I love this unit, the name is so stupid but so badass at the same time /pos 😭
Anyways they have actual names now‼️‼️‼️ (Names may be in the wrong order)
Hare Kanda is potrayed by Sakura Yoshida
Mikumo Ichinohashi is potrayed by Miu Koshiba
Raika Shiodome is potrayed by Momoka Udagawa
Jiu Tanimachi is potrayed by Mio Aoi
UPDATE (THE 2ND GIRL IS ACTUALLY JIU TANIMACHI WHILST THE 4TH GIRL IS MIKUMO ICHINOHASHI)
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I almost wish Drawfee could take a year off or something without hurting its stability, 'cuz like... Julia's desire to do art for a video game + Jacob's music sounds like a combo that'd have me ravenous for more... But I know Julia would be working way too much for her own good if she did art for a game while doing Drawfee.
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Sometimes I just wanna grab someone by the throat and just violently shake them to the point whiplash could occur- mostly because I'm too excited over something and feel the need to take it out on someone or else I will explode into confetti.
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Other people are excited because tomorrow is Valentine's Day and love is in the air, couldn't be me... I've got much more epic plans
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I'm preaching to the converted on this website, but Drones was a really fucking good album. Just because people don't really like Revolt doesn't take away from the fact that it's a solid album. There's long been this belief in the Muse fan community in particular that just because an album has one (1) song that's a bit different, or god forbid, poppy, the whole album is trash, or no OOS, the holy grail.
The singles on Drones: Psycho, Dead Inside, Mercy, Reapers, The Handler, Defector, Aftermath, are all fantastic (I think officially Matt was all, "do singles exist anymore?" but I'm counting anything that was released with a music or lyric video as a "single". 2015 was a strange time! Looking back, it makes so much sense that Muse, who had declared the album "dead" in 2014, would end up coming out with their first proper concept album in 2015, which Matt thought was the only real reason to be doing a traditional album format at all!)
The heavier stuff on Drones is flawless. The "poppier" stuff like Dead Inside, its last verse is gut wrenching ugh. So good. Aftermath as a whole just makes me sob sob sob. And I love Muse trying out new sounds. The sound on Defector and the Handler were a new type of heavy for Muse back in 2015: slow, chugging and heavy rather the faster stuff like on say, New Born or Stockholm Syndrome. It was great to hear them keep exploring and expanding their sound. Matt talked about how the bluesy stuff on Aftermath was completely new to him. I love them for giving it a try, and it works. Everything doesn't have to have a riff or a banger chorus to work as a good song.
The Globalist: epic! Clever! A 10 minute saga! That countdown riff! The whistling! The last piano section, ooh. So good. So classically inspired. And don't even get me started on the song Drones. Four Matts singing in 4-part voice harmony? Incredible. Wonderful. Love it.
Anyway this has been quite a throwaway post, I'll properly review Drones sometime but hey. It's a really fucking good album, and even if you really dislike Revolt, it's still an incredible album. Besides, what's not to like about Revolt. Let Muse have their summer guitar pop song. Let it be ;)
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Okay! The vote isn't over quite yet but it seems like a Saturday stream is a winner!
I'll be starting the Stream at 6PM EST on the 20th! I'll post a link then. We'll have music from my reel-to-reel going, and I have some Welcome Home drawings that I can refine for you all. I also might take some requests depending on how things go!
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