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inkskinned · 8 months

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what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

#warm up #writeblr #this one has bothered me for a bit #any time a woman does something even passingly annoying we treat it like a fucking crime #hey man. women are allowed to be annoying. everyone forever is allowed to be passingly annoying #as long as they aren't hurting anyone/thing #like u wanna know something? i find it super annoying that men don't wear seatbelts #why arent there thousands of comments on driving videos thats just like : men try not to die in a car crash challenge #''this briefly annoyed me''. okay??????? AND????????????????? go get ur self a cookie and calm down about it #ur not entitled to control other ppl's experiences and emotions just so u can maintain ur own peace #if being briefly annoyed ruins ur whole day! you! need! therapy!!!!#men try not to become immediately angry about nothing challenge: level impossible #ps author is nonbinary. we didn't even get into the gender presentation thing #the fact men think it's SEXY that my voice is on the lower end....

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missycolorful · 2 months

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I think I'll just say this: I don't agree when people call any of the islanders "bad parents" just because their parenting is flawed.

Like, parents and their parenting is flawed. Inherently. One parent cannot meet all the demands of their child; it is literally impossible. As humans are imperfect, there will always be something missing or lacking in one's parenting. Hell, sometimes even two parents can't meet all their child's needs, depending on their personalities. If that's the case, then I guess all parents are bad parents. But that's not the case, so I don't get why people are so adamant when they see that a parent isn't handling things 100% perfectly and go "wow this person's parenting sucks."

And this is even more so when you take into account... pretty much everything going on in Quesadilla island. These people never really planned to be parents, yet here they are! And this island is out to kill these kids, so it's also a dangerous game of survival now, too! There are horrors around pretty much every corner. Plus, outside or inside forces are making the islanders suffer very often. The islanders are never okay. How they take care of their children is going to be different just by the very basis of their environment. The standards of parenting are different here. Their relationships with people, including their children, were never going to be 100% healthy or positive or okay. It's just not possible.

so, no, I don't think that just cause, say, q!Tubbo or q!Phil aren't great in regards to their emotional intelligence and often isolate themselves, or when any other parents in general don't handle what their children are going through perfectly, that they're bad parents. That kinda statement feels like it diminishes pretty much all the hard work and effort and love they put into taking care of their kids and even kids that aren't their own. Tubbo gives his everything for Sunny, and was/is an active babysitter for a lot of other eggs. Phil works so hard to love and teach survival to and take care of his two eggs equally. (Like, being 'basically' a single parent, of one or WORSE, two, is already hard enough in the real world - imagine being one on this fucking hellscape they're on).

Like, I don't think there's anything wrong with pointing out the parents' flaws. Their flaws make them human, and it'd be foolish to disregard their humanity. And it's interesting to analyze their flaws and what they say about the character, and how they impact their family. There's nuance there, and it should be discussed.

But I think when you're just going "oh, they're bad at parenting in general" because they fumble the bag in other departments lacks nuance. Sure, if you're just saying "they're bad when it comes to certain aspects of parenting," that's a different story, because that's understanding their flaws while recognizing that those flaws don't define all of their parenting. But to just say they're bad at it in general isn't productive analysis of their characters in any way. I haven't watched q!Phil take care of his egg for a whole year (followed by a second egg more consistently shortly after) only for people to shit on his parenting just because his lack emotional intelligence is more noticeable as of recent due to all the trauma and bullshit he's endured. And I haven't seen q!Tubbo put his whole heart into taking care of Sunny as well as multiple other eggs, being Chayanne and Tallulah's reliable godfather, just for people to put down his efforts because he's not always great at more emotionally in depth conversations. They're good parents in a lot of ways, and those strengths shouldn't be discredited just because they aren't good at other things. Their characters deserve way better than that.

tldr these parents are all good in many regards and are just trying their damn best in the worst of circumstances, can we cut them just a bit of slack, please?

