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#which. we all know there’s no way ALL of one piece will be adapted to live action
instinctsxbad · 9 months
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*scratching at the walls thinking about how no one has adapted Peter’s college arcs in a consistent and satisfying way.*
#coffee bean gang#spider-man#I was almost asleep but now I’m thinking about how there isn’t one piece of media out there that checks all the boxes#of adapting Peter in college + the coffee bean gang + doesn’t downsize the group or combine characters#+ does everyone in a decent way even if it’s not strictly comic accurate#raimi trilogy is one of the only ones that heads pretty quickly into the college era and also involves more than just gwen or mj#and as much as I like the films it does not handle the three of them in a way that scratches the itch for me#I mean for one it’s only Peter Harry and MJ. I like those three arguably the most but man the dynamic isn’t the same#especially bc Tobey’s Peter is much more serious and quiet/awkward with negative charisma (affectionately but still.)#MJ is mixed w Gwen’s personality which was disappointing to me bc I like MJ’s weird and super vibrant personality#and Harry loses some of the ‘kind of a sweet guy but very VERY fucked up’ and relies too heavily on Harry becoming the goblin for revenge#I sound super critical of the Raimi versions qhwjrjwkr I DO like them I do but it feels like completely alternate interps of the characters#most focus on spider-man’s origin which I totally get but also. Peter’s most interesting arcs happen in college#that’s why everyone has to adapt them into the high school years#(which they can do bc Peter was largely friendless during that time and was still fighting some truly d-tier guys#in between the forming of the famous spidey rogue gallery)#I mean I wouldn’t even complain if they chose to do the high school years and actually DID those instead of pasting the college arcs on it#I haven’t watch the 90s show but I want to— does Harry exist in that one bc I know they took out Gwen#at the risk of sounding like That kind of tssm fan. the closest we got to that dream was that show#bc they WERE gonna follow it into Peter’s college years and you could see them setting the gang up#it still fell into the ‘everyone is a childhood friend’ thing so the characters could all be there but it’s one of the most bearable ones
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wanoboywednesday · 10 months
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I think if the live action series does get more seasons they should go up to the end of alabasta and then stop. It would make sense and wrap up a complete story nicely, and could be done in couple more seasons so the show wouldn’t feel ‘unfinished’ when Netflix inevitably cuts it off 🙄
It would also be enticing to new fans (who’ve only watched the live action) if the show ended with them sailing off from alabasta. Like ‘oh boy the strawhats made it to the grand line and had their first big victory! where will they possibly go next???’ And if people want more they’ll go to the anime/manga
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feminist-space · 6 months
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Cat in the Hat:
"The German Health Minister gave an important update on the Covid situation yesterday.
I’ve written up the section of his speech from the video below for easy reading.
It’s immensely refreshing to see a government minister warning of the harms of Covid in such a transparent way."
https://x.com/_catinthehat/status/1732092683508678954
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Prof. Karl Lauterbach
Health Minister, Germany
4 December 2023
"This second (long Covid) round table was very interesting, lasting three and a half hours. It serves as a unique forum for dialogue among scientists, researchers and those affected by long Covid, facilitating the exchange of ideas.
There are many new findings about long Covid. Not all of them are good news. One piece of not-so-good news concerns the fact that long Covid is actually still a problem for those who are newly infected. One estimate that has been put forward is that the risk of contracting long Covid now, even after vaccination, is around 3%. Now you may say, "that's not such a big risk" , but there are tens of thousands of people who are repeatedly affected in a short period of time. And so, the long Covid problem has not yet been solved.
We have also established that there really are many subgroups of long Covid and that we do not yet have a cure. And it was clearly pointed out that we are also dealing with problems here that will challenge society as a whole, because vascular diseases often occur after long Covid. Throughout Europe, we are currently seeing an increased incidence of cardiovascular disease in the middle-age group - from 25 to 50. This is associated with the consequences of Covid infections.
We also very often find cognitive impairment in older people. And one participant pointed out that it may well be like the Spanish flu, where 20 years after the Spanish flu there was a significant increase in Parkinson's disease and probably also dementia.
This is something we must pay attention to, as the past infection afiects how the immune system in the brain functions, as well as the brain's blood vessels, potentially increasing the long-term risk of these major neurodegenerative diseases. This is why we need to conduct very intensive research. This research has played a major role.
What is the overall assessment of the situation now?
We have to be careful. Long Covid is not curable at the moment. We also know that over 40% of those who have several manifestations of long Covid, for example, five or more, still have symptoms after 2 years, so it doesn't seem to heal spontaneously. We also know that those whose symptoms are more pronounced at the beginning are less likely to heal.
So some of what we know from the demographics of long Covid has been confirmed, and we now know more precisely which mechanisms in the brain, but also in the blood vessels and the immune system, are responsible for this. Professor Scheibenbogan will explain this briefly later.
At this point, I can only say the following - this is particularly important to me:
First of all, long Covid is a disease that stays with us and that we cannot yet cure. And we are seeing an increasing number of cases as the waves of infection continue to affect us.
Secondly, Covid is not a cold - with a cold, you don't usually see any long-term effects. You don't see any changes in the blood vessels. You don't usually see an autoimmune disease developing. You also don't usually see neurological inflammation - these are all things that we see with long Covid. Therefore, one should not assume that Covid infection is just a common cold. It can affect brain tissue and the vascular system, and we still lack an effective treatment, making these studies crucial.
Significantly, we know that the risk of long Covid decreases when you're infected but have been vaccinated. That's why it's concerning that only 3 million people have been vaccinated with the new, adapted vaccine. That is a very bad result.
Please protect yourself from severe infections.
Please protect yourself from long Covid.
Currently, the danger posed by Covid is indeed being underestimated. Nothing is worse than infecting someone at Christmas who then becomes seriously ill and may not fully recover."
Alt text is included in all images of this post.
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pixeljade · 11 months
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The thing with the writers strike and actors strike is that. You ALL have to start realizing that the cool creative jobs they paint as "glamorous" in the media are actually ALL struggling in a big way, and basically everyone below "Huge Household Name" is actually often having to spend THEIR OWN DAY JOB MONEY to keep trying and trying to "break into" that household name status.
Like, im a cartoonist. Just starting out, but already fairly successful! My comics are sold in a handful of states, i sell out of my works, and i even have been featured as a finalist in a couple awards shows AND have pieces bought by a cartooning museum. I still barely make a couple hundred per month off it IF IM LUCKY, and spend almost as much trying to print more. Oh yes, i have to print my own comics! And working for a big comic company, they generally require you to bring some level of your own equipment. Heck, even if you make it "big" as a cartoonist...you wanna know how much you get paid if your comic that you spent months of back-breaking labor on is adapted into a marvel movie? A one-time check for $5000. Out of the BILLIONS those movies make, in perpetuity for eternity, you are given $5k. Pre-tax. Pre-agent. Pre-lawyer. (Yes we have agents and lawyers too, quite often). There's hardly any cartoonists who can afford to quit their day jobs, and even those who do are never living above the lower middle class range.
Now obviously cartooning is not the same as acting or writing, but my point is that we NEED yall to stop thinking just because you see our work as cool that we are living some dream life!!! Basically the only people who are living these dream lives you think of are CEOs of major companies and the occasional celebrity. The rest of us are just out here, struggling to survive just like you, we just happen to have a side hustle which is Kinda Cool.
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tarotwithavi · 7 months
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Venus in houses
Venus signifies love, beauty, relationships, art, aesthetics, and harmony in astrology. It also represents how we express affection and what we're attracted to.
These post are general and won't resonate 100% because we have to consider other aspects too.
For entertainment purposes only!
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Venus in the 1st house
People with Venus in the 1st house tend to be naturally charming and attractive. They have a friendly, approachable vibe that draws others in. People often find them physically appealing, even if they're not aware of it. These individuals have a certain grace and poise about them. They carry themselves with elegance and may have a good sense of fashion and style. They know how to make a positive first impression. Venus represents beauty, and when it's in the 1st house, these folks have a deep appreciation for all things beautiful. They may have a keen interest in art, fashion, or design. Socializing comes naturally to them. They enjoy being around people and are often the life of the party. They make friends easily and can adapt to different social situations with ease. Relationships play a significant role in their lives. They are often focused on creating harmonious and loving connections with others. They may fall in love quickly and enjoy the romantic aspects of life. In conversations, they tend to be diplomatic and tactful. They have a way of saying things that doesn't ruffle feathers, which makes them excellent mediators in conflicts. People with Venus in the 1st house are generally well-liked and popular. They have a magnetic quality that draws others to them, and they can often get what they want through their charm and charisma. Many of them have artistic talents, whether it's in music, visual arts, or any other creative endeavor. They may find joy and fulfillment in expressing themselves artistically. On the downside, they may have a tendency to indulge themselves a bit too much. This could manifest in overeating, overspending, or other forms of self-gratification. They often have strong preferences when it comes to aesthetics. They know what they like and don't like, whether it's in their home decor, clothing, or personal grooming. They value harmony and balance in their lives. Disruptions or conflicts can be particularly distressing for them, and they may go to great lengths to restore peace. Their personal values are very important to them. They are likely to stand up for what they believe in, and they seek partners and friends who share similar values.
