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#why you should watch
shijiujun · 1 year
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Why You Should Watch 少年歌行 | The Blood of Youth
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TLDR: Super good, you should absolutely watch this! Not at all a BL/danmei but from what the donghua gave, there’s quite a healthy bit of bromance and brotherhood between the two male leads, and this show has comedy, plot, excellent pacing, exciting wugong moves and conspiracy, plus tons of gorgeous women and men who can all fight!!! CGI is great too, I initially thought this was gonna be a trashy but funny and moderately good wuxia drama but it’s really well-made and it is still funny and really good on all fronts.
*It has a donghua but I haven’t watched it!!!
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Summary: 
Xiao Se is a handsome but relatively poor inn owner in the middle of nowhere on some snowtop mountain, and said inn barely sees any visitors year after year. Just as Xiao Se is deciding whether or not to sell the inn, they finally get one visitor, a young traveler, Lei Wujie who’s traversing jianghu for the very first time on his own, and then they soon get a bunch of hooligans who want to rob the inn. Lei Wujie ‘saves’ Xiao Se by defeating the hooligans but in the process damage the inn; Xiao Se demands payment and Lei Wujie says he needs to get to Xue Yue City to find money to pay him back essentially, so Xiao Se follows him out of his inn in the mountains on a journey.
Along the way, they stumble upon Tang Lian, a skilled and well-known disciple of a famous shifu from Xue Yue City, who’s guarding and escorting a golden coffin to another city, not knowing what is in the coffin. He’s been hunted down repeatedly and ambushed by multiple groups of skilled experts, all coveting what’s inside the golden coffin. Xiao Se and Lei Wujie get accidentally embroiled in the mess, and then realize along the way that a monk - Wu Xin - is in the coffin. And everyone is after Wu Xin, from the demonic sects to other sects in the pugilistic world, all the way to the royal palace. 
As Xiao Se and Lei Wujie end up traveling with Wu Xin, conspiracies and past feuds unravel, and Xiao Se is not who he seems to be.
Watch on Youku (YT): https://www.youtube.com/watch?v=I1xIuBPN-lk (Total 39 episodes, from Dec. 2022 - Jan. 2023)
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Main Characters:
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Xiao Se/Xiao Chuhe (Li Hongyi): The exiled 6th prince who was once a prodigy in martial arts and cultivation before he lost all of it after an attack, and he’s been at the inn ever since. Very well informed of everyone and who’s who, plus all the big happenings in the pugilistic world. Nonchalant, dealing with some issues, very bold and haughty (rightfully so), and this man was a prince and skilled fighter from before too, HAS A LOT OF BAGGAGE, banters a lot with Lei Wujie (cuz this boy is dumb) and is forced to face his demons with the help of Wu Xin. Mysterious, but not really because the moment he walks out everyone knows him like come on he’s the beloved 6th prince before he was exiled
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Wu Xin (Liu Xueyi): The son of the demonic sect head before his dad went to war with the royals and was betrayed and defeated, and the demonic sect had to send him over to the royal palace as a hostage, but he gets ‘adopted’ by an old monk and is taught everything that he knows (and was loved) by the old monk. He looks very demonic LMAO more than a monk, super skilled, known for his magic eyes, and he kidnaps Xiao Se and Lei Wujie to be his companions, has a bit of daddy issues too and a lot of pent up anger from when he was younger, but also like super zen at times, and then flippant at other times
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Lei Wujie: Dumb husky or golden retriever. Very skilled, pure-hearted, but still very young. SO DAMN FUNNY!!! 
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Why You Should Watch This:
1. Possible bromance between Wu Xin and Xiao Se - So far they’ve been very brotherhood but I expect that all to change soon, their first meeting is hilarious af this is the first thing they say to each other, when Wu Xin asked if Xiao Se would accompany him to place and bro went “No wtf”
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I mean look at how demonic and slutty Wu Xin is with his eyes and that jawline and see how close they sitting to each other even though Xiao Se is like get-away-from-me
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GUYS WE REALY DO GET BROMANCE!!! HAHAHAHA also i was wrong xiao se at this point isn’t the 团宠 just yet, wu xin is!!! he’s the center of attention do you know how many people ran to catch him when he fainted?!?!??!
