Because large-scale organising is “almost impossible” in China, women are turning to “all kinds of alternative ways to maintain feminism in their daily lives and even develop and transfer feminism to others,” she says. These may take the form of book clubs or exercise meet-ups. Some of her friends in China organise hikes. “They say that we are feminists, we are hiking together, so when we are hiking we talk about feminism.“ - Lü Pin
To find evidence that China’s feminist movement is gaining momentum – despite strict government censorship and repression – check bookshelves, nightstands and digital libraries. There, you might find a copy of one of Chizuko Ueno’s books. The 74-year-old Japanese feminist and author of Feminism from Scratch and Patriarchy and Capitalism has sold more than a million books in China, according to Beijing Open Book, which tracks sales. Of these, 200,000 were sold in January and February alone.
Ueno, a professor of sociology at the University of Tokyo, was little known outside in China outside academia until she delivered a 2019 matriculation speech at the university in which she railed against its sexist admissions policies, sexual “abuse” by male students against their female peers, and the pressure women felt to downplay their academic achievements.
The speech went viral in Japan, then China.
“Feminist thought does not insist that women should behave like men or the weak should become the powerful,” she said. “Rather, feminism asks that the weak be treated with dignity as they are.”
In the past two years, 11 of her books have been translated into simplified Chinese and four more will be published this year. In December, two of her books were among the top 20 foreign nonfiction bestsellers in China. While activism and protests have been stifled by the government, the rapid rise in Ueno’s popularity shows that women are still looking for ways to learn more about feminist thought, albeit at a private, individual level.
Talk to young Chinese academics, writers and podcasters about what women are reading and Ueno’s name often comes up. “We like-like her,” says Shiye Fu, the host of popular feminist podcast Stochastic Volatility.
“In China we need some sort of feminist role model to lead us and enable us to see how far women can go,” she says. “She taught us that as a woman, you have to fight every day, and to fight is to survive.”
When asked by the Guardian about her popularity in China, Ueno says her message resonates with this generation of Chinese women because, while they have grown up with adequate resources and been taught to believe they will have more opportunities, “patriarchy and sexism put the burden to be feminine on them as a wife and mother”.
Ueno, who found her voice during the student power movements of the 1960s, has long argued that marriage restricts women’s autonomy, something she learned watching her own parents. She described her father as “a complete sexist”. It’s stance that resonates with women in China, who are rebelling against the expectation that they take a husband.
Ueno’s most popular book, with 65,000 reviews on Douban, is simply titled Misogyny. One review reads: “It still takes a little courage to type this. I have always been shy about discussing gender issues in a Chinese environment, because if I am not careful, I will easily attract the label of … ‘feminist cancer’.”
“Now it’s a hard time,” says Lü Pin, a prominent Chinese feminist who now lives in the US. In 2015 she happened to be in New York when Chinese authorities arrested five of her peers – who were detained for 37 days and became known as the “Feminist Five” – and came to Lü’s apartment in Beijing. She narrowly avoided arrest. “Our movement is increasingly being regarded as illegal, even criminal, in China.”
China’s feminist movement has grown enormously in the past few years, especially among young women online, says Lü, where it was stoked by the #MeToo movements around the world and given oxygen on social media. “But that’s just part of the story,” she says. Feminism is also facing much stricter censorship – the word “feminism” is among those censored online, as is China’s #MeToo hashtag, #WoYeShi.
“When we already have so many people joining our community, the government regards that as a threat to its rule,” Lü says. “So the question is: what is the future of the movement?”
Because large-scale organising is “almost impossible” in China, women are turning to “all kinds of alternative ways to maintain feminism in their daily lives and even develop and transfer feminism to others,” she says. These may take the form of book clubs or exercise meet-ups. Some of her friends in China organise hikes. “They say that we are feminists, we are hiking together, so when we are hiking we talk about feminism.
“Nobody can change the micro level.”
‘The first step’
In 2001, when Lü was a journalist starting out on her journey into feminism, she founded a book club with a group of friends. She was struggling to find books on the subject, so she and her friends pooled their resources. “We were feminists, journalists, scholars, so we decided let’s organise a group and read, talk, discuss monthly,” she says. They met in people’s homes, or the park, or their offices. It lasted eight years and the members are still among her best friends.
