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#(that i've written at least)
honestly though i do think dream and destiny have one of the more underratedly funny sibling relationships
do they get along? no, not really! they care about each other, sure, and it looks on the surface like they're on good terms, because there's never any anger in it and they're both excessively formal
but then you actually look at their interactions and it's like watching two kids fight in slow motion while speaking only in a monotone
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and my personal favourite - dream gets imprisoned in a black hole, in overture. desire is the only one who cares to do anything about it. but they don't have the power to pull dream out of there by themselves, only destiny has that
so what do they do instead? pull a ship out of the dreaming and drop it in destiny's garden. so that destiny summons him out of there to be like "dude get your shit off my lawn"
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spacedace · 6 months
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Been doing a plot overhaul of Ghosts of Gotham and the time line is getting wild but at least I have the general vibes of each of the four big plot lines figured out:
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(shoutout to Brennan Lee Mulligan's portrayl of Tula on Burrow's End for making me realize what Dan's story was gonna be lol)
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dandylovesturtles · 6 months
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havin' all these Splinter and Leo thoughts. augh.
this is partly the fault of @/turtleblogatlast's post about Leo just wanting to make Splinter proud.
post-movie
...
Seven days post-invasion, and Leo is feeling (relatively) pretty good. Sure, he's still on a truly ridiculous amount of painkillers and he can't walk two steps without collapsing, but he's able to stay awake and talk to his family and considering where he thought he would be right about now, well... that's everything.
So yeah, he's feeling pretty good. He just finished his lunch of soup and a protein shake, warm and a little drowsy while he listens to April talk about some of the more ridiculous conspiracy theories that have started spreading on the surface. Donnie's tinkering with one of his smaller inventions while he listens, Mikey is nestled in Raph's lap, and everything is calm and cozy in their makeshift medbay.
And then his dad walks in and says, "I would like to talk to Blue, please. Alone."
And suddenly Leo doesn't feel so good anymore.
"Aha, wait," he says quickly, reaching out and grabbing April's sleeve just before she rises from her chair. "Whatever it is, you can say it in front of everyone, right?"
Splinter shakes his head. "This is a conversation I think it is best we have in private." He makes a shooing motion at the others, and April pulls her sleeve from Leo's fingers with a helpless shrug.
"See ya in a few, Leo," she says, then walks out. The others look from Splinter, to him, then back to Splinter, and one by one they each get up and shuffle out, too, with their own hasty farewells.
Traitors, every single one of them.
The door closes, and Leo finds himself alone with Splinter for the first time since coming back from Staten Island. Or at least, the first time he can remember. He was pretty out of it the first few days; most of what he remembers is muddled and confused. And embarrassing. He cried a lot more than he'd care to admit.
Splinter hops into chair April was sitting in and pulls it closer; he has to stay standing to be anywhere near eye level with Leo. He wishes he could read Splinter's face, but his expression is giving nothing away. Sometimes it's easy to forget he spent a not-insignificant part of his life as an actor, until something like this happens.
Leo decides to speak before he can. Head him off at the pass, or something.
"If you're going to yell at me, just remember my eardrums are already damaged."
Which is true - turns out being 1, too close to an exploding alien spaceship and 2, getting punched in the head repeatedly by an alien very mad about said exploding spaceship is bad for the ears, even when you don't have outer ears like a human. So super loud noises are a bad idea right now, and thus Leo cannot be yelled at. Flawless logic; maybe he can keep using that every time he gets in trouble.
For the first time, his dad's expression shifts, just a little. A deeper frown, a heavier set to his brow.
"You think I came in here to yell at you?"
Leo feels his stomach twist. Does he have to spell it out? "I mean, didn't you? That's usually what kicking everyone else out is leading up to."
"I see..." Splinter is still unreadable, looking a little too intensely at Leo. "And what do you think I want to yell at you about?"
He really does want it spelled out. Leo suddenly realizes that there won't be any yelling because this is his punishment: to admit everything he's done, to speak all his sins for his dad's ears. Lay it all out in his own tongue and show that he understands, really and truly, the depths of his screwups.
Oh, he understands. He understands it so well he may choke on the words.
"...For losing the key," he says finally, and it stings on its way out. He hasn't talked about it since it happened; every time he tries to say anything to the others, they shush him, saying, "It's okay, Leo, everything is fine now."
It's not okay, and everything isn't fine, and this is when he finally hears about it.
Finally, an identifiable emotion on Splinter's face: horror, dawning clear and present. And Leo doesn't understand that, because doesn't Splinter know he lost the key? He was there for that conversation, wasn't he? Leo's memories of that day have grown a little hazy between the drugs and the recovery and the fact that thinking about it for too long makes him go fuzzy around the edges, but he's pretty sure he remembers Splinter being there. He flicked popcorn at Leo's head. He probably should have done more than that; maybe then Leo wouldn't have made such a mess of things.
Splinter doesn't say anything right away, just stares at Leo with that horrified expression, and the silence is so scary that Leo starts filling it without even thinking.
