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after-witch · 8 months

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Horrorfest: He Came Home [Yandere Michael Myers x Reader]

Title: He Came Home [Yandere Michael Myers x Reader]

Synopsis: You're being stalked by the Boogeyman but no one believes you.

For Horrorfest request:

I'm so happy you write for Halloween omg 👀 can I request a stalker ish michael Myers, more yendere than I'm going to murder you brutally right away lol

Word Count: 1647

Notes: Yandere, stalking, death/killing (not reader); some graphic violence descriptions.

It’s someone playing a prank. People always do it around Halloween.

You shouldn’t make up stories using Michael Myers. It’s not funny. He really killed people, you know.

If you don’t have concrete evidence, we can’t do anything for you. It’s probably just some teen messing with you.. Keep your doors locked and call us if anything happens.

You’re being stalked by the Boogeyman and not a single person in your life, your whole damn town, believes you. And maybe there’s a reason for it, God knows that it wasn’t uncommon for people to pull pranks like this--to turn tragedy into mockery and entertainment.

Damn kids, and all that.

But it’s different now because it’s real and it’s happening to you. And you are not crazy or lying and this is not a prank. You’ve seen him more than once, a shadow at first, something you brushed off.

The next time, he was standing down the street, half hidden by a tree. But you saw him. And he saw you. And every muscle in your body had tensed before you whirled around and ran. It was a joke, a teenager with a morbid sense of humor, maybe one of your friends praying on your scaredy-cat tendencies.

But then you saw him from your bedroom window, standing down below in the grass.

And your kitchen window, behind the fluttering sheets you’d tacked up earlier in the day.

And you know, you just know, that one day he will be inside your house.

Coming for you.

No one believes you. But that doesn’t stop your friends from laughingly agreeing to have a sleepover to ease your worries, something none of you have done since you were teenagers. Only this time instead of sneaking booze from mom’s locked cabinet using the pilfered key and drinking until you saw stars, you were going to be stone-cold sober and sleeping with a knife.

If (when?) he came for you, you’d be ready.

Glenn disappears first, after announcing that he’s heading out to the garage to grab a beer. Like he’s at some teenage kegger.

Your friends laugh when he doesn’t return--maybe he’s chugging them all and not saving any for the rest of us--but you start to tear up and Tina sighs and says she’ll go out to get them.

But Tina doesn’t come back, either.

The house is silent and it’s just you and Nancy, and Nancy is the sensible one. She won’t make jokes about what you say you’re experiencing, even if she’s keen to downplay it as a prank. She doesn’t dismiss Glenn and Tina not coming back as something silly. Instead, she locks the door to the garage and flicks off all the lights and grabs a baseball bat.

Don’t, you should say, don’t go looking for them. But you’re too afraid to look yourself and Nancy, Nancy is strong isn’t she? Strong and brave. She won’t do anything stupid. So she heads to the front door and tells you to lock it as soon as she leaves, then wait by the phone and call the cops if she isn’t back in a few minutes.

And you do, with fingers that fumble and sweat. The lock clicks hard and you run to the phone, hand trembling on the receiver so hard that you keep lifting it off and hearing little bursts of dial tone.

You glance down at your watch, squinting in the dimness to see the time. It’s been a minute, maybe two. How long should you wait? Maybe Nancy was chewing them out, scolding them for scaring you. Yeah. She would do that. Then she’d make them come in and apologize, like she’d had to do before when they pushed your buttons too hard.

This fantasy carries you through to the next minute, and the next, until the garage door bursts open, and you can hear the wood splintering and cracking, swiping away anything but an awful reality that sends your heart rate sky-high.

You should run, really, but it feels like your legs are stuck to the floor. Rooted like a tree, even though your hands are now shaking wildly. You dimly hear the dial tone and remember what you’re supposed to do, and your finger shoves itself into the rotary dial, twisting and twisting the local sheriff’s office--

Until the phone is ripped out of the wall like a piece of paper, and you turn around to see the real-life boogeyman standing in front of you. No longer far away and through glass, but flesh and blood, close enough to see, close enough to smell.

