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#Gosh these quotes work so well for them
joeys-babe · 6 months
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Joey B Imagines: Birthday Boy
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Summary: December 10th, Joe’s 27th birthday spent with you and your twin boys.
Warnings: Fluff, *he's not injured!!*
Pairing: Joe Burrow x reader
Imagine universe: Into The Mystic
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December 10th, 2023
Joe had awoken in bed by himself this morning to his surprise. He had expected you, his wife, to be waking him with smooches all over his face but your side of the bed was empty.
He rolled over to grab his phone off his nightstand when the setup sitting on it made him smile. Every year since you and Joe got together in high school when you guys were 16 and 17, on Joe’s birthday you'd get him white roses. The number of them would be the age he was turning that day. There they were, 27 white roses in a vase.
Realizing there was a card and a gift bag propped up next to it, Joe leaned up in bed and picked up the card first.
Happy Birthday, Joey!
Gosh, how are you 27?! You're getting old babe. JKJK. I just wanted to tell you that I’m so happy to share another birthday with you, this is the 11th one that we've celebrated together and I hope I've made every year better than the last. 26 was such a year for you, and I'm proud to say I was by your side for all of it. Cheers to another year of getting to show you how much I love you. You're my husband, my rock, my happiness, my high school sweetheart, and most importantly my best friend. I love you more than words can explain, Joey Shiesty.
To my nerdy, quirky, antisocial, video game, Kid Cudi-obsessed boy, Happy 27th birthday.
Love, your y/n.
Joe didn't realize tears were streaming down his cheeks till he put the card down and saw a wet spot on the blanket on his lap. He quickly composed himself and grabbed the gift bag.
Pulling the contents out of the bag, he felt his eyes well up again when he realized it was a photo album.
It was white leather and on the front in gold font, it simply read “Us.”
Joe flipped to the first page and it had a song lyric quoted.
“When they wanna see how true love should be, they'll just look at us.”
Flipping the page again, it was a collage of pictures of you and him as high school lovebirds. A picture of him picking you up after a win while you were in your cheer uniform, one of you two sitting next to each other at lunch just smiling from ear to ear, you and him sitting in the back of one of his friend's truck while at a drive-in movie, a pic of you two at senior prom, and finally one of you guys graduating.
Joe flipped the page and wasn't at all surprised to see it was the Ohio State era of his life. Since Joe was a year older than you, you were stuck in Athens still when Joe was a freshman at OSU. Long distance sucked, but you guys made it work, and multiple pictures were showcasing that. You took screenshots of you and Joe's face timing that he had never seen before. There was a lovesick look in his eye that made Joe giggle knowing he's still just as infatuated with you. His favorite picture was the one of him lying on top of you in his dorm bed, you were running your fingers through his mullet as you cuddled him.
The LSU page made Joe’s heart warm, so many pictures of you standing to the side and smiling at him just so proud of everything he had accomplished during his time there. There was one slightly spicy photo that made Joe do a double take. That was the first photo you had ever sent him with the intention of turning him on. While Joe was out doing something with the team after winning the national championship you put nothing on but his letterman jacket and the “Big Dick Joe” that he had.
The next few pages only made Joe smile get bigger.
In order it was him getting drafted, the 2022 AFC Championship win + engagement, the wedding, finding out I was pregnant, the gender reveal, the boy's arrival, and everything in between.
When the last few pages were empty for more memories Joe shut the book and put it off to the side. He again had to compose himself and wipe his eyes after the emotional walk through memory lane, you guys had been through so much together and Joe couldn't a picture his life without you.
Joe was about to text you but as soon as he went to grab his phone you were walking into the bedroom. Truthfully you had been downstairs listening to him secretly through the baby monitor you had put up in the bedroom. You had heard him wrestle around in the sheets before sniffles were heard. After it went quiet for a bit you went upstairs and watched him through the cracked bedroom door as he wiped his eyes.
You walked towards the bed with a stack of pumpkin-flavored pancakes topped with candles singing Happy Birthday as Joe wore a huge grin.
After you were finished singing, Joe blew out the candles and you placed the plate on his lap.
“G’morning, Joey. Happy Birthday, my love. - you
He pulled you into a hug and squeezed you so tight.
“I love you so much, y/n.” - Joe
You rubbed his back and kissed him after you pulled away, his arms still around your waist.
“What did you wish for when you blew out your candles?” - you
“Can't tell you, you know it wouldn't come true if I did.” - Joe
“You're no fun.” - you
“I'm just kidding, baby. I actually didn't make a wish.” - joe
“What why? Did I not give you enough time to? I'm sor-” - you
“No. You gave me plenty of time. I just don't have anything to wish for. I have everything I could ever want or need so there's no need for me to wish for something. I have a beautiful amazing wife, perfect twin boys, a good career…” - Joe
You stared at him dumbfounded, wondering how you were ever able to bag this sweet man.
“You’re gonna make me cry.” - you sniffled
“C’mere.” - Joe opened his arms to you
Immediately in his embrace, Joe held the back of your head and kissed your temple.
“I've already cried twice.” - Joe giggled
“Awe Joey. Okay enough sappy stuff, you eat your birthday breakfast while I go clean the kitchen up.” - you pulled away from him and headed for the door when he stopped you
“Wait don't go! I'll help you clean later, can you stay with me right now?” - Joe
You smiled sweetly at him before waking back over to the bed and getting under the covers with him.
Joe turned on Spongebob and ate his pancakes, a few minutes in you heard little feet in the hallway before knocks on the door could be heard.
“Mommy? Daddy?” - Tyson
“You can come in, Ty!” - Joe
The twins happily opened the door and toddled over to the bed. You lifted them onto the bed and they sat with their backs against the footboard.
Tyson giggled as he jokingly got his hand under the covers and tickled Joe’s foot. Joe played along with it for a little bit, loving the sound of his son’s laugh before he started fighting back.
“Do you boys remember what today is?” - you
“Uhm… no momma.” - Miles
“It's someone's birthday!” - you
Tyson and Miles looked at each other for a second before they gasped at the same time and yelled out the answer in unison.
“Daddy’s!” - The twins yelled
“Mhm! Remember what you guys made yesterday?” - you
The boys nodded and you instructed them to go retrieve what they made from their room.
Joe gave you a skeptical raised eyebrow look, but you just leaned in and kissed him while you still had the chance.
It wasn't long till you could hear those little feet again and Tyson and Miles were running back into the bedroom. They handed Joe a few pieces of paper after he put his empty plate on his nightstand.
Tyson drew a picture of him, his daddy, and his uncles passing football at the practice fields.
Miles drew a picture of him and Joe playing with Hot Wheels tracks.
The drawings had Joe feeling a different form of bliss, his heart warmed to an insane level as he looked at the little details in his boys’ drawings.
“I love them, boys. Thank you.” - Joe croaked
“You welcome!” - Tyson beamed
“Dada? You sad?” - Miles
“No, Daddy’s really happy.” - Joe
“But you cryin'…” - Miles
“He’s crying happy tears buddy, really happy tears.” - Joe
“Oh… okay!” - Miles
“You guys should go play. Mommy and Daddy are gonna clean up before Gramps and Grammy come.” - you
When the boys left the room you turned to Joe who was still crying. You softly kissed his cheek and wiped his tears off of his cheeks.
“You okay, baby?” - you
“Never been better. This is the best feeling.” - Joe
“Good. They worked hard on those. Come follow me downstairs. I have something cool to show you.” - you
“You gonna give me my 27 birthday spankings? Or is that later?” - joe
You laughed as you pulled him out of bed and shoved him into the closet, asking without words for him to put clothes on since he was only in boxers.
He returned in sweatpants and a T-shirt and followed you downstairs.
“Is the cool thing you have to show me a sink full of dishes? Or do I have to unload the dishwasher?” - Joe
“You’re exempt from those chores today since you are the birthday boy. But no, I’m giving you one of your gifts now.” - you
Joe smiled and I told him to close his eyes as we started walking into the kitchen. He did as you said and you took his hands in yours to guide him to where the setup on the counter was. You smiled at the secret camera you had recording and dropped Joe’s hands.
Telling him to open his eyes, Joe looked around rather confused but when he looked down at the counter his eyes went as wide as saucers.
There was a positive Clearblue test next to the same onesie you showed Joe when you found out you were pregnant with the twins.
You watched Joe’s eyes start to water as his chin started quivering, causing your own eyes to get misty as you smiled at him.
“You’re pregnant?” - Joe grinned
“Mhm.” - you smiled as tears dripped down your face
Immediately his arms were around you, lifting you and spinning you around as he cried into your neck.
“We’re having another baby!” - Joe cried
When he put you down, Joe picked up the pregnancy test with shaky hands and fell against the counter with his head buried in his arms. He was so overcome with emotion.
“Are you happy?” - you rubbed his back
Joe stood up abruptly and nodded vigorously.
“I've never been so happy. What if we have a girl, y/n? I could be a girl dad.” - Joe cried again
“Oh baby.” - you pulled him into your arms
Joe hugged you so tight but was now trying not to put pressure on your stomach now that he was aware his baby was in there.
“I love you so much, y/n. You and our family are the best things to have ever happened to me. I can't believe we're having another baby.” - Joe
“I love you and our babies so much. I can't believe it either, I'm so excited.” - you
“How long have you known? Well about the baby?” - Joe
“Not too long, found out a couple of days ago and thought I'd wait till today.” - you
Joe nodded and leaned down to be level with your stomach. It hasn't gotten bigger yet but Joe didn't care, his baby was still in there.
“Hey, baby. It's your daddy. Me and your momma already love you so much. We can't wait to meet you.” - Joe
“I have an ultrasound next week. Think you can go?” - you
“For sure. I'll make it happen.” - Joe
The rest of the day Joe couldn't keep his hands off of you, always making sure you weren't farther than arm's length away from him.
Robin asked what was up later at dinner when you rejected your usual favorite wine that she and Jimmy had brought.
You and Joe were ecstatic to tell his parents about Baby Burrow #3 coming next fall and they were just as happy finding out about their next grandkid.
That night after dinner, dessert (pumpkin pie of course), and putting the boys to sleep, Joe and I were lying in bed talking about everything baby.
“y/n, you know, I've only been 27 for a day but I feel like it's going to be the best year yet.” - Joe
“You think so?” - you
“I know so because I’m gonna spend it with you, our boys, and baby Burrow.” - Joe
You had a strange feeling that Joe was right, but also an overwhelming feeling of love washed over you. How'd you get so lucky with Joe?
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Authors note: happy bday Joey B!
there was a birthday imagine request in my messages so here you go!
hope you enjoyed! 💕
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signedmio · 3 months
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PH MI GOSH ✨️ANON HERE I GOT ANOTHER IDEA (
So angel Is a performer, right?
So imagine, huskerdust meeting and slowly getting to know reader,, who also works under the vees but as a live theater actor.
Maybe huskerdust might have a crush, maybe not (depends if your ok with poly)
And he recently got cast as a character, and is panicking and angel offers to help, and husk watches, just so happy and affectionately by seeing the people he's closest to have fun in something their both good at
And they go to readers show, where he plays JD from Heather's (like Jamie muscatos ver.) And it's just fluff and maybe some hurt comfort when reader worries on opening night
(Also a one-shot idea but if u don't do those it's entirely ok)
Have fun, take breaks and don't forget to do the do!! Have a goody good :))
HELLOOO ✨ ANON MY LITTLE RAINBOW OF LOVE !! this is actually so cute, and the fact that reader is jd is even better, i haven’t watched heathers in a hot minute so i hope this is good!!
Warnings: Swear Words, Use of the F-Slur, Based loosely off of Heathers the Musical
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“Meant to Be Yours”
Husk x MT!Performer!Reader x Angel
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You paced your hotel room that was shared between you and your boyfriends, waiting for an email on casting results for the most recent show you auditioned for.
“Sugar, you did great, there’s no way they ain’t casting you, relax.” Angel said, with a sleeping and purring Husk in his arms, his face shoved in his fluff.
Before you could comment your phone dinged, you went to swipe up on it, before realizing it was the cast list. “Fuck!” You yelped, nearly dropping your phone.
Husk groaned, he had been woken up, shoving his face further into Angel’s poof, as your other boyfriend chuckled.
“Well, open it, what ‘re we waitin’ for?” Angel said, quite eager to see the results, being quite the big fan of Heathers himself.
You scrolled for a bit before yelling out a loud scream, “I GOT THE PART!”
“Fuck yeah, baby!” Angel cheered, tossing his arms up in the air.
A monotone, ‘Woo…’ came from Husks lips as he attempted once more to drift off to sleep, he cared, it’s just he was hungover and tired, what’d ya expect?
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“Hey Ram, doesn’t the cafeteria have a no fags allowed rule?” Angel quoted from your script.
