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fallynleaf · 8 months

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I'm trying to get my wrestling journal caught up, and am succeeding with mixed results. I wrote over 10k words on stuff from July alone, 4k of which were just about AEW Blood & Guts on July 19 (the Golden Lovers' first match back together since 2018). I've been toying with the thought of publishing that piece somewhere where people might actually read it, so I thought why not post it here?

(The usual disclaimer on my journal applies: please don't reprint any of these translations, as they're pretty rough and I haven't gotten them looked over by anyone.)

Kenny Omega & Kota Ibushi & “Hangman” Adam Page & Matt Jackson & Nick Jackson vs Konosuke Takeshita & Jon Moxley & Claudio Castagnoli & Wheeler Yuta & Pac

July 19

I’m at a loss of words to describe this match. Unfortunately, I’m at a loss of images, too. There is nothing I can put in this space that’ll do proper justice to the emotions I felt watching this. But I’ll try.

I don’t think Blood & Guts was the right match format for this story. There are simply too many moving pieces, too many distractions, too much for the cameras to keep up with. But pro wrestling teaches us to see things not as they are, but as they feel, so I will talk about how this match felt.

The feud between The Elite and the Blackpool Combat Club started a long time ago. So long ago that I can’t even pin down an exact start date in my memory. I suppose in some way, it started in the closing moments of the very first AEW show, when Mox made his surprise debut and breathed in his first taste of freedom, stained with Kenny’s blood.

Kenny vs Mox is such old history for AEW, it’s practically primordial. It’s in the company’s DNA.

Like many great wrestling feuds, there’s an ideological disagreement at the heart of this one, a disagreement concerning the fundamental nature of professional wrestling. More than anything, though, it’s about love.

Bryan Danielson said as much in the promo he cut on April 5 after the Blackpool Combat Club attacked Hangman on Dynamite. Interestingly, in this promo, Bryan seems to draw an equivalence between love and true professional wrestling. He treats them as one and the same. He talks about loving Mox, Claudio, and Yuta, whom he goes on to describe as “professionals” in contrast to the Elite, who are “amateurs”, and who don’t have love, or even understand the concept of it.

To Hangman, he says: “And I love these men! I love these men! Do you know what? You don’t have anybody who loves you. Is anybody coming out from the back? No! Not a damn person! ‘Cause nobody loves this man! In fact, they don’t even know what love is! But I know what love is. In fact, when I’ve been at home, I’ve been teaching my kids a few things. A few things about how to fix up your house. And I think the house that is AEW needs to be fixed up. From all these amateurs.”

The house metaphor immediately caught my attention. It reminded me of an extended metaphor that Hangman employed in his monologue from episode 204 of Being The Elite, which was released on May 18, 2020, and which to this day remains one of the few pieces of art about the pandemic that I can actually tolerate. In his metaphor, he compares AEW to a house, and The Elite are both in the house and they are the house.

In Hangman’s own words: “I nearly won the prestigious ‘Man of the House’ award in May. I’d teamed up with our broom to clean the house better than anyone had ever swept it before. And I feel like I might have been starting to… patch up the holes of the walls of the house. The walls that made the house what it was in the first place.”

The Man of the House award is his failed attempt to become AEW World Champion in May 2019. Teaming up with the broom refers to his tag team with Kenny and their 6-star tag title match with the Young Bucks, which was considered by many people to be the best tag match in history. And the Elite are the walls. He’s talking about the slow, tentative process of repairing his relationship with the faction that quite literally made AEW.

I suppose in a very literal sense, The Elite are in AEW and also are AEW, in the sense that they’re the “Elite” in “All Elite Wrestling”. Hangman’s mixed metaphor is only as messy as reality.

The “AEW as a house” metaphor came up again two years later, on May 25, 2022, in a now infamous promo segment building up to Hangman vs CM Punk at Double or Nothing, where, with just two words, Hangman unknowingly set off a chain of events that would end up almost tearing the entire company apart, though no one realized it at the time.

