A Christian Yantra (for confidence)
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Yππ«π±π―π π¦π° ππ« ππ°π π’π±π¦π ππ―ππ π±π¦π π’ π΄π₯π’π―π’ π¬π«π’ π©π¬π¬π¨π° ππ± π±π₯π’ π π’π«π±π’π― π¬π£ ππ« π¦πͺππ€π’, ππ«π‘ π±π₯π’π« π£π¬π π²π°π’π° ππ©π© π±π₯π’π¦π― ππ±π±π’π«π±π¦π¬π« π¦π«π π―π’πͺπ’π«π±ππ©π©πΆ π¬π²π±π΄ππ―π‘, π«π¬π±π¦π π¦π«π€ ππ©π© π±π₯π’ π‘π’π±ππ¦π©π° π¬π£ π±π₯π’ yππ«π±π―π. ππ₯π’π« ππ± π±π₯π’ π’π‘π€π’ π¬π«π’ π±π²π―π«π° πππ π¨, ππ―π¬π€π―π’π°π°π¦π«π€ ππ€ππ¦π« π±π¬ π±π₯π’ π π’π«π±π’π―. ππ©π© π΄π₯π¦π©π’ π₯ππ³π¦π«π€ π±π₯π’π¦π― π’πΆπ’π° π£π¦π΅π’π‘ π¬π« π±π₯π’ π π’π«π±π’π―.
ππ£π±π’π― π±π₯π¦π° π¦π° π π¬πͺππ©π’π±π’π‘, π¬π«π’ π π©π¬π°π’π° π±π₯π’π¦π― π’πΆπ’π° ππ«π‘ π±π―π¦π’π° π±π¬ π¨π’π’π π±π₯π’ yππ«π±π―π π¦π« π±π₯π’π¦π― πͺπ¦π«π‘π° π’πΆπ’, ππ©πͺπ¬π°π± π©π¦π¨π’ π±π―π’ππ‘π¦π«π€ π΄ππ±π’π―. ππ’π΅π± π±π₯π’πΆ π―π²π π±π₯π’π¦π― π₯ππ«π‘π° π±π¦π© π΄ππ―πͺ, π π²π π±π₯π’πͺ π¬π³π’π― π±π₯π’π¦π― π’πΆπ’π° π±π¬ π΄ππ―πͺ π±π₯π’π¦π― π’πΆπ’π°, π±π₯π’π« π£π¦π«ππ©π©πΆ, π°π¦π± π ππ©πͺπ©πΆ π‘π¬π¦π«π€ π«π¬π±π₯π¦π«π€ ππ²π± π±π―πΆ π±π¬ π©π’π± π€π¬ π¬π£ π±π₯π’ yππ«π±π―π.
ππ₯π¦π° π¦π° π π£π¬π―πͺ π¬π£ πͺπ’π‘π¦π±ππ±π¦π¬π« π±π¬ π°π±π―π’π«π€π±π₯π’π« π±π₯π’ π±π₯π―π’π’ π ππππ π¦π±π¦π’π° π¬π£ π±π₯π’ πͺπ¦π«π‘: π€π―ππππ¦π«π€, π₯π¬π©π‘π¦π«π€ π¬π«, ππ«π‘ π©π’π±π±π¦π«π€ π€π¬. βπ± π¦π° π’π°ππ’π π¦ππ©π©πΆ π€π¬π¬π‘ π£π¬π― ππ’π¬ππ©π’ π΄π¦π±π₯ π±π―π¬π²ππ©π’ π π¬π«π±π―π¬π©π©π¦π«π€ π±π₯π’π¦π― π£π¬π π²π°.
ππ₯π¦π° π‘π’π°π¦π€π« π΄ππ° πͺππ‘π’ ππΆ βπ¬π°π¦π π―π²π π¦ππ«π°, ππ« π¦π«π±π’π―-π‘π’π«π¬πͺπ¦π«ππ±π¦π¬π« π’π°π¬π±π’π―π¦π -βπ₯π―π¦π°π±π¦ππ« πͺπ¬π³π’πͺπ’π«π±. β π‘π¬ π«π¬π± π¨π«π¬π΄ π¦π±π° πͺπ’ππ«π¦π«π€, ππ²π± β π²π«π‘π’π―π°π±ππ«π‘ π¦π± π±π¬ π―π’ππ―π’π°π’π«π± ππ¬π‘ ππ’π π¬πͺπ¦π«π€ π’π«π’π―π€πΆ, ππ’π π¬πͺπ¦π«π€ π©π¦π€π₯π±, ππ’π π¬πͺπ¦π«π€ π£π¦π―π’, ππ’π π¬πͺπ¦π«π€ π’π©π’πͺπ’π«π±π°, ππ«π‘ π±π₯π’π« πππ π¨ π±π¬π΄ππ―π‘π° ππ¬π‘. βπ± π π¬π²π©π‘ ππ©π°π¬ ππ’ π±π₯π’ ππ’π΄ ππ’π―π²π°ππ©π’πͺ, π΄π¦π±π₯ π£π¬π²π― π΄ππ©π©π°.