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AND THEY WERE FORCED TO BE SEPARATED FOR A BIT AND LOOK AT HOW THEY TEARED UP WHEN THEY WERE BACK FACING EACH OTHER WTF YALL WERE BARELY BROS FOR AN HOUR
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2. Gorgeous men and women and they all can fight and murder you with their eyes?!?!?! (There’s more than the below LIKE A LOT MORE)
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3. COMEDY
Example this dumb boy introducing his big name to everyone and then hitting his head 
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Example the whole fucking carriage has been exploded to smithereens BUT guess who is literally untouched and still in his bed?? Sleeping beauty Wu Xin
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Example Xiao Se praising how amazing Wu Xin is but then like “We’re his hostages but we’re praising him” wtf
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4. The CGI!!!! And the fighting sequences are really amazing!!!
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And lastly am I the only one thinking about Xue Xian and Xuan Min from Copper Coins!!
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WYSW: Love is War
*why you should watch*
*spoiler free!*
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I actually already made a Love is War recommendation post ages ago, but now, 3 seasons and many manga chapters in, I have more to say about it and even more praises to shower upon it. And some convincing to do, if you haven’t watched the show yet. If you like comedy anime, romance anime, or romcom anime, and you haven’t seen Love is War yet, what are you waiting for?
If you don’t know the plot, Kaguya-sama: Love is War focuses on the student council of an exclusive high school for the children of Japan’s elite. The president, Miyuki Shirogane, and the vice president, Kaguya Shinomiya, secretly have a crush on each other but refuse to let the other person know. Instead, they’re determined to make the other confess to them first.
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I’m not the first to say it, but Love is War genuinely has Death Note level mind games. The lengths these two go to in order to get in each other’s heads is truly impressive and frightening. But, there actually is a developing heartfelt story underneath all of the silliness, and despite their resistance and stubbornness you will be rooting so hard for Kaguya and Shirogane to get together.
The show has a wide variety of beloved characters, from the other members of the student council to Shirogane and Kaguya’s quirky families. Everyone is very likable and funny, with their own personal struggles that get explored as the story gets more complex.
Love is War has a lot to say about relationships, crushes, insecurity, classism, growing up, and even more, and does it all while being one of the funniest anime I’ve ever seen. If you’re looking for a lighthearted romcom with a bit of depth to it, Love is War is the show for you.
Thanks for reading!
-threecheersforinking
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leuchtstabrebell · 1 year
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Why you should watch "Ku'damm 56 - The Musical"
I promise it's good!!! My friends and me liked it so much that we saw it live several times. There are people that went there over 80 times. There is a pro-shot that you can watch for free (here)!
Why you might like it:
The music is really good. It's mostly rock with some other genres mixes in. They don't have an orchestra but a rock band instead
The main character is a well written young woman defying the society of West-Berlin in the 1950s
One of the characters is gay and the musical in general has very queer vibes. (That might be because two of the creators are gay men)
It's pretty funny with a very German sense of humour. Very dry. Also a lot of weird sayings.
It's dark but with a hopeful message at the end
The costumes, set and lighting are very creative and good, as well as the choreography.
The actors are fantastic and the characters all have a lot of depth. They're all incredibly complex.
If you like Tanz der Vampire or Elisabeth, you might also like this. It also kind of has Hamilton and SIX vibes.
Why this might not be something for you:
It's in German. (I'm working on a translation English subtitles can be found here)
It contains graphic depictions of: rape, domestic violence, sex, suicide attempts, conversion therapy, misogyny, homophobia
It contains discussions of: all of the above, abortion, the holocaust, war, trauma, infedelity, depression, suicide
One of the characters is a rapist who is portrayed kind of sympathetically. I think his whole plot-line is kind of problematic. Also, basically everyone is morally grey in this. I mean, almost all of the older characters were Nazis...
