@somerandomdudelmao updated and this was stuck in my head as soon as I finished reading so here

prodigal son.

a sort of epilogue for God of War Ragnarok, since I miss these two so much.

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From the firmament above, a blood-red eye looks down upon us.

Day 5 - caf since my scribbles can be totally illegible, here’s a transcript Obi-Wan: Here you go, Cody Cody: Oh, thanks, sir Cody: this... it’s caf? Obi-Wan: Ah, yes! I’ve noticed my teas are not really to your tastes, so I stocked up some caf for you instead! I hope it’s okay Cody: ... oh Cody: ...thank you.

When you find out years later that you accidentally named one of your henchmen

Image ID: A multi-panel comic featuring au sanses. Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?" Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans." Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others." Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?" Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short," Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text. Panel 7: Killer is grasping Nightmare's hand, having accepted his offer. Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again. Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again. Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this. Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask" Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up" End ID.

I love miraculous ladybug. Not ironically, not spitefully. I legitimately just think it’s a good show. I think it’s hilarious and genuinely fun and I always have a good time watching it. It brings a smile to my face and gets my synapses firing like not many other things can. I love seeing the characters go on wacky little episode-long adventures. I think the characters are extremely consistently written, where every episode I see them do something and think “oh my god, they so would do that”. I think their motivations and personalities make sense. I think the chemistry and dynamics between the characters are absolutely impeccable. I like watching them develop over time. I believe they have developed over time. I like the episodic format. I actually enjoy the slow, gradual plot, where characters can kind of just exist and have a bunch of different little mini-adventures where we get to see how the characters would react to all different kinds of situations without it all needing to be huge earth-shattering, plot-changing stuff. Sometimes that’s nice. It’s not for everyone, but I still think it’s good. I love it. I enjoy it. It’s my comfort show.

imagining a world in which Simon agreed to go with Edwin and try to escape hell, imagining Simon developing an immediate and very inadvisable crush on the cute guy that just threw a grenade at a demon and Edwin's reaction to that, imagining the reaction of Charles Overprotective Rowland when he finds out that the guy Edwin insists on dragging along with them is one of the guys that sacrificed him to a demon in the first place, imagining the Night Nurse's face when three dead boys pop back through the door instead of two

This is the funniest way of depicting Speedster Speedster Sense™ ever

(Speedster Speedster Sense™: a Speedster's innate ability to track and locate other Speedsters, especially when the tracked Speedster is using their powers)

They're like bloodhounds after a squirrel lmao

Normally, this kinda thing is depicted as a speedster just kinda knowing where someone is (see, below)

Like these panels where Barry just knows where Max and Wally are. There are tons and tons of instances of Speedsters vaguely feeling another Speedster nearby or, like Barry, just knowing their exact coordinates but seeing an energy trail? That's fun. I like that so much better.

It isn't the first time we've seen something like this. Wally tracked down a time manipulator for Dick one time exactly like Ace and Avery. But it's just so fun. I'm glad to see it back.

a second sam & max favorite moments and quotes compilation of all the stuff i forgot to include the first time

I've been obsessed with vintage comics lately, and I wanted to try out a new colouring style, so here is a redux of Day 19 of my Spocktober/Trektober 2023, Tribbles!

Please click for quality :3

(ID under cut)

[Image ID: A vintage comic style drawing of three tribbles from Star Trek, huddled together.

The one on the left has curly fur and is smaller than the other two. It is coloured blonde, and has one prominent curl right at the top of it, similar to a certain starship captain's...

The one in the middle, behind the other two, has glossy straight black fur and is taller than the other two. Its fur ends in a severe line, like Vulcan bangs.

The third tribble is about as big as the middle one, only this one has dark brown, messier, more layered fur. Its fur is swept to the left, much like Doctor McCoy's.

Wiggly lines indicate they are all purring or trilling as tribbles do, and three cartoon hearts float above them. The two tribbles on either end are spilling out slightly over the border of the drawing. The background is a light blue at the top, fading into lavender underneath them. Their shadows are purple, and the white paper of the borders is aged and yellowy. The layers of colour (cyan, yellow, magenta) are made up of tiny dots, and are offset slightly, creating chromatic aberration.

Above the drawing is written "Trektober" and "Day 19 - Tribbles" Below it is written "@aerialworms" and "Spocktober"./End ID]

an eye for an eye.....

pretty & cute witch men

everyday I thank the Force that Tech's love interest is a black woman. god bless

Me when the narrator is an external entity with its own motivations and agendas and the script it makes you follow is not the one you are confined to but be well aware that all folly has its limits and all relationships might sour

God save the prom queen or whatever

The thing about Chip Zdarsky's daredevil run is that it takes inspiration from the Netflix show and forces that into the comic continuity, but it doesn't even lean into the elements I personally love about Netflix Matt?

He's not perfect, but NMCU Matt at his best is shown to be deeply compassionate and has such a rather warm demeanour to him. When he's happy (especially in college-aged flashbacks) he's really expressive. Women like him because he comes across as thoughtful, rather than being a womaniser. And there's no question as to whether he loves Elektra or not, considering he spends most of the Defenders trying to get through to her.

Not to mention that his Catholicism is deeply personal and certainly not devout. He's a person who grew up around religion and is uniquely attuned to the suffering around him, trying to work out his place in being a man of the people.

None of these traits are inherently better than 616 comic Matt, or even drastically different (although I do think they're fundamentally different characters who I like for different reasons).

But I guess my point is that... it feels like Zdarsky's Matt is based mostly off the "he's an emo Catholic who dresses like a devil to let out his anger and also sleeps with loads of women" jokes based on people's perceptions of Netflix Matt, without adapting a lot of the likeability and nuance that made me like him in the first place.