Venus in the 2nd house
Having Venus here often means you appreciate the finer things in life. You might have a knack for making money and enjoy spending it on beautiful stuff – whether it's a fancy car, a stylish wardrobe, or a cozy home. You're likely drawn to luxurious and high-quality items. Quality over quantity is your mantra. You'd rather have one exquisite piece than a bunch of cheap stuff. Venus in the 2nd house can bring a touch of charm and grace to your financial dealings. People might find it hard to say no to you when you're asking for a loan or negotiating a deal. Your values play a significant role in your relationships. You're attracted to partners who share your values, especially when it comes to money and possessions. Harmony in these areas is important to you. You tend to be generous with your loved ones, showering them with gifts and treats. It's your way of showing affection. You usually have a good sense of how to manage your money. Financial stability is essential for your peace of mind, and you work to achieve it. Venus also rules beauty and art, so you might have a keen eye for design and aesthetics. You could excel in professions related to art, fashion, or interior decorating.You find pleasure in the sensory experiences of life – good food, beautiful surroundings, and physical comfort. This can also extend to your romantic life, where physical intimacy is essential. if Venus isn't well-aspected here, it could lead to overindulgence in spending or a tendency to be materialistic. Be mindful of not equating your self-worth with your possessions.
Venus in the 3rd house
Venus in the 3rd house blesses you with a silver tongue. You have a natural charm in the way you speak and interact with others. Your words are like sweet melodies, making it easy for you to connect with people on a personal level. You're a great conversationalist and can easily win people over with your pleasant demeanor. Venus is the planet of beauty and creativity, and in the 3rd house, it infuses your communication with a touch of artistry. You may have a talent for writing, public speaking, or storytelling. Your creative ideas flow effortlessly into your conversations, making them engaging and memorable. You're socially adept and thrive on building relationships with those in your immediate environment. This placement often indicates a strong bond with siblings, making you a friendly and supportive sibling or enjoying close relationships with your brothers and sisters. You may also have a knack for forming close friendships with your neighbors or people you encounter in your day-to-day life. Venus in the 3rd house can make you a lifelong learner. You have a curiosity about the world and a love for acquiring knowledge, especially in subjects related to art, culture, and aesthetics. This placement can encourage you to pursue studies or hobbies that involve beauty, such as literature, music, or the visual arts. While you're charming, your interactions with others may sometimes be perceived as flirtatious, even if that's not your intention. You enjoy the playful side of communication and may engage in witty banter or playful teasing. This can make you quite popular and fun to be around. In relationships, you express your affection through words and gestures. Love letters, sweet text messages, and small romantic surprises come naturally to you. You appreciate the beauty of love and use your communication skills to strengthen your romantic connections. Your relationship with siblings tends to be harmonious and supportive. You're there for them when they need you, and you bring a sense of ease and understanding to your family dynamics. The 3rd house also relates to short journeys. With Venus here, you may have a fondness for weekend getaways, road trips, or other short adventures, often with loved ones.
Venus in the 4th house
You find a deep sense of emotional security and comfort within the confines of your home and family. There's a strong need for a harmonious and loving domestic environment. You have a strong attachment to your home and might enjoy decorating and making it aesthetically pleasing. Your home is often a place of comfort, love, and artistic expression. Family plays a significant role in your life. You may have a close and loving relationship with your family members, particularly your mother or maternal figures. You attach sentimental value to family heirlooms, traditions, and memories. Your family's history and heritage are important to you. Your approach to love and relationships is nurturing and caring. You may express love through taking care of your loved ones, especially within the home environment. You seek a harmonious and peaceful home life, and you might go to great lengths to maintain a loving atmosphere. You enjoy entertaining at home and often find happiness in hosting gatherings. Venus in the 4th house can grant a good sense of style and design for home decoration. You may enjoy collecting art, antiques, or items of beauty for your living space. Your early childhood experiences, especially in your family, can strongly influence your attitudes and behaviors in love and relationships as an adult. There can be a strong interest in real estate, and you might invest in properties or find a career related to homes and interior design. Striving for balance and emotional security is crucial for your happiness. You seek relationships that provide a sense of comfort and emotional well-being.
Venus in the 5th house
With Venus in the 5th house, you have a magnetic charm that makes you naturally attractive and romantic. You seek love and pleasure in creative and playful ways. You enjoy the excitement of romance, and your relationships tend to be passionate and full of affection. This placement enhances your artistic and creative abilities. You may have a talent for music, art, or any form of self-expression. You find joy and fulfillment in creative pursuits and often use them as a means of showcasing your love and affection. Your inner child is very much alive, and you enjoy fun and playfulness. You may have a special connection with children and might excel in roles involving teaching or working with young people. Your love life often resembles a romantic fairy tale. You have a love for entertainment, whether it's through the arts, sports, or other leisure activities. You enjoy the finer things in life and are willing to invest in experiences that bring pleasure and luxury. Your charm and charisma are accentuated, making you a natural flirt. You tend to be social and love attention, often becoming the center of attraction in social settings. This can be a positive trait in your love life and personal relationships. You may be more willing to take risks in matters of the heart. This can lead to exciting and passionate relationships, but it may also involve some ups and downs. Love and creativity often go hand in hand for you, and you're not afraid to pursue your passions. If you become a parent, your love for children will shine through. You're likely to be a warm, affectionate, and creative parent who encourages your children to explore their own creative talents. Venus in the 5th house can bring out your dramatic side. You enjoy being in the spotlight and expressing yourself with flair, whether on stage or in everyday life. You may have a wide range of hobbies and interests that allow you to express your creativity and love. Your interests can become a big part of your identity and how you attract and connect with others.
Venus in the 6th house
You have a natural flair for bringing beauty and creativity into your job. You tend to enjoy work that involves art, aesthetics, or social interactions. You are likely to be diplomatic and pleasant in your interactions with colleagues and clients, making you a valuable team member. Venus in the 6th house often bestows good physical health. You are inclined to take care of your body and may be drawn to activities like yoga or other forms of exercise that are not only beneficial but enjoyable too.You are charming and diplomatic in your interactions with co-workers. This can create a harmonious work environment, but be cautious of overindulgence in office gossip or drama This placement can signify a love for helping others. You may be drawn to careers in healthcare, social work, or any field that involves assisting and nurturing people. You have a strong need for beauty and aesthetics in your daily life. You might decorate your workspace, have a well-organized and visually pleasing schedule, and appreciate the finer things in your daily routines. Your creative talents can be expressed through your work. You may find ways to infuse artistry into even the most mundane tasks, making your daily routines more enjoyable and fulfilling.Be cautious about romantic involvements in the workplace, as Venus in the 6th house can lead to romantic attractions with colleagues. It's essential to maintain professionalism in such situations. You may struggle to find a balance between work and personal life, as you can become so absorbed in your job or daily tasks that you forget to take breaks for self-care and enjoyment.
Venus in the 7th house
Venus in the 7th house indicates a deep need for harmonious relationships. You are drawn to partners who are attractive, charming, and cultured. You seek equilibrium and balance in your partnerships and may avoid conflict whenever possible. You have a natural ability to attract people and form meaningful connections. You may be seen as diplomatic, charming, and well-liked in social situations. Your charisma can be a significant asset in your personal and professional life.This placement often signifies a strong desire for committed and long-lasting partnerships. You are likely to value the institution of marriage and may dream of a fairy-tale romance. Venus in the 7th house can enhance your artistic and creative talents, as the 7th house represents partnerships, and Venus is the planet of aesthetics. You might find artistic expression through collaboration or partnerships. You have a refined sense of beauty and may be drawn to artistic or visually appealing partners. You appreciate art, fashion, and all things aesthetically pleasing. In your relationships, you tend to be diplomatic and value compromise. You may go to great lengths to maintain peace and harmony, sometimes at the cost of expressing your true feelings. This placement can influence not only your personal relationships but also your business partnerships. You're likely to have a good sense of business and can form lucrative partnerships, particularly in ventures related to beauty, art, or design. While Venus in the 7th house brings a lot of positive attributes, there can be challenges too. You may struggle with being overly dependent on your partner for emotional well-being, and at times, you might fear being alone. People with Venus in the 7th house often attract love into their lives. However, the challenge lies in maintaining that love over the long term, as you may idealize your partners. Your ability to negotiate and find common ground with others is a significant strength. You're skilled at resolving conflicts peacefully.
Venus in the 8th house
You possess an intense and deep emotional nature. Your feelings are not superficial; they run profound and can often be veiled, even to yourself. In your romantic relationships, you seek deep, passionate, and transformative connections. You're drawn to intense, soulful bonds with your partners. Your desires and pleasures are deeply rooted in the physical realm. Sensuality plays a significant role in your life, and you may have strong sexual appetites. The 8th house is also associated with shared resources and joint finances. You may have financial dealings with others, such as business partnerships or shared assets with a spouse. Venus in the 8th house can give you a magnetic and alluring presence. People may be naturally drawn to you because of your intense charm and charisma. You are inclined towards personal transformation and growth. You're not afraid to confront the darker aspects of life and explore the mysteries of the human psyche. You take your relationships seriously and are willing to invest a lot of emotional energy into them. Loyalty is crucial to you, and you may have a tendency to hold onto relationships longer than most. Financially, you may experience highs and lows. Joint financial matters can be a source of both gain and loss. It's essential to be cautious in financial partnerships. The 8th house is associated with the occult, mysteries, and hidden knowledge. You might have a natural inclination towards astrology, tarot, or other mystical subjects. Venus in the 8th house can also lead to a desire for control in relationships and financial matters. You may find it challenging to trust others completely. Your love life is often transformative. Relationships have the power to change you, and you may go through periods of intense emotional growth and change through love. On the downside, you might struggle with jealousy and possessiveness in relationships. It's important to work on trust and open communication. Venus adds an element of grace and elegance to your personality. You have a refined taste and may enjoy indulging in luxurious and beautiful things.
