Banana milkshake :3

(What "old person" things do you do?): Say things like "when I was your age" and it's not always to be funny anymore. Own a favorite spatula. Stare at my computer/phone/literally any piece of technology and wonder what I'm doing wrong.

HHFHGHHH caught up with the Dungeon Meshi anime…can’t even describe how absolutely fucked up it was to watch Laios have to reassemble the digested bones of his dead sister (that were drenched in her blood) piece by piece. Like. Idk how homie didn’t go through a mental breakdown in the middle of that

offering three cookies 🍪🍪🍪

(<< part 1)

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

My issue with Thor not ‘realizing’ why Loki was acting off in Avengers 1 isn’t that Thor didn’t recognise Loki was acting unlike himself—Thor did note that—or that Thor didn’t figure out what was wrong—he did try asking—it’s more along the lines of Thor giving up, and that he accepted Loki was bad now within two days while knowing something was off when Thor himself behaved just as bad for much longer before without any specific compromising event.

"hey yeah we didn't feel like doing long questlines anymore :) sorry!" feels like an ao3 author's note who stops posting and leaves their fics unfinished on chapter 25/27 because they moved fandoms, except this is a (supposedly) professional company getting paid to produce a product people are paying for who are just leaving not just the event questline but like half a dozen proper questlines in general abandoned and unfinished in their game on what is essentially a whim.

Finishing a project is a skill that is quite literally expected of university students, let alone working adults, and offering good experiences to your players means giving them satisfactory endings to quests after stringing them along for years.

Any goddamn professional who goes "hey these long questlines aren't working, lets shift to a more stand-alone shorter style of quest development" should still have the goddamn decency to finish the ongoing quests instead of abandoning them entirely. It's messy and immature not to.

"oooo but [insert name] left the company!! so we don't know how to finish it :(" the only thing less professional than just throwing shit out unfinished is to have entire parts of your process rely on a single person with no way to pick it back up if that person gets sick/quits/gets fired. do fucking better.

sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream

i can tolerate a lot of things from writers and showrunners but outright condescension and disdain for their fans is not one of them

Apart from show canon, at which point did u think it was too late for lena's immediate forgiveness to kara's identity reveal

oh boy. anon, here is where i come clean about my shoddy recollection of canon’s chronology. i’ve done so many fragmented rewatches and skipping back and forth—there’s a reason i rarely dabble with canon-adjacent stuff! and that even when i do, i create worlds where Lena figures it out herself! 

second road bump to answering this question is that i have a LOT of feelings about how things played out on the show, and most of them are incongruent with the tone of sgcw. i understand their narrative reasons for keeping the secret from Lena for so long! but the execution is so, so terrible! ignoring large swathes of canon and replacing them with my own is the only way i’m able to enjoy at least the last tiny handful of seasons!

here is where i spend an hour procrastinating from my WIPs, while not successfully answering your question at all:

to be perfectly clear: i adore most parts of canon Kara. and i think i may be hard on her in ways i wouldn't be if i didn’t relate to her so much. i think her backstory is extremely compelling and i admire her ability to hold on to her kindness and hope and joy even after losing everything that was important to her, even when she’s tired and lonely and mad. 

BUT. a healthy Lena—one who we were made to believe was finally freeing herself from Lex and Lillian, rising above the coping mechanisms she’d developed as an unwanted and emotionally neglected child? i don’t think that Lena would (should?) have forgiven canon Kara at all.

after the rift, canon Kara flitted between telling Lena she’d lied to her ‘to protect you’ to ‘one person who sees me only as Kara’ to ‘your last name’ to ‘didn’t want to lose you’ until she literally told Lena she was on her own, and she’d treat her like any other villain until Lena repented, even rejecting her apology at first, as if Kara’s own decisions had played no part in Lena’s downward spiral at all.

the Kara Lena would have forgiven is the much more cohesive and coherent Kara brought to us by our talented fix-it writers: a Kara who is willing to let herself be vulnerable and to second-guess her motivations, one who is able to put together a proper apology and actually listen to Lena's own. 

but, okay, lets table all of that. this is me trying really, really hard to entertain canon:

Kara and Lena’s friendship became painfully lopsided by season 3. i think that was, if i recall correctly, when the super-friends decided to trust Lena enough to regularly ask her for assistance—but not enough to let her be part of their in-group; it’s where they left Lena in the dark about the fact that her best friend had come close to plunging to her death right in front of Lena's eyes, and was actively still fighting for her life; where they tricked Lena into having an extremely personal conversation with J’onn, while he was wearing Kara’s features, only to make belly-laughing fun of her about it later. 

and even then, honestly, it might already have been too late. what about the aftermath of Jack’s death? was that season 2? Jack was Lena’s ex-everything, someone who genuinely loved her, who saw her through the fallout of Lex’s arrest. he was one of her last remaining friends, and Lena pressed the button to let him die in order to save Supergirl’s life. how would Lena knowing that Kara went through that with her, knowing Lena had chosen to save the life of her favorite person in addition to National City’s hero, have changed the way she felt about that horrible situation? that’s where that extremely wonderful heart-to-heart on the L-Corp couch happened, right? Kara swore she’d always be Lena’s friend—while keeping silent about the fact that she was there when Jack drew his last breath, that she had witnessed their final moments.

