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#Dan Starr
aroundfortwayne · 2 years
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Parkview Health CEO Mike Packnett announces retirement
New Post has been published on https://aroundfortwayne.com/news/2022/10/13/parkview-health-ceo-mike-packnett-announces-retirement/
Parkview Health CEO Mike Packnett announces retirement
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Parkview Health Chief Executive Officer Mike Packnett has announced he will retire at the end of 2022, following more than 16 years as leader of the region’s largest employer.
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dailydccomics · 5 months
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Power Girl by Dan Mora
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soranatus · 5 months
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Power Girl: Uncovered (2024) variant cover by Dan Mora
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wwprice1 · 6 months
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Power Girl is having a moment! Love these January 2024 covers!
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rarestdoge · 3 months
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I FORGOT TO POST THESE STUPID MEMES I MADE OMG
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Brutus: @smoresthehalloweenqueen
Fiv-3: @seashoreships
Starr: @aavoiding-you
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seashoreships · 2 months
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Been thinking of making a Detroit: Become Human AU for this squad with some friends’ ocs…
Oh so joyousss!!!!!!
Starr: @aavoiding-you
Brutus: @smoresthehalloweenqueen
Cameron: @rarestdoge
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geekynerfherder · 2 months
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'Power Girl' by Dan Panosian
Variant cover art for 'Power Girl' issue #6, published February 2024 by DC Comics.
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pink-carnelian · 9 months
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My types include:
- used car dealer
- literature professor with profound personal issues
- cringefail emo boy
- goofy accordion player
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jetslay · 2 years
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DC Women by Dan Parent.
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esqueletosgays · 1 year
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GUILLERMO DEL TORO’S CABINET OF CURIOSITIES
S01E04 - The Outside Director: Ana Lily Amirpour Cinematography: Jeremy Benning
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dailydccomics · 5 months
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Power Girl by Dan Panosian
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Art Credit to Dan Mora
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inosan-13 · 1 year
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boardchairman-blog · 2 years
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**Shots of the Episode**
The Boys (2019)
Season 3, Episode 1: “Payback” (2022) Director: Philip Sgriccia Cinematographer: Dan Stoloff
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dustedmagazine · 11 months
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Listed: Equipment Pointed Ankh
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Photo: Jennifer Kelly
Equipment Pointed Ankh hammers out intricate rhythmic fever dreams that feel hand-made but actually arise from a complicated deck of digital and electric instruments. The sextet from Louisville, KY has been at it for over a decade and three full-lengths and recently played a mesmerizing set at the Thing in the Spring Festival in Keene, New Hampshire (see photo). Jennifer Kelly reviewed their latest, From Inside the House, earlier this year, noting that, “These tracks bounce and jitter like they want to dance, but then tip sideways into lush string synth lyricism, inscrutable spoken word, and, in one cases, the sound of soda sucked through a straw.” Here are some of the things that inspire them.
Jim Marlowe
Tara Clerkin Trio — Self Titled
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Casually excellent clarinet, piano and drum grooves — some live stuff and some studio looping/chopping to great effect. What a great sound. An engaging combo whatever it is. Went nuts after hearing ’em and attempted to find everything else they’ve done. I chose this one but In Spring is another great, very different slice and Live at Bliss Archive is a tough wiggling of jazz tunes through CDJ beer goggles. Calmly unique and cool. One of my most jammed.
Pierre Barouh — Le Pollen
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1981 heavy hitting YMO/Mariah and adjacent crews lift up real people chanson singer Pierre Barouh with freshly unboxed synths and a wide-ranging attitude towards song arrangement. The title track is a real highlight for me. Feels like it could have existed as a B-side off Scary Monsters if it was recorded at a restaurant with friends you don't get to see too often. I love it. Trying to think of another superstar group who worked with someone out of their immediate world to such great effect — The Eagles and Joe Walsh? Just kidding.
Ryan Davis
Vacuum Rebuilders — Anything Else Is A Compromise
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Not technically a CD, so I'm already breaking the rules here, but I was in Victoria, BC earlier this week and walked into a record store with about 90 seconds to spare before leaving town. This was the first thing that caught my eye, and it was 2 dollars, so I purchased it with the loose change in my pocket and left. My life is better now from having gained this glorious spool of sicko-rock on Calgary’s prestigious Pee Blood label. From the simultaneously brilliant and seemingly microwaved minds that brought you bands like Hairnet, Singing Lawn Chair et al, Arielle McCuaig and Kayla MacNeill are, in this lone Ankhman’s opinion, responsible for some of the most refreshing and exciting rock music to have surfaced from the modern North American underground so far this decade. This specific material is perhaps more sonically aligned with the outsider punk of their Janitor Scum LP on Lumpy than the most recent experimental theater/art-pop/noise-folk shenanigans of their Puppet Wipes project (Looks Real, Siltbreeze), but it's all a part of the same strange and electrifying puzzle as far as my own dumb midwestern ears can conclude.
