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my-little-safe-corner · 2 months

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Am I the only one who sees the similarities here?

King Candy controls his citizens through their code, while Magnifico controls them through their wishes, in both cases the core of their existence, the essence of their hearts.

Both kingdoms look perfect on the surface, having names with good connotations (Sugar Rush and Rosas), but their kings, who seem benevolent at first, actually hide a dark secret.

Both kings are attention seekers that must feel loved and appreciated, which also leads to their downfall: King Candy, or rather his true identity, Turbo, felt ignored by the players when another racing game became more popular than his, invaded the new game, and caused both to get disconnected. Magnifico gets angry every time someone questions him, which makes him turn to dark magic.

King Candy tries to crush Vanellope's dream of racing so his secret won't be exposed if her true game state as a princess is restored by using the other racers to bully her and lying about her being a glitch, while Magnifico strives to silence Asha in order to keep his secret of hoarding the wishes and not intending to grant most of them by telling the citizens she's a traitor endangering the kingdom by destroying wishes, and offering a prize on turning her in.

Both girls get the help they need to overthrow the king from another world: Asha gets Star who crushes to the forest near the village she lives in, and Vanellope meets Ralph, who comes from another video game, and crushes his spaceship to the Candy Cane Forest. King Candy / Turbo, is also from another video game, while Magnifico claims he got his genes from outer space!

Both kings have loyal lackeys that are identified with the color green: Magnifico uses forbidden magic, which is green, to fulfill Simon's wish and get him to his side, while King Candy has Sour Bill, who is a green candy. Also, Magnifico rides white horses, and King Candy drives Vanellope's original race car, which is white.

The climax of both movies takes place on a high-altitude location, with both kings torturing the protagonists and their friends: In Wreck-it Ralph, it happens on Diet Cola Mountain, with King Candy trying to prevent Ralph from making the volcano erupt and forcing him to watch the Cybugs closing in on Vanellope, while in Wish it occurs on the palace's roof, with Magnifico blasting Asha with magic and sucking Star into his staff.

(And, unfortunately, both kings have fans who are sure they did nothing wrong because of their traumatic past, and that the girl is actually is the villain...)

#wreck it ralph #king candy #disney wish #king magnifico #wish analysis #wir analysis

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sparkling-nov · 2 months

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I’m majorly side-eyeing the fact that what we see of Magnifico’s castle staff is almost entirely made up of underage teenagers. I guess there could be more people we don’t see onscreen, but there’s definitely no indication that Asha or the 7 teens have any adult help or supervision regularly on hand. I get the strong sense this guy is taking people’s wishes and then opting for child labor so his personal staff still has their drive and talents.

🤯 o my god.....o my god..you are so right..NO CUZ LIKE THINK ABOUT IT, dahlia is 16 working as the Castle Chef she hasn't give her wish away yet (her wish is to be the greatest chef) Simon however is 18 he has given his wish away and it has Change him, According to one of the wish books simon use to be very Active Before he Turned 18 and give his wish to magnifico, He use to Horseback rida and Train Himself to be a knight but when simon Gave his wish to magnifico All of that stop, he doesn't horseback anymore, he doesn't train to be a knight anymore, he isn't active and he doesn't work for king magnifico either, and the movie supports all of too, BROOOOO YOU JUST OPEN MY THIRD EYE O MY GOD!!

#wish 2023 #disney wish #wish disney #king magnifico #princess asha #wish asha #wish movie #wish simon #wish analysis #wish dahlia #wish 7 teens #THINK ABOUT IT

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secretsofthestorymakers · 5 months

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Wish Analysis Pt. 3/3

I loved the use of color symbolism throughout the movie, with Magnifico starting as blue and gold and changing to green as he was corrupted. Lime green in Disney movies has traditionally been used to represent the villain, so I love the exaggerated use of it here. I’ve seen the phrase Every Villain Is Lime as E.V.I.L. and I feel like the visual artists really just went with that in Wish.

The use of When You Wish Upon A Star throughout the movie also got me. At several key points the background music was very similar to or exactly WYWUAS. Also, as my sister pointed out; in the after credits scene, Sabo is playing WYWUAS and his wish was to create something to inspire the next generation 🥹🥹

I’ve come up with a phrase to help with story analysis, that I don’t feel like explaining right now (maybe I will at some point, IDK), but part of it is the word “completed.” In stories, when a character says something definitive like “always” or “never” it almost always gets broken. My sister pointed out at the beginning when Amaya was referred to as Magnifico’s “loyal wife” that she would probably betray him, and sure enough. When Asha is talking about her wish to Dahlia and the others, she says it will not affect their lives in any way, and it very much does.

