Tumgik
#you have to make your own choices
inkskinned · 1 year
Text
the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.
people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.
"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."
the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.
the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.
at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.
"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.
this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.
7K notes · View notes
poorly-drawn-mdzs · 4 months
Text
Tumblr media
A new challenger approaches (slowly)
[First] Prev <–-> Next
1K notes · View notes
ingravinoveritas · 2 months
Note
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
So I just wanna ask u just does this look like a real happy healthy relationship and in love with each or just put on for show for the fans and why do I feel like she making it all about her again and reminded everyone who she with it feels micheal was forced in the pictures taking with her the red carpet photo she looked bored and annoyed cos michael not paying any attention he just look miserable but I bet if it was David standing there instead of anna his face would be beaming like the one Georgia posted of them 4 together micheal face is electric and see how he lean toward David that best friend goals and I just love seeing them together cos that when he at his most happiness place
Also I find it strange that Anna was left out in staged scene but David wife gerogia made appearance doesn't that strike u as odd and gerogia brought the plus one date a girl could have and it wasnt anna yet they call each other wife clearly not as close etc then David and Michael are it seems.
And did u notice in the scene with David and Tom hiddleson about the dog sitter initially could present as benign and then he and the dog get up to all kinds of hijinks and ultimately disrupt stuffy old Michael sheen boring life but for the better like why put that in the script maybe his life with anna is boring and only staying cos he feels he needs too for the young children what do u think of all this
Tumblr media Tumblr media Tumblr media
From @amata-haan along with a screenshot of the group photo:
Tumblr media
(Grouping all of these together since it seems we've got a bit to talk about here.)
So, the biggest point of discussion seems to be the group pic that Georgia posted, and I will put up a larger size of that for us to discuss:
Tumblr media
When I saw that Georgia had posted this in an Insta story, of course my first thought was "Finally a picture of Michael and David together!" I think that was what we were all hoping for all night, to where it was almost glaring that we hadn't gotten one when the event ended (until Georgia's post, that is).
The second thing that came to mind is what you alluded to @moriarty-sisters, about this being a near repeat of what we've seen a few times before (first at the NTAs in 2021, and then the group photo Georgia posted on Michael's birthday, that appears to have been taken after Michael went to see Macbeth):
Tumblr media Tumblr media
Every time, Georgia is on the right. Every time, she and Anna have the same tight smiles while Michael and David have huge grins on their faces. At this point, it feels intentional, because twice might be a coincidence, but three times is a plan. There are slight differences to the vibes in each picture--although Georgia looks like she knows a secret and Michael and David look like a very happy couple in every one of them--but last night's group pic was...something.
Which takes me to your comment @phantomstars24 about how Michael is holding AL. I was under the impression that he had his hand on her waist, but if he is touching her breast, I'm perplexed at that being her reaction. She looks stiff and like a deer caught in the headlights, and regardless of where Michael's hand is, it doesn't seem like that's a great way to look when your own boyfriend is touching you. Adding to the strange optics is the fact that Michael is actually leaning toward David in the picture and away from her. It looks like his arm/shoulder is pressing into David and there isn't a millimeter of space between them, yet he seems to be a mile away from Anna despite having an arm around her.
(And none of this is even touching on Georgia using the theme song from Friends in the Insta story for the group pic, which she had to know we would all notice...)
So yes, a lot of thoughts on the group pic, but overall delighted to see Michael and David looking so happy next to each other. Especially Michael, in stark contrast to how he looked in some of the other pictures.
Speaking of which...I briefly talked about Michael and AL at the BAFTAs yesterday here and here, so I will try not to repeat myself too much in this part of my answer. But what I think we are seeing is two things: Anna's fantasy of what she thinks her and Michael's relationship is, and the reality of what we saw at the BAFTAs.