He tells Punk: “You talk a big game about workers rights, yeah? Well, you’ve shown the exact opposite since you’ve gotten here. I love this place! I care about this place! This is my home! And this Sunday at Double or Nothing, I will not, I will not be defending this championship against you. No, for the first time in my life, I will be defending All Elite Wrestling from you.”

And Punk tells him: “Win, lose, or draw, I respect you, Hangman. But remember, those roads you traveled to get here? They were paved by me. This house that you built? It was constructed with lumber from trees that I chopped down. The world you traveled to get here, to create All Elite Wrestling, happened because I gave you the blueprint.”

Hangman fails to defend the championship against Punk. And in the months that follow, he fails to defend All Elite Wrestling from Punk, too. The philosophical divide was so true to reality and so exquisitely foreshadowed that it caused me to initially assume that the rumored backstage altercation between Punk and The Elite was part of an intricate work that connected back to this very promo. I was more right than I knew, but I didn’t know that the reason for the connection was not because it was a well-planned story, but because the conflict at the center of the story was real.

AEW is the house that Hangman built, and Punk says that it was made with lumber from trees that he chopped down. In saying so, he takes credit for The Elite’s work and implies that without them, he could simply fill the space left by their absence on his own.

But can he? Can anyone? Can there be an All Elite Wrestling without The Elite, or would the whole building crumble without its walls? For a few months in late 2022, we got to experience AEW without The Elite. It was not a particularly encouraging time for the company.

Which brings us here, to 2023. Bryan Danielson says that the house that is AEW needs to be fixed up. He doesn’t think the Elite can compare to the Blackpool Combat Club, not in terms of love or in terms of pro wrestling.

I’ll admit, when Bryan said that The Elite don’t even know what love is, I laughed. Kenny Omega has centered his entire wrestling career around love, to the point where “A Wrestling Love Story” is in the title of his documentary. I once heard someone sum him up by saying “in pro wrestling, you can choose to be whatever you want to be, and Kenny Omega chose to be in love.”

Before he beat Kazuchika Okada to win the IWGP Heavyweight Championship in 2018 in what is widely considered to be the best match of his career, Kenny said: “I’m not saying that I’m arriving to this arena with a bunch of new moves, but I am saying that this version of Kenny Omega might be the most prepared. And a big part of that is because I’ve let someone back into my life that I cared about, that I loved, and that together with that power, we can’t lose.”

He says basically the same thing outside of kayfabe as well. In his documentary, he credits Kota’s support as being essential for preparing him physically and emotionally so that he’d be ready to pour his heart out in a match that he knew was going to last over an hour. Many of the hard lessons that his character had to learn about the pain of isolation and loneliness, and the redemptive power of love, are things that Kenny himself had struggled with.

In 2018, Kenny once gestured to Chuck Taylor and Trent Beretta, the Best Friends, and said “This is what friendship looks like.” Then he put his arm around Kota and said, “And this is what love looks like.” This is a man who knows what love is. He knows the pain of love as keenly as he knows the triumph and the sweetness of it.

In a way, I think of Kota not coming with Kenny to AEW as sort of the original heartbreak. It’s there in the background subtext of the entire major arc of AEW’s first chapter. It’s an unhealed wound that only leads to more hurt as time goes on.

Which brings us to Blood & Guts. The Blackpool Combat Club and The Elite are both lacking a 5th member for the match. The BCC has Jon Moxley, Claudio Castagnoli, and Wheeler Yuta, but not Bryan Danielson (who is out with an injury). Their fourth member is Konosuke Takeshita, who is fighting with a single-minded purpose, which is to surpass Kenny Omega. Their fifth member later turns out to be Pac, who has no real immediate story reason to be there, besides past grudges. The enemy of my enemy is my friend, and all that.

The Elite has Kenny Omega, Hangman Adam Page, and Matt and Nick Jackson. I can’t recall the precise moment I knew that Kota Ibushi would be their fifth member, but it was before the Blood & Guts match was even announced.