Venus in the 9th house
You possess a deep love for exploring new horizons, whether through travel, higher education, or spiritual pursuits. The desire to expand your worldview through these means is a significant part of your life.Venus brings harmony to your beliefs and values. You seek a sense of unity and may find beauty in various cultural, philosophical, or religious traditions. This placement often indicates a person with a more liberal and open-minded approach to different belief systems. You're attracted to intellectual and philosophical subjects. Learning is not just a duty but a pleasure for you. You may excel in fields related to higher education, publishing, or teaching. Venus in the 9th house encourages an appreciation for art, culture, and aesthetics from around the world. You might have a love for foreign languages, literature, or art. In relationships, you may be drawn to partners from diverse cultural or educational backgrounds. Romantic relationships often have a touch of adventure and exploration. Travel can be a source of pleasure and learning for you. You may have the opportunity to travel for pleasure and education. These experiences can be pivotal in your personal growth. Your ability to express your beliefs is marked by diplomacy and charm. You can discuss sensitive topics without causing offense and might even be a mediator in philosophical or religious debates. You seek deeper, spiritual truths and might explore various belief systems to find your own path. This placement often indicates a person on a lifelong journey of self-discovery. Your sense of aesthetics is influenced by your exposure to different cultures. You appreciate the beauty in diversity and may incorporate elements of various cultures into your personal style or home decor. At times, your strong desire for expansion and exploration can make you restless or commitment-averse in relationships. You may need to find a balance between your love for freedom and the stability of a long-term partnership.
Venus in the 10th house
You are likely to be quite focused on your career and public image. Venus in the 10th house suggests that you have a strong desire for success and recognition in your chosen field. You're drawn to professions that involve art, beauty, fashion, design, or anything that allows you to express your creative and aesthetic talents. You possess a natural charm and diplomacy that makes you adept at dealing with people in authority. This can be a valuable asset in your professional life, as you have the ability to network, negotiate, and create positive relationships with influential individuals. You have a refined sense of aesthetics, which can be applied to your career choices. Whether you are an artist, a fashion designer, or even in a corporate setting, you appreciate beauty and elegance. This can help you stand out in your profession. Your public image is important to you, and you are often seen as someone with a strong sense of style and grace. People may view you as a tastemaker or a person who embodies the ideal of beauty and harmony. Venus in the 10th house can also indicate an interest in social standing and a desire to be associated with those in higher social strata. You may feel comfortable in elite social circles and aspire to climb the social ladder. You tend to approach authority figures with diplomacy and grace. This can help you navigate your way through the corporate world or other hierarchical structures with finesse. There can be a connection between your career and your relationships. You may meet significant others through your professional endeavors or choose a partner who is supportive of your career goals. Careers in public relations, marketing, or any field that involves presenting an appealing public image may be particularly suitable for you. Your ability to make things look good is a valuable skill. You are likely to gain popularity and recognition in your career, which is influenced by your charm and your ability to win people over. However, be mindful of balancing your personal and professional life. With Venus in the 10th house, there can be a tendency to prioritize your career at the expense of your personal relationships, so it's important to find equilibrium.
Venus in the 11th house
Venus in the 11th house is like a social magnet. People with this placement often have a natural charm and are well-liked by their friends and acquaintances. They're the ones who make social gatherings more enjoyable. This placement fosters strong and meaningful friendships. Venus encourages harmonious connections, and in the 11th house, it means you're likely to have a wide circle of friends who genuinely care about you. The 11th house is associated with social causes and humanitarian efforts. With Venus here, you might be drawn to charity work or other activities that promote social well-being. Venus in the 11th house makes you great at networking. You easily connect with people who can help you professionally and personally, which can be a significant asset in your career. You're a team player by nature. Collaboration and group activities bring you joy, and you're likely to excel in team-based projects. You might find yourself involved in social or community events, and people often look up to you as a popular figure. Your charisma and appeal can lead to a high level of popularity. In matters of love, you're an idealist. You seek a partner who not only shares your goals and dreams but also someone who is your best friend. Your love life is often intertwined with your social circles. This placement can also bring creative friends into your life. You're drawn to artistic, musical, or creative individuals who inspire you. On the flip side, there can be a tendency to keep some emotional distance from friends. You might appear more aloof than you actually are, which could be misunderstood by some. The 11th house represents your hopes and dreams. With Venus here, you're likely to have artistic and aesthetic aspirations. You may want to make the world a more beautiful place. Venus is linked to money, and in the 11th house, it can bring financial opportunities through your network and friends. Your social connections might play a role in your financial success.
Venus in the 12th house
This placement often indicates secret or clandestine love affairs. You might find yourself drawn to relationships that aren't out in the open, maybe due to societal or personal reasons. You've got a vivid imagination and a strong creative streak. This could manifest in artistic talents or a penchant for daydreaming. You tend to keep your emotions hidden, even from yourself. It can take a while for you to truly understand what you want and need in love and relationships. The 12th house is about self-sacrifice, and with Venus here, you might find yourself giving a lot in your relationships, sometimes to the detriment of your own needs. You have a deep well of compassion and empathy for others. You might be drawn to help those who are less fortunate or in need. Venus in the 12th can inspire artistic pursuits in seclusion. You might excel in creative fields where you can work behind the scenes. This placement can also indicate a strong connection between love and spirituality. You might seek a partner who shares your spiritual beliefs or find love in places of worship. On the flip side, relationships can be a source of inner turmoil. You might attract partners who are emotionally complex or who bring hidden issues to the surface. Your idea of romance can be dreamy and idealistic. You might have high expectations in love and may need to learn to balance these with reality. The 12th house is often associated with past life issues and karma. You might feel a strong karmic connection with some of your partners. Privacy is essential to you when it comes to love. You might not be one to flaunt your relationships on social media or in public. Your desires in love can be somewhat unconscious, and you may not always understand why you're attracted to certain people or situations.
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fuckyeahisawthat · 2 months
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There are so many places in the Villeneuve Dune adaptations where he just...takes all the narrative pieces that Frank Herbert laid out and subtly rearranges them into something that tells the story better--that creates dramatic tension where you need it, communicates the themes and message of the book more clearly, or corrects something in the text that contradicts or undermines what Herbert said he was trying to say.
The fedaykin are probably my favorite example of this. I just re-read a little part of the book and got smacked in the face with how different they are.
(under the cut for book spoilers and length)
The fedaykin in the book are Paul's personal followers, sort of his personal guard. They show up after his legend has already started growing (the word doesn't appear in the book until chapter 40) and they are people who have specifically dedicated themselves to fighting for him, and right from the moment they're introduced there is a kind of implied fanaticism to their militancy that's a bit uncomfortable to read. They're the most ardent believers in Paul's messianic status and willing to die for him. (They are also, as far as you can tell from the text, all men.)
In the book, as far as I can remember (I could be forgetting some small detail but I don't think so) there is no mention of armed resistance to colonialism on Arrakis before Paul shows up. As far as we know, he created it. ETA: Okay I actually went back and checked on this and while we hear about the Fremen being "a thorn in the side" of the Harkonnens and we know that they are good fighters, we don't see anything other than possibly one bit of industrial sabotage. The book is very clear that the organized military force we see in the second half was armed and trained by Paul. This is exacerbated by the two-year time jump in the book, which means we never see how Paul goes from being a newly deposed ex-colonial overlord running for his life to someone who has his own private militia of people ready to give their lives for him.
The movie completely flips all these dynamics on their head in ways that add up to a radical change in meaning.
The fedaykin in the movie are an already-existing guerrilla resistance movement on Arrakis that formed long before Paul showed up. Literally the first thing we learn about the Fremen, less that two minutes into the first movie, is that they are fighting back against the colonization and exploitation of their home and have been for decades.
The movie fedaykin also start out being the most skeptical of the prophecy about Paul, which is a great choice from both a political and a character standpoint. Of course they're skeptical. If you're part of a small guerrilla force repeatedly going up against a much bigger and stronger imperial army...you have to believe in your own agency. You have to believe that it is possible to win, and that this tiny little chip in the armor of a giant terrifying military machine that you are making right now will make a difference in the end. These are the people who are directly on the front lines of resisting oppression. They are doing it with their own sweat, blood and ingenuity, and they are not about to wait around for some messiah who may never come.
From a character standpoint, this is really the best possible environment you could put Paul Atreides in if you want to keep him humble. He doesn't get any automatic respect handed to him due to title or birthright or religious belief. He has to prove himself--not as any kind of savior but as a good fighter and a reliable member of a collective political project. And he does. This is an environment that really draws out his best qualities. He's a skilled fighter; he's brave (sometimes recklessly so); he's intensely loyal to and protective of people he cares about. He is not too proud to learn from others and work hard in an egalitarian environment where he gets no special treatment or extra glory. The longer he spends with the fedaykin the more his allegiance shifts from Atreides to Fremen, and the more skeptical he himself becomes about the prophecy. This sets up the conflict with Jessica, which comes to a head before she leaves for the south. And his political sincerity--that he genuinely comes to believe that these people deserve liberation from all colonial forces and his only role should be to help where he can--is what makes the tragedy work. Because in the end we know he will betray all these values and become the exact thing he said he didn't want to be.
