even, but how can he resist? There's no way you have no idea what you do to him, he tried justifying in his mind as his cock throbbed desperately in his hand.
Biting his bottom lip, the image of you in his phone fueled his imagination as he envisioned arriving with you at this party you mentioned, having such a pretty thing like you on his arm would be a major ego boost too. The length of your dress could easily allow him to pull down your panties (did you even have a pair on under that dress?), bend you over the host's bathroom sink and slam his cock balls deep inside you, relentlessly filling you then demanding you to pull your panties back up and come back to the party with him as his cum would be dripping between your thighs.
As Satoru bucked his hips up into his hand, he stopped briefly to spit into his hand, deciding there's no time to look for lube, he went back to fucking his hand to the thought of you. If only you knew your new friend got off to these innocent pictures you sent him, if only you knew what he wanted to do to you– he's confident you wouldn't wanna be friends anymore. Shaking his head he pushed aside those thoughts and focused on his current pleasure, his fantasy, his goal of cumming from the pictures of you in those dresses you handpicked to show him.
He mumbled words of encouragement as if you were there with him right now bouncing on his dick instead of the reality of his hand moving up and down, mutters of 'good girl's and praises like "so good, baby" and "yeah? You like that?", desperate to convince himself of his fantasy. Satoru tossed aside his phone long ago after making sure the photos were engraved in his mind, he wasn't expecting you to update him until sometime near midnight.
his eyes closed as his other hand slid up his stomach pushing up the material of his shirt until it reached his collarbone, his fingers trying to find any weak points on his body to rub, pinch or entice as his hand rubbed his dick to the pace of his imaginary storyline; where he dreamed of driving you back home and stuffing you full of his cock until the only word that was in your vocabulary was his name.
"Yesyesyes, (Name)..! Mmmmmhffuck..!" He groaned out as he felt his end near already, his face warming up to a soft reddish pink reminiscent of the tip of his dick as he fucked his hand, soft gasps and groans escaped him as he imagined all the filthy things he could do to you, all the filthy things he wanted to know about you.
What type of panties do you always wear? What type of men make you horny? Who have you been with? Would you let him fuck you? 'Please lemme fuck you, lemme fuck you..! Wanna fuck you..!'
The vulgarity of his desperation made him blush but brought him dangerously close to the edge, squeezing the base of his cock Satoru covered his mouth instinctively, he bucked up his hips as his cum coated his abdomen, stomach and some droplets even reached his chest. He moaned behind his hand as he felt the waves of pleasure shock through his body. He slowed his hips, mumbling for the imaginary you once more. "Take it, take it all, baby.."
He didn't want to move, he knew he had to but he wanted to relish in his fantasy a little longer, he wanted to pull you close and sloppily kiss your cute glossy lips and praise you for being a good girl, taking his load like that. He imagined his cum oozing from your slit but he wouldn't let it go to waste, he'd use his finger to slide it back in where he knows it belongs.
He remembered to save those photos for.. 'next time', reaching over to get his phone, he paused as he received a notification.
(Name)💘: party was lame, coming 2 ur place!! >:3c
Sitting up, the sweat that collected at his back from his 'session' cooled him off, he cleaned himself up and couldn't help but grin at your adorable message.
You don't need to worry, he'll entertain you more than any dumb party could.
1K notes · View notes
ofswordsandpens · 5 months
Text
I've enjoyed episode 3 the most so far, but I think the show is still struggling to find a good balance between taking itself seriously and the absurdist humor that RR writes with. My main takeaways:
The Fight Scenes (or Lack Thereof?)
It seems very peculiar to me that the show is just speed running through its battle scenes. Again, it feels very much like the product of Disney trying to sanitize anything that's too extreme?
The trio fleeing from the kindly ones in the book ended with Percy taking control of the bus and then crashing it. It explodes. They lose all of their stuff (money, food). In the show, they simply bail out the back window. No true panic. No tension. Just, okay :) we're leaving now :)
The Medusa Scene. I'll speak more to this later, but in terms of the fight we get to see... well we get to see nothing. Apparently this fight required us to view it through the lens of the invisibility cap (ie. not at all),
I understand this show is intended for a younger audience, but the books are as well. Even the movies, which are pg, came up with better ways to show things without necessarily showing things. As a result, it feels like anything that might induce the slightest bit of tension or fear are sanded down and its honestly doing such a disservice to the books and the audience.
Medusa
I actually really liked this portrayal of Medusa. The 1950s housewife vibe landed well for me. And I loved the actress's voice -- very soft and soothing but always sounding as if she were just about to cry.
Also, I really liked her dialogue. Her digs at Athena and Poseidon were perfectly tragic.
That being said, I really prefer the trio's arrival to the emporium in the book. In the books, they've been wandering the woods and are lost and exhausted and hungry because of the battle/bus crash where they've lost all of their stuff. It almost feels like the emporium popping up "out of nowhere" was more of it finding them.
Meanwhile in the show, Grover finds it through scent on a satyr path and they immediately know its Medusa, which imo takes out so much of the fun of it all??? In the books, they dont know. Grover's just like, freaking the ever living fuck out, and clearly Percy and Annabeth have let him take sole custody of the shared brain cell, cause they're more concerned about getting some food than anything else
Just... RIP dumbass shenanigans
And honestly, I'm not really sure what necessitated the change here in the show (of them not being tricked). It would have been one thing if they were going to change Medusa entirely to not wanting to harm them at all, but imo, I think its arguable/evident that show Medusa was looking for an excuse to petrify Annabeth and Grover (at minimum) regardless of anything.
Honestly, I would have had the show loosely play it out as: book arrival (they dont know its Medusa), keep the dumbass energy and banter, the trio figures out it Medusa while they're eating, Medusa is the more sympathetic version we see in the show, regardless it still ends with the battle.
Also, I do mourn the book battle. The panic and absurdity is just handled better imo. Annabeth shoving them off the bench, Grover flopping all over the place with the shoes but actively getting a good few hits in, Percy having to use to the reflection to behead her... the #TeamWork was emphasized a little more there to me.
Characterization
I think the show is absolutely nailing certain parts of the characters.
They've gotten Percy's anger and his derision towards the gods down. But, I think they're actually underscoring some of his, idk, sincerity? His kindness? It was the line "she met a pinecone's fate" that just rang off to me. While undoubtedly funny, it's just such a stark difference from his reaction to Thalia's story in the books, where he was unsettled by her fate and felt a sincere sympathy for her. The line in the show I assume is meant to criticize the gods, but still, it feels like it comes at the expense of the sensitivity that he has.
They've gotten Annabeth's bluntness, intelligence, pride, and superiority down cold. No question about it. But I feel like they just need to let her be more of a 12yo kid?
Like. In canon she and Percy banter and argue over the silliest of things. She plays hacky sack with Grover and Percy. She blushes and hyperventilates when Luke interacts with her. Episode 3 is like the first time we've gotten to see her do something remotely childish (buying all that candy) and I'm just dying for more of that!! She's not the "mom" of the group and she has her canon dumbass moments. I'm hoping more of this is captured moving forward. They've gotten a good start on the banter, but let Annabeth be more silly! Cause she is!
(Absolutely none of my personal qualms about the characterization are Walker or Leah's fault. They've done amazing. It's the writing/directing I'm side-eyeing).
OH! And I'm sorry but Percy being like "Annabeth we're going to bury medusa with your hat on" would have never ever flown with Annabeth. In no world.
But Grover eating them up at the end? Iconic. Good for him.