Ok, I think that’s all I’ve got for right now? I will probably do another post about Wish pretty soon when I feel like typing it all out haha. Thanks for reading if you made it this far, I’m so sorry this was so long 😂🤦‍♀️.

TL;DR: I loved everything about Wish. There were lots of references to other Disney movies, the songs followed the classic formula in many ways but also broke out of it in some ways, and there were various other beautiful things I appreciated throughout the movie!

#wish #Disney wish #wish analysis #Disney #Disney 100 #wish spoilers

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artist-issues · 5 months

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If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.

I’ll explain why, again: the message of Wish? Awful. Anti-Disney.

But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.

I'll explain.

Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."

≠

Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."

Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.

Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)

Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.

Trust in a higher power—COMBINED WITH:

—diligence to do what’s good.

The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.

Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?

Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.

Jeez, that’s the whole point of The Princess and the Frog!

Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.

It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.

But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?

Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.

More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.

Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.

How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?

Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.

How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?

Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.

Or Simba?

Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.

How about something more recent? Zootopia.

Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.

This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)

The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.

But Wish?

Not only is it bad at showing instead of telling. Not only is it lazy and soulless.

But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”

That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.

And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.

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fangirlneverlie · 1 year

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I love you people who over-analysis one scene, I love you people who look at small detail that people haven't noticed, I love you people who take characters and characteristics seriously, I love you people who noticed subtext, I love people who over analysis media or TV shows in general I LOVE YOU I LOVE YOU I LOVE YOU

#Analysis #media #TV shows #over the garden wall #Fangirlneverlie #television #puss in boots the last wish #dhmis tv show #sonic prime nine #the dragon prince #media analysis #I do the same it's so fun

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aroaceleovaldez · 7 months

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reminder that the only reason the "ADHD is actually demigod BATTLE STRATEGIES" and "dyslexia is DEMIGOD BRAINS HARDWIRED FOR ANCIENT GREEK" things exist in the PJO universe is because it's a very direct reference to early 2000s teaching/parenting techniques for neurodiverse and disabled children, which aimed to frame childrens' disabilities and hardships as a "superpower" or strength so that the children would feel more positively about their disabilities or situations. This technique has fallen out of favor since then for the most part since more often than not it just results in kids feeling as though their struggles are not being seen or taken seriously.

Yes, demigods are adhd/dyslexic (and sometimes autistic-coded) in the series. This is extremely important and trying to remove it or not acknowledge it makes the entire series fall apart because it is such a core concept. Yes, canon claims that their adhd/dyslexia is tied to some innate abilities, which is based on an outdated methodology. It's important to acknowledge that and understand where it comes from! But please stop trying to apply it to other pantheons in the series like "oh, the romans have dyscalculia because of roman numerals!" or "the norse demigods have dysgraphia for reasons!" - it's distasteful at best.

A better option is to acknowledge the meta inspiration for why that exists in the series, such as explaining potentially that Chiron was utilizing that same teaching methodology to try and help demigods feel more comfortable with their disabilities and they aren't literal powers. In fact, especially given Frank, there's implication that being adhd/dyslexic isn't a guaranteed demigod trait, which means it's more likely to be normally inherited from their godly parent/divine ancestor as a general trait, not a power, and further supports the whole "ADHD is battle strategy" thing being non-literal. It also implies the entire greco-roman pantheon in their universe is canonically adhd/dyslexic - and that actually fits very well with the themes of the first series. The entire central conflict of the first series fits perfectly as an allegory about neurodiverse/disabled children and their relationships with their undiagnosed neurodiverse/disabled parents and trying to find solutions together with their shared disability/disabilities that the kid inherited instead of becoming distant from each other (and this makes claiming equivalent to getting a diagnosis which is a fascinating allegory! not to mention the symbolism of demigods inheriting legacies and legends and powers from their parents and everything that comes with that being equivalent to inheriting traits, neurodiversity, and disabilities from your parents).

anyways neurodiversity and disability and the contexts in which the series utilizes representation of those experiences particularly during the 2000s symbolically within the narrative is incredibly important to the first series and the understanding of what themes it means to represent. also if i see one more "the romans have dyscalculia instead of dyslexia" post in 2023 i'm gonna walk into the ocean.

