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#I have seen that apparently on the show dean is a fan of that woman and I can tell you whoever decided that needs a good kick to the knees
babisawyer · 1 year
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when dean said he gives himself wholly over to god, and when dean finds out he was born to be the vessel for the archangel michael, and then when dean said he was all out of options so he started to pray
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I just have to get this off my chest because it's been bothering me ever since I saw a particular post about Danneel (I'll mention below) earlier and all of the ridiculousness I've seen this weekend about J2M as well:
Holy fucking shit. I knew with Jibcon being this weekend that there would be so much drama happening (like always) but I can't believe some of the takes I've seen from what these guys have said. This, to me, is an all-new low for this fandom.
First of all, while I am not a Jared fan (I don't hate the guy, I'm just indifferent to him if that makes sense) and while I have repeatedly claimed that I despise 15x20 and Dean's death, when I read his answer to that finale question (I haven't watched the panel yet but I plan to), I did not automatically take it as him saying that Dean deserved to die or that he deserved to live a half life or any of it. Do I agree with his opinion (at first mention I mean)? No, but it's just that, his opinion. Since the whole DenCon 2021 disaster, I've actually done a deep dive with this guy and I have come to appreciate his opinions on things related to the show and industry, even if I may not necessarily agree with him all of the time. I don't think he's an evil guy or sitting around hatching evil schemes to screw over Jensen, Misha, Dean, Cas, or their fans or anything like it. The guy's human and he has opinions, just like every other human being on the planet. Can we please try to come from that perspective when we hear something he said rather than running around screaming "FOUL!" before the guy is even finished speaking? I'm guilty of making that mistake in the past but now I try to come from a more objective and compassionate perspective when I hear something, and then look into it for myself. And each time I find that his words/intention consistently gets misconstrued and painted in a light that was never there in the first place. Which brings me to my second point:
When it comes to Danneel, I am not per se a fan of hers either, I am also rather indifferent to her as I am to Jared or Misha. I don't hate her and even though I don't condone any of what could be characterized as "bad behavior" from the past (i.e. her old tweets and responses to people), like Jared for example, she is also another human being and like any other human being, people do change and they do grow as they get older/have more experiences. She may still behave in a similar manner (though we haven't seen this publicly that I am aware of) or she may not (when you have kids, things tend to change your perspective usually), either way it doesn't matter when it comes to what I'm about to mention. Criticize the woman or don't criticize her, love her or hate her, whatever your reasons, can we PLEASE stop with the bullshit? And what I mean by the bullshit is this:
Jensen mentioned that he was tired in his solo panel today because Danneel wanted to stay up the night before because she hadn't been to Rome in 11 years. All of a sudden, antis (and one severely worrying individual in particular who apparently has a hard time distinguishing fiction from reality when it comes to this couple aka one hgcowboy - you know the one): DANNEEL IS ABUSING HIM BY DEPRIVING HIM OF SLEEP!!!! HOW DARE SHE!!!
Like, are you fucking kidding me? I may be indifferent to the woman or give two figs about her really but how do you get from Jensen being tired from a late night out with his wife to her ABUSING him? And this is characterized as intentional sleep deprivation? Obviously this person (hgcowboy) has never been psychologically abused like this (which is obviously a good thing) nor has she ever spoken to someone who has been through such an ordeal (I am someone who has been through that for example); that's more than evident from this commentary she posted.
1) Danneel wanting to stay out late because this is the one time she's been to Rome in 11 years (and obviously the first time with their kids) is NOT abuse. Have you ever had kids? Have you been married with said kids? There is nothing wrong with Mommy and Daddy having a night out, especially in a place that Mommy doesn't always get to visit (which is why I'm willing to bet that Jensen agreed to stay up despite his early schedule the next day). It doesn't matter that Jensen had a con the next day. The circumstances being what they are change Jensen's usual schedule. If he wasn't married and dating someone instead or took his mom there and she wanted to enjoy a night out or Daniela did as Jensen first joked, is that abuse, too? Simple answer: no. Can it be inconsiderate if (and that's a big IF) that person's intentions were purely self-involved? Sure. But NOT abuse.
2) Jensen is a GROWN ASS MAN. He can make his own decisions. For example, he said yesterday that he likes to go on the Tower of Terror ride (or whatever they call it these days) like JJ, but Danneel doesn't like the ride. He still makes the decision to go on that ride no matter that she doesn't like it. HE MAKES HIS OWN CHOICES. He could have told Danneel no about staying up but he didn't. He chose to go anyway, knowing he had an early morning. That's on him, not her, no matter the reasoning behind his making the decision. He is responsible for himself. Stop pulling shit out of thin air to justify your hatred and jealousy, seriously.
3) As an abuse survivor, I am flat out asking that hgcowboy: can you please stop fucking throwing the word ABUSE around because you're insanely jealous of the woman who Jensen took with him to Rome and it's not you? Like seriously "Sleep deprivation IS abuse" - perhaps learn what actual abuse is and stop throwing that fucking word around (especially in this fucking context) for your own reasons and so you can keep your ongoing fantasy that Jensen is going to leave his wife for you for whenever the next time you meet him is (if you actually met him as you claimed). This is not the first time you've done this when it comes to the topic of Jensen and Danneel, and it needs to STOP. Every time you do it to justify your hatred and jealousy of a woman that the guy you're obsessed with is married to, you do harm to actual abuse survivors such as myself. Abuse is a serious subject and that word should not be thrown around lightly. Idgaf if you hate Danneel, you want to keep that toxicity going (as all hatred is), that's your business, but stop fucking using that word and STOP acting/saying it like you are an expert on the matter, like you do on everything else you talk about like acting, the industry, branding, Jensen's mental state, Danneel's mental state, their kids' mental states (remember that disgusting post you made about their youngest daughter because you couldn't distinguish a joking story from actual reality? saying she was a sociopath in the making? because I sure do), and psychology (spoiler alert on that one: you're not). Because from that statement alone, you clearly don't know what the fuck you're talking about. And it is absolutely disrespectful and damaging to the abuse survivor community when you say that shit and put it out into the universe. You really should be ashamed of yourself.
And those who have actually experienced abuse in any form know exactly how serious that word is, the kind of impact labeling a situation or event as such actually has, and would never use it so disrespectfully and so casually. Like I said, you ought to be ashamed.
Now for those who say Jensen was name dropping when talking about being a producer, did y'all actually watch the panel where he talks about it? He was stating how hard it was to actually get a project onto the air, no matter what the circumstances, i.e. having names attached that were highly successful. Where is the name dropping? Where is this him being so arrogant that he made himself sound like Thee Producer? Have y'all not learned by now to watch the panels for yourselves and not 100% trust the tweets that come out of these rooms? Meaning that their interpretation or translation and context may not always come across in their tweets? How many times does this need to happen in order for you to finally get it? And you guys say you're the critically thinking ones? Yeah, not so much.
Have your opinions, express them freely on your blogs or chosen social media, love/like or hate/dislike who/what you want, but for Christ's sake, can we please inject some rationale into this fandom once and for all? Not everything these guys say is meant to be taken literally or to be a sign of them being in a hostage situation with their wives that only you can help them escape from (looking at you blogger I mentioned above; just admit you're obsessed with Jensen and that's why you hate Danneel so much and go). Perhaps not all is right in the Jenneel world, perhaps there really is a separation on the horizon, perhaps there isn't, either way, it doesn't matter. It doesn't give you the right to throw that word around so casually. And you obviously haven't learned since your last claim of "abuse" that people were doing to Jared when a fan told him not to cry or she would start crying (not meant in a negative or demeaning way to him at all) in a panel a year or so ago. It's clear that you do not understand what that word means. If you truly care about the abuse survivor community, you'll stop using it for your own justifications, fantasies, and anti blog discourse.
And while we're at it, let's all just admit that half of the shit that's said about these guys (and their wives) would never be said to their faces. I seriously doubt you would say it to anyone's face if you had to look them in the eye and say it. You don't have to like these guys or these women, you're free to have your opinions and express them, but can we seriously stop with the exaggerated speculation and outlandish analysis of each word that comes out of these guys' mouths about every single aspect of their lives? We are not inside their heads, their homes, their marriages/relationships, or the inner working of their careers. Does that mean that each individual hasn't done something worth of legitimate criticism? No. They're human beings on a very public stage. Each one of them has done or said something that is not desirable and perhaps has caused you to un-fan them so to speak. But does that mean all of this fighting (i.e. Jensen fandom vs Jared fandom & Jared fandom vs Misha fandom) and toxicity and drama and spreading of negativity needs to continue? No. Why can't we just enjoy what we enjoy about this series and/or these guys and leave it at that?
It's just beyond frustrating. I swear, if I could make my own tag for this show and Jensen on here, I would. Tumblr has to come up with a better filtering tag system than the one they currently have in place.
Just had to get that out. Done.
Edit: I don't usually include names in any of these posts but after the person named here came at me the way she did, accusing me of shit I didn't do, and sicced her followers on me for no damn good reason, now Idgaf.
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adultswim2021 · 2 years
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The Venture Bros. #25: “I Know Why the Caged Bird Kills” | September 24, 2006 | S02E10
This is a strong contender for favorite Venture Bros. episode. This is the episode where I officially became a fan.
In “I Know Why the Caged Bird Kills” (I get self-conscious for starting summaries this way, I mean when I say “In ‘[episode title]’ to start off. I wonder if anyone even gives a fuck), Hank and Dean are kidnapped by Myra, a woman who claims to be their biological mother. Meanwhile, Dr. Venture is being stalked by a Japanese demon that only he and Dr. Orpheus can see. The demon is tethered to Venture, and eventually starts dragging him towards: wouldn't you know it: the crappy roadside motel where the boys are being held captive.
Meanwhile Brock spends some quality time with H.E.L.P.eR hot on the boys' trial. There's also a near entirely-separate subplot with the Monarch, who is visited by Dr. Henry Killinger and his magic murder bag. He starts whipping the cocoon into shape after a botched raid on Venture's secret compound (he accidentally attacks a random office building because he has the wrong address). 21 is wary of this outsider, and gets the long-absent Dr. Girlfriend to come fight him or whatever. It turns out this was Killinger's plan all along, to have Dr. Girlfriend show up so he can reunite the two lovers. He's nice! (he's also revealed to be the behind the Japanese demon stalking Venture in a post-credits sequence, apparently trying to reunite the two of them).
At the time of this episode's airing, I was still not a committed Venture Bros. fan. My (Hank Hill voice) journey to fandom (regular voice) was roughly this: Saw the pilot (hated it). Watched the first series episode (didn't hate it, but it didn't suck me in). Didn't really watch it after that, but noticed my friends becoming fans and sorta kept up with it a little bit through osmosis (so I knew the season ended with Hank and Dean dying and that they come back as clones). Watched the first Adult Swim Have-It-Your-Way marathon which featured a handful of strong season one episodes. Thought “Okay! This show is better than I thought it would be”. Still didn't start watching it. Saw half of “Victor. Echo. November”, noticed that respected comic writer/performer Stephen Colbert was in the guest cast and thought maybe I should try this show again. And then this episode actually sucked me in. I tried it. I LOVED it!
I went out and bought Season One on DVD shortly after this and watched everything. Downloaded all the second season two episodes from a secret website for grown men who love cartoons, and watched all of them (this act singularly got me into the idea of torrenting shows I liked instead of meticulously searching for them on TV and recording them myself). I was now a regular viewer of The Venture Bros.
This one is just especially funny and has a lot of great scenes. The beauty of this episode is that it mostly works as a standalone episode. I had a little knowledge of the series from before, which is the only way the bit at the end where Brock almost carelessly reveals to the boys that they are clones makes much sense. But the Dr. Girlfriend reveal, while steeped in the show's continuity, is sorta set up in dialogue at the beginning. The story never drags. The moments of pure comedy are hilarious. H.E.L.P.eR quoting Maya Angelou to Brock, Dr. Orpheous exclaiming “they smell MY cat!”, Dr. Venture ending the episode with the line “Alright! So I fucked her! What of it?”. It's all so great.
One of the greatest scenes in all of Venture Bros. has to be Brock's insane action move he does when Myra attempts to run him down with the car. It needs to be seen to be believed. Hopefully you have already seen this episode. I mean, Jesus. If you're first experience of this episode is reading this write-up then you are fuuuuuucked.
Myra's status of being Hank and Dean's mother was something of a mystery for years, until a few seasons later when they did an episode that directly answered for this. The truth is Jackson and Doc had no idea how true any of Myra's claims were when they wrote the episode. She comes off like a crazy person, and Venture tells the boys she IS a crazy person, but if he had a reason to lie about her being their mother then he'd definitely do it. So, I guess stay tuned!