“…Line.” You muttered embarrassedly.
“They seem to have an open-” Before Angel could finish, he was cut off.
“Ohh!” You said in realization. “They seem to have an open door policy for assholes, though.” You recited, getting back into character almost instantly.
The both of you went on as Angel helped you practice and memorize your lines. But little did the two of you know, that your cat boyfriend who watched from afar, spent the whole time recording you guys out of sight…
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After hearing you run lines and songs for almost three months straight, Husk and Angel definitely got them stuck in their heads.
You would hear Husk humming to ‘Freeze your Brain’ while he worked at the bar, and you would hear Angel banging out to ‘Our Love is God’ while in the shower.
You would’ve never expected them to be so supportive of this, but nonetheless your over the moon, theater was your life both on Earth and in Hell, so you’re glad your boyfriends seemed to enjoy it.
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Opening night came sooner than you wanted it to, you were gonna miss the cast you grew to love, but more importantly…you were nervous. You had never performed infront of your boyfriends before and you didn’t want them to think you were bad by any means.
You sat in the mirror, doing your makeup to get ready to go to the theater, you could feel your hands shaking from what felt like every emotion known to man.
“You okay, sweetheart?” You heard a rough voice speak from the doorway, you could see him in your mirror, Husk.
“Yeah…” You say, setting down your concealer, “Just uh, nervous, for tonight.”
“Hey.” Husk says, approaching you, his paw resting on your shoulder. “No matter how it goes, you’ll do great, and me and Ange will be supporting from the sides.”
“I guess so, but what if you guys think I’m bad?” You say, looking at Husk through the mirror.
“Hon, we’ve watched you rehearse for this, we’ve seen you go over your lines, we’ve heard you sing your songs, which by the way, are stuck in my fuckin’ head thanks to you, mister. All three of us know just how good you are, and tonight is just an opportunity to show all of Hell how great our boyfriend is.” Husk said, chuckling slightly, ruffling your hair.
You turn to face him, and hug him while still sitting down, “Thank you, baby.” You mutter.
“Of course, Doll.”
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m1ssunderstanding · 3 months
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Understanding Lennon McCartney Rewatch Part 3.2
The thing is Paul just physically can't say what he feels. It's just an impossibility for him. So if he says reading a negative article about himself “doesn't help” or “it's not good” but it “doesn't get home” I just assume he means ‘It hurts, but I can't think about that too hard or I'll go into a self-hate suicidal spiral again’. 
I always love how Paul says Linda. “Linder is er, nature mad.” 
She!!
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Hearing Paul talk about watching Mary be born makes me wonder if John was there with Sean? Also I wonder if Linda would talk about the experience so glowingly. Probably. She's tough as nails. I had a lovely experience, personally, after the epidural lol
“Dear friend . . . I'm in love with a friend of mine.” This is such a strange and beautiful song. It's a man who has to apologize to his friend for falling in love with someone else. At least, that's my interpretation. What's everyone else's?
I understand why he's so closed off. I do. But when John is going off every five seconds, we're missing half the picture here and it's turning out warped. They really are such a good study of attachment honestly.
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“Nothing will ever break the love we have for each other.” White-knuckling my way through this section with this quote clenched in my fist.
Yoko, talking about John fighting with Paul: any couple will go from swearing to kissing and it's like that. What favors are you doing yourself here, babe? Maybe John's the PR mastermind between the two of them.
I find John's comparison of working with his romantic partner to being ambidextrous very confusing. Does he mean just doing two things at once?
“If I can't have a fight with my best friend, I don't know who I can have a fight with.” -- Intro slutty gender-fluid Wings Paul my beloved -- “Tell me why, why, why do you treat me so bad? So bad? When you're the best friend a man ever had?” I heard on some podcast somewhere. Someone was going on about how forward-thinking the Beatles were to refer to the women in their songs as “friends”. And I was like, nununununu do not give them that credit.
This is just soooo. In this era? 90 minutes in the middle of a recording session?
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John: Sorry, my estranged fiance is calling, gotta take a break. Guitarist: again? Drummer: how estranged can they be if they call every three minutes? Yoko: should we just record the other parts or . . . John: (receiver cradled to his cheek, lovesick grin on his face) Hey, how was Heather's school program? Haha, yeah, I bet she was.
Okay, so you've made up with Paul and now you're done being homophobic? *Cardi b voice* well that's suspicious. 
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The fact that John's asking Paul to play on stage with him in 1972?? Ugh! If it was just about legalities and money and shit I would be genuinely so pissed at Paul for not going. If only because Come Together sounds incredibly lame without his bass and piano. But also for the obvious fix-it reasons. I have to remind myself of how truly awful Klein was. By being the only one to stand firm against him, Paul actually ended up saving them all from a lot of trouble. But gosh would this have been good!
Things normal people say, for sure, for sure.
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Okay in my head it went like this. John calls George and bitches about what an egomaniac Paul is because he won't do anything with him as long as Klein is involved. George gets off the phone and calls Ringo and they make a bet as to how long it is until John decides they should get rid of Klein. 
“Where's your audience, Paul?” “In the theater, Dave.” As he should. The cuntiness is unparalleled. Yeah, maybe people like to see a family friendly eclectic magic pixie sexy hard rock floor show? Ever thought about that, Dave?
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Anyway, he seems genuinely pissed when the interviewer even mentions the other Beatles and he refuses to even admit he still talks to any of them. Why? 
John's just so benevolent and selfless. He's completely straight, of course, but he's always offering to do gay shit. You know. To be nice. 
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I forget that not only was May their literal employee, but she was ten years younger on top of that. And yet, she managed to do so much good in that relationship. I have so much respect for her. 
There's obviously a lot going on behind the scenes that they don't say in interviews. Duh. But I wonder what it is that caused Paul to be so open and happy in this interview where he's asked about the other Beatles compared to before. I wonder if he and John had a really lovely talk, or if he's heard a demo of “I know, I know.” Or maybe it's just he's so reassured that they've got rid of Klein that he feels safe acting open to a reunion on record. Who knows, Yoko. 
So so smart to pair “In My Life” handwritten lyrics with the matching lyrics of “I know I know” playing at the same time. I forget about that connection (“I love you more”) because it's so overshadowed by the “than yesterday” right after. I seriously wonder if John thought he was being so obvious with this one the way he was with HDYS and half hoped people would ask him if it was about Paul and he could make up for the whole thing. Because it's just so heavy-handed. It's beautiful. I love it. I'm sure Paul loved it. But yeah. John's just beating us over the head with the references here. 
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I also wonder (very tentatively!!!) if Paul was maybe a bit more emotionally vulnerable with John than we usually think. I would never think this except for the “you know I nearly broke down and cried” “I'm sorry that I made you cry” and “no more crying!” I don't know. What do we think? 
His little baby smirk. It's so silly and cute. He's being very positive about getting back together, and the interviewer asks if John would initiate that. Just a very coy, “a, well, I couldn't say.” I wonder if at that point if he'd said on live tv that he wanted to get together again if it would've happened. Seems like it might have, but I understand him being scared. 
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Elton John taking pictures like a fan and John: I wanna impound all those photos till I get me green card. What a random idea for a commercial. I love it, obviously, it's hilarious. I wonder who thought of it. 
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This doc is so good at implication. The smirk as “loving in the palm of my hand” plays. That's not a reference to hand jobs, is it? Certainly not talking to someone with beautiful hands?
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Everyone go look up Nineteen Hundred Eighty Five on YouTube. The singing sex is something else, yeah, but I'm always so blown away by the piano part. The fact that he's self taught and doesn't read music and this man will go on to compose symphonies. 
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pinguwrites · 6 months
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Sub!Robert Fischer where he's tied up and being overstimmed repeatedly. He's crying his eyes out while reader degrades him for being spoiled and rich (I've been reading ur work for some time, but requesting for the first time!)
I’m glad you like my work and I’m glad you requested as well!
Drabble: you degrade and overstimulate Rob
pairing | sub!robert fischer x girlfriend!reader
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Warning: overstimulation, degradation/ a little bit of praise, loads of crying from rob, impact play, dom/mean!reader, sub!robert, daddy issues, p in v sex, mention of teasing/edging, robert's a masochist at this point, they have a safeword, ma'am kink
Disclaimer: Inception characters, plots, quotes, etc. do not belong to me and belong to the rightful owner(s). This is only fanfiction and this is just for fun.
A/N: Sorry I haven't posted in a while. I wrote like 7k for one fic, and 6k for another, and I progressively got slower the closer I got to finishing, it's like a fucking exponential graph. That's why I haven't been writing smaller things, but you know what? Fuck that. I told myself I was going to stay dedicated but now I'mma just do what I want.
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Robert gazed up at you as you crawled on top of him, his lower lip wobbling, tears dripping down his cheek like rain. He savored the brief touch of your hands on his chest, and whined when you moved away, but he made sure not to be too loud, lest he get some punishment.
"Ma'am?" Robert asked tentatively, not sure wether he was alowed to speak or not.
"Yes, Rob?" you hummed, focusing on tightening his restraints. Just a few minutes before Robert had been squirming and squealing, tugging on his ropes, and now that you were done with that particular bit of torture, you had to make sure they were secure again.
“Can you ride me?” he asked. “Please?”
"Dunno."
Robert shifted his legs. Gosh, you loved his legs. His thighs were so soft and lightly haired, you loved running your hands across them, no matter how many times he complained your touch was cold.
"Do you think you deserve it?" you added.
"You've been edging me for so long," he pathetically whimpered. "I need — "
" — Of course you do," you cut him off. "What am I even saying? You rich fuckers are all the same — spoiled, bratty. Just a need a strong woman to put them in their place, huh?”
Robert's eyes glistened. He was about to sob again. Good thing you brought tissues.
"It's not like that. Please, just . . ."
"Then what's it like?"
Robert stayed silent, clearly afraid of saying the wrong thing. You already knew the answer. It was his fetish, his kink, but he also liked being cared for and nurtured and guided. You just wanted to hear him say it, but judging at way he was behaving, you weren't sure if you could get a coherent response out of him that wasn't a beg to be fucked.
You slapped him across the face, savoring the little noise he made.
"Should've known your mouth was no good for anything. Stupid puppy."
"Yeah," he nodded eagerly, his cock twitching. "M'just a stupid puppy for you. Please, please, fuck me."
"Won't even offer to eat me out? You haven't made me come a single time today."
Robert looked down, embarrassed.
"Fine."
Without a warning you sunk down onto his cock, drenching him with your wet juices, your tits bouncing in the air. He let out a moan, his head hitting the pillow, eyes closing, relaxing as he finally, finally got the release he wanted.
But when he came, you didn't stop. You still hadn't come, and you weren't stopping until you did.
"Pretty boy," you said, then looked down with a fake pout. "Aww? Is this too much for you?"
"Y-yes," he choked out.
"Well, you're gonna have to fucking deal with it."
He shook his head adamantly.
"Isn't this what you asked for?" His eyes rolled. You pat his cheeks, getting him to focus on you. "Color?" you asked.
". . . Ah, greeeen!"
"There ya go," you cooed, moving your hips up and down. "I wouldn't be doing this if I knew you couldn't handle it. Now, tell me — tell me you're my bitch."
"I'm your bitch!" Robert sobbed, his body shaking. "I just need you so bad all the time, ma'am, I can't help myself."
"I know," you soothed, wiping his tears. "I know. You're doing so well."
That seemed to calm him down a little. Praise always did.
"I just wanna be good for you, ma'am." You could tell he was getting ready to come again.
"You are — you're a good boy," you reassured. "Now stop squiggling, okay? Or I'm going to have to punish you again."
Robert nodded, feeling like his brain was melting. At this point, you could do anything to him and he would be on his knees, thanking you.
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Taglist: @henrywintersdearestgirl @shroombloom-rry @meetmeatyourworst @mrkdvidal1989 @madnessandobsession @slut4thebroken
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cod-dump · 10 months
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I come back with another TV series quote, Stranger Things addition. I've been seeing all these posts about how done Gaz is with Soap and Ghost, so I thought I'd contribute.
Ghost, driving to the rendezvous point: *Arguing with Soap* What are you gonna do, walk to the extraction point?
Soap: I will do anything if it gets me a way from you!
Gaz, very tired and very done with this bullshit: Children! Children! Children! This interminable bickering was amusing at first, but it's getting stale, and we've got a long drive ahead of us.
Gaz: So why don't you two cut the horseshit and get to the part where you admit your sexual feelings for one another.
Ghost, almost stearing into a ditch: Woah!
Soap: You are way off base, buddy!
Gaz: Oh, spare me, spare me, spare me! *Leans into the middle concel, looking at Soap*
Gaz: Yes, yes, hes a brute. I know. Probably reminds you of a bad relationship, and gosh, you'd really like a nice man to settle down with, but admit it, you're real curious to know what he's like I'm the sack!