All of this said: this musical was advertised as something for the whole family and it manages to balance lighter and heavier subjects very well. Weirdly, it really captures the spirit of a lot of Germans, especially people from Berlin.
I'm probably going to make another post later where I'll talk more about the plot and the characters.
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melipurplewolf2023 · 8 months
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youtube
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phoenixlionme · 2 years
Link
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anyways. What
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heartorbit · 9 months
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so when's the wxs phantom of the opera set
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americanphysco · 2 years
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in order for a movie to be good it has to be weird and faggy and kind of gross.
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st4r-t3ars · 9 months
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Reasons to watch Clone Wars 2D Micro Series:
Anakin’s Pout 90% of his screen time
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Incredibly competent clone troopers
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A look into Yoda’s drama brain
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Start of the Punching Droids Saga
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justaregularken · 5 months
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Your werewolf boyfriend spooning you while his knot is still inside, tail lazily wagging as he murmurs about how you’re his
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shijiujun · 2 years
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WHY YOU SHOULD WATCH: SENPAI, THIS CAN’T BE LOVE
Back in drama-land with this latest cute workplace Japanese BL drama Senpai, This Can’t Be Love that’s adapted off a manga of the same name and I think has a total of 8 episodes! Featuring two dumb dumbs that are secretly crushing on each other and thinking the other hates them or would never like them. So handsome. 帅爆了, like Toshiki Seto and Naito Shuicihiro are like... balm for your eyes.
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Let me try to wrap this up in a brief WYSW - I haven’t read the manga, and only two episodes are out so far, so take this with a pinch of salt (BUT THEY ARE SO CUTE?!)
Details: 8 episodes | Airing every Friday starting June 24, 2022 | Watch with subs on Gagaoolala (VIP required) or on Rakuten Viki (Specific region locks)
Summary: Kaneda Yuki is a talented CG designer who’s just starting out at this company and is being supervised by Yanase Jun, an experienced and well-recognized CG designer at the company whose works have been extensively featured in public. Yanase is a really friendly guy who’s looking to bond with and tutor Kaneda to the best of his abilities, but there’s just one problem: Kaneda is really standoffish and cold to Yanase, leading Yanase and everyone in the company to think that Kaneda actually dislikes Yanase. 
In actual fact, Kaneda is just... the biggest Yanase fanboy who just doesn’t know how to interact with his idol without embarrassing himself, so ends up coming across as cold when he’s just panicking internally. It seems that the both of them would be stuck in communication for the rest of their time working together, but a big new project lands on the both of them, forcing them to work together all the time. 
Reasons Why You Should Watch:
(1) Yanase Jun is so damn handsome excuse me?!?!? Look at his fashion sense and that hairstyle and the way he smiles and the way his eyes crinkled??! And the way he looks at Kaneda?!?!?
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(2) This fanboy is so far in the closet you can’t even see him but boy does he have it bad for his idol - he is us, he’s exactly like us
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He even legit has a shrine dedicated to Yanase and is so diligent every single day about cleaning it up and making sure it’s dust-less
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And everytime Yanase touches him he says this:
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But inside he’s totally like this:
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LIKE HOW EMBARRASSING IS KANEDA I LITERALLY CANNOT
(3) They kiss in the first episode, honestly they have it down pat in the first episode except actually being in a relationship in name because like come on all the skinship and OBVIOUS crush they have on each other while they each think the other doesn’t like them...
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(4) It’s half about careers and growing in their love for CG work and also sticking to principles as a designer in general right like, is what the client’s rushed request best when it compromises quality? WHICH IS LIKE SO REAL
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(5) Being able to OT with your crush is like the best shit ever and yeah ok cliche trope of the other falling asleep and the main guy looking over all fond and letting him sleep but dang how cute are they how cute!!! And in a very useful tip HONESTLY Yanase says, “Don’t fall asleep with your hands on your keyboard/mouse especially when you have OPEN WORK ON YOUR DESKTOP”
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deramin2 · 9 months
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I don't know how to really express this except to come across as a "kids these days" scold, but so much of the criticism of queerness in Good Omens would simply not be a thing if kids these days watched more 20th century queer media. Or more complex indie queer media in general.