so—i really can’t tell you anon, i’m so sorry. the 100th episode already fabricated reasons why Kara couldn’t possibly come clean to Lena back when she made the conscious decision to be her friend (and not in a ‘keep your enemies close’ kind of way!), and i’m beginning to think that was the only moment Kara could have told Lena that would have kept her conscience completely clear. Kara should have made it part of her decision—either she was going to be Lena’s friend and give her the same trust Lena was giving her, or she would keep things professional, and keep her identity a secret from her. 

Kara tried to do both, and if i really think about it, i don’t believe that was ever fair.

Deacon willing to help people but doesn't recognize people so he doesn't remember what he did for who. So he just agrees and is like cool don't mention it then they mention it and he's like uhhhhhh.

However, that's other humans. He can identify the deities much easier because they have a unique glow. Like can actively tell Ymber "oh Lady Fulj just entered the city" and Ymber is like how the heck did you sense her that far away when I can't sense her that far away. It actually takes a while for Ymber to realize Deacon really doesn't know any of his coworkers and who he's talking to.

Hot take, Bones doesn't deserve the amount of hate they are getting. Some, I understand but the amount I'm seeing is ridiculous. They have multiple projects they're working on and I get it, rushing through BSD isn't great but they can't animate everything. Also... the way they animated Aku makes more sense. Hard to give a soft smile losing such a large amount of blood from your neck.

Mmh, I understand that it can be disheartening to see something you like so heavily criticized, but I do believe the studio is doing some major mess up this season and that people are legitimately enraged.

I'm the first one to say that we're all here to have fun and there's not really any point on focusing on things we dislike, but I think it's also valid to be upset when something you care about a lot is treated unlovingly, and people are in their own right to express such disappointment. Moreover, I feel like in this case there is a point in expressing one's disdain. It's important to be critic of the media we consume: we could all pretend to be satisfied and settle on complacency, but wouldn't that be deeply detrimental? Otherwise, sometimes it's important to acknowledge and even state loud that you don't like something, because it's only by recognizing something is wrong that people can get to work to change it and improve. If we all tamely pretended we liked the new season, if there was no one to ever evaluate its direction, animation quality, pace, there's little hope for any of them to improve, simply because there's no need to change something people are happy with.

Theodor W. Adorno is my favorite sociologist. He once said, “the splinter in your eye is the best magnifying-glass available”. With that he meant that pain is the greatest source of knowledge. Pain allows to see things that otherwise would go unnoticed: only by acknowledging pain one can understand that something is wrong, that something needs to be changed and improved. I think it's always important to state: “this is wrong”, because nothing can ever be fixed if you don't first recognize it's broken.

Personally, I do believe what Bones studio is doing is wrong. I don't think it's fair to have such a drastic quality drop with the last season just like it wasn't in the third. I don't think it's right to not have an original opening sequence nor an ending sequence (that we know of). I don't think it's right to have such a fast pace that you can't keep up with the events. I don't think it's right to have a season filled with reused animations. I don't think it's right to have very little animation to the point there's up to 36 seconds of the same static frame in a single scene. I don't think it's right to have a quality drop in the drawings and quality inconsistency between one episode and the next. I think it's outrageous that the Fukuchi vs. sskk fight was so poorly animated and completely striped of any emotion. I don't think it's right of them to assassinate Akutagawa's chapter 88 panel. But most of all, I don't think it's right to have a season come out three months after the other. I don't think that's in any way ethically sustainable, and I don't think anyone needed that. I don't think it's right that studios don't get that people don't want an uninterrupted flow of content, people want quality content, and it's important to say that, or they'll never get it. I think they messed up greatly with this season, and I don't think being working on multiple projects can use as an excuse in any way, because as a studio you should be able to tell when you've got your hands too full to handle another project without meeting the quality standard. If Bones studio was working on too many projects, they simply shouldn't have set this season up for release so early, because again, NO ONE needs a new season after just three months.

I can see why you would say that the way they animated Akutagawa's last words makes more sense. It definitely is more rushed, and ugly. I guess one could argue that it conveys how death is precipitous and unpleasant, and doesn't leave space for last words. ... But I highly doubt that much was intentional. The sskk scene in its entirety was so poorly curated that I can hardly see the direction make thematically relevant choices. Even in the rare hypothesis it was a conscious and intentional directing choice, the outcome was still extremely underwhelming, because the moment itself doesn't feel rushed in particular since it's coming right after an episode that was rushed in its entirety.