#pjo #riordanverse #percy jackson #analysis #meta #adhd #dyslexia #also this symbolism recontextualizes the relationship between demigods and their godly parents so much #particularly Percy and Poseidon and the whole ''I'm sorry you were born thing'' like DAMN that's an ENTIRE DIFFERENT IMPLICATION #honestly in general the first series' meta analogy of being a demigod as symbolism for being neurodiverse/disabled ROCKS SO HARD #that's SO COOL and im SO SAD NOBODY EVER TALKS ABOUT IT #i could write a whole essay on that alone like COME ON GUYS #can we PLEASE ACKNOWLEDGE THIS I WANNA TALK ABOUT THE COOL DISABILITY METAPHORS....#anyways i didnt proofread this cause. re: dyslexia so if it doesnt make sense dont worry about it #i can try to explain further in supplementary posts if people so wish

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comradekatara · 2 months

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aang and sokka have by far the most underrated dynamic in atla. they’re very cute and silly together, but they’re also insane. like, aang’s central tension concerns refusing to let his values be shaped by war and the imperialist logic of his oppressors, whereas sokka’s entire value system has been defined by war, by his experience as a colonized subject. in many ways, the ultimate tragedy of aang’s character, that he may become too cynical to appreciate his cultural values of joy, friendship, freedom, harmony, and peace, is the tragedy that he might someday become what sokka already is.

if aang is a force for good in sokka’s life, showing him how to play, to appreciate living in the moment and connecting with others, then sokka is quite literally a corrupting influence. “there, that’s how it’s done,” he says, and you know he’s not just posturing, because you’ve already seen him kill people before without remorse. sokka is aang’s big brother, his friend, his protector. he plays his games, makes him laugh, shows him kindness and undying loyalty. but he is also everything that aang must constantly strive to never become. he is a ruthless tactician, a hyperlogical cynic, a killer.

sokka would do anything to survive and protect his loved ones against the cruelty of the world. so he chastises aang for refusing to kill, for being soft and idealistic. he in fact almost kills aang after he accidentally hurts katara. while aang can never let himself sink into despair, to adopt the colonial mindset of his oppressors, to close off his heart to hope and feeling, sokka already has. yes, aang shows him joy and friendship and the potential for freedom, but in truth, it’s too late for him. and perhaps if katara cannot retrieve her brother’s humanity, his very soul, from the hollow shell of who he has since become, she has a second chance now, with aang.

#i have an even longer post about this in my drafts if you can believe it #but like. they’re so crazzyyyy #real ones know the best aang&sokka episodes are the deserter the siege of the north the serpents pass (!!!!!!!!) and sozins comet #aang&sokka #aang #sokka #katara&sokka #aang&katara #analysis #god 😭😭#the way aang represents who she wishes sokka COULD be just breaks my heart #SHE JUST WANTS A FRIEND SHE CAN PLAY WITH!!!!!!#fucicuccuucucjkkkk !!!

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mx-anthony-janthony-crowley · 8 months

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aziraphale's relationship with heaven vs crowley's relationship with hell in S2 serves as this beautiful, heartbreaking metaphor for the choice that so many queer people with unaccepting - and in many cases abusive - families find themselves forced to make. crowley has made the leap. he's cut himself off, and when they've tried to stay in touch or even bring him back, he's always resisted. "we're better than that, you're better than that!". in a way he's been through it before - he was rejected by heaven, and so it makes sense to him to take the opportunity to reject hell on his own terms. it doesn't come without consequence, of course. so many queer people find themselves having to suppress their identities until they're financially independent - cut to crowley living in his car. but he's made the choice, and he's free to do his own thing now. aziraphale, at the start of the season, is also more or less completely separate from heaven; we know from crowley "they don't talk to him anymore", and he's not making any effort to get in touch with them. but then when they ask him to come back, they manipulate him again. the metatron offers him coffee and then tells him "i've ingested things in my time, you know" - a world away from gabriel's "why do you consume... that?". he's assured that the things which he thought made him too... different, too not-good for heaven, are in fact okay. aziraphale was finally living his own life, far away from them, and doing the things he enjoyed, the things that they always shamed him for. but now he thinks, maybe he can go back and this time they'll accept him - it doesn't have to be like it was before! he's changed and maybe they have too, and if they haven't then maybe they'll listen to him! he can show them how to be better, he can make a difference. he isn't yet ready to face the reality that he can never be the person (well, angel) that they want him to be, not without losing sight of what makes him him. he might wish he could bring himself to say no, to cut them off, but he can't do it. because despite it all, he still has hope that they can change. and of course he does - years of trauma have told him time and time again that they're the good guys, after all. so he thinks, if they can't change, then who can? if they can't accept him, who will?