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I hear everything about spn through Tumblr but whaaaat exactly happened with Sam? Why don't people like the actor anymore? I've noticed people censoring the actor's name but I haven't seen anything to indicate why that is :/
the short version is that the series finale cut out castiel completely and not only killed dean but largely minimized him through the whole episode to focus entirely on sam, which viewers theorized and pretty much were ultimately proven right in theorizing that all of this was a slimy effort to prioritize jared padalecki to promote his new show walker. the head of the cw went on about how they think jared is their golden goose and they want to bet on him being a success.
re: the finale, jared was quoted as saying that dean’s (meaningless, accidental) death was a “success story” because it allowed sam to live a ~normal life~, which, considering that dean has dealt with suicidal ideation for years, sends a HORRIBLE message to mentally ill people that your loved ones would be better off if you just died. this is compounded by the fact that jared has for years had a campaign called “always keep fighting” that’s supposed to support mentally ill people.
the finale also completely ditched sam’s season-long love interest eileen, who was not only loved by fans but notable for being a deaf woman played by a deaf actress. instead sam was paired with “blurry wife”, a woman seen in the distance who served no purpose except to birth a male child. in an interview jared approved of sam not being paired with eileen and claimed that dean wouldn’t have wanted sam to marry eileen because she was “part of the life” (monster hunting) and compared her to another love interest sam had, a demon who corrupted sam and used him to summon satan. that’s pretty fucked up. it seems like eileen was removed from the finale for no reason besides ableism and jared did nothing to fight that.
all of this aside, jared is the one who came up with the concept for walker (a reboot of the chuck norris tv show walker, texas ranger) and said that he came up with the idea for the show when reading an article about a border patrol agent who resigned because he was conflicted about putting migrant children in cages. jared apparently took from this story that he should make a tv show about cop who is ~conflicted~ about balancing his duty and his humanity. 
yeah, the guy read a story about migrant children put in cages and decided he wanted to make a show sympathetic to the sort of people who put them in cages. and from the way he’s talked about it, he seems to actually think he’s being progressive in doing it, because, i guess, the cops are conflicted about what they’re doing instead of just roundhouse kicking people in the face.
jared has done a lot of dumb shit over the years that made people dislike him, like a couple years ago when he got drunk and assaulted a couple people in a restaurant, but all of this is what sent a lot of people (such as myself) from the position of “he seems like a kind person who fucks up” to “no actually, fuck that whole guy.” 
i can understand saying dumb things and making mistakes, but he’s displayed inexcusable racism as well as ableism, and apparently allowed the cw to fuck over his friends to further his own career. 
okay that turned out to not be so short, but yeah that’s why people hate him now.
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eyrieofsynapses · 3 years
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Redemption Panel Highlights and Reactions
GATORS
i.e., Beth Riesgraf and Christian Kane (mostly Beth) talking about filming the scenes in (what I presume is) The Rollin’ on the River Job, where they’re pulling some stuff out of the water, and finding out the next day that there was an absolutely massive alligator pulled out of the same place just a little while after they filmed it
Beth’s impression of the wildlife folks warning them about the alligators
Beth scaring the hell out of Noah Wyle by yelling “GATOR” at him just after he finished his scene
seriously that was an absolutely WILD part of the panel
Everyone showering Aleyse Shannon with literally all the love!
Aldis Hodge in particular big-brothering her, and also the older actors calling her out for not giving herself enough credit, and Dean Devlin talking about how she blew him away at the auditions with her ability to turn on a dime
Seeing Kane with his glasses off wiping at his eyes, momentarily thinking “you okay dude?” and then realizing that he was laughing so hard he had tears in his eyes
(same)
The The Bucket Job clip! I’ve been a bit meh on a lot of Redemption, just in how it didn’t feel quite right, but that is possibly the absolute closest I’ve seen it get to the original in the best way. Brilliant
Which comes as no surprise since BETH RIESGRAF directed the episode!!! And apparently put an insane amount of effort in!
Beth’s utter delight and joy at both directing the episode and having the crew behind her
THE CHAIR
So apparently she and Christian went to town on the fight scene and he winds up tied up in a chair somewhere along the line and there’s a whole wild scene, which I am really looking forward to
Beth knowing how insanely particular he’d be about things like zip ties vs rope and what kind of rope e.t.c. e.t.c.
Apparently this is also tied into a VERY DEEP scene with Eliot? It sounds like they’re going to go super hard on his backstory, which is terrifyingly exciting
Just. Beth and Christian going very hard on that episode together
Speaking of: the panel’s going amazingly, I’m laughing so hard my stomach hurts, things are relatively light, and then, of fucking course—
Kane hitting us over the head about Eliot being a mass murderer who can’t be redeemed, is trying to stay static so that he can maintain the place he’s in, and is thus LIVING VICARIOUSLY THROUGH HARRY
What the FUCK. This is of course incredibly insightful and perfectly on point (because it’s Kane) but also, EXCUSE ME, OUCH, why would you DO THAT to us?
Everyone talking about having their families on set and their kids!
Beth’s son growing up on the original Leverage set and now going into being a director himself!
Gina’s daughter also growing up on set!
Noah Wyle’s daughter is playing Harry’s daughter I REPEAT NOAH WYLE’S ACTUAL DAUGHTER IS PLAYING AS HARRY’S DAUGHTER
Gina Bellman remaining relatively stoic throughout much of the panel (seriously, this woman, how the heck does she do it) and then losing it when they’re asked about running/inside jokes
A lot of them are, of course, apparently not appropriate to be spoken on-panel
(A lot of the others are the little inside ones that are special enough not to be ones they want to share, which is sweet!)
Everyone collectively losing it over having LeVar Burton on for The Bucket Job
Devlin and everyone laughing about collecting the various Star Trek people on Leverage
Beth talking about Burton coming over while she’s getting ready and asking her if she’s living on coffee and water, her laughing because he was absolutely right, and then him gently reminding her to remember to eat, which is the sweetest thing in the world oh my gods
Kane apparently choreographing an intense scene with Burton and being scared out of his mind, because Burton really wanted to go for it, but to Kane it was like he’s a figurine that’s not to be messed with because he was so worried about hurting him
Kane choreographing a massive amount of the show, which I knew already, but seriously, this guy blows me away
Gina and the crew talking about how he’d be away for a day of shooting a fight and all of them would be missing him and thinking about him
Family Vibes
Everyone talking about how they’re very noisy and loud together on set and it’s a bit like walking into a group of people having Christmas dinner (or something to that effect) because they’re just Like That together
Aleyse being the most surprised by Beth when she met her because she was like a little angel of light during the auditions but turned out to be an absolute ball of wild energy on set
Gina going “wait you were a MODEL” at Beth
Aldis talking about how much he loved how Parker and Hardison’s relationship had developed and grown!
Also, Aldis apologizing when the New York (iirc) background noise got loud and everyone going “no no we get you”
His outfit is ON POINT today
Gina saying that Christian is the goofiest and wildest out of them in terms of humor
(she goes “some of you may not know this,” which, fair, but also, if you’ve seen more than ten minutes of this guy outside of character you know he’s an absolute ball of sunshine)
Gina, Beth, and Christian talking about how they’d challenge each other to stay off sweets back on the original set, because they knew they needed to stay in shape and also just because they’re competitive (apparently all of them are major sweet tooths) and hide brownies and things from each other, while Aldis is just. doing pushups. eating all the healthy stuff. and then wanders into the room with a literal cupful of chocolates
(and Aldis going “well yeah I have to work off the sweets SOMEHOW”)
Beth explaining that sometimes they’d order a “Kane burrito” from Christian and he’d alter it slightly
Like, you know, chopping up hot jalapenos super fine and mixing them in, and Beth practically not being able to talk after the first bite
Apparently Aldis still went back a lot even after that
(Christian just seems very pleased with himself over it)
(THESE PEOPLE)
Gina goes “hey we should have an episode where we all swap roles,” Devlin going “WAIT FOR SEASON ONE TO BE DONE,” and then somebody (maybe the moderator?? I don’t remember exactly) going “uh actually. We did that”
Cue immediate scramble of “WAIT WHICH JOB WAS THAT”
(paraphrasing) “Yeah you remember the bit where you put on Parker’s harness and went off a building?”
Turns out half the cast had actually forgotten that that existed and only remember when reminded
The original cast all think of the episodes as “jobs”!!!!
Everyone talking over each other, Devlin going “it was with Sterling when we blew up the offices,” deciding that it was the season one finale, and then trying to figure out what episode title it was (eventually they figure out it’s the David jobs)
Moderator and Devlin accurately commenting that the fans know the show much better than they do
Noah Wyle very correctly explaining how Electric Entertainment is like a family and Devlin just. Keeps people
Aleyse and Aldis talking about typing when they’re hacking and going “WHAT THE HECK DO WE TYPE”
Aldis goes “yeah I just type all the bad words that we’re not allowed to say”
Aleyse saying that she’s always a little worried they’re hiding a Word document behind the blue screen and they’re going to pull up what she’s typing at the end of the day and print it out and put it in her trailer going “what the HECK is this”
Noah talking about filming The Golf Job and just getting to direct Jason Marsters and Christian together
Apparently their dynamic in that episode accurately mirrors the one with their characters in Angel!
Which promptly goes straight to the comment that it was very hard to make Marsters look like a golfer (pfft)
(Also apparently Christian plays golf for fun with his friends? Not necessarily something I would’ve thought of!)
Aleyse happily talking about how she loved the dynamic on set and it was very different from what she was used to
Also Aleyse talking about doing stunts and everyone else praising her for going whole hog
Beth especially praising her for the bit where she’s hit with the paralysis injection (I don’t remember which ep it’s from) and her acting for it, because it was incredibly hard to drop off screen in the particular way she did
Aleyse promptly answers that she was terrified with some of those, especially one where she had to keep a clock from falling and breaking
Everyone discussing how they see a new aspect of Breanna’s character in The Train Job
Also, to get serious for a moment, Kate Rorick in particular talks about how Breanna’s part of Gen Z and how we didn’t get the “days of yore” where everything was chill. We’ve basically been living in a world of hostility the whole time. It’s something I deeply appreciate, as someone who’s part of that group, and I love how they emphasize that for us.
This panel was pure chaos and I loved every moment of it! My stomach was actually hurting from laughing so hard, I swear. They had me cackling well over half the time. I would happily take panels double or triple the length of this, this was amazing. I also adore how the second you drop these six people in a room together, they immediately take off and literally just run and give you everything you wanted and more. (It is also evidently very hard to get them to STOP talking.)
I’m also just going to stop and take a second to fawn over the effects for the 3D room. It’s gorgeous—I love how they replicated the headquarters, especially with the stained glass ceilings! Super impressive, especially with all the photos, and I just love the whole thing. Kudos to whoever put that together.
Anyway, I’m definitely missing some stuff too; seriously, there wasn’t a second wasted in this thing, they were cracking some kind of joke or dropping some really interesting piece of information practically every thirty seconds. (And I haven’t even gotten into the clips OR the bloopers. I miiiight do a separate reaction purely for those.) It’s still up right now if you missed it and you want to watch it! I’ll probably watch it again, honestly.
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casmybelovedass · 3 years
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Y'all I'm tired:
A s##c#dal man dying cuz "It's better this way" and "This is how it was supposed to be"
A beautiful HETERO romance, where the disability of one part doesn't interfere with it, thrown away for a nameless, faceless woman
"There'll be peace when you are done" oh yeah uhm did we mention that "peace" is DEATH?!!!!
Years to finally defeat the author and gain free will... free will is bullshit and faith controls us
Our son is so high on God fumes he fucked off never to be seen again
Said son not bringing is loving father back
Amara trapped again after an eternity of being locked away
Dean died finishing one of j*hn's jobs
"Lots of fan favourites are coming back" JENNY
"bUT cOvID" there were 300 maskless people on that bridge. Shut up
The Harvelle's bullshit
Rusty nail and wig™️
The
Dean
overalls
He was looking for a job. He wanted to live
Look! Shirtless J*red! Come look at ou- his new show!
How miserable do you have to be to not have even one picture with your wife and new life on display
The inc##tu##s vibes
The thank you video not including the other part of the brother duo you oh so insist is the show's only focus
Nobody was at Dean's funeral
"One and a half episodes left to shoot"
Killing off all women, all poc, disabled, adhd/autism coded people
"Take it or leave it"
Notice how I not even once mentioned destiel or lgbt people?
How weird. I thought that was apparently the only thing we were "butt hurt" about.
How very weird.
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estherdedlock · 3 years
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Taking a break from my recent literary and aesthetic obsessions to reflect upon what happened on the set of Alec Baldwin’s movie.
Anyone who started following me recently won’t know that I was a sort of proto-fan of Supernatural. I actually joined Tumblr because I was so unexpectedly emotional about the series finale last year that I just needed to write something about it, somewhere.
Now, Dean was always my favorite character. I still carry a little torch for both him and Jensen Ackles for bringing Dean to life and for putting so much work into that role and that show for such a long time that it was literally over a third of his own life. 