People seem to want a show that's like the straight stories they grew up with but gay. Or the gay fanfiction they grew up with. But that's not really the tradition it's coming from. First off the novel was released in 1990. Queer film classics of the time are Dead Poet's Society (1989) and Torch Song Trilogy (1988). The TV miniseries Tales of the City (1993) wasn't made until 3 years later and it was so far out there it never had a huge audience. Philadelphia (1993) is also 3 years out and was basically the first big studio queer film. The first fluffy queer Hallmark-style romcom wasn't until Big Eden in 2000, a full 10 years after publication.
Queer stories from the time it was written were about complex and often fraught relationships between people who the world was trying to force apart. There is an incredibly strong tradition in queer films of relationships with no guarantees they will work out both in the face of their personal baggage and the weight of the world. Take a film like Torch Song Trilogy that's about the two great loves of Arnold Beckoff's life over 9 years and how homophobia shapes them. Both externally (especially Allen) and internally like Ed struggling with his bisexuality and being terrified of being publicly out. Written and starred in by Harvey Fierstein, who identified as a gay man at the time and only came out as nonbinary last year.
The Boys In The Band (1968 play, filmed 1970 and 2020) was a monumental moment in Broadway history where finally there was a play about gay men in their own words where no one died and very strongly showed that homosexuality doesn't make people miserable but homophobia sure does. But that homophobia also throws their personal lives into constant turmoil and none of them are in happy relationships, although Hank and Larry are devoted to each other in their own fucked up way.
"Relationships are complicated and hard to make work and sometimes a struggle against the odds" is an aesthetic of classic queer film making. Partly it was influenced by the Hays Code (although independent films were not bound to it), partly influenced by the rampant queerphobia in society at the time that was inescapable. But it's also an aesthetic choice to resist the banal and unrealistic relationship depictions of straight media. There are actual stakes to the relationship. Queer people were actively resisting a world that said "Romance is seeing someone across the room and instantly falling in love with each other and little conflicts happen along the way but ultimately they're destined to be together and everything is happily ever after." Recall that "stalking as romance" was a completely inescapable trope in 1980s straight romance films, and every goddamn movie was being turned into a romance film.
So queer people in film and television when they can make what they please have a long tradition of saying instead "People don't always realize the feelings they've developed for a queer partner right away. They may have reasons for denying those feelings that are both a reflection of the cruelty in society and of their own insecurities. People struggle with where they belong and their relationships reflect that. Loving someone doesn't mean they don't also drive you crazy and you might fight with them constantly. But that doesn't negate the love or that feeling that even if things aren't okay, they're better with that person around. But maybe that person can't stay around. The world may be against you. And also maybe you don't just want that one person in your life. Soulmates is a very flawed model. Sometimes the strongest love is a struggle with yourself and the world and your person. You have to overcome yourself first. Happily ever after is a lie. You may be happy for a while, and hopefully for a long while, but everything ends. And you have to be ready to love again. Also your platonic bonds are just as important and life-altering as your romantic ones. Sometimes those platonic bonds include fucking if you want them to. Real life isn't a bunch of platitudes and world-altering moments, it's daily work to better yourself and the world around you. Especially when things just fucking suck. But also remember to have fun and fuck the haters. People who don't support you can eat rocks and you should yell at them more to shut the fuck up."
That is a fundamentally different outlook on what a "good relationship depiction" looks like. Personally, I thought I hated romance movies and then I started watching queer romance movies and discovered I love them and watch them all the time. Because it turns out what I hated was relationships being shown that had nothing at all to do with reality and privileged incredibly toxic ideals. Finally there was complexity, there were stakes, and there were people who had to truly want to be together enough to fight the world for it and not because they happened to be there. There were people actually talking out their problems and looking for resolutions. (And sometimes that resolutions was "I can't fucking deal with this bullshit anymore and I'm out.") For the first time it felt real.
I'm an aroace trans gay man. Nothing about relationships or being in relationships has come easy to me, and the whole paradigm of straight patriarchal romance depictions makes absolutely no sense to me. It's completely alien. Queer romance stories actually feel human.