Gaz, turning to Ghost: And you! Hah! Well, you're just a big man baby who'd rather act tough than show his true feelings because the last time you opened your heart, you got hurt. Owie.
Gaz: And now, rather than admit these feelings, you're dancing around one another with this mind-numbing and frankly borish mating ritual. So please, for my sake, either quit
Gaz: Or pull over, tear off those clothes, and get it over with!
Ghost and Soap: *Silence*
There was a period after all that was said that Gaz was sure that he was dead.
The silence was loud, suffocating. Nothing was said for several minutes and that gave Gaz plenty of time to think about what exactly he had said and to who. He’s known Ghost longer, he knows how he feels about being confronted with his emotions, his humanity. Gaz felt comfortable with Soap but he knew the man sometimes had a explosive temper. So the silence, the silence that would not exist if it was just one of the men instead of both, was very nerve racking.
The fact nothing was said the rest of the drive said far too much, that Gaz said too much.
They made it to the extraction point where Nik was waiting. Again, nothing was said that was strictly business on the flight back. It was obvious that Nik picked up on the tension and quickly figured it stemmed from Gaz. Man had always been observant so Gaz was hoping he could rely on him for protection if it came to that.
They made it back to base and thankfully Price was there, waiting for them in a professional yet relaxed pose. Silently, the three climbed out and Gaz hung back to avoid walking between the all too quiet Soap and Ghost. He felt Nik’s gaze on him and then Price’s, the man quickly picking up on whatever Nik and felt/seen. Fortunately the man didn’t say anything about it and just walked them inside to debrief.
Everything after that point would just be too quiet. Even with the regular chatter of the soldiers, everyone moving and working as normal, it was too fucking quiet. Soap and Ghost went their separate ways after the debriefing and just disappeared all together after that. Gaz was terrified to go to his office or room so he chose to stick next to Price.
“Sergeant… dare I ask what the hell happened on that mission?”
Gaz just sat silently next to him, eyes flickering to the door of the room, as if expecting someone to come barging in and attack him. That might’ve been Soap’s approach, Gaz has never seen Ghost go in guns blasting unless there was no other option.
“More like what happened afterward… I think they’re going to kill me.”
“Why would you think that?”
Price was definitely showing more interest in whatever was going on with Gaz over the paperwork before him. Man loved to hear gossip even though he would rather eat straight coffee grounds than admit it.
“May have overstepped with Soap and Ghost.”
Price was laser focused on him and it made Gaz shudder. He tried to avoid looking at his captain and just focus on the door completely. Gaz knew he couldn’t beat around the bush forever (Price would beat him if he did) so he just took a deep breath and told him everything. He explained their argument, what lead to it, and what Gaz had said to them on the car ride to the extraction point. Gaz took a breath after the final word, leaning over the table and closing his eyes to avoid looking or perceiving anything.
Price laughed loudly and Gaz just hunkered down more. Price tried to say something throughout his fit of uncontrollable laughing fit but was simply unable to get anything out. Price wasn’t the type to laugh at someone’s misery (though it has happened) so Gaz was hoping the situation was just too ridiculous and Gaz’s worry was purely irrational.
Finally, after Price laughing long and hard enough for him to be out of breath, the man calmed and pat Gaz’s shoulder.
“I wish I could’ve been there!”
“Cap-“
“You’re fine, Kyle. They’re not going to do shit.”
Gaz relaxed at Price’s certainty. Price was right, he was fine.
Gaz would stay fine until the next day early in the morning. He would be at breakfast in the mess, attempting to chase away the grogginess with coffee when he noticed someone sit at the table he was at.
“Hey, Gaz. How’d you sleep?”
Gaz was surprised to hear it was Soap, “Fine. You losing your voice, mate? Sound like- OH MY GOD-“
Gaz had opened his eyes to see Soap and the absolute murder scene that was his neck. It looked like someone strangled him then bit him to hell and back. Gaz gawked, Soap avoiding looking him in the eye like he was Medusa. Gaz struggled to say something, anything.
“What the fuck happened to you?!”
Soap was red in the face, turning his upper body away from Gaz. Gaz was going to push more but then Soap muttered, face practically on fire.
“Had a… ‘talk’ with Ghost about our feelings yesterday.”
Gaz gasped louder than what others would’ve deemed necessary, but to him it was very necessary. Soap decided to leave quickly, Gaz just staring after him with his jaw hanging open. Soap disappeared out of the mess and Gaz didn’t know what to do other than grab his phone and immediately text Price what he had just learned and seen.
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kanmom51 · 7 months
Text
JM's Production diary Documentary
And Live 23 October 2023
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So, I don't know how to do this.
Write about JM's documentary separate from his live.
Write about the two without being all over the place.
Because not too much happened, and yet so much did.
So, where do I start? How do I get through this?
At this point I have so many ideas running through my head for posts, so much so that I'm not sure just yet how this post will work out, given that everything intertwines.
I still have JM's previous live to work on as well. Yeah, kind of overwhelmed at the moment.
I guess I will just get on with it, but I do think that more than likely there will be things I will either save for another post or two or three, or forget something (that I can guarantee) or just post on repeat, cause some things we just cannot get enough of.
Let's talk about the documentary a bit.
We got to see the process of JM creating his songs. How they would start with the idea, the narrative. Then the melody, instruments and the vocals and then the actual lyrics.
JM's musicality, his talent, his creativity all showcased.
We also got to see just how nice Pdogg is. How much he loves JM, how respectful he is to him, not to mention how talented he is himself. As a matter of fact, the whole team that worked with JM were super nice and talented and they just all seemed to be having a good time, even while working to the bone.
Oh, and how none of them actually knew English, lmao.
In the documentary we were shown how JM and Pdogg chose the quote from the movie to use in the song. Only that it wasn't the one they actually used in the song itself. And that is because, as JM revealed to us in the live, they picked it without knowing what the characters were talking about, picking a convo between the characters that sounded nice to them at the time, something that would suit the song. All while the two characters were actually talking about a visa, lol. And JM, well, he found that super funny (which truthfully, it really is), so he repeated it a couple of times.
We also saw RM in the documentary sitting down with them talking about writing lyrics. Only for JM to share with us that:
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Which JM found to be very funny. I guess now it is, but back then... not sure he shared that same sentiment, lol.
He kept on laughing about him being an idea bank, lol. It's ok to acknowledge your genius, man!!!
Hobi and then Jin show up in the comments while JM is watching the documentary. And I was surprised at that point, given that I really did think JM wouldn't be doing this live, that it would have been pre-recorded. But it wasn't, and thank god for that, cause we all know what happened later on. Less than 1.30 minutes out of an almost 2 hour live, but gosh, what a 1.30 minutes they were, lol.
Anyways, Hobi shows up and JM goes all shy and even stops playing the documentary telling him to leave, that he won't continue playing until he does.
Guess who won that fight, lol. Hobi, of course. JM gives in and continues, once in a while saying they will go away at 9 pm (Jin came in to say that there is some kind of something military related, lol).
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Letter
Yes, let's actually start with the name of the song.
Cause for some reason, although they all talk about the song using the word pyeonji (Letter), all while the translation is Dear.Army. Like what the actual fuck? Why would they do that?
Well, we kind of know, don't we?
Someone (cough Hybe cough) is working super hard to cement the song is for the fans.
Please tell me, if this was a song completely meant for the fans, why this incessant need of the company to sell this to us? Why change the name of it in the fucking documentary, while JM and the others are literally saying the word "letter" translating it to "Dear.Army"? There is only one answer I can think of here. And you know exactly what that answer is.
I'm not going to go back to all the reasoning as to why this is way more than a song for fans, I feel like we've discussed this ad nauseam. I will only say that NOTHING we saw in the documentary contradicts what we think about Letter.
You can see, throughout the process how emotionally tasking the song is for JM. And yes, a song for ARMY could be emotional, I mean both JM and JK have immense love for ARMY, and we've seen JK burst into tears talking to army or about army, JM getting very emotional himself. But this, this was more. There are moments there when you can see the anxiety just bursting out of JM.
This song was just MORE.
Especially when you take everything you see in the documentary, JM's state of mind, his words, his behaviour, and add it all up with the lyrics, even more so the missing lyrics. Would be hard to explain how "dongsaeng" fits into "this is a song for army"... Add it to the hidden track. But not only it being a hidden track, it's a hidden track only on the physical CD. Not the digital CD. So, no streaming. A track for Army, for his fans, that not all of his fans get to hear freely? A track for Army that, hmm... maybe wasn't supposed to even be in the album?
We got more than 2 seconds of JK. That's worth a mention too, no?
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When I saw this I was: fuck fuck fuck fuck fuck.
Cause, no way under the sun, yes, pun intended, that this was about ARMY.
Army was NEVER REFERENCED AS THE SUN BY ANY OF THEM.
NEVER.
You know who was?
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The level of emotion we see from the two of them throughout the process... this was so personal.
I rewatched it again today before writing these lines. It's JK's body language, it's JM's body language, it's JM going in to cup JK's face when telling him he wrote a fan song, and JK's reaction.
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Dare I remind you that "Still with you" was classified by JK as a "fan song". Dare I remind you what our sentiments about that song are? Yeah, a fans song.
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And I will remind you, not that you need the reminder, who happened to state for all of us to see that he was JM's fan. Happening to do so during JM's promotions of Face and before JM's Face Live, which I do not think was a coincidence AT ALL.
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They are just precious. What else can I say?
There is this as well.
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Also, I don't think I'm the only one seeing this. JK at the end going in for a hug, but JM, reaches out for a hand shake and a bow.
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He bows.
Twice.
Now, the not going in for a hug could be one of two with JM. The first could be that it was too emotionally charged and that hug, in front of the cameras, will just be too hard. Too hard not to show the emotions. Too hard to break off.
Or, the second could be that by doing this, bowing the way he did do JK, he was showing us, the spectators, just how profoundly thankful he was for JK, and for his participating in the song.
Now that I think of it there could be a third reason. Which would be the combination of the two.
You know what I also noticed there?
That JK didn't bow back.
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So, that's more or less what happened with them in the documentary. Not too much talking, when there is it's subdued, understandably so, given this is all done in front of the cameras. But, there is an undertone of emotions there.
Oh, and did I mention we see JM wearing the very important, at the time, necklace throughout the documentary? On that day of recording as well.
And happy little coincidence them wearing the black and white bucket hats? Lol.
Ok then. By now we all know that JK joined the live. And he does it exactly when they started letter. Quelle surprise. Quelle coincidence. Or was it?
Observations:
JK is too skinny. JM thought so too all while grabbing his tiddy.
JK is really tired. Said he was practicing. Eyes red. He needs to eat and sleep.
JM was genuinely surprised by JK's appearance. Th way he lights up, he was surprised and giddy and excited, his whole body movement, practically dancing in his seat with glee.
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JK walks in holding his right hand in place. At first I thought maybe it was injured or hurt or unable to move, a cramp maybe, like the ones JM suffers from at times. But later on it looked like there was nothing wrong with his arm. So was that his way of holding himself back? Restraining himself? Containing himself?
JM signals for JK to talk into his mic,
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Pulls the mic up forward away from his chest, and as JK comes closer he lets it go and leans back for JK to move in.
And JK, well why? The mic is right there. Why does he lean in lower? To say hello to Army? Talking to JM's what? Not the mic, that's for sure...
There did not seem to be a chair there next to JM when the live started, and when JK was leaving JM had him take a chair with him. So, as JK came into frame were the staff assuming he's going to be joining JM for the rest of the live? Also making sure to hand him a mic?
And then, JM asks JK "why did you lose so much weight?", all while reaching out his arm, and JK moves forward towards him, and you can see JK's eyes moving down to JM's arm all while JM just goes for JK's chest. Just going straight for the grab.
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And JK, he loses it for just a second.
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Sniff, gulp, giggle...
And we are back.
JK laughingly tells us he just practiced. But kind of still dumbfounded I guess.
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And then I think JM came to as well (you know, awakening from the aftershock of his own actions, lol) and tells JK "time to go", or more so "get the fuck out of here as fast as you can and take that chair with you while you're at it, cause if you don't leave now I'm going to jump your bones right here right now".
Ok, so maybe he didn't say those words exactly, but that was the sentiment, lol.
JM apologises. Thrice.
For sending JK on his way.
And we get the hug. One of those Jikook in front of the camera hugs.
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And again JM rushes JK to leave, smacking his butt while he's at it.
JK grabs the chair, tells JM to enjoy watching with Army and tells us he loves us on the way out. And JM sitting there watching JK, giggling, smile plastered on his face, waving by. But that isn't the end of it.
Because as JK leaves JM follows him with his gaze, until he waves him goodbye and only then gets back to the documentary.