I’ve seen some...I’m going to call it “pushback” against fans expressing concern for Jensen or relief that he wasn’t involved in the shooting. Apparently, no one with their head screwed on straight, or any sort of moral compass, would be able to spare a thought for anyone except Halyna Hutchins.
If a friend told you that someone had died in a horrible accident at their job, wouldn’t you ask, “Are you okay?” or “How are you doing?” That doesn’t erase the person who died or the tragedy of their death. It’s just a very natural acknowledgment that a terrible event casts a wide shadow, sometimes even on people who had nothing to do with it. And the fact is, Jensen didn’t have “nothing” to do with it -- Halyna was someone he worked with and respected and this kind of death in that business is so uncommon that it must be very hard to grapple with. No one expects their co-workers to be shot dead at the office, so to speak.
I haven’t seen anyone suggest that Jensen’s well-being matters more than Halyna Hutchins’ life and I’m sure that Jensen’s fans do think it’s an awful tragedy that a talented woman with so much to offer was killed in such a senseless way. But they are also Jensen’s fans, some of whom have been carrying their own torches for him since he was a teenager on Days of Our Lives. It would be odd for his fans not to care about how he was doing and not to be relieved that he wasn’t hurt, or the one holding the gun.
I’ll readily admit that fans sometimes go overboard in their infatuation, and at times I’ve been guilty of that myself. "Loving” a person who’s basically a stranger is somewhat puzzling. But I’m equally mystified by this reverse attitude, that a famous person deserves zero concern and that expressing any sympathy for them is selfish or shallow: people putting on a melodramatic display of caring  to...I don’t know what. Out-fan each other? Prove their devotion?
I may not know Jensen Ackles but I’ve respected and been fond of him---and I guess you could say I’ve loved him a little---for more than ten years. And because of that, I feel no shame in saying that I am glad he wasn’t shot. I am glad he wasn’t holding the gun. And I do hope he’s doing okay.
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smol-and-grumpy · 3 years
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Home To You - Ten
Pairing: Dean Winchester x Reader
Summary: Dean enlisted in the hopes to help secure enough money for Sam to be able to go to college. Of course he didn’t tell Sam. Why would he? Sam would understand, right? Turns out, Sam didn’t get it, and is giving Dean the silent treatment for over a year. In Dean’s desperation to reconnect with Sam, Dean reaches out to his brother’s best friend. Little does he know that the hurricane named Y/N will turn out to be the reason he wants to stay alive and go back home for.
Chapter Warnings: Aaaaand, they’re still idiots. Contains flangst.
WC: 3569
Beta’d by: @deanwanddamons​ <3
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“Hey, Y/N,” 
She wakes up to a soft voice ringing in her ear. It’s deep and gravelly, just slightly above a murmur. There’s also a feeling of something nuzzling against her temple. Hot breath fans over the side of her face, making her shiver - but in a good way.
“Wake up,” The voice whispers again, it’s smooth and soft, bathing her in warmth, making her feel less likely to want to burst the comfortable bubble she’s wrapped in so she doesn’t move. 
“Nuh-uh,” She tilts her head, trying to bury her face deeper into the pillow. 
There’s a rumbling sound from underneath her face, it resonates out of her pillow, and then it starts to shake as a chuckle sounds off of it. The sound is deep and scratchy, it makes her feel warm.
Oh.
It’s not a pillow at all, she realizes. 
It’s Dean.
God, but he’s so soft and she feels so content. He’s better than all the pillows in the world.
“You should let me get up, I hear the nurses walking around outside.” 
That’s the cue because all of a sudden, it all comes rushing back and she bolts up abruptly, knocking her head against his jaw in the process and sends him jolting back. Dean cups his face while groaning out painfully, cursing something intangible under his breath.
“Shit, Y/N, you wanna knock me out?” 
She covers her mouth with one hand, muttering apologies and honestly, just trying her best not to burst out laughing too loud as Dean rolls himself off the bed. She absolutely hates the way he takes the warmth with him, and is already feeling colder as soon as he inches away. 
He stops swearing after a while and begins to tie up his boots before standing up straight next to her bed, his hand moving to push her hair out of her face. “You’re still so hard to wake up, huh?”
The memories come back to her. Memories of her mornings at the Winchester’s house where Sam and Dean would fight about who has to wake her up because apparently, she’s a grump in the mornings. Dean always lost to Sam at rock paper scissors and it took him a while to know how best to wake her up, starting with a ten-foot pole, and soon enough, he figured that the best way was to just sit right at the bed with a mug of hot coffee in his hand. 
She’s not allowed to have coffee right now, and knowing that actually makes her grumpier. She scrunches her nose, “Yeah, well, you’d be happy to know that some things never change.” 
“I’m glad they don’t.” He grins. It’s the grin she loves. All bashful and with a slight hint of boyish charm. It makes him look a lot younger. It definitely suits him, it makes her think that he’s just a man who hasn’t seen death and isn’t trying to carry the weight of the world on his own. “Listen, I-”
Before Dean can finish his sentence, the nurse bursts in.
“Good morn-,” The woman who she has gotten to know as Carmen chirps before stalling upon seeing Dean standing there, “-ing,” The brunette nurse finishes and tilts her head down a little. A bright shade of crimson is visible on her face, her mouth curving into a shy grin. Carmen takes a moment to gather herself before she looks back up, “You’re still here,” She states and Y/N just knows that the statement is not directed at her. 
Dean smiles warmly at the nurse, “Yeah,” 
There’s something that bubbles inside of her, rising from the pit of her stomach to her chest and she doesn’t know what it is but she doesn’t really like it. Trying to push that feeling away, she forces a smile of her own.
Carmen just nods at Dean as she walks closer to the bed, probably realizing that she has a job to do. Dean moves to the window, looking out while he lets the nurse check up on her. 
“Before we bring breakfast, the doctor will be here,” the brunette informs her and she sighs. Carmen then turns to Dean, “Would you like something as well, Dean?”
Oh, so they on a first name basis? She must have looked dumbfounded and of course Dean notices because he always does. 
He clears his throat before he speaks to her before even answering Carmen’s question, which somehow makes the jealousy less obtrusive, “Yeah, I came in last night and Carmen was here,” he explains, even though he doesn’t need to. She nods and only then does he turn to the nurse still waiting for him to answer her, “I’m good, thank you. I’ll grab a coffee later.”
The brunette doesn’t seem to be fazed that he took longer to get back to her and now that he did, her face goes tomato red again. Y/N’s used to seeing that. She’s used to knowing what effect Dean has on women and apparently, he still does have that same effect. Things haven't changed at all.
Carmen walks out after doing her work and Dean comes to stand close enough so Y/N can elbow him in the ribs. 
“Ouch! What was that for?”
“Duh,” She grins bravely, hiding her true feelings because it has no room here. “She’s obviously into you.”
Dean frowns before cocking an eyebrow, “You think?”
“Jesus, did you not watch the show that just happened?” She smiles teasingly. The smile doesn’t really reach her eyes but she doesn’t think Dean notices, “Maybe you should ask if she wants to go for a drink?”
He looks down to his feet, seemingly in thought. She can see his mouth working from him biting on something on the inside of his cheek. Dean licks his lips before he shakes his head to look up at her, “I’m here for you, Y/N.” His hand comes up to tuck a strand of her hair behind her ear. His words make her face warmer too, which she hopes he doesn’t notice. 
“And I didn’t tell you to.” She replies, knowing full well that she’s been unreasonable, but it’s the truth. She doesn’t want him to worry, and least of all, she doesn’t want him to think that she’s another burden to him. If anything, Dean deserves to have a slice of happiness of his own. 
“Oh, so, you want me to leave you here and go on a date with Carmen?” He raises his voice a little, which stuns her. Dean normally never raises his voice at her, only when they’re bickering but then they know that neither of them really mean it. 
“I’m just saying-”
“What?” He cuts in, more agitated now, “That I will abandon people I love to go on a date with a girl in the short time I get to be with you?”
His words hit her a little too hard and she’s momentarily speechless while her heart is beating a little faster. The pain in her head comes back and she has to squint her eyes as she lifts her hand to her temple. Dean’s quick to rush the two steps forward and laying his hand on hers, “You okay? God, that’s a dumb question, of course you’re not.” 
“You love me?” She asks, because those were the words that stuck. 
Dean’s jaw drops a little and he licks his lips, the pink in his ears showing, which she thinks is absolutely adorable. He always gets the most color there. “Yeah, of course. You’re family, Y/N.”
Yeah, she’s family, just like he is hers. They will never be more than that. The thought just about shatters her heart. 
Before she can dwell on the disappointment that is spreading and clearly taking heavy roots in her guts. She doesn't even realize that Dean has his forehead leaned on her temple until he jumps apart from her when there’s a knock at the door. 
“I’m sorry,” Carmen says and smiles shyly at both of them as she walks in with a fresh jug of water, “The doctor will be here in about five minutes,” 
“Okay,” She nods at the nurse and looks at Dean to direct the next question to him, “When will Sam be here?” 
“He told me he’s going to pop in before his first lecture at 9 AM,” Dean flips his wrist to look at the watch. He’s still wearing the same one, the one she and Sam got him for his twenty-first birthday. The thought of him holding on to simple gifts makes her smile. “He should be here any minute.”
“Right,” 
“Just ring me should you need anything, okay?” Carmen says, already halfway out of the door. 
“We will,” Dean replies for both of them and she keeps on looking at him, glaring even. He sighs before he rolls his eyes. Looking back at her after his eye roll, he lifts his eyebrows and she just jerks her head in the direction of the door and grins, although she doesn’t feel like grinning at all at this moment. He sighs again before he speaks, “Actually, Carmen,” 
Y/N watches as the nurse turns around, and when Carmen speaks, she sounds hopeful. “Yeah?” The woman’s lips curl up into a bright smile while her eyebrows climb up her forehead in anticipation.
“Um-,” Dean half mumbles and sends Y/N a last look. She doesn’t falter, at least she hopes her grin doesn’t falter, but the corner of her lips starts to twitch uncomfortably from the strain so she stops grinning but winks at him instead, her way of telling him to go forward. He frowns at first but then his whole demeanor changes, his eyes a little cold towards her. Not that she can dwell on them too much because Dean turns away from her to look at the brunette instead, “Let me walk you out,” 
She watches him sending her another look. She’d like to say one that is less cold but actually, it turns icy before he turns his back on her, following Carmen out. It honestly makes her feel crushed but she guesses that she brought it upon herself.
Not allowed to get out of bed, there’s nothing else to do for her other than staying behind, and to pass the time she looks out of the window while worrying her bottom lip between her teeth. Of course, she doesn’t want to share Dean with another girl, but what can she really do about it? He said it himself. She’s family. There’s no way Dean sees her the way she sees him and who is she if she doesn’t want him to be happy? 
“Hey you,” Sam sticks his head through the door, wearing his dimpled smile as he strides in afterward to walk to the bed. He wraps her up into a bone-crushing embrace. She takes the time to breathe him in. “How are you holding up? Jess will come later, she has a meeting with her professor.” 
“Of course, I forgot that life is still going on even if I’m not a part of it.”
“I’m sorry to say this, Y/N,” Sam sits down on the empty chair next to her bed, “But I think you have to sit this semester out. There’s no way I will let you worry your head.” 
She has to grin at that. “That’s okay, I don’t even know if I want to continue, Sam.”
“What do you mean?”
She stares at her hands that she has folded in her lap, “I came here to be your cheerleader, remember? I don’t need to study, I don’t think I even need to work for the rest of my life.” 
It’s not a lie. Her parent’s house is hers, they have left enough money for her to be comfortable, and last but not least, there was the insurance money and from the lawsuit her uncle started in order to get the maximum out of her tragedy after her parents passed away. She has enough money and if she keeps on living as she does, it will last her a long time. Long enough for her to figure out what she really wants out of life and a little beyond, probably.
“You’re awfully bad at sitting still, though.” He chuckles, which again, is true. Sam lays his hand on top of hers. They’re incredibly large, her hands looking ridiculous in comparison.
“I don’t know…” She starts, “I just might go back home, would that be okay?” 
“Why?”
“I hate it here.” It blurts out of her and to her surprise, it feels like a weight has been lifted off her shoulders.
“Wow, tell me what you really think, why don’t you?” Sam’s full-on laughing, but when it dies down and he looks at her, he sees that she’s not joking. “You know I can’t leave until I graduate, right? I’m still stuck here and maybe, just maybe, if I study hard then I can get out sooner.” 
“Sam,” He lays her hand on top of his, “I’m not telling you so that you will come back with me. Your place is here, at least for the time being and until you get your degree. And I’m not even saying that I’m leaving tomorrow. Right now, I just want to take one day at a time.”