#good omens #meta #i guess??#aziraphale #crowley #ineffable husbands #queer #queer stuff #transgender #the more i think about it the more queer coded stuff i find in GO and it's incredible #crowley's choice is the one i wish i could make but here i am aziraphale-ing my way through #good omens meta #good omens analysis #good omens s2 #neil gaiman #terry pratchett

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nokmietarchive · 8 months

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so I'm having a well adjusted totally normal silly moment where I'm studying the rottmnt s2 finale frame by frame (thank you VLC player) and a REALLY great detail I stumbled upon here... right after lou's soul is pulled and we see the family react, Leo is the first to switch gears out of panic mode and start running over to help him. he was already cooking with those leader instincts!!! idk it just made me really emotional to catch this on happenstance lol im still so messed up we never got to see him transition to leader organically

#rottmnt #wish i could say thisll be my only post like this but unlikely in the event that i find other cool super small details #rottmnt over analysis

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araminakilla · 1 year

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Regarding Death Wolf...

Hear me out (NO, it's not the kind you are thinking)

We know Death has a job, right? To collect souls and most likely release them to the afterlife.

And for this job, he has to be there when somebody is about to die, as demostrated with him being there moments before Puss' eight death.

Supposing he is THE Death and he has been doing this since the beginning of time (or at least when there were enough stories of the Grim Reaper to adquire a physical form) that means he has seen a lot, A LOT of awful things.

Murders, suicides, massacres, death of infants, people who didn't deserve to die alone, animal cruelty, some other heavy stuff I won't mention here, etc etc etc.

And we thought "man, how is he able to cope with all of that? That job has to be utter torture for someone."

Probably many of you could think that he is able to do that because he is Death, and he was "born" with that purpose and only him can reap souls perfectly.

But while he is a force of nature, he also WAS a force of nature. Let me explain it well: He adquired a personality enough to be angry, excited, frustrated, amazed, happy, among other emotions.

While he has supernatural power and is most likely the most powerful being in the Shrek Franchise (or in Dreamworks as many say) he is also a PERSON.

Someone with a code of honor, morals, opinions, beliefs, etc.

Returning to the question "How can he bear all of that?" taking into account he is no longer an inevitable force, but a character of his own.

The answer is something you may relate to, and that is: Creativity and escapism.

To be the embodiment of Death, the guy is a very creative fella.

First of all, his design. I heard many people saying here and in Twitter that his design is something they would come up in their edgy, teen years of drawing their first fursona.

Guess what? They are right, the wolf form is someone's fursona. It's DEATH'S fursona. He clearly came up with this badass, piercing canine form to blend with the Fairy Tale Land assuming the form of the "Big Bad Wolf". He most likely had other forms he designed over the centuries and was able to present as them like if he were on a role play game in the living world.

His sickles? The weapon of choice with the little crossed cats on it to have a bigger effect of terror for Puss? Those who can become knuckles and join to create a scythe? Those are his creation, probably after thinking it for a while and writing all of those functions on a paper.

The way he presents himself? In the bar? The coins in his eyes as a "watching you" sign while being a cool reference to the Ferryman of souls? He transforming Perrito's forest into the background of a skull? The chilling reveal at the Cave of Lost Souls? The fire ring? It was all him.

As for the escapism part...

When the world becomes too heavy to deal with as real life issues tend to make us feel bad, depressed, angry... we tend to escape it somewhere. And in our time the common place would be the internet as in webpages or comics, stories, etc.

But what has to do with Death Wolf you may ask?

Well, while he would NEVER be able to escape his job entirely, he can have moments where he can enjoy a good hunt of people who don't appreciate life, like the whole plot of the Puss in Boots sequel could demostrate.

He managed to have a little time outside his eternal routine to chase an arrogant cat who took life for granted. He enjoyed it, it was thrilling, it was exciting.

It was a way to escape a monotonous, grim "life", if just for a short moment.

So, when the chase ended as his prey no longer feared him and now was ready to fight for his last life, the wolf retreats, happy for Puss' character development but resigned because he once again had to return to "The Eternal Duty"

And that's not even counting all the times Jack "I'm dead inside" Horner had to interrupt Lobo's hunt and remind him of his job even in his "spare time"

Death knew the chase had to end eventually, but he didn't want it to end.

He didn't want to return to his own world

And if we look at Death like that, then he is probably one of the most relatable characters Dreamworks has ever make.

In the Shrek Franchise:

Monsters can be loved

Princesses don't have to fit the perfect standards of beauty

Handsome guys can be possesive jerks

Love at first sight doesn't work like one would think

Happily ever afters had to be built and not just obtain them with magic

And Death is the most creative and "full of life" being in the world

Because he would absolutely go crazy with his life/work if he wasn't.

Because in a world of Kings, Poets and Soldiers, he's the Supreme King

And he's also a perky goth but none of you are ready for that conversation.

