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#Ghost (Album)
ourfatherwhoartinhell · 2 months
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(Ignore the chocolate bar)
Musical genius Tobias…….sir how did you get this song to sound like it was made to be played on vinyl??
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ghostbandxyou · 1 year
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a-ghoulish-guy · 7 months
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A big happy birthday to the joke that started it all
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OPUS EPONYMOUS!!!!
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wiresharkie · 1 year
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Draw over of Ghost’s album Infestisumam
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spider-haven444 · 4 months
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Infestissumam Review Blog!! (a simple one at that)
Hi there! im Spider_Haven, and I am here to talk about my favorite album! Today, i am here to talk about Ghost's Infestisumam. (mixed by Nick Rasculinecs, ) (Preformed by Papa Emertius II and a group of Nameless Ghouls) Can we just rave about how amazing, this album is? I cannot be more ecstatic to talk about it. We begin with the beautifully haunting TRACK, Infestisumam The beginning of the songs vocals that just lead to the powerful instrumental, and guitar it is just so moving. As if one into battle. i enjoy how it goes into our next beloved track... Per Aspera An Inferi.. the way it feels when listening to it, is amazingly trippy. I simply implore the 60s trippy, and renaissance vibes i feel on this track... let Alone the whole album! it feels so strong with its sounds, and filled with stride! Truly a classic. Secular Haze, also featured on If You Have Ghost, has a dark, carnival, and evil feel. Definitely one to remember, with the beginning lyrics. One can faithfully say, that papa can beyond any doubt, can summon the fog weaver. Now, another classic. Jigolo Har Megiddo. Now, this song without fail, is catchy. One simply can feel the atmosphere fill with vile delight, as we here Papa sing, in the most pacifying way, sing so seductively. Like many of Ghosts songs, this also sounds bewildering.. Now to talk about an paradigmatic song in my opinion.. Ghuleh/Zombie Queen. I am one to believe, that many Ghost fans, can agree how beautiful this entire track is. It is so somber, and sweet sounding in the beginning. I have confidence to say, hearing this for the first time when i first got into Ghost, it was utterly breath talking, how it transitioned to such a dominate piece such as Zombie Queen. Year Zero, is one i think many fans like to hear.. How striking it begins with the vocals, (i enjoy the vocals in Ghost, they truly are mesmerizing!!!! I will more then likely, always maunder about how much i enjoy hearing them, and Papa sing.. The way it ends with such a somber, somewhat nostalgic renaissance feel... Hail Satan! For Body and Blood, i can not rave more over how groovy this song is, and just makes me want to dance!! Totally, a song to remember, and one to get down dirty with.. Idolatrine, is also a favorite of mine on this album. How can it not? it is catchy, and all i can think of the terrific evil vibes i get from it! I could listen to it all day if I could. Don't look into the Depth of Satans Eyes.. for you truly will be entranced by this track! It is a wonderful depiction of Classic Sixties music, and the keyboard in it is absolutely wild! I cannot get over it. Can you hear, the Monstrance Clock? I do! A wonderful way to end such a great Album, when i first heard this song, i couldn't get enough. the way Papa sings is absolutely soul stirring... The way he performs it, is one to hear in awe! the way it pauses before 'As the parish sighs in smoke Enters lady, revealed of cloak To the haunting sound of the monstrance clock Singing' is so heart stopping... ' How thrilling!!!
Now we move onto Our hidden tracks, if you have the Cd Deluxe! But you can also find the tracks online, so don't worry if you don't have the deluxe album! :) La Montra Mori.. Such a spooky, yet beautiful song. it is one to entice! Or just lure you into that beautiful sound, and peaceful feeling it brings.. This is one of my few, top songs on this album for sure. Now,, of Course how can we forget??? For all... Papa is just a little marionette.. Im a Marionette, also featured on the If you Have Ghost album, is so moving.. and melancholy. One that could be soothing to some! It i would say, is also one that many fans can enjoy.