“First of all,” the younger Winchester smirks, “How dare you think that I would want you to be all on your own. And second?” He smiles now, “One day at a time sounds about right to me. We’ll be okay, Y/N. I promise.”
She nods. Somehow she really wants to believe that they will be. 
Dean slips in before the doctor. He pauses at the door and takes a look at his brother and Y/N.
“What’s wrong?” He asks, a hint of concern lacing his voice. 
“Where were you?” Sam asks, skillfully dodging Dean’s question and she doesn’t know if it’s the residue of animosity still resting inside his bones that he doesn’t want to tell Dean everything that worries him yet. 
His brother seems to sense Sam’s reluctance not to answer, of course Dean does. Nothing really gets past him, but she’s glad that he doesn’t pry. Dean never does when it comes to Sam, knowing that his brother will talk when he wants to. 
“Did you get her number?” Y/N jumps in before Dean can even start to open his mouth to answer Sam’s question.
Dean groans out audibly before he sits on another empty chair that’s propped against the wall on the opposite side of her bed. He’s too far away, and somehow she wishes that he was closer like last night. 
“Yeah,” He answers her question but it doesn’t sound like he’s super happy about it, “Are you happy now?”
No, is what she thinks. “Yes,” is what she says and surprises herself by being able to curve her lips up into a small smile. 
“You what?” Sam’s nose scrunches a little in irritation. “You asked some girl for their number? Here? While Y/N’s waiting for surgery?”
Dean doesn’t answer. He’s taking Sam’s anger with a squared chest and his chin held high, and she sees that he’s zoning out. She’s seen that posture before, whenever his dad took the anger out on Dean instead of on them even though it wasn’t Dean’s fault. 
Instead of answering, Dean just looks at Y/N and his eyes change, giving in to blankness.
“Sam, it’s nothing.” She says, trying to calm the younger Winchester down. “I told him to.” She explains.
“You’re insufferable, you know that?” Dean mutters under his breath but it wasn’t said with any malice. He leans his head against the wall and sighs heavily and she can’t help but think that he looks exhausted. She wonders if he did get any sleep at all.
She worries her lips, hoping that it isn’t her that keeps him awake, it’s the last thing she wants to do after he makes the journey back to be here for her. Before she can ask or even apologize the doctor who’s been examining her the whole of yesterday comes in to greet them.
His gaze flickers to Dean whom he obviously hasn’t seen yesterday. “And you are?” 
Dean stands up, making himself straighter, puffing his chest out a little, and holds his hand out for the doctor to shake, “Dean Winchester, sir.” 
“Ah, you must be Sam’s brother.” 
“That, I am.” 
“So, I guess the whole family is here now, right?” The doctor’s gaze flickers around the room and she nods. 
He begins to explain his findings and what’s going to happen.
Somehow, though, her brain turns off. She hears everything but she doesn’t let it get under her skin. She heard how he said that there are multiple aneurysms. There’s someone muttering in the back too, saying “Shit!”. Her brain doesn’t register who it was, her guess is on Dean, though. She heard how the doctor said that the chances that anything happening is slim but it’s there but that if they don’t operate, she doesn’t have a chance of surviving once they burst. It’s like a ticking bomb in her head, ready to go off at any time. She tunes the rest out, staring holes into the air. Suddenly, her feet under the thin hospital blanket are so much more interesting to look at. 
“I’ll see you in surgery at 2 PM,” The doctor nods at her.
Y/N can’t answer, waits for the weight of the knowledge to settle down.
“I can’t eat anything, right?” She looks at both men who are left in her room. Maybe it’s the shock sitting inside her but she feels very hungry and it’s the only thing she can think about, which again, is absolutely weird.
“I’m sorry,” Dean answers the question and steps closer, leaning his hands on the mattress and nuzzles his forehead against her temple. She doesn’t really know what he’s sorry for, but Dean answers the question in her thoughts for her, “About everything, you don’t deserve this.” 
Her hand comes up to cup his cheek, fingers rubbing over his scruff, “It’s not your fault.”
“Well, it isn’t yours either.”
She nods in understanding and Dean places a chaste kiss on her temple. They were both a little lost in the moment when she’s brought back to reality by Sam’s sniffing. 
God, Sam. It’s harder on him than on her. 
Dean seems to know too, steps aside to make room for Sam. The younger brother doesn’t hesitate, his hand finding the back of her neck to guide her towards him. He kisses her cheek, lingers there longer than needed but it’s necessary.
“I’ll be back after lunch, okay?” 
“You don’t have to,”
“Oh, believe me, I do.” Sam sniffs again before taking a step back and she does her best to ignore the tears in his eyes. She can’t look at them, knowing that she would break down instantly.
“You should take Dean with you, get him cleaned up at my apartment.” She suggests.
“Why, you wanna get rid of me, Y/N?” Dean’s voice is teasing, trying to ease the air filled with uncertainty. 
“Ya, you stink, man.” Sam grabs his brother’s shoulder and she doesn’t know if it’s the first time they touched since what seems like forever, but from the way Dean tenses up, she guesses that it is. He recovers quickly, though, the tenseness giving way to softness. 
Dean just cocks one eyebrow, eyes flicking to her as if to ask if that’s true. The tip of his ear showed a soft pink shade. She grins and he shakes his head. He doesn’t or maybe she’s biased. She likes how he smelled last night. Pine and musk and something that’s just Dean. Something a home is made out of.
“Come on,” Sam shoulders past Dean, waits at the door because Dean hesitates. “She’s in good hands.” Sam reminds his brother.
“You really want me gone?” Dean turns to her, crossing his arms over his chest and she tries not to look at how the material of his shirt stretches awfully tight over his shoulders and arms. 
“You should go get breakfast. You can take a shower, even take a nap in bed if you want. Mi casa es su casa.” She smiles, “Sam has a key, fresh towels are in the bathroom. The shower is warm and has great water pressure.” 
“K,” He nods, his eyes light up a little at the prospect of a warm shower. Guess there are not many of those out in the desert. He bends down, kisses the crown of her head and moves to rest his forehead on hers, “I’ll be right back, yeah?”
She bites on her bottom lip, he’s so close and all she actually wants to do right now is to move forward and kiss him. It would be so easy. She’s been thinking about his lips a ridiculous amount of time. Wonders if they feel as good as they look. Y/N knows that she can't, that's why all she says is “Okay, I’ll be here.” And laughs lamely. 
“Behave,” He chuckles, pressing another kiss to her temple before he bends down to retrieve his bag from the floor. 
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Eleven
Please share your thoughts with me, I’d love to hear your feedback.
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itsclydebitches · 4 years
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Okay, I’m going to purge all my emotions into one text post in the hopes of cleansing myself. “Carry On” wasn’t just a bad finale, it was very nearly a parody of how bad a finale can get. The kind of thing that fans might — and in some cases actually did  — post about as a worst case scenario joke, a “Lol can you imagine the chaos if they did this?” without any real belief that the show would go that far. Yet they did. 
We begin the episode with a generic life routine montage that segues into an equally generic case, a callback to SPN’s roots that, while nostalgic in terms of the “Saving people, hunting things” motto, nevertheless fails to acknowledge that SPN hasn’t been that simple a show in years. I’m waiting for the case to tie into the larger plot/mythos somehow, but it doesn’t. We’re treated only to the heavy-handed symbolism of them saving two brothers. A woman victimized by vampires seasons back shows up for a second so Dean can comment on how good she looks, then Sam kills her. She is the only woman we see in the finale besides a nameless cop who gives exposition and leaves. Donna, an old favorite, is mentioned only by name. We know nothing about Sam’s wife. 
Dean dies. After 15 years of surviving the unsurvivable, his chance to finally live life disappears as he’s killed by a grunt vampire via a nail in the back and just tells Sam not to try and resurrect him. Though the acting in this scene is decent on both sides, I have precisely zero emotional investment because I’m just asking why this is happening. Why aren’t the brothers living or dying together? Will Cas somehow return, given that they’re in a barn and all? Nope. Dean dies, is cremated, Sam mourns in another montage and moves on. 
Despite this being a show positively stuffed with significant characters (it may have started out with two brothers but it certainly didn’t stay that way), the only one Dean (and via him the viewer) gets to see in heaven is Bobby. After some explanations and a bad beer, he drives off in his Impala while we get another montage of Sam growing old, which if you’ve seen the Six Feet Under finale may look familiar. Sam doesn’t age well, in the sense that the wig and makeup look ridiculous. He marries a woman we, as said, know nothing about and has a generic hunter son that he of course names Dean. Dean 2.0 tells his ailing father that he can die now and Sam does, dutifully, appearing to stand with brother!Dean on a bridge as his younger self... despite the fact that apparently only five minutes have passed for Dean in heaven, but Sam has theoretically grown into a different person after decades of life. 
Most egregiously, any hope the fans had for Cas getting a respectful ending were dashed. After a shocking confession two weeks ago, everyone was waiting for their reunion and to see if Dean reciprocated Cas’ implied feelings (the “I love you” deemed romantic largely due to the “What I want, but know I can never have” line, given that Cas has said “I love you” to both brothers in the past). Except that Cas never shows up. The first time he’s mentioned it’s by Sam, with Dean encouraging him to move on and eat pie instead of thinking of lost friends. The second time he’s mentioned by Bobby, who drops the reveal that Cas “helped” build this new heaven. So did Jack let him out of the Empty? Is he here now? Why wouldn’t he ever tell the brothers that Cas is no longer in super hell? It’s unclear. Either way, Dean doesn’t seem to care. So we had eleven years and a couple of months worth of queer baiting, a presumed romantic confession, followed by immediately killing Cas off, then Dean off, and the two of them never meeting on screen again.  
So... yeah. Well done, SPN! I think you may have pushed Game of Thrones and How I Met Your Mother out for a certain title. 
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literatigifs · 3 years
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anonymous asked: I've seen other people say that people are only team Jess because they like his development outside of his relationship with Rory and that they often forget how he actually was when he was with her. What do you think?
I know that it sounds like a good argument but most of the time when I do see people say this, it's just used for the sake of belittling anyone's interest or preference in Jess when it comes to Rory's boyfriends.
I don't think it's bad for people to admit that they like Jess as a potential romance for Rory after his development because frankly their relationship didn't get the best showing during season 3 (we got more conflicts that were more or less resolved and less good moments between them when they dated for about 8 months). But whenever people want to dismiss fans' general preference for Jess, it's often in the form of "well we didn't see them ever in a relationship again unlike Logan so frankly for all we know Jess might still be an asshole boyfriend". And I'm always just, so baffled by the complete lack of logic in this response because even when Logan apparently "developed", he still broke up with Rory at her own graduation from Yale only because he didn't see the point in salvaging their relationship unless she married him. Jess's main issues in his relationship with Rory were directly tied to his issues as a person; he couldn't communicate well with anyone, not just with Rory, he suffered from low self-esteem and he was a teenager who worked a job full-time because he frankly didn't see the point in attending classes if he was never gonna amount to anything anyway. By the time we see Jess in season 6, he has practically done the opposite of all of those things, and even when Rory kisses him while being with someone else in 6x18, he handles it with so much more grace than he ever could have when he was 17. So I think it's safe to say that Jess is well past his previous issues as a potential boyfriend to Rory. This is why some people consider him to be a better future match for her than any of her other boyfriends because not only did we see Rory "try" again with Dean/Logan, and both cases being an affair where she was delegated to the other woman, no less, but both of those cases ended with a finality to them.
Also, I'm well aware of people always wanting to clutch their pearls at this but, Jess really wasn't as bad of a boyfriend as everyone loves to paint him off to be. And even if the affair with Dean/Logan happened outside of their "official" relationships with Rory, that still doesn't excuse that they happened and both guys seemed to be fine with her being in that position, despite seemingly loving her so much.
PS but I also never understand these same people being all "oh but he still deserves better than having to pine for her in the revival", despite shedding tears over Logan apparently being hung up on his college girlfriend from like 10 years ago.... like you guys know that you can pick a proper lane for this, right?
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billiewena · 3 years
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for the 100k fic celebration, here a portion of the “what if 10x05 had a sastiel agenda?” AKA lil shit sam/jealous dean destiel fic I first shared a while back! been having a lot of fun basically rewriting and expanding on the entire musical episode with new songs (and lots of cute kristen & siobhan moments because OF COURSE they’re still a couple.) it was really encouraging to see the positive response to it back then and it's been taking forever because of work/other writing but I’m so excited to have this one be the first full-length fics I ever post.
It starts with costumed teenagers locked in a tight embrace with absolutely no room for Jesus.
“What are they doing?”
Marie glances over her shoulder for only a brief second.
“Kids these days call it hugging,” she says slowly. Geez, it would’ve been less insulting for her to just outright say Wow, you’re old.
Except it’s not just any of the show’s stars hugging over there. One of them is the “Dean” who’d been mid-rehearsal when they arrived and looked more like Bieber than him with the blonde wig. And the other? Well, he would recognize that Columbo coat anywhere.
