people who are obsessed with passing are gonna be the death of our community i swear

Why am I seeing people suddenly saying Good Omens s2 was actually badly written? It was a fun little journey into the lives of Crowley and Aziraphale with lower stakes than s1, it was a lot of fun and that’s what it was supposed to be, fun. Does the fact that the plot is simple and a little goofy means it’s badly written now? Why? Not every show has to be mind blowing high brow super deep and meaningful, sometimes they can just be silly. 

Hell, What We Do In The Shadows is 5 seasons of dumb vampires doing stupid stuff with no plot whatsoever and it’s one of my all time favourite shows, sometimes we can have just that and it’s ok!

“they are very annoying and irritating” are you familiar with the concept of fun and being entertained by drama

the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.

being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.

it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.

so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.

"It's normal for siblings to fight" Okay well it's not normal to be extremely classist and look down on your sister for being non-conforming. Or to go to the woman who ordered the death of your pet to tell her about your father's plans, when he specifically warned you against doing so, because you want to marry the boy you saw attack your sister and her friend (contributing partially to said father's death and your sister being unable to escape on the ship he chartered). Or to think of your sibling as unsatisfactory in comparison to another when you believe her to be dead. I notice that none of the "Sansa and Arya are going to reunite and instantly have no issues" crowd ever acknowledge any of this, which makes it seem like they don't actually believe what they say about their relationship being normal and easily reconciled. People wanting them to have no issues simply because they're siblings is another example of how fandom likes to flatten complex characters and relationships. They get reduced to being bickering siblings when their conflict runs deeper than that. If the author is telling you that they have "deep issues" to work out [X], I don't understand being so adamant about ignoring said issues. I also get the sense it's about ignoring the capacity for a certain character to be flawed, but that isn't going to change the fact that her "slip of the tongue" is very likely to be revealed and a source of further conflict 🤷🏾‍♀️

I have so much brainrot about Medic's wife, specifically the design from the comic doodles that Makani drew, I'm so ready to draw a whole comic about her, man I love hallucinating.

Well would you look at this. 😵‍💫 Because obviously if you dare say anything as wild and controversial as “lesbians don’t like men, please stop using a label that hurts us and tries to force men into our identity” you’re a raging terf radfem transmisogynist. Because obviously ONLY trans women use the bi lesbian label and it’s not like there are transfem lesbians who are rightfully against the label as well or anything and it’s not like terfs use the label to refer to cis lesbians who date trans women and why can’t you just let people identify as how they want of course lesbians like men stop the infighting already if you disagree with me that lesbians can like men then surely that’s because you’re an exclusionist gatekeeper who hates trans women.

Based on the incredibly funny comments on my one Sebastian Vael post, the data is thus.

like we are on our nine billionth positivity post for cis men with beards and masculine trans men and feminine lesbians and bi people in m/f relationships and nb people who are comfortable passing as their agab etc.... do we need more? is straight people not being able to tell you're gay/trans really the biggest issue facing lgbt people right now?

there seems to be this undiminishable reservoir of care and sympathy for the very idea of having ur queerness slighted in any context. meanwhile people who never get the choice whether or not to hide it are routinely dehumanised, othered, and ignored. if the issues facing these groups do get discussed it's almost never with much concern for their feelings. invalidation and erasure may be one of the issues facing lgbt people and it deserves attention too but I really don't think you can claim at this point that it isn't getting its fair share already.

for what it's worth, even your hypothetical most flaming butch lesbian/fem gay man/androgynous nb person etc still meets people who assume they're cishet, who even actively refuse to acknowledge that they're not. the false equivalence between erasure and overt prejudice alleged exclusively by those who largely experience only the former is in fact erasing the reality of people who experience both

umineko project / witch hunt / steam release translations of the red text at the end of episode 4

y'all moved on but i literally still can't believe this is real life. what the fuck. spread ur wings, mr schnapp... sniffling, crying, weeping bc i am so full of Joy... not 2 be corny but it's always a lovely thing when someone steps into the light n lives their truth... when they feel safe and loved enough by those in their life that they feel they can and genuinely want to share this part of themselves with the world... mr schnapp who has played will byers for such a big part of his life and explored his own self and come to terms with who he is at the same time that will has... will, who means so much to so many and has such a realistic journey that we seldom get to see, especially in such mainstream media, literally the biggest show in the world... just so moved that he went from being scared in the closet to feeling so loved and at peace that he would share this part of himself with the world in such a silly, light-hearted, and entirely noah way, always so true to himself and full of light... i just. 🥺 a lot of feelings are being felt rn. good for him!! GOOD FOR HIM!!!!! 💗🏳️‍🌈🫂

Aromantics and asexuals, you don't need to compensate for your "lack" of certain relationships to be worthy. Amatonormativity tells us that the only "valid" reasons to stay single or celibate are for very narrow reasons - like career or education ambitions, for instance - but the truth is, you don't have to have any reason. You quite literally don't need a "valid" excuse, there's no test you have to pass.

Amatonormativity sucks, yes, but it doesn't mean anything over your freedom to exist how you are, without qualifying yourself and burying who you are.

hi guys another hot take on tgcf right out of the oven:

the story is officially Insane. Crazy. I get that some people are crazy in love, some people are crazy vengeful, etc etc, but almost all of the things that make people what they are (except for maybe xie lian and bwx) are handwaved away.

why does hua cheng have his luck?? how did sqx ascend as the god of wind (wine??)? why is fafa always in red? how did hua cheng not dissipate into butterflies the second he saw xie lian again? on that note, WHY BUTTERFLIES?? why can hua cheng eat xie lian’s cooking? why’s his cooking so bad? WHY IS XIE LIAN’S HAIR HALF OPEN LIVING ON THE DAMN STREETS??? why does he have a ******** kink??

I have no idea how any of those came about. These are pretty big motifs for all of them, yet all you can say is that,,, they’re there and they fit. that’s it

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

got diagnosed with ADHD officially boiz!

IT'S OFFICIAL!

5C