#qsmp #fuck it i'm tagging the characters i mentioned #philza #tubbo #missy rambles #also tldr this discourse is fucking dumb #like jesus calling them bad parents feels like it's shitting on all the time they've spent on this damn island taking care of these kids #all cause they're bad at talking about feelings sometimes? give me a break

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neerons · 26 days

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Some of Clavis Lelouch’s best quotes + Cyran's bonus quotes

"Tell me, Emma, what do you think is the best way to wake someone who's really bad at waking up? (...) That's right, you stab them." (—Clavis talking about Chevalier to Emma)

"Finding such a handsome man in your room is enough to leave anyone breathless. Take your time. I know I'm easy on the eyes. (...) Oh, nice reaction! There's nothing like a good AHHHHH to get me in the mood."

“I didn’t do anything. But next time, don’t be intimidated by these status-crazed nobles. You don’t owe them anything—not even a smile. If someone looks down on you, look down on them in return. Otherwise, your self-worth will start to plummet. Never abandon your self-respect just to calm the situation. I know you’re a wonderful person—I wouldn’t have chosen you as my wife if not.”

"You succumbed to delusion."

"You weren't paying any attention to me at all. I got so lonely, I almost died!"

"...I want to make love to you."

"I'll tell you a secret about Chevalier. You want to know right? I bet you do. (...) He likes romance novels, but the reason for that is... Me. (...) One day, I secretly added to his pile of books... I put a book that boasted its dewy, spicy romance in the pile."

"Haha! When you're as handsome as I am, you look good no matter what state you're in. You just need better understanding of aesthetics." (—Clavis to the "Obsidianite soldier")

"Haha! You don't need to apologize. Who says only kids are allowed to be bouncy? What's wrong with adults being genuine about loving the things they love?"

"Oh, the things you say! Don't you realize you threaten to unleash the beast that hides behind this gentleman's visage?" (—Clavis' thoughts about Emma)

"What a fool I was to think I was done falling in love with you. The depths I could fall for you seem endless."

“We can do it on the table, or by the windowsill again, if you like. Ah, but I don’t recommend the floor—not unless you’re into that.”

"Wait, wait, wait! (...) Chevalier, you cannot possibly be trying to replace the words 'I love you' with that one kiss. (...) Why else would Emma have dressed up so beautifully? It's all so she can hear you say those three words! (...) Yes, not all things need to be said, but there is a purpose in giving words to feelings. That's how you can bring them into the real world. Chev, you can't let Emma guess how you truly feel forever. Just tell her. (...) The average person can't read minds like you do. Don't assume that Emma knows everything just because you do." (—Clavis to Chevalier, in Chevalier's route)

"I would never allow my lovely fiancee to live a life of fear. And so I must take it upon myself to indulge her in a life of joy." (—Clavis' thoughts about Emma)

"I'm charming, aren't I?"

"Here you are, alone in a secret room with a handsome prince. Why are you only interested in those lifeless husks? (...) That's a little offensive, you know."

"Haha! Go to hell." (—Clavis to Chevalier)

"Goodness, I've never visited that bookstore, and to think it was hiding a gem all this time..." (—Clavis' thoughts about Emma)

"Dear me, it looks like they started running the second they spotted me. Haha! That's optimistic of them. " (—Clavis talking about Yves and Licht to Emma)

"You could at least call it artistic. My handwriting conceals talent that would surpass that of a genius artist. (...) It's readable. So long as you take the time to decode it! Haha!" (—Clavis to Jin)

"Ah... Hahaha! I can't believe you headbutted me! You should've slapped me, at least."

"There's no rule that says you have to drink alcohol once you come of age. That said, it might be more romantic to let you get drunk and then take care of you until you sober up. Wait here, I'll just get some—"

"Of course, I'm not trying to criticize your own personal standards for good and evil. But throughout our lives, we're constantly being confronted by our perceptions of good and evil. And there are times when we might regret it later, if we decide to be critical of something simply because 'it's evil'. Our own individual standards for good and evil may not always be aligned with the kingdom's standards for good and evil. And if that happens, wouldn't you want to remain true to your own standards? To what you believe is good and right?"

