#//It's his very CORE aspect | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Tumblr has been providing a Korean-language service since 2013.

#//It's his very CORE aspect

grimalkinmessor · 5 months

Text

Was reading tsukinousagi's latest fic (as one does) and xie said that people tend to base their characterization of Light off a certain scene/point in the timeline—and it took me a minute to think about it but mine is probably this one:

#idk its just very special to me this scene is Him™ to me #death note #yagami light #ryuk #the focus on his game with L instead of justice #the trepidation at the thought of killing his own family #joking with ryuk #building a bomb in an abandoned warehouse #these are core light aspects for me

36 notes · View notes

scorchedhearth · 2 years

Text

one thing that's starting to piss me off with fancontent is the wealth status of characters, especially some who have been through the fanon lens more than others. chances are, unless it's specified, that said characters will be at least scrapping by, if not outright struggling. worse is, a character who has a specific snapshot of their life taken and used as the bottom line when it's just one moment taken and stretched out. ollie is not rich, not anymore and not for a long time he uses the robin hood schtick for a reason. hal despite being middle class as a kid would have a far more interesting outlook on life because he spends a good half of the 60s run without a home and struggling to find scraps of money and running from jobs to jobs with no friends left to open their doors to him. even those who do well, they're not rich, kyle still has to work and he's making just enough for a flat and a correct living situation, same for john who still has to work to maintain his architect career and make something out of it. or dick, he has jobs and knows how to maintain his money but he's not leeching off of bruce and he still has rough periods where he struggles

#and i get. it's not fun to think of your character and their career and how much of their life that takes out of them #and im not saying you should write a manifesto into your fun hobby #but man. sometimes its pushing it. hal struggling is a big part just like kyle's freelance career being rough for him to maintain #or it gets annoying with characters like ollie. him not having money and powers like millionaires is core to his character. he's not bruce.#idk it's getting annoying #especially when it feels like just brushing off very real aspect of those characters

133 notes · View notes

samarecharm · 2 years

Text

I am adoring some of the tags i got on that goro ref. They are all correct. I knew what i was getting into when i decided to give him the tumblr sexyman treatment 😭 I do want to stand my ground tho, to say that i do think goro is a wet napkin of a human being. A disaster. Overly competitive to a fault. Exceedingly cocky. This is someone who said ‘i do bouldering’ as like a flex and immediately had haru shut that shit down and say ‘hmm doesnt take much strength to do that :0’. Someone who cant handle spicy food and scarfs it down anyway. He snores like a truck when hes sleeping and scares himself away when its too loud. He claims akira has fake glasses and mocks him for his dedication to his perceived appearance, and then pretends hes not doing the same thing when he does interviews. Nothing fucking fits him so its either Too Big (sweater) or too small (everything else). His idea of unassuming is Big Round Soft, so he is just a teddy bear to most kids. He unironically screams about ripping shadows apart and genuinely thinks he is Fine :)

#it does kind of suck tho bc like hes the Only character that looks like this fhdkdkdk #ryuji is way more toned and defined overall bc he actively works out in the gym #makoto is stocky; muscular but also below average height #ann is tall and fat; yusuke is tall and VERY thin #akira is soft all around and thin #not too much muscle anywhere. that changes a bit when he starts fighting in the metaverse #futaba is worryingly thin and short but she gets a growth spurt in her later school years #nearly jumping to akiras height (6’0)#haru isnt Fat but shes a bit big #and her arms are thick as hell from all her heavy lifting. shes got an amazing core and shes got a bit of fat cushioning all of it #so like #i do think of all the thieves and like #this kind of shit #bc its very interesting to me; i like thinking of like the more mundane aspects of their characters #like goro enjoying speedcore bc its loud and fast and it drowns out his thoughts #or akira being good at juggling bc he wanted to learn how to juggle knives and throw them #like silly things that dont really do anything to affect their Character #its just to make them more real in my head i guess

24 notes · View notes

foldingfittedsheets · 11 months

Text

So one thing I’ve noticed is that people’s DnD characters may vary but there is usually an underlying thread that they all have in common. This thread is typically related to what that person struggles with the most.

For instance, my betrotheds DnD characters: a bitchy warlock we had to bust out of two different pacts, a sassy barbarian, a reformed drow cultist, and a sunshine fighter cleric.

All these characters were wildly different but at their very core struggle was them grappling with their self worth. My betrothed struggles with their worth a great deal and even with different facets showing their characters all have that too.