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lazyflower48 · 3 months

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Dazai and Ranpo: The Two Geniuses of the ADA

The thought about making a post about Dazai and Ranpo's teamwork has been plaguing my mind for a while now, and so I finally found some time and decided to go through with it.

So let's talk about one of my favourite underrated duos for a moment. The two geniuses of the ADA- Dazai and Ranpo. Two people who make a wonderful team and are actually, in my opinion, the backbone of the agency.

What I find interesting is that (though I believe that Dazai respects and admires all members of the ADA) Dazai openly admires Ranpo A LOT. He's always quick to praise Ranpo (basically fanboying over him and it's quite adorable to see Dazai gush over someone like that other than Oda) and in 'Dazai's Entrance Exam' we see him being surprised over the fact that Ranpo's ability is not actually an ability and we see him further praise Ranpo's intellect after finding that out.

Despite the fact that Dazai is a huge mystery, even to the people around him, Ranpo figured out that there was something up with Dazai in just a single glance (in 'Dazai's entrance exam'). And despite knowing that Dazai was probably hiding a sinister past, he didn't press him any further for details (probably in order to respect his privacy or his wish to not disclose his past OR maybe due to the the fact that knowing Dazai, he most likely wouldn't answer truthfully even if questioned about it)

What I also love is that even though both of them are extremely intelligent, their intellect differs in such a way that Ranpo is a master of deduction and Dazai is a master of manipulation (as stated by Kunikida in 'The Daily Routine of the Detective Agency'). However, one thing both of them share in common is that they both felt isolated due to their nature.

They may have limited interactions but their interactions are always my favourite, for instance-

1. Dazai's entrance exam - Dazai's admiration and respect towards Ranpo

2. Season 1 - Murder on D-Street - Dazai showing a good understanding of Ranpo's deduction process and acknowledging that Ranpo caught onto more details than him

3. Season 2 - "Mountains or sea?" " Sea. "

Showing their unspoken communication. They can read each other's minds at this point lol.

4. Season 3 - Ranpo basically acknowledging that Dazai would be a tough opponent to go up against by comparing Fyodor to him (sort of praising his intellect in a way)

5. Season 5 - The Strongest Man in the Agency- Ranpo

Dazai keeping an eye on Fyodor while leaving the rest to Ranpo

Dazai relying on his allies- trusting Ranpo to negotiate with Bram in order to undo the vampire curse.

6. Dead Apple - Ranpo seeing through Dazai's plan beforehand.

7. 55 minutes - Seeing through upcoming events beforehand, one thing Dazai made sure was to inform Ranpo about the whole fiasco on Standard Island in order to save the Agency in the end.

Also, sidenote: I found out that the Dazai and Ranpo duo is named Souheki, which translates to double jade. Now, I'm not sure if this information is fanon or canon (feels more like fanon tbh but I really like it because it's a pretty name)

Anyway, one thing we can say for sure is that as long as the two geniuses of the Agency- Souheki work together, the ADA will most likely remain undefeated cause no one really does it like them

Lastly, just some food for thought. I've always wondered how Dazai would react if he found out that Ranpo met Oda TWICE and the second time he met him was right before Oda went on to his certain death.

Honestly, I would LOVE to see more fleshed out and direct interactions between these two.

#i wish tumblr allowed more than 10 photos in a post cause I wanted to add so many more #cant believe this has been sitting in draft for like 6 months now #the two geniuses of the ADA>>>#bsd #bungou stray dogs #bungo stray dogs #bsd meta #bsd analysis #bsd dazai #bsd ranpo #dazai osamu #osamu dazai #ranpo edogawa #souheki #bsd ramblings #bsd s5

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my-little-safe-corner · 2 months

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What could have been?

This time I'm going to discuss deleted script and ideas from Wish, however by that I don't mean major plot points such as "evil Amaya" or "humanoid Star", but rather (at least mostly) minor things that have been scrapped from the general plot as we know it.

I'll be using the (digital) graphic novel adaptation for my observations, which I assume is supposed to be similar to the Junior Novelization, albeit maybe a little shortened.

Disclaimer: Any haters in the comments / responses will be blocked!

When it happens: Just after "Welcome to Rosas". The tourists do get food in the movie, but Asha never explains where it comes from.

Why it was deleted: Not sure, maybe because Dahlia is the one whose wish is to be the greatest baker according to what I read (though it's never mentioned in the movie itself and even if it were, no one says multiple people couldn't have the same wish). Then again, it could be just to shorten the movie since it's not significant to the overall plot, only expands upon the idea of granted wishes a bit.

When it happens: Pretty clear from the image, since Gabo does say something similar in the movie. However, the rest of the conversation is not there.