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And this is when we lost JM for a few minutes there during that part of the documentary, and even more so when JK was on screen singing or during their interactions.
And we also got this reaction to their hug.
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What was going through your mind at that moment JM?
After JK leaves there is not too much left until the end of the documentary. And then we have a JM giggles attack. And the man is telling us he's laughing about balloon placements, but seriously, do we really think that's it?
And yes, JM was as always his own shy self while going it alone, and yes, he was finding it hard where to go with the live once the video was over, but this was just more than just plain embarrassment or shyness.
Could there have been someone there waiting for him? Someone that has that kind of effect on JM perhaps?
I don't think JK was there the whole time. He really did leave when JM was waving him goodbye (if he hadn't have left JM wouldn't have been able to get back to the documentary the way he did). But possibly, very possibly, lover boy went to shower and came back in time for JM's ending.
JM tells us during that giggle attack that he will post a pic of the funny balloons only to later post a pic of 19 balloons, the ones in the front shaped like an S. And why do I feel like that was JK's doing? The S shaped balloons...
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Clearly the balloons were not placed that way at first.
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Someone did this. Question is which one of them. The S, the 19, not a coincidence.
I guess that's it for this post.
Like I mentioned, I know I probably forgot stuff, and there will probably several posts to follow.
But I just needed to get this one out there for you guys. And I guess we'll add on as we go (especially seeing that I've reached my image limit here, as usual).
To sum this up.
WOW!!!
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nogenderbee · 7 months
Note
Im so happy your requests are open‼️ anyways can i req a reader thats like an idiot? The type of person to say "duck and chickens are the same because theyre both birds" or something even dumber will they tolerate readers dumbassery? Or do they just give up? I also want the characters to be mafuyu, akito, an,tsukasa djdndj$-$+$+$ take your time💗
-🐣
Of course! I swear I took so much inspiration from just looking up dumb quotes so... hopefully it matches your expectations!
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♡˗ˏ✎*ೃ˚ 𝔻𝕦𝕞𝕓 ₊˚ˑ༄
*ੈ✩‧₊˚ An, Akito, Tsukasa, Mafuyu with idiotic!reader
*ੈ✩‧₊˚ fluff
*ੈ✩‧₊˚ @bleachtheidiot @prsk-krow @yulikesminori @qxmmi @toyaswif3y @miya-akane @alicewinterway18 @modyuki @hearts4gf
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You were sitting in An's cafe after it closed. Her dad had to go there so she was the one who had to do the cleaning. But of course, she didn't wanted to do it so instead of that, she decided it'll be great idea to just bake something for you both!
You were just eating your favorite cake with her and accidentally bit your tongue.
"Oh gosh, Y/N are you alright!?"
"Have you ever wondered why you can't taste your tongue?"
That left her speechless... she was so worried about you that she didn't even realized the question at first.
"No, but... that's actually a good question!!"
My girl doesn't see the answer here... not at first at least! Give her some time to think and she'll actually explain it well! Maybe it's because she knows about all the food stuff thanks to working in cafe? Whatever it is, it definitely helped her right there!
"Oh I know! It's probably because taste buds are on your tongue, right!?"
"Ooooh, thanks An!"
You both stick together through your dumber thoughts. Usually she's the first one to come up with at least a bit smarter answers for them.
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You and Akito were bored to death as you just layed on your back in ones bedroom. You already played all games you could, talk about everyting you could, so he was distracted with his phone as you thought about everything and nothing at once. That's when you heard him get a bit more mean, most likely because of video he just saw.
"How the fuck do people do that!? C'mon it gotta be edited... it's so impossible after all..."
"Penguins can fly so you can do that too for sure."
"Penguins can't fly, stupid."
"They can if you give them a rocket!"
He just stared at you... he did not understand your way of thinking, so the only thing he could do was show how stupid he thought it was with his expression.
"What?"
"I'm just done with you."
He's really not, he loves you so much despite your question and statements that sometimes even get him worried about your mental health...
Also he definitely looked up "rockets for penguins" when you weren't looking-
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You were helping Tsukasa with his school project. Basically he was supposed to do model of something son you naturally helped him.
You were just gluing some pieces together when a sudden thought appeared in your had...
"Hey Tsukasa... glue is made to stick to everything, right?"
"Yeah of course! That's like it's whole purpose."
"Then why doesn't glue stick to the inside of the bottle?"
"It... wait... you're right! Why it doesn't!!?"
You two are combo of dumb and dumber but that's exactly why the two of you are just so adorable together!
You definitely gave up on that project for now and focused on discussing why it could be like that and omg weren't your assumptions delusional.
"Maybe bottle is just glueproof?"
"But how? Is it like magical or something?"
"It could be!"
You ended up looking the answer up on Google and both of you were disappointed that the answer was this simple whole the two of you discussed this topic for at least half an hour and even did sketch of how it could've been created!
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Mafuyu was resting at the cafe with you as both of you waited for your orders to come. But then closed and opened your eyes... first thing that came to her mind is that you might be tired so she immidietly asked you for the reason.
"Are you tired? Do you want simp of my coffee? Or you can take a nap... I'll wake you up once our orders come."
"No I just realized something..."
She held herself back from sighing, she knew very well where this is going but of course she doesn't want to be mean without giving you a chance first so she let's you finish your thought.
"And what could it be this time?"
"Sometimes when I close my eyes, I can’t see."
"... Sometimes?"
She was confused... skipping the stupidity of that statement, what did you mean you don't see when your eyes are closed only SOMETIMES?! Should you go to doctor instead of aquarium date...?
As you nodded to confirm your words, she knew there was no way if explaining everything to you so she just gave up and decided to play nice. Especially since it's not first and definitely not your last stupid statement she hears today.
"That's... kinda right..."
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indieyuugure · 11 months
Note
Hi I love your art it has so much emotion and detail! But I was wandering if the turtles from 2018 will learn about the 2012 love interests, and what would be their reactions?
Thank you! I try my best to put as much raw emotion into the pictures as possible!
So the Donnie-April-Casey love triangle disaster has been brought up a few times in the comic (mostly as a joke)
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The first time it’s brought up is Colliding Worlds part 2, where the Donnies find Rise Leo, 12 Casey and April. Donnie and Casey throw each other’s their favorite insults (Gap Tooth and Cave Mouth) hinting at the tension between them and April. Leo and Donnie definitely acknowledge the tension as Rise Donnie then says:
“Not to intrude on your conversation that is apparently of extreme importance, but perhaps we could pick this up any other time!?”
The next time their love triangle is mentioned is in Eye of the Storm Part 2, where if you look closely you can see this interesting little scene while the others are recapping the book so far.
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Later in Eye of the Storm part 3, you can see that Rise Casey has taken notice to the 12 Casey and Donnie’s tense relationship.
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He asks why Casey and Donnie dislike each other so much, but is cut off with a harsh “No.”
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A few pages after, Rise Casey sees 12 Casey flirting with April and Donnie walking in very upset. Rise Casey sees what’s going on a puts it together out loud, to which 12 Raph says:
“‘Love Triangle’ makes it sound so romantic. It’s more like what happens when you add water to hot oil.”
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And of course in the most recent update, you see while the 12 boys are hugging it out, Casey and April flirt, April asking “What’cha thinking about Jones?” And Casey delivering the corniest one liner, “A red and yellow sunset.” (Give Casey a break, his two brain cells worked really hard to think that one up!)
As for Leo, There’s some scrapped dialogue from Retribution Part 1 where the Leo-Karai debacle was going to be brought up.
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As you some of you probably noticed, Rise Leo is accidentally quoting Karai. In some of the ideas for the dialogue, it looked something like this:
R!Leo: You always talk to yourself when you’re alone?
12Leo: Ka-L-Leo? *sigh* Gosh you sound like my sister…
R!Leo: Wait! You have a sister!?
12Leo: uh…well um, it‘s…kinda complicated…
Later on the next page:
12Leo: thanks…I…I needed that…
R!Leo: Hey! I’m just returning the favor! But, by the way, you seem really awkward talking about your sister, you didn’t like accidentally fall in love with her because she was adopted by your enemy and so thought she wasn’t related to you and you thought she’s super hot, right?
12Leo: … … …
R!Leo: WHAT!? Wait Seriously!? That was like the stupidest thing I could come up with!! Ohmigosh that’s priceless! What’s she like? Is she super into martial arts? Is she hot? Is she-
12Leo: I DON’T WANT TO TALK ABOUT IT!!
R!Leo: *snicker-snicker* (so he still likes her, lol)
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As for Raph’s relationship with Mona Lisa, I’ve posted this concept Art before, but I’ll post it again. Mona was meant to appear earlier(probably somewhere in Corrupted Logic) however, that was scrapped, and while I would like to put her in later, I don’t think it would work.
I do, however plan on doing some shorts that’ll go in the back of the comic, much like the holiday specials I’ve done and the Behind the Scenes Potty Mouths short. I really REALLY love Ramona and I think if any of the ships get a special, it’s that one.
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Mikey and Renet or Shinigami(whichever you were thinking of I guess) haven’t been mentioned at all. I don’t plan on either of them showing up or it really being mentioned at all. Sorry Mike.
The vast majority of the romance(what little there is) in the comic, is played out in the background, as I don’t want it to take the stage as the main focus. The plot is not about the Donnie-April-Casey love triangle or whatever the heck is going on with Leo and Karai, it’s about the turtles defeating the Krang and learning to work with their counterparts and be a better team along the way. So sorry if it’s a little hard to spot/doesn’t exist in the canon, lol
Good question! :]
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nyaacinth · 7 days
Text
gosh this facial expression samuel makes is sooo interesting to me >_<
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looong analysis below
only skimmed over some chapters to find it so im not sure if this is necessarily always the case but so far, all the instances ive seen of it have been in relation to samuels inferiority complex and jake
all of situations have been ones where samuel is evidently unstable (because of jake) and yet he can still look strangely calm while being in a manic state , which is considerably unsettling and adds some depth to his unwell behavior beyond “i will beat your ass reeeaally hard” (which is fun but ouhh the psychological aspects of his fights are so interestingg)
-> first image (and its context)
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from chapter 311, samuels cruel treatment of the big deal girls prompt them to protest the conditions that he is forcing them to work in to make a 100k won in a month. yeonhui tries to bring up jake and how he would never do this to them and samuel immediately responds by trying to hit her (thank god jerry intervened)
when i first read this chapter and saw this scene i was so enamored with it because oh my god . its just so indicative of samuels character and how much his feelings of inferiority get to him. he doesnt care that he was about to hit yeonhui in front of everyone, he only knows that she compared him to jake and insinuated that jake is better than him, which strikes his sorest spot in the worst way possible (and no one truly understands why)
samuel got a lot more expressive after the big deal arc but his eyes in that picture say so much . he is brimming with rage and jealously over the mere mention of jakes name and comparison to him. the implication that jake could have done better, would have done better, than him just destroys any of his self esteem and sense of achievement while also bringing back all of the grief over feeling like he is no longer on equal footing with jake. he is being reminded of how he is now below him in every aspect (morally, family-wise due to gapryong, and later on in terms of strength since he loses against jake)
he is overwhelmed with his emotions and the only way that it can play out on his face is with a seemingly neutral expression displaying a crazed ache deeply ingrained into his eyes
-> second and third image
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from chapter 466, during jake and samuels fight while samuel is drugged to give him a heightened feeling of inferiority and subsequent mania (or ‘frenzy’ as the official translation puts it)
all of his insecurities and terrible feelings are being intensified and it is absolutely not being helped by the fact he is fighting jake, the catalyst for his inferiority complex.
he is also remembering (and experiencing in his delusions) the sequence of events that happened during middle school: meet his real dad and committing patricide, learning that jake is gapryongs son, failing to receive guns approval twice, and becoming goos secret friend
(okay this is a side tangent but i love how this chapter was written to include all of that. the scene where samuel chokes alexander and sees his dad in him, the way he saw middle school jake and his own middle school self after re-realizing that jake is gaps son, the way he keeps on quoting people to show how much those events still affect him. its all written so gut wrenchingly well. i love the mental anguish)
he is effectively feeling his worst throughout this entire fight, and his face spells it outright for us
the second picture is samuels reaction to jake grabbing his collar after he ‘sentences him to death’ and lands a bunch of hits on him in tandem. this is probably looking waaaay too deep into it (but so is this entire post ¯\_(ツ)_/¯) however it almost like samuel is being reminded of his perceived inferiority simply by being stopped by jake. even though he cant be gapryongs son, he can still be stronger than him, right? right? jake continually disprove this and no matter how strong samuel gets, jake always seems to come out on top regardless.