The moment I knew for sure, though, was when I saw this clip, which was filmed after Dynamite on July 5. Speaking to the crowd, Kenny says that during the week when his whereabouts were unknown, he didn’t stay home, and he didn’t go to Canada. “But where I went was for a good old friend, someone who is very near and dear to my heart.” He smiles when he says that last part, and his smile alone is a dead giveaway.

If there was any remaining doubt, this article by Michael Nakazawa on the DDT site cleared it up for me. The article sums up Konosuke Takeshita’s AEW story, which of course I know very well, but I wanted to see Nak’s take on it. This part was another giveaway that Kota Ibushi was going to be the 5th person on The Elite’s side: "そして竹下が抜け一人欠けたジ・エリート側には誰が入るのか？DDTファンにとっては竹下とケニーという顔合わせは見逃せないものになるだろう。(ここで多く触れるつもりはないがジ・エリート側の伏せられたメンバーとの顔合わせも見逃せないものになるだろう。) " (“And with Takeshita out, The Elite are down a member. Who will fill in on their side? DDT fans won’t want to miss the face-off between Takeshita and Kenny. (I’m not going to touch on it too much, but I’m sure that the confrontation with the unknown member of The Elite is also something not to be missed.”)

On July 12, the week before Blood & Guts, they reveal the 5th member of the Elite’s team. The Blackpool Combat Club has Kenny at their mercy, a chair around his neck. Mox offers him the microphone so that he can say his last words. Kenny says, “We still have a fifth member, too.” He’s laughing, even though he struggles to breathe. “Check the screen. Check the screen, you bitch.” The look on his face is absolutely serene.

The arena goes dark. Kota’s new music plays, though the crowd doesn’t recognize it. But everyone cheers when he shows up onscreen. I’d been wondering if a Canadian crowd would be more familiar with Kota Ibushi than an American one, since I’ve heard that the TV station that AEW airs on frequently plays Kenny’s documentary, so many regular AEW watchers in Canada likely have seen it. This crowd certainly knows who he is.

At the end of the video, The Elite is now listed as the Golden Elite instead.

The lights turn back on. The Young Bucks and Hangman are here now, ready to save Kenny. As the Blackpool Combat Club clears out of the ring, Kenny picks up the mic. He says, “We might be one man down, but we’re never out. Next week, Blood & Guts, we’re gonna show you guys it’s more than about fighting, it’s more than about your kill-jitsu; this is about more than that. Heart, passion, soul, friendship, love.” He smiles as he says love, his voice almost breaking.

He knows they’ve already won. Kota Ibushi is coming, and it’s all going to be okay.

After the reveal, Kota tweeted about it (he also posted it in English). That “AEW見ていたよ、ずっとね” (“I’ve been watching AEW, this whole time”) line in particular, I am overcome. I don’t even know how to put into words what it felt like to read that. Golden Lovers fans have been waiting four long years for Kota Ibushi to make an AEW appearance.

I don’t think any of us expected it would be anything like this.

Kota arrived in the US a few days before the match. He tweeted a photo of him and Kenny and Nak at Kenny’s house, which still feels utterly surreal to me.

And here at last we’ve reached the match.

I’m going to preface this by saying that AEW did a spectacularly bad job with the production on this match, which isn’t exactly unusual for them, but I’m less forgiving with this one. I think every single time the Golden Lovers started interacting, the camera basically immediately cut away. It’s hard to interpret it as intentional malice, considering how bad their usual production is, but it was jarring how little the production team seemed to understand what people actually wanted to see here.

The photos on the official website are also an incredibly poor selection (Kota and Takeshita aren’t in a single one of them), which seems to be a theme with every Blood & Guts show. And because AEW bans fan photography, if Scott Lesh isn’t there, and the official photographers drop the ball, we’re basically entirely out of luck. I got desperate enough, I actually attempted the bold and unprecedented strategy of just asking AEW for access to more photos. I couldn’t get them retroactively, unfortunately, but I should have more photos for shows going forward.