And that's the tradition Good Omens is coming from, even as it's being retold in 2019-2023 and hopefully beyond. Gaiman's work has always been based in that queer media paradigm. (I've been remiss and daunted and haven't read Pratchett but from what I do know his work also seems to sit more in that world view.) It's a beautiful cinematic tradition and it's baffling to me that people would resist it instead of embracing it for being honest.
And that's when I turn into a crotchety old man complaining about the youth not connecting with the history of their beautiful culture and instead begging for assimilation into a shithole allocishet media landscape that doesn't actually want them except for their money and has nothing at all interesting or valuable to say. But it's very funny (annoying) to me when people claim Good Omens is someone against queer culture when it's so thoroughly bathed in the best of queer media's storytelling traditions and what people are asking for is straight media with the serial numbers filed off. Like, stop being boring please and know literally anything about the culture the adults in the room lived through and were influenced by. The world didn't begin in 2015.
EDIT: I also want to add that in straight media arcs are linear. Traditionally in queer media arcs are cyclical. Queer media very often depicts people going around in circles relearning the same lesson over and over as they inch towards it sinking in. But every time they go through the cycle they gain just a little bit more enlightenment and slowly move towards a better place. From the comments this is an immensely important distinction. People don't actually have cathartic moments where suddenly all their past bad programming is shed and they saunter forward a new person with none of their old baggage. In reality people fall into the same patterns over and over even though they have had every opportunity to learn better. "People magically get better" is a trope of straight media that's an outright and frankly dangerous lie. Again, Good Omens follows the queer tradition not the straight one and it's depicted 6,000 years of that cycle. The world didn't end, and the wheel keeps turning, as it always has and always will. That's so fundamental to queer storytelling traditions I forgot to even mention it.
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thekingofspin · 3 months
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I'm watching hazbin hotel now after telling myself for weeks that I would not watch that show.
problem is I can't get through a full episode without clicking off because I keep telling myself I won't do it (even though it's good??)
it's like having the internalised homophobia of a guy in the 1950s but I'm already fucking the postman
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piyo13sdoodles · 14 days
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ok listen though vulcans would LOVE bellydance... the muscle isolation?? the complete control over one's own body??? vulcans would go nuts for it i'm absolutely positive
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carefulfears · 1 year
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rewatching early txf and seeing mulder and scully when they are so young and so enamored with each other is so heavy…they are so excited to have met each other and they are going to go through so much together…they are going to lose their entire families together. they are going to lose time and autonomy and health together. they are going to live together and die together and nearly die together and never die together. they are going to have and lose a child together, and see that loss in each other for the rest of their lives. they are going to look to each other anyway, for everything, and say things like “i’m always happy to see you” and “always happy to find a reason” even at their most distant and estranged. she doesn’t know it then, but running out into the rain after him in bellefleur will be the end of the life that she imagined for herself. she doesn’t know it then, but it will lead to the loss of her safety and her family and her career and her children. and when she does know all of those things, she says “i would do it all over again.” she says “i wouldn’t change a day.” she says “i don’t begrudge you any of those things.” she says “i want to remember how it all was.” and if she could do it all over again, she would still chase him into the rain and laugh when he said that aliens were summoning the kids to the forest and ask him where they were going next and follow to wherever the answer was. because they would rather do this life together than do any other apart.
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messiahzzz · 2 months
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while it’s perfectly fine to have your own headcanons that are non-canon compliant — by all means, go wild. recognizing pieces of yourselves in fictional characters can be a very healing and validating experience. this is nonetheless a casual, well-intentioned reminder that gale, in fact, does not have bpd.
bpd is a pervasive pattern of instability affecting interpersonal relationships, self-image, and mood. the disorder is marked by impulsivity beginning in early adulthood and is present in a variety of contexts. a diagnosis requires at least 5 of the following 9 criteria to be met:
Fear of abandonment
Unstable or changing relationships
Unstable self-image; struggles with identity or sense of self
Impulsive or self-damaging behaviors (e.g., excessive spending, unsafe sex, substance abuse, reckless driving, binge eating).