"I was kidding about the whole... not yelling at me thing. I know I deserve it. I mean, I was fooling around, doing what you and Raph told me not to do, and I doomed the whole world doing it! Some leader I am, right? And I know I'm not exactly your favorite son to begin with, and that's fair, because I keep letting you down, but this is definitely my worst screwup to date, and you yell at me when I don't close the fridge door all the way or throw balls around the TV room so why wouldn't you yell at me for destroying the planet, right...?"
His voice peters out at the end, too hoarse to continue. That's the most words he's strung together over the last week, and for the first time he's glad for his injuries, for stopping him from spewing any more embarrassing word vomit just to fill the air.
Splinter is still looking at him with that same horrified expression. If anything, he just looks more upset, which means that Leo at least accomplished his goal.
Leo's waiting for the yelling to start, but when Splinter finally says something, it's, "You think I have a favorite son?" throwing Leo for a loop once again.
"Uh, yeah?" he says, because that's all there is to say. He's always assumed it's Donnie - the "funny one", the one who fixes Splinter's TV when it's broken, and the only one of them likely to get a real job and move out of the house. But even if it's not Donnie, it's gotta be Mikey, or Raph. His brothers are amazing and talented, and all Leo has ever been good at is winning the Lair Games.
Splinter closes his eyes a moment, and when he opens them his face moves back to a more neutral expression. "I do not have a favorite son," he says, firm and serious. "I love all of you just the same."
Leo thinks that can't be true - if it is, he feels bad for the other guys. But he doesn't think he can just say that, so he says, "Yeah, Dad, of course," instead.
Splinter looks a bit crestfallen. "You don't believe me?" he asks, and shoot. Leo has no idea how to respond to that.
"...I know you love us," is what he says. And that's true, it is! He just doesn't know how his dad could like him as much as the others.
Splinter's expression turns sad. He reaches out and lays a furry hand on Leo's arm, careful of his bandages and all the many wires he's hooked to. "You think you doomed the world?"
"I lost the key," Leo repeats. "It was all my fault. It's why I had to..." His voice fumbles over the words, and he revises. "It's why it had to be me."
Splinter's mouth twists. He climbs out of the chair and onto the mattress, careful not to jostle Leo as he settles down on his knees.
"Blue," he says softly, gently palming Leo's face this time. "None of this was your fault."
Leo's stomach twists again. He thought he was being punished, but somehow this is worse.
"Yes it was," he argues. "I lost the key," for the third time, "and... and I ignored the order to retreat, and got Raph captured, and and and, I ignored the guys and tried to force our way into Metro Tower, and it was me who told Donnie to try to fly that stupid ship, and because of me Mikey had to-"
"Leonardo," says Splinter, sharp, and Leo goes silent. His dad looks devastated, but he keeps his hand on Leo's cheek, brushing with his thumb, and for the first time Leo realizes his skin is wet. Splinter sighs heavily, his entire frame seeming to droop with the weight of it.
"Leonardo," he repeats, softly this time. "You did not doom the world."
"But-"
A furry finger on his lip quiets him.
"You did not doom the world," Splinter repeats, once again firm and serious. "You did not take the theft of the key seriously, because you did not know what it was, the threat it represented. But it was the Foot Clan who chose to use that key, fully knowing what evil it would unleash. That is not on you, my son. The responsibility falls squarely on them."
Leo doesn't know how much he can believe that - isn't it their job to stop the Foot Clan? But Splinter looks so sure as he says it, and his hand is still tender on Leo's cheek, and for the first time a little bit of doubt seeps into Leo's heart, telling him that maybe, just maybe, this wasn't all his fault after all.
But still...
"Even if that's true," he says, with heavy emphasis on the if, "everything I did after that-"
"You are young," his dad interrupts. "You are inexperienced. You are learning. And the amount of growth you showed us all, even over just that one day... You shined as brightly as I know you can."
Again, Leo's stomach does a twist - but it's a happier one, this time. Splinter's voice is sincere, leaving no room for doubt, and Leo can almost, almost believe that this is true, that his dad has believed in him from the very beginning. Has seen something in him, whatever it was that led him to make Leo the leader, that lead to him putting trust in Leo.
He just wishes he felt like he'd done more to earn it.
"You did not doom the world," says his dad again. "You saved it. But, it never should have been like that to begin with. You should never have been facing down such a fierce foe so young, especially as alone as you boys were. And you-"
His voice becomes choked up, and Leo's heart lurches.
"You... sacrificed yourself to save us all. I... I am your father, and I... could not protect you."
He's crying. His dad is crying, and Leo feels panic, reaching out to try and stop this.
"Dad-"
"No." Splinter holds up a hand, giving his head a hard shake. "All I ever wanted for you boys was to save you from the sacrifices asked of our family. And yet I could not - and for that, you paid dearly. You almost paid the ultimate price, and we almost lost you forever."
A thick knot forms in Leo's throat, and he can barely get out, "I'm okay, Dad, I'm here."