I agree Akutagawa's death scene in the manga isn't realistic the slightest. But realism in that moment was never what the reader was asking for in the first place! It's a moment of conclusion for Akutagawa. It's the end of his cruel and hated life, and the author chooses to end it in kindness. By giving him a moment to smile and redeem himself, the author is showing Akutagawa the compassion he never received in his violence ridden life. Death scenes in media are almost never meant to be realistic! Their main aim is to move the audience, not to portray a realistic death. It's part of the deal the audience makes with the media the second they start interacting with it, to suspend their belief in order to enjoy the media at its fullest. It's, fundamentally, the same reason why you wouldn't question the characters having superpowers.

All the same, if you find yourself to be on average satisfied with the anime, that's perfectly valid too!!! I'm sorry people's disappointment may have resulted disheartening, and I understand it's hard to avoid, but my best advice is to try and curate your own internet experience to be so that you see the least negativity as possible. You might want to consider blocking and unfollowing people whose comments you find unpleasant, even if it's just temporary for the time the season airs. If it gets too much, refrain from visiting the main tag on Wednesdays when new episodes drop if that can work for you. I recognize we as a fandom could work better to build a space that is enjoyable for people who are liking the new season and wouldn't want to meet so much negativity, and I'm the first to admit I've been quite inconsistent in tagging my posts recently, so in the future I'll try to tag negativity accordingly. I do appreciate you for reaching out and sharing your opinion Anon! Let's all work together to build a better fandom space for everyone (ﾉ◕ヮ◕)ﾉ*.✧

Why do you hate mayonnaise? How do you feel about relish?

Okay, so @somer-writes and I have determined that the argument boils down to whether or not you want the liquid part of your sandwich to be flavored, and whether or not you've grown up used to your sandwich being flavored. There's a whole map that exists on different states' reported preference, and I don't know how true it is, but it matches with my state's preference so I'm sticking with it. (credit to @wanderlustmagician for re-finding this image for me)

I think that miracle whip is superior. I think that your sandwich should always have a little bit of sweetness to it, a little bit of love. Mayonnaise is tasteless sandwich grease that doesn't actually add to the enjoyment of the sandwich. Somer and I will fight about this until the heat death of the universe.

I do not like relish, but I also do not think that it is a food crime like mayonnaise is. Because do not get me wrong, mayonnaise is a crime. This is a hill upon which I will fight until my last breath.

the biggest suspension of disbelief in one piece is that ace is somehow an only child when roger was trucking and fucking well into his 50s unless roger, like, was almost exclusively into getting pegged and aces birth (the only time he’s ever topped rouge) was an honest to god miracle

one piece au where the world government tries hunting down all of roger’s illegitimate kids à la Dipshit Joffrey Gameofthrones by looking for every dark-haired kid with no bio dad, a strong bone structure, zero self-preservation instincts and a problem with authority. the whole story is from ace’s pov though and it’s just him realizing with mounting horror and every successive headline just how much roger Fucked

rule #1: never take ashwagandha and get wine drunk 🧍🏾‍♀️

The thing that gets me about shanks is that he is so weirdly averting stuff that makes him happy? Why avoiding luffy at all cost? Why seeing places he loves and just being “ahhh such a place” but never going back? And I know he accepted that but fr I would try contact buggy at least once? He just let the world go on its own but I don’t get why.

Imo, he's not avoiding Luffy at all costs, per se. He is more like-- Waiting until it's the right time to do so? Because yes, right after Wano would've been a great moment but he refused to see him. But I think that's more of a pirate thing to see how far Luffy can go. Meeting with Luffy would be admitting that he is already the great pirate he promised Shanks he'd be, and even if he is, he can be so much more, still. And Shanks doesn't want to be the cause of the end of his journey. He wants Luffy to keep fighting and going forward to accomplish his dream. And even if it wouldn't directly stop, one of the reasons he keeps going is because of him. Shanks is one of his motivations. And I think that's sort of meant to be the end of his journey and he still has stuff to do before that. Although you can add a bit of layers there and go "He is scared af to meet Luffy again" the same way Yasopp is about meeting Usopp.

The places thing-- Shanks is used to leaving places he loves because he is aware that that's how pirate life is. With Roger they traveled all around the world and he couldn't get too attached. He had to keep walking forward. And also, with Buggy, for example. Or Uta. Getting too attached to something/someone makes losing them even harder. Shanks thinks about the past quite a lot but the guy just keeps going forward and not looking back. Abandonment issues or something. But then again, that's just how pirate life works.

And Buggy-- I mean. I think he just respects Buggy's decision. There are a lot of interpretations when it comes to their relationship but I personally think he watched Buggy go and let him do it because if that's what he needed, so be it. He misses him and wants to get in touch with him again, yes, but it's not like he can force him in any way, either. Shanks is respectful of others' choices and dreams, first and foremost, so I think he'd put Buggy's decision to leave before his need to have him close. When they're meant to meet again (like they did in Marineford) they will.

Also Shanks avoids feelings and emotional responsibility like the fucking plague, bold of you to assume he is going to call Buggy and go "I miss youuuuu" no. He is going to think he misses him and smile and say he is completely fine being without him when it's a huge lie. Same thing about leaving Uta behind. Or Luffy. This man is lucky he has bigger stuff to worry about than his relationships.