Mine all tend to contend with different themes of loneliness and acceptance. Surprise, surprise, the little autistic gremlin yearns to have been met with more love and lasting friendships.

So we’re at breakfast. I am meeting a new friend of my betrotheds for the first time. It’s been twenty minutes since I’ve met this man. I say my theory. He laughs. He starts to describe a few of his characters but specifies that he often has healing aspects. He gives a very broad overview of their character arcs.

I ponder for a moment then said, “Would you like to have my assessment?”

He laughed, “Sure!”

“We’ve just met. It’s gonna get real.”

“Bring it on.”

“I think your struggle is that you feel you must offer something of value or service to people to be worthy of their love.”

His jaw dropped. His fork froze midway to his mouth. A potato fell. He stared into space as this sank in. Quietly he said, “Oh.”

#dnd #ramblies #dungeons and dragons #ffs foibles #he kept repeating it through the rest of the hang out and I got less coherent as I tuckered out but the gist was there #he also mentioned in his dating history how he’d always felt girls he’d dated were moving too fast #and without thinking I laughed and said yeah cause you’re gay and you desperately didn’t want those relationships to go anywhere #you just wanted to be loved but not romantically #and he looked shooketh #and I apologized cause I usually try to limit my deep psychoanalysis of people to one per hangout but he wasn’t upset

10K notes · View notes

loriache · 2 months

Text

Kabru, impossible mutual understanding & unknowable objects

Despite his concerted and constant efforts to understand other people, it’s established in a few extras that Kabru believes that true mutual understanding between certain different races is impossible. Specifically, between long-lived and short-lived races, and between humans and demi-humans. Partially, we can trace this conviction back to specific hang-ups caused by his life; the trauma of the Utaya disaster, prejudices he carries from his childhood, and his experience of racism among the elves. In this “little” essay, I’m gonna discuss how I think those experiences formed this belief, how it comes out in his actions, and how some of his actions seem to contradict it. The question of whether it’s possible to reach mutual understanding with other living beings despite our differences is one of the core themes of the manga, and I’ll also touch on how this aspect of Kabru’s character links to that.

Seeking understanding

Kabru is a character who devotes a huge amount of time and effort to understanding people, and he is very good at it. In his internal monologue, we can tell how advanced and complex his skills of analysis are. He is able to read a huge amount of information just from looking at people's faces and body language.

People are, to him, what monsters are to Laios. This is something that's been expanded on at length in other, excellent meta. It's the fact that they're foils; it's the fact that Kabru is also very easy to read as autistic, with a special interest which is the opposite and parallel of Laios'. It's something that came out of trauma and alienation, as Laios' special interest in monsters also began as a coping mechanism.

The complicated origin of this "love" for monsters and for people comes through, I think, in the fact that one of the places we see both characters use their fixation is in being very, very good at killing the thing that they love. This also ties into the idea that loving something isn't even remotely mutually exclusive with using it to sustain your own survival; using it for your own purposes; hurting it or killing it. Love can be, and often is, violent, possessive and consumptive. This understanding is part of what makes Kui's depiction of interpersonal relationships so compelling to me.

While Laios fixated on monsters and animals to seek a place of escape, in both his imagination and his self-image, from the humans who he couldn't understand and who couldn't understand him, Kabru seems to have fixated on understanding people in order to navigate the complex, socially marginal places that he has been forced into throughout his life. As an illegitimate child raised by a single mother with an appearance that marked him out as different to the point his father's family wanted to kill him, and a tallman child raised among elves who didn't treat him as fully human and wanted him to perform gratefulness for that treatment – treatment that, after he met Rin at age 9, he certainly always understood could be a lot worse – his ability to work out what people wanted from him, whether they were friendly or hostile or had ulterior motives, wasn’t just an interest. It will have been an essential skill.

Milsiril, I think, was a flawed parent who tried to do her best by Kabru and did a lot of harm to him despite her best intentions. She may have treated him much better than an average elf would have, but like Otta and Marcille's mother, there are other elves with different outlooks on short-lived races. How would they judge her treatment of him? We don’t have any insight on what it could be, but to be honest, the person’s whose opinion of her I’d be most interested in knowing is Rin’s.

But even if she'd been perfect, living as an trans-racial adoptee in a deeply hierarchical nation with a queen who is a 'staunch traditionalist' who wouldn't even acknowledge the existence of a half-elf like Marcille (according to Cithis) is an experience that would deeply impact anyone.

Elves & Impossible mutual understanding

While Kabru was living with Milsiril - in other words, while living in the Northern Central Continent - he came to believe that "there was no way to achieve mutual understanding with the long-lived races."