Suicidal behavior or self-injury
Varied or random mood swings
Constant feelings of worthlessness or sadness
Problems with anger, including frequent loss of temper or physical fights
Stress-related paranoia or loss of contact with reality
source: [x]
i highlighted the criteria that do apply to gale in one way or another in a pretty purple.
i personally believe that it’s rather harmful to equate his relationship with mystra with her being “his fp”. she is a deity, his goddess, and the source of his powers, who is in in full control of the magic he wields.
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gale: mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold.
gale has been effectively groomed and conditioned to serve and revere her at every turn since early childhood. imo this comparison really undermines a lot of crucial points in gale’s story that deal with his overall trauma and abuse. after all, you wouldn’t call shar sh*dowhe*rt’s fp either.
gale doesn’t revile mystra, nor does he commit benevolent deeds solely motivated by the secret hope that she will somehow notice and take him back. when you meet gale in the game he has already fully come to terms with the fact that he has been abandoned by mystra with no hope of reconciliation whatsoever. he also had some very fitting lines in ea regarding this topic that i'm sad haven't been repurposed in the full release in some way.
gale: [the tadpoles] don't know that some things are impossible. they don't know that... they don't know. player: what is impossible about what you're being shown? gale: forgiveness. gale: it is mystra i see. and yet it cannot be her. there was a time when i would have believed - but no longer. gale: suffice it to say she would not bestow upon me the favors promised in these dreams. that is how i know they are delusions.
he has already reached the stage of acceptance. moreover, gale only starts to realize that mystra might have been in the wrong for requesting his death once the tadpole squad & tav speak some sense into him. and even then he doesn’t ever show that his emotions regarding mystra are anywhere along those lines. he is instead rightfully angered that she only saw value in his death, after he had been worshipping her loyally for years.
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gale: i worshipped mystra loyally for years, and in that time she granted me the barest sliver of the power i was ready to wield. gale: even with the fate of the world at stake, she had little more to offer me than the means of blowing myself up at a more convenient time. she's done nothing to help us.
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gale: you abandoned me in my hour of greatest need. i had no obligation to help you in yours. gale: because you had no right to ask that of me. you cast me out, remember?
gale doesn’t display rapid changes in mood either. he is a character who is generally very composed and has been known to remain nonchalant even in the face of utter horror. tim downie himself even commented on this once. source: [x]
the only instance i can think of is his sudden switch from resigned-to-death to utter-eye-sparkling-enthusiasm once he spots the crown of karsus. apart from crucial story reasons that i won’t touch upon in this post, i’d also like to add that it’s a rather common phenomenon for people who have just barely survived a suicide attempt to suddenly be filled with zeal and unbridled energy. he doesn't display impulsivity without thorough consideration when it comes to its acquisition either. he considers this a golden opportunity and is positively enthusiastic and elated that this might prove an alternative to him ending up in a cloud of netherese smoke. nonetheless, he knows what he is doing. evident in him actually succeeding in ascending in one of his endings.
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gale: this is no passing whim, trust me. if i can obtain that crown, it will affect us all. it is not a decision i'll take lightly. gale: it's our future that i'm thinking of - we can't rely on anyone else to do it for us. gale: for now - we've learned all we can.
neither are his relationships that we do know of (namely elminster, tara, and morena) frequently changing. they are marked by years of mutual respect, care, and consistency. there is nothing unstable about them. while it's important to note that his relationship with tav is still in its honeymoon stages during the main game, there is no inclination of any push-and-pull dynamic between them whatsoever.
gale isn’t preoccupied with keeping up some sort of benevolent act in order to win (back) affection — he genuinely IS a good person and he proves this at every turn. moreover, to have a tressym become your familiar you must be of Good alignment.
