So I watched De Palma's Femme Fatale (2002) tonight, and there's this one scene. In short, the MC (blonde woman called Laure Ash/Lily Watts) gets thrown off a bridge into a river while unconscious, and this shot occurs;

Like, does that or does that not look like the TPWBYT cover?? The hands are in the same position, the bubbles hide the face, and the legs in an earlier shot, and the MC is drowning. That place will become her tomb, in story context, if she doesn't swim up. Of course, the colour grading is very different, but my point still stands!

Clip for anybody who wants it (warning for nudity).

people will hear you talk about struggling with mental illness and say “you can do anything if you just put your mind to it”. brother what part of the body does the mental illness happen in. what do you think is the problem

its so scary to put yourself out there but a SINGLE message saying "hi i loved what you made it touched me in some way" makes it all worth it 10000%

Hey remember how Noir is an anti-fascist from 1933

i went to a tiny counterserve diner once and accidentally poured sugar instead of salt all over my hashbrowns and was eating them sadly anyways. the waitress took them away and started making me another one and I tried to protest, but she just snorted and said "we're not catholic here". now every time i'm doing something painful out of obligation i think about how that is not repenting, this body is not a catholic establishment, there is no nobility in suffering.

Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.

All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.

Annabeth: I, a child, had to earn Thalia’s love, that’s how the world works! I have to earn my moms love. Love is transactional, you gotta be worthy of it first silly :)

Percy, listening to this on the train

not to sound like a boomer, but I need some people to learn how to write emails in a semi-professional (at the very least) format so you're not cold emailing a business/potential employer/any other stranger about formal matters in the exact same way you'd DM a close friend on instagram

the formality/language can loosen up in the email chain once you've established a rapport and you match the other person if they're being less formal, but please don't have the very first email you send a stranger be written in all lowercase ultra-casual sms slang with no greeting or signature and a billion emojis

My father was martyred by Israel on 10 October 2023 after sacrificing his care in hospital so the injured children could take priority. Today would have been his 60th birthday. He was always selfless, kind, and giving for others. My father gave up everything for me to be able to have a better life, because that is what he always dreamed for me and my sister. The world suffered a great loss when he died, and my heart is always with him and every Palestinian who has lost someone.

In his honour and memory, I would love for anyone who is able to do so to consider donating to The Palestine Children’s Relief Fund.

The PCRF is an amazing organisation that does so much for those in Gaza right now, including helping provide food, water and medicine. You can donate any amount you are able to- there is no minimum! My father would have given his very last cent if he saw the way Palestine was continuing to suffer after over 100 days with this limited aid, so I know celebrating him by helping others is the least he would have wanted.

I saw @parrot-parent do a very successful donation match and I thought it was such a good idea so I will also match all donations up to $500! If you feel comfortable sending me proof of the amount of your donation, I will match it as a donation at the end of February. (My messages are set to mutuals only, but if you donate and we aren’t mutuals if you send an ask with the proof I will make sure to answer it privately.)

Disgust has absolutely no ethical weight. If you are basing your ethical positions on the emotion of disgust you should stop, it is entirely unjustified and leads to a huge amount of harm.

...weird amount of dunmeshi fans have been saying being a caretaker in a relationship is the worst thing ever..marcille must want to killl everyone soo bad because doing things for people suuuucks sooo muchh

it's an act of love, not just a job i promise. we all want someone who's willing to take care of us in some way, just like how senshi shows care for others by cooking for them :'|

When all this is over, will you stay with me? For good?

the question, you see, is not ‘is it too ooc for this character to cry’ but rather ‘what circumstances would push this character to cry’

this is the whump wisdom, go forth and make that character cry

still one of my favorite bits i ever got to commit was pretending not to know who jesus is when a street preacher was evangelizing to me. he was like "do you know who jesus is?" and i had so much time before my next bus and i wanted to know what would happen so i said no. and you know what. he had clearly never been told no to that question before because if i hadn't actually known who jesus was, his baffled and fumbling attempt sure wouldn't have told me. literally reversed the roles. now you get to stand here feeling very uncomfortable and wishing you could be somewhere else because guess what buddy, this is my bus stop, im early (and can catch like five other buses from this exact stop), and im now thoroughly invested in hearing about this mysterious jesus figure. you're locked in here with me. im eating the key as we speak. i will kill us both before i let you out of here.

very highly recommend this bit if you can pull it off and if you have time to kill

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?