489 notes · View notes
thelov3lybookworm · 5 months
Note
omg can we please get some more delulu reader x delulu azriel where the whole ic thinks they’re crazy and would absolutely not be s good pair, but they’re delusional and think they’re obsessed w eachother
” look at him just staring at me, it’s so obvious he wants me it makes him look stupid ”
” babes he’s literally glaring at you as if he’s planning to murder you ”
” she just cannot look away can she? god I know she’ll be my girl by the end of tonight ”
” um hello??? she’s literally talking shut about you, I heard her a minute ago?????”
and they walk up to eachother looking like they’ll fight but then they kiss to everyones surprise and leave them all with their jaw dropped. bext morning they see az and reader having breakfast together, and they’re nice to eachother
” alright tell me again how you fell in love with me azzie”
” okay, so it was when you first punched me. I really felt the connection there ( no pun intended )😍😍 “
” ohhh mother above i knew it!!! for me it was when you almost choked me to death w your shadows, true love fr😍😍”
everyone at the table:😟😟😟😟😟😟
Delulu!azzie x delulu!reader (Part 2?)
Summary: The inner circle feels like... they are going insane.
•○●⛦●○•
A/n: hehe i really got nothing to say but i love this looooolll 😂
alsooo... i think this could be read as a part 2 to the previous lil thing i wrote for this prompt, so I'll just link it here if any of you wanted to read it 😉
enjoy, babes 😉
•○🌑○•
Mor's pov.
Mor was seriously concerned for her friend, and it was not something that happened often.
Her friends were usually more sensible than this, and usually didn't call one of the most powerful male in the whole of prythian an ugly bastard and then always walk around nagging them.
But currently, Mor's best friend was glaring daggers at the Spymaster of the night court from across the dance floor, and Mor had never been more scared at the glare on the shadowsinger's face.
It wouldn't have mattered that much if Y/n and Azriel simply hated each other. But the fact that Y/n was so delusional over him and thought that the glares he sent her every waking moment of his day were because he was in love with her, didn't sit right with Mor.
Mor had tried to point it out multiple times to the winter court female, but the female either never paid attention, or she didn't care.
And now, as Mor and Y/n sat in the bar with drinks in their hands, the latter glaring all the way across the dance floor to the booth where the Spymaster was sat with the rest of the inner circle, Mor watched on.
A moment later, Y/n scoffed, turning to Mor.
"Look at him just staring at me, it’s so obvious he wants me. It makes him look stupid."
Mor's jaw was practically on the ground, and she spluttered out the first thing that came to her mind.
"Y/n, he’s literally glaring at you as if he’s planning to murder you." She whisper yelled, incredulous. But Y/n had turned away already, caught again in a staring-and-glaring-holes-in-the-other-person's-skull match with Azriel.
Mor sighed, swirling her drink in her glass before taking a long sip from it.
Even if Mor pretended that the two were really in love, she simply could not imagine them being a great couple. Not saying that she didn't want the two to be happy, but watching the pair constantly be at each other's throat gave her no hope that they could ever be in a loving relationship.
If they could simply sort out their problems with each other, then maybe there was a chance. But if not, Mor was sure she'd find one of their heads lying in the hallways of their home if they ever got together.
•○●⛦●○•
Cassian's pov.
If someone told the Lord of Bloodshed that he'd be scared shitless of his own brother a few months ago, he would have laughed.
But here he was, coiled tight like a spring, ready to jump into action if his brother decided to kill the winter court female right in the middle of the dancing and drinking bodies that filled Rita's.
It was absurd. Ridiculous, really, how much hatred radiated off of Azriel as he sat there, practically breathing flames as he stared at across the dance floor.
To get a reprieve from the constant tension in his shoulders, Cassian stood, stretching before making his way towards the bar, near where Mor was sat with her friend.
"He is such a loser. I swear I've never seen such a big loser in my life. Ever." Cassian overheard Y/n say, and he had to physically stop himself from laughing.
"Y/n-"
Mor began, but Y/n beat her to it.
"He's also such a jerk. Bet he never gets any females because of that shit attitude."
Cassian decided it was enough overhearing for the day and walked back to where Azriel sat, the rest of the inner circle having slowly dispersed.
Cassian handed a glass to Azriel, who never took his eyes off the female that now stood from the stool she was sitting on with Mor, now making her way towards the dance floor.
The general watched as his brother knocked back the drink, slamming the empty glass on the table in front of him.
"She just cannot look away, can she? God, I know she’ll be my girl by the end of tonight."
Cassian very nearly spat out his drink, coughing loudly as he stared at the Spymaster, who glanced at him, unamused.
"Are you okay brother?" Azriel didn't reply, his gaze fixed on the dancing female, her gaze fixed on him. "Hello? Are you listening? She was literally talking shit about you, I heard her, like, a minute ago?"
Cassian was not proud enough to believe he was he smartest of people, and he would admit that he did sometimes get confused over things that needed using his brain. But he would like to blame his dumbness on his brain being closely guarded by his thick skull.
But the things he did not understand? Those things were actually supposed to make sense.
But this? Azriel's weird delusion about how the female from the winter court was obsessed with him? This was not something that was supposed to make sense, and it would leave even the smartest person in Prythian scratching their heads.
But Azriel either didn't hear Cassian, or didn't care, because in the next moment, he stood, ignoring his brother as he made his way onto the dance floor, his steps sure and cocky.
Cassian watched in growing nervousness, then horror and shock, as Azriel stalked up to Y/n, as she stared at him, her eyes sharp.
Cassian watched, as his brother took the face of the winter court female's face in his hands, and promptly slammed his lips onto hers.
Cassian's eyes widened, his jaw unhinging from his face and dropping to the ground. A quick glance to the kissing pair's right told him he was not the only one who was experiencing this onslaught of emotional cocktail.
Mor stared back at Cassian, her eyes as big as Nyx's fists, her mouth opening and closing like a fish's.
The scene was comical, though it didn't erase the shock coursing through Cassian's veins. And all that he could think about was...
What the fuck?
•○🌑○•
"Was I dreaming or did last night really happen?"
Most of the inner circle was seated around the dining table in the house of wind, holding their cup of their preferred beverages or eating their breakfast.
They all glanced up at Cassian as he spoke, but before anyone could reply, in walked Y/n and Azriel.
The sight of the two of them clinging to each other was as jarring as the night before, when the two of them had been filled with lust and clung to each other, kissing until Az winnowed the two of them away.
Well- Cassian thought, that is one way to answer my question.
The two ignored everyone else, as if not aware of their surroundings as they settled down next to each other, one of Y/n's hands clinging tightly around Azriel's bicep as he used the other to pile food onto a plate.
Azriel picked his fork, scooping up some scrambled eggs, holding it up for Y/n, who smiled and opened her mouth for him. He slipped the spoon inside, then took a bite himself.
The inner circle watched in shock, all thought eddying out of their brains as they watched the loving exchange.
"Alright tell me again how you fell in love with me Azzie." Y/n mumbled, laying her head on his shoulder after she finished chewing, hearts in her eyes as she stared at the spymaster.
Azriel seemed to think for a moment, then he smiled down at her as he held up his fork to her mouth again. "Okay, so it was when you first punched me. I really felt the connection there."
Y/n made a face that screamed aww. "So the first time we met?" Azriel nodded, nudging her to open her mouth. "Oh mother above, I knew it! For me it was when you almost choked me to death with your shadows." She sighed dreamily as she watched him take a bite of the food, completely oblivious to the turmoil the inner circle was going through.
Mor rushed to stand, mumbling something about having an important meeting as she hurried away. Rhys and Feyre stood too, saying they needed to check up on Nyx. And before Cassian could point out that Feyre was literally holding the babe, they walked away.