Gang Starr — Moment of Truth
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I’ve listened to rap and hip-hop music throughout nearly every phase of my life since early grade school, but my focus and enthusiasm tend to fluctuate between subgenres therein. And no matter how long I go without listening to it (sometimes years), I always inevitably circle back to what I fell perhaps most in love with growing up, which was early-to-mid 1990s east coast street-wise boom bap shit. Gang Starr’s Moment of Truth, while considered to be of an arguably “post-classic” era by certain purists, is the record of theirs with which I always felt most connected. As of late, it's exactly what I want to hear. Released four years after its predecessor into the freshly treacherous waters of the shiny-suit/jiggy era, the beats, rhymes and ever coolheaded delivery on M.o.T. are as strong or stronger than they were in 1992. If they weren’t already solidified as one of the best emcee/deejay combos to ever do it, they were now. Come for the Inspectah Deck track (shout out Shorty’s “Fulfill the Dream” video from the same year), stay for the truly timeless Guru/Primo magic.
Shutaro Noguchi
José Antonio Méndez — Siempre Estrellas (BMG U.S. Latin)
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I sigh every time I listen to this. One of the sexiest male vocals that ever existed on the earth on Si Me Comprendieras. But this CD might possibly be too much of sexy for homosocial ankh van, so I almost went for Perlas Cubanas of his or William Basinski and Janek Schaefer’s …on reflection.
Various Artists — Women of Africa (CSA Records)
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Pretty simple but rhythmic melodies and harmonies and just incredible sound choices, phonological elements and beautiful vocals. I almost went for Julia Sarr or Shona’s Mbira CD on Nonsuch. But the first track just made me happy this time around.
Christopher Bush
Daisuke Tobari — Till The End of the Dream
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This album is a masterpiece. An idiosyncratic blend of the psychedelic “songbook” (various pages) and the more ritualistic side of far Eastern classical music over seventeen tracks. An intuitive, imaginative and personal set of recordings. At one point, Mr. Tobari sings the words “Happy Birthday.” It is almost too much to get your head around.
Eyes and Arms of Smoke — In Three Houses
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Lexington, KY band, active in the mid 2000s. Immaculate sequencing of two tracks, only really do-able in physical format on a CD. First track is a three-minute bongo fever dream with haunted vocals that showcases the song-based home studio sound that they developed on their sole full length, A Religion of Broken Bones. (See Dusted’s 3/9/2006 review). Second track is a twenty-five-minute free-improv mystery that showcases some of the modes unleashed in earlier live sets and tapes. Homespun, disorienting, and other. I cherish this band.
Dan Davis
The KLF — The White Room
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This is my shit right now. I can’t really even explain why. It just scratches and itch. Like this is the music made by two dudes who like burned a million pounds or some shit? It’s awesome.
Avalanches — Since I Left You
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I’ve been really interested in so called “Plunderphonics” and this record has an insane amount of vinyl samples on it. So, it’s just a fun listen when thinking about the work of making it. Dweeb shit that you can bop to.
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krispyweiss · 1 year
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Album Review: Michael Cleveland - Lovin’ of the Game
If respect can be measured by friendships, then Michael Cleveland is the Aretha Franklin of bluegrass.
The liner notes of Cleveland’s Lovin’ of the Game must’ve drained several ink jars for such bold-face names as the Travelin’ McCourys, Billy Strings, Vince Gill, Béla Fleck, Dan Tyminski, Charlie Starr, Tim O’ Brien and others who appear on various tracks when Cleveland isn’t jamming with his own band, Flame Keeper.
The guests are both the strength and relative weakness of the Game. For while the playing is beyond reproach, the diversity of players makes for a lack of cohesion as the album zigs across the jamgrass of “For Your Love” (Strings) before zagging to the country waltz of Gill’s “I Wish I Knew Now What I Knew Then” and the clichéd, new-country balladry of Starr’s re-recording of Blackberry Smoke’s “One Horse Town.”
On Lovin’ of the Game, the hottest tracks are instrumentals like “Thousand Dollar Holler” and “Contact,” with Fleck, Barry Bales and Cody Kilby.
At the center of it all is Cleveland, the blind, partially deaf fiddler who never fails to heat up any collaboration in which he’s involved.
Grade card: Michael Cleveland - Lovin’ of the Game - B
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