Before the book club, “I felt lonely when I was pursuing feminism. So I need friends, I need a community. And that was the first community I had.” “I got friendship, I deepened my understanding of feminism,” Lü says. “It’s interesting, perhaps the first step of feminist movements is always literature in many countries, especially in China.”
Lü first read Ueno’s academic work as a young scholar, when few people in China knew her name. Ueno’s books are for people who are starting out on their pursuit of feminism, Lü says, and the author is good at explaining feminist issues in ways that are easy to understand.
Like many Ting Guo discovered Ueno after the Tokyo University speech. Guo, an assistant professor in the department of cultural and religious studies at the Chinese University of Hong Kong, still uses it in lectures.
Ueno’s popularity is part of a larger phenomenon, Guo says. “We cannot really directly describe what we want to say, using the word that we want to use, because of the censorship, because of the larger atmosphere. So people need to try to borrow words, mirror that experience in other social situations, in other political situations, in other contexts, in order to precisely describe their own experience, their own feelings and their own thoughts.”
There are so many people who are new to the feminist movement, says Lü, “and they are all looking for resources, but due to censorship, it’s so hard for Chinese scholars, for Chinese feminists, to publish their work.”
Ueno “is a foreigner, that is one of her advantages, and she also comes from [an] east Asian context”, which means that the patriarchal system she describes is similar to China’s. Lü says the reason books by Chinese feminists aren’t on bestseller lists is because of censorship.
Na Zhong, a novelist who translated Sally Rooney’s novels into simplified Chinese, feels that Chinese feminism is, at least when it comes to literature, gaining momentum. The biggest sign of this, both despite and because of censorship, is “the sheer number of women writers that are being translated into Chinese” – among whom Ueno is the “biggest star”.
“Young women are discovering their voices, and I’m really happy for my generation,” she says. “We’re just getting started.”
By Helen R Sullivan
This is the third story in a three-part series on feminism and literature in China.
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okay. having been made aware that most people dislike more characters than me, i need to try to do this. who are tv characters i don't like??? who? who??
boat guy on ted lasso. a concept and not a person. a concept designed to torment me and crush all my dreams. an avatar for all my dead dreams. if he'd actually become more of a character, like as a series regular or something, i would have probably grown to like him, because i'm weak. but in our reality, i can hate him forever.
jack from lost i always really hated, and i still do, but in a way where i almost like him because i hate him so much??? like, it's hilarious and special to me how much he sucks, and how consistently, always. jears forever.
jess mariano, but that's just because gg fandom has driven me crazy over the past 20 years in that regard, hyping him up so much, and i'm a hateful crone. technically he is fine.
christopher hayden is pretty bad. yeah, i think i can say with confidence i dislike christopher hayden.
extremely ashamed to report that i have sort of developed an occasional soft spot for dean forrester in my old age. awful! i'm not proud, okay! but i'm being honest.
i do hate rupert from ted lasso. but like. i don't think i get a prize for that one. that's an extremely easy dude to hate.
oh. i lowkey kinda hate nigel from cbs ghosts. i apologize, but i do. i think isaac could do better. i wish he would go for the australian stripper dinosaur enthusiast from the most recent episode. wouldn't it be hilarious if they decided to kill that lap dancer so he could become isaac's new boyfriend? i should write this show. it would be stunning and universally beloved and full of murders just to expand the friend group.
this has really gotten away from me.
wait!!!!! helene from killing eve! was that her name? i really didn't like her! she bugged! to me, she had too much screentime! (the actress seems very cool though, no offense to her.)
i am kind of bothered by joel mchale's character in animal control specifically because he's so identical to jeff winger in mannerisms that i just feel like jeff winger abandoned his greendale family and started a new life as an animal control man in seattle. i don't like this feeling. i just want to scream, "go back to greendale, jeff! i know frank isn't your real name!!!!" at the screen every second. does this count as disliking a character?
BOAT GUY 😡
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