Left alone with the swooning couple, Cassian made eye contact with Nesta, who gagged silently at the love in the air, then inclined her head towards the stairs.
Cassian was all too happy to get out of there, as the moment him and his mate were out of sight, the sounds of clothes hitting the floor sounded, along with declarations of love.
And, honestly, Cassian was not one to judge people or be disgusted by other's love life, but he couldn't help but sympathise with Nesta when she gagged again.
•○🌑○•
Azriel Taglist: @darthdumbasss @foreverrandomwritings
General Taglist: @bubybubsters @eos-princess @nightless @harrystylesfan2686 @cassie6392
299 notes · View notes
bambicito · 4 months
Text
Tumblr media Tumblr media
Tumblr media
Tumblr media
𝓟𝒐𝒓𝒄𝒆𝒍𝒂𝒊𝒏 𝓓𝒓𝒆𝒂𝒎𝒔
an event hosted by bambicito ✧ ✿
Tumblr media Tumblr media
Tumblr media
Tumblr media
𝒜𝑏𝑜𝑢𝑡
𝒫 orcelain 𝒟reams is an event where everyone can participate, don’t be shy ! Small blogs or big blogs, it doesn’t matter. Everyone stands a chance, so give it a try !
𝒯he main themes of this event, as you can probably tell, are none other than ‘porcelain’ and ‘dreams’ ! I’m sure you are all wondering what this means ? Keep reading to find out !
𝒞hildren’s dreams are like porcelain. Oh so beautiful but so, so fragile. Most forget about their childhood dreams, some simply find them too childish once they grow up, others actually end up achieving that dream they used to have as a kid...
ℬut one thing’s for sure: everyone has had a precious childhood dream they cherished and longed for, and I want you all to think about it once again !
✦ ⠀ 𝑷𝑶𝑹𝑪𝑬𝑳𝑨𝑰𝑵, 𝑏𝑒𝑎𝑢𝑡𝑖𝑓𝑢𝑙 𝑏𝑢𝑡 𝑓𝑟𝑎𝑔𝑖𝑙𝑒
𝒴our moodboard must contain at least one image of a porcelain figurine like the ones below.
Tumblr media Tumblr media
𝒯hese images are just examples, you don’t need to use them. You can use any porcelain figurine image, there’s no need for it to have a transparent background. Ceramic figurines are fine too since it’s kind of hard to tell them apart !
✦ ⠀ 𝑫𝑹𝑬𝑨𝑴𝑺, 𝑎 𝑘𝑖𝑑 𝑎𝑛𝑑 𝑎 𝑠𝑡𝑎𝑟
𝒴our moodboard must be centered around your most desired and cherished dream as a kid. Please read the examples below if confused.
✧ ⠀ wanting to be a vet
✧ ⠀ wanting to be a dancer
✧ ⠀ wanting to have a cat
✧ ⠀ wanting to travel somewhere
✧ ⠀ wanting to meet aliens
✧ ⠀ wanting to rule the world
✧ ⠀ wanting to find true love
✧ ⠀ wanting to be a prince(ss)
✧ ⠀ wanting to be famous
Tumblr media Tumblr media Tumblr media
𝒜ll dreams are fine even if they sound somehow absurd ! It’s a kid’s dream after all !
Tumblr media
Tumblr media
Tumblr media
𝒥𝑜𝑖𝑛𝑖𝑛𝑔
❀ ⠀ follow me if you want /nf
❀ ⠀ comment ‘joining’ + your favorite emoji
❀ ⠀ reblog this post and tag 2+ people who might want to join too ! /nf to tag but please reblog so more people can join
❀ ⠀ tag me when you post your entry and use the event hashtag, or it won’t count ( tag in comments is fine ) and please comment what ‘dream’ you chose for your moodboard
Tumblr media
Tumblr media
Tumblr media
ℛ𝑢𝑙𝑒𝑠
❀ ⠀ only one entry per person
❀ ⠀ deadline is on february 20
❀ ⠀ make sure to follow the event theme or you will be disqualified
❀ ⠀ do not copy other people’s moodboards or you will be disqualified
❀ ⠀ use the hashtag #bambicito : porcelain dreams event when posting your entry
Tumblr media
Tumblr media
Tumblr media
𝒫𝑟𝑖𝑧𝑒𝑠
❶ ⠀ first place : 100 reblogs + 5 custom moodboards + custom blog theme + set of 5 custom dividers + a follow + a shoutout
❷ ⠀ second place : 60 reblogs + 4 custom moodboards + custom blog theme + set of 4 custom dividers + a follow + a shoutout
❸ ⠀ third place : 40 reblogs + 3 custom moodboards + custom blog theme + set of 3 custom dividers + a follow + a shoutout
✿ ⠀ honourable mentions : 25 reblogs + a follow + a shoutout
✿ ⠀ others : 10 reblogs
✧ ⠀ reblogs will be made on @repommecita.
✧ ⠀ moodboards will be posted on @bambicito.
✧ ⠀ blog themes will be sent through DMs.
✧ ⠀ dividers will be posted on @pommecita or sent through DMs if they’re for personal use.
✧ ⠀ follows and shoutouts will be made on @bambicito.
Tumblr media
Tumblr media
Tumblr media
𝒯𝑎𝑔𝑠
@111krna @aegsll @alfaire @baesol @dollienini @florietas @fairytopea @fuhoa @gigittamic @hechizadas @i08wony @jazzitos @jenfaery @jaes1lvr @nekitos @normalmentetriste @p-oisn @pupicito @ryeins @strubiolos @silvrrz @tookio @umiena @ultrar @venuscaotico @v-ari @wiotas @yuesa @yuesa @yeritos @yeritos
Tumblr media
283 notes · View notes
larkandkatydid · 18 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Books Inspired by Poor Things, a movie I enjoyed, but not as much as I enjoyed these books.
Angela Carter, Nights at the Circus. This book, about a winged woman born and raised in a brothel who embarks on an adventure across Tsarist Russia is what I thought of most wistfully while watching Poor Things. This is my favorite Angela Carter novel and a pretty great first novel is you are new to Carter.
Octavia Butler, Fledgling: This is the Octavia Butler vampire novel. This is the one I think of wistfully while watching IWTV, thinking of how Butler's early death deprived the world of equally strange and unsettling exploration of how vampires live, love and create families.
Jeanette Winterson, Sexing the Cherry: A sexy, weird fairy tale taking place during the English Civil War. There's a tulip used as a dildo in the first chapter, which isn't important but is delightful.
Rene Depestre, Hadriana In All My Dreams: This is the only book on this list that isn't written by a woman, and there are several places where that is obvious. However, this is such a lushly written, humane story about what happens after a beautiful girl is turned into a zombie.
Jeanette Ng, Under the Pendulum Sun: I talk about this book all the time, but that's because I love it an exceptional amount. A theological gothic horror about two Victorian siblings who are missionaries to the Fairy Queen.
Kaitlyn Greenrdge, Libertie: This is the first entirely non-supernatural historical novel on this list: A coming-of-age-ish story about the daughter of a black woman physician as she goes to college, is married, travels to Haiti with her new husband and experiences a sexual and moral awakening that I found much more true and compelling than that of Bella Baxter.
Nghi Vo, The Chosen and The Beautiful: I realize the whole idea of this book is an absurd joke, but I respect Vo for having both the confidence to charge right in with "Great Gatsby but Magic" as a concept and for having the restraint to limit the magic in the book to just two-three extremely resonant examples. This book is not without some amateur moves, but I enjoyed it immensely.