β π±π₯π¦π«π¨ π±π₯π’ π°ππ’π π¦π£π¦π π’π£π£π’π π± π¬π£ π±π₯π¦π° πΆππ«π±π―π π ππ« ππ’ ππ₯π―ππ°π’π‘ ππ° "π π¬π«π£π¦π‘π’π«π π’ ππ«π‘ π π¬π«π±π―π¬π©."
93/93 ππͺπ’π«.
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The "Reverse of Filioque" view is one formulated by Ravenna and Feuerbach.
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Digital Necromancy
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The answer is cursive, specifically as a computerized typeface.
It is minimalist (elegant) yet maximalist (fancy). It is regularized as a font. And it is indistinguishable from calligraphy.
I have found the best possible way of rendering the english language (thus far).
Its difficulty in being read lends itself to greater reading-comprehension, according to science. And it is praised by traditionalists, all-together making it a good blend of science and tradition.
My synthetic approach to what Ravenna calls "didactic images"
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Revelation 22:4 They will see His face, and His name will be on their foreheads.
The tattoo's lettering is lifted directly from the oldest known inscription of the Tetragrammaton, on the Moabite Stone, in the "paleo-hebrew" script. This is why the lettering is rather rough: it is rather ancient.
I added a paleo-hebrew "shin" in the middle to turn YHWH into Yeshua, which was something discovered by 1600's or so Christian occultists. A discovery that survives to this day as part of Liber 777, specifically table II, by Aleister Crowley.
I got the face from here: https://www.nexusmods.com/cyberpunk2077/images/87587
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My own translation of the Emerald Tablet text from the original Arabic, using Google Translate and Wiktionary
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My synthetic approach to what Ravenna calls "didactic images"
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The name of the new Jerusalem
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A business card written in my own blood, following a box-cutter accident I took advantage of.
"Rosea" is the name of a type of rash.
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Titled "Emerald Diagram," "Emergent Butterflies," and "Transcendental Cosmogony."
Gifted to a friend as part of an art exchange.
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Symbols on the left are from Haela's Libertine exhibit, "Perichoresis"
A minimalist diagram of Transcendental Qabala metaphysics. The four worlds, as Ravenna points out, have been ascribed many specific definitions over the centuries, but the fourness and the general vibes appear to transcend the history of philosophy. Hence, this diagram and diagrams like it (such as the one designed by Haela), as well as the terminology coined by Ravenna, is not an explanation, but a template for developing ones own explanation, as well as a common ground by which to discuss metaphysics.
This diagram also fits into the practice of schizoanalysis, in which one makes progressively detailed, esoteric diagrams of the mind and society, using them as a schematic by which to engineer mind and society.
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A minimalist diagram of Transcendental Qabala metaphysics. The four worlds, as Ravenna points out, have been ascribed many specific definitions over the centuries, but the fourness and the general vibes appear to transcend the history of philosophy. Hence, this diagram and diagrams like it (such as the one designed by Haela), as well as the terminology coined by Ravenna, is not an explanation, but a template for developing ones own explanation, as well as a common ground by which to discuss metaphysics.
This diagram also fits into the practice of schizoanalysis, in which one makes progressively detailed, esoteric diagrams of the mind and society, using them as a schematic by which to engineer mind and society.
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The Ballad of Original Trauma
(best music for listening is anything by Hexsystem)
Based on all of the creation myths I've heard and liked. Triangle is from an amazing painting of pythagoras. Part of a tome of lore on mermaids I've been developing for years.
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Dhammapada, 2022
"Dhammapada" means "the path of duty" in Pali. There are many roads, but some are lies. There exists a straight and narrow.
This work is a summary of everything that came before it in my artistic life. It involves symbols I devised when I was a teenager, a philosophical painting (that was a summary of my philosophical development up to that point) that I chopped up with a box cutter, corn kernels that were the apex of my witchcraft phase, etc.
The center square depicts the five persons of God (at least, my conception of them at the time, I've developed a different conception in the year following making this piece), and the eight arrows depict the eight sorrows of Ololon, which are simultaneously caused and soothed by living a life of dharma.
The iridescent "heavenly city" at the bottom of the second pic is composed of little bits and pieces I collected over the years, and I somehow found a way of using them effectively all at once. It is beautiful in person, and digital pictures do not do its colors justice.
The vial in the left of the second pic is estradiol valerate, the only vial of it I ever used, which helped me achieve the best three months of my life, culminating in a psychotic episode that caused me to burn a bridge with my parasocial idol (or so I suspect).
The center die is set to its highest value, a value so high it uses a symbol rather than a numeral. The die to the left is set to its middle-value.
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