"Yes you are." Splinter squeezes his shoulder desperately. "You are here. You are safe. But that doesn't change that it should not have been you to begin with."
Leo watches in dawning horror as Splinter steps back, then kneels over on the mattress.
"This is why I came in here, Blue. Not to yell at you. To apologize."
He presses his forehead against the sheets.
"I am so sorry that I could not protect you."
He's crying. So is Leo, openly now. He reaches out for his dad, fumbling for his shoulders and urging him to straighten up.
"No, Dad... This wasn't your fault!"
"But-"
"No! It was just... it was just a really, really shitty thing that happened, okay? It was the Foot Clan, and the Krang, but it wasn't- it wasn't..."
Splinter raises his face and looks at him, and suddenly the words he's been trying to get Leo to believe for the last several minutes barrel into him and Leo crumbles.
"...I didn't have to do it," he says.
"No." Splinter gets up, coming closer. "You had nothing to atone for. You did it because you are brave, and you are kind, but this was never yours to fix."
Leo sucks in one harsh breath, then another, and then he's sobbing harder than he ever has in his life, and his dad hugs him tight, his arms warm and his fur soft where Leo buries his face in his shoulder.
All the feelings he's pushed aside - the ones he didn't think he had the right to feel, because he'd had to do it, he had to make up for his mistakes - bubble over, gripping him with grief and despair but also relief, that he's still here to cry and be hugged by his dad.
"I was so scared."
"I know."
"I thought I wouldn't see you guys again."
"I know. We thought we had lost you, too."
"I just... I didn't know what else to do... I couldn't let him... I couldn't..."
"Shhh, it's alright. It's over now. We're all safe."
Leo hugs his dad back, as tightly as he can with his injuries, and sobs and sobs until he's all out of tears. And all along, his dad tells him he is safe, he is good, and he is loved.
Later, Leo feels even better than he had before.
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scyllas-revenge · 1 year
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Leap of Faith
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aka an Only One Bed headcanon with no context whatsoever
because this popped into my head and I wanted to be able to write and finish something for once god damn it. @the-girl-with-the-algebra-book this is for you 🥰
Legolas/Human Reader (gender-neutral)
Word count: 663
Rating: G
Read on AO3
New!! There’s a part 2 here!
Legolas is instantly flustered at the sight of the single bed, his eyes darting between you and the pillows and back again. Despite himself, he’s half-contemplating diving out the window to freedom—but at the look on your face, he forces himself to take a shuddering breath.
You’re more than happy to share the bed, you reassure him: there’s plenty of room, and you’re a heavy sleeper, so he won’t disturb you. But he rejects the offer smoothly. Elves do not sleep like mortals, of course, and he need not lie down to find his rest as you do.
For the first time, he regrets it.
Legolas is a gentleman: he turns away quickly as you slip out of your traveling clothes and boots and slide under the covers, but the rustling of your garments and slide of fabric against your skin is so loud in the silence of the little bedroom, so intimate, that his heartbeat lurches in his chest. By the time he risks a glance back at you, you’re buried in blankets and pillows, looking more at peace than he’s ever seen you.
And now there is nothing to do but wait for dawn.
He pours water over the coals in the fireplace as your breathing evens out in sleep. He paces quietly. He sighs. Time slips by, and his eyes dart to you more and more often.
He’s curious. That’s what he tells himself, anyway. Legolas has so rarely been around mortals, and the way they sleep is fascinating. You’re deeply, wholeheartedly asleep—no wide-open staring eyes, no mind still active and wandering, elf-like.  
He’s curious. Your chest rises and falls under the blankets, your breaths even, calm. In through the nose, with the slightest snore, then out through the mouth in a warm puff. He finds himself stepping closer to the bed, transfixed.
He’s curious. That’s all. His elven eyes can make out the darting of your pupils beneath their lids, the slight parting of your lips. He leans closer, unconsciously. Perhaps you’re dreaming—and he hopes, with a sudden jolt, that you’re dreaming of him. And as though in answer, your lashes flutter restlessly, a single word escaping your parted lips: “Legolas.”
Oh, fine. He’s far more than just curious.  
Legolas is perched on the bed beside you before he is aware of it, his heart in his throat. Perhaps it meant nothing—very likely it meant nothing, for rarely was there sense to be found in mortal dreams. He should move away, and stop staring longingly at your sleeping form. You would hardly appreciate it if you knew.
Or would you? You had invited him to share the bed with you, after all.
Thoroughly defeated, Legolas slips under the covers to join you. Even in sleep, you’re enough to overpower him. And even in sleep, you turn toward him, clutching at his torso and pressing yourself close. His breath hitches.
Your hands clutch tight to his tunic as you nuzzle into his side, and Legolas curls against you, your legs tangling together. A shudder runs through his body.
He breathes in and out as evenly as he can, in imitation of you, and closes his eyes against the pillows, just as you did. Perhaps he can sleep as you do, just this once, so he can survive this overwhelming closeness. Keep his eyes shut tight and his mind closed off from the world, so he can outlast it.