Angela Carter, Wise Children: I'm allowed to put more Angela Carter on this list because it's my list. This is my other favorite Carter novel, a Shakespearean farce about two elderly twins as they reminisce about their wild lives as vaudeville performers. Full of incest and weird sex and great Shakespeare jokes. Like if Shakespeare in Love ended with an 80 year old woman having sex with her 100 year old uncle. There's no book that makes me feel more joy and satisfaction.
Zadie Smith, The Fraud: Another, non-supernatural historical novel about a woman living during the Victorian era surrounded by a bunch of full-of-shit intellectual men.
139 notes · View notes
esmedelacroix · 2 months
Text
"I hate it when you're not around,"
husband!miguel x f!reader ♡
10 Things I Hate About You ← mini-series masterlist
"Even worse when you make me cry" ← previous part
₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡ ₊˚⊹
What Miguel didn't know was that you had already forgiven him. One of the hardest tasks in the world for you was to stay mad at him. You had forgiven him the moment he kissed your shoulder and said the simple words, "I'm sorry," Why? Because you love him. Maybe a little too much.
Most people would think that the words, "I'm sorry" have lost all meaning in your relationship. That the phrase is used by Miguel so much that it is just something he says to avoid disputes. That's not true though. You know that there is gravity behind every "I'm sorry," Miguel says.
That didn't stop the fact that Miguel hurt you. You just wanted him to feel the same pain you did. So you stopped visiting him at work and you stopped waiting for him to come home and just went straight to bed. It killed you not to be able to see him during the day, but you were upset. He made you cry, he deserved it.
. . .
Miguel's POV
Something has been missing from my days. I know exactly what it is but I've been trying to take my mind off of it. But how could I not think about her? My sweet angel that usually visits me is nowhere to be found today, just like yesterday and the day before. It's like eating a pb &j without the j or the pb or anything. It's like my days lose some of their meaning when she's not here with me.
An unfamiliar and chilling gloom cast on my office. Similar to the one that was there before I met the love of my life. It was too often an occurrence where things would be insane at work and it affected my home life with her.
She's never been this upset with me. But I guess once one thing happens over and over you begin to get tired. Is she perhaps getting tired of me? Just when I'd reached the peak of my overthinking spree, Peter B. barged into my office with Hobie, Gwen, and Mayday.
"Alright Miguel we've had enough," Peter started stomping up to me.
"Enough of what," I deadpanned.
"Enough of your sulking and enough of your wife not being here, we're friends with her. We all miss her," Gwen continued.
"You do know why she's so upset with you, right?" Hobie asked.
I finally turned away from my screens and faced the group interrogating me. "Because... I've been working too much?" he answered.
"No, she's used to that. It's because of Justine," Hobie interjected.
"Justine?" he repeated, confused.
"Yes Justine, the girl you keep running to instead of spending time with your wife," Gwen said.
"The girl you keep choosing over your wife," Peter B added.
"The girl you're cheating on your wife with," Hobie interjected.
"Woah woah hold your horses. I'm not cheating on my wife with Justine!? That's absurd! I can barely stand her!" he retired. He didn't raise his voice but his tone was definitely unusually unstable.
"But do you see how she could think that you're choosing Justine over her?" Peter asked.
"I mean I guess so but I was just following protocol," he replied.
"You could've waited until after lunch," Gwen responded.
"She needed a friend the night she went to her universe. I see myself in her. I was only trying to help. I couldn't imagine being with another woman that's not my love," he insisted.
"Well, you have to say that all to her, not us. It sounds like you guys have a bit of a communication problem," Hobie replied.
"Dios mío[my God], I can't believe I'm getting advice from a kid," he whispered to himself.
"Well you better take that advice," Peter answered.
"But she doesn't want to see me," he sighed, sinking down into his seat.
"Do you really believe that?" Peter B asked raising a brow and placing a firm hand on his shoulder.
With that encouragement, Miguel dropped all his work and swung to your home hoping you wouldn't already be asleep. Like the whole universe was against him, little problems kept coming up on the way. An old lady's cat stuck in a tree, bodega robbery, bank robbery, you name it.
None of that would stop him from coming home to you on time.
. . .
next part → "And the fact that you didn't call,"
₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡₊˚⊹♡ ₊˚⊹
taglist: @lilscast @lazyjellyfish300 @safixiovi @saaaaaaaaaaaamiiiiiiiiiiira @aktenati @vera4luv @skylertully @boringpersonality @ce3stvu @straw-berry-ghoul @holachaoholachoa
201 notes · View notes
senualothbrok · 5 months
Text
Content
Summary: After seeing everyone at the reunion party, Gale wonders if you regret choosing him over Astarion.
Word count: 1.4k
Disclaimers: Non-18+. Unascended Gale x Tav. Unascended Astarion. Mild hurt/comfort. Fluff.
AO3 link
-----------------------------------------------------------------------------
“That-” The bed dips as he collapses beside you. “Was a lovely evening.”
It is instinct now, to nestle yourself into him, to nuzzle into the nook where his neck meets his shoulder. To interlace your fingers with his.
His words are lightly slurred, drowsy from wine, heavy with pleasure. He is so warm. A light drizzle has begun outside. You lie still, listening to the gentle patter of rain on the sea.
“Everyone looked so happy,” you say. “Did you see Wyll and Karlach?”
His grin is so wide you can hear it. “I can’t say I didn’t see that coming.”
“Even Lae’zel.” You laugh. “She told me she was having a nice time. She used the word nice.”
Gale chuckles. Your body moves to its rhythm.
“Shadowheart wants to stop by again next month.”
“That would be marvellous.”
“Did I show you the duck that Halsin gave me?”
“Yes, my love. More than once. I think you showed everyone at the party.”
You sigh. “Even Jaheira and Minsc looked well. Well, Minsc looked like an escaped prisoner, but I guess that’s his version of thriving.”
“It’s heartening to see that some things never change.” He runs his fingers through your hair, slow and soft. Your eyelids begin to flutter. “And that some things do. Astarion, for instance. He seems remarkably well, doesn’t he?”
Your eyes spring open. You shift your head slightly.
“He does.”  
“He and Tara took to each other like flies to a carcass. For almost half an hour they traded casual insults about my beard, my lack of organisation, and my life choices in general. It was most entertaining. For them.
You trace your fingers over his chest. There are the faintest indents in his skin where the mark of the orb used to be.
“Some things never change.” 
“Indeed.” He kisses your forehead. “Just like the good old days, I suppose, when we were two suitors battling for the prize of your precious affections.”
You look up at him with an arched eyebrow. “Is that what I was? A prize to be won through a contest of manhood?”
He rubs his nose against yours. “Of course not. Your love is a gift, one I never dreamed I’d deserve.”
He goes on before you can protest.
“I think he may still hold my good fortune against me, though. Despite being a changed man. A leader of seven thousand spawn, even.” There is pride in his voice.
In the silence that follows, you bask in that pride. You too are indescribably proud of Astarion, how far he has come, the life he has made for himself.
“No regrets, then?” Gale asks.
He disguises it as a jest, a throwaway comment. But there is a stiffness in his chest, a hollowness to his tone, that he cannot conceal from you.
“Regrets?”
He shuffles. As he tilts his head, you see a crease on his brow.
“Do you regret your choice? Now that you’ve seen Astarion again, in all his glory?”
It is the briefest of moments. You hesitate. And he sees it.
He moves back.  Doubt darkens his features. Desperation quivers in them. He searches your eyes.