in the third picture samuel is stepping away from his frenzied insanity (and the terrible, terrifying facial expressions that he makes because of it) to quietly question why it is that the universe has put jake in front of him to make him feel awful all over again, with a similar neutral face that displays undertones of distress and misery
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and here he says it directly! jake shows up and makes samuel feel pathetic no matter what happens and its just … so perfect how his solemn face reflects how utterly defeated he is by that feeling
the way he is stepping on jake here, quite literally on top of him, yet he still feels lesser to him. he can beat jake up all he wants while smiling but at the end of it? he is still left with a burning feeling of inferiority that never gets resolved. and he can only wonder why that is
the frustration from not being able to figure it out overwhelms him, and thus causes the sudden change of his expression to a serious one. this is the issue that plagues his entire character and so it is only fitting that he reserve a special look for it; one of somber neutrality as the only way he can express his feelings of defeat and inadequacy
-> stylistic analysis
so all of that covered the context which surrounds that facial expression and the psychological aspects of it. while that serves to make the expression impactful as the culmination of all of those factors, the way that his face is artistically depicted also plays into its effect
i mentioned the look in his eyes before when discussing the first image, so lets just build onto that point of a crazed ache in his eyes by explaining why it evokes that feeling. his irises are small and much of the white of his eyes are showing, which is a stylistic choice that usually signals to us that a characters mental health has plummeted
his eyes are also shown to look like that in his other frenzied faces, but the contrast of his crazed eyes with the rest of his emotionless features distinguishes it well
and the second artistic choice i would like to point out is the use of lighting and shadows to depict his face to the audience
shadows are a very useful tool for artists to convey emotion on seemingly neutral or indifferent expressions as a little signal for the reader that the character is seriously ticked off but attempt to not show it
in all of the images, the light source seems to behind his head and leaves his face in the shadows. this lighting conveys a sense of seriousness along with undertones of horror. his somber expression is incredibly unsettling in contrast to all of the emotional turmoil he is feeling, and the use of shadows excels at giving us this visual cue
and its very interesting how the lighting stays consistent whenever he makes a face, signaling a certain emotion (of disdain? of grim comtemplation?? something along those lines i think) each time
final thoughts
well, my first final thought is that i wrote too much about this and somehow managed to overanalyze three panels into a little mess of angsty mush but it was sure fun :)
but secondly, i love how ptj does facial expressions, of course samuels faces in particular (this whole post is about him after all) since he is always so incredibly expressive. i love unhinged samuel, i love his ‘actively in mental decline’ faces. so freaky, so awesome ^_^
third and lastly, the parallels for samuel throughout the story are so, so interesting. i had to resist multiple tangents that go waaay beyond the scope of this post while writing it because of the sheer amount of stuff i found out i wanted to write about. so i will likely be writing more about that stuff in the future :p
thanks for reading !!!
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beauty-and-passion · 29 days
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TMA - Chapters 61-70: Waking up and choosing violence
Hello everyone and welcome back to another week of ramblings about TMA, its characters and, most importantly, its mysteries. Will I ever find an answer to at least one of them? I doubt it, but I’ll keep putting together as many pieces as possible and one day I’ll prove to everyone that the All Michael Theory is the only valid one. And not just because it’s the silliest.
<< Main Masterlist < Previous post 
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MAG 61 - Hard Shoulder
Wow, what a start!
We have a new voice: Alice “Daisy” Tonner joins the cast and proves herself to be one of the most badass women - as well as another character who woke up and chose violence. Huge respect for her (with a sprinkle of fear).
Basira suspected Jon was Gertrude’s killer? You know what? From the police’s perspective, this reasoning makes sense: it doesn’t seem like Gertrude had any relatives and Jon was the only one close to her (at work, at least). And, as Daisy said, he showed a ton of weird behaviors and weird behaviors are the first red flag for a suspect. Also, Jon is the only one who actually gained something from Gertrude’s death and that’s even more suspicious.
Awww, Jon was sad Basira suspected of him! Is he starting to feel something from her? Will he end up asking her phone mumber, then a date, then her hand in marriage?
I also find it very interesting that Jon asked Daisy to tell him something about the supernatural events she dealt with. It’s the first time Jon actively wanted a statement. Even weirder, he didn’t ask for a specific one, but any statement. “Whatever you like”, he told her.
That’s a bit odd, isn’t it? In season 1, Jon said he was getting too involved in the statements, now he’s actively asking for new ones. Is this all related to the “crimson fate”/curse? Is this Big brother’s influence? If I was right by saying that Big Brother can somehow “eat” the statements, that means Jon is unconsciously feeding this supernatural shit?
Speaking of the statement, I was HYPED when I found out that the delivery van was from Breekon & Hopes deliveries. Even better, they were transporting the coffin! Coffin from MAG 2 my beloved! And we also find out what’s inside it!
Once again, I’ll quote Jon: the content was surprising, indeed. I expected some creepy shit to come out but we got a weird staircase going somewhere down. It just made me even more curious about the coffin’s origin and now I want to know more: where does that staircase bring? I hope we will find out in some future statement.
Also, what’s with that weird static/vibration? I thought it was just a background sound added by TMA’s author to create the right atmosphere. But since it was mentioned in the transcripts too, I’m starting to fear it has something to do with the plot. Is it related to Micheal? Or Daisy? Or maybe the tape recorder suddenly broke because yes? No idea, but I love that we’re starting with so many mysteries.
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MAG 62 - First Edition
HOLY SHIT, MARY KEAY.
Yep, that was my reaction when I found out who this “Mary” was. And her voice is adorably creepy. Love it.
But as Jon said, there is a lot here. And by a lot I mean A LOT.
*
1) Mary and the Institute
The Keays worked for the Institute?! Of course, that’s how they found out about a lot of this weird shit, gosh I feel so stupid for not realizing it sooner!
But Mary also talks about her mother’s “slavish devotion to you and your patron”. Who is the patron? Elias? A member of the Lukas family? Big Brother itself?
*
2) Same side?!
Mary said she and Gertrude are on the same side “Even if Elias disagrees”. That can mean two things only:
Mary Keay is on Big Brother’s & the Lukas' side, even if Elias thinks she’s not so trustworthy
Mary Keay is on the opposite side, but she doesn’t know her job is actually helping Elias/the Lukas/Big Brother
Which theory is the right one? It depends on what side Gertrude was: if she was against Big Brother it’s one thing, if she was pro Big Brother it’s a different one.
*
3) Powers that watched over?
It’s very telling that Mary said Dr. Margaret Tellison was “touched by powers like those that watched over our family”. That confirms the Keays are associated with a supernatural shit - or that a supernatural shit watches over them, at least. Which one? Gosh, I hope to find out.
But also: if there was a supernatural shit watching over them, the Keays should worship it, right? So, why did Mary say “I’ve always found a singular devotion far too restrictive”? Maybe she doesn’t just worship the one watching over them, but a lot of different ones?
On a side note: who the fuck is Eric?
*
4) A Not-Leitner - and actually not a single one was
And here on the left, we can see TMA’s author trolling me with the book that drops bones, by making me think that yes, that’s surely a Leitner. It was also in Leitner’s weird hidden library, of course it’s a Leitner.
And here I find out that actually no, it’s just a fucking pointless book and it was gifted to Leitner by Mary Keay herself.
So not only we find out the Keays and Leitner interacted, but Mary gifted him a book and in MAG 35, among all the 200 Leitners that he could’ve picked from the hidden library, Gerard chose that one: the most useless one. Maybe mommy didn’t teach him well enough how to find them.
But also: Gertrude asked Mary “Who does the book come from?”, which implies Leitner didn’t write it. And Mary herself opened her statement by saying he “collected” them.
That means Leitner never actually wrote these books. He just put a stamp on them. This Norwegian motherfucker simply took books from all the supernatural shits and collected them in his secret library.
What an absolute fucker, he tricked me into thinking he was some kind of evil genius, while he’s just a collector/archivist of sorts. But hey, in this case, I want to know what the fuck happened to him. Where is he, now?
*
5) The End!
A-ah, here is the name of another supernatural shit! This one is called the End, but who or what it is? Mary Keay says “I could never truly serve it - I just don’t find death that interesting”, so the End is death, I suppose. Could it be the same from “Cheating Death” (MAG 29)? It wasn’t exactly a person, but more of a force that took different people. However, we also found out that these supernatural shits can be concepts too, so it could work.
Gosh, I’m so excited! We are starting to get more names of these little shits!
*
6) Mary Keay woke up and chose violence
In one statement, she:
insulted the Institute, by calling the Artefact Storage a “collection of mediocrity”
insulted Leitner by calling him “boring”
killed Dr. Tellison because she didn’t use her power for worthy causes 
insulted tea (which is probably the most outrageous insult for Brits)
insulted Elias’ lazy ass (“He’s not exactly big on action though, is he.”)
insulted the “fake Leitner book”
Sheesh, this woman literally woke up and decided to kill everything on her way. I stan.
*
7) A laptop!
Jon found Gertrude’s laptop and a weird key! More mysteries! More weird stuff! What does this key open? What does the laptop hide? No idea, but I’m thrilled!
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MAG 63 - The End of the Tunnel
Ah, so there it is. The Dark, Maxwell Rayner or whatever its name is. The supernatural shit related to darkness, that one.
And… it looks weirdly similar to the figure from MAG 3. Is Not!Sasha an appendix/servant/part of this supernatural shit? Or is it just a coincidence that they look very similar?
Also, is this what happened to Sasha too? Not!Sasha killed her by decapitating her shadow? That’s a very awful death, fine, but it’s also extremely cool. What a sick way to kill, so creative! Love it.
There could be a connection between the Church of Saint James and the People’s Church of the Divine
Host? Maybe, why not? After all, if these things can be worshipped, why not do it in an actual church? Best cover-up. Also, the priest took the camera from Miss Gallagher-Nelson, so it’s very possible he did it to prevent any photo of their supernatural god from going out.
Melanie King is back! I remember her and okay, it’s kinda sad her career is over in the “fake supernatural Youtube department”. Hey, maybe she can find a place here in the Archives! Honestly, it would be interesting if she becomes Jon’s sort-of-protege and he teaches her about his Archivist job. I don’t wish for him to die or for her to become Big Brother’s new food/body/whatever, but I would enjoy a master/protege connection between them anyway.
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MAG 64 - Burial Rites
A statement about a mummy that cannot die? Very cool and I love that it’s a nice variant of the trope: “evil mummy wants to kill you”. Rather than you, this mummy was a lot more interested in killing themselves and you can see their desperation in how they took the knife and tried to stab themselves. I felt some pity for this poor creature who just wanted to end their misery.
Considering we recently talked about the End and remembered MAG 29, I suppose this mummy is one of the immortal humans that defeated death, became death, passed the role to someone else and were left with a very uncomfortable immortality - an immortality that apparently goes beyond having your organs removed and your body being closed in a tomb.
Wow, just imagine how awful and terrifying it would’ve been, to feel your organs being removed and your body trapped in a tomb and yet, you still cannot die. It’s a super cool concept and I love it.
Awww, Jon and Basira are bonding even more. This time, over their mutual inability to be proper spies. They’re getting ready for marriage XD
Aside from that, Jon’s attachment to the statements is starting to be a bit concerning. At first, he simply asked for them, now he literally went to the police station because he wanted more statements. Are we sure this poor guy is okay? I mean, I know he’s not, but this weird “hunger for statements” is way more worrisome than some “simple” paranoia.
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MAG 65 - Binary
Speaking of this statement, there are a few things I really liked.
First of all, I generally enjoy “deep web-ish” digital horror stories that revolve around the contrast between humans and machines. Hence why, the story of a guy who successfully uploaded his own mind into a computer immediately got my attention.
Second, I liked how this concept was handled here. It wasn’t the usual “scary chat with the dead” idea, but we got a whole ass video instead, featuring a guy eating his computer one piece at a time. A video that keeps following you on every device forcing you to look at it in full. Very cool and very creative.
Third, this particular sentence from Mrs. Tessa: “I can’t stop wondering what it must be like to try and have thoughts, messy human thoughts, trapped in the rigid digital processes of a computer.”. I think it perfectly encapsulates this concept, the situation, the video and its distorted way of communicating.
Oh, so Tessa didn’t come to the Institute just to record a statement: it was Jon who “lured” her there, to get the tech help he needed in order to access Gertrude’s laptop. Glad to see this man is still very clever, despite his paranoia.
MY BOY TIM. MY PRECIOUS BOY TIM. He woke up, entered Jon’s office and decided that violence was not enough, so he used extra violence and:
destroyed Jon, by calling him “you pompous idiot” and telling him he should’ve been fired
destroyed Martin, Sasha, Elias and, if there were some worms, he would’ve destroyed them too. Twice.
I mean, not that he hasn’t a valid reason to be frustrated. While everyone (me included) was worried about Jon’s paranoia and stalking tendencies, no one asked him “Hey, Tim, how are you?”. The poor boy was literally left alone to deal with his own shit. Of course he’s frustrated and angry. Of course he wants to leave.