This is evident in his political project: he wants short-lived races to have ownership over the dungeon's secrets. Despite his dislike of the Lord of the Island, he's a useful bulwark to stop the elves taking over. Despite his doubts about Laios, Laios needs to be the one to defeat the dungeon, because if he doesn't the elves will take over.

Kabru still carries a deep scar from Utaya, one that was exacerbated by the fact that he never got an answer to any of his questions about what happened or why. This, despite the fact that Milsiril knows about the demon and how it works. Do you think Kabru, with his social perceptiveness that borders on the superhuman, wasn't aware that she knew more than she would tell him?

Given that, the fact that he gets to a place where he "doesn't have any particularly negative feelings about [elves/long-lived species]" .... well, to put it bluntly, I believe that he thinks that's the case, but I kind of doubt it. After all, if he did have resentment, of Milsiril (someone who was his primary provider and caretaker since age six, and who despite her flaws, loves him and who I do think he loves) or of elves (who he has had to play nice with for most of his life, in order to survive, and will still have to play nice with in order to achieve his goals, since they hold all the power) what would that do except hurt him and make his life harder? Kabru is Mr. Pragmatic, so I don't think he'd let himself acknowledge any such feelings he did have. Exactly because he can't acknowledge them, they're well placed to get internalised as beliefs about the Fundamental Unchangeable Nature of the World.

However, these stated beliefs seem to contradict his actions. Despite his belief in the impossibility of forming a mutual understanding, he certainly seems to try to understand long-lived people, just as much as he does short-lived people. There's no noticeable difference between his treatment of Daya & Holm versus Mickbell & Rin that isn't clearly down to their relationship with him. His skills of human analysis were honed and developed while living amongst elves, and as soon as he's alone with Mithrun he immediately sets to understanding him - his interests, his motivations, his needs, and his past.

He treats him considerately and without bias, and despite the fact that Mithrun conquering the dungeon for the elves is both a reenactment of a core part of his childhood trauma and a political disaster for his aims, that doesn't seem to colour his perspective on Mithrun negatively at all.

This is something I find extremely laudable about Kabru, and it's another way he parallels Laios. He seems to understand that people, as a rule, (in Laios' case, he understands this about monsters - and eventually, all living beings) will act in their own interests, and if those interests conflict with yours, might harm you. But that's just their nature, and it's not something that should be held against them; you're also doing the same thing, after all. The crux of Laios' arc is precisely that he has to accept the responsibility of hurting someone else in order to achieve what he wants.

Kabru is deeply concerned with his own morals, what he should and shouldn't do, but mostly in the context of responsibility for the consequences - a responsibility he takes onto himself. He isn't scrupulous about what he needs to do in order to create the outcome he wants, but if he fails to create that outcome, then....

He blames himself to the point of thinking he should die. He doesn't blame Laios, or seem at all angry with him, despite concluding he should have killed him to prevent this outcome. That's because in his eyes, ultimately Laios was going to act according to his own nature, and it's Kabru's fault for not understanding that nature well enough. He's extremely confident in his ability to understand and predict others, (including elves and other long-lived people). Then, where does his conviction that mutual understanding is impossible come from?

Partially, it's the "mutual" part. I'm sure Kabru, who isn't able or willing to deny Otta's insinuation that Milsiril saw him more like a pet than a son, has felt that his full interiority, the depth of his feelings and his ability to grow, act, and think as a fully equal being, was something that the elves around him just couldn't grasp. Because that was their excuse for it, he came to understand this as a gulf between short-lived and long-lived beings, an inevitable difference in outlook caused by their different lifespans.

This experience might be part of what leads to his iconic “fake” behaviour. He trusts his ability to understand others, but if they aren’t able to understand him, then there isn’t any benefit to being honest about his feelings and thoughts. If his attempts to reach mutual understanding with his caretakers were never able to be fulfilled, then it isn’t any wonder that he reacts with such surprise and horror at blurting out his desire to be Laios’ friend.

In his experience, making yourself vulnerable in that way only leads to being hurt. Soothing him, hushing him, lying to him, talking to him like a child that isn’t able to use proper judgement – that’s an inadequate and deeply hurtful way to respond to genuine distress, the desire for autonomy, or disagreement. Ultimately, I think that’s why he comes out on the side of being grateful to Milsiril; because she did equip him with the skills and knowledge he’d need to reach his goal, and let him go.