I think in AL's mind, she and Michael were like Georgia and David. But if we are going to say that Georgia and David were very loving and sweet together on the red carpet yesterday--which they absolutely were, with the kiss they shared and David comforting Georgia when she was experiencing anxiety--then there is no way you can look at the pictures of Michael and Anna and see the same thing. Even without bringing GT/DT into it, there is a massive, marked difference between pictures of Michael with AL vs. pictures of him with literally anyone else (such as this pic with Hannah Waddingham).
Looking at Anna's pictures that she posted, every one of them seems to be about ownership, right down to the Insta story with the #mine hashtag (which again seems to be her copying Georgia, also on the night of an award ceremony). The vibe that I got was of a teenager who'd won a date with her favorite celebrity and took him to the prom. Ultimately, though, she looked out of place, and he looked uncomfortable with her, both of which are a remarkable feat after five years of a relationship.
The pictures also repeated themes we've seen before (AL has previously posted a picture of her kissing Michael's cheek where he looks equally withdrawn; the photo in the car on the way to the event is a copy of pictures Georgia has posted of her and David in the car on the way to events) and speak to that idea of pushing a certain narrative, despite neither one of them appearing to sell it very well.
To that end, and to your comments @lepqueen and @turquoisedata, I would agree with you that it looks like AL is trying to mark her territory. The problem is that Michael had more chemistry just talking with David in that opening BAFTAs sketch than he did with Anna the entire night, and she was frequently left looking like she had no idea what she was doing or why she was there. Another example of this is an Insta story she posted earlier today that again demonstrated her main interest in the relationship:
Tumblr media Tumblr media
What's particularly noteworthy is the follow up Insta story on the right, which I couldn't believe she actually posted. I think that if you are fine and happy with the narrative you've put out, you are not going to be bothered by or salty about a comment like that, and AL clearly was. And all of this then casts at least some doubt that the pictures she posted are really telling the whole story. Just a recap of what we do know about last night (and if I am forgetting anything, someone please let me know):
- Anna was the only principal member of the cast who was not in the Staged-themed opening sketch, despite being in all three seasons of the show. - Anna was not seated next to Michael during the in person part of the opening sketch, despite there being no reason the producers couldn't have put her next to him even as a seat filler. - Georgia brought her friend Daisy Aitkens as a +1 and sat with her instead of Anna, leaving us with the above picture of AL sitting alone and staring straight ahead while in the background of a Michael J. Fox picture (that she is acting like is a picture of her with him, instead of her photobombing a picture of MJF with his wife). - During the show, the camera repeatedly cut to Michael in the audience when there was no reason to do so, but did not show Anna on camera once.
So yes, I think that if last night at the BAFTAs was somehow AL's attempt to mark her territory/assert her place in the UK acting industry, it did not seem to go over well. I think David and Georgia's relationship and Michael and David's relationship emerged even stronger than before, and unfortunately AL and Michael's relationship did not and does not compare.
