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#I apologise deeply
a-literal-toaster-wtf · 11 months
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“rimmer has such a snatched waist for a fifty something year old” - me at like 1 am last night to my bff on discord while i was rewatching tpl
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cherrymoyas · 6 months
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so... undertale yellow, huh?
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lumineary-arts · 6 months
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ALSO........ HERE'S MY BUNNYDOLL FANKID HIS NAME IS SCRUFFY
I was gonna have proper doodles with his whole family, including his parents and his sister, who belongs to my gf! And I will soon!! But all you have to know about him is that he's HEAVILY based on Raggedy Andy personality wise. Very protective and tries to act tough, but he's a lil plush rabbit who can't hit very hard. All the patches on him are because he keeps getting into scuffles and Ragatha keeps having to sew him up. he loves his family but his fists are rated E for everyone else
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cassmouse · 5 months
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Scott, hugging Wallace from behind: Babe, I just heard the ice cream truck
Wallace: *sigh* ...I'll go get my purse
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nemmet · 10 months
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🎃 fred jones in trick or treat scooby doo! (2022)
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vxbinqsstuff · 3 months
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HELLO EVERYONE I think this is actually my first tumblr post ever that isn’t like just me reposting TGS stuff so erm hiii :3 I feel like this post is a great first impression 🥰 (For those that don’t know me hello, I’m Vixy/Vix!!)
I have decided to release all of my cursed TGS!Hyde stuff into the wild so enjoy ig 💖
…Sage if you see this I deeply apologise.
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detectiveforfree · 2 years
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that one Nightwing 100 cover variant, but BirdFlash
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marcobodtlives · 2 months
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The real reason Jean beat Reiner up was actually ‘cus he was super jealous Reiner got to straddle Marco without homosexual connotations
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lucreziaborgiagf · 19 days
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i don’t talk about bridgerton on here but just to clarify. i will not be having ANY eloise hate on this account. i will bite.
#eloise bridgerton they could never make me hate you!!#addressing the normal talking points one by one to get them sorted:#- ​no i don’t care that eloise called pen some names after the discovery. she was devastated and furious.#she can apologise in the future but in the moment of course she said it#- ​yes pen did write about eloise as a way to save her but that doesn’t mean it hasn’t possibly ruined eloise’s life#- similarly: eloise isn’t (just) angry that she was written about. daphne also went through whistledown and it very much terrified her#so have many other women including marina#- eloise is betrayed because she told pen everything and is realising pen told her nothing#(and she’s probably thinking about any secrets she might have said to her best friend that could now be used against the ton and her family)#- as claudio said: being regency gossip girl isnt a moral girlboss thing its deeply harmful tbh#- ​pen did have reasons to become whistledown! that doesn’t mean that she’s innocent or right!#- eloise isnt now friends with cressida to spite pen lmao she’s alone and scared and cressida was the last person who offered her friendship#she has no idea how to manage society by herself#(and she needs someone to improve the reputation of her and her family)#- im also convinced she has other ulterior motives for befriending cressida. like she’s keeping an eye on her or smth#- eloise didn’t just ignore anything pen said and that’s why she only just figured it out. pen deliberately didn’t speak like lw to hide it#the moment she did eloise was like huh that’s weird she doesn’t normally talk like that. and THATS when she figured it out#- eloise just found out her best friend has betrayed her and been hiding this massive secret#but she hasn’t told anyone. not even her own family. im not hearing out any accusations of HER of being disloyal#- also pen clearly wasn’t that upset at writing about eloise bc the moment eloise and colin upset her she went straight back to it lmao#side note but no i don’t think the queen is going to name her the ‘emerald’ or anything because she’s suddenly in the spotlight#eloise is tbh the only debutante she actually consistently recognised (for good or bad)#a new dress is not going to be interesting for charlotte to change her whole tradition#tl;dr i love eloise and i will die on this hill#eloise bridgerton#bridgerton
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tomboxed · 6 months
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fuck yeah whiteboard doodle time
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boyfridged · 1 year
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
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this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
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so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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crowtechs · 2 months
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hello hi. you. yes you. hello!!
i want you to know that you dont have to follow what every other selfshipper does. you cant write or draw? then thats fine! i think you just gushing about silly things is more than enough! your f/o does not mind what you do, theyre just happy that you think about them! or even endlessly stare at fanart, screencaps, or even rewatching/rereading their sources!
but oh? you want to post things but you just cant? or have this nagging feeling of endless fear and embarrassment? thats ok! thats totally a-okay here! just remember: you shouldnt feel embarrassed to gush about your f/o(s).
you also have the draft feature. you can use that! maybe thatll be better, maybe you can just use it to throw in your selfship lore. or have all of these silly cute headcanons for your f/o! or even do silly incorrect quotes too. maybe at some point you want to post that sort of stuff. but for now, just at least get them down and save them for another day to see.
please always remember: selfshipping is not a competition. its for you. i understand if you feel afraid and self conscious to put yourself out there, but just know: your f/o(s) see you and are always so proud of you whatever you may do.
( pr0/c0mship dni !! this post is not for you !! )
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the-merry-otter · 9 months
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I forgot how fucking hard the At Worlds End soundtrack went. Talk about putting his whole Hans Zussy into it. Goddamn.
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coockie8 · 9 months
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I don't wanna come across as ableist in anyway, but anti's delusions genuinely are not my problem. No one's delusions are anyone's problem but the person having them.
Your inability to adequately make a distinction between fiction and reality is no one's issue to deal with but yours. It is downright unhinged, and wildly unrealistic to expect the entire world to cater to your delusions. You have to cope with them; no one can do that for you, and it's blatantly entitled to expect people, strangers, to change what they create or engage in to make you, a stranger, feel comfortable.
I'm a deeply paranoid individual, with an insanely irrational fear of someone living inside my walls (y'all can try sending my asks or DMs that say "I'm inside your walls" to trigger me, but I promise it won't work. I have inside-my-walls access, and check regularly, so good luck with that👍), but that doesn't mean I expect every horror writer/director in existence to never use that trope because some random fucking stranger might be uncomfortable, or even triggered by that.
I don't expect other people to cater to my delusions, because they are my delusions. They're my problem to deal with. I've got my triggers and issues too, but you don't see me going out of my way to call complete strangers predators and tell them they deserve to die over enjoying fiction that triggers me. I behave like a mature human being, and I block tags/people.
If you have trouble differentiating between fiction and reality, or you're the type to base their entire moral code off what you see in fiction, like a 5-year-old, then, in complete seriousness, don't engage with morally grey media. Or, at the very least, don't do so without supervision, and, genuinely, you should probably seek some kind of psychiatric assistance.
"Morally grey media" includes, by the way, all horror, most romances, a good chunk of comedies, and pretty well literally any piece of media that was made for someone over the age of 10. Human beings have been creating fucked up fiction since the dawn of language, and I highly doubt that's going to change any time soon because a bunch of chronically-online puritans refuse tell the difference between a cartoon and a person.
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lovethistoomuch · 2 months
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me interacting with the man with sunglasses:
1st playthrough: oh, come on mysterious ex-partner guy, just loosen up a little, just talk to me. kim is way cooler than you btw.
2nd playthrough: oh my god, jean, it's so good to see you! I love talking to you! You're the coolest guy ever! I'd love having you as my partner, please just talkt to me please, I'm so sorry, I love you! I love you! please forgive me, jean!!!
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c10v3r · 11 months
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and why she oink 💀💀💀
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