I'm trying not to be maddeningly, hopelessly, irrevocably in love But every word you say falls like summer rain on the desert of my soul the sun hasn't shown this bright in ages and I can't stop staring into the light of your eyes did you know they're beautiful?

I'm trying (failing) not to be maddeningly, hopelessly, irrevocably in love. But the thought of your hand caressing my skin lights my whole world on fire Clearing away old, dead wounds to bring new life. Did you know you're all I think about?

I am maddeningly, hopelessly, irrevocably in love. And I hope pray that you are too.

we as a society (fandom) need more unhinged reader

we were playing around in call, pokemon favs chart upon ye

Made by @onyx-colony

The Aurora teleporting cheese incident

they’re ON THE CASE!!!!!!!!

[ID: Digital shoulders-up painting of Agnes Montague from The Magnus Archives styled after the cover art for The Fool In Her Wedding Gown by The Crane Wives. Agnes is a white woman with red hair, freckles, and blue-green eyes. She is wearing a conservatively high-necked white wedding gown and a veil made of spider silk. Instead of a flower, there is a shrunken, petrified hand with two wrist bones sticking out of it securing her veil. There is a noose of rough rope around her neck, and the bouquet in her hands is smouldering, with bits of ash drifting away in the breeze. Her expression is sad, and mascara runs down her cheeks from her tears. End ID.]

im not the only one who sees this right

rapidly realising im becoming a dedicated karlach/minthara enjoyer

hiii quick random question do you guys prefer it when Asajj's forehead markings/tattoos are big or small or when they look like eyebrows or when she actually has eyebrows and not them

I know what's accurate to TCW but my question is about artistic interpretation and personal preference not that (first pic is from the age of republic special, second is by Aaron McBride as an early dooku jedi lost cover concept, third from a lego short i believe, fourth from clone wars 2003)

jason building shrines to hades' court in the underworld and offering to build one for nico and jason tells him he'd worship there every waking hour and nico says "i'm not even a god" and jason says "you are to me"

...BIG FEELS AND BIG PLOT DEVELOPMENTS AT THE END OF THAT BOOK, HUH

People voted Seward out while I was once again away trying to get a doctorate, so please let me emphasize that it is my scholarly opinion that Griffin--a buff, naked, wet loser with all the social grace of an agitated raccoon--is the sexymanest contender left standing.

Basil, Jonathan, and Quincey all have their ample attractions, but they are too good for the likes of tumblr.

flashbacks to dialogue that happened less than a minute ago are annoying and a little insulting for obvious reasons, unless it's in bad buddy episode 5 [2/4] and pat is having entirely serious sepia toned flashbacks to fifty seconds ago while almost shoving a set of drumsticks he hasn't even paid for yet up his nose. then it's brilliant and world changing

Cut for Berserk spoilers

LISTEN it's been like 60+ chapters now can we please have an update on Griffith the demon at some point 😭 I've just about had my fill of watching peasants getting tortured and religious cults doing crazy sex shit for a while now thanks

kate saxon saying "[morse] has to go to his darkest place and then choose to carry on" in this video strikes me personally as the best word-of-god explanation we're likely to get for the whole russian-roulette-muddle. taking the scene at face value with that quote in mind, what we have is an endeavour-ish metaphor for morse hitting rock bottom after the major personal blows of the season--losing joan (represented by the church) and losing his faith in thursday (his gun)--and considering whether or not he should pick himself up and carry on. which he does. the scene immediately following is morse singing faure's requiem as he reflects on the people who have brought him to where he is, seemingly having found some measure of clarity and contentment in choosing to move forward with his life.

(on a more granular note, and leaving aside the reused shots, which I'm inclined to dismiss as production shortcuts ill-chosen in retrospect for a scene no one expected to be closely scrutinized, we see morse spin the gun halfheartedly and then study it carefully, even tilting it to one side as if to check whether it's loaded. he would surely be able to see which chamber contains the round. these are not the movements of a man planning to leave his fate up to chance. the audience knows morse cannot die, and even a writer with the confirmed ego (all due respect) of russell lewis wouldn't try to trick us on that expectation for very long. therefore: not a suicidal impulse, or at least not wholly, but a visual metaphor expressed as morse firing into the air instead of presumably his own skull.)