My apologies for rambling on, as I never intended for this to get so long. As I've said before, this is all just my opinion, and I know I could be completely wrong, so I'm glad as always to hear from my followers with your thoughts. Thanks for writing in! x
156 notes · View notes
gideonisms · 5 months
Text
There is a particular brand of autism in which by an almost unheard of stroke of good fortune a child will wind up in the exact circumstance that suits them best for 15-18 years in a row. The problem then arises that one's life does not end at 18. There are so many years after that to try and learn coping mechanisms as fast as possible or else your entire adult life crumbles for no reason that really makes sense to anyone else
254 notes · View notes
bumblingbabooshka · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy
Tumblr media
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
#amok time#T'Pring i s....T'Pring she....-puts my head through a wall-#PLEASE read under the cut for my rambling about T'Pring in amok time pleasepleaseplease#tired of 'T'Pring is evil/a bitch' and VERY uninterested in 'T'Pring is a girlboss'#T'Pring is a person in a society which doesn't think she has the right to make her own choices who's in [love] with a man who [loves] her#back in what I'd like to think is implied to be a slightly subversive way in its mutual and fervent nature (whether the writers thought#this was a good or bad thing - who knows. We know better RIGHT??)#and yes I will stylize T'Pring's hair differently every single time I draw it HEHEHE#star trek tos#Spock#T'Pring#also of COURSE something something spock/kirk & stonn/t'pring parallels: To keep your beloved safe you have to force someone else to kill#theirs - not BC you hate him (you don't) but you don't love him either and why does HE get to have you even if you don't want him?? Why doe#he get to 'give' you to the person YOU chose?? It's not a hatred on a person level (which I wanted to portray with the 'brothers') portion#but a sort of societal embodying.#I will think about T'Pring not wanting to be 'the consort of a legend' every damn day !!!#They really could have laid it on thick in making her evil guys...T'Pau even makes a comment about Spock's 'vulcan blood is thin'#but all T'Pring says is that Spock is a legend and she doesn't want that for her life. She wants Stonn.#And you're gonna sit there and you're gonna tell her that she's wrong!??? Spock doesn't even want to be with her!! Why is she so hated!?#CAN WE FREE MY GIRL??? She did all that but it's being read in the worst faith possible!!#comix#bea art tag#star trek art#She literally says the word 'FREE'...she's TRAPPED!!!
241 notes · View notes
zellk · 1 month
Text
Tumblr media Tumblr media
Forgot to share here.... old doodles of when I finally came around to finding a design I like for Qalaari's mom !!
#it's so fucking funny to me that i inadvertently gave her a variant of the “mom about to die” haircut because... well...#surprise... she did die when Qalaa was young (12) :'^)#Qalaa (now between 20 and 22) still hasn't gotten over it#her mom had really weak health and really shouldn't have had a child but she made her choice#it turned out to be not the best one for her health LMAO#who wouldve thunk#but hey she wanted it and i'm pretty sure she doesn't regret it#but well... Qalaa does feel like she was a participant in her mom's death#(the other participant being her biological father who ran away before she was born and shattered aamira's heart)#ANYWAYS#i love qalaa's messed up familly#it's like a regular messed up story where actually no one (and everyone) is to blame (except Qalaa lmao she asked for NOTHING)#Aaamira gave so so much love to her child ;;;;;; this built the unbreakable core of Qalaa's kindness#aamira#aamira croquelune#aamira molandine#croquelune#still thinking about making that potentiel small DnD 'lore addon' of Qalaa's village that you can take and plug in your very own campaign#as long as you have 'far from civilization' woods or mountains you can put them in there#a village that welcomes the 'monsters' and the cast out#(like aamira)#look at me rambling in the tags lmao i just love qalaari (& her background) so much#last thing tho : you have to understand that Aamira is small and very slight and Qalaari was a HUGE baby and is a really big girl overall
104 notes · View notes
y-rhywbeth2 · 2 months
Text
It's a little bit fucked up that Bhaal had Durge kill every connection they made with their own hands - foster family, and paladin Drge (and presumably other classes with their own equivalents to) slaughtering their paladin order, and whatever those repeat incidents where they broke their oath was - and forced them to become his vessel.
And then, on the non-Chosen path, Durge is torn away from their family and forced to kill everybody they knew and possibly cared about with their own hands.
Sure, objectively the latter is different: the first case was them being moulded into the puppet of a god, and the second leaves them with a blank slate and the ability to be a better person and determine their own path in life. We think. Yes, I'm glaring at you, Withers.
But does it feel that way for them?
And there's as much blood on their hands as that on the corpses they've left on the ground. Orin and Gortash's crimes were also their crimes. Orin is no different to Durge, she had no choice in her life, she just never got the chance to ever be different. Durge shouldn't be different, Jergal just decided to step in and "make it all better" - and where was this divine intervention decades ago, before a "little Urge" hadn't yet torn apart a family in their own home, or before they came anywhere close to inflicting the Absolute on the world? Why does it come when it's too fucking late.