It frightens him for a moment—the uncertainty of his tight-shut eyes, the lack of awareness of the wider world. How odd this mortal sleep is. It feels like a leap of faith. But your breath is warm and even against his neck, your hair soft as it splays against the exposed skin of his neck and collarbone, and his heartbeat slows, sleep—true sleep—stealing over him at last.  
This leap is an easy one to take, for he has faith in you utterly.  
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naranjapetrificada · 10 months
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Just a small thing I noticed while being totally normal about the gay pirates:
I've watched The Kiss™ way too many times a normal number of times and my favorite moment is the series of microexpressions Rhys cycles through while Stede is reacting to "what makes Ed happy is...you" because it's just so lovely and masterfully done. While trying to find a good gif of just that moment (no luck so far!) I noticed something that happens while Ed is pulling Stede in.
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Stede, darling honey light of my life, clueless useless "oblivious" gay that he is, tilts his head a bit and leans into the kiss too. Before it's even started. On some level he registers that This Is Happening in time to react in a positive way, even before their lips have touched.
Our boy is a creature of instinct, and when he acts on his emotional instincts without thinking too much he knocks so much shit out of the park. Instinct is part of why "you wear fine things well" hits as hard as it does. Instinct is how he can woo Ed as easily as he does. Instinct is how they were able connect so deeply so quickly, because his instinct is to be open and non-judgemental to this beautiful man waiting beside his sickbed and asking about fine fabrics.
Stede's thoughts are still too clouded by his trauma and self-loathing to be useful for him, and he can end up thinking too much about what he "should" do or what other people do. Thinking is part of the reason he's so quick to believe Chauncey in the woods. Thinking means succumbing to beliefs about his perceived worthlessness, which leads to his biggest mistakes. Thinking tells him to adjust what he says about Blackbeard in that tavern of townies, when his instinct was to say how "absolutely lovely" Ed is.
Obviously man cannot live by instinct alone, like he definitely should have thought for a minute about making a deal with Geraldo to fence the hostage. Stede needs to learn to balance the two and when to listen to either/both of them. But I was just so excited to see him leaning in the way he does because it underlines a feeling I've had for a minute, which is that Stede's instincts are those of someone crushing and then falling in love, and that never wavers.
He lacks the context and vocabulary to identify what's going on without outside intervention, but he also deeply gets it in a way that's extremely queer and that I hope starts showing up more in the fanon. I do a little happy dance every time I see this in people's fics and I just need so many more of them! Give me more eager Stede who is Ready To Go once he's given the right context for his feelings about Ed!
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tblsomedoodles · 7 days
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Might I request a seer twins doodle? It's been a long time since we've seen the bois
oh yes! the bois!
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Leo had a bad night so donnie's putting a Jupiter Jim movie on one of his computer screens while he works off a different one. : )
Thank you!
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scarapanna · 1 month
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Au doodle blast!!
Some more PV spotlight, I love drawing this grandpa sm/silly
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He's a little goofy, maybe wimsy even.
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Also teeny tiny hc/snipit of useless au info since y not!!
Pv sometimes fidgets, either by gently pressing on his staff's petals or pacing back and forth whenever he's thinking out stuff. When SM rolls over he does it more frequently, as it helps him relax a little.
His staff doesn't really mind him, and usually lets him do his thing. It sways a vine in front of him if it's bothered, but that's not very often.
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ataleofcrowns · 8 months
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Releasing Patreon Bonus Stories
Hey all!!
I've taken a bit of a break from writing during September, but I'm returning to working on AToC starting from tomorrow. In the meantime, since I've had my Patreon up for over a year now, I thought it would be nice to release a few of the exclusive snippets to the public.
These are only a select few that I chose randomly to release, featuring a scene from the game told through the POV of the love interests. The ones included in this file are:
R meeting the Crown for the first time in CH2
A comforting the Crown after the nightmare in CH3
D seeing the Crown dressed up for the first time in CH4
X Seeing the Crown's coronation vision in CH7
I've also included snippets showing how the Crown's parents met each other, how X met Tûjo and Heval, and how Perjin met R told from Perjin's perspective.
You can download the file from this link. It's a zip file, so you'll have to unzip it ("extract all" option after right-clicking it), then open up the index.html file in any browser of your choice. Just make sure not to move any of the files outside of its folder, or you'll break the images/fonts!
If you enjoy these snippets, consider pledging to my Patreon! You can view the total list of available snippets for each tier in this Google doc, it'll be updated as I add more stories each month.
Thanks so much for all your support over these years, hope you enjoy these bonus snippets 💖
EDIT: This post is outdated, you can find the latest release of Patreon bonus stories in this post!!
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Text
Sweets (1/?)
The snugness was barely tolerable. She had overestimated herself. She looked surreptitiously over her shoulder and ducked around a corner. The only thing following her were her bad decisions, but she felt chased all the same.
Okay. Calm down. Breathe (but not too deep). Evaluate the situation. What are your options? Can you loosen anything?