There's another layer of meaning to all this that I don't know if the filmmakers were even aware of. ETA: rescinding my doubt cause based on some of Villeneuve's other projects I'm pretty sure he could work it out. Given the time period (1960s) and Herbert's propensity for using Arabic or Arabic-inspired words for aspects of Fremen culture, it seems very likely that the made-up word fedaykin was taken from fedayeen, a real Arabic word that was frequently used untranslated in American news media at the time, usually to refer to Palestinian armed resistance groups.
Fedayeen is usually translated into English as fighter, guerrilla, militant or something similar. The translation of fedaykin that Herbert provides in Dune is "death commando"...which is a whole bucket of yikes in my opinion, but it's not entirely absurd if we're assuming that this fake word and the real word fedayeen function in the same way. A more literal translation of fedayeen is "self-sacrificer," as in willing, intentional self-sacrifice for a political cause, up to and including sacrificing your life.
If you apply this logic to Dune, it means that Villeneuve has actually shifted the meaning of this word in-universe, from fighters who are willing to sacrifice themselves for Paul to fighters who are willing to sacrifice themselves for their people. And the fedaykin are no longer a group created for Paul but a group that Paul counts himself as part of, one member among equals. Which is just WILDLY different from what's in the book. And so much better in my opinion.
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You may notice I frequently comment on the assumptions people make about animal facilities based on their branding. Frequently, people assume accredited facilities are inherently better for animals than unaccredited facilities, or assume sanctuaries are inherently more moral / better at caring for their animals than zoos.
I want to show you an example of why I am always, always skeptical of these assumptions.
If you’re in the California area, you might have heard about Hank the Tank - who is actually a Henrietta, btw - the 500 pound nuisance bear from Lake Tahoe who broke into 21 homes in search of food. She was recently captured by wildlife officials and moved to a sanctuary in Colorado. The Wild Animal Sanctuary has three main facilities, two in Colorado and one in TX. To give you some context, it’s the biggest carnivore sanctuary in the country - they advertise somewhere between 300-500 animals, mostly large carnivores, between their properties. It’s where most of the Tiger King cats went. It’s PETA’s preferred placement for confiscated exotic animals. So, obviously, it’s got to be great, right? Except… take a look at what they posted about Henrietta’s arrival.
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Here’s their post about Henrietta’s arrival at the Refuge, the large facility in Colorado that isn’t open to the public. Let’s take a closer look at that food trough…
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What do we see here? An entire rotisserie chicken that is either blackened or highly seasoned, and a whole ham. Maybe a second chicken underneath the pile, I can’t quite tell. The sanctuary gets the majority of their bear food donated from groceries stores once it’s past the sell-by date, so we know those are older meats and they’re full of a ton of salt. Then, for fruit and veg, there’s a cantaloupe, mango, corn, avocado, grapes, and apples. Maybe a pepper or two, it’s hard to tell. That’s a lot of sugar and not a lot of fiber or roughage.
But… on top of it and to the right… are those Twizzlers?
Yes.
The sanctuary confirmed on Facebook that they fed this recently rescued obese bear what looks like almost an entire pack of Twizzlers.
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I don’t know of any world in which it’s appropriate to feed candy to a bear. Maybe a piece or two as a really high value reinforcer for hard behaviors (that isn’t relevant here, it’s openly against this sanctuary’s ethos to do any husbandry or medical training). An entire pack of Twizzlers is just appalling. But it’s not uncommon for this facility! I have a book written about their operations and animal care (that I bought at their gift shop this spring) which openly discusses how the bears get fed bread, doughnuts, marshmallows, and all sorts of incredibly unhealthy food that comes in with the grocery donations.
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But hey, this is apparently fine for the bears, according to the sanctuary’s founder. He was quoted in that same book as saying “Bears are the only animal I know of that can eat insane amounts of sugar and it never hurts them. It does not hurt their organs. They do not get clogged arteries. They do not have high blood pressure. In the wild they eat all these sweet berries in the fall, and they convert sugar to fat… so the more sugar they get the better… we would all love to have a system like that!”
Now while it’s true that bears have physiological adaptations that modulate their insulin production and sensitivity in ways that appear to prevent them from from developing diabetes, that does’t mean it’s healthy for them to regularly eat processed carbohydrates, sugar, and general junk food. And remember - Henrietta gained her fame because of how incredibly overweight she already is, and because she was seeking out human food, According to the Washington Department of Fish and Wildlife, a healthy weight for a normal adult black bear is between 100-300 pounds. So, obviously, the best thing to do is… continue to feed her candy.
Then, later on in the book, it details how they have to bribe a camel to sit tight for a regular medical examination (since they don’t train for medical behaviors) by letting him drink a can of Mountain Dew each time.
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If a zoo was known publicly to be feeding their animals Mountain Dew or a couple Twizzlers - even just once, on a rare occasion - they’d be eviscerated in the media and by public opinion. But feeding out inappropriate junk food appears to be a pretty common practice at this place, and it just goes unscrutinized because everyone assumes sanctuaries are inherently better for animals.
So, long story short, never make assumptions about the quality of a facility based on it’s branding or accreditation. (TWAS is accredited by the Global Federation of Animal Sanctuaries). If you have concerns about the ethics or practices of a facility, always try to put your preconceptions aside, go and see for yourself, and think critically about what you see and what you’re told.
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erideights · 9 months
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Little pieces here and there (1)
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Pairing: Buggy x Fem!Reader (One Piece Live Action)
Chapters: two, three, four, five
Word Count: 2,6K (i was inspired by god itself)
Warnings: none, lot of context (i promise the next chapter will have way less filling), light flirting
A/N: I HAVE ALREADY THOUGHT ABOUT AT LEAST 5 CHAPTERS MORE, I HOPE SOMEONE LIKES THIS FIRST ONE BECAUSE I'M ON MY KNEES FOR THIS DAMN CLOWN. Let me know if you wanna be tagged in other parts! (Side note: i'm spanish, so if there's some mistakes, i'm trully sorry, i don't have beta readers).
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It's not enough to suddenly find herself locked in a box with 3 idiots she met a matter of hours ago, no; To make it worse, as it could not be otherwise, it turns out that she is in a bloody circus, ''kidnapped'' by a band of pirates that she recognizes as soon as she sees the red and white tent over their heads, the distressed faces of the poor people that make up the audience, and the costumes of the band around them.
She sighs, and wonders what the hell she's doing there despite knowing perfectly well what kind of decisions have led her to that damned place. Wanna know what happened? Let's recap, shall we?
(Y/N) (S/N). That name doesn't sound familiar, right? Very few know it but the reputation that accompanies the person who responds to it is very famous throughout the 4 seas. She is not a bounty hunter, nor a marine, neither a pirate or a pirate hunter, like the green-haired hottie with whom she finds herself in such trouble, or a thief, like the ginger who she bet, will escape running without looking back at the slightest opportunity she finds.
No, she's a mercenary. She doesn't work solely for money, otherwise she would go against the most bloodthirsty and ruthless of each sea, and that doesn'tt interest her, because she would put herself on the radar of both the pirates and the marines.
No, she is contacted through different channels, none of them direct, and if the job interests her, amuses her, or even piques her curiosity, she accept it. She goes after all kinds of people, whether they are pirates or marines, gangsters at the top of the terror scale or criminals who, like her, tried to keep a low profile.
However, and as we were saying, despite trying to remain anonymous, she is good at her job, a born strategist with an incredible facility to adapt and blend in with her surroundings to sneak into the most remote places, so her existence inevitably began to be noticed along the seas, rumors about this young mercenary with an angelic face, who only responded to her own morals and of whom few escaped to tell the tale.
And this is how she met that group of weirdos who found each others through the power of the plot's convenience; her last assignment was to steal the map from the Grand Line. There are not many, these kept safe and protected in large fortresses throughout the globe, and among all those that she could have tried to steal, she made the horrible decision of going for the one that was closest to her, encountering those three idiots in the crossfire of the disaster that unfolded in Shells Town.
How did she end up giving up the assignment and at that precise moment there, with them?  Simple: Luffy piqued her curiosity. And there are few things stronger than (Y/N)'s curiosity.
"Hey, I know you. I saw your wanted poster in Shells Town, you're the clown guy. Umm, uh… Binky, right?" Luffy exclaimed, as confident of himself as usual.
Buggy, she mentally corrected, arms crossed over her chest, rolling her eyes at the same time the clown corrected loudly and dramatically listed his many nicknames. Which she was sure, only he called himself.
''Wow, you have a lot of names. I bet everyone in the East Blue knows who you are.” The audience gasp. There's confusion in the boy's face, and an almost psychopatic tic in the clown's one. ''What did you just say?'' Buggy asks lowly. ''Just that everyone knows who you are.'' Luffy repeats.
''Nose!? Are you making fun of my nose!?’’
Then came the slap, like the one someone usually gives when a friend is trying to steal their food or touch something they definitely shouldn't. Buggy is killing the straw hat boy with his eyes but the gesture is so… innocent.  She expected threats with knives, to be honest.
And because of the unexpected, she almost let a laugh escape in the form of a cough but she controlled herself fast enough to not grab unnecessary attention to her.
