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#<-cabin boy
theoraclesattic · 3 months
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this scene is sooo important to me like the first time percy sees his dad and its him saving his life? surrendering to his brother just to protect his son? they captured this scene so well.
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sunsburns · 2 months
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frat boy!luke you will always be loved!!!
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fmnlibrary · 4 months
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Thinking about how Percy is trying not to be 'special' from the beginning. Thinking about how out of place he feels. Thinking about Luke telling him, when he first arrives at camp half-blood, that this is the one place where, for the first time, he's just like everyone else. Thinking about Percy's prayer to his mom, how he talks about finding belonging and real friends.
Then thinking about Percy entering the Poseidon cabin for the first time, and Chiron's voice-over telling him that as a forbidden child, he is singular, even amongst demi-gods. Alone, again.
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starry-bi-sky · 21 days
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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goingbuggy · 9 months
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finding out shanks and buggy used to sail together in that one flashback during orange town is like one piece's version of the first 10 minutes of Up
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bell4donn4 · 2 months
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Training with Luke Castellan blurb
(Very short) :(
<<ohhh cmon!>> your throw your sword to the ground, frustrated.
Training with Luke wasn’t a pleasant activity at all.
Especially because it just seemed like he got off from seeing you stirred with anger.
<<you have to try harder y/n>>
<<you’re not even trying to block me>>
He picks up the sword.
<<again>> his voice firm.
You hated getting orders from him.
Yet you obediently took the weapon in your hand and waited for him to swing at you once again;
He smirked.
For probably the tenth time that day, you fall ass first on the ground.
<<y/n…>> <<dont>>
His face blocked the sun as he looked down.
<<dont say it>> you whisper.
<<you’re a lost cause>> he laughs.
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aroaceleovaldez · 11 months
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non-exhaustive list of canon powers Nico di Angelo either has shown or is heavily implied to have:
Shadow-travel
Manipulation of shadows/darkness (also possibly use of shadows as a pocket-dimension a la Magicians using the Duat in The Kane Chronicles)
Becoming intangible/shadows
Complete control over skeletons/bones (dead or alive, including summoning, reanimation, and/or changing shape of them) and being able to sense their presence
Summoning, reanimating, commanding, and dispelling the dead/undead (Skeletons, zombies, ghosts, etc & varieties) and being able to sense their presence
Ability to understand/communicate with the dead/undead and potentially other beings of the Underworld
Inherent complete comprehension of Latin
Ability to perceive the usually unperceivable/possibly look upon a deity’s true form without repercussion (at least moreso than the average demigod, though possibly is restricted to chthonic beings) (ex: Tartarus, potentially also interacting with his parents, etc)
Interacting tangibly with ghosts (implied to be a Ghost King thing rather than a Hades/Pluto thing)
Partial or complete immunity to different effects of the Underworld/things within (can consume food/drink of or in the Underworld without repercussions, effects from the Lethe wear off over time instead of being permanent like usual for mortals, etc)
Astral projection/”Walking in dreams”
Dream manipulation and projection (Sending dreams to others, etc.) (presumably includes sharing/projecting dreams with others) alongside inflicting sleep upon others even from a distance.
Illusions
Manipulation of emotions/aura that inflicts specific emotions on others (ex.: radiating fear/death onto enemies)
Projection of emotions and memories onto others (can be so forceful it causes physical damage like a shockwave)
Geokinesis (all forms but also specifically generating black marble) (presumably also specialized control over precious gemstones & non-paper currency)
Temperature manipulation (seemingly only lowering temperature)/creating frost)
Control/manipulation of souls, including living beings (ex: ripping out Bryce Lawrence’s soul)
Perceiving/reading/judging of souls (most likely also a Ghost King thing over Hades/Pluto thing, but possibly both)
Converting living into dead/undead, aka instakill (ex: disintegrating monsters to bone with one touch)
Lowering or manipulation of own vitals (breathing, heart rate, etc)
Death Trance/pseudo-hibernation (possibly also general control over states of consciousness at least for self, in combo with control over vitals & dreams)
Sensing death (impending or when it occurs, sometimes receiving dreams/visions of it occurring)
Able to sense other children of Hades/Pluto (potentially also other chthonic beings in general/able to identify based on sense alone) and also just living beings in general, such as mortals (possibly via souls).