“Is that in the show?” he asks, pointing their way.
Marie quickly shakes her head at the accusation. “Oh, no. Siobhan and Kristen are a couple in a real life.”
He nods and lower his hand. Got it. That’s all it was. Everything’s fine. Nothing to worry about—
“No, my play explores the nature of Sastiel.”
“The — wait, what?” he says, confused at once.
“Sastiel?” Marie pauses, giving him a second to figure it out. He doesn’t. “You know, the relationship between Sam and Castiel?”
Dean blinks.
“Sam and…C-Cas?”
“I know, I know. Edlund’s series never finished. I’m lucky I got these drafts. Ugh, it’s Midnight Sun all over again. But the love story is all in the subtext,” she says with confidence. “Can you believe there are people who still think Destiel is endgame? After everything that happened after the angels fell? After Gadreel? Please.”
He silently sounds out the word. Des-tiel? Wait…
“Ever since Cas came back from the dead and took on Sam’s pain, I knew. I just knew. Every one of their arcs had been parallel to each other’s from their fall from grace to the trials. And now with Dean gone, all they have…is each other.”
Marie sighs. “Besides, you can’t spell subtext without S-E-X.”
He coughs and nearly chokes on an asteroid-sized lump in his throat.
“I…uh. Yeah, th-that’s not…you know, I think I’ve seen enough,” Dean says with a forced smile. “Thank you for your, ah, time. I’ll, uh, we’ll follow up if we have questions about the missing persons case. I—alright.”
And with that he purses his lips, turns on his heel and walks away — nearly tripping over one of the stage chords as he does. Why are there are so many of them anyways? This is just some all-girls school production, not the goddamn West End.
He finds Sam in his natural nerd habitat (the tech booth) sifting through all the bins of A/V supplies.
“Yeah, not to interrupt the blast from the past here but it’s time for us to go,” he says, patting the door.
His brother shoots him an annoyed look but packs up and follows him out all the same. Not that Dean bothers to wait for him; no, he makes a beeline for the car as soon as he leaves the booth.
“Hey, what’s with the rush?” Sam calls after him as he runs to catch up with him at the school entrance.
“No rush,” he says shortly. “Just wanted to see what you found out before you got too lost in the nerd sauce over there.”
He doesn’t need to look back to know he’s on the receiving end of a Classic Sam Bitchface right now and continues to stomp his way through the parking lot.
“Well, no EMF, no hex bags. None of their props are remotely hinky. Talked to Maeve and all those extras in the auditorium.” Sam finally catches up and walks side-by-side with him now. “You have any more luck?”
“Nah. Ms. Chandler's office is just a pile of empty bottles and regret. She's probably just face down in a bar somewhere. Or a ditch. I did get to hear all about the director’s, ah, creative vision though,” Dean says, teeth gritted. “Apparently we go into space, I become a woman, and there’s even ninjas and robots!”
“Robots. Huh. Well, that’d definitely be a new one.”
“There’s no robots in Supernatural—”
“I-I know that,” Sam says in exasperation. “I just mean it’s, y’know, innovative. And Dean we’ve fought weirder. Remember the teddy bear? The fairies? The ballet shoes?”
“Well, you just wait until you hear about what she in store for you, Lover Boy,” he says.
And that makes Sam do an instant double-take.
“Uh, Lover Boy?”
“Yeah, your number one fan back there —” he says, gesturing back towards the school, “— was telling me all about the play’s, uh, love story between you and Cas. You got something you’ve been meaning to tell me or what?”
“The love story? Wait, what do you mean me and Cas?”
Dean scoffs, already in utter disbelief of the words he was about to say. “Like you and Cas, together. Together together? Romance of the ages the way she made it sound. Apparently it’s all in her play!”
To his surprise though, Sam just… laughs. “Well, I mean hey, that’s an improvement from the ones who wrote about me and you.”
“You got that right,” he agrees with a shudder. Meeting one Becky the Stalker was bad enough. Knowing she wasn’t alone and that she had an audience made it even worse. “She even had a portmanteau for you, dude. Like you’re some celebrities in a grocery store tabloid. Sass-tiel.”
“Sass-tiel?” He seems to seriously consider it but shrugs. “I don’t know. What about… Samstiel? CasSam? Cam? Mmm, maybe not that…”
Dean groans. “Really? That’s your issue with this?”
“Of course it’s not my issue,” Sam says. He stays pensive for a few more seconds until chuckling again to himself this time, as if he’s the only one in on a private joke. “I mean, don’t get me wrong, Cas is great but…”
“Not your type?”
“Yeah, sure,” Sam says. No, it’s definitely more than that and he’s doing a piss-poor job of hiding his amused expression.
Dean turns and stares him down. “What?”
“I dunno,” he says, his smirk fully visible now. “I just think it’s funny they’re pairing me up with Cas when the one with the ‘profound bond’ with him is right there.”
“Oh, haha. You’re hilarious,” Dean retorts at once.
“Hey man, I’m not the one who stayed in Purgatory for a year to find him.”
His glare takes on a murderous edge.
“Okay. You know what? You’re going to do that thing where you just shut the hell up! Forever!”
Sam holds up his hands in either what’s either a show of innocence or surrender.
“Alright, alright. Well, other than the Charlie Kaufman of it all I got nothing.”
“So…what?” Dean says. “This-this all... This whole musical thing, everything, it's... it's all a coincidence? There is no case?”
“Unless you're seeing something I'm not, no, Dean. There's no case here,” he says sincerely this time.
“Come on. This has classic Trickster vibes all over it.” He almost wants to turn around and start yelling, Come on out Gabriel you bastard!
“Trickster’s dead, man. And he wasn’t just a trickster, he was an archangel. And they’re all gone too.”
“Could be a lower-rank angel?” Dean tries. “I mean, Zachariah pulled off an entire apocalypse world. And that place where we were both corporate drones. Before you know it, this’ll get all Buffy and it’ll be me and you singin’ and dancin’—“
“Dean…I think it’s just fans. Look, as long as they’re not putting another love spell on one of us I couldn’t really care less what they’re doing,” Sam says with some bitterness, clearly not looking back at that particular memory with any fondness. “Just writing some songs? I mean, it’s innocent enough.”
“Oh yeah, so innocent,” he scoffs. “They’re singing about our dead parents, your demon blood bender, the apocalypse, all of it! This is just…it’s make-believe for them! But it’s our lives!”
Sam runs a tired hand through his hair. “Look, I don’t get it either man. I wasn’t exactly thinking about the books’ entertainment value while Chuck was describing my sex life in vivid detail—“
“Don’t remind me,” he says, holding up a hand in disgust.  
“—but I dunno. There’s obviously something about it they connected to, right? Something they related to, something that moved them, inspired them? And I guess…I mean, what’s wrong with that?”
There is so, so much wrong with that.
“I don’t know what story they’re reading and what Sam and Dean they’re ‘connecting’ to here. But it sure as hell ain’t us. I mean…they even made me blonde, dude.”
“It’s a high school play, what can you expect?” Sam laughs. “It was probably the closest wig they could find at Party City.”
Dean ignores him, muttering aloud as he makes his way to the driver’s seat.
“The hair…the singing…the robots… the love story…”
“You really were bothered by that, weren’t you?” Sam gives his brother a curious look.
“SUPERNATURAL ISN’T A ROMANCE!” Dean snaps. “Look, these girls obviously don’t know what they’re talking about—“
“I dunno, Dean,” Sam said in a clearly taunting voice now. “Maybe you’re just jealous of what me and Cas have.”
He flushes. “W-what? I-I’m not—“
“We could give you two a name too, y’know? So you don’t feel left out? What about…Dee-stiel? CasDean?”
And he refuses to entertain this conversation any longer.
“Shut your face! Get in the car!”
Thankfully Sam notices the shift in tone and obliges at once.
Dean, meanwhile, takes a moment outside the car to glance around — almost as if checking to see if anyone overheard that comment. Not that it mattered. Who could overhear? No one even knew they were THE Sam and THE Dean. Who cared? He certainly didn’t care. He didn’t care at all...
(to be continued)
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mrslackles · 3 years
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what do you think are gg's biggest flaws?
Ooh, Anon! It’s like you’re in my head. 
I’m busy making a video (that will probably never see the light of day) about this --  my distance from the show has really helped with some super objective clarity -- so I’ll use my notes from that to help me answer. 
I’ll preface this by saying what I was most shocked by after putting down all the points was that Rio isn’t even mentioned until really far down??
Anyway, let's get into it.
These are Good Girls' greatest flaws in my opinion (and relative to season 1 -- while I think it had its flaws too, the list is far smaller and I think that's a separate post)
1. It didn't stick to its guns
What set this show apart from others in the 'Everyday person does crime (poorly)' genre was its comedic lightness, strong friendship element, relatability and emphasis on girl power.
a) By season 2, the lightness was already slowly disappearing to make way for season 3's darkness. (Quite literally; this show said sunlight scenes for WHO.) It also stopped being as fun. Remember how it genuinely used to be fun? I mean let's not forget The Best Scene Ever where Ruby shoots Big Mike by accident and we all laughed our asses off. (Compare and contrast to a similar-in-tone-and-context scene -- or even the whole episode -- like Boomer popping up behind them as Rio's package in season 3.) I think season 3 had some great lines and laughs, but in general, the fun element was completely missing for me.
b) As was the friendship. We already know Annie and Ruby basically became Beth's backup dancers in season 2, but at least then they still seemed to have some type of agency. In season 3, they rarely question Beth's (truly questionable) decisions, don't talk to her about shit like why she's still with her horrible husband and have very few true friendship moments as they did in season 1.
c) Which made it less relatable, but what also contributed was the major plot holes (it's less easy to relate when you're constantly having to remind yourself to suspend your disbelief). And, to be honest, their stupid actions. Just the most common-sense things weren't followed, like not taking your children to a crack den or not putting a hit out on a gang leader. It's frustrating watching a TV show -- where characters are supposed to learn things, have arcs and improve over time -- and feeling like you have more logical sense than all the main characters in every scene. (WHO would think a hitman was going to use a sniper rifle on people in broad daylight on the side of the road???)
d) You don't have to look any further than the title or the stans who shout "THE SHOW IS ABOUT THE GIRLS" -- or, hell, the first 10 seconds of the show where Sara is literally talking about the glass ceiling -- to know that the main characters being women is very important to the show. If not formally feminist, it was at least supposed to be empowering or feel like "girl power" (a term I hate, but we won't get into that now).
And I think it did it pretty well in season 1 -- it actually played on my favourite theme of the show, which is the world's perception of these women being what ultimately allows them to get away with so much. (Rife with opportunities for commentary about white privilege, but also a genius way to upend patriarchal beliefs.) But more and more it seemed like the show was asking you to accept empowerment as simply "these things are being done by women, yay".
And, well.
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2. Its marketing
I'll keep this one short because I think we all know how messed up this situation is. Basically they're selling a show (every week!) that they're not making while ignoring all feedback on every social media platform. Which brings us to...
3. The marriage of Death
If I've said it once, I've said it a thousand times -- Beth's character development starts with getting rid of Dean. Her growth is stunted by him on multiple fronts and it's frustrating to viewers since she's constantly put forth as the main character. Not to mention how the audience, separately from Beth, was originally conditioned to see Dean as the scum of the earth (think of scenes like him crashing his car because he was perving on a woman jogging) so keeping them together is really... a choice. To actively root for this marriage (which seems like what the show wants, at least for the protracted moment) means either thinking Dean is a great person (which, as I said, we've only seen the opposite of) or believing he's all Beth deserves. Which leads me to...
4. Beth's (socio)path(y)
Is sociopath a 'good' word? Probably not. Have I seen dozens upon dozens of posts talking about whether Beth is one? Yes. And I see it from a huge variety of people -- from viewers who just binged the show last weekend to those who've been watching for years, the question keeps coming up. And I entirely blame the writing of the show that, by the way, I don't believe is deliberately creating Beth to get this reaction. I think she's written (and, to an extent, acted) in a way that is much too aloof and I'm not convinced it's meant to come off as cold and unfeeling as it does. Everything else leads me to believe that the audience is supposed to root for Beth, but it's just so difficult.
Beth does a lot of messed up shit that requires dialogue to sympathise with her and the inner workings of her mind, but in the later seasons Beth rarely gets to express herself verbally. And every time she does get to speak about her emotions, the dialogue is a pick-your-own-adventure between "She's in so much denial", "This person feels no emotions" and "I'll go find an analysis/fic later to explain this" (scenes like "Nothing" or "I was just bored"). Compare and contrast with some of the great scenes in season 1 where she emotes, like her paralysing shock after they first rob the store or admitting she enjoys crime, or (one of my favourites!) the one in the park where she's mimicking the other mothers beside her.