She looked down at herself. Past her swollen breasts, past a fluffy roll of upper belly, she examined her waistline. Nope. The button was the only thing keeping the zipper together, and vice versa. For the millionth time, she lamented her morning. What a bright idea, interviewing for a job with a snack company. She was very well aware of how sweets affected her.
Could she find somewhere discrete to wait out her... little metabolic mishap? She looked around for a discrete nook to accommodate her fresh bulk.
The little atrium she had found had a series of plush benches around the walls. She sighed and headed for the one in the corner. She sucked in as best she could and sat down. Some horny little corner of her mind made note of how it felt as her tight belly shifted against her puffy thighs.
Sitting like this, only barely upright lest bending too far compromise her jeans, she couldn't ignore how her waistband was trying to cut her in half. She thought back to how she had done this to herself. The lovely HR manager had very explicitly pointed out the basket of the company's sugary offerings there in the middle of interview table. The woman had been insistent that she try at least one of each, gushing like any good salesperson about their rich flavors and subtle textures, occasionally even peeling one out of its wrapper and handing it to her.
How could she have done anything but eat what was offered to her? And by a beautiful woman, no less. She knew how her body reacted to food like this, but she had been desperate to make a good impression, to look good and eager and employable. A good girl. She ignored that last thought, and the accompanying shiver through her frazzled tummy.
She closed her eyes and tried to steady herself. Breathe in through the nose and out through the mouth (but not too deeply). All she had to do was calm down, and give her body a chance to do the same. Then she could find a back door to sneak out of, go home and hope that somehow that she hadn't blown the interview.
She opened her eyes again and caught sight of herself in a mirror across the room. Holy crap, she was huge. She had been her normal, narrow self, and her outfit had fit very very normally, when she had arrived. But now? Now it looked positively painted onto her. Her breasts were trying to spill out of her tastefully exposed bra and over the lapel of her blouse. She was more balloon than woman at this point. She ignored another tingle.
As she watched herself in the mirror, she noticed something change. Slowly but surely, the last wrinkle in her blouse smoothed out. Uh oh. That meant... she was still filling out. Panic. She tingled again.
No. No. Calm. Breathe (but not too deep). She closed her eyes again, and could feel her plump body quietly grow. Crap.
Panic. Calm. Breathe (but not too deep). Calm.
Maybe if she didn't look, it would go away. That had never worked before, sure, but there's a first time for everything, right?
As she rationalized to herself, she noticed the sound of heels clacking towards her hiding spot. Panic!
Maybe their owner would pass and not notice her?
No such luck.
The woman who had interviewed her rounded the corner.
"There you are!"
She struggled to stand. So tight.
"You left your purse upstairs. I get it, though. Interviews can be pretty stressful, huh?"
Like nothing had changed. Did this woman not notice that she was currently three times the size she was when she had shown up? Could this woman not hear every seam in her clothes creaking in harmony? Could the woman not see how wide and deep and round she was becoming?
"It's such a beautiful handbag, I almost wanted to keep it for myself!" The woman laughed. "Oh well."
She took the bag from the woman. "O-oh! Thank you!" Leapt out of her.
"Listen," said the woman, "technically I have to review a few other candidates, but I think you're a shoo-in for the position." The woman moved closer. "No one else has shown so much... enthusiasm." Closer still. She basked in the smell of the woman's musky perfume.
"Oh... that's great!" she managed to squeak out.
"In fact," the woman continued, "if you'd like to come back upstairs, we can have you fill out the onboarding paperwork now, so you don't have to come back just to fill out some forms if... when we give you the job." So close now.
"Um! Okay!" What.
The woman placed a gentle hand on the side of her massive, tight, growing belly. "Listen, between you and me, that passion you showed today will take you far with us. Do you feel like the offer is fair? We can negotiate further if you need." The woman's eyes were so sincere.
What was going on here? She could barely think.
The woman placed her other hand on top of her belly, well hidden by her burgeoning breasts. "I do hope you'll say yes."
"Um..."
There was a pop. Her button pinged away across the room from her overburdened jeans. It made a little thwack sound as it hit the far wall. Her zipper flew down, zizzing audibly. Her belly erupted through the breach. Her blouse retreated upwards. The tingling became a roar. All the while, the woman, as though no tectonic shifts were happening right there and then, continued to implore with borderline puppydog eyes.
The world held its breath with her. How had this woman not reacted to any of that?! What? Was the woman still waiting for an answer?
"...okay?" She tried. She wasn't sure if her brain was still working. "Sure?" Best to stick to small sentences.
"Yay!" cheered the woman, "I really think you'll love it here!" The woman launched in for a quick hug around her exposed belly. The woman's arms didn't go even halfway around her. And still the woman didn't seem to notice that anything was wrong.
"Well! If you'll follow me back to the elevators, we can at least get the formalities out of the way."
The woman took her by the hand and pulled, still gentle. She followed, mutely. Even the horniest, shamiest corners of her mind were silent, waiting with bated breath.
As they reached the elevators, the woman pushed the up button and stood to the side. "Please," said the woman, "after you!"