Why it was changed: In this version, it seems no one takes Gabo seriously when he tries to warn about Simon. While it could serve to explain why and how everyone is content with their family / friends losing a part of themselves all around the kingdom (they either make up some excuse for it or simply don't notice at all), it was flipped in the final version so that everyone actually agrees with Gabo. It was probably done to get the audience to better understand Simon's condition and what happens to people after giving their wishes.

(BTW, in the Junior Novelization, Gabo even says that most people become boring following their wish ceremony, maybe it was changed to focus on Simon)

When it happens: Asha does blow flour at Gabo, but Safi's text is not in the movie.

Why it was deleted: In this version, Dahlia can be seen getting the batch of cookies out of the oven, but the teens don't take them. In the final version, this sentence would cause a contradiction, since if Safi can't have Gluten, why was he even going to eat a cookie? Instead, Dahlia warns him it has lemon.

When it happens: Read the scroll's text. In the movie, Asha sees only one reflection.

Why it was changed: I really don't know. It's supposed to hint at Magnifico's fascination with mirrors even before we meet him in order to establish his character, so why change it?

And now there's a big skip, and I'm moving to Act 2:

When it happens: Amaya trying to convince Magnifico to not use the dark magic book.

Why it was deleted: Maybe to make the dialogue consist of shorter sentences for each character in order for the scene to be more flowing and dramatic, and also to show again Magnifico's tragic past and his motives.

When it happens: Asha and Valentino entering the observatory to find her family's wishes.

Why it was deleted: Because it's just a joke that doesn't affect the plot. There's also another joke he says earlier ("Chaos! I love it!") that I didn't include.

When it happens: It's clear from Magnifico's text, but what Simon says is not in the movie.

Why it was deleted: In the movie, he just says "What?" and there's a bit of a focus on his face. I think it's actually enough to hint that he's going to betray Asha, so no need to keep this text. Plus, it actually paints Simon as more loyal to the king from the beginning ("he must really be worried"), as opposed to only after his wish was granted, whereas in the final version he acts purely for selfish reasons.

When it happens: Just after "This is the Thanks I Get".

Why it was deleted: Maybe to finish the song ominously, and for Amaya to not catch him reading the book.

When it happens: Just after Sabino absorbs back his wish, before Magnifico breaks into the house.

Why it was deleted: I'm sure everyone has already seen this deleted scene, and I really don't understand why it was cut at the last minute. Maybe because they didn't have another song for the credits? Also, notice what Sakina says, Sabino completely forgot his talent after giving his wish, I think it's good there's another example of what it does to people in addition to that of Simon, and again, shouldn't have been cut.

When it happens: Just after Magnifico creates his staff. He does have a very similar text in the movie, but doesn't see Amaya's reflection, just notices her behind him.

Why it was changed: Another reference to Magnifico's love for mirrors, we do see his own reflection in the staff, and I'm really not sure why not Amaya's, since that raises the question how he noticed her (his new powers?).

When it happens: Just before Magnifico's second assembly.

Why it was changed: Maybe to save on animation and just show the teens near the stage.

And now I'm reaching the climax of the movie. This was originally a much longer scene that has been changed a lot to get what we have in the final version.

When it happens: After Magnifico traps Star and Asha.

Why it was deleted: I really can't think of any reason for this other than to shorten the movie, which is already very short. It gives us another peek to Magnifico's tragic past, and shows he wanted to capture Star to not only have its power and get rid of what he perceived as a threat to his kingdom, but also because he envied Asha for getting the help he desperately needed when he worked hard for his own wish, which is very understandable, at least for me. It's a real pity this text was cut, I don't get you, Disney!

When it happens: After Magnifico asks Asha how taking her wish into her own hands is working out for her.

Why it was changed: In the movie he just says he doesn't actually care. Maybe they didn't want to show kids how he enjoys torturing and mocking her.

When it happens: After Magnifico sucks Star into his staff.

Why it was deleted: Again, maybe to not show him savoring over Asha's pain. It's a pity because it shows Star was a representation of her wish, so when it was lost, she felt the same pain in her heart as all the other people who got their wishes crushed.

When it happens: Just after the last image.

Why it was deleted: I guess to shorten the movie, making the reference to the "At All Costs" song at the beginning lost...

When it happens: That's Magnifico's response to what Asha says in the last image.

Why it was deleted: For the same reason, though this text seems to be somewhat unrelated. In the Junior Novelization, however, his answer is longer, stating he needed the wishes to feel happiness, which is also a reference to "At All Costs", and now he doesn't need them and the citizens of Rosas anymore, making it a sensible response.

When it happens: Quite clear from the images, but they don't mention Amaya's wish to serve Rosas.