You had wanted to brush it off, dismiss it as absurd. Reassure him that you had never entertained any doubts, that you had never been uncertain about your choice. But that would not be true. And you had promised, when you had sworn your lives to each other, that you would always tell the truth.
You had promised each other that you would not sacrifice your own needs on the altar of the other’s approval. Those days were over and gone. You had vowed to always tell each other the truth about what you wanted, what you needed, what you felt. No longer would you ignore or deny who you were out of fear that the other would withdraw their love.
Your marriage had been built on that promise. You could not disregard it now.
“You can tell me.” He nods. There is turmoil in his gaze, but also kindness. And love. So much love.
You place your hand on his heart. You take a deep breath.
“After we ended things, I worried for Astarion. For a long time, I thought I had broken him, even more than he already was. I thought, after all he’d been through, for me to leave him like that…”
You remember the cold tentacles of guilt that latched around your heart, the weight of the shame that crushed you.
“I thought that I could help him. I wanted to be there for him, when no one else had been. He said I was the only one who had ever been kind to him, the only good thing he had experienced in this godsdamned shitty world. To have left him, after all that… I thought I had destroyed him.”
You remember all the sleepless nights, the dreams, the nightmares.  You know, with such certainty, that Gale will understand. You have cradled him in your arms, after all, when he has woken stricken and confused, calling out Mystra’s name. Some things do not need to be explained.
The tenderness of Gale’s gaze gives you strength to continue.
“It was exhausting, to feel like I always wanted him to be something he wasn’t. He resented me for it, for trying to change him. All the times I had to talk him down, justify my decisions, tell him that it was worth it to be kind and compassionate, to help people without expecting anything in return. I’m a Paladin, for gods’ sake, and the number of times I had to explain my oath…” You shake your head. “I felt like I had to make myself smaller, to be a different person, for our love to survive.”
Your voice breaks. “It was too much, anyway, to be the one to save him, to be his only hope.”
There is uncertainty in Gale’s frown. You see the question he holds back.
“It was different with you, Gale. You were a good man long before we met. Even being cursed with the power to obliterate an entire city couldn’t take away your kindness. Your goodness. Even that couldn’t make you bitter or cruel.”
Gale’s face has softened, but he averts his eyes. He looks contrite, when he has no reason to be.
“I admit that I’ve had some concerns.” He grimaces. “When you’re frightfully out of practice, and competing with someone with such clear expertise in matters of seduction…” He clears his throat. “It’s difficult not to wonder.”
“It was never like that.” You hand moves to cup Gale’s cheek. “And seduction, sex – that’s different from…well, making love, forgive the cliché.”
You have discussed intimacy before with Gale, but you have never discussed how things were with Astarion. You do not want to hurt him, but you owe him the truth.
“Sometimes, touch was hard for him. Being close. Showing love. And I understood that. But sometimes, I needed to be touched. To be held.”
It still surprises you, how easy it is to show Gale your heart and all its scars. How safe you feel in the knowledge that he will never run away from them.
“I felt so, so selfish for that.  And for a long time, I blamed myself, for leaving him, for choosing happiness with you.”
The tears come without warning. You brush them away, but they do not stop.
“I could never regret this life with you, Gale. But I did feel guilty. Ashamed. Now, after seeing him, knowing how happy he is, knowing how truly well he is, being able to hug him…” A laugh bursts from you, bright with relief, shaky with tears. “I don’t have to feel that way anymore.”
When he smiles, it is like the light of a thousand stars radiating through you.
“My love,” he whispers. “If I’d known that you were carrying this burden with you all this time, I would have asked you this question sooner.”
He reaches for you and holds you to his chest. You can feel the beating of his heart, echoing through you, boundless as the night sky.
“Choosing you was the best choice I’ve ever made,” you breathe.
His lips caress your hair, your ear, your neck, the tears which fall down your cheeks. His tongue melts into yours as your limbs entwine with his. You give yourself to each other, as you have before, as you will again and again. And for the first time in as long as you can remember, you are content.
----
Liked this fic? You can find more of my work here.
173 notes · View notes
drunkwhenimadethis · 1 month
Note
I was confessing my absurd fears to my bf with things along the lines of being betrayed or him finding other women sexually attractive and asked if he had any similar fears. He said he did, and it was that I was only with him for his money. Essentially: I am a gold digger. I have always refused monetary gifts and him paying for things. However I’ve been staying with him for three months after he got me kicked out of my last rooming house because Im in college and couldn’t find a place quick enough, and was extremely adamant about it but he insisted. We’ve been together for almost a year. He said that the thought of me using him for money is recurring, but he’s unemployed and his parents pay for everything besides his groceries. What do I make of this? It’s really offput me that he thinks of me this way
Disclaimer I love to remember that the English “advice” comes from the Latin “videre” to see so if I give you this advice it is not a prescription, it is only my way of looking at things in this moment
I think one thing I would like to point out is that you wrote: “It was that I was only with him for his money. Essentially: I am a gold digger.” There are a million ways of interpreting a single statement made by someone that we care about, and since so much of life creation begins with storytelling in the mind, you want to be quite meticulous about the interpretations that you align with and carry forward. I don’t think that “Essentially: I am a gold digger” makes the most sense logically nor in terms of experiencing what you want, which I assume is love, commitment, trust, and closeness
Why essentially are you a gold digger? Did he say that or did he say that he has an absurd fear that you might be with him for reasons other than who he himself is? “Money” —the word—and its associations make us react emotionally and indignantly “How dare you!!!!” but he said the same thing that you said, he shared the fear he has that maybe he alone is not enough for you
When you shared that you’re fearful of him being attracted to other women, did he say that essentially you are calling him a dishonest whore with no dick discipline? Would that make sense to you if he reacted that way or would you feel like hmm, this man is really making my fears about himself?
Your fears are yours and yours alone
I am guilty of wanting the perfect words or actions to assuage me but it never works out that way. You need to go into yourself and pour love on your fears and kill them
He can tell you everything you want to hear and then what happens when he’s out of sight?
What happens if he has to leave the country? What happens if you can’t have eyes on him?
Are we doomed to constantly revert back to fear?
See yourself as the only one 
Don’t entertain competition in your mind
Don’t dwell on these fears. Your subconscious can’t reason with you
Remove the negative imaginary conversations—not only are they a waste of time, they are by nature of reality active forces 
Be happy for him that his family takes care of him, not everyone gets that and it’s good
Imagine he will take care of you like his family taught him to. Imagine sturdiness and dependability. Imagine better than what you know
Wish him the best on his job search, remove safety-seeking in the form of judgment
You are deserving and you’re allowed to accept gifts from your boyfriend. Work on this asap, I think there's something in you that just doesn't feel worth it and you can't outrun that and nobody can appease that for long
And don't tell yourself that he got you kicked out of your last rooming house, even if it seems true. If you can choose any belief and create life with it, since you’re creating even when you’re not consciously aware that you’re doing so, why don’t you choose something that serves you both more? Why not tell yourself that the universe is conspiring to bring you closer to each other?
Loving and fearless! Avanti!
“The beautiful idea you awaken in yourself shall not fail to arouse its affinity in others.”
91 notes · View notes
luckthebard · 1 year
Text
So this is a very niche rant that is probably only something I've noticed or been annoyed by, but:
The longer Critical Role has gone on and the more changes they've made/content they've created, there's been an increase in weird people who are desperate and determined to prove that changes or content they don't like are "an objective failure" - but often lie or deliberately misunderstand viewership statistics to do so.