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mdemorita · 25 days
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today, 6 years ago, the Rats mv was released for the first time‼️🐀
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s0fter-sin · 27 days
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i need ghoap frantically making out against a door finally taking the leap on their feelings. need ghost grinding against soap, expecting to find him just as hard as him, only to feel nothing
and in all his wisdom and experience, he concludes soap was tortured and never told him
he’s trying to think of a delicate way to say he understands, that he’s been through it and it doesn’t change anything about how he feels (and who the fuck touched him so he can hunt them down and rend them limb from limb)
meanwhile trans!soap’s just trying to find the best angle to grind his cunt on ghost’s thigh
just it never even entering ghost’s head bc he’s never known a trans person but he has met plenty of people who’ve been tortured - himself included - so of course that’s his logical leap
soap takes off his shirt and he sees his top surgery scars and ghost asks if he wants him to kill the one who did it and soap just hums like, “actually, man did pretty good, they healed real well,” and ghost’s just teary-eyes with awe at how well he’s coping, “looking on the bright side, that’s my johnny.”
imagine he thinks johnny was fully castrated but sees he’s determined to still have a sex life with him so he buys packers and straps to help him bc hell yeah healing and soap’s just like, “holy shit i’ve never had such a thoughtful partner before, such a sweet man, lt.”
#he a little confused but he got the spirit#its so good bc it can be super angsty of ghost really dreading whats been done to his sergeant and trying to make it right#or just go full crack treated seriously and have fun with it#i love just completely oblivious ghost#in any military context hes the smartest guy in the room#he always knows the play and has more experience than anyone#but stick him in the normal world? man is Lost#ghost just thinks hes had some kind of reconstruction surgery after being tortured and accepts thats what johnny looks like#bc hes never seen a pussy before#it takes years for soap to actually come out to him bc he just never thought to#hes seen him naked theyve literally slept together what else is there for him to say#then he shows him like a family album or something and ghosts just like ‘why arent you in any of these i only see girls’#and he just goes ‘hang on a second’#soap gets one of his sporadic periods one night and panics a little thinking it would weird ghost out or remind him that hes not cis#but ghost just thinks its a normal part of such a thorough reconstruction that hed bleed sometimes#and doesnt question it when soap grabs a pad out of his drawer bc ‘thats such a good way of handling the discharge my johnnys so smart’#just really supportive ghost for the wrong reasons#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#soapghost#ghostsoap#simon ghost riley#ghost cod#john soap mactavish#soap cod
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kabukiaku · 28 days
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His eyes are enthralling....Omega but he's wearing the mask from Depth of Satan's Eyes.
this unintentionally became anniversary art for this amazing album.
bonus:
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kana7o · 10 months
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[I used to know my place was the spot next to you]
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dedmau · 7 months
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missmonstrance · 4 months
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Everyday 😔🍌💜
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iravaid · 7 months
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(squatting in fetid trenches) Oh mitski... we're really in for it now...
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Taylor Swift & Harry Styles lyric parallels
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starry-bi-sky · 30 days
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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confessedlyfannish · 6 months
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DP x DC Writing Prompt #8
The day Bruce Wayne knocks on her apartment door Sam knows it's going to be a doozy.
"Mr. Wayne, I really do hope no one saw you," she says, ushering him in. "And for the record, a text ahead of time would be appreciated."
"I parked the car a few streets away," Bruce says, sticking a finger in his heel to peel his polished leather shoes off. Sam raises an eyebrow. "It's a sedan, not a Lamborghini."
"You own a sedan?"
"Taught Dick to drive in it...after he crashed the Lamborghini."
Sam snorts despite herself. The charm Bruce Wayne exhibits would usually rub her the wrong way, too reminiscent of wealthy men that feel comfortable placing a hand on the small of your back at a crowded gala, but Bruce is honest enough about his playacting that she has come to find its insincerity comforting. She's actually sought him out more than once, leading to several annoying headlines that can't seem to decide if she's aiming to date him or one of his eligible sons. None of whom are eligible by the way, as they are a) taken, b) legally dead, c) practically a minor, and d) an actual minor.