The main plot was their plan! They are the main villain of this story, they just wandered onto the wrong side of the conflict! By accident! In this little narrative of heroes and villains, bar a single accident, Durge would be left rotting on the floor next to their little sister and the tyrant they admired. It's not like this is necessarily a redemption arc either! Durge can still be an absolute monster! Also how the fuck do you even start to atone for all the horrors they committed? Does saving x amount of people really do anything to alleviate the harm they've already done? How much culpability do you assign to somebody who only has the pretence of autonomy?
There are other ways to interpret Durge and how they experience their redemption/"redemption" arc, of course, but if I were them I'd want to nap for a week after the final battle. Or a month. Maybe a few years...
95 notes · View notes
clonememesfrikyeah · 12 days
Text
Everyone need to stop being so judgy about how bitchy Alpha-17 is, he’s just never gotten to experience the love and joy of having an entire strawberry cheesecake with whipped cream to himself. You’d want to blow up thousands of your unborn siblings intending to spare them from the even crueler hands of the enemy compared the brutality of your creators too if you’ve never had an ounce of sugar in your life, lay off my man.
52 notes · View notes
yellowsubiesdance · 3 months
Text
i think i’ve learned a lot when it comes to not applying my own values to the media i consume
for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.
and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.
all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.
HE IS NOT A GOOD PERSON.
if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.
you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.
#hazbin hotel spoilers#that’s not even touching on the fact that husk was an overlord too#he also owned souls that he used as currency to supply his gambling addiction#he’s also not a good person!!#the majority of these characters are in hell for a reason: they’re not good people#i quite frankly love the way this show blurs the lines between good and evil#our heroes are sinners and overlords and demons. while the enemies are angels. but that doesn’t mean our heroes are good people.#you HAAAVE to come to terms with that!! you have to stop seeing the world in black and white or you’re not going to survive this world#if you’re upset because alastor was cruel to husk fine! be upset! but explore why you’re taking yourself out of that world.#in this world sinners own other people. there’s no ifs ands or buts#‘oh alastor is a poc why would he own people’ he was a serial killer when he was alive do you really think you can apply your values to that#(and this is me speaking as a poc. specifically a mixed race poc.)#i cannot speak to who vivzie is as a person. but i’m interested in the message she’s writing and thus far i’m finding it compelling#it’s a similar story as the good place but it’s going the distance to explore even worse people than those in the good place#i don’t think it’s responsible to write something off just because unsavory things happen in it.#and she’s giving us so many different types of representation that don’t involve race (although we’re also getting a lot of hispanic rep)#just like cool your jets and maybe process some of the anger you’re feeling. and maybe nothing will change.#but if you act. instead of react. if you understand why you’re feeling some type of way and then make a choice.#that’s so much stronger and more responsible than reacting and not thinking anything through#hazbin hotel#alastor#husk#hazbin alastor#hazbin husk#anyway let me get off my soapbox#long post
101 notes · View notes
guinevereslancelot · 2 years
Text
babe would you still love me if we were superheroes and you were in danger and i went absolutely bonkers and crossed every moral boundary imaginable to protect you at literally any cost?
672 notes · View notes
possamble · 14 days
Note
What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
Tumblr media
She was as excited for Marcille's milestones as Donato was.
Tumblr media
She didn't tell Marcille much about elven food
Tumblr media
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
Tumblr media Tumblr media Tumblr media
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Tumblr media Tumblr media
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
Tumblr media
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
Tumblr media Tumblr media
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
37 notes · View notes
Text
so in season 2 we got "i'm not taking you to hell, angel" "why not?" "i don't think you'd like it" imagine if in season 3 we get "i'm not taking you to heaven, crowley" "why not?" "i don't think you'd like it"
144 notes · View notes
ingravinoveritas · 4 months
Note
Tumblr media
Oh, boy. Well, I've had a few people show this to me today, and again, it's...yeah. A lot.