''What's real is...'' Buggy resumes the conversation, getting some distance with Luffy to walk around the rest too.  ’’I’ve been scheming for months to steal that map from old Axe-Hand moron…’’ (Y/N) sees how he approaches her, but she didn't expect him to close the distance between each other so much, his nose almost touching her own, sharp blue eyes fixed on her from a slightly lower perspective. The truth is... that she also doesn't know how to tell if that nose is real or not, but now she really wants to touch it to find out. Dear God, what a realistic texture. It’s incredible.
Pressing her lips together in a contained expression as she shakes her head, she raises an eyebrow, letting him know that the joke wasn't as funny as he hoped, and he clucks, accepting defeat in such good humor that no one would say, that is a kidnapping and someone would end up dead by the end of the day.
She heard of him. His reward was not one of the highest but neither one of those that go unnoticed in the East Blue. He was also an eccentric, of course people talked about the blue-haired, red-nosed clown who terrified his victims in a macabre way. Those who survived ended up traumatized.
He is, or at least looks, younger than she imagined, and he fit right in with the urban legends of evil clowns kidnapping children and then dismembering them. She wonders, silently, thoughtful eyes scanning his face and body language from a distance, if this is some softie on the inside with high aspirations in life who was unfortunate enough to bump into someone who traumatized him and hence all this show and facade of the cruel and heartless clown -to protect himself as the good cliché he seems- or if, on the contrary, he is, simply and plainly, a yandere who craves attention no matter how he has to obtain it.
If she remembers correctly, there was also a rumor that he ate a devil fruit. Just like Luffy, which it doesn't take long for the clown to discover after Zoro tries to save the situation by showing off his reputation -obviously it doesn't work- and Nami does exactly what (Y/N) predicted. Not her fault, either, she doesn't owe any of them anything at all.
''Okay. Here ends the theatrics.’’ The lights go out and it’s then that everyone can small the disaster in the air. A chill runs down the back of (Y/N), who tends to infiltrate without being seen and avoids, whenever possible, a direct encounter; hand-to-hand combat is not exactly his specialty. And given the circumstances is impossible for her to know if the daggers she usually hides in the side of his combat boots -for emergencies like this one- are still there. ''I know one of you has my map, and I'm gonna get it back. What was it you said, Rubber Boy? That it was in a safe place?”
How long were they unconscious before? Enough to hijack the ship, get to land, and move 4 dead weight bodies to that circus, locking them in a box. By that point she would bet some member of the gang would have thoroughly searched the ship, and them too. Disgusting.
Buggy takes a last, attentive look at both Zoro and Nami, ruling out that one of the two has the map because when the girl tried to flee, Luffy was not shocked thinking that perhaps she would steal it from him. Which leaves the two of them, Luffy and her, alone with him.
''So, please'' the clown gestures to his subordinates with his head. ''make these two guests uncomfortable in the green room. I’m gonna have a chat with my stretchy new pal and…’’ His eyes jump to her, tilting his head to the side with genuine curiosity. ''this beauty that was incapable of taking her eyes off me.''
Fuck. Was it that obvious?
''Doll, you are the only one who hasn't opened your mouth yet and I don't think it's because you’re a shy little flower.'' He begins, circling around her like an animal hunting its prey, analyzing it, hoping to see a chink of weakness to attack. ''Are you bored?'' He asks almost in a whisper near her ear. ''Is that it? Are you so, so bored that you don't think it's worth enough interacting with the rest of us?'' Breaking away from her when he realizes she doesn't falter, he smiles a huge, threatening smile, looking her up and down in such a way that it almost makes her feel dirty. "Or maybe you're the one who has my map, and you're quiet to try not to attract /my/ attention."
She? The map? Wearing such tight pants and top? Yeah, maybe up her ass, but she's not the one who is going to tell him otherwise because if he, or one of his subordinates, comes to search her, she could take advantage of the opportunity to steal some sort of weapon from them.
In particular from Buggy; (Y/N) saw the knives he keeps in his coat and… she wouldn't mind taking a closer look at that interesting nose.
"Busted." She finally admits with a lopsided smile, raising both eyebrows when she sees the surprise on the clown's face. He didn't expect such a cocky response, did he? "I'm not the type of person who likes to attract attention, the spotlight is for others who are more... flashy." She pronounces it honeyedly, repeating the same nickname he used before, pointing at him with a gesture of her chin. "However, I'm not going to tell you where the map is. If you want to find it, come and search for it yourself."
Shrugging her shoulders, she stretches out both arms in a gesture that invites him to come closer. Bold, he thinks, more than pleased with this unexpected turn of events, taking some steps in her direction. She adds once more: "although I would be surprised if you hadn't already done it during the time we have been unconscious"
"Me?" He points at himself, stopping right in front of her. "Take advantage of a defenseless young lady?" He almost sounded offended if it wasn't for the shit eating grin and the eager way he was scanning her body now. "What kind of degenerate do you take me for?"
She scoffs, and Buggy, unsure, seems to consider -for some long seconds- whether or not to do the job himself, (Y/N) being too calm for how helpless she seems. But surely, he knows, she doesn't have any weapons on her; his subordinates were in charge, as she said, of searching all of them as soon as they were brought to the circus.
In the end he gives up, because he would be damned if he dared to refuse to thoroughly touch this mysterious woman who may, just may, have his map hidden somewhere. He strongly doubts it, tho.
Soon enough, he moves again, standing then behind her, and without asking permission, he doesn’t need it either, his hands start roaming her shoulders and sides slowly, making sure to feel anything weird between her clothes and the skin underneath. Like the fucking map, folded until it is nothing more than a small piece of paper easy to hide. 
Because that is the whole point of that scene, right?
"Go on, be my guest." she says sarcastically, trying to stay calm and breathe slowly, because (Y/N) likes to pretend to be made of stone, but not /that much/. The pressure of those gloves against her already tight clothes and the hungry way she knows those -green? blue? difficult to say with those circus lights- eyes are watching her every move make her heart beat a bit faster in something she’d call /the average amount of nervousness when a known, wanted pirate search for something we wants while threatening to kill you if he doesn’t find it/.
Buggy, on the other hand, is so engrossed in his task that his usual cocky smile has disappeared a few seconds ago; he is waiting to feel a change in the girl's body language to be able to guess if she has it or if, on the contrary, this search will be saved in his memory as no more than a small pleasurable pause after all the stress that the goddamn map is putting him through. Because he can't deny it, she's actually a beauty, and in other circumstances he wouldn't mind getting to know her in a funnier way. At all.
Inhaling deeply, wetting his red lips with his tongue, he lets the air out slowly, tilting his head to the side to see her better. He should hurry up and stop making that scene as intimate as it's becoming, audience and all, but he's a thorough man. Or that’s the excuse -explanation- he will give to whoever dares to ask.
"Where the hell did you hide my map?" He asks melodiously as he finishes searching her torso, his right hand starting to go a little lower, getting dangerously close to her hipbone when (Y/N)'s right hand flies up and catches his wrist between her fingers, stopping him dead in his tracks. She couldn't help it, she acted on autopilot, she is not ready to be the main character of a porn movie with audience included letting him roaming all around as he pleases. "Not between my legs, so keep lowering your hands and I'll cut them off." she threatens, turning her face to look at him standing behind her.
Right back, as if those words were magical or something, the huge, shit eating smile of his returns to the lips of the unstable clown, and without letting go, he makes her spin, facing her with both hands on her waist, strongly keeping her in place, sharp eyes fixed on her, and without realizing it, she stops breathing for a second. "You promise?" He whispers, pleads almost, in an amused, delighted tone of voice after such a threat. She was way interesting than he expected, not as shy or scared as an unarmed girl like her should be. He likes that. A lot.
However, he has -sadly- things to do and he did in fact, already lost time with her. His eyes betraying him the moment they land on the girl's lips, Buggy winks at her with a cocky expression and pulls away suddenly, raising both arms "Another disappointment, how many more can our audience endure? You’re the only one left, Rubber Boy, don't let me down." He points him, moving closer, while (Y/N) just stays there where he left her, wondering what the fuck just happened and why does her heart run so fast now.
Adrenaline, probably.
"Take her with the others" he ends up saying to a couple of members of his gang, to which she responds by moving on her own in the direction of where they have taken Zoro and Nami before, preventing them from guiding her by force and discovering the knife she stole from Buggy when he got so damn close to her, and which she secretly hid between the waistband of her pants and her shirt.
Risky, she could cut herself with the smallest movement at the least expected moment, but it was way worse to see herself unarmed.
Buggy, infatuated, takes one last look at her and, raising one hand, waves his fingers in the air with a huge smile on his face as he says goodbye to her.
"See you later, love."
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vashtijoy · 5 months
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shido's palace: those posters
And you know the ones I mean:
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Shido, we can see right up your nose. But let's talk about the text on these. First, the really big bit on the left:
獅童正義 shidou masayoshi
Look at the kanji there. His given name is twice the size of his family name. Plus, his given name doesn't have the furigana (tiny text to tell you how to read it) that you can see against his family name—despite it being easily misread as a common noun.
Because, as eny fule kno, Shido's given name is spelled the same way as 正義 seigi, meaning "justice". This will be important later. The game lampshades this, by the way, in gossip chats around the election:
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"Shido-san really lives up to what his name means. He's like justice personified." Okay, gossiping person, you do you.
united future
At the bottom, in tinytext next to his spooky Illuminati-esque Whole World In His Hands logo that isn't megalomaniacal at all, we have the name of his new splinter party:
未来連合 mirai rengou United Future
未来 mirai means future; 連合 rengou means a bloc, a coalition, an alliance or union. 連合ヨーロッパ rengou yooroppa, "a federal Europe"; 連合国 rengoukoku, "the Allied powers". So we get "United Future", perhaps less catchily "The Alliance for the Future", which is very much the sort of name new Japanese political parties tend to have.
what about that other bit
Hahaha, you mean this little thing?