The whole thing made me extra appreciative of the work of Japanese fan photographers, who are so good at not only capturing vivid and dynamic photographs of moves, but who also capture the quieter moments, like exchanges between wrestlers at the corner. A lot of pro wrestling lives in those quiet moments, not in the bloody violence or flashy athleticism.

I think fundamentally that’s where me and this match were at odds. I was watching for the quiet moments, and what AEW thought they were delivering to viewers was the blood and violence.

In the end, the Golden Lovers were only one of like a dozen things that were going on in this match. So ultimately, it wasn’t really about them. I’m more at peace with that fact now at the time of writing, over a month after the match, than I was when I watched the match live. I think when you’ve waited so long for something that means so much to you, it’s almost impossible not to be disappointed when you finally get that thing, because it’s competing with all of the versions of it that played out in your head.

Kenny entered first for their team, and Kota entered last. The two of them were the bookends for the Golden Elite, the beginning and the end, containing the entirety of the faction between them. Kenny wore fully Kota Ibushi themed gear, so the two of them matched. The Young Bucks and Hangman had their own set of matching gear, which was white and purple in contrast to the Golden Lovers’ white and blue (I’m sure this divide won’t become important later).

Leading up to this match, the Blackpool Combat Club had repeatedly had The Elite’s number. They’d beaten them up more times than I can count, had mutilated them with screwdrivers, and had dragged Kenny through the hell of Don Callis’s and Takeshita’s betrayal.

But now The Elite had their secret weapon. They were finally whole again.

From the second act onward, as soon as Kota Ibushi, the final member, made his entrance, the story of the match was that the Golden Elite needed him to save them. Whenever things started going too badly for them, he’d come in and change the course of the match so that it was in their favor. Every time.

I think my favorite spot in the match involved this horrific bed of nails which turned out to actually be a bed of screwdrivers. Very thematically apt. Mox was laid out on it, and Kota approached him, and I knew immediately what he was about to do, yet still gasped when he actually did it. He did his trademark standing moonsault, his knees impacting directly with Mox’s chest, driving Mox’s body deeper into the screwdriver heads.

The Golden Lovers reunited over Mox’s prone body. They reached for each other in relief, and I looked to see their expressions, my heart pounding, and the camera had already cut away from them.

Some other things I remember: Matt Jackson poured a sack of thumbtacks down from the roof of the cage into the ring, and Pac stomped Nick Jackson through a table in a dramatic spot that looked far better in the replays than it had in the original shot. Mox brought the wild violence probably more than anyone else in the match.

I wish we’d gotten a little more with Takeshita and Kota, as it was their first time sharing a ring together in many years. But this match wasn’t really about that, either.

In the final minutes of the match, Pac and Claudio get into an argument, then Pac cuts his losses and bails. Don Callis pulls Takeshita out shortly after, realizing that their side is almost definitely losing. The match has now become a 5-on-3.

The Golden Elite unleash everything they have left onto poor Wheeler Yuta. Then they hoist him up with the chain around his neck, and he starts to pass out. The referee calls for the bell. I didn’t realize exactly what had happened at first, because the production failed to show it, but it was actually Mox who had ended the match. He surrendered to save Yuta.

Someone summed up the story very succinctly in a discord screenshot from somewhere. A person with the display name “V….” said: “So in the end the story is that despite how much conflict the Elite have had over the years when the time came, they were the ultimate cohesive unit and the BCC, despite how much they crow about being professionals and loving each other, had to rely on mercenaries that coincidentally had grudges against the Elite that bailed because they didn’t have as much skin in the game and in the end Moxley, a man who tries to portray himself as nothing but violent and merciless, had to surrender to save his protege in practically a perfect mirror of him submitting to Hangman at Revolution.”