Though he could understand them, they couldn't understand him. To the extent that was true - which I'm sure it was - it wasn't due to anything about lifespan. It was due to the elves’ racism, and the solipsitic mindset & prejudiced attitude that it caused them to approach him with.

Because, if it needs to be said, the idea that there is an unbreachable gap in understanding between the long-lived and short-lived species is not true. Marcille and Laios have a much greater difference in lifespan than any full elf from any short-lived person, and they’re able to understand each other – maybe not perfectly, but better than many other people who are closer in life-span to them.

That doesn’t mean that I think Kabru is wrong about this, however. Because there’s an interpretation of his statement that is reflected in his actions and is true. When he talks about his problem with elves, it’s not just their attitudes: it’s their power, and what they use it to do. They “explain nothing and take everything”. Though it’s presented in the guise of ‘guiding and protecting’, in fact it’s a simple case of a powerful nation using their military power, wealth, access to resources, and historically stolen land – including the island itself – to protect their own interests and advance their own agenda. That’s why they’d be able to show up, seize the dungeon, and forcibly take Kabru’s party and Laios’ party to the West. If Kabru wants to stop that from happening, or change that status quo, persuasion or a bid to be understood would be completely pointless. Between the political blocs formed by long-lived species and the interests of short-lived species, “mutual understanding”, given their current, unequal terms, would be impossible. This is something that we see reflected in Kabru’s actions; before he asks his questions about the dungeon, he grabs Mithrun as leverage. He never really attempts to persuade the canaries to see his point of view, because that would be pointless: they’re agents of the Northern Central Continent’s monarchy, and will act in its interests regardless of any individual relationship with him.

I don’t think Kabru sees the different dimensions of this belief of his in quite such clear terms, however, as is evidenced by the other group who he thinks it’s impossible to communicate with.

Demi-Humans & Unknowable Objects

The other place that we see his conviction about the impossibility of mutual understanding is in the kobold extra.

I'm including the whole thing, because I think it's an excellent and clever piece of world-building. Aside from what it says about Kabru, which I'll expand on shortly, what this extra does is deconstruct and call into question the usual "fantasy ontological biology" present in these sort of DnD-like settings. Essentially, the kind of worldbuilding where a race (such as kobolds) can be described as war-like, and that's establishing something essential about their biological nature. That's common to the point that if Kui didn't include this, some people would probably come away thinking that's the case about, e.g., the orcs.

But here, despite what Kabru is saying, the information the reader actually gets is:

the conflict between short-lived humans and demi-humans such as kobolds is mostly over access to material resources that they need to survive.

These resources are scarce because powerful nations, such as the elves, have monopolised them.

Kabru, who has grown up in a place at the centre of these conflicts, ascribes essential, negative traits to a cultural group which was in direct conflict with his own. Communication with this other group is impossible; they aren't people, they're more like objects.

oh yes! just like this conflict between groups of tall-men, a conflict which the reader will immediately interpret as more clearly analogous to real-life racism. Our other protagonists also carry prejudices from growing up in a place where a marginalised group was in conflict with the dominant group over scarce resources. It's definitely impossible to communicate with these people, and you can only kill them.

Woah, when you say it like that, it sounds pretty bad!

But also, nobody walks away having had a realisation or unlearned their prejudices - because they don't have the tools they need to do that work. Yet. I do think, to an extent, it could happen - especially with Kabru, since it's suggested in the epilogue that Melini might become a safe-haven for demi-humans.

To focus in on Kabru, the key here is his statement that you should think of demi-humans as "unknowable objects". Even his extraordinary powers of understanding have seemingly hit a limit. Part of this is just inherited prejudice, and doesn't need to have a complicated psychological explanation, any more than the elves who were prejudiced against him need one.

But also... this is probably somewhat linked to the way demi-humans seem to be considered "pseudo-monsters". They're the place that the strict delineation between the human and the monstrous is permeated. Laios, who is not interested in humans, remembers and is excited by Kuro. Chilchuck and Laios argue over whether it's OK to eat a mermaid. Kabru's prepared to (pretend to) roll with the idea that Laios ate the orcs.

But these are people, aren't they? Of course, this is a social construction, as we see from the fact that in the Eastern Archipelago, the label of "human" is reserved for tallmen, but in most of the rest of the world it depends on some obviously arbirary classification based on number of bones; "demi-humans" aren't in any essential way monstrous, except to an extent in their appearance, and physical location - due to their marginal social status, they're pushed out to live in unsafe places such as dungeons.