Sam's generational wealth is peanuts compared to Wayne Industries, so naturally her parents have been thrilled and rooting for option c.
"I also didn't want Danny to see I'd texted you. Or force you to lie to him."
Sam doesn't quite tense, but it's a near thing. She does slide to the other side of her kitchen island, under the context of finishing prepping her feta fried eggs, laid on a bed of smashed avocado and warm tortilla. She pulls a bottle of crunchy garlic oil out of the fridge and drizzles hot red crisps across the runny yolk. She takes a bite, chewing thoughtfully, not so much as offering him a glass of water.
"You realize, Mr. Wayne, I have no intention of lying to Danny now?"
Bruce sits at the stool on the opposite side of the island. "I understand. And if you want to ask Danny to return home before we continue, I'd understand that as well. I didn't mean to discomfit you--"
"Please do not lie to me now, Mr. Wayne," Sam says, rolling her eyes. "By your own admission you showed up at noon without warning knowing my superhero boyfriend wouldn't be present. If I am discomfited, all the more likely you get your information, right?" Golden yolk runs down her fingers, and she sacrifices it to the napkin rather than lick up her arm in front of her boss, with no small amount of resentment. The yolk is the best part.
"Get to it then," she demands.
Bruce straightens in his stool, chin raising and firming in a jawline she most often sees under a cowl. His eyes attempt to pin her in place, but Sam has stared the Master of Time in the face and demand he reschedule so she is built. different. She takes another bite of egg taco.
"I was not aiming for you to feel threatened, and moreover, I doubt you could be."
Except a smart person should always feel threatened by a threat, no matter their capability of handling one. It keeps them alive.
"Can you tell me how I'm not like all the other girls after lunch? You'll spoil my appetite."
Bruce clears his throat. "I'll get to the point--"
"Thank you."
"--Danny has been exhibiting paranormal behaviors beyond his baseline. We welcome all biologies; human, alien, and paranormal alike, but I have observed actions unlike what he had previously established as his, for lack of a better word, 'normal'
"I want to make sure he is not experiencing any unwelcome outside influence. Or, if this is merely a facet of his evolution, I'd like to know if this is something we or his family should be monitoring."
Sam has been an eco-consultant with Wayne Industries and unofficially, the Batfamily, for half a year now and this is the most she's ever heard the man speak in one sitting.
"Wow," she says. "How long have you been rehearsing that one?"
"A while." Bruce grunts, voice finally taking that final drop into Batman's gravelly rasp. "I see you're not surprised by any of this."
"No, not really," Sam says. She pours him a tall glass of lemon water from the pitcher, freshly sliced that morning, and he takes a polite sip.
"So what can you tell me?"
"Probably a lot. And Danny would probably prefer that I do, knowing him, the big baby," Sam sighs. "Listen Mr. Wayne, I can appreciate that you came here from a place of caution rather than intrusion. And if Danny was undergoing something negative or from an 'unwelcome outside influence' that would be the right call, and I, albeit begrudgingly, encourage you to do so in the future."
"But he's not."
"He's not," Sam confirms. "And in fact, I think he could really use someone to talk to about it. Outside of his family."
"I see..." Bruce says, shifting.
"If you want to tag team this one with one of the higher EQ players, such as Superman, I give you permission." Sam does not think she's imagining that slight sag of relief.
"Thank you," Bruce says, sliding off the stool. "I don't suppose you have material we could consult...?"
"Actually yes, I happen to have a pamphlet right here. 'So your ghostly body is changing, and how.'"
"You're being more sarcastic than usual."
"You interrupted my lunch, Mr. Wayne."
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mdemorita · 4 months
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full Ghost photo shoot backstage in 2015
[📸 - John McMurtrie]
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