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(taken from tumblr user galedekarios's post.)
there is never a moment where his ideals or alignment suddenly change. in fact, i’d argue that he and wyll are most consistent in this regard when compared to the rest of the companions. gale makes his moral standpoint very clear from the beginning on and also explicitly states that he believes that in order to survive this entire ordeal it would be selfish of him if he wouldn’t be willing to compromise on his morals. this isn’t a sudden bout of ✨muahahaha wizard hubris✨ that he barely contained to hold in before, this is yet another act of selflessness — it is what he’s willing to do for the group and subsequently, the welfare of faerun.
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player: i love unsavoury things. don't feel guilty on my account. gale: that's good to know. although i should say i do what i do out of a sense of utility and pragmatism, not a love of the unsavoury. gale: we're up against the greatest threat faerun has ever faced. i don't mind getting my hands dirty if it gives us a better chance of surviving. gale: whatever advantage i can gain for us. i will. and i refuse to feel guilty for it, no matter how much mystra's chidings might echo in my skull.
this is him, once again trying to be useful in whatever way he can. to give them an advantage, a slither of hope against seemingly impossible odds, so they might make it out of this in one piece. gale wouldn’t approve of those actions under normal circumstances, but their predicament is as far from any definition of “normal” as it can get.
gale is no fool, he realizes this is essentially about survival. he knows that he has no option left other than to tolerate, which is why he can be convinced to not immediately depart tav’s company even if they choose to commit atrocities. this is no character flaw of his or him displaying a previously dormant openness for cruelty, this is about recognizing the necessity.
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player: you don't stand a chance alone. you're free to go. i dare you. gale: gods damn you - you're right. few things are more powerful than the will to live.
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gale: i thought the orb to be the greatest of my sins, but i see now that there are darker depths to which i might yet sink. you may be content to sink into that abyss, but i assure you - i am not.
gale doesn’t lead a split existence. he has a very strong sense of identity. he knows what he wants, what he doesn’t want and he isn’t shy in expressing his boundaries either. which he has especially shown when it comes to his relationship with tav. i originally had intended to touch upon this in another post entirely but: i firmly believe his entire Gale of Waterdeep™ persona is more of a performance than him struggling to find a sense of identity and trying them on for size. it is an intentional decision to separate gale dekarios from the great wizard of waterdeep, to create distance and make sure his family name remains untarnished in case things should ever go sideways.
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gale: i agree. and on the plus side, if i get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.
there is also a deep-rooted feeling of unworthiness and his firm belief that love and praise are conditional resources that he will only be granted through his talents alone, naturally. presenting himself as gale dekarios, the man, would mean highlighting his shortcomings and very human flaws, while distracting from the aspects of himself that are deemed praiseworthy, the ones that actually matter: his magical prowess.
i personally believe that part of the beauty of gale’s story is him realizing just how “little” it takes for him to be truly content. he gets his happy ending, with someone at his side who truly sees him, understands him and unabashedly commits to him. they worship and adore him in return — and it is well deserved. he isn’t reduced to be constantly and restlessly searching for some unattainable ideal to fill the gaping void within himself. he doesn’t secretly thirst for more power still or believes that in being with tav he is settling for something. instead, he is finally happy to just be. be and be accepted. teaching a class of unruly wizards and coming home to his spouse each day already fulfills him.
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gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.
even if he doesn’t pursue a romance with tav, he reaches a realization of “oh, it appears i am not irredeemably flawed and only able to reach true redemption through my own death. what i needed was actually with me all along.” throughout their journey and through his friend's support. i think that’s a very powerful and comforting message. he is very well capable of finding peace within himself.
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devnotes: his default state is that he returned to waterdeep and became a professor of illusory magic at his former school, blackstaff academy. general vibe here is that this is a gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.
to repeat myself: sharing your headcanons is all in good fun, nor should you ever be discouraged from doing so. this is your personal tumblr experience, after all. but i personally think we should be mindful of unintentionally perpetuating negative stereotypes, such as narcissism being a general indicator or being deemed a classic depiction of bpd. i think we can all agree that the continuous longing for acceptance, connection, praise, and approval is something we all have in common deep down, regardless of whatever disorder we may have. [insert victoria justice meme here]
gale may be many things to many people, but he is no entitled narcissist.
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