Therefore, Kabru's view of demi-humans as fundamentally "other", unable to be understood - monstrous - could be read as akin to abjection, the psychoanalytical concept described by Julia Kristeva. In order to create a bounded, secure superego, that thing which permeates and calls into question the border between self and other, human and animal, life and death, is rejected and pushed to the margin.

“Not me. Not that. But not nothing, either. A "something" that I do not recognize as a thing.[...] On the edge of nonexistence and hallucination, of a reality that, if I acknowledge it, annihilates me. There, abject and abjection are my safeguards. The primers of my culture.” (Kristeva et al., 1984, p. 11) “It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. ” (Kristeva et al., 1984, p. 13) “The pure will be that which conforms to an established taxonomy; the impure, that which unsettles it, establishes intermixture and disorder. [...] the impure will be those that do not confine themselves to one element but point to admixture and confusion.” (Kristeva et al., 1984, p. 107) (discussing food prohibitions in Leviticus)

This is both (due to its affinity with food-loathing and disgust) a very fruitful concept to apply to dunmeshi, and a psychoanalytical theory which I wouldn't exactly cosign as True Facts About Human Psychological Development. You may also know the abject from its utilisation in the classic essay "Horror and the Monstrous-Feminine" by Barbara Creed - that's a lot more approachable than Kristeva if anyone's interested.

Key here, though, is that through the symbol of the "demi-human" is embodied a step between "human" and "monster" - and that's a prospect that puts at risk the whole notion of an absolute separation between those two categories in the first place. To Laios, that's something wonderful, and to Kabru, it's terrifying. We can see this principle further embodied in the relationship both characters have with the notion of becoming monstrous.

To Laios, this is transcendent, and represents a renunciation of everything human - in fact, if it didn't, it wouldn't "count".

To Kabru, it's a deeply-held fear, established by his childhood alienation (due to his illegitimacy, his eyes, and perhaps also his neurodivergency), deepened by monster-related trauma and the sense of responsibility and survivors guilt he feels for what happened at Utaya. His identity as a human who is not monstrous is key to his sense of stability and safety; he doesn't want to touch monsters, he doesn't even want to see them.

To acknowledge a kinship, a possibility of similarity between the things he loves (humans) and the things he hates (monsters) would be more than touching them - it would be putting them inside him. We know, quite explicitly, that this notion is triggering to Kabru. He literally has what seems to be a flashback when he's about to eat the harpy omelette.

So he abjects it, classifying the demi-human as fundamentally unlike him - an unknowable object, or an object that he refuses to know. Because in understanding it, he would interject the things he hates and fears into his self, which is already, always under threat by that hated and feared object.

Of course, again, Kabru isn't very good at enacting this refusal in practice. For one, when he chooses between his desires and ingesting the feared object, eating monsters... he eats monsters. Part of this is treating himself badly, the "ends justify the means" mentality. His goal is to destroy all monsters, so if he needs to become monster-like to do that, he will. But part of it is also the other motivation that he didn't even seem to know about until he said it: he wants to become Laios' friend, and to learn from him how a person can like monsters. He wants, at least in some part of him, to reconcile the feared and hated object into something he can understand.

For another:

Kabru can speak the kobold language. In the first place, while this may have been common in Utaya, it also could have been something he chose to learn, an early expression of his interest in understanding and talking to all sorts of people. It isn't the kind of thing you learn if you believe that communication between yourself and the group that speak it is impossible, is it?

It's possible to harbour prejudices against a group while being kind to an individual, and given Kabru has those prejudices regardless of his reasons, that is what he is doing. But also, his treatment of Kuro doesn't reflect a sincerely held belief that he's an "unknowable object" at all. His approach is exactly the same as it is to any other person: an analysis of goal and motive, and an attempt to help if he's sympathetic and their goals align - going out of his way to give language and local knowledge lessons in secret. His conviction that Mickbell and Kuro will truly become friends when they can properly communicate is completely contradictory to any sense of demi-humans as fundamentally different, or impossible to reach mutual understanding with. To me, it seems like this self-protective shield against the corruptive force demi-humans as an idea present to his identity, this abjection, when Kabru is face-to-face with one, just simply can't hold up against his finely honed skill of intellectual empathy. Perhaps because he's autistic, it seems his "empathy" is less an emotional mirror response, and more a set of cognitive skills for analysis of others. That instinctual, emotional empathy might not trigger when presented with a member of an out-group, but if it’s possible for Kabru to turn his cognitive empathy off, we don’t see him do it.