There are a few big "facts" I see repeated by people to argue that CR has "gone in the wrong direction" that are just plain wrong, and I think what annoys me most is seeing so many people engage with those "facts" without bothering to double-check them or push back against the certainty with which people state them. An example of one I keep seeing now is "twitch streaming numbers are down" and it's like, yeah, sure, in comparison to when they didn't simultaneously air on YouTube. If you add up the YT and Twitch numbers these days it's about the same as mid-late C2, but people love to act like YT streaming doesn't exist to make a point that "people don't like C3". And I tbh don't care if people like or dislike C3 but why this determination to falsely quantify and validate a personal preference?
The earliest I saw this was an intense agreement on reddit that Exandria Unlimited was a "failure" for CR, "unlike Undeadwood," because viewership numbers were lower. And it was tbh baffling to not see pushback against that narrative, because it's just objectively untrue. Original EXU's VOD streaming numbers are higher than every single episode of Undeadwood, and it premiered literally years later. It also has a lower "drop-off" in viewership (comparison of how many views episode 1 vs the finale has) than Undeadwood, despite frequent claims to the contrary. And don't mistake me here, I really enjoyed Undeadwood, but it actually was a viewership misstep for CR to the degree that they didn't try anything like it again for a while after and significantly changed how they approached marketing and airing miniseries. (A big one being: don't air a long miniseries simultaneously with the main series, it's too much content for most people to invest in during a week.)
(Sidebar, but another great miniseries CR did that didn't get a lot of viewership love is the Elder Scrolls Online trilogy, so I'm going to plug it here. It has some weirdly low viewership numbers on episodes 2 and 3 and I promise you they're both well worth it.)
The other one I keep seeing is "4 Sided Dive has lower numbers than Talks" which is also just not true. Most 4 Sided Dive VODs have nearly twice as many views as Talks VODs (and I'm using the ones that aired directly on the CR channel as a metric here, not the ones re-uploaded from G&S which lost numbers in the change-over). And I'll tbh chalk that up to the fact 4SD airs much less frequently - people are more likely to think it's necessary to watch whereas with Talks if you weren't interested in the guests you might skip a week. I'm not making any claims about the quality of either show, but the use of false viewership statistics to support "one of these sucks" is so rampant and so weird.
All this to say that yesterday I saw a weird viewer-hungry YouTube clickbait video titled "Midst a FAILURE for Critical Role!!" with a truly absurd confidence on what the VOD streaming numbers for the Midst YouTube videos mean for the series mere days after the premier and snapped.
tl;dr, people just make shit up and say whatever on the internet all the time and we hopefully all understand and expect that BUT (and here's the more annoying thing) 9 times out of 10 people just engage with that WITHOUT LOOKING INTO IT THEMSELVES
604 notes · View notes
absolutebl · 2 months
Text
Began Beginning - Myanmar's first BL 
Tumblr media Tumblr media
Not So Quick Pitch (or is it a pitch?)
Cause I got a lot of thoughts
8 eps 25 min ea YouTube
Began Beginning feels very much like a first timers BL. Which it pretty much is. There’s a lot of explaining and info dumping and information that we really don’t need about the characters (or the family) especially in the first couple of episodes.
Here's your hlepful breakdown:
Tumblr media
Mani = main boy workaholic, probably gay, acts ace 
Hlyan = cute flirty bestie, smoker, closeted gay (for good reason) in love with Mani (becomes main character about 3/4 way through) 
Walar = openly gay visitor recovering from a breakup who enters their codependent dynamic and things happen as a result
Thae = Mani & Hlyan’s other bestie, trans 
Tumblr media
I was tempted to say this reminded me of early Vietnamese BL, but in actuality what it reminded me of most was the stuff we got from way back in the early 2000's out of Hong Kong, or more recently from the Philippines (I'm thinking about something like The Boy Foretold by the Stars).
There is a grungy sticky authenticity to these works, of which Began Beginning is now a part. They have their own tarnished charm. For all their hiccups in storytelling and absurdities, there is an almost documentary feel to them, partly as a result of the inferior quality of production and filming (which is entirely economic). But that itself also somehow adds to the appeal.
This kind of BL is entirely the opposite of something out of Korea or GMMTV. And if you like that BL best, you aren't gonna like this product. But as much as KBL wins top ranks from me pretty consistently these days, sometimes I enjoy this kind of BL too.
The range itself keeps the genre vibrant and healthy.
Tumblr media
So what is Began Beginning about?
Childhood best friends must come to terms with their own identities and true feelings for each other when a new boy comes to town, putting them into conflict with their families and ultimately, each other.
For the first half of this show there’s a lot of sitting across from each other and talking about life choices over yummy food and then going to tourist spots (mildly boring and not particularly important to the plot). 
It changed tone about 2/3 in to be way more of a coming out family drama about forced marriages and homophobia.
And then at the very end it changed again, becoming a full on soap opera with kidnapping, crazy characterization shifts, and rescue missions.
All in all? It was a wild raw creature to consume as a binge. No kisses since this is Myanmar, but a very romantic end, so I think maybe actually worth your time? I'm certainly glad I watched it.
Recommended with lots of reservations but great respect. I’m going with a 7/10.
Tumblr media
There is a particularly important part at the end when Hlyan talks about asking Thae to dress him as a girl to see if he was third gender because he had these feels for another boy. And how unpleasant that made him feel. I thought it was hugely impactful as a window into the boxes same sex loves in modern society forces upon us. No matter what options our culture provides for us, if the boxes are limited we feel limited too. Also, drawing a distinction between gender identity and sexual identity. Lovely bit of storytelling.
(see comments, turns out this is not the first one)
(source)
77 notes · View notes
officialfoxsquadron · 2 months
Text
Tumblr media
Luke Skywalker NSFW Alphabet
Writing exercise complete! Here's some headcanons revolving around this NSFW alphabet meme. Just smutty, horny thoughts under the cut. Generally throughout the Original Trilogy with a gender neutral reader!
A = Aftercare (What they’re like after sex)
No matter the era, Luke is incredibly sweet after sex. He’s always happy to clean you up and prefers, if he can, spending lots of time kissing and cuddling afterwards. I honestly think the aftercare would be one of his favorite parts, just spending time with his loved one and falling asleep together.
B = Body part (Their favourite body part of theirs and also their partner’s)
His favorite body part is his eyes. I think he’s not really prone to much vanity, but sometimes he does look at himself in the mirror and think “Huh. They really ARE blue.” And you KNOW once he gets the ESB arms he is like wow…wish my dad didn’t cut off my hand…because my arms look so damn good right now…the true tragedy.
I have posted about Luke being attracted to thighs, but I also am firmly in the “Luke is a tits/chest man” camp. It’s just true! Sorry!
C = Cum (Anything to do with cum basically)
First of all shout out to the community for canonizing for me that Luke cums an absurd amount b/c…yes. His preference would be to cum inside of you, but he also loves to cum on your stomach and just see how much of it there is. He’d also be really into cumming in your mouth and tasting it afterwards.
D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)
He is interested in exploring pain as pleasure, both giving and receiving. But he wouldn’t do it without a trusted partner and a lot of talk beforehand. Otherwise he’s pretty open about his fantasies.
E = Experience (How experienced are they? Do they know what they’re doing?)
I mean, oh my god. I think this depends on the timeline. A New Hope Luke has very little experience beyond making out, I think. But he would be very eager to learn. ESB Luke? Has at least fucked a few times and is just generally more knowledgeable. ROTJ Luke and beyond? It does not matter whether or not he is experienced, the man can read your thoughts so he’ll probably do fine.
F = Favorite Position
He likes anything really intimate. He loves missionary, but also really loves spooning you and the access it gives him to your body. He also looooves you on top - he’s able to really look at you, feel you, even change it into a sitting position and make out.