On autopilot now, she stepped into the elevator and... wedged into the door. Stuck. What. Panic? Calm? The elevator dinged again as if to say "I'm waiting!"
The cold of the elevator doors brought her back to reality. She put a hand on either side of herself and tried to pull herself in. As though this were somehow normal, the woman chirped "Oh, here, let me help!"
She felt a gentle pair of hands press into her oceanic bottom. Her horny brain thrilled again. She clamped down on those thoughts. No time to be a pervert.
Between the two of them, they muscled her into the elevator. She turned to face the doors in time to watch the woman press into her in order to let the doors close. Normally equipped for eight full-sized human adults, due to her immensity, it very barely fit two.
"We need floor thirty," said the woman into her barely contained cleavage. She tried to reach for the panel of buttons, but by now there was simply too much of her in the way.
"I've got it," said the woman, reaching behind her without looking.
They rode the thirty floors quietly. She could feel herself still widening, pressing towards the walls of the elevator car. Her embarrassment had burnt out, leaving only a kind of stunned peace in her mind. She tried to will her body away from the woman, but where else could it really go?
By the time they reached their destination, the woman was firmly pressed against the doors, still showing no indication of the extra-ordinariness of the situation.
As the doors opened, the woman stepped back, grabbed her hands, and pulled as she tried to wiggle through the door. Eventually she floomped through, and they set off toward the HR suite.
Full-on waddling now, she felt an inner tension release. She had stopped growing. Relief. If nothing else, at least things had stopped getting worse. Sure, she was almost round enough to roll. Tingle. Sure, her clothing had been reduced to barely covering her... rude areas. Tingle. Sure, a beautiful woman was acting as though this was all perfectly normal. Tingle tingle tingle. But hey, at least it finally wasn't getting worse.
The woman pushed open the double doors to the HR suite and welcomed her in with another glittering smile. They seemed to be the only ones there. The woman led her, patiently, to the front desk area. The woman ducked behind the desk, looking for something.
"Hmm, it looks like I'll need to go print off more some more copies of the forms. Shouldn't take more than a minute or two." Finally she'd have a moment to collect herself.
Then the woman produced a basket, laden with various goodies, from underneath the desk. "Here! Help yourself, sorry to make you wait." Uh.
"Oh, here, allow me," said the woman, picking out a chocolate confection, peeling it, and pressing it into her mouth. "I'll be right back!"
She chewed and swallowed the treat.
Uh oh.
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essektheylyss · 7 months
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Okay here's the thing though. Actual play is not like other narrative forms, because the amount of chance involved in the game play means that the ending, in most scenarios, is not already written, and even when it is, as in EXU: Calamity, how you get there is not yet set in stone.
But notably, what is set in stone, the past, only goes back so far. In theory, character backstory is pre-written, but anyone who has played TTRPGs with an emphasis on story and character will recognize that backstory is a lot more fluid than we might imagine, and certainly more fluid than the history of a real person. As you really begin to play the character, you find the ways the backstory doesn't quite mesh, what needs to be cut or fleshed out, and you can make those edits over time so long as they haven't yet been brought out explicitly in game.
But the farther along you get, the more you have to make explicit, and the less leeway you have (at least without significant, usually clunky, retconning) to change that past to suit the future that you're developing.
At the same time, though, the backstory that does get set into stone over the course of the game is still in many ways virtual, in that it is often, if not exclusively, filtered through the point of view of the character's memory. Even in the flashback sequences of this chapter of Candela Obscura, the emphasis tends to be on how the characters remember it, and what they choose to remember—Sean doesn't know, will never truly know, if the children he killed were monsters or not; Nathaniel doesn't focus in his memory on the fact that he tried to save his brother, he only remembers having failed.
In this sense, there is generally an element of unreliability to backstory. Because it exists in memory (even for the players, who usually have not played out every one of those moments as if they were living it, only having remembered it), it is subject to the fallibility that memory always involves.
This kind of restricted timescale, the entire world contained concretely only within the context of game play, is a mechanical reality and limitation of TTRPGs in general, and much like the laws of physics, it's not really malleable. One could play out certain pieces of backstory, but cannot ever live the entirety of a character's experience, and even then, the larger context of that experience will always exist outside of the world until it is made concrete in the course of the game.
This is the brilliance of Marion's breaking of time. The manipulation takes advantage of the fact that this memory is only a memory, because even as played out between him and Jean in "Flesh and Blood," it is still filtered through how the Marion of the game remembers it, and not a concrete experience.
That ability of the Medium, to manipulate reality and change oneself in the process, as though it had always been this way, is a mechanical acknowledgement of the already slippery flow of time in game play. It is a beautiful mechanical form of retcon that doesn't feel like a cheat or a copout, and it's simultaneously a very clever way of managing the tension between these limitations of form and the common fantasy archetype of diviners and seers.
Using it to then literally rewrite the past, because the details of the past are still fluid until they are explicitly written, is nothing short of poetic.