This isn't to say that this prejudice doesn't affect his behaviour. For one, it could negatively impact his judgement of politics and policy, where individual people don't enter into it. For another, I'm not convinced he'd be willing to overlook Mickbell's exploitative relationship with Kuro if Kuro wasn't a kobold. As it is, since both of them are satisfied, he doesn't feel like he needs to intervene, regardless of the fact Mickbell isn't paying Kuro. But if Daya and Holm were in a relationship, and Holm took both Daya's and his own share from their ventures, but only compensated her in living expenses and kept the rest, do you think he'd tolerate it, for example? Even if she said it was OK?

Conclusion

The kelpie chapter establishes that "people can never know what monsters are really thinking." That isn't just true of monsters, though.

True mutual understanding is impossible - between anyone. We can never truly understand another person's heart. This is touched on in, for example, the existence of shapeshifters and dopplegangers. Even a monster that seemed like a perfect copy of a person wouldn’t be that person, and wouldn’t be a satisfactory replacement.

We’re intended, I think, to understand the winged lion's repeated suggestions to just replace people who have been lost with copies as something uncanny, which demonstrates the way that the winged lion never manages to attain a complete understanding of humans. A version of a person who was created to fulfil your memories of them, to be the person who you wanted them to be, would be a terrible, miserable thing.

Disagreeing, coming into conflict, and misunderstanding each other, are essential parts of what it means to be living beings, as fundamental as the need to eat.

The only thing to do is not to take more than you need to eat to survive, and not impose your own desires onto others. To do your best to sincerely communicate your desires, even if they're embarrassing or vulnerable or strange, like Kabru eventually does with Laios; like Laios does, bit by bit, with the people around him; like Marcille does, Chilchuck does, Senshi does... to hope they will accept you, and do your best to understand them in return.

We can re-examine, in that context, Kabru's line about the elves' tendency to "explain nothing and take everything".

They have the power to impose their preferred "menu" onto less powerful groups. And in that context, mutual understanding being impossible just means that they won't give up their power because they're asked nicely. Kabru's goal is to seize the truth that they won't give to him, and to create a situation where they can't take everything. Because he's accurately surmised that nothing about the treatment of short-lived races will change so long as the power imbalance remains. Despite the way he mistakenly ascribes part of that to "long-lived vs short-lived" or "human vs demi-human", the actual gulfs in understanding he identifies are structural, are about power and about access to material resources and safety.

I think he could come to recognise this. Yaad is teaching him political science after all, and while a prince's lessons on political science won't exactly get at much that's radical or invested in the interests and perspectives of the marginalised (Capital is a critique of for a reason after all...) I believe in Kabru's ability to learn critically and get more from a lesson than it was intended to teach.

#og post #kabru of utaya #kabru dungeon meshi #laios touden #dungeon meshi meta #dungeon meshi #dunmeshi #dungeon meshi manga spoilers #dungeon meshi analysis #kuro dungeon meshi #the canaries #milsiril #continuing to develop my kabru theses.#literally sitting and thinking about kabru all day. rotating him.#he's in the microwave. to me.

1K notes · View notes

sainamoonshine · 1 year

Text

Okay but so much of the character of Sam Vimes is influenced by him being a former alcoholic tho. I don’t think it’s possible to discuss his unbreakable moral code without also discussing his addiction.

There is significant parallels between how he does not touch alcohol EVER starting from Men at Arms and every other ways that he holds himself accountable in the books.

One minute late to storytime with his child would be one minute too much, because once you excuse one minute late then you can excuse five, ten, and then fifteen minutes late. -> one drink is too many drinks because one drink « tends to arrive in five glasses ».

« If you do a bad thing for a good reason you’ll do it for a bad one », « If one part of the machine breaks down it all breaks down » and « who watches the watchman? Me. » are all different ways of saying that Vimes cannot allow himself to make even one exception in how he behaves. Will not, yes, and that’s very admirable, but this will not is the result of a CAN NOT because what would happen if he did is not, in fact, unthinkable. On the contrary, he knows very well what would happen if he did break one of his many rules, and this is exactly why he doesn’t break them.

« One drink is one too many » is basically the center of his character’s moral code. And it hits so hard because he’s not being rigid for the fun of it, he’s like that because he knows. It’s a sliding slope and he’s been on it and at the bottom of it and he KNOWS how quickly it slides.

And it’s so interesting to see how he applies that core concept to all other aspects of his life, cultimating into the guarding dark.