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This is Shadow Shido's slogan. This sums up his mission, his motive, the whole reason he wants power. And what does it say?
私のために、民衆は尽くす watashi no tame ni, minshuu wa tsukusu The people will serve me.
What a nice thing to say! What an excellent sentiment, befitting of a public servant in a democracy! And what an unashamed piece of shit, eh? You can see why Japan is underwater in his head.
Constructions of the form X no tame ni tsukusu are quite common; my dictionary lists several. So this little phrase is a play on words in at least two ways:
First of all, it's an adaptation of a well-known phrase, 民衆のために尽くす minshuu no tame ni tsukusu, "to serve the people". Shido has taken this and inverted it: the people will serve him.
But second—remember how Shido's given name, Masayoshi, is written the same way as seigi, meaning "justice"? One of those common little example phrases in my dictionary, under tsukusu, is the following:
正義のために尽くす seigi no tame ni tsukusu to work for justice
This is why his given name is in massive letters on the poster: because this play on words is deliberate on his part: Shido is justice, as his name should tell you; he defines what is good and right and true—and what's good and right and true is what is in his interests. And so the people will serve him. The same way they'd serve the nation, or society, or the public good.
It's a really interesting line. And, of course, it calls to mind Akechi—supposedly a detective, in the service of justice, and yet in reality....
BTW, don't forget this is Shido's Shadow talking. How much does Shido himself, the guy walking about upstairs, delude himself about all this? That's an exercise for the reader.
revision history
Click here for the latest version.
v1.0 (2024/01/14)—first published.
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leupagus · 5 months
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Guys I Might Have Three Nickels
I've been watching "Agatha Christie's Marple" for the past few days and it's pretty good! Marple adaptations all tend to have a better caliber of actors than a lot of bog-standard mystery shows (looking at you, "Madame Blanc"), and while Joan Hickson's Marple is right up there with David Suchet's Poirot and Jeremy Brett's Holmes as "literally can never be beaten, these are the best anyone's done it," both Geraldine McEwan and Julia McKenzie do a fantastic job as Miss Marple.
Then I got to "The Secret of Chimneys," Season 5 episode 2
and guys
Guys
So there's a murder of a viscount, like there is, and this detective Finch rolls up and immediately spots Miss Marple (in her NIGHTIE! standing at the window like some kind of hussy, honestly Jane) and doffs his cap to her with that little smile that makes you go, "huh."
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At this point I've watched a couple dozen Miss Marple episodes where she goes through detectives like wildfire and this guy's supposed to be a "*guru*" so I'm expecting some battle of the egos or something and like, Stephen Dillane is great! But bleh, I might have to skip this one.
Then my dude asks Miss Marple to SHOW HIM THE BODY, with a pleased little smile at her as she goes "uhhhhhhhh but my knitting?" (He even does that thing where you use someone's honorific and wait for them to give you their name, and that's when I was like "ohhh this bitch knows exactly who she is.") What follows is what I can only describe as a meet-cute in the secret passageway where the viscount was shot (and in fact the body is STILL THERE) and where Miss Marple literally asks the police equivalent of "is there a Mrs Finch" and he looks at her like this:
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At which point I'm like "ohhh my dude not only knows who she is, he deliberately came here without a sergeant so he could draft her," and sure enough he just starts...handing her pieces of evidence like "hey babe can you decipher this note for me thanks love you" while Miss Marple is like, "this approval and camaraderie coming from a cop... not sure if want."
Next is a series of romantic strolls through the gardens while they discuss murder, during which Finch reveals his undying love I mean his research into Miss Marple and the "dozen case files" of her previous exploits that he's collected like some deranged fanboy. Miss Marple responds to this by BLUSHING LIKE A SCHOOLGIRL and stammering about how pish tosh it's nothing really, and I couldn't find a gif of it but he's staring at her like this:
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Yeah I bet u r tempted
He also makes a half-hearted attempt at negging her "amateur sleuth" status, only to then immediately assure her that he makes like, so much money being a big fancy detective and can keep her in all the yarn and garden seed she could ever desire.
There's also a late-night tryst at the compost pile right after Finch has been (mildly) poisoned and Miss Marple is like "men are so weak" as she roots through the garbage for clues.
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Not how he wanted their first date to go D:
The next morning there's another murder which: bummer, but also allows the two of them to read love letters together and for Finch to give Miss Marple the following look as she explains how secret assignations among lovers can "quicken the ardor":
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Miss Marple then goes onto solve the murders and btw hands over the priceless diamond that's been literally missing for two literal decades that she found in her spare time. The entire scene features Finch looking at her like this:
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After the dust settles, Finch and Miss Marple have a lovely moment where he calls himself "another one of your casualties," then super casually mentions that he's probably going to have to go on assignment to use the diamond in a daring international espionage case and I can't decide if he's asking Miss Marple to go with him or simply trying to show her that he is cool and smart and would make an excellent wife, but either way the episode ends with her turning him down and Jane, we need to talk about your priorities.
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Anyway I've already written 2K about the subsequent 10-year epistolary romance these two have following this episode because I make poor choices.
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ramons-elevator · 11 months
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Bad mentioned on his stream that all the dead eggs lives impacted how different we treat the eggs on the server and I realized that EVERY egg death changed history on the server and how we treat the eggs.
Juanaflippa- Obviously her second death made everyone very weary with the beds (and the admins bc i believe they made the beds harder to break). But her third death with sweeping edge and how everyone needs to be careful around the eggs with swords.
Tilin - Their death kinda goes hand in Juanaflippa about how NOT TO USE SWORDS around the eggs. But also Charlie went into eggxcile because of Tilins death and that snowballed into Gegg. Also helped with Luzu’s character and how he switched to Arin and with the computer/Code.
Chayanne- Technically chayanne lost their first life to neglect BUT the nightmare Phil, chayanne, and Tallulah had i believe introduced ‘nightmares’. Also it made the admins disable some born in chaos mobs and made Philza even more paranoid about the island than he already was.
Bobby - his death was the first permadeath we had since the trio died. It hurt a lot and made Forever realize that his death could have been prevented. Thus making Forever build the Ninho and make everyone very cautious of everything.
Ramon - same with Chayanne’s were his first death was to a Blaze but his nightmare was significant. It made the admins make solid ground rules about certain things and make sure everyone knows the rules about reinforced bases.
Leo- Her death with whales made everyone realized how fucking beefy and super dangerous the whales are. Also that you shouldnt just AFK anywhere. That you should try to be in a safe place before AFKing.
Dapper - His first death was SUPER significant. It made people realize that the code is learning and adapting. Thus made Bad, Forever, Cellbit, and Etoiles go to Luzus computer and explode it. Which lead to Forever getting pieces of the computer and getting the motivation to try to bargain with it. Which lead to Cellbits betrayal and enderchests getting banned. It also gave the most insane book by Cucurcho which is “Perfect for you or for me?”
Richarlyson- His first day nightmare gave us that the eggs have first day immunity. Then his actual death showed us that uhh fuck bulls and that Mike blames himself for Richas death to this day. Also gave us Imortalyson and kinda Richarlyson’s mindset of ‘fuck it we ball’. All he has ever known is one life.
Trumpet - THE MOST IMPORTANT DEATH ON THE FUCKING SERVER HOLY SHIT. Yes Trumpet died from neglect but his death lead to the Theory Bros. For those who dont know, Bad went to Maxs house to comfort him about Trumpets death and one of the ways he tried to get Maxs mind off of Trumpets death is talk about how weird the island is. Thus Bad and Max theorizing about the island and the rest is history. Also it lead to Max and Bad interacting more and kinda making Max talk to more people around the island.
Tallulah - Her nightmare with Phil and Chayanne has significance as stated above. But her death with the Code is significant because it was the first time Forever saw an egg’s death. It deeply upset him and made him a lot more serious about the eggs. Also again made Philza more paranoid.
Pomme- She hasnt died yet but her nightmare I would say is pretty significant. Kinda with Ramons nightmare, it helped give the players, admins, and audience some more rules on things and what the admins can/cant do. It also made everyone realize “Holy shit theres a weapon that does 50000 damage and will one shot you and destroy your armor” which is terrifying on its own.
Everything is so significant on this fucking island and every egg is extra significant to this island. No death is taken in vain. They truly shaped the island and everything we know about it
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zorobae · 9 months
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The One Piece live action is really great! I couldn't help but binge it all in one sitting. I'm really awed and kind of relieved ngl.
There are changes to the story of course, but major scenes are kept nearly one-to-one to the manga. Most changes are fine, others are questionable, some are even better imo. Like giving Nami and Kaya more time together? I loved that. More importantly, the characters are very much the same characters we know and love. My Zolu heart is especially happy. I absolutely adore Iñaki and Mackenyu as Luffy and Zoro. Mind you, I was disappointed at first that they didn't make Zoro follow Luffy as soon as he did in the manga (I'm pretty sure I've made more than one post about how much I love the way Zoro joins Luffy) but the way Zoro vowed to follow Luffy forever at a later point in the story was totally worth it. They made quite a big deal of the wound that Mihawk gave Zoro which I really liked. Also, we got a scene where Luffy straddles and hugs Zoro which literally made me fall off the couch in shock/joy lol (it took them 912 chapters in the manga to hug!). I also really appreciate how much sweeter they've made Sanji so far. He's flirty but not in the same overbearing way as he is in the manga. And knowing that Taz did all of his own stunts made his fighting scenes smh more impressive to me. All the fighting scenes looked great actually.