The first thing that caught my notice is that this picture seems to be from the outing Michael and AL did with Georgia and David last weekend at Lapland UK (if the matching Christmas sweaters and Michael's furry hat are any indication, at least). Why a picture from then was posted today instead of a current one, I'm not sure, but I did think that was an interesting choice.
The second thing that came to mind is something I probably don't even need to say because it seems like others are noticing it, to where I saw folks on Twitter actually commenting, "Why does he look so tired and unhappy?" It sort of boggles my mind that Anna would post a picture where this is so visibly the case, but then it's also not surprising, because it seems like yet another instance of her making sure that her hair/makeup is on point while seemingly not caring whether Michael looks good in the picture. And again, the "husky" comment would hit a lot differently if it weren't for Anna's Insta story from a month ago comparing him to a dog. As it is, it feels like another passive-aggressive jab at Michael's appearance, which as we know by now is something AL has done many times over.
But what really struck me about this picture is that she posted it shortly after Georgia posted a Christmas Eve photo of her and David. When we look at that picture--as well as the picture of Michael and David that was also taken at Lapland last weekend--the difference is stark:
Tumblr media Tumblr media
All I can say is that two of these three pictures look and feel like couples...and one of them distinctly doesn't.
David's expression is so soft in the picture with Georgia, he's leaning in to her, and you can feel the connection between them and that they are a combined "unit." Michael is utterly beaming in the picture with David and leaning in to him with his whole body. Yet in the picture with Anna, it's very much a case of them standing near each other but not at all being in the same place. It also almost looks as if Michael was doing something else and she insisted on a selfie, and this was the end result. Again, if we contrast all of that to the selfie Georgia took with David, the difference truly is night and day. I don't know what that may mean (if it means anything at all), but I'm genuinely baffled at AL's decision to post that picture.
The one other intriguing piece of all this is Georgia's comment, which we can see in the screenshot above. I've had a few folks DMing me saying they think it could be an indication of some sort of poly arrangement (that "better halves" means Georgia is referring to AL as her better half, and referring to Michael as David's better half). Whether this is remotely true is something only the four of them would know, but if nothing else, I do think the wording is just ambiguous enough to make one wonder.
So yes, those are my thoughts on this new picture. Happy for folks to weigh in and share their reactions in the comments, as always, and I will keep doing my best to get through the backlog of Asks still in my inbox...
58 notes · View notes
boypussydilf · 7 months
Text
okay, so casper and nova, right? the casper and nova game is one big metaphor for simon and betty’s relationship. and the last thing we see in it is: nova tries to sacrifice herself so casper can get what he wants, and the choices are to either go with that, or nova lives but casper forgets her. and it’s obviously meant to parallel simon and betty’s situation in come along with me after they get swallowed by golb: either betty can sacrifice herself to keep simon safe, or she doesn’t but he goes back to being ice king. (um, that is, assuming that she was correct to think they might revert to the forms they had before getting digested after exiting golb. which is not something we have any actual evidence for. it was just a possibility that occurred to her and a risk she wasn’t willing to take.)
UM. EVERY PART OF THAT WAS BECAUSE OF DECISIONS BETTY MADE INDEPENDENTLY?
betty decides to jump through the portal when simon is trying to say goodbye to her, betty decides to fix the crown and then try to find a way to cure him even after he’s told her he’d rather die than be ice king again, betty decides to fucking summon golb, betty decides to push simon out of golb before he can react at all just in case the crown goes back to its former state once it leaves and just in case there’s no way to get rid of golb without its wish magic.