5. Brio
I said in the beginning that I was shocked Rio doesn't get mentioned until this point and that's because I've always felt like he was an integral part of the show. When people say the show is about the girls, they're truncating -- the show is about the girls getting into crime. That crime is represented by Rio over and over again -- they never bring in another criminal at his level (which is another one of its flaws, but that's also a different post); Rio is it.
And though I stand by Rio's importance, the truth is that Brio isn't as essential to the show, by which I mean that if all of the above were done well, it wouldn't be as sorely missed. In lieu of riveting plot, a fun friendship, character development and empowerment, most viewers have glommed onto Brio like a lifeboat (or ship, heh).
Unfortunately it's also what the show has most stubbornly refused to develop significantly.
It's honestly a toss-up for why I feel Brio is a flaw: is the flaw that they got together? That they never got together well enough? That the writing keeps bringing in these 'chemistry-filled' scenes that are ultimately filled with air?
I don't know. Maybe all of them; maybe just one, depending on the day.
6. Its criticism falls flat without intersectionality
This is a big one because Good Girls is *trying* to do something very clever. As mentioned previously, my favourite theme of the show is how the women's apparent innocence/vulnerability in the eyes of society is their biggest strength. The show plays with this and other interesting themes with varying levels of success, but ultimately they all fall a little flat when they don't feel intersectional.
When Ruby gets sidelined. When Turner, who sees and all but calls out by name Beth's privilege, is portrayed as the villain. When Rio is told he's gonna "pop a cap" in his young child's "ass". When the racist grandma becomes a sympathetic character whom we must later grieve. (And she really didn't have to be racist, now that I think about it? It was just that one line for laughs and that was it.) When, despite the real-world implications, Dean can loudly announce in a store that he's buying a gun to kill someone with and the show just glides past it. When Ruby has to grovel for forgiveness from Beth for trying to protect her husband and family from the system, with no acknowledgement from Beth about how their realities are different. When Rhea gets booted off the show as soon as she's done serving Beth's plot. When Rio gets treated like a prostitute for absolutely no reason. (Oh, and is accused of raping Beth and is literally spoken of as an animal and starts only existing in zero dim lighting as a one-dimensional stereotype... the list goes on.)
7. PR/The actors
I'll risk my life here to sprinkle this in because I do think it's a massive problem. The Manny/Christina of it all is just the tip of the iceberg (although wtf Good Girls? There's nothing you could do to get these two into an interview together??). The main actors do the bare minimum to promote the show and it's weird. I also think it's the height of unprofessionalism to keep characters on the show against the wishes of the majority of the audience just because you enjoy their actors (Boomer confirmed; Dean highly suspected). While, on the flip side of the coin, limiting a character's screentime because you aren't best buddies with them. Having less and less Rio when he's such a fan favourite is dumb; as is not including him in any series marketing material. It feels personal and that isn't how a TV show should be run.
8. The entire hair and wardrobe department needs a stern talking-to
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mittensmorgul · 3 years
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Hi Mittens! Happy holidays! I love your meta and I had a question: I've seen you make a couple posts about Miracle lately, and while I'm definitely angry at canon replacing Cas with a dog, I was kind of taken aback at some of your comments about Dean and dogs (specifically how much you seem to hate that combination; I've never felt strongly about it one way or the other). Do you have a tag or post about your feelings on Dean and dogs? Or could you explain in a little more detail, please?
Hi hi!
Dean... has never been associated positively with dogs on this show-- up to and including that scene in Scoobynatural where he does the SCOOBYDOOBYDOOOOO! and Cas rolls his eyes and tells him flat out he’s not a talking dog. I mean, even in one of Sam’s heaven memories, he’s effectively replaced Dean with a dog... so while Dean was being implied-harshly-punished by John for “losing” Sam, Sam had been having the time of his life with a dog instead... Sorry, I’ve got a lot of resentment for dog symbolism in the show...
Cas has also been associated with dogs in a lot of... let’s go with derogatory comments, and since this dog in the finale was SPECIFICALLY a replacement for Cas in Dean’s life... I find it particularly insulting, you know?
5.14: We get dog comments about Cas and Dean both in this ep. Famine refers to Cas as Dean’s dog... “You sicced your dog on me, I threw him a steak.” And we see Cas crouched on the ground eating meat. Earlier in this ep, Sam teased Dean about his lack of any “appetite” for anything with the comment, “when a dog doesn't eat-- That's when you know something's really wrong.“
7.21: after being banished, he reappears at a dog track, where the dogs were unhappy. so... Cas was basically just another unhappy dog in this part of the story.
10.22: Rowena compares Cas to a “dog who thinks he’s people” for being an angel who rejected heaven and chose his family with the Winchesters.
10.23-11.03: Cas is literally under a spell referred to as “Attack Dog,” which he fights against but is slowly turning him into a killing machine. He seeks help from Heaven, but they only want to use him, to torture information out of him and then kill him once they get what they want. It’s implied he even kills a dog in 11.01.
11.06: when Cas is in the bunker still suffering from trauma related to the attack dog spell, lying in bed and watching tv, he changes the channel to a news story about a dog riding a skateboard, and the newscaster uses Rowena’s line from 10.22: “Aw, that dog thinks it’s people!”
12.19: Lucifer refers to Cas as the Winchesters’ “purse dog,” and s12 is littered with dog references, especially between Lucifer and Crowley (which started back in s11 when Lucifer was using Cas’s vessel and treating Crowley like a dog... there’s a lot of negative baggage attached to dogs on this show)
13.16: Scooby is obviously the one dog Dean’s okay with, having positive childhood associations with him. But when comparing themselves to the scooby gang, Sam says they don’t have a talking dog, and Dean replies that Cas is sort of like a talking dog... which is interesting because at the end of the episode Cas tells Dean he’s NOT a talking dog. And this, in a scene that was directly foreshadowing Dean becoming Michael’s suit...again, more negative baggage for both of them.
The Dean vs Dogs imagery really kicks in when Dean’s soul is destined for Hell in s3, though.
3.10: In his rant to his dream self, Dream!Dean accuses Dean of being as “mindless and obedient as an attack dog,” just a few lines before he gives the “daddy’s blunt little instrument” line that Cas reminded us of in 15.18. So I do think this is something that the writers couldn’t possibly have been unaware of in invoking that specific line and the specific baggage attached to it.
3.11, one of the MANY deaths Dean suffers is from a seemingly nice dog he tries to pet in a friendly manner. The nice golden retriever mauls him to death, like the hellhounds are due to do to him in just a few short episodes... 
3.16: literally torn apart by hellhounds... don’t know how else to make it clear that Dean Is Not A Fan of this.
4.06: suffering from Ghost Sickness, and being magically forced to experience heightened levels of fear, he runs from a lil Yorkie with a bow in its hair, pausing only long enough to warn another person on the street to run before it kills them. We are invited to see how his biggest fear-- of Lilith, of being tortured in Hell, and having been dragged there by hellhounds-- is literally tied to his feelings toward actual dogs, including nonthreatening little lap dogs.
6.01: When Dean falls under the djinn’s spell, he hallucinates an unseen monster, presumably something akin to a hellhound, but when he thinks he’s caught the monster, it’s the neighbor’s Yorkie. Just like in 4.05, Dogs, Hellhounds, and Things Dean Fears In His Soul are all tangled up together.
6.08: aka that one episode I forget exists until it comes back around on the loop (actually I don’t forget it exists anymore, I’ve seen the show too many times at this point, but meh...). But it does plant this fear, that any dog anywhere might not really be a dog. The “sleeper cell” skinwalker packs in cities all over the world? Yeah, not a happy thought for someone who really doesn’t like dogs. Or at the very least has a low-key fear of them.
7.15: I would qualify this one as just “symbolism,” but since this episode is full of anvils, it feels legit to mention that the spell Jeffrey uses to summon his demon back to him involves using Dean’s blood and a dog’s heart. Not really a dean/fear thing, but Dean AS a dog-- and a sacrificed dog at that.
8.01: When Dean gets back from Purgatory, he gets in the Impala and smells dog. Bringing on the famous rule that he’s quite angry about Sam having clearly violated even when he wasn’t on the same plane of existence at the time-- No dogs in the car. He’s still clearly not a fan. Early s8 becomes a long string of “Sam hit a dog” comments, too.
8.15: for all this episode’s grossness, it does remind us over and over again that Dean really does not like dogs. Even flat out having Dean say he likes dogs, and the woman who literally is a dog familiar tells him that no, he doesn’t.
9.05: Dean... is basically a dog. He bonds with the Colonel a bit, even identifies with the dog while he’s under the spell, but all that good will that built up between them effectively shatters again with the ominous last words he gets before the spell wears off and the knowledge that dogs were not created to be man’s best friend, but had some other-- and in this context seemingly sinister-- purpose.
And then we have every other ep that deals with Hellhounds, Dean’s failure to kill one leading to Sam taking on the trials instead of him, tied up in their mutual discussion of what they see as their respective futures-- Sam wants to live, and he wants Dean to live, too, instead of Dean constantly running toward death and self-sacrifice. So like, these themes are all tied up together, and makes all the dog stuff incredibly not fun when it comes to Dean specifically.
So when Dean does lose Cas-- and everyone else on the planet-- the dog being the ONE living being they’ve found, Dean picking her up and putting her in “Cas’s place” in the car, only to have Chuck snap her away like she was a manipulative trick the entire time? Not even really real, just one more thing to give Dean a tiny bit of hope only to maliciously snatch it away again?
And then for the SINGLE thing Dean asked for from Chuck being to bring Cas back?
And then he doesn’t get Cas back, but apparently kidnaps this random dog instead?
It’s just... indescribably weird to me, and so entirely out of character and insulting to Cas on top of it all. Like this was the only happiness Dean was allowed after saving the universe. No found extended family, no life outside of Sam and hunting, no dream of retiring and finding a beach to sink his toes in the sand for a little while. He just gets a dog, which he canonically doesn’t like and has a lot of issues with for entirely understandable reasons. So like.. .how is this cute or happy or nice?
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amispnrewatch · 3 years
Text
SPN 1x06 “Skin”
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Okay, I’m gonna try to type while I watch this time instead of forgetting this blog exists until the episode is almost over.
You can tell the footage for the previously on segment was saved on a VHS copy instead of the original film that the show was shot with because even in the HD iTunes version I have it looks low quality as fuck. And jumpy in the way that brings me back to my teens watching the WB all the damn time.
I love this song. WTF is this song. Shazam says “Good Deal” by Mommy and Daddy. I… have no comment, except that it sounds like everything I was listening to in college at the time this shit was airing.
Aaaaand not!Dean turns around to face the SWAT team after obviously torturing some woman. THAT is a cold open.
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I wanna know what that car is in the background. It’s pretty. Maybe a convertible Impala? They have similar grills. This is not at all important.
Also, I love that with these higher definition versions of the episodes you can see that Sam’s email is lawboy and whatever dot com and that people in the fandom have started calling him Law Boy. It’s hilarious.
DEAN: Well, what exactly do you tell ‘em? You know, about where you’ve been, what you’ve been doin’?
SAM: I tell ‘em I’m on a road trip with my big brother. I tell ‘em I needed some time off after Jess.
DEAN: Oh, so you lie to ‘em.
SAM: No. I just don’t tell ‘em….everything.
DEAN: Yeah, that’s called lying. I mean, hey, man, I get it, tellin’ the truth is far worse.
SAM: So, what am I supposed to do, just cut everybody out of my life? (DEAN shrugs.) You’re serious?
DEAN: Look, it sucks, but in a job like this, you can’t get close to people, period.
Aaaaand now I have Dean and Cassie feelings again and we haven’t even gotten to her episode yet.
SAM: No, man, I know Zack. He’s no killer.
DEAN: Well, maybe you know Zack as well as he knows you.
Aaaaaand now I have Dean and Lee feelings and we’re nowhere near Lee’s episode in season 15.
YOU JUST BLEW THROUGH A STOP SIGN DEAN WTF.
Little Becky. Oi with the reusing of names.
Of course Sam made friends with a bunch of rich kids while he was at college in a desperate attempt to try to be normal.
SAM: You know, maybe we could see the crime scene. Zack’s house.
DEAN: We could.
REBECCA: Why? I mean, what could you do?
SAM: Well, me, not much. But Dean’s a cop. (DEAN laughs.)
DEAN: Detective, actually.
I love that Dean was like “how dare you call me that.”
Okay, after a bit of research, I totally want to take a day trip to Bisbee, Arizona, but it’s already in the 90s here in the desert and it’s not even May so that trip is going to have to wait until… winter or something. There is no way in hell I’m going deeper into the desert when the weather gets hotter.
It’s a historic mining town tourist trap looking place now which is exactly the kind of shit I love.
SAM: Bec, look, I know Zack didn’t do this. Now, we have to find a way to prove that he’s innocent.