Close enough that you can see the glint of a knife in his hand.

You can even see his eyes through the mask and meet his gaze, your own eyes wide with pinprick pupils, and his merely staring at you through the holes in this mask. You hear, softly enough, the sound of breathing; his or yours?

A gasp is caught in your throat when he grabs your shirt and shoves you away from the ruined phone, hard enough to knock you off your feet. You land on the floor, but your legs no longer feel rooted, and you scramble to your feet and do the only thing you can do: run.

The ruined garage door is the path of least resistance, and you run through the doorway and grope for the railing but miss it.

You trip down the stairs, landing on the concrete hard enough to make your palms sting and even bleed, but--no, that’s not your blood. That’s not your blood at all. The blood on your palm is thick and wet and when you look up, you see Nancy’s corpse sprawled out on the ground, face down, stab wounds oozing from her back. Tina and Glenn are behind her, both bleeding heavily from the chest. Tina’s red chest heaves and maybe her eyes look at you, but you can’t tell if she actually sees you.

“Oh,” you say, voice suddenly unrecognizable to your own ears. “Oh.”

And there’s a shadow above you, the shadow of shadows, and you don’t even have time to turn around as his hand grips the back of your shirt and pulls you backward.

Words flash through you--I’m going to die--before there’s a dull awful pain at the back of your head (why the knife blunt?) and darkness overtakes everything in the world.

You don’t expect to wake up, but you do.

And when you do, you’re sitting in an unfamiliar space full of dust and dirt. A simple room with nothing in it but a ragged blanket and some stray, dusty furniture--an old wooden chair, a wooden chest. The windows are boarded up, but you can tell it’s night-time.

A house that no one has been in for years, maybe. A house that has fallen into disrepair and ruin. There weren’t any houses like this in town proper, you knew, so you must be in the woods outside of town, where there were occasionally remnants of abandoned places.

Why were you in the woods? Why were you in a house?

The thoughts are clear and simple, piercing through a swimming ache in the back of your head. You focus on these thoughts to keep you from passing out again. In the woods, in a house. In the woods, in a house. In the woods, in a house.

But why?

And then you remember. Michael Myers. Your friends. The blood. The pain.

As if on cue, there’s another sound in the house. A sound that is distinctly familiar, heavy footsteps and yes, it must have been his before--the sound of breathing. Soft and subtle, like a stray sound muffled through the wall.

You move to stand on weakened legs, but keep yourself pressed back against the wall as the figure of Michael Myers walks and stands in the doorway.

It’s as if the air itself becomes thick and heavy with his presence, and you almost want to sit down again. But you force yourself to stay standing. At least if you’re standing, you have a chance to run, if you can.

But he doesn’t give you one, not at this moment, anyway. Instead he stays in the doorway and simply stares at you.

Long enough for your tongue to loosen, words coming out dry through your chapped lips. How long were you out, anyway?

“Why… why did you bring me here?”

No answer.

“Where are we?”

No answer.

Finally, you swallow spit, and ask a question that you don’t really want to be answered.

“Are you going to kill me?”

You swear you hear him inhale through his nose, a short, thin sort of breath.

He takes a step into the room. There’s nowhere for you to go, and you feel helpless sobs start to bubble up in your throat. You look down and there’s no knife--that you can see--but that doesn’t stop the visuals of your murdered friends and vague impressions of everyone you know who has been killed by him from flashing through your head.

He stops right in front of you. You half expect him to grab your neck and twist. Or grab your throat and squeeze.

But all he does is tilt his head slightly, looking at you through the holes in his mask. You wish you could erase the visual memory of his eyes, wish that you’d never seen them at all; the faraway impression that he had two big black holes was more merciful than this.

And then his hand reaches out and touches your face, callused fingertips brushing against your cheek.

His fingers leave behind traces of grime and your friends' dried blood.

#yandere halloween #yandere michael myers #yandere #yandere horror #afterwitch writes #aw horrorfest #did I name the friends after 3 specific horror movie characters #yes #yes I did

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