G = Goofy (Are they more serious in the moment, or are they humorous, etc)
Again, this depends. He definitely can be, and I think he’d be able to laugh about any awkwardness or silly mishaps. He’s also really playful, and would love play fights or tickling that turns into more. But, I also think he can get pretty intense at times, especially during the act and right before he cums.
H = Hair (How well groomed are they, does the carpet match the drapes, etc.)
He tries to keep things neat, but he’s not too concerned with it. His hair is a little darker, and he has a small happy trail from his belly button. 
I = Intimacy (How are they during the moment, romantic aspect…)
Okay this is a big one. I think the intimacy of sex is the most important thing for him. Given his connection to the Force, sex is just as much of an intense mental experience as it is physical. So all this to say, he is very romantic, making sure his partner is happy, giving them as much pleasure as he can. He always, always, always would want to cum simultaneously or very close together.
J = Jack Off (Masturbation headcanon)
So I headcanon Luke as on the ace spectrum (demisexual), so this headcanon definitely relates to that.
I think he’d occasionally masturbate, but it’s not like he feels he NEEDS to. Especially in the Rebellion, if he ever gets a moment alone, I feel like he would just be thinking, “Oh, nice, I can jack off now! Great!” And then just...not think of it again for four more weeks because he’s so damn busy.
K = Kink (One or more of their kinks)
Man is never beating the praise kink allegations, sorry! He loves being told how amazing he’s doing and how well he’s pleasing you.
I think he’d be really into overstimulation? The idea of upping the intensity of pleasure, chasing multiple orgasms…yeah he’d love it. 
I also headcanon him as a switch, and he’d love taking control sometimes. But he’d also love you in control, making him beg–especially during ROTJ and beyond. He is so in control of his feelings and finally started to work out this whole Jedi thing-he’d love a partner who can ease him into losing control for once.
L = Location (Favourite places to do the do)
A little boring, but given his history, he would be so excited to make love in a big, plush bed. He’s so used to sleeping in bunks, on the literal ground, or on his ship, so he thinks it’s the most romantic thing ever. Any time he is near a body of water or has a real shower, he also wants to take some time there together-even if it’s just to make out or cuddle (but lbrh, it always ends in sex.) Also, despite the logistical nightmare, you definitely fuck in his X-Wing at least once.
M = Motivation (What turns them on, gets them going)
Adrenaline is a huge one! Anytime he’s working out or fighting, he’d get turned on easily. He’d like sparring or training with his sexual partner. And as much as he likes to tease his partner, he loves being teased in return. Especially if you’re newly dating, he would get flustered very, very easily by the minimum amount of flirting.
N = NO (Something they wouldn’t do, turn offs)
Definitely not into choking for obvious reasons, same with being called daddy. I also don’t think he’d do something involving non-consent.
O = Oral (Preference in giving or receiving, skill, etc)
Luke loves giving oral! He could spend hours pleasing his partner, drawing multiple orgasms out of them. He loves to receive too-loves wrapping his hands in his hair, and especially loves if you let him fuck your mouth.
P = Pace (Are they fast and rough? Slow and sensual? etc.)
He prefers to go slow and really take his time. Time is such a luxury to him, so pretty much any time he can draw things out he will. That being said, he doesn’t mind something more rough and passionate, especially if it’s been a while since he’s seen you.
Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)
He’d be down, especially if your schedules are busy and as a younger man, when his passion tends to run hot.
R = Risk (Are they game to experiment, do they take risks, etc.)
He definitely loves to experiment! He’s probably not super knowledgeable (personally I think Tatooine was pretty sexually conservative, as rural areas tend to be.) But as soon as he’s with someone he trusts, it’s like a flip switches.
Hmm. In terms of risks, I mean…this is the guy who took one look at the Death Star trench run and was like “oh this is easy.” So he’d definitely be down for a few risks (something semi-public or with the danger of getting caught) but I don’t think he’d go crazy.
S = Stamina (How many rounds can they go for, how long do they last…)
As a younger man, he can definitely go for a few rounds. During ANH/ESB he sometimes finishes a little faster than he intends (sorry Luke!) but eventually, his patience grows. ROTJ and beyond, though-it’s pretty much the exact opposite. He has a ton of patience that he uses to tease you. 
T = Toy (Do they own toys? Do they use them? On a partner or themselves?)
I think he’s willing to experiment! He might not immediately think of it but with a partner who’s interested, sure. I don’t think he owns any toys.
U = Unfair (how much they like to tease)
Luke is such a tease. He has so much fun drawing out the experience for his partner and getting them worked up. I have this headcanon of him just whispering the most insanely horny things to a partner in semi-public settings and..yeah he 100% would!
V = Volume (How loud they are, what sounds they make)
Luke is also not beating the vocal heacanons, sorry! He will whine and beg, like he can get pathetic. But there’s also times where he’s surprisingly calm and quiet, just staring at you or panting softly, completely lost in the moment.
W = Wild Card (Get a random headcanon)
LET’S TALK ABOUT INAPPROPRIATE USE OF THE FORCE.
Especially pre-Jedi Training, there will be some moments where he would accidentally use the Force during sex. It wouldn’t be conscious but like, let’s say he’s gripping a headboard and he’d accidentally grip it a little too hard? Or right after both of you finish, in the hazy afterglow, he’d reach for a towel and it would just..float into his hand.
ROTJ and beyond, he would be very very cool with using the Force for your pleasure, but only with explicit permission. (He’s a Consent King, what can I say.)
X = X-Ray (Let’s see what’s going on in those pants, picture or words)
I still maintain Luke is packing, given some of the ahem EVIDENCE we have throughout Mark’s career. Also, he’s uncut. He’s long with some girth, but nothing disproportionate.
Y = Yearning (How high is their sex drive?)
Hm. So I headcanon Luke as demisexual so I’d say it depends. If he doesn’t have a partner his sex drive is pretty low. But if he has a partner, oh LORD. I think he’d want to be having sex literally all the time. Especially if you just started sleeping together. You would need 3-5 business days of just fucking together before he’s satisfied. He’d be so excited to just explore with a new partner!
Z = ZZZ (… how quickly they fall asleep afterwards) 
Especially after an intense session, he can fall asleep pretty quickly! But he at least wants to clean you up and make sure you’re alright before he knocks out for the night. He just feels really pleasantly sleepy afterwards.
112 notes · View notes
even-disco-baby · 2 years
Text
CINDY THE SKULL — “Evening, officers. It’s a bit late to be skulking about, don’t you think?” Though she’s lounging around the coal room door as languidly as ever, her pale eyes ringed with coal dust seem to bore a hole in your skull.
YOU — “I’m looking for a place to sleep.”
CINDY THE SKULL — She lifts an eyebrow at you and Kim. “Did the cafeteria man finally decide he wasn’t interested in keeping a pigsty?”
YOU — “No, Kim is still staying there. I just can’t pay my bill.”
KIM KITSURAGI — The lieutenant clears his throat slightly. “Let’s not give people the impression that officers of the RCM make a habit of dodging their tabs, detective.”
CINDY THE SKULL — She glances at Kim, lips pursing just slightly.
EMPATHY — His little comment irritated her. Curious.
CINDY THE SKULL — “Tough luck, officer.” She shrugs, the faux fur collar of her coat brushing her cheeks. “There’s a perfectly good garbage bin in the courtyard. It’s got a lovely view. Real prime real estate.”
YOU — “I know. Garte said I could sleep there, but I’d rather find somewhere else.”
CINDY THE SKULL — She blinks her coal-smeared eyes at you. Then, she turns to the lieutenant. “Is he joking?”