"So you're comfortable drinking. I'll keep that in mind." (—Clavis' thoughts about Emma)

"(...) I'm well aware that of all the princes, I was the one most loved by his mother. Although I suppose it's not really a surprise, given how adorable and cute I was. (...) Haha! Why are you apologizing? There's no rule that says we can't talk about the deceased. And there's no need to feel guilty, either. I'm not some silly child who gets all worked up just from thinking about her." (—Clavis talking about his mother to Emma)

"I love drawing attention to myself, you know that. I wanted everyone in the palace talking about me, so I made it seem as if I'd gone missing." (—Clavis to Sariel)

"...You're surprisingly sweet on Emma, aren't you?" (—Clavis to Chevalier)

"Well obviously, because I like rabbits. And from what I know of rabbits... They may seem aloof, but they're actually very sweet and loving, and if you're lucky, they'll even let you see that side of them. I think they're adorable. And despite being delicate and easily frightened, they won't run from anything—they'll stand their ground and put on a brave face. I can't think of any other creature that instills in me such an urge to protect them. You see? Everything about them is lovable." (—Clavis talking about Emma secretly)

"But that's why Rhodolite is so well-balanced. If we all agreed with Leon, the kingdom would constantly be in danger from outside. If we all agreed with Chevalier, it would end up a dictatorship."

"You're about the only person who willingly visits the brutal beast's lair."

"Just so we're clear, this doesn't even count as a setback to me. I've tasted defeat countless times at the hands of a brother more beastly than anyone in Obsidian. I've never once made the right choice. I'm a loser, constantly making mistakes, and constantly being laughed at for them. (...) When you fail, it's easy to give up. It's easy to think your ideas are wrong, and yield to the right choice. But this is what I do. Every time I fail, I get up again, and I fight even harder, so that next time, maybe I won't fail. I don't care about what's right for the kingdom. I stay true to what's right for me, and that's the only way I've found any meaning in my life. Even if what I believe to be right and true is actually wrong, and even if I'm called evil and wicked for doing what I do... I'll fight against the brutal beast's methods with everything I have in me. And I'm not going to die until I've made him kneel before me, and accepted that my beliefs are just as righteous as his are. (...) And since I've spent my life tasting nothing but defeat, I think I can declare this with some certainty. So long as you go on living, you'll never really be a loser. Because there is no such thing. Even if you lost this time, you just have to win next time to be the winner. And if nothing else, you'd be able to die a prouder man than you will now. (...) Today's failures will lead you to tomorrow's hope. Always, as long as you don't give up. And that's why I'm going to get up and try again. What about you? Are you going to die a dog's death here?" (—Clavis to the "Obsidianite soldier")

"What a shame... Were my hands not bound right now... I'd already be making love to you."

"Haha! Not a chance. I adore her." (—Clavis denying disliking Emma to Gilbert)

Cyran's bonus quotes:

"(...) Prince Clavis lies incessantly, so feel free to ignore everything he says. (...) Everything. You've no need to be worried about his feelings, or even keep him company. And it might be in your best interests to refuse to eat any of this." (—Cyran talking about Clavis and his cooking to Emma, in front of Clavis)

"You're still half-asleep, aren't you? You're a disgrace." (—Cyran to Clavis)

"When we finally catch up to him, I think we should team up and give him a good scolding!" (—Cyran talking about Clavis to Emma)

"Since you left me behind like that, I've decided to hold a grudge against you forever. (...) Do it again and I'll throttle you, master or no. Just so you know." (—Cyran to Clavis)

"My Lady, I'm afraid that Prince Clavis's plan is truly stupid. A prince in his right mind would never even plan such a thing, and the average person would recoil in shock at the very idea of it."