And it’s immensely tragic that Jon understands, he even offers Tim to leave if he says it… but Tim can’t. And Jon can’t fire him either. And I bet everything that it’s all because of Big Brother’s influence. Goddamn Big Brother.
Hence why, I will soon run into this series, grab Tim and throw him out of this place. My boy needs to relax, possibly in a huge beautiful spa, surrounded by people ready to serve him and give him all the comforts he needs.
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Tim deserves all of this.
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MAG 66 - Held in Customs
Two lines into this statement and I am perplexed already. What does that mean this is a “Statement of Vincent Yang regarding his claimed imprisonment by Mikaele Salesa”? Now Salesa is kidnapping people too? Wtf?!
But no, the truth is that Mr. Yang basically kidnapped himself by touching something he shouldn’t have touched. And even if Salesa told him “don’t go to sleep”, he did it anyway.
And if all of this wasn’t weird enough, he got rescued by Peter Lukas, who was basically trying to buy that weird wooden crate from Salesa, opened it up and found this poor fucker inside. Best rescue ever.
Jon might be the most paranoid man on the planet, but he’s also the most relatable too. First, he gives the perfect definition of Salesa:
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Then he reads my thoughts and anticipates me:
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Then he finds out Gertrude was trying to buy a Leitner! And she even managed to get three books:
a special printing of The Seven Lamps of Architecture, by John Ruskin
a copy of The Key of Solomon
a 1910 pamphlet simply entitled A Disappearance
which translated from writer to reader means:
more supernatural architects
a well-known book with a weird twist
a future statement
And yes, Jon is right again about Gertrude: the question isn’t who killed her but why. What did she learn? I thought she just wanted to say “fuck you” to Big Brother and escape from her destiny. But what if she was trying to do something different? I  don’t know if she wanted to connect with it/defy it/connect with another supernatural shit, but oh boy, I can’t wait to find out.
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MAG 67 - Burning Desire
Ooooh, a statement about Agnes Montague! Aaaaand we didn’t learn more about her than what we already knew: she’s associated with fire, she probably has some kind of pyrokinetic powers and she’s a supernatural shit - sort of.
This was (probably) confirmed by her words about having destiny. When Mr. Barnabas told her he doesn’t really have one, she replied with “That must be nice”: almost as if she has a very specific destiny to fulfill and can’t escape from it. Maybe because she became the body of some supernatural shit? And since then, she acquired new weird powers, but she also lost the human freedom of making her own destiny and being her own person. Once again, it reminds me of Michael and the importance of identity for some of these creatures.
Okay, time to recap the members of this Cult of the Lightless Flame for future reference:
Diego Molina, the guy who was in the hospital with Gerard (and died in a fire)
Arthur Nolan, Jane Prentiss’ landlord (died in a fire)
another unidentified guy (I bet he also died in a fire)
a short, muscular Asian woman, with a tattoo of a burning guy
Agnes Montague, who is probably the Lightless Flame. Or its embodiment
Also, what did the Asian woman mean, when she said Agnes could’ve been “released” if she did some job? What kind of job it was? Was it related to MAG 8? She felt when the tree was pulled down, after all…
There are still a lot of things to learn about Agnes Montague and this cult, so I can’t wait to know more.
One last thing about the cult: wow, Jon, dramatic much? I use names like “supernatural shit” and “Spider Gang”, you use names like “Cult of the Lightless Flame”. If I were you, I would’ve called these people “Fire Gang” or something similar. But hey, maybe that’s why I’m not the protagonist of this story XD
Speaking of Jon… he wants to visit the tunnels again. Sigh. Life still has so much to offer, Jon. Why trying so hard to get killed? If even Elias “Suspicious” Bouchard is telling you to chill, then you know something’s wrong.
But hey, I suppose Jon should do some stupid shit to end this second season. And what better way to end it, if not by waking up whatever terror is hidden in those tunnels?
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MAG 68 - The Tale of a Field Hospital
I said before that it’s a shame most of these statements “have the same voice”, so I was pleasantly surprised by the language used here. Mr. Russo uses a very elegant, poetic way of speaking, especially at the beginning: it conveys the image of an artist very well and it helps differentiate him from other people.
Here we are, back with John Amherst after seeing him dying/not dying in MAG 36. And guess what, he’s a supernatural shit as well. Everyone is a supernatural shit in this world.
In this case, he’s probably The Disease or something similar. I’ll call him the Disease, until I will find out what is his shit’s actual name.
While speaking of the powers, it looks like he gets infected all the time, dies and comes back to life. But hey, look at the bright side: at least he doesn’t feel miserable about it. On the contrary, he seems pretty joyful and he even jokes about being “such a restless man”. Glad to see he takes death so funnily. I wonder what the End thinks of this little fucker.
Was this book a Leitner? I don’t know, it seems like one. After all, the book is about the supernatural shit, so… maybe? I’m not sure :/ I hope we will find a list of all the Leitners or I’ll have to tackle the Norwegian motherfucker and ask directly to him.
Wow, Jon didn’t wait two seconds: as soon as he got the key to the tunnel, he immediately went down and got lost. Right after Elias told him to not do too many secret explorations and put himself in danger.
Look, Jon, look what you’re making me do: agreeing with Elias.
Luckily, Not!Sasha was lurking around like the creepy imposter it is and it seemed like Jon noticed something weird about her. Something small, sure, but still something. Will he find out by the end of season two?
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MAG 69 - Thought for the day
So we’re finally meeting, spider lady.
It took her a long time to appear but hey, I suppose that since she’s (probably) the leader of the Spider Gang, she was waiting for the right time to make her entrance.
For what I saw in this statement, she looks both fine and scary as fuck and, just like every woman in this series likes to do, she wakes up and chooses violence. In this case, violence with a side dish of “projectors” doing some magical weird circle.
Uhm… mood, I suppose?
The relationship between Jon and Tim truly went downhill, didn’t it? And I like how it’s addressed because:
I’m not the one who realizes it’s because of Jon’s paranoia - Jon himself knows it. He literally told Martin that working is all they can do together now. He proves he’s still a clever, well-written character.
Even if we feel sad and frustrated by this situation, we can also understand why Jon became so paranoid. And it’s because the story until now makes sense, the events have a logical progression and the development isn’t rushed. Everything happened for a reason and there was always a logical explanation behind it.
Even if we as readers feel like Jon did a lot of stupid shit, deep down we know we would’ve probably done the same, if we were in his same place.
About the last point, it can also apply to Jon’s growing curiosity. Let’s not fool ourselves: we’re also very curious to know what’s hidden in those tunnels. We’re scared to find out, just like him. We know that, last time Jon went down there, some supernatural shit (which I suppose is not Michael?) told him to go away. He knows that too.
But hey, I suppose there’s a reason why curiosity is one of mankind’s strongest aspects. We are all curious and we all would do stupid shit just to satisfy it.
And if some of us maybe won’t go down these scary tunnels, we can still understand Jon, when he says:
“I should just leave it. They’re right. But I can’t not know.”
I just hope this man won’t end up dying just to satisfy his need to know.
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MAG 70 - The Book of the Dead
Once again, we have a concept already explored in other works. But, again, I love how it’s handled here: some creative choices are wonderful and I need to give them the attention they deserve.
First of all, how the book looks very old at the start and gets progressively “newer” over the centuries. It gives it more “personality”, you know? And it’s more fitting for the concept of a book that talks about the death of several people throughout history.
Second, it’s a very specific book, that illustrates violent deaths only. This makes it more convincing too, because not everyone in the world dies of violent death.
Third, I adore the idea that death changes according to your own choices. The exact moment Mr. Murray decided not to visit Lancashire, his death changed. Every time he made a new decision, his death changed. And it drew closer too, which contributes to the sense of dread and inevitability typical of death.
And speaking of the inevitability of death, I like how it portrays it here. Death is inevitable, not because “your fate is predetermined and you cannot escape from it”: you can actually change it. But death will still be there. Even if there is no predetermined destiny, death is still inescapable. Great way to convey this concept, loved it so much.
I also found particularly fascinating how, after Mr Murray’s death, there were white pages. Why? Is it because he didn’t pass the book to someone else? Is it because he tried to destroy it? Where is this book now? Are the pages still white?
Yes, Jon, I know. I also thought this Norwegian motherfucker called Jurgen Leitner was the author of these books and yes, I also thought he sold his soul/talked to Big Brother and gained some magical creepy powers. But nope, Leitner is just a guy who took all these books and put them together because… I don’t know, I suppose he woke up one day and said “violence is not enough, I want to see the world burn”. This absolute fucker.
And speaking of more books, it looks like we lost Gertrude’s copy of The Key of Salomon. I suppose she didn’t want to see the world burn, but just this book. But why? Uuuurgh, there are so many juicy mysteries and still so few answers!
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In conclusion
I suppose the only real answer we got here is that Leitner is an even bigger imposter than Not!Sasha, because he tricked us into believing he was some kind of genius/powerful entity, while he’s actually just a collector. He’s still a creepy collector and it’s thanks to him we know about these books, but still. Not cool pretending to be more than you are, man. Not cool.
We also learned more about the End (and yes, I suppose The Book of Dead is theirs) and I finally met the spider lady. These little supernatural shits are introducing themselves one by one and I’m thrilled to see more of them, but I’m also asking myself: how will Mr. Sims (TMA’s author) handle all of these characters? Usually, the more characters you have, the more difficult is to handle them all and give each of them a distinct personality/characterization. I hope he has clear plans, because I have high expectations and want to see what his writing choices will be.
Gosh, next week season 2 will end and oh boy, am I scared. Jon is still paranoid, the relationships are all over the place, Not!Sasha is still an imposter and there is a suspicious lack of Michaels. Where are they? Will my Best Boyo come back from the war (he didn’t want to take part in)? Will everyone keep waking up and choosing violence? We will find out next week, I suppose.
>> Next post
(How about a coffee? ☕)
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m1ssunderstanding · 4 months
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Get Back Rewatch 55 Years On: Day 18
Staring John Lennon, as that kid I should’ve been nicer to in first grade who always smelled like PB&J and was never to be seen without his pokemon cards
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The dancing is really too cute. They’re just absolutely giddy. Making each other laugh AND an excuse to touch? John and Paul’s heaven. 
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John saying he was too excited after yesterday to go to bed. Like a fucking kid on christmas.
Everybody is serving today. While the candy-land suit is fun, I actually just love that vivid purple so much that I think it’s better without the coat over it. Billy looks extremely suave and classy.  And those red polka-dots on Ringo. Red suits him, and I think with his very frank, masculine aspect, he looks so beautiful and bold in feminine fits. Paul and John are both just wearing what they wore yesterday. Yeah. But John is still a cutie, and Paul, well, you all know.
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The advice chain about finishing a song while you’re working on. Paul → John → George
Paul honestly does a great job being supportive of George and his work. Coming over and grooving with him, then hopping on drums then guitar (right-handed, may I add). Just to give George musical atmosphere to flesh out his song and start thinking of arrangement ideas, I assume. Then letting him bounce ideas around. And the whole time being overly-enthusiastic to build George up. Look how happy George is with the love and attention. 
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John helping move some equipment in. We love a man who sometimes doesn’t think he’s too good for manual labor. 
Yes, clean that homeless man’s palm sweat off your instrument. Probably smart. 
TFW you made Paul McCartney jealous of your musical abilities. 
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John really knew so well when to be his little impish self and when to be hard and intimidating. Exhibit A, going from, “Can we have our microphones, oh, mister, can we please?” to “And get one for Billy too.” In a matter of seconds.
George Martin stepping in when they’re all getting panicky about the sound and they need an authority figure to reassure them in ways that someone like Glyn Johns never could. Just, perfectly cool and collected, puts everything right as they’re all shouting at him like school children who’ve just had a terrible time in PE. 
“Believe me, when I tell you.” “Oh, I do.” Oh, good. He did put it in. That’s nice. Right, and this is the moment Yoko decides to tell John her divorce has come through and pull him in for a big smooch. Honestly, it just shows how threatened she feels by Paul. Nevermind her whole, “good thing Paul isn’t a girl or he would have been a great threat,” quote. Clearly, he just is a threat regardless of sex.
And then John, “I’m freeeee.” At Paul. Honestly, the amount of things they direct specifically and aggressively at each other that should’ve just been general statements if there wasn’t some weird thing between them. It’s really something. Normally, you’d announce something like that to the whole room. But it seems John specifically wants to impress upon Paul that he and Yoko could get married right now if they wanted to. I mean, it’s a little difficult to make the point, because John and Paul almost aways seem to be talking only to each other. But through the whole discussion of Yoko’s divorce, John does not take his eyes off of Paul. 