IT WAS BETTYS CHOICES IT WAS BETTYS CHOICES IT WAS ALL BETTYS OWN CHOICES THAT SHE MADE IT WAS BETTY BETTY WAS THE REASON THEY WERE IN THAT SITUATION
#its so so insulting in general to compare them to. a game w a limited amount of choices#and its so insulting to betty to act like… what?#she wouldn’t have made all these choices if *simon* had just ‘considered her more’?#that she simply is completely incapable of controlling herself when simon is involved?#that she doesn’t hold responsibility for the choices she made?#this um. isnt really on simon at all to be honest#what we have are boatloads of examples of simon asking betty to make a different choice and her doing what she wants to do anyway!#‘come take credit for finding the enchiridion with me’ ‘no this is your achievement’ ‘but i couldnt have done it without you’ ‘no ❤️’#‘i can’t be the ice king again i’d rather be dead’ ‘no i WILL do this’#in the bus/confession scene simon is just PARROTING HER OWN WORDS BACK TO HER#she said she wanted to BE BY HIS SIDE so he repeated that to her#assuming it was what SHE wanted because she SAID IT WAS WHAT SHE WANTED.#im gonna blow up. betty im so sorry you got treated like you werent responsible for any of ur own choices#betty im so sorry you got treated like simon should have just ignored the things you were saying you wanted#she got treated like she had no autonomy as if the girl hasnt been doing nothing but Making Choices since day 1#CASPER AND NOVA IS NOT COMPARABLE SORRRYYYYYYYYYY. THATS NOT WHAT THEIR FUCKINTG LIVES WERE LIKEEEEE WHATTTTTTTT#basilposting#atposting#fionna and cake spoilers
75 notes · View notes
Text
Actually the implications of John also being bisexual are so fucking tasty to me because like. OG John has no support system and no protection against the world except his own perceived strength so he learns to ferret out anything that can possibly be seen as weakness to those around him and that includes any affection or attraction he might feel towards men because nothing screams "stay in your fucking closet" like spending all your time around a fringe subculture of serial killing doomsday preppers in the Midwest during the Reagan era.
By the time he notices Dean starting to look a little too long at boys his age, he's probably convinced himself that whatever he felt (still feels but ignores) was a temporary youthful indiscretion, and of course Dean can't afford those, doesn't get to have those, he's got to be a soldier. He's got to be a better soldier than John, even.
I dunno I've just had enough conversations with family members who are loudly but somehow also mildly homophobic and yet say or do things that make me *eyeballs emoji* not to think this is not only possible but arguably likely.
#supernatural#the winchesters#spn#spnwin#john winchester#shifting my headcanon of john to the type of person who doesn't think of himself as homophobic if he ever things about it at all#and would even probably try to stop a hate crime if he saw one happening right in front of him#(or likes to think he would)#but also views his own queer desire--and thus that of others--with suspicion and contempt#like something frivolous that he simply doesn't have the luxury to pursue as a Real Man in the Real World with Real Responsibilities#and when you live like that especially due to your own choices anything that seems like a luxury you view with a certain level of contempt#so he's like 'heh must be nice to have time for boyfriends' in the most condescending and degrading way imaginable#in the same way he probably treated sam's affinity for academia#in fact i'd argue a lot of what we see from dean with regards to the way he mocks sam for certain things is probably just echoes of john#and what's REALLY crazy-making is the way most of these things dean mocks sam for early on later prove to be things DEAN actually does enjo#dean likes to read and he loves chick flicks and he gets excited about tomatoes and enjoys dressing up nice#dean learned early on that certain things were not acceptable for a Real Man from john bullying him out of doing them#and he does the same to sam#and one of the things he consistently mocks sam for in the beginning is his perceived sexuality#and sure we could just chalk that up to stereotyping but EVEN THEN that jives with the idea that#john simply put his own queer desire in a box labeled 'weaknesses real men don't have' along with idk a love of reading and salads and bein#emotionally vulnerable and sincere with people you love#and then he told Dean 'this is the box of forbidden things'#and dean the ever-dutiful son learned his lesson well
21 notes · View notes
y-rhywbeth2 · 3 months
Text
Part of me looks at resist Durge and thinks "healing and happiness".
The other part of me looks at them and thinks "massive, bloody relapse". Maybe join a new horrible cult to fill the void left by Father.
I mean it's probably more of a journey wobbling between the two over the years and hopefully settling into "healing and happiness", but still.
51 notes · View notes