Probably the most praiseworthy thing about this adaptation are the performances. Even as someone who knows the Strawhat's backstories, seeing Mackenyu or Emily or Taz cry made me inevitably emotional, too.
One thing I didn't like is how much screen time was spent on Koby and Garp and well, just the Marines or other side characters in general. The Strawhats are what I'm here for and I'm pretty sure we coulda reached the Grand Line in 8 episodes if they hadn't "wasted" so much time on characters I don't care about. But tbf, I assume this is something that other fans might like; seeing more of the other side, so to say. The pay-off for that story line was a good one, tho, I'll give it that.
tl;dr: I would totally recommend the One Piece live action~
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deus-sema · 1 month
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My two cents on Shogun finale with spoilers:
I think the way this finale was handled can be used as a fine example of how to subvert expectations in the *right* manner. This is not the kind of ending that would make us go WTF after momentary shock value only to disappoint us terribly but an ending which might not be what I - as a show only fan had predicted - but one which makes sense in the longer run like all the pieces of a puzzle falling into place to make a beautiful picture.
The actual event of the battle matters not as much as the actions of the people involved who contributed to its occurrence and affected its results. The wheels of fate are already in motion. We know that, come what may, Toranaga shall prevail. But that is a tale for another day. The one which we have been following until now was about Toranaga fighting against all odds and carefully setting the stage in order to achieve his dream, about Blackthorne who started his journey as an outsider in a foreign and hostile land with less than noble intentions finding a home in that place and about Mariko who patiently strived to fulfill her destined purpose and add meaning to her existence. And so she did. For even after her death, her presence was imbued in almost every scene leaving an everlasting impact on them.
The misleading opening of the episode with an aged Blackthorne who seemed to be back in England reminiscing about his days at Osaka clinging onto Mariko's crucifix was done in a clever manner. I was momentarily led to believe that Blackthorne might get to sail home afterall and I failed to understand why they would do that. But the lines between what was a fleeting dream and reality became abundantly clear when I witnessed Blackthorne letting go of Mariko's crucifix into the oceans. Mariko had become one with her homeland and by living there forever, Blackthorne had become one with her.
The writing of Shogun also shows us how one can make significant changes to certain characters and their relationships that differ from the source material and handle them wisely while adapting a story which is linked to the actions of its key players. Mariko's friendship with Ochiba and Ochiba's regard for her paid off because her death led Ochiba to withdraw her support for Ishido, even if she wasn't going to ally with Toranaga. This particular change from the books affected the plot and in a meaningful way. It's an achievement which certain other adaptations that introduce drastic changes without any regard for the overarching plot cannot boast of.
As a MariThorne shipper, I was left satisfied albeit in a bittersweet sense because while John had lost Mariko, his love for her still persisted. It was heartbreaking but this is a tragedy well done. One that I would remember forever. The last scene was oddly satisfying because, even if he doesn't know it yet, Blackthorne is exactly where he belongs now.
The acting was stellar as usual. Cosmo Jarvis and Tadanobu Asano deserve a special mention for this episode while Hiroyuki Sanada never disappoints. I'm grateful to the entire team of Shogun for delivering a show that I enjoyed wholeheartedly until the very end. And off I go to read the book next.
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evilminji · 15 days
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Behold! o/ The Face Of Benevolent Evil!
Mr. Principle! A professional hero and educator!
Also possibly some sort of stoat hybrid! Certainly a chimera of Japanese fauna! With the Quirk High Specs, he is one of, if not THE, smartest beings on the planet of which he resides! With a background perfectly justifying a decent into hatred and villiany, he instead chose to channel his incredible world shaking intellect into the shaping of future generations!
He likes to fuck with people!
For FUNSIES~☆!
What can he say? It keeps a man young and mentally stimulated! Plus the hysterical screaming of his staff and students is HILARIOUS. He can even argue it makes for good reaction training! Unforseen situations, children! React!!! *psychotic chortling*
Mmmmm, yes. We all have our trauma responses. Ways we deal with them. He should probably find other means... but he won't! Tea and tormenting the student body make for good future heroes, you know! They adapt!
But! You may ask! Why am I introducing you to this... *polite yet somehow deeply threatening smile* c-completely sane and normal individual!? Esteemed educator that he is! Ha ha...
A good and not at a under threat question!
Villains? Are fuuuuuckin STUPID!
Doesn't matter how many PHDs you possess! In fact! That makes it WORSE! You moron! You absolute fool! No traveling circus would have you, you sub-rate CLOWN of a jingle jangle dunce jester! You have a god damn PHD! Possibly MULTIPLE PHD!
And you thought "ooooh I should go into cwiiiiime~☆"?
Do you hear yourself when you talk? DO YOU?! Ooooh boohoo. They won't let you study what you WANT to study. It's called an ETHICS BOARD. And YEAH, NO SHIT! Maybe get over it and keep you fucked up fantasies to your SELF.
Or? If you REALLY can't hold it in? Lay the ground work like EVERYONE FUCKING ELSE! You're not special! Everyone wants to play god! It's FUN! They let you have the COOL toys! But you have to EARN that shit! Not jump straight from graduation to "fucked up superscience"!
And? If it's NOT the Ethics Board? But just some bureaucrat on a power trip? You don't have to fucking STAY. This? This RIGHT HERE? Is why I-Island fucking EXSISTS.
APPLY.
They are SO MANY countries you could move too. SO MANY other labs. You actual DUMBASS.
But NO! You decided to commit to a fucked up underground Villian Lab. As though HUNTING THOSE isn't the PERSONAL fucking passion project of THE SMARTEST BEING IN JAPAN. Frankly? You deserve this. You deserve this and our school doesn't know you. Never heard of you. You whoms't?
Coulda changed the world. But instead all you did was piss of The Fuzzy White Demon Lord of UA. Rest in pieces. *click*
*sound of doors smashing open*
*violent Raid Upon Your Labs noises*
But! You may ask? What's IN the Lab?
What MAKES this a DP crossover?
I like your question asking spirit! Good one! And the answer? You know what's better then ONE(1) Nedzu? A second one that you can ACTUALLY control this time! After all! You could consider Mr. Principle a prototype. A proof of concept, if you will. If you were able to make ANOTHER.....
Well, you would set off EVERY. SINGLE. ALARM. Nedzu has set up!
All of them!
Because he don't PLAY THAT.
He has long last trauma from the labs and is the SOLE FUCKING SURVIVOR. There WERE others. They Did Not make it. And their slow agonizing deaths are carved into his brain for the rest of his life. Truely "The living shall envy the dead"; it was a place that made hell seem merciful.
When he declare Never Again?
He fucking MEANT Never Again. He will BURN your empires to ash, with you in them. No More Labs.
So :) You can IMAGINE :) HOW HAPPY HE IS :)
That someone out there is trying to RECREATE his SUPER traumatic childhood, on ANOTHER CHILD. Ha ha! Gonna be a second Nedzu huh? Planning to torture HIM like you did me, HUH? Shove him in a cage and treat him like an animal? Force him to watch as the others die? Collars and whips and cattle prods? Mazes?!
Nedzu may lose his shit.
Juuuuust a little bit.
But if anyone there knows what good for them? They saw NOTHING. What's a little PTSD flashback between friends? Now what is the baby?
Smashcut to said baby!
Because it was a TEAM effort, Danny was successful in "Nuh Uh!"ing out of Rulership. But NOT out of governance. Since he DID help. He's a Councilman now. It's? Not as bad as it could be, honestly. Since it's opened the Zone up to a more democratic system.
Still held by "kick the ass of the person you wanna replace" but still!
Babysteps.
Thing is? There was apparently this weird? Leak? Like a couple hundred years ago, in this one area, that was never addressed. Everyone just moved their doors and stuff. Treated it like the floors flooded. But now that they HAVE someone to complain too?
They all want their territories back.
"Go fix it!" What are we? Janitors?
Danny looses the rock, paper, scissors competition. He's pretty sure Boxy cheated. But like? Dude has a kid to go home too, so Danny doesn't fight him to hard on this. Uuuuuugh. Just remember the Spider-Man motto. Great power~ blah blah blaaaah~
And? Wow is it fucked out there.
The whole PLANET has to be limnal as FUCK. Yikes.
Problem is? When he and his team (Because YES, he HAS learned from his mistakes, Jazz.) get close to the... frankly the Zone here looks like distorted spiderwebbing. With him leading the charge, obviously.
....something happens.
It's... it's not a portal. Wrong color. It's like someone USED the weird spiderwebbing effect to... to reach INTO the Zone? But they are severally Limnal. Clawed hands, blue tint. But that's not the problem.
No, the problem.
The Horror.
The thing that his team can only watch on in agonized terror as it plays out... is that hand? It shoots out of nowhere. Ghostlike in the Zone. Meaning it must be living. And PLUNGES directly into Danny's chest to wrap around his core.
Time seems to slow.
He can't even scream in pain. At the violation. His team, acquaintances, yes, but friendly ones. Can not even cry out in horror, as they watch their friend and team lead be butchered before them. Before that uncaring hand is ripping back. Perfect ice and starlight in its uncaring grip.