#samuel vimes #sam vimes #i wish there were more characters in media like this #I feel like Leverage kind of lost sight of the plot around Nate’s addiction at some point

6K notes · View notes

moonstruckme · 2 months

Note

I’m not quite sure if this is too explicit so if it is please feel free to decline, but I was wondering if you could do a poly!marauders x reader who has a past with sexual assault so is kind of iffy and stand offish about sexual inter course? Again, all good if you can’t because it is a touchy subject ! I hope you’re having a lovely day/night !! (p.s. I love your writing so much :3)

Thank you gorgeous, love you <3

cw: trauma response, mention of past sexual assault

poly!marauders x fem!reader ♡ 1.2k words

Sometimes you can feel left out. Of the easy way the boys touch each other, the knowingness they have of the other’s bodies, the in-jokes about intimate aspects of their relationship that aren’t secret from you but you’re not a part of. And you know in your bones, in that thrumming, impossible-to-ignore beat inside your ribcage, that you’re not ready to be a part of them, but it still hurts to have something about your boys that’s separate from you. Some part of them you can’t access, and it’s only because you won’t allow them access to you in return.

And sometimes, like now, things go astonishingly well. Sometimes you can let them touch you while feeling nothing but the pleasant warmth of love and lust brewing like a potion in your core. Sometimes you can let yourself tug Sirius closer as he kisses you, can swallow the soft sounds he makes into your mouth without your mind taking you anywhere other than this bed, this boy.

Sometimes you can get so lost in them it feels like the fear can’t find you.

“Okay?” Sirius’ breathes, setting a tentative hand on the small of your back. He tastes like coca cola, and his lips are a manifestation of every soft and earnest part of him he never shows. “This okay, sweetness?”

You nod fervently, trying very hard not to think as you tunnel your fingers into the featherdown silkiness of the hair behind his ear.

“Yeah?” You’re growing quite sick of all his talking, persistent in your kisses even when Sirius breaks them. His mouth curves against yours, sensing this, and his hand settles more comfortably into the curve of your spine. “Alright, you’re in charge. Just let me know if anything’s too much.”

You make a muffled sound of acknowledgement. Truly, logically, you feel safe with Sirius, the same as you would with Remus or James. It was his idea that you be on top, after Remus figured out that you feel most comfortable when you don’t feel trapped, after James was the one to initiate the conversation on how they can make you feel good while respecting your (admittedly, nebulous and often fickle) boundaries. You haven’t worked up the courage to do anything beyond kissing, and none of them have pushed you. Really, you’ve been the one doing the pushing, wanting more and more from the kissing until it’s turned into this, you and Sirius hiding from dishwashing duty with you on top of him and sucking his face like a dementor.

You grind your hips down into his, and Sirius’ chuckle rumbles through the both of you as he grabs a greedy handful of your ass.

Your breath stills in your lungs.

You still completely, actually, every inch of you rigid, from your bum under Sirius’ hand to your eyes, stuck closed tight. The only part of you that seems to get that you’re still alive is your heart, thrashing wildly inside the bars of your ribcage like it wants to escape when you can’t.

“Shit.” Sirius’ hand flees upward, skimming up your back to safer territory below your shoulder blades. “Shit, sorry, baby. You okay?”

You want to tell him yes, in every physical, objective, important way you’re just fine. But your breath is frozen solid somewhere between your throat and your lungs, and it won’t let you speak.

“Sweetheart.” Sirius is starting to sound desperate, though he’s clearly trying to stay calm for your sake. He sets gentle hands at your waist, sitting you up while he eases out from under you. You expect you’ll move like a statue, but your arms move of their own mind once freed, wrapping tight around your middle. “You’re okay, baby, you’re safe. I’m so sorry, I was—I should have asked. I moved too fast, I didn’t mean to scare you. Can you talk to me, please?”

“Sorry,” you manage. Something comes loose inside you. The air comes back to your lungs, you pull your legs up onto the bed, and laughter unspools from inside you like wire long coiled tight.

Sirius doesn’t smile. “Don’t be sorry,” he says. “I’m sorry, I shouldn’t have touched you like that. Are you okay?”

It’s now that James and Remus decide to come and see what you’re up to. At the sound of Sirius’ panic-tight voice, their footsteps hasten down the hallway. James taps on the doorframe and you turn to him so fast your neck clicks. His face is melded by a soft worry.

“Everything alright?” he asks.

You nod, but Sirius must signal something different from your other side, because James and Remus advance forward the way one might approach a feral kitten.

“Are you okay?” Sirius asks again, voice cracking now that the other two are here.