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Oh my gosh, Ivan Vaughn is here? How many emotional support boyfriends does Paul need to make up for John having Yoko? Glyn, Linda, George Martin, Dennis, Robert Fraser, and now Ivan? Fuck’s sake, Yoko, you’re a powerful woman.   
Paul’s Strawberry Fields piano. Let me be as vulnerable and broken as possible in my singing, since I can’t show you any other way that you’re killing me. Do you remember this song? That you wrote when we were at the height of our partnership only two years ago? How happy we were then? How beautiful the world seemed for that one brief moment? And John can’t look at him, because, yes he fucking remembers and yes he knows he’s hurting Paul. But for whatever reason, (my theory is he wanted something more Paul couldn’t give him. What that was and whether it was ever specifically vocalized I don't have a guess) going back to that time would be more painful to John than this has been.  
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So they’ve been goofing off and Paul gives this little speech to get them back on task. “Alright Chawn Love. I’ve gotta call order, John, now, valuable time, here, son. Cool down, son.” But John’s response, “Don’t let me down, babe” completely switches Paul’s gears. He now thinks it’s important enough to get in this little snatch of a *meaningful* cover, “Take these Chains from my Heart,” reversing the course of productivity he’d got them on and ignoring the fact that they were about to do a take on two-shilling-a-foot tape. My interpretation of this moment is a bit tin-hatish and long, but suffice it to say, John is not happy with the message.
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Everyone convincing Paul to do another take of his song is surprising, considering everything we always hear about how Paul was a tyrant task-master who just forced everyone to keep doing his lame muzak over and over when they all clearly hated it. Mal, “You can always go back to it.” Paul, “Do you want your head kicked in?” John, “We’ll never get a chance to do it again.” Paul, “Okay, honey bunch. Let’s hit it one time, tutti-frutti.” 
Yoko watching Paul check out her boyfriend’s ass. Classic. Also the fact that she literally copied his outfit? I get so much second-hand embarrassment for her, and it’s not when she’s being a weirdo and a statement-maker. It’s the having to physically stick the gum you were offering your boyfriend into this hand because he won’t take his eyes off his boyfriend for two seconds to look at you. 
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Everyone laughing at Perfect Paul being out of tune is so funny to me. Like when the nerd finally gets a question wrong and the whole class is all “ooooohhhh!”
Ringo having a grand old time on the drums. I love that he just knew that’s what he wanted to do from such a young age and he never wanted to do anything else. And why would he? He’s a genius at it.
Paul. “John’s got something at 1:30 and so have I.” Smirk emoji. Side-eye emoji. George is with me. “Yeah we've got something too. I’ll do Ringo at 1:30.” I'm dead.
This moment right here hurts me. Paul’s enjoying a nice cuddle with Ringo until he remembers the camera. You’re not going to get in trouble for having your friend’s arm around your shoulders, Paul. Why are you like this? 
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asherloki · 9 months
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heyy, i saw that ur requests were open, but that was like 2 weeks ago so idk if its still valid, but if they are; i was thinking abt this quote i saw on pinterest:
“you cant love someone unless you love yourself first. bullshit. i have never loved myself, but you, oh god, i loved you so much i forgot what hating myself feels like”
with sherlock who is COMPLETELY smitten with reader and views them as his safe space from insufferable people and unsolvable cases
if u consider this or even write this thank you in advance <3 (thank u anyways tho bc ur work is so good like?? bruh gimme some writing skills IM BEGGING)
anways, bye <3
"My sunshine"
Bbc Sherlock
A/n:- ohho it was lovely ! Even though I'm sorry for the writing quality, I've been busy and lacking creativity, hope you still like it.
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"do you like it?" asked the detective while handing me a box packed nicely. He had a real busy day running around the city with Scotland yard officers, especially with lestrade, accompanied by John.
"what is it?" I enquired taking the box from him. I still remember the day we first met. The night was cold and I met his lovely landlady Mrs Hudson. She was friendly enough to invite me over tea at her place and my curiosity led me to meet her famous tenant. Mr Sherlock Holmes. The urge to share the flat with this junkie detective got on me for some reason. Everything about his flat fascinated where anyone would say his flat is unbearable. His cold lifeless flat, as he describes so, was somehow comforting to him. Then with his approval and with my family's permission as well, I moved in to Baker Street as his flatmate. 221b was closer to my office so it was an advantage in convincing my family to let me shift to Baker Street. Since then I've seen two sides of Sherlock. One, the side everyone knows, the analytical cold detective. And two, the side which is revealed to very few people, luckily for me being one of them. Living so close to him taught me he has a soft side. The one that's like a goofy child. The one who sits infront me while I paint just staring at the painting to be done with fascination in his eyes. The one that takes a brush from my set that I'm not using at that moment and starts to draw patterns on a crumbled paper, one of those which contained a case which was still unsolved and bugged him.
"open it, I just hope you like it." replied he, With, what I believe to be a bit nervousness in his voice, yet also a bit of excitement. So I giggled at his childishness and opened the box. To my delight it was a chocolate muffin. A big one, loaded with chocolate chips.
"oh gosh my favourite muffin!" I could barely hold my excitement to me. Turning to him I saw a wide smile spreading accross his lips what was alot like a relief.
"yes, it's yours, I hope it tastes good too" said the man who was perhaps more than ten years older than me, not perhaps, he was alot older than me. But it never felt so, he was still a goofy kid somehow.
"ofcourse it'll be, where's yours?" he must've bought for himself as well I presumed. And a lovely evening with tea and our muffins was on my mind, oh not to forget, the exciting stories he is yet to tell.
"m-mine?" he stuttered, as if him having bought a muffin for himself was out of question.
"yes yours, don't tell me you bought a tasty big muffin for me and not for yourself, how could you resist?" seriously, how could he resist the urge to get his hands on such a precious thing.
"I.." he trailed off, as if he was confused, "didn't think about getting one for me actually".
These are the kind of replies that makes me wanna wrap him in my arms. This man never thought anything good for himself, never got anything good for himself. But I couldn't just have it on my own. The box contained the store name and address, which is far away, perhaps somewhere near his case led him to. So going there and buying another was out of question, but this muffin was big enough, and sharing is always an option.
"you know what?" I spoke, regaining some enthusiasm, "how about some tea?"
"that sounds wonderful" that's it, that's the reply I wanted to hear before going to the kitchen. I took out our cups and Mrs Hudson was always there to bring us a kettle filled with tea.
Sherlock took his chair and sat while I sat on one beside his. I placed our cups while he poured the tea.
"we forgot the biscuits, I'll get them give me minute." he was getting up from his chair when I interrupted.
"no need" looking at him I saw his baffled expressions again. Honestly Sherlock, enough baffling for one day. "sit down, I have something better".
He sat yet he was utterly confused, Even more not less when he saw me taking out the muffin and cutting it into half. Smart detective knew the other half belongs to him, or I want so.
"here, have something better than regular biscuits" saying so with a smile I passed the plate with his part of the muffin closer to him.
"but... that.." he stuttered again, "that was for you" after a pause he finally formed the sentence.
"yes, which means I can do anything I want with it."
He kept on looking at me and with a soft nod took a piece in his spoon. Then slowly he took the piece in. I could see his expression changing again while he munched that piece of muffin, into something that indicated if he were someone else he could've shaded a drop of tear or two.
"hey" I said pating his shoulder and keeping my palm on it, "what happened?"
He raised his face so his eyes were staring into mine, but there was barely any intensity in his eyes at that moment. there was, what I presume is sadness. He finally inhaled a deep breath before speaking up,
"I have..." he paused, he was collecting words I was sure of it, "I've never considered myself as someone who deserves anything good."
His word, about himself, it's devastating he thinks so little about himself.
"what are you talking about?" baffled, I was puzzled way too much to figure out what was going inside him, imagine a man like him is unable to see anything good in him. "Sherlock, please, you literally save hundreds of lives".
"I have also shot one"
"to save john, your best friend".
He looked around as if trying to find more proof against him.
"Sherlock?" I called him softly, as he turned his face to me I got up from my chair and to his utter surprise, embraced him, rather his head, leaning it on my chest. His body turned stiff, apparently he didn't expect a hug.
"you're the best and the most wisest man people have ever seen, and the kindest and the most innocent person I've ever had the opportunity to know".
His stiffness lessened with these words and finally he let himself fall into my arms, fall into my embrace, unknowingly I also leaned on him. My cheek touching his curls. His rather soft curls.
"you're saying this?" he asked with such joy and surprise in his voice.
"yes ofcourse, why not". I waited for a reply, it took him time but finally he said,
"because you've always been the sunshine for me. Since the day you've entered in my life, since I've got to know you. my work was all I knew but for some reason I longed to come home at night to you. I always saw you as someone whom I don't deserve, who's too good for me, too young for me. So I just enjoyed every second we are together, fir one day you may choose someone to love and move out. I tried to do every little thing that could bring you happiness. I was so lost, with you I found my way. But I won't demand anything from you, because I believe someone young, handsome a better person should be with you".
I couldn't believe, but I had to, it was all real, his words, his feelings, him.
"you never said you think of me so highly" I whispered.
"that's why I was broken everytime I saw you with a guy, but I was way more broken when I saw you shedding tears for them leaving you, how could someone like you be someone's second choice when to me you're not just the first or only choice but my whole being knows you're the right choice, a bit too right I was afraid to ever consider myself as your lover, I didn't dare to think of anyone else since I laid my eyes on you, I never chose anyone, no matter how smart, attractive or lovely they were, because now I see, I was supposed to choose you, I got so utterly devoted to you that I don't remember myself anymore. I only know you."
"Sherlock " I whispered his name while slowly letting his head go, I sat in my chair and wondered how beautiful his feelings are that neither his nor my eyes could hold a drop of tear from falling down. "now it's my turn then, I've barely been ever treated this well as you've confessed yourself, I've barely been completely understood. do you think, this immature, little less intelligent, day dreamer flatmate of yours is worthy of you?"
I knew it'd be enough to overwhelm him if he really thought so highly of me and it did. He didn't stop his tears this time, he immediately embraced me and we both cried silently while embracing eachother until his warm voice was heard saying, "then I guess we are actually worthy of eachother ".
I giggled, yes we are. absolutely yes.
"yes, I'll keep you happy ".
"and I'll treat you well."
Tag list :- @astudyinlaura @selcouthangel @a-victorian-girl @callsign-sunshine
If anyone wants to be in my taglist then let me know!
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naffeclipse · 1 year
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How okay are you with cusses? Cuz I came across this post of old hollywood bloopers and since the Detective AU/Sleuth Jesters takes some inspiration from film noir (at least I thought it did?), my mind immediately wandered in that direction. They do cuss a bit tho but there’s something funny and sincere about old-timey people just being people and dropping the perceived propriety by swearing. here's more if that's alright
Also in the very hypothetical case of SJ being a film noir production, I’d think it cute to image Eclipse, who plays the nastiest of nasties, actually being super kind and sweet irl (and constantly bumping his head cuz he’s just too tall lol). Sun and Moon may be more laid back or more like their SB selves perhaps? just goofy and having fun. But ignore that if actor au type stuff isn’t your cuppa tea ^^’ I do prefer SJ as is in its fictive context. Just thought it a funny set of clips to share :)
I'm okay with reading/hearing curses, I just don't like to write too much of them! And yes, Sleuth Jesters is very inspired by film noir! I love gag reels and bloopers, they're so funny!
AHHH AN ACTOR AU WOULD BE SO MUCH FUN! I wouldn't write a full fledge story but it's really exciting to think about ♥ (psst @luminitewrites I think you mentioned an actor sleuth jesters AU a while ago? but if not then feel free to ignore!)
Oh gosh, Eclipse just being a real sweetheart (hehe)! He gives me vibes of this one interview with an actor who was asked about people who idolized the very evil and morally messed up character he played and he just bluntly says: that's wrong and you should probably get therapy if you do. (I can't remember who exactly was the actor/quote but if I do, I'll put it here lol)
Sun and Moon would be their Security Breach selves. They're fun behind the scenes just as much as they are while in character!
I also think about the boys knowing their lines perfectly, because, animatronics, so Y/N would be the one who curses and apologizes whenever they forget a line. However! Y/N is the best at improv and delivering great, unexpected lines that enrich the scene/dialogue! Of course, that's not to say the boys wouldn't have their share of flukes with missing cues or messing up an action scene, or keeping up with Y/N when they do some improv.
I'm going to put a few of my favorites from the bloopers here as the boys and Y/N if you don't mind hehe (sidenote: I love how often they shout nuts lol):
Sun: Let me do it again, right now! Keep rolling!
~
Moon: Well, I can't work around here! *camera follows Moon as he walks away* Oh, you're following me. Oh. I didn't know that.