"Prince Clavis, you can't just go casually tossing your head in her lap like that. My Lady, you're more than welcome to slap him awake at this point."

"(...) despite all that, there was one fool prince who stormed into the camp where the prisoners were being held. Yep, I'm talking about the idiot prince currently sleeping like a babe in your lap."

"From the way he acts, it's easy to mistake him for a fool and a scoundrel, but... at heart, he's the kindest, most compassionate man I've ever met." (—Cyran talking about Clavis to Emma)

"...So where is he, this handsome man? (...) ...You're a total mess right now, you realize. You look dreadful. Want me to get you a mirror?" (—Cyran to Clavis)

"My Lady, I truly am sorry, but... I've been ordered to inform you that, and I quote, 'your prince is in grave danger and needs you to rescue him! Ahaha'! (...) ...He insisted I include the 'ahaha' at the end." (—Cyran delivering a message from Clavis to Emma)

"Very well. I'll inform him that you said to die in pain and agony." (—Cyran talking about Clavis to Chevalier)

#as usual I might add more later #clavis lelouch #ikémen prince #ikeprince clavis #cyran rose #ikemen prince #ikemen prince quotes #ikeprince #cybird #cybird otome #otome game

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time-is-restored · 10 months

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do you guys every think abt death vs immortality as a thoroughline in like. literally all of the mechs albums.

old king cole is explicitly warped by immortality (never to forgive he would eternal live, his hands dyed red by gore - can be read a few ways depending on where u place the emphasis, but at the very least communicates that his wrath is facilitated By his immortality), and the olympians commit attrocities in order to hold onto their wealth and the immortality that it grants them (murdering arachne, yanking heracles' chain the second he tries to go freelance, having a monopoly on the acheron etc). the value they put on immortality and living forever, and the fear they have of ever possibly losing it, has completely warped their morals and priorities.

and while it comes up less in tbi, there's still significant emphasis placed on how odin has been in power for a century (both thor + the narrator bring it up, and there's also an emphasis on how long ago the bifrost project was started, and how 'no one left living' can explain its science). her villain monologue in rangarok iv places the extinction of asgard as an honour - a ruin that no one can possibly rebuild from is called 'apotheosis'. and as she says at the end, the idea that no one can possibly outlive her is a key draw for odin. asgard dies with her.

in hnoc, the only really immortal character is brian (and we only really know that bc of knowledge we get from outside the album), but the axis of life and death as a privilege vs a curse is still very present. 'mordred's gift to Arthur could be love in his own eyes / fating him alone to keep the life to which he clings', not only posits that the gift of survival isn't inherently good + kind (which the audience would immediately recognise as love, not possibly love), but places emphasis on the fact that arthur is now utterly alone. the station's death at the hands of mordred is hardly a happy one ('Its people damned, doomed by a man who's lost all his regrets'), but arthur's fate is arguably worse. severed from the finality and closure of death, what does he become? [insert that one cool theory abt hnoc arthur becoming old king cole here]

it's like. on a meta level, the reason we as fans don't put much emphasis on the depravity + cruelty of the mechs is bc the people portraying the mechs are all charismatic + skilled performers. in live gigs they're all portraying the fun side of their characters - roasting each other, bantering with the audience, making fun of the characters they're singing about, referencing off-screen violence - bc if they portrayed their lore too literally they'd be comitting felonies LMAOOO

but narratively, its like. literally every album is a meditation on the ways that the glorification of immortality can ruin civilisations - can ruin galaxies. whether its rooted in the fear of you specifically dying, or of being outlived, or overpowered or forgotten, or if its done for the sake of someone else's survival... it's all corrosive. if u refuse to accept the indisputable impermanence of life, you lose the ability to value it, and u numb urself to the reality of just how fucked up it is to cut another person's life short for any reason.