Why it was deleted: According to Disney Wiki and Heroes Wiki, she was formerly a ballerina, i.e the same one we see in the beginning of the movie with Magnifico granting her wish, so it makes sense to remove that.

When it happens: Everyone celebrating their victory.

Why it was deleted: Because that implies Sakina gave her wish only after Asha had been born, which also means the family moved to Rosas not that long ago, but then Sabino wouldn't have waited "decades" for his wish to be granted...

And that's all! There are some other differences I didn't include, but they are not really meaningful in my opinion, just small adaptation changes. Also, since I had started this long post, I finally got the Junior Novelization, and there are more changes there, which I may write another post on.

#disney wish #wish analysis #wish observation #wish books

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xanderindisguis · 5 months

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THE EXPRWSSIONS HE HAS WHEN TALKING TO SCARAB HAS ME CRAZY the way they say so much with so little.

THIS IS YOUR SCARAB HATER??? From just a few frames he comes off as concerned in a caring way, how did we get to a point he's portrayed as an evil, abusive, narcissistic boss??

It's so clear that Orbo doesn't hate Scarab, I firmly believe he gets fed up because Scarab refuses to look outside of his own point of view and any attempt to bigger the picture with him falls on deaf ears, that he's more likely to listen under threats rather than just words he obviously doesn't care for.

(I DON'T AGREE with threatening or actually tearing his legs off, but it's to consider ORBO'S POTENTIAL POV. I feel that's more likely than him just being a huge asshole who hates him for some bs reason)

#prohibitedwish #because of the prohibited wish fanfics #scarab #scarab the god auditor #orbo #fionna and cake #small analysis #feel free to discuss because i want to hear more opinions #whether that's against my claims or to suggest something else #seriously i love discussing #orbo slander #WE PRO ORBO HERE

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secretsofthestorymakers · 5 months

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Wish Analysis Pt. 2/3

The songs in Wish felt very classic with a modern twist, which I loved. They somewhat followed the established “song formula” with Welcome to Rosas as the opening song, This Wish as the I-want song, This is the Thanks I Get?! as the villain song, and I’m a Star as the fun, upbeat “wake up song.” A couple of the songs were very unique though. At All Costs is really interesting as one of the few times the hero sings a duet with the villain (I think Love is an Open Door is the only other time?). In this song, Asha sings about protecting and following the wishes wherever they go, while Magnifico sings about holding the wishes and keeping them as his own. In addition, Magnifico is controlling the wishes and moving them around to create his view of perfection, while they are naturally flocking to Asha. And Knowing What I Know Now! This song, man, it was incredible. And very unique to have a power song for the heroes in a Disney movie. It wasn’t so much the “all hope is lost, but I’ll find the answers within” like I am Moana (although I do love that too), it was more of a “now is the time to fight back,” rallying song. And This Wish (Reprise) was beautiful! I was sobbing so hard. This was sort of a “all hope is lost, but I’ll find the answers within” song, but it was unique in the aspect that it brought everyone together and wasn’t just about the main character’s development. It was also unique that the song itself was the climax of the movie. It was so amazing, visually and thematically and musically and I just LOVE IT.

#wish #Disney wish #wish analysis #Disney #disney 100 #wish spoilers

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the-great-knight-gay · 6 months

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Percy had a crush on Luke in TLT, in this essay I will-

No this is not a joke.

I am aware the Percy Jackson's Greek Heroes has alluded to Percy being heterosexual but I find that not being able to describe attractive men is not enough to be straight.

However, looking at the subtext between Luke and Percy's relationship in TLT, it shows clear signs of Percy basically hero worshipping the guy, in the same way Nico did with Percy. Main thing here is, Nico canonically had a crush on Percy that ran so deep that Cupid, the fucking god of love, literally described Percy as the person Nico cared for the most.

Now this does not instantly mean that Percy must have had a crush on Luke the same way but here is my evidence.

Percy (at that point) was starved of common decency from anyone but his mother

Look at the character relations in TLT.

From Book 1, other than his mother, Percy relations all had incredibly negative undertones.

Annabeth outright admitted to only joining him on the quest to get out of camp. They may have made up but that immediately put me off their entire relationship initially. I was a seriously anti-percabeth dude until Titan's Curse and this was one of the reasons.

Grover may have genuinely been Percy's friend but from the start, Percy found out that the only reason Grover was there was because of a job and not because they were friends. That eventually changed but at the beginning, it had to have been rocky.

Next up we have Chiron. Now while it was somewhat okay, albeit with manipulative undertones and an overall bluntness from Chiron, this was a purely teacher-student relationship.