KIM KITSURAGI — “No,” he says drily. “He is not. If you know of any… more *comfortable* places to sleep, we would be much obliged.”
CINDY THE SKULL — She stares openly at the two of you, as if in disbelief.
COMPOSURE — The absurdity of your plight has nearly broken right through her veneer of youthful detachment.
CINDY THE SKULL — “Maybe I’m the one who should be a detective. I can solve your little case for you right now.” She points to the lieutenant. “Your room.”
KIM KITSURAGI — His face is solid stone. “No.”
ESPIRIT DE CORPS — There are so many reasons why he does *not* want to do that. He has neither the time nor any desire to share them with Cindy. Or with you, for that matter.
-1 MORALE
CINDY THE SKULL — She whistles softly. “Damn. Must be true what they say about pigs and cannibalism.”
KIM KITSURAGI — The lieutenant does not rise to her bait.
EMPATHY — But there is something playing at the downturned corners of his mouth and the furrow of his brow. Something like guilt.
YOU — “What about the coal room, Cindy?”
CINDY THE SKULL — She outright laughs at you. “Fuck no! You want in my room, get a warrant, piggo!”
LOGIC — While drug possession is not a crime in Revachol, it doesn’t stop most cops from confiscating substances from vulnerable civilians for their own personal use. Including yourself, most likely.
ELECTROCHEMISTRY — Hey, good idea! Cindy’s an artsy type, she’s probably got all kinds of shit to get her creative juices flowing.
PAIN THRESHOLD — And to get her through the cold and the hunger and the cruelty.
VOLITION — No. Don’t make things any worse than they already are.
YOU — “But then… where do I go?”
CINDY THE SKULL — She shrugs again. “It’s not my problem, is it? Ask your partner, here. Or maybe you should take a hint and go back home to the farm.”
YOU — “I don’t know if I have a home… I think I lost it.”
KIM KITSURAGI — The lieutenant’s frown deepens. He stares down at his boots rather than meet your or Cindy’s eye.
CINDY THE SKULL — A long, almost uncomfortable silence. Her eyes are hardening as they take you in— you and your bloodshot eyes, your slightly labored breathing, your clothes that are certainly too thin to keep you warm tonight.
EMPATHY — She feels sorry for you, and she resents herself for it.
CINDY THE SKULL — She lets out a long sigh, closing her eyes and shaking her head. “All right, piggy. Just quit looking at me all pitiful… You saw the foreclosed apartment in the hall, right? If you wait for the cleaning lady to go to sleep, and you don’t stay long, it’s not a bad place. Better than the trash, anyway.”
REACTION SPEED — She seems to regret it as soon as the words leave her mouth. She’s not thrilled at the idea of trusting your honor not to rat out or even arrest your fellow squatters. But it’s too late now.
SUGGESTION — Wait. Is it really that simple? What if she expects something in return for the information? Or she could be setting a trap for you!
YOU — “Hang on. What’s the catch?”
CINDY THE SKULL — A wry smile breaks out across her face. It almost looks pained. “No catch, officer. I’m no snitch. Nor a pig.”
RHETORIC — You’ve insulted her more deeply than she cares to let on. She helped you because she knows your struggles intimately. Struggles that have claimed the lives of people she cared about. But now you’ve reminded her of the difference between you: she calls you pig because you sold your humanity for the power to strip others of their own.
EMPATHY — She’s sad. She was born sad and she will die sad. You are the one making her sad.
YOU — “Hey, Cindy?”
CINDY THE SKULL — “What?”
“I’m sorry. Thank you for helping me.”
“You shouldn’t judge me. We’re the same. We do what it takes to survive. You have the Skulls, I have the RCM.”
“Can’t we just get along?”
“I’ll pay you back somehow. I’ll make things right.”
“I don’t want to be this kind of animal anymore.”
KIM KITSURAGI — The lieutenant looks up at you, startled. Concerned, even. He almost looks as though he wants to say something, but nothing comes to him. He just stares at you, at a loss.
CINDY THE SKULL — She levels you with a steady gaze. Even without the coal dust, her eyes would look sunken into her wan face. If it weren’t for the roundness still clinging to her cheeks, she would have lost nearly all trace of her youth by now.
“I don’t think you even understand what kind of animal you are,” she says coolly.
ENCYCLOPEDIA — Homo sapien.
CONCEPTUALIZATION — A tiny, violent ape.
AUTHORITY — Predator.
HALF LIGHT — Prey.
VOLITION — You’re a human, Harry. Nothing more or less.
INLAND EMPIRE — The saddest and cruelest animal of them all.
1K notes · View notes
zadr-day · 5 months
Text
Why ZaDr?
Think of every worthwhile rival ship that has ever existed; dip it in a poison coating of cynical worldbuilding, sprinkle it with a topping of shunned existence, and let the devil kiss it with a waxy pair of slimy, scifi alien lips. Only then, will you  have yourself a sample of what ZaDr has to offer. These characters are compelling in themselves; one being a bizarre and paranormal obsessed clone of Earth's greatest scientific mind, the other a malfunctioning spaztic robot ant from beyond the stars. Each of them ostracized, for one reason or another, largely by virtue of their own passionate past mistakes.Those mistakes, failed efforts to be seen as worthwhile, to be praised, to be loved. But then you set them against each other, as enemies. As mirrored foils. Neither of them in the right, gray morality reigns supreme as they are  purely obsessed with their own selfish reasons for self aggrandizement. Anything “good” that might happen as a result of their actions is always cast in the light of unintended circumstance. The true fight is with reality itself, while the sharp end of that crushing conflict is pointed towards the only one who could possibly understand what they’re going through. In the world of Invader Zim, every mentor, leader, parental figure, teacher, adult, child and Invader, feels more real by virtue of misanthropic absurdity. Their inability to provide the support and guidance for the main characters to function in a healthy way, is so very like the absence of nurturing many people feel in their youth. To anyone who has experienced life at its worst growing up, these caricatures of the real world provide a powerful sense of being seen. There is something radical about a story that isn’t written with any other moral than “ this living in society shit sucks”. That speaks to people, and continues to speak to me. ZaDr has always smacked of tragedy, in that you know things will end badly for everyone involved, but it’s still impossible to look away as everything is set ablaze. Two headstrong protagonists, locked in a battle of opposing wills and addictive delusion. It makes the sweetness sweeter, it makes the pains of grand fantasy ache deeper, knowing that these two characters are ultimately fighting losing battles for pitiful reasons.The denial of personal failure, the stubbornness to find purpose. In all of reality, all they truly have is each other. To see that dynamic and ship them is to say that love is possible even in the most dire of circumstances. Time and time again I find myself returning to ZaDr. I think something about the dynamic speaks to the part of us that knows things are wrong and that the fight against it is worthwhile. And that struggle, while futile, can still hold a tremendous amount of personal importance. It speaks to failing, and having the strength to get back up to try again. No matter the odds. For a pairing hated by its own creator, the fixation that Zim and Dib have on each other is an undeniable magnetism seen by the fandom since the launch of the cartoon, all the way back in 2001. This ship has staying power, and after over two decades has failed to fall into total obscurity.  Those touched by its effects have gone on to create resonant, deeply meaningful works. This blog, and the posts that I make on the topic, are my way of giving back to the ZaDr community. By displaying the stories of triumph and tragedy put forward by the IZ community, I hope to welcome new fans and give back to long standing fans by providing a living archive and blog space. I look forward to sharing the wonderful talents of so many artists with you all. Happy first ZaDr day of many
86 notes · View notes