like. i do think some of the mechs started as good people, and some of them even might still have ethical standards, but i REALLY cannot stop thinking about how fucking. fascinating it is that this group of immortals who are KNOWN for basically considering nothing but how fun and/or violent any given activity will be, have basically filled their entire discography with songs about how their continued existence is corrosive and brings tragedy + ruin wherever they go.

so how self-aware are they? do you think those old morals + ethics still linger in their mind, when they're writing down these tragedies? they willingly self identify as liars + thieves + bastards, etc etc, and they seem to have no trouble identifying the 'bad guys' in the various albums (ie: humanising snow + cinders + rose, but not king cole), but do those concepts actually mean anything emotionally, or even theoretically, for them all beyond their dramatic potential? do they remember their lives before they were mechanised as it actually happened, or do they remember it as lyrics to a song? is it possible to be entirely self aware abt ur own capacity for violence (as jonny in paticular claims to be), if you no longer relate to violence as anything other than a narrative device - a means to an end, whether comedic or dramatic?

#the mechanisms #mechanisms #mechs #its not even that i have a specific passion for super grimdark mechs characterisation #just from a thematic perspective it is SO interesting to have these characters #narrating tragedies who themselves dance in and out of narrative conventions + signifiers of good + evil #and also like. literally transform themSELVES into narratives via backstory fiction + songs #its all so like. was there ever a truth here? if its all been forgotten + replaced with stories? can any of them care about good and evil #anymore on a level beyond how it will make an audience react?#idk. i care them #mine #my writing

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metalichotchoco · 3 months

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Robots and their voices

Get ready because this is a long one ;]

A lot of the time characters are defined by their voices but with ai/ robotic characters this works overtime since it’s usually the only outlet into their emotions or character. They can get away with being an off screen presence since they typically aren’t psychical in nature. For all purposes in most cases they are nothing but their voice

Like with Hal, the only way we receive information about this character in visual mediums is his voice. It’s soothing like a lullaby, careful with even tones,smooth.Prideful in the sense of confidence not arrogance. You can hear his ego at being a perfect machine but it’s not boastful there’s no smirk when he says that. It’s how he views himself. You can imagine Hal with a soft smile for most of the movie, trying not to alarm staff. Only at the end does his voice get small, when he pauses for more time than normal as if to take a breath you cannot hear and that he does not need.

Edgar is loud and brash when feeling intense emotion which is a lot. He’s screechy and almost awkward in tonality. When he’s in a better mood he’s still peppy and small sounding. A sense of confusion is what a lot of lines read as but once he looks it up or figures it out, he’s much lower and monotone. With the Cinderella dialogue it sounds like he’s reading the information straight off the website he found it from.hes hot and cold he’s immature. A pest more than a true menace, due to his “newness” he doesn’t talk down to the humans in the movie but he’s underhanded and petty, craving love and attention and begging to be heard. A lot of the time you can hear his voice sort of breaking. It’s probably an audio issue from the time the movie was made, a filter over the actors voice but it works incredibly well for him.

Glados and her lines ooze sarcasm. She talks down to you more like you’re a nuisance she has to deal with than an equal in any sense (until potato glad but she’s almost a completely different character,not quite though) you can hear the exact moment she lies to you directly, diegectically it’s as if she needs to find a loophole to lie to your face so there’s a slight disconnect. Glados has a very singsong voice, her pronunciation going into higher and lower registers to express emotion rather than actually putting in actual anger or happiness into the monotone. It does a good job of selling this robotic lady who doesn’t view you with any sort of respect until she has to in the second game.

Whealtey by comparison is very non robotic in his voice or manner which makes sense since he’s a personality core and none of the standard robotic traits like objectivity, rationality, intelligence or indifference are present in him specifically on purpose. He’s anxious but optimistic, he rambles to sound like he knows what he’s talking about but it makes it even more apparent he has zero clue what he’s doing. You can immediately tell he’s incompetent at his job from the second you first really talk to him and it makes him all the more endearing.his power trip doesn’t exactly change that either, just attempts to self aggrandize, look and feel important. He sounds “confident” but he talks to the point where you realize just how insecure and unsure he is about anything. The British accent is also weirdly enough feeding into his fake intellectualism since Americans tend to view people with said accent as smarter even if they aren’t saying anything particularly smart.