Improved navigation underground/in the Underworld and ability to traverse restricted or normally unnavigable parts of the Underworld
Enhanced strength/abilities when in the Underworld
Inherently unnaturally quiet (possibly able to silence sound on a designated target)
Hiding/shielding self from being perceived (seemingly related to shadows/silence)
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poseidonscove · 7 months
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A Pirates Life for Me
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silentghostboy · 3 months
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A show only person asked if I knew I was wearing the wrong color shirt 💀
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sunsburns · 2 months
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[ nsfw 17+ ]
i’ve been thinking about frat boy!luke who tries to throw the biggest party the world has ever seen at least once a month. he's one of those guys who is actually convinced he can throw a party exactly like project x. but maybe even better (his words i swearr).
he’d even be corny enough to print out a bunch of invites and just throw them around the school so whoever’s interested can just show up.
and that's where you met him, at his biggest party yet. the party was already at full swing when you got there; music blaring through the speakers, colourful lights glowing from the open windows. students and crashers alike jumping to the music and holding red cups in their hands.
and then you catch his eye. he’s standing near the backyard, just walking back into the house to get more drinks when he spots you.
and yeah, you’ve had a class or two with him before, he might have asked you for a pencil once. you doubt he remembers you though.
but then one look turned into three, and the lingering stares from across the room, and knowing smiles, and nudges from friends continue.
you eventually bump into him on the dance floor, both tipsy. a drunk smile crosses your face as you wordlessly start to dance together.
what starts off innocent quickly turns into something more, your hands brush his arms, his hands find themselves comfortable on your sides, and they start to crawl to your waist, then your hips, and if you were a little braver, you might’ve grabbed his collar and kissed him then.
but instead, luke took your hand in his, and he leaned closer, close enough for him to ask you if you wanted to go somewhere a little more private. somewhere quieter, he said, so you could talk.
and you would’ve loved to talk to him, to get to know who the real luke castellan was, his interests, what he studies, where he’s from. but all those questions start to blur the moment you find yourself climbing up the stairs, turning corners and giggling behind him when he walks in on a couple fucking in the bathroom.
you barely remember what you want to ask him when he pushes you against a wall at the end of the hallway, music a little muffled, breaths a lot louder. and now you’re gasping into his mouth, your teeth crashing against his because there’s no coordination in your movements. one hand at the back of your neck to hold you while his tongue slips into your mouth.
and you’re both touching each other, hands wandering over clothes, fingers twitching to touch the warmth of skin, squeezing whatever there was to squeeze frantically.
your head spinning as his other hand pulls your leg up, up and up until you can wrap it around his hips, and he presses his crotch against yours. he tastes like cheap liquor and bad mistakes, and you try to ignore the way your stomach twists whenever he says your name (or at least something that sounds like it, maybe off by a syllable or two).
you bite his lower lip, tugging on it with your teeth and you let go to stare at him for just a second. he's a lot prettier up close. his big pouty lips, the scruff hair on his face. the way he smirks at you before pulling his cap off and placing it over your hair. “fit’s like a charm.”
you roll your eyes, “shut up.”
his hands find themselves under your shirt, cupping your boob and squeezing them gently as he sucks a bruise to your neck. you decide to take a leap and reach for his crotch, glancing down the hallway to make sure you’re away from peering eyes before you unbuckle his belt and grope him over his boxers.
it's all wreckless, and messy, where he tries to undo the buttons of your shorts but his fingers are trembling from you touching him. and while you’re not actually sure of what you’re doing, you love the noises luke is making, so you keep going.
he’s huffing into your neck, your ear, then back into your mouth, little whines that urge you to move faster, his black cap nearly slipping off your head.