For once, I actually found myself in near perfect agreement with what seems to be the IWC’s general consensus of the story of that match. I really liked how my friend described it: “mox literally had to surrender to love in more ways than one”.

The end of the match ran up against the end of their TV timeslot, the enemy of televised wrestling in America, though we did get one final shot of the Golden Lovers together right as the show went off the air. The post-match stuff didn’t quite make it onto the show, but some fans captured video of it. Kenny spoke on the mic for a bit, and one of the things he said is that we’ll probably be seeing Kota in AEW again.

Kota was unfortunately at a pretty severe disadvantage this whole match for several reasons. This was only his third match since coming back from his 2021 injury, for one thing, and it was much more demanding than either of his GCW matches in March. It was also a match style he was not at all accustomed to, and it was his first time wrestling in AEW.

We found out in a tweet he made later that he hadn’t realized that his normal wrestling shoes wouldn’t be well-suited for the match, so the thumbtacks and glass pierced through his shoes and hurt him throughout the match. Reminds me a bit of the original Little Mermaid story, where every step the mermaid takes on land hurts…

He didn’t actually come in contact much with the thumbtacks during the match itself, besides the ones that made it through his shoes. The thumbtacks in the photo in the above tweet came into play after the match. When they went off the air, Kota intentionally threw himself onto the thumbtacks, just for fun. Kenny had a pretty funny reaction, haha. He looked at him like he knew he’d be the person picking every single one of those tacks out of Kota’s back later.

And sure enough, Being The Elite featured a clip of Kenny doing exactly that. They talk briefly in Japanese while Kenny’s taking the tacks out of Kota’s back. Here’s a transcription of the Japanese. I love how Kenny takes care of Kota before getting his own wounds tended to, despite his own back being in far worse shape.

Kota explained the reason why he jumped into the tacks in a reply to El Desperado (English translation) (Despy also recently took a totally unnecessary tack bump himself). Since it was Kota’s first time in AEW, he decided to take a bump onto the tacks in lieu of a greeting. I think he knew that he really had to do something memorable to leave a strong impression in the minds of all of the American fans who’d never seen him before, so this is what he chose to do. It did make me smile seeing the reactions from Japanese fans. As soon as that moment happened, a lot of Japanese fans on twitter were like, “yep, that’s him; Kota Ibushi is back”.

After the match, apparently all ten of the guys in it were visibly emotional that they’d gotten that chance to wrestle each other, and Matt Jackson had them all sign one of his shoes so that he had a memento to remember the occasion by.

In Kenny’s unaired post-match promo, he says, “I'm a lover, not a fighter. You guys don't know by now, I'm a lover, not a fighter. There's one thing I learned throughout this rivalry of ours. When push comes to shove, you guys are as tough as they come. You taught us what it means to not only be a professional wrestler, but to be a wrestler.” He says, “I'm willing to stick my hand out and shake yours if you guys wanna let bygones be bygones, because love you or freaking hate you, Moxley, love you or hate you, Claudio, love you or hate your ugly ass [to Wheeler Yuta], I respect each and every one of you.”

And that’s that. The end of the feud.

In an interview, Claudio said what they wanted to come across was that: “We lost that battle, but we won the war. Thanks to the Blackpool Combat Club, now The Elite is better than ever. We brought them to a place they’ve never been.”

In a way, the BCC did end up fixing up the house that is AEW. They patched up the walls by bringing the Golden Elite back together, thus repairing the original heartbreak that was what caused the cracks to form initially. The Golden Elite is the best version of The Elite. It is their truest form, shining with love.

https://www.instagram.com/p/CvC9uVHOHJZ/

https://twitter.com/JJWilliamsWON/status/1682966137187778560

#see my wrestling journal for most of my wrestling writing this year that is not my TJPW translations! (some of those are in there too)#hoping to get it caught up by the beginning of october but i'm not optimistic jkfdghdfg #i also want to be back on tumblr properly but i've been so busy lately... rip #golden lovers #wrassling #love and genuine feeling

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