For a terrible moment... he is in two places at once.
Then he is crushed in a burning grip. Like molten bars. Watching his own body dissolve into nothing in an instant, pain and horror still etched upon his face. The beginnings of screams ripping from his team as they jerk away from the nightmarish threat.
Then he can not think at all.
He... he TRIES. Knows he has been captured. Is certainly not the sort to give up easily. But... he's so tired. His body feels? Weird. Not wrong, per say. It's HIS. But... small and weird. Like he's shape shifted into a new form and hasn't adjusted yet.
....
.......
...........
He's getting really sick of all the goop against his whiskers and in his ears. It feels WEIRD against his fu- WAIT a second... did those assholes shove him into an animal? Why?! To contain him? Ha! Jokes on them! He's DONE THIS before!
For FUN!
He once spent a whole ass summer as a tiny dragon just 'CAUSE!
Unfortunately, said assholes notice him waking up. Dump him in a glorified hamster cage. But like.... a SHITTY "I don't care about the pet I bought" hamster cage. Dude. And he's naked.
Is that Japanese? Ooooh! It IS! Thank you, Tucker's Weeb phase.
......actually, never mind. Lotta dehumanizing language there, my guys. What is this? The GIW international? You couldn't even give me PANTS? Swear to God, call me an "it" ONE more time and the next time I have to go? I am going to aim through the bars at your-! *alarms going off*
....wasn't me.
I mean, be all means, ha ha and get fucked, but? Wasn't me. Oh hey! Some one exploded the doo-
AND? In Lab 4?
Nedzu finds a child with fluffy, ungroomed black and white fur, and the curious yet cautious eyes of a survivor. They are the most magnificent green, pale and luminous they glow in the laboratories lighting. Paws too big for his small frame, delicate ears on the swivel, equally large. Yet to grow into either. Adolescent, at best.
He watches the child take him in. Note his features and the chaos behind him. The injured scientist under his feet. Come to him conclusion. Nedzu will not rush him. Now that he... he stand the chance to be the hero he himself never had. It is a strange feeling. At once cathartic and unbearably painful.
He is given the equivalent of a cheerful grin, as the lad points the the lock on the cage. Is asked if he happened to bring a spare pair of pants. He can not help his amused chortle as he makes quick work of the lock. The unbearable RELIEF he feels.
He... he was not too late.
These monsters had no chance to crush the boy's light. To make a monster of him, like they did with him. He survived his laboratory, his hell. But not all of him left that terrible place. He knows that. Some innocence, some goodness, died alone in the dark. But here? He insured there would be no chance.
With amusement, he watches the boy turn the lab upside down until he finds spare scrubs. Triumphant, he then considers his own, tiny claws. Dismisses them. Attempts to hop up on a chair to retrieve something sharp. It? Is unbearably cute. To watch him rip and shred, problem solve. His little mind churning away. Whiskers twitching as his eyes dart around, considering his options.
Nedzu offers one of his spare knives.
Watches him light up.
Adorable~
@legitimatesatanspawn @hdgnj @nerdpoe @babbling-babull @lolottes
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icantdothistodaybruh · 2 months
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oh, are you familiar with the BoM side story? where arthur dreams of different characters in different fairy tales? i’ve become so! obsessed! with the snow queen versions of sebaciel. ciels outfit is so pretty on him!! but i love a ciel that left everything behind to stay with sebastian.. and sebastian, he’s been so lonely for so long that when he gets a pretty boy he can’t let him go. when someone tries to save him they not only get a “no” but get forcefully snow-blasted right out the door. they understand each other because no one sees the beauty in desolation like they do… so of course they stay isolated in a castle together.
there’s the panel where sebastian’s wrapping his coat around ciels whole body… sebastian acting so smugly to ciels rescuers… the line where ciel says he belongs to the devil… i could live here forever… please consider this cold angle of sebaciel
I AM! AND IT'S ONE OF MY FAVE EXTRAS OUT THERE!!
The implication that the whole dream was of Sebastian's doing (which he is very capable of judging by GWA) brings out such an interesting twist to it - we can see a glimpse of Sebastian's actual opinion on other characters! But I'm of course going to talk a little about Ciel solely for today hehe
I might be wrong since I only have ru and eng translation at hand, but the way Ciel talks about his heart being frozen and eye belonging to the devil makes me think of these acts as essentially same thing, especially given that he "adapted beautifully to the world of Ice" by Sebastian's words. I mean that his heart being frozen doesn't equal to death or inability to feel, but rather just that, adaptation and belonging.
Now I know it sounded far-fetched, but the reason It caught my attention in the first place was the mentioning of the heart at all. It's a dream made by Sebastian, the 'emotionless' and 'unfeeling' demon, with clear analogy to the contract built on power, revenge, and hunger for one's soul, or at least that is how it always was portrayed before. So why would his made up dream-Ciel suddenly bring a heart into equation?
You should've seen my face when I got to the chapter were Elizabeth escapes to rCiel. Call me delulu but it suddenly made so much sense when Sebastian started talking how "human hearts are mysterious, complex things" and "no matter if you are demon or god it is truly and utterly impossible to shackle another's heart." Before that I wouldn't even think he'd have any opinion on the matters of the heart, let alone it be a stated fact to him that he can't have it in a way he can own souls or bodies.
And so that man, in his made up dream, with a made up Ciel, made that Ciel say that not only his soul (eye) belongs to the devil, but heart too. Knowing for a fact it can't belong to him in reality. I'm speechless.
Also when I got your ask yesterday I thought I should make a fanart or a redraw of that scene, and once again, you should've seen my face when I found the page:
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and if you don't know why I was so surprised I'll gladly explain with two more pics:
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My head exploded.
Three pieces. Representing their change of masks and roles. Yet each is the same in it's core. And one of them is character's fantasy while other two his reality. I'm so done with this show.
...could it be that Arthur's dream made by Sebastian is yet another lie becoming truth?...
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tyrantisterror · 2 months
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I think one of the things that gets lost in the big, endless internet conversation about whether or not heroes should kill their villains is the fact that killing villains off robs you of a lot of story-telling potential. The Joker died at the end of his debut story in Batman - imagine what Batman would be if he stayed dead. No Joker in Batman 66, no The Killing Joke which means no Barbara Gordon as Oracle and no The Dark Knight, no Mark Hamill Joker episodes of BTAS (so many of them were based on his comic appearances, after all - the laughing fish is a direct adaptation of a comic), which means no Harley Quinn and no Return of the Joker, on and on it goes.
Like, you can argue the morality of heroes sparing their villains till you turn blue - god knows this site does it at least a thousand times a day - but on a purely pragmatic story-telling level, the minute you kill ANY character, you kill all the story potential they had. And yeah, it's fiction, you can bring them back from the dead if you really need them, but that's a pretty hard story beat to pull off without hurting your story. You don't want to fill your tale with "Somehow, Palpatine has returned" moments.
And you can just make new villains, sure, but again you have a problem with that - a new villain has to establish themselves and has to stand out from who came before, which means you can't go directly to the storylines you could have had with a villain who stuck around AFTER their introduction. A recurring villain is capable of doing things that one-off villains can't.
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I'm going to illustrate this with a character from a fandom I'm not even a part of - I never played the Ratchet and Clank series and am only vaguely aware of it, but one day I saw a supercut of scenes starring one of its recurring villains, Dr. Nefarious, on twitter, and I was like "Oh shit, that's the guy who plays Quark on Deep Space Nine, isn't? This guys a hoot, let's see if we can find more clips on youtube." Which brought me to this hefty video here from one of the more recent games in the series.
And, like, as a person who "doesn't even go here," it's obvious this goofy little fucker has a history. His opening scenes have him ranting about how much it sucks to lose repeatedly - a lampshade on the "flaw" of a recurring villain, i.e. that their threat diminishes the more they come back because, by the nature of their role in the story, it means they've suffered a lot of losses. So how cool is it that as this supercut chugs along you can clearly see this is a theme of the game - that this is a story about the virtue of losing, a story that is enriched by having an antagonist who fans of the series know has lost a LOT?
The true antagonist is an alternate version of Dr. Nefarious who's won every fight in his life so far, apparently with little effort, and I love how they differ on a design aspect. They're both technically mad scientists, but notably, Emperor Nefarious, the winner, has a more imposing and "heroic" build, but a smaller brain-dome for his robot brains. Because winning may make him look strong, but if a mad scientist's real power is their mind, well, which Nefarious is really the strong one here then?
Dr. Nefarious gets this juicy arc about realizing the virtue in his repeated failures that corresponds with the heroic characters struggling to find a way to win against a seemingly invincible opponent, as well as contrasts the true villain, Dr. Nefarious's explicit counterpart and foil Emperor Nefarious, who has never once lost and is a total piece of shit for it. Again, not my fandom, I don't go here, not an expert on Ratchet and Clank, but even as a relative stranger to it who's just watching a big supercut, I fucking love this. This is an excellent story.
And it's one you can only tell with a recurring villain. Without Dr. Nefarious, this story works significantly less. You need a villain with a history the audience has seen to really sell this.
Anyway, I made this post because, ironically enough, I saw another tweet talking about how some fans think Dr. Nefarious should have been killed off in his first appearance, and, like... that's just fucking baffling to me, as a person outside this fandom looking in. Recurring villains deserve more love, man, they give us so much.
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