Now we'll look at Percy in general. Percy was incredibly starved of affection from anyone but his mother. Coupled with an abusive stepfather, any act of kindness is amplified for him.

This is literally confirmed when Luke steals him toiletries. He feels that's the nicest thing anyone had done for him at that point.

Not only that, Luke personally taught Percy when everyone else was ignoring him like he was the plague.

Luke was literally Percy's only real friend for the majority of TLT. He literally recounted his entire quest to him during the Iris Message scene, a privilege he didn't even give to his mother. Plus, he was confirmed to blush around Luke almost as much as Annabeth and we all know how Annabeth used to think of Luke: 'Lose a love worse than death'

I personally think that there was no real reason for him to react so badly to Luke's betrayal other than this.

Okay, when I researched this by constantly rereading every Lukercy and Luke interaction or mention in TLT, I also came across another revelation.

This was one of the reasons why Percy was so determined not to fail Nico during TTC and BotL. He may have not known about Nico's crush on him but he definitely didn't want to be to Nico was Luke was to him.

#nico di angelo #luke castellan #percy jackson #rick riordan #annabeth chase #pjo fandom #pjo hoo toa #pjo series #percy jackon and the olympians #percy pjo #character analysis #the lightning thief #this is canon to me #that is deep #i wish i was deeped

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artist-issues · 18 days

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I remember during the making of Tangled, the filmmakers said they had to work hard to design Rapunzel’s tower to be beautiful and seem like a cozy, fun environment, while also making Mother Gothel seem sweet and loveable, if manipulative.

Because, they said, if the environment is too much like a prison, and Gothel is too much like a villainess, the audience wouldn’t believe in Rapunzel as a character. They’d think she was either stupid or cowardly, to stay in such a nasty situation without trying to escape sooner. But if her circumstances seem just livable enough, just sweet enough, that you can see some of the appeal, then you wouldn��t blame her for waiting so long to leave.

Why didn’t they do that with Wish?

Why didn’t they think that relatability through?

Nobody is really feeling compelled to root for the everyday Rosas citizens during the movie. You don’t feel like rooting for Asha’s cause, or even Queen Amaya’s. Because you think to yourself, “why did it take the townspeople so long to ask the question ‘why can’t we just have our wishes back?’”

Asha comes up with those culture-breaking questions, inexplicably, in the first twenty minutes of the movie. It takes the rest of the townspeople about 24 hours to suddenly start asking that, too.

So why don’t you root for them?

Because when something bad happens to them, part of your brain goes, “why didn’t they see that coming, though? Why didn’t they ask questions? That one’s a little bit on them.”

And you don’t really feel that feeling you got with Mother Gothel, where you were like, “Oh yeah, I can see why the main character trusted this villain; the villain really seems to care about the hero, if you didn’t know what she was after.” You don’t;t get that same feeling with Magnifico. Because the whole idea of what he does—by erasing people’s memories and yelling at them and having no moments with regular folk where he’s warm and personal and building trust—is so malicious that we don’t believe the other characters couldn’t see it.

We COULD HAVE believed it. If they’d added in good writing and character moments to make it believable.

When Magnifico interacts with the people who trust him and are duped by him, he’s up on a stage, flashing superpowers they don’t have and then disappearing back into his tower after only granting one wish. He’s not on the welcome tour with Asha. He doesn’t know his own palace staff by name. He’s done nothing to build the trust all the side-characters unquestioningly give him. So even at the end, when everyone’s like, “aw, we wanted to believe in Magnifico,” we don’t feel it. Because didja? Why? Everyone could see that coming.

Meanwhile Mother Gothel tells Rapunzel she loves her most every time she leaves. She laughs with her. She reinforces every conversation they have with the idea that she’s desperate to protect Rapunzel. She brings her her favorite soup as a surprise and remembers the ingredients. She goes to get white paint on a very long trip so Rapunzel can paint. She compliments her strength and beauty—even if it’s backhanded. She calls her “dear,” and “darling.” She knocks thugs out with sticks, returning even after she argued with and supposedly ‘gave up’ on Rapunzel, all to supposedly’ protect’ her. So when Rapunzel realizes it was all an act, and she’s wrathful and furious and grabs Gothel’s hand, we DO feel it. Because we believed that Rapunzel really didn’t see this coming, so the shock stings worse. We don’t blame Rapunzel, and we do blame Gothel.

Just another example of what #NotMyDisney forgot about themselves.

#Tangled #wish #Gothel #mother Gothel #rapunzel #asha #Magnifico #wish hate #meta #conceit Art #criticism #analysis #character development #writing tips #character analysis #animation #Disney #NotMyDisney

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