I mean, not technically, technically you would 1) NOT FUCK WITH A MURDER INVESTIGATION YOU’RE NOT LEGALLY INVOLVED IN BECAUSE ANYTHING YOU FIND WOULD BE INADMISSABLE IN COURT 2) find evidence to provide a reasonable doubt for the jury that he did commit the crime. You know, like a lawyer would need to do, Law Boy.
DEAN: I just don’t think this is our kind of problem.
When I made my husband watch this show with me (he’s seen it all at least once now over the years) this is the recurring thing that drove him crazy.
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You guys can’t even go in through the back door? Or shut the front door behind you? Really?
REBECCA: (tearfully) Well, there’s no sign of a break-in. They say that Emily let her attacker in.
Yeah, that doesn’t even really mean that she knew her attacker. Just that it was someone she let her guard down around or got in some other way. See: The Son of Sam and Nightstalker, etc.
Love the pinup magnet on the fridge. I’d throw shade at that, but I have a pinup magnet on my fridge too so… pot kettle and all that.
Okay, both people in the next couple are gorgeous.
And oh wow those special effects changing eyes… wow.
This poor couple. I feel so bad for them in this episode.
How… how are the police gonna explain the way he was able to beat himself over the head with a bat??? I…
I love that 5:30 in the morning on TV is clearly like… 10 AM.
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Okay, this is a really unrelated point, but the graffiti on the dumpster here reminds me of the Teen Wolf fandoms use of the name Void!Stiles when Stiles Stilinski was possessed by a Nogitsune… I just spent way too long digging through YouTube and my Tumblr tags from back when those episodes were airing looking for a few specific videos and couldn’t find them. The TL;DR reason I bring it up here is goofball, bi-coded main character guy getting possessed by an entity set on destroying the people he loves. SOUNDS LIKE THIS EPISODE AND A WHOLE LOT OF SPN RIGHT. I love that all these monster hunting shows call out to each other.
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This scene haunts me years later and I don’t even WATCH Teen Wolf. I just watched the fandom on Tumblr collectively lose it’s shit then tripped down a Hale Pack fanfiction rabbit hole.
ANYWAY
Back to Supernatural, a show that also treated its fan base, cast, and characters like garbage! Huzzah!
DEAN: Well, there’s another way to go—down. (They look down and notice a manhole.)
I’m gonna be mature and ignore the double entendre there…
But I love that Dean thinks of the world in 3D. Which sounds like a dumb statement to make, but this is honestly a good example of that in action.
SAM: I bet this runs right by Zack’s house, too.
Really Sam, sewers run by houses? SO WEIRD. I WOULD HAVE NEVER GUESSED.
DEAN: You know, I just had a sick thought. When the shapeshifter changes shape—maybe it sheds.
SAM: That is sick. (DEAN puts the bloody pile back on the ground.)
Guys, there is a WHOLE ASS EAR in that pile of yuck you’re looking at. I think it’s pretty safe to assume the shapeshifter indeed sheds its skin like a snake. A much… gooier snake.
Sam’s friend is rightfully pissed at him for fucking with the crime scene.
This is before the pearl gripped guns?! Wow. I never noticed that before.
Also, this whole episode gives me feelings.
++++
Cool. Tumblr mobile ate a whole section of my notes on this when it crashed for NO APPARENT REASON. Love that.
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It always boggles my mind that actors can trust the people they’re working with enough to let people “tie” ropes around their neck or put them in actually dangerous positions in a scene.
SHAPESHIFTER: He’s sure got issues with you. You got to go to college. He had to stay home. I mean, I had to stay home. With Dad. You don’t think I had dreams of my own? But Dad needed me. Where the hell were you?
SAM: Where is my brother? (The shapeshifter leans in close to SAM.)
SHAPESHIFTER: I am your brother. See, deep down, I’m just jealous. You got friends. You could have a life. Me? I know I’m a freak. And sooner or later, everybody’s gonna leave me. (He backs away.)
SAM: What are you talkin’ about?
SHAPESHIFTER: You left. Hell, I did everything Dad asked me to, and he ditched me, too. No explanation, nothin’, just poof. Left me with your sorry ass. But, still, this life? It’s not without its perks. (He laughs.) I meet the nicest people. Like little Becky. You know, Dean would bang her if he had the chance. Let’s see what happens. (He smiles and covers SAM with a sheet.)
This exchange is just… so much. So many feelings. And I will forever (unless we magically get a fix-it fic mini season someday…) be SO MAD that none of this got resolved in that pointless, trash heap of a finale.
REBECCA: Okay, so, this thing—it can make itself look like anybody?
SHAPESHIFTER: That’s right. (She chuckles.)
REBECCA: Well, what is it, like a genetic freak? (The shapeshifter laughs.)
SHAPESHIFTER: Maybe. Evolution is about mutation, right? So, maybe this thing was born human but was different. Hideous and hated. Until he learned to become someone else. (REBECCA looks around, uncomfortable. The shapeshifter’s eyes glint silver, and he smiles.)
It always amazes me how much of this show is a pile of accidental queer allegories parading around in an ill-fitting toxic masculinity suit.
Vulcan mind meld! I love nerd!Dean. Also, I’m rewatching Star Trek: TOS with my husband, because that is what my life amounts to these days, rewatching comfort TV and flailing over the bits I love.
This post does a better job than I can do of pairing up screen caps with the dialogue of this next scene. SIX EPISODES IN. They’re dumping all of this character depth SIX EPISODES IN. FUCK THIS SHOW FOR NOT EMBRACING ITSELF.
Okay, I love that he screams back in her face after he threw the phone. It’s not something to laugh at because the situation is horrifying, but I can’t help laughing at it every time.
AND THE WAY THEY CUT THESE SCENES. Going from him winding his hand back to backslap her directly to him dropping the chains on the table to show how hard he must have hit her without actually making the actors hit each other. Good job editing department!
I… don’t understand the shifter’s motivation for killing people. If he can take over people’s identities without killing them, why kill them? Is it just because he’s a homicidal, rapist piece of shit? Cause that’s all it seems like.
How did the SWAT team even know she was being attacked? Why can the snipers aim no better than Storm Troopers?
Ugh, these kind of transformation body horror scenes are exactly why werewolf stories have never really appealed to me much. Like, I could do without watching your ribs move and teeth fall out, dude.
BUT.
THIS FUCKING SCENE.
I looked up the song that’s playing over shapeshifter!Dean being caught by the SWAT team and then going through the grotesque transformation. (And as far as I know, the iTunes version has the original music from the episodes.)
It’s a song called “Mary” by The Death Riders
Who's your mother, who's your mother here boy // Who's your mother, whos your mommy dear // Who's your father, who's your father here boy // Who's your father, who's your daddy dear
Silently screaming // Where everyone knows // Daddy's always watchin' // Where everywhere - everywhere I go
I don't wanna be a freak show pretty boy anymore // I don't wanna be a full time slave // I don't wanna be your midnight cowboy anymore // I just want to be Mary
This is… a fascinating choice. Here are the rest of the lyrics. The song as a whole has a weird incesty kinda vibe to it? Kinda like when SPN tries to straight-wash itself and misses the mark wildly. (Like Dean’s male siren episode.)
The midnight cowboy line reminded me of 12x11 and the bull riding scene with “Broomstick Cowboy” by Bobby Goldsboro playing over it
Dream on, little Broomstick Cowboy, // Dream while you can; // Of big green frogs, // And puppy dogs, // And castles in the sand.
For, all too soon you'll awaken; // Your toys will all be gone. // Your broomstick horse will ride away, // To find another home. // And you'll have grown into a man, // With cowboys of your own. // And then you'll have to go to war, // To try and save your home.
And then you'll have to learn to hate; // You'll have to learn to kill. // It's always been that way, my son; // I guess it always will.
Because, you know, why not add tons of feelings into the lyrics, right?
Props to the people who can embrace their rewatches and reclamations of the show with ease. Because every episode seems to remind me of how hollow and tragic Dean’s ending was and I just… struggle all over again.
Anyway, back to the episode so I can move on with my day.
REPORTER: An anonymous tip led police to a home in the Central West End, where a S.W.A.T team discovered a local woman bound and gagged. Her attacker, a white male, approximately twenty-four to thirty years of age, was discovered hiding in her home. (A sketch of DEAN appears on the screen.)
DEAN: Man! That’s not even a good picture. (SAM looks around cautiously.)
SAM: It’s good enough. (He walks away.)
DEAN: Man! (He follows SAM.)
(CUT TO: Alley. DEAN and SAM are walking. DEAN steps into a puddle.)
DEAN: Ugh, come on.
I love that we get two tiny little back-to-back vanity moments for Dean here. One commenting on the sketch artist rendition of him being broadcasted on the news and the other tripping in the puddle. There is literally someone running around the city trying to kill people while wearing Dean’s face, but Dean is still concerned with how he looks appears to others. He’s still concerned with keeping up his own performance. The shifter left him with just a t-shirt, so he doesn’t even have his usual comfort layers on and at any moment someone could spot him and call the police or try to kill him for assaulting Sam’s friend. His life is wildly out of control in that moment and the only thing he can try to focus on is his appearance (something semi-controllable) and finding the shifter before any of that other shit can happen.
One day I want to put together a like top 10 episodes focusing on / explaining each TFW character from the series. Like the kind of list you could show someone who’s never seen the show, but has OPINIONS about the characters (or who hasn’t seen the whole show and seen the growth they went through… you know, like the people responsible for the travesty of 15x20). This episode would be on that list. I’m not sure how I could manage to make a list of only 10 episodes to understand Dean Winchester by, but eh.
SAM: What are you gonna do to me?
SHAPESHIFTER: Oh, I’m not gonna do anything. Dean will, though.
SAM: They’ll never catch him.
SHAPESHIFTER: Oh, doesn’t matter. Murder in the first of his own brother? He’ll be hunted the rest of his life. (He picks up a sharp knife and examines it.)
Speaking of season 15 in general, this right here. This was Chuck’s villain story arc thesis statement. AND THEY DROPPED THE GODDAMN BALL WITH IT. I think that’s the thing that honestly pisses me off the most these days (about 5 1/2 months from when the finale aired) is that they tried making the whole thing a tragedy but did such an awful job with it that it just ended up like a deflating condom balloon at a dive bar concert. Disappointing and gross. The finale for season 14 set them up SO FUCKING WELL and it just… didn’t get there.
Becky’s parents are gonna be pissed at how torn up their house is after all this shit…
And you’re not shooting him when you first see him strangling Sam because…?????
I like that he took the necklace back. Also, is this kinda Dean death number .5 of the show? Like it wasn’t him but it was also kinda him. Eh.
At least they left the windshield on Baby this time. Reflections are better than tearing her apart.
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whyjm · 4 years
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Why I did not like the Spn finale
This is gonna be a long post..
I cannot get over my thoughts about how it ended and how bad I feel about it. I am so angry, sad and feel so utterly disappointed, I cannot wrap my mind around how this was supposed to be a satisfying tying up emotional archs ending??? Bc it was so far away from satisfying I would laugh if I was not presently crying over it..
There are several things that irked me a lot. Many people have voiced the problems of this show and its ending much more eloquently than I will ever be able to do.. But I gotta get these fucking thoughts and feelings out of my system.
I have been with Spn since the first episode aired. I am a straight woman, I don’t have to fight for representation, I don’t have to worry about coming out and being accepted for who I am, I don’t have the daily struggles of feeling anxious or depressed or suicidal or not being able to be who I am. I am lucky that way!
To me love is love and all love should be equal! And I stand with all who struggle and all who are not free to be who they are. I see you and I love you and I support you fully!!!
To see my friends having to fight, and then on top of that have a show that has meant so much to so many people be butchered and have a negative last message sent out, in its last 36 minutes of its life … It is a hard pill to swallow.
Cas and Dean  
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In 15x18 we got to have a beautiful confession from Cas to Dean where Cas tells Dean he loves him and we know this is romantic love bc Cas begins by saying that the one thing I want I know I can’t have and then later I love you. Also Misha confirming it! This scene made me ugly cry so hard bc FINALLY.. (BUT what is missing from it.. the editing is strange.. bc Cas pushes Dean to the right but he falls to the left. Dean has no tears in his eyes while he looks straight at Cas when he talks, but he has tears in his eyes when he looks over his shoulder and see the empty. So what in this scene has been cut away and WHY?) Misha and Jensen did a great job with this and Cas got to find peace in just speaking his truth...  And it was beautiful to watch and after having seen Dean sitting sobbing on the floor the natural and logical continuation of this would have been to in the next episode address this, but in episode 19 no such thing happened. And I wondered where did Dean’s grief go where did his CARE for Cas go?? Dean who has been depressed and suicidal when Cas have died before is all of sudden cold and act like nothing have happened at least nothing that affected him very deeply.. It felt disconnected and strange. And it continued on like that and it felt very strange to NOT address such a HUGH plot point. It’s not enough to have Dean say to Chuck to bring Cas back or to see him wasted out of his mind, or hugging a dog like his emotional wellbeing depends on it.. This is not resolution or addressing it.