“Hey, it’s alright, love,” Remus says gently. “Maybe stop touching her for a bit.” You hadn’t even noticed Sirius’ hand gripping your leg, but its removal feels like you’ve lost a thousand pounds. You fight back a shiver. “She’s okay. Aren’t you, darling?”

To hear worry in even Remus’ voice is significant, and you try to make yours even to counter it. “Yeah,” you agree. “Yeah, sorry, I’m fine.”

“You don’t need to be sorry,” James promises, crouching in front of you and Sirius. You’ve nowhere to hide from his melty-soft gaze. “What happened?”

“I went too far.” Sirius’ voice sounds like it hurts, scraping its way out of him. Your heart throbs in response.

You shake your head, insistent and perhaps a touch too fast. “No, it wasn’t your fault. I was—I—I escalated things, and then it just—”

“Take a deep breath,” Remus instructs.

“I’m fine,” you say again.

“Please, sweetheart. Just try.”

You do, for his sake, pushing air in and out of your lungs like you’re trying to inflate a balloon. They won’t get as full as you want them too, but it’s not until you try that your body seems to catch up to what’s been happening. You start trembling all over.

“Shit.” Your voice thickens, tears threatening. “Sorry, this is so uncalled for.”

“It’s not,” James says. “Can I—can I hold your hand, or are you not ready for that yet?”

“Please,” you squeak out.

He grasps your hand, and you squeeze tightly, breathing until the tears don’t press at your eyes so insistently. You hate that the ugly thing of your past is touching something this good. That it’s hurting people who aren’t you, like it’s a virus you caught and now you’re spreading it.

“It’s really not your fault,” you tell Sirius, turning to him. “I thought I could handle it.”

“I shouldn’t have moved without checking,” he replies in a similar tone. “I’m so sorry, sweetness, I never want to scare you like that.”

You shake your head. “You don’t.”

A dense silence lapses, not uncomfortable but full of things unsaid. James’ hand is warm in yours.

“Hug?” you ask Sirius.

He looks surprised. “Are you sure?”

You nod, extricating your hand from James’ to wrap your arms around his middle. Sirius is tentative at first, palms placed lightly on the high and low points of your back, but when you hold him tighter he reciprocates. You hear Remus whisper something to James. Sirius’ fingers press into your back, the tip of his nose cold where it squishes into your neck.

Sometimes, they make you feel completely safe.

934 notes · View notes

nerdpoe · 8 hours

Text

The Observants finally tell Danny that's he's a baby Ancient. And he needs to decide what he's going to be the Ancient of.

Danny does not like this. Does not want this. Absolutely hates it.

He can't say the Ancient of the Living, because that'd apparently make him a God of Life, with the ability to command all things living. He'd never know if asking his friends to hang out with him would be of their own volition if he does that.

He can't say Ancient of Space, because that'd be way too powerful and he'd be scared shitless of fucking it up. What if he sneezes and moves the Milky Way five hundred thousand lightyears to the left?

But if he doesn't chose an aspect, then his core is just gonna choose one at random.

(Clockwork confided that it's very likely to choose space)

It's Sam who gives him an idea, as she's reading Odysseus. She's on the part with the cyclops, when Odysseus tells him that his name is "Nobody", so when he cried out in pain and said Nobody was attacking him, no one thought to do anything.

Somehow, this thought led to another though, and Danny finally figured out how to get out of the whole "Ancient" thing.

"Nothing."

"...Excuse us?"

"I'm the Ancient of Nothing."

Problem solved! Can't get OP powers and become a demigod if there's nothing to rule over!

Danny did not anticipate his "easy" solution leading to being interpreted as the Ancient of the Void, Guardian to the Eternal and Eldritch, Keeper of the Hungry Emptiness That Circles the Universe.

Sam won't take responsibility for his actions.

Life (and death) are so fucking unfair.

(He manages to coax the Hungry Emptiness into a much smaller and more manageable size. It took the shape of a Ferret with too many legs, and it likes eating deodorant.)

#danny phantom #story prompt #he keeps trying to name the ferret but it keeps eating the names #and he noticed that when he did that #people at school with those names would suddenly just not have them?#they wouldn't respond if called by them?#they totally forgot that those were their names?#he stopped trying to name the embodiment of Hunger and Emptiness after that

418 notes · View notes

Last Seen Blogs

nonej

Non . 2D

largando

Untitled

cherryblossom13sblog

♡Life is a mystery♡Why I am still Alive♡

cehofoliseg

Untitled

colinasblog

MATURE SEVER