~
*Y/N and Sun kissing for a scene*
Y/N: *leaning back in Sun's arms* What was it? What was the... *forgets line* Sonuva—
Sun: *chuckles* Language.
~
Y/N: Oh, I'm fine. You've been getting any lately? *misses a keyword*
Moon: *grinning* Overtime, you mean?
Y/N: *laughs bashfully and blushes as they turn away*
~
Sun: Geez, these city women are... *realizes he's delivering it wrong* Nuts.
Y/N: *smiling* Well, I don't think so.
~
Director: *during a scene where the actors are standing in water and are wet* Don't pull your hair back!
Y/N: Well, I gotta see, if you don't mind!
Moon: *chuckles*
~
Y/N: *hat falls off during a scene*
Eclipse: *hurries to pick it up and put it back on them*
~
Eclipse: *trying to light his cigar but fails repeatedly in frustration* My match won't strike.
~
Y/N: *collapses against Eclipse in a dramatic scene* Help me... *tries to lift their head but realizes their hair is stuck* Help me, please, help me. *laughs* I'm caught on his button!
Eclipse: *laughs as he frees them*
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rebeccalouisaferguson · 3 months
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Tell me about his big spectacular movie, which I thought was incredible. [Ferguson eyes me suspiciously, a dubious look, which sort of throws me off]
No, really, it’s really immense. And there’s so much moral complexity to it, which I kept finding myself writing in my notes. Why did you write morally complex? Why did that kick in?
Uhh, me? Well, quickly, with blockbusters, we often expect big triumphs and clear delineations of good and evil, and this gets muddied with a lot of people playing a kind of strategic intergalactic geo-political chess, which I think your character is definitely doing. Yeah, yeah. Could you just take the quote there and just put it on me instead? Say, Rebecca said that? That would be amazing, thank you [laughs].
But to be honest, I think you nailed it, and that’s what we, actors, love about these roles and working with Denis. It’s not the simplicity of good vs. evil. It is always the moral imbalance of a human being, you know? Even if you’re out in space and the stakes or high or whatever is there. That’s what makes it—the shades, the nuances.
Sure, I would say that this film pushes it as far as you possibly can with a blockbuster; you start to question your allegiance to seemingly heroic characters. It’s interesting. I think that’s really fascinating, and I think I’m going to have to, after these interviews, think about it. And I think you’re right. There were moments where, Oh gosh, I can’t go into it too much, but I remember talking to Denis and thinking, “Oh my god, she’s so driven by her belief!” You know if I were my own daughter, I’d be going sod off, stop it!” Like I felt this eagerness to separate, to cut the umbilical cord, but I obviously have to love my character and understand her.
It made it easier understanding the world of the Fremen—without giving anything away in that sense—but when she becomes a reverend mother, all of the information handed down into her, all the layers that she needs to carry inside, is something that she needs to deal with as well, whether she loves it or not.
That’s one of the key elements to me of the movie: characters like yours and Paul’s who are making difficult choices and ones that could even possibly alienate the audience, like the choice Paul has to make with Chani at the end... You’re basically comparing the inner journey of my character architecturally designing war and Timothee choosing between two women [laughs]. I think he has bigger issues than that, buddy! [laughs]. But I think you’re right; it’s within your choice, and reason comes the fall of simple love, the domino effect of a higher stake. And that’s, I think, is the brutality with which the character of Jessica needs to penetrate through him. It’s the play is bigger than your emotions.
I was going to ask if it’s hard playing these choices, but when you think of her as a mother-to-be, again, maybe the protective nature of all of it makes more sense. [Shakes her head in agreement] I think one of the difficulties I had tapping into, which was challenging, was that I’m not religious at all. And I would say that Jessica is somewhat, or becomes, a fundamentalist, right? In her belief. And it is so completely the opposite of who I am as a human being. So tapping into it and embracing it and understanding it was a really interesting journey for me, internally.
For sure, there’s a fervor of fundamentalist, but at the same time, I sort of read some of her behavior as a chess move of protection to make sure the Fremen are on her and Paul’s side. It all seems too tenuous for them. Yeah, that’s what’s interesting, isn’t it? It’s how you interpret, and I agree, but I also believe the moves that are made are made on a pillar of actual belief. What she actually believes in her son, what he is, it’s a very strong belief, call it fundamentalist or just call it very strong belief. The point is that, this is her mission throughout the entire duration of this world is to push forth her belief.
Right, well, then, were you ever concerned about your character coming across as… I dunno, scheming? Duplicitous? The Bene Gesserit aren’t evil, but it’s maybe fair to say they have their own hidden agenda. Yeah, they do, and it’s a little bit like back in the day, isn’t it? I compare it a bit to when I did “The White Queen” [TV series] back in the day, and it was a chess game. The men were out in the battlefields, and the women were plotting the houses. You marry France, that’s a good alliance—but I don’t love him!— surdoué, better army, stronger bonds. It’s sort of like [make little noise like moving figures], the plotting, the chess games, right? It’s kind of what the sisterhood is all about. So the question is, is this what we have had [all along], even if it’s a science-fiction, action film,  based on the idea and the idealism of what we have in society, which is women are at home and plotting the stronger bonds and the bigger fight. But what’s nice is here, we have a mixture because Denis lets women onto the battlefield as well, and that’s what’s so wonderful: we’re mixing it.
This film ends the way it ends— let’s call it a cliffhanger. But it teases so much more, a holy war, a daughter for your character. I assume you want to see more and potentially play opposite your daughter at some point in the future? I mean, I do, but… there’s never just a yes or a no. I’m very much what’s on the page, the story needs to be there, there needs to be reason. But it’s Denis. Denis wouldn’t write something that I wouldn’t want to be in. I love him. I think he is exquisite, he’s exquisite as a director, I think he is so creative. I think he is so smart, and especially when he talks about how the world is going the way the studio lies, and the creative freedom that is gradually taken away from us. I know what he wants, which means I believe in him.
So if it came [to a sequel], of course, I’d want to, but also, I want to take my character into a place that’s interesting to me. There’s always the balance. If you’re going to dedicate your four months to something, it needs to be worth it, right?
I need to wrap up, but I wanted to quickly ask you about “Mission Impossible” and your character’s death, which I thought was fitting with the film thematically—the idea that Ethan may lose everyone he loves in this mission and the great cost of it all—I wanted to hear how you felt about it. Was it bittersweet? I think, for me, when they came to me with the offer, and I said I wasn’t interested, that was the result; it was very much what was planned in my schedule. And how it was executed was very much, umm, an interpretation for everyone. I guess I [would] wish my husband would grieve me more than Ethan did [makes a cheeky clacking with her jaw]
To be honest, with that said, cheekiness aside, I believe that Chris McQuarrie and Tom [Cruise] make fantastic films and they are always wanting to go in directions that are unexpected, and darker, and interesting.
So when the relationship came to a point where—there was not more to be done really with Ilsa, and we have three picture deals in Hollywood, and when they come up, we as actors have the decision to say yes or no to a continued offer; they will make a good, something dramatic out of it, and all I can do is embrace it.
I hope people enjoyed it; I know a lot of people didn’t, and I know there are a lot of articles out there— and I’m not the writer. I do my job, and I do it as well as I can, and I serve the character because I think Chris wrote a fantastic character. And I’m so honored and grateful that I got to play her.
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telleroftime · 9 months
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Okay so I'm just spitballing here for a sec but
I was listening to In the Dark of the Night from Anastasia and it got me thinking about a scenario where the reader is some kind of magical entity, born with powers or gifted them, either way, Bowser wants you. His initial plan being to kill you and steal your magic. And of course you're used to being chased by others but Bowser is just beyond terrifying.
Something something he can't bring himself to kill you and come to find out from Kamek later he's trapped under some kind of curse that's forcing him to crave ultimate power. And then you get to help break it.
Music truly does the best for my creativity cause now I'm imagining Bowser singing In the Dark of the Night with his soldiers as the backup singers-
Something about "In the dark of the night she'll (they'll) be mine" get my gears turning.
Oh my gosh wait because I can build on top of that!
So, not only is Reader wanted by Bowser, but there's an even larger power above them. Kinda like Hawkmoth and all the villains he makes just to get the miraculous. Just an evil power that's kind of on the same plane of existence as Reader that - where Reader spreads good - they spread evil and Bowser just gets caught in the crossfire of it all. Well, less crossfire and more like the entity sees Bowser as a good source of negative energy and kinda uses him to spread fear and stuff.
And then news of Reader reach Bowser and his craving for power kinda gets worse. He himself seeks them out and gets more desperate with every passing day.
And just imagine Bowser and Reader trapped somewhere where they need to work together, but Reader is just terrified and Bowser is still trying to capture them, but in that moment he also has this small moment of clarity. Where he knows there's something above him. Like Garmadon from Lego Ninjago being evil not because he wanted to be but because of that snake venom coursing through him. (Dragging all the fandoms into this post).
So it's kind of an uphill battle for both Reader and Bowser as they try and break Bowser from the hold of this higher evil whilst at the same time Reader needs to avoid Bowser's tyranny and thirst for power.
And for the sake of it - you mentioned "In The Dark of the Night" and my mind went to straight to Jonathan Young's cover of it. That much more metal theme to it that would fit Bowser so well. Then again, I'm also biased towards his covers since they're all rock and metal covers of songs.
Oh, and quotes like 'Come my minions fly for your Master, let your evil shine' could be both Bowser and whatever is making him evil kinda echo through.
'My curse made each of them pay'
And if you wanna overlay songs, once again I'm gonna mention Jonathan Young's covers. His rendition of "Phantom of the Opera". It'd fit perfectly. Honestly. It has that clash of vocals almost, with Young having this deep and raspy voice, and then Reese has this typical opera, smooth voice. I'm totally not biased. Totally. Okay, I'm biased. It's the typical metal style. Drums and electric guitar and stuff that fits Bowser so well.
But yes! That's my input. I love this idea so much. Time to add it to my list of maladaptive daydreams to, well, daydream later.
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bygracealonegirly · 29 days
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The anniversary of my brother's death is coming up, and 3 years later I'm shocked at how the grief can creep up and swallow me still. If I think about him more than in passing I still weep. I'm still overwhelmed by the absence of his belly laugh and mischievous grin. I still feel rage creep up when I think about how unfair it all is; his 3 young children were too small to have personal memories of him, and must subsist on what we show and tell them. His beloved wife only got 5 years with him total - some people get 60. Our view into God's plan is so narrow, I know, I really do, but still, why him?
CJ was something else. A real gen-u-ine cowboy. Tough hands, crinkly eyes, and an ever present grin. Quite the dancer. A heck of a card player. An even better choir singer. He was never short on jokes or belly laughs. The best darn bow hunting partner I'll ever have. And gosh he loved his wife; the sun rose and set on her from the moment they memorably met (she slapped his rear end on a dare during a rodeo and told him to quote "giddy up cowboy"; they were wed 18 months later). He was an incredibly doting father who insisted on doing the late night feedings because work kept him so busy in the daytime. And most of all he was a true Christian who shared God's Word with most anyone who would listen and loved his neighbors.
Every year I approach being older than he ever was. 24 years and 18 days, 6 hours and 32 minutes (I'm sure Mama knows the seconds.) It's unnatural to grow older than your big brother, and each of us younger siblings marches toward it; my sister surpassed him recently and fell into hysterics once she realized. The clock now looms over me like the shadow of death itself.
It was a farm accident. A freak thing. Everyone tried their best to save him; first his wife, then the neighbors, then local EMTs, a flight nurse and a paramedic, countless nurses and doctors and specialists from The Big City. They all wept with us as he took his final breaths, surrounded by more people than the hospital was technically supposed to let in. It took him an excruciatingly long time to pass on once support was pulled, and his heart only finally slowed and stopped when his wife assured him "I've got this CJ, don't worry, I've got the kids and the cows, you go on home now".
I can't even type that without shaking.
I hardly knew her before they wed, and not much more before he passed away. She became much more than the mother of my nieces in the wake of his death; she's well and truly one of the strongest people I know, and a true sister to me. I'll never be able to thank her enough for giving him peace enough to let go in his final moments. She's not much of a dancer or a card player, and she can't so much as hit the side of a broad barn with a bow, but I like singing with her in church, and she's helping me learn to quilt now.
I read somewhere that grief is just love with no place to go. So tonight as my throat aches with thoughts of CJ, I'll pour out some of this love. Into my dogs, my horses, my plants, my nieces, my sister-in-law, my sister-in-law's new boyfriend, and God, who I know is in control and has a Plan, who has overcome the grave, and whose will I submit to even if at this moment it's painful. Because I know He keeps His promises.
"I am the resurrection, and the life: he that believeth in me, though he were dead, yet shall he live:
And whosoever liveth and believeth in me shall never die."
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Ride on Cowboy, see you on the other side 💙
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