All of season 15 has felt like the relationship between Cas and Dean has been in focus and important to the overall arch of the season, and explored and then all of a sudden all traces of it are just ripped away, erased completely.. To have a confession like this go unacknowledged to me is poor writing bc you do not leave this big of a thing hanging in the air without resolution (fine you can argue Cas got resolution but I feel that no Cas did not get resolution either bc his feelings SHOULD have gotten a response no matter what that response was.. Dean did not, we never got to hear or see his version or his thoughts about it.)
I was thinking narratively they HAVE to address this, Deans thoughts and reactions to this gotta be shown. They HAVE to resolve this, acknowledge it. I have been sure a long time they would NEVER have Dean reciprocate Cas love  but keep it in subtext bc they are too fucking chickenshit to do that but at least have Dean talk about Cas….. that I expected him to do.. But it was not done in 19. I got the horrible feeling in my gut that they are not gonna resolve this they are gonna fuck this up, they are gonna go full brothers only and not give a fuck they are gonna push Cas out and show no care. Then we come to the final episode and boy howdy is there a lot to unpack with this episode.
(I had watched the long road home before the finale and when I watched that I KNEW that the end was going to be a letdown I felt it in all of me that I was gonna be disappointed. And I was proven right. And I have so many thoughts all jumbled up around each other that I don’t know in which end to start so sorry if what follows is incoherent and rambly.. )
15x20 - The end  
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20 felt like a FILLER episode, right up until Dean’s death scene I was bored and was seriously considering turning my computer of and just not watch. (A finale should be as engaging and emotionally packed like episode 18 was. I refuse to acknowledge 20 as the end.. To me it ended on 19. That wrapped things up. Not completely satisfying but hell of a lot better than the disaster that 20 is.) But then Dean was impaled on that rusty spike thingy and I was watching with attention. I GET why they did Deans death the way they did, even if that is one shitty death for Dean and could have been fixed so he did not die.. I get what they wanted to get out of it: a brothers sad moment that they turned into a irksome thing. I actually cringed about the head thing and the hands and the farming of it all just urgh I got sick to my stomach watching that. What should have been a beautifully sad moment was put together in a romantic coded way and that to me ruined the heartfelt goodbye. Bc you do not touch and hold a dying family member like that. I KNOW I have said goodbye to my fair share of loved ones that I have loved soo deeply, but the thought of touching like that NO no way.. And also they have NEVER done that forehead touch in previous deaths, so to do this now just felt irksome.
They killed Dean a character that has struggled his whole life with being daddy’s blunt little instrument, who has self-worth issues and are suicidal, who has never lived for his own sake but have only ever lived to protect and raise another, he continues to put others before himself though (up until the last couple of seasons where we have seen them both break away from this toxic behavior). Finally he was allowed to LIVE and have a life that was not controlled, not running in a hamster wheel like a fucking puppet on a string. He was Free of all of that. He was free to go after what HE wanted for himself and what Dean wanted was LOVE, in my mind its perfectly clear that Dean loves Cas back bc that is what the story have been telling us.. its right there and the story do not make sense without it. Many others have done a great job at talking about this and describe this way better than me. So I leave further discussion about that topic to them.
Dean was looking for a job.  The angel Dean has loved since purgatory told him that he loved him and then died sacrificing himself to SAVE Dean yet again and then Dean dies a few days later.. How is this doing justice to Dean and what the hell kind of message does this send out to the ones watching?? They are saying it does not matter if you fight, your destiny is written for you and the only relief and comfort you will have will be death. They are saying Meh don’t fight it’s better to die bc it does not matter what you do. This is one of the fucked up messages this godawful ending sent to all those who have identified with Dean and Cas throughout the years.
They also say Cas who has been part of the story for 12 years is not important enough to have there, they IGNORED Cas, a mention in passing does not do justice to a character that has been crucial to the boys lives for 12 years. Dean Screamed in Sam’s face CAS IS FAMILY, Dean was destroyed when Cas died, he was hurt when Cas left bc everyone leaves Dean, Sam missed Cas etc… but still not important enough to show up in heaven in the last episode greeting first Dean and then Sam to heaven.. PFT…
To leave Cas and Misha out of the FINALE of a show that he has been part of for 12 years is so fucking disrespectful to Cas, to Misha and ALL the fans who love and adore both. It also makes no sense since  they all say how beloved Cas and Misha are. and don’t go fucking covid made it impossible bc the last scene with all those people without masks.. No that is just lying liars who lie…Covid my ass! This angers me a lot.
Family do end in ONLY blood apparently…..  
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(And maybe lead to a lot of viewers for walker???  hence this very nice shirltess Sam scene............. ) shirtless Sam is always good though so no complaining here.
We see Sam and the dog give Dean a hunters funeral.. NO OTHERS are there?  How is it possible that none of the found family wouldn’t want to be there and show up?? Jack has restored everyone but still only Sam and the dog are there, no Eileen, no Jody and the girls, Donna, Garth, and the list goes on and on. Bc they wanna hammer in harder that supernatural has ever only ever been about two brothers and no one else matters ever.. It does not matter that this has not been true since the earlier seasons. The show of course is about Sam and Dean’s lives and journey through life, and I have loved to follow along on their journey.  BUT it was a long time ago this was the ONLY thing that mattered (bc if it had only been about the brothers the show would NOT have gone on for this long). Along the way they have picked up FOUND Family, and the message of the show has been Family don’t end in blood, Always Keep Fighting. But this last episode reverted back to season 1 and disregarded ALL character growth and storytelling of the past 12 years and went with fuck it ONLY Sam and Dean are important. So the next fucked up message they sent where: There is no Family don’t end in blood.. The only family that matters is blood. And then they have the balls to say Always Keep Fighting.. Are they fucking kidding????
Character development…….. who????  
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Sam lives on after Dean dies and we get a montage of his life where he look miserable and is shown to not being able to get over that Dean died. We get a blurry wife and a kid named Dean. In his house there are photos of ONLY himself, Dean and their parents and maybe one of his son? Don’t remember all the details and refuse to watch that episode ever again. But no friends, no family, no happy moments are shown, it looked like a very lonely life. He dies with only his son there.. WHERE are Sam’s friends??? This montage of Sam’s supposed happy life is NOT happy bc he is not able to get over that Dean is dead, he can’t live a  happy life bc Dean is not there - again something that irked me and felt disrespectful to all the growth Sam and Dean have gone through. It was toxic codependency all the way through and that is not satisfying to watch. Especially since the brothers had actually broken that dependency. Sam had broken free, Sam have through the years wanted to get away from Dean and live his life as he wants and then he was happy…We have a moment way back in season 5 maybe? Where Sam runs away and this is shown as one of his happy moments in dark side of the moon.. No Dean in his happy places, Sam having thanksgiving with his girlfriend and her family, Sam alone with a dog. We have Sam and Amelia when Dean was in purgatory. So Sam IN text have been shown being able to be happy without Dean so why could he not do it this time?? Makes no sense! You can grieve but still have a good life.. But they CHOSE to show it like Sam was miserable bc Dean was dead and life was not worth living happily without Dean there..
The brothers have lately interacted like two individual adults, separated from each other, making their own decisions and trusting each other in making them, they wanted different things in life. And seriously WHERE DID EILEEN GO?? Why was Sam not reunited with Eileen that he some eps previous was shown to love, no instead they had blurry wife which feels like such a cop out. Sam did not get to live a happy fulfilling life and why did Sam not deserve to live a happy life with Eileen??? I know they are blaming corona for a lot of things missing in the finale that they intended.. BUT and this is a BIG BUT remember Jensen did not like the ending it did not sit well with him, he had a hard time digesting it, he objected to the ending! He spoke about that dying in battle would not be a satisfying ending - see the video of him talking about this at SDCC 2019. There is so much more to say about this but other people have voiced it so much better than I ever could so I move on to the next issue.
Dean in heaven  
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Dean when he first arrives there happens upon Bobby who tells him John and Mary lives down the road and that Rufus and Arheta lives around there too. I hope Bobby’s wife was indoors, and that Jack with the help of Cas fixed heaven.  To this Dean only smirk/smiles.. and then Dean sees baby and goes for a drive ALONE with the words he will be here soon from Bobby again Sam is the only one that ever matter PFT. Dean who found a home in the bunker alongside Sam, Cas and Jack who told John: I have a family and that he was happy with himself and his life…. Spends his time endlessly driving around alone just waiting for Sam to appear.. ALL of Deans growth is thrown out the window.. he is reduced to salad dressing. Deans only purpose is to live for his brother and cannot possibly have what he WANTS for himself not even in death. He drives around for who knows how many years until Sam dies. HOW is this justice to DEAN? How is this a good and satisfying ending for Dean. Dean who wanted to LIVE, Dean who wanted to experience people in new ways, who had let go of Sam and saw Sam as his own person, now in heaven only drives around waiting for Sam to get there having no life or meaning of his own. It pisses me off to no end that they reverted back to toxic codependent Sam is all that is important to Dean shit.. They have broken away from this shit years ago and this is how they choose to end it right back at the beginning..
Now what is the point of telling  a story of growth and love and life if all that that journey amounts to is ending up at the exact point it started on?? You can watch season 1 and 2 and then this finale and it makes sense.. But having watched season 1-15 this ending does great injustice to the characters and the story. Again many others have written way better posts about this that expresses the great disappointment and hurt that is being screamed everywhere right now.
The Actors
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I want to add the performance of all actors through the years, the love and care they have poured into their characters are amazing I have loved every bit of that journey. I love Jared, Jensen and Misha, and all the others for their amazing work and that is maybe why it hurts so much it ended in this way!
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jerrylevitch · 2 years
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Please make a video about the allegations made by these actresses? Like why did miss holiday talk about a guy raping her when talking about jerry, hoping people would miss something and think he did it or something? Gurrr I'm so upset over it🤧 do you know if the cinderfella actress talked against him? Anyway I think alot of his fans turned on him for this BS. Thanks again ❤ my heart 💔😭
Well she was just mentioning men that had made unwanted sexual advances to her, one of them that resulted in rape and that she was even more angry about. Jerry's was jerking off in front of her. He wasn't forcing her to watch, so I'm not sure why she didn't leave. She had no problem smacking him, so she should have smacked him there honestly. This is not the first time I've heard of him jerking off in front of a woman, but the other time was consensual. But Hope Holiday's stories are inconsistent as I've said before. Like why participate in documentaries about his genius, and why was she concerned in the other documentary that she has slapped him too hard? I just have many questions. Then someone in the film industry that knows her, told me that she has some early dementia, so who knows how accurate the story is.
Anna Maria Alberghetti was actually mentioned in the Vanity Fair article. She had just said that he pursued her even though she told him that she has a boyfriend. But honestly quite a few people have said that they were having an affair. Patti was upset at the gift of a real diamond tiara that he had given her. Patti stormed on the set, and asked her for it apparently. Anna was also in The Jazz Singer with him during the filming of Cinderfella.
I haven't found any actual fans of Jerry's that have turned on him honestly. Many seemed to have not been surprised. Many wondered why it was news suddenly. But I haven't seen any personally tell me that they were going to stop being a fan over it. At the time, I made a pretty detailed post, about how I felt about it, and why many men are likely guilty of being sexual harassers. There are no excuses for it, but I said men sending unwanted dick pics, or videos of themselves jerking off to women, are just as bad as what people are accusing Jerry of doing here. Half of men today have sent unsolicited dick pics/nudes apparently. That's disturbing, but not surprising.
Are we really all that surprised that the guy who put a bday candle on his erect penis to show to Norman Lear and Ed Simmons in a hotel room, was also whipping out his penis to women unsolicited? Not really. Should he have? Absolutely not, but this was Hollywood, where men didn't give another thought to sexual harassment, and it was encouraged especially in film. Just look at Hollywood Or Bust, where Dean's character forces himself on Pat Crowley's character, and tries to aggressively kiss her and hold her down. She rightfully gets angry at him and tells him off, but not 5 minutes later, they're making out??? What signal is this sending? I also will continue to bring up the fact that my now boyfriend, on our first date, touched me in places that I felt uncomfortable with and honestly should have slapped his face. But he honestly still doesn't comprehend that he did anything wrong, by not asking permission. He apologizes when we discuss it, but he still says that he was just really attracted by me. Obviously now, I know that he is a sweetheart, and an amazing and good man. I love him very much. But in this he was very much wrong, and he's lucky that I gave him a second chance. Parents have to teach their sons and daughters to keep their hands to themselves without consent, and their private parts to themselves without consent. Women don't want unsolicited dick pics or men whipping it out, which is the same crap.
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