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omaano · 6 months
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Tatooine's Haven for Wayward Souls by @angelwingsl3
Rating: Mature Archive Warnings: Creator Chose Not To Use Archive Warnings Important Tags: vampire!AU, vampire!Din, witch!Cobb, temporary character death (related to vampire thing), mild bloodplay, oral sex, minor medical kink, hurt/comfort, finger sucking, some off screen violence
Summary: Din Djarin was bitten and killed by the Vampire Gideon during their battle on the light cruiser. For better or worse, Boba Fett refused to let him go. Instead, he gave Din his blood and brought him to Tatooine and Marshal Cobb Vanth- a known witch and the protector of Freetown. Not just escaped slaves live within the town’s borders; a whole manner of monsters live there, safe from themselves and those who seek to hunt them.
~*~
It was so amazing to illustrate a story was seemingly tailored to my personal tastes (vampire Din and witch Cobb are SO my thing, I did not expect to work on a project with them like this omg!), and @angelwingsl3 wrote such a great, moody and spicy little story, and it was so so lovely to work with them! And thank you @staranon95 and @cryptids-and-starlight for organizing this event! <3
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becca-e-barnes · 10 months
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Hiii I have nothing to do at work so of course I have to day dream about different dark!Bucky scenarios (I do not condone cheating but this is really hot to me aaaa)😩 like imagine your husband and Bucky have always had an ongoing rivalry, They worked together, went to college together, hated every ounce of each other. One night you’re at the bar with your friends when Bucky comes over to you and buys you drink after drink after drink, taking you back to his house. He’s throwing you on his bed and ripping your clothes off, kissing you hungrily. “Get ready baby, this is gonna be much tougher than you’re used to.” “Please.” “Yeah? Is he not satisfying you baby? This pretty pussy deserves to be treated right, luckily I’m here now.” He’s so rough with you, fucking you harshly, the dirty talking is driving you crazy. He’s so cocky and cruel, bending you in several different positions and pounding into you for hours. If only you had seen the camera… (part 2??? Bucky making your husband watch the video 😭) -💒
This, a thousand times over 😵‍💫 and I can just imagine throwing all the stuff at him that you wouldn't dream of doing with your husband. Maybe your husband really doesn't let you explore your fantasies and if you've got one chance to do that, you're determined to take it.
Especially if Bucky is quite a bit rougher than you're used to while still being so respectful. He got the impression that you're not being fucked how you want to be and he wants to give you everything you dream of when you touch yourself. He's not necessarily rough with you because he wants to be. He's rough because that's what you want.
If he's feeling extra filthy too, he'd fuck you in the bed you share with your husband. You're on your hands and knees on the bed, presenting your glistening pussy to him, enjoying the sensation of him smearing your arousal over the tip of his cock.
"Fuck, do you know how bad I want this?" He hums quietly, trailing his leaking tip over your slick folds. "Do you know how badly I want to press inside you? You've made such a mess. Bet you feel like fuckin' Heaven and he doesn't even appreciate it."
With his free hand, Bucky grabs a handful of your ass, squeezing just enough that you feel it hurt.
"Don't want to rush this though." His tip lines up with your entrance, teasing the little fluttering hole and God, you're desperate. "I want to take my time. Want to make sure every time your head hits this pillow, you remember how it feels to have every. Last. Inch of me slip inside you."
You can't have him wait any longer though so you press your hips back onto him, feeling just the tip slide into you. "Good girl, that's it. Fuck yourself on me. You need this, don't you? You need to be fucked right for a change."
He's not wrong. You couldn't stop now, even if you wanted to so you keep going, taking all of him. The weight of him inside you is delightful.
"Oh God, you're perfect. You feel like you were made for me." He doesn't dare move. Instead, he takes a second to just enjoy the wet heat of your body and the snug fit of you around his cock.
"You are. A fucking. Dream." He tests the water with a few shallow thrusts, rutting his tip against the sweet spot inside you. You're so wet, you're convinced you must be dripping onto the sheets and your eyes roll back in your head at the very thought.
This is how sex is supposed to feel. You didn't think you could crave anyone the way you do now. "Buck, please." You whimper, rolling your hips back against him, pressing him as deep inside you as possible. "Don't be gentle."
You hear him groan and feel his fingertips trail down your spine, making you arch your back into the bed. "Is that what you need, sweetheart? Can tell just by looking at you that you need it hard and fast and rough tonight. I'll be gentle with you tomorrow morning, I promise. Gotta work some of that tension out of you first. Bet you haven't cum in months."
You don't like that he can tell so easily but you're not surprised either. The first sharp thrust knocks the air from your lungs but all you hear is a pathetic sob, followed by the crack of a hard spank to your ass and the blossoming, stinging pain he's inflicted.
You're not surprised that it only makes you wetter.
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eskawrites · 11 months
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the funniest part of the celebrity fake dating au is that dustin spent years teasing robin and steve for being blatantly in love, when in reality anyone with eyes could have seen that robin and nancy were head over heels for each other the entire time
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louwhose · 27 days
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I'm leaving it to you, the people that definitely follow me for the fics I actually share on here once in a blue moon, to decide.