“fuck- wait wait,” he sputters, pulling away from you.
you need to suck in a deep breath to clear your head. “what-?”
“you're in my calc class, right?”
“seriously?”
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whats-in-a-sentence · 1 month
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Anne Jane Thornton, a 15-year-old girl, dressed as a cabin boy on a transatlantic voyage to find the man she loved, who had gone to America in 1832. On arrival, she found he had died so she took posts on other ships, calling herself Jim Thornton. On her return crossing to London on The Sarah, a crew member noticed that she was a woman and she was taken to the ship's captain, who kept her on as a crewman.
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"Normal Women: 900 Years of Making History" - Philippa Gregory
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wordy-little-witch · 1 month
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Buggy's Haki is weird, I bet.
I'm definitely in the "Buggy's Observation Haki is NEXT LEVEL" band camp, but like. I also really love the idea of his Haki being oversensetive, and nobody quite REALIZED. Roger may have had suspicions, but his grounding techniques were rather limited because his Haki awakened a little later in life and so he never had a need to completely shut it down. He does his best, but it's not enough.
Buggy learns relatively early on that his Devil Fruit requires a strict level of spatial awareness. A lot of it is instinctive, knowledge essentially deposited into his brain once the fruit hit his stomach, once otherworldly energy unfurled and braided into his body, mind and soul. He is the only person on the crew with a Devil Fruit, and so he learns a lot of his methods by trial and error (and the occasional meet up with Whitebeard's crew).
Buggy winds up trying to use his Haki with his Fruit. He thinks of it as a liquid, blue and bubbly and alive, poured into a Buggy shaped mold. It covers his skin, his ears and eyes. It fills his mouth, and he breathes it in with every gasp or calming inhale. It sinks into his cells and stains his blood and muscles with blueblueblue. It's easier to keep track of his pieces this way, with his own energy so densely imbued in his form.
This becomes a habit of his. Not only does the Haki help him with control of his Fruit but it also helps dull the sensory input of his Observation. The world isn't quite so sharp and loud with his energy coiled so tightly. He can still check the surroundings and react properly, thinking of some of his energy as the strings of a puppeteer or tentacles of energy. It works for him.
It is not, actually, a common thing to be done.
Mihawk, for one, is absolutely stunned when he realizes what Buggy does, is furious when he learns why. The suppressing method he came up with is actually both nigh impossible and also quite dangerous. Were it not for his Devil Fruit, it's highly likely that the oversaturation of Haki in his body would have caused it to deteriorate, especially given how potent Buggy's energy really is.
Crocodile, while rarely using Haki, is also a little blindsided by the truth of the matter.
Buggy's use of Haki is both highly advanced and unrefined. It's a unique variant that shouldn't be feasible in the least, and yet he's mastered such a dangerous and improbable method.
Because of his energy being coiled so tightly, his Armament both suffers and leaps up by numerous levels. His control is so finely tuned that it can spread not over skin but over his very cells, thus minimizing the color change and enhancing the underlying strength of his body.
Buggy is running on fumes, has been for years, if not decades, because of his control there. He's essentially burning the candle from both ends and chop-chopping new wax chunks in the middle. He oscillates for overstimulated (Haki released) and understimulated (Haki contained).
Mihawk refuses to let such a thing slide.
Buggy may not be the strongest Emperor crowned, may not even be the strongest pirate on the seas, but he has some things others can not fathom - brain cells, a working survival instinct, and creativity.
Winners right history, and Buggy is holding the quill.
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leo valdez and jason grace who are giggling and triumphing about how the no-two-people-alone-in-cabin rule doesn't apply for them and grinning as they both go into the zeus cabin then they play fucking jenga
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