(all of them are loz)
feel free to ask me about any of them if you'd like the help to determine your vote
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jgnico · 6 months
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please nico i beg you to explain the sukuna 4 eyes being a copy of six eyes theory 🙏 it sounds really interesting
I was going to make a joke about you triggering my trap card, but yes, I would love to explain the Eyes Theory.
First, I wanna lay down some groundwork before I get into why I believe that Sukuna having four eyes functions as a nerfed version of the Six Eyes technique.
Thanks to statements from Todo and Mechamaru during the Goodwill event, we know that normal sorcerers can see cursed energy and follow its flow/behavior. With Todo, he's able to see the flow of Yuuji's cursed energy and how it lags behind, which leads to him teaching Yuuji the basics of cursed energy manipulation. Later in this same arc Mechamaru is able to see one of Panda's cores by looking at where his cursed energy is concentrated within his body.
So we know that sorcerers can see the cursed energy of other sorcerers and curses even without Six Eyes, but to drive this point home...
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We get a panel of Sukuna looking at the cursed energy of the people within the city around him in the very first chapter. This lets us know that not only can he see cursed energy, but that he can see the limited cursed energy within non-sorcerers.
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Where Six Eyes possibly differs in this aspect of its use is the precision with which it sees cursed energy. In the top panel here we're able to see Gojo's view of Toji's movement thanks to The Worm he's carrying, which isn't only brighter/clearer, but the traces between Toji's movements can be seen despite Toji's speed making him basically invisible to the naked eye.
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It's thanks to this view of cursed energy that Gojo is able to do things like discern a person's technique or see if someone is a sorcerer to begin with. [ch. 69, 70] But, I'd like to point out that Sukuna has done something similar, for both of the previously listed feats. Not only is he able to figure out Megumi's technique during their fight, similar to how Gojo figures out the curse users technique in his respective fight, but we've repeatedly been told by The Angel that Sukuna only needs to see someone do something once in order to replicate it himself.
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This isn't only how he was able to turn himself into a cursed object, despite other ancient sorcerers being unable to do so, but also how he's able to understand how Gojo was "healing" his cursed technique and do it himself afterwards. Likewise, this is also the foundation of why he wanted to use Mahoraga against Gojo after seeing how the shiikigami operated in Shibuya: to get a blueprint of how to get past Limitless. Despite multiple guesses from multiple characters about how Mahoraga adaption works (namely of which was Gojo), Sukuna is the only character that's seen it adapt multiple times, and therefore, knew that its adaptation process differed with each use.
So if we know that Sukuna can see and interpret Cursed Energy at a level on par with Gojo --save for some clarity through how the Six Eyes takes in information vs the eyes of other Sorcerers -- what about the other benefit that Gojo gets from his eyes: high amounts of Cursed Energy Efficiency?
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Well, we get the answer to that from the person -- outside of Gojo and Sukuna or even Kenjaku -- that would know the most about Cursed Energy Manipulation. Keep in mind that Kashimo, regardless of his death, was someone who kept his place among the strongest by only using his CE reserves. By right of his skillset, he's no slouch when it comes to the topic, and per his assessment, Sukuna's efficiency would be better than Gojo's if he didn't have the Six Eyes to replenish his CE in the way that it does.
This is the only real substantial difference between the two, that Gojo's Six Eyes gives him more cursed energy, which allows him to burn ridiculous amounts of it, even without perfect efficiency. To balance it out and keep them somewhat equal, Sukuna has a tighter hold on his efficiency rate and a lot more cursed energy to compensate for what he uses up.
But why do I think that Sukuna having extra eyes is his own version of Six Eyes specifically, rather than a visual buff alone?
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Well, we told explicitly that Sukuna's extra limbs and organs make his body perfect for sorcery. None of these modifications to his body are purely aesthetic. Extra hands for signing, an extra mouth for chanting --both of which greatly increase the potency of your attacks-- an extra heart and lungs to make sure it all keeps running smoothly.
The only feature that isn't mentioned is his extra pair of eyes, which is odd given the fact that they're arguably his most noticeable and present feature. Even outside of his true form, his eyes are manifested on his vessel while his extra mouth and arms aren't. Even when he's not in control of his vessel --as with Yuuji's case-- his eyes still remain on his face, only closed.
If all of his extra limbs and organs have a purpose that makes his body perfect for sorcery, then why would his eyes be different? And what better eyes to immulate than the ones that are highly valued within the jujutsu world for the advantages they give in terms of sorcery and have also been around in some way for as long as Sukuna has?
While I won't argue that they're better or even the same, I will say that they are at least (arguably) equal in two of the three main benefits that the Six Eyes grant their users; perception and interpretation of cursed energy.
That's the theory, at least.
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iknowicanbutwhy · 10 days
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Oh hey Schezo cool glove you got there!! Looks handmade haha :D
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Lil extra detail just for funsies
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