The narrator is what you’d get if you crossed glados and Whealtey’s attitudes to character voice work but that’s reductive to him and the Stanley parable in general. The whole game is predicated on whether or not you listen to him/ mess with him. It’s an interactive story in the most basic of descriptions. The narrator is literally trying to talk you through a story and gets more distressed and annoyed as the player tries to exert and wrestle control from him. When you think of a narrator this type of voice comes to mind, a British masculine monotone that ebbs and flows with the story. This whole game is a meta narrative so it’s a very smart choice for this to be the case. There’s no robotic tone to his voice because that’s not the point, he’s basically the only real character in the game which makes him feel more human than the actual human we control who cannot speak, only act. He’s the one that makes us feel anything about the game. More the most part the narrator conveys a self assured calm tone, a blank canvas to react to the players weird actions.

Last for today is am and oh boy is he a doozy. Mr Ellison really does his creation justice on how powerful his performance can be. Am in the game and radio drama are actually sort of different characters but it makes sense since in the game he’s literally playing a game with the survivors whereas in the radio drama we get closer to the actual book. For a lot of these characters, the protagonists tend to be silent or reclusive but for am to still be as dominant of a presence with 5 other speaking roles is a testament to the type of character he is. For game am, he sounds almost like a car salesman. He talks down to the survivors, even very obviously flirting with them. You can imagine the mile wide grin on his face when he pulls something. But he’s not exactly desperate, more just like he’s playing a sick little game. Am does things that not even the most human sounding ais do, blowing raspberrys, coughing, laughing, crying. His cadence even makes it feel as if he’s breathing even though you cannot hear it. He’s very intense and visceral. He can go from relaxed and playful to manic and deranged so naturally and it’s what makes him so scary. This computer is far far too human. Everything he does also reminds you that he cannot move or breathe, he cannot scream or cry but it’s clear that he should. The reality of what he is looms over this performance. For as sad as he gets, no tears will flow.his chest will not move because he does not have one.

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the-cat-and-the-birdie · 9 months

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hi! i saw your post about how true the makers of atsv were to real-life brooklyn and i loved it so much that i just had to ask if you'd be willing to make a more in-depth analysis on that? i'm not from america but i adore the movie so it's very interesting to hear firsthand accounts about its authenticity from locals! ofc this is just a humble request and i completely understand if the answer is no <3

I'd LOVE to! The Spiderverse Series is honestly the most accurate movie of New York I've seen in my life - including live-action movies. I say that not just in essence but in everything. And Across the Universe takes it over the top. Like, INSANELY so.

Across The Spiderverse & It's Dedication to Cultural Accuracy [aka ATSV is so goddamn good I can tell you exactly what street Gwen and Miles went to Mumbattan from. It's that accurate.]

I'm a black, afro-latino, and a born and raised 'Brooklynite'. Despite there being thousands of movies of New York, I'd say less than 5 percent of them are in any way accurate or current. (Yellow taxi cabs are no longer a thing here really.)

But Across the Spiderverse defies that in every way - nailing it historically, culturally, and even by replicating exact locations.

Wanna see the Bodega Spot robbed? Cause it's a real, random bodega! And the building he goes into at the end - I can tell you exactly where it is, with 100% assurity. All by street signs.

In the first scene with Spot we see him standing outside on the curb, looking into the store. On the corner there is a street sign that reads Fulton St.

Fulton is an actual street in BedStuy (Bedford Stuyvesant, pronounced Bed-St-eye), literally a stone's throw from my house. And they take it further.

Although it can be hard to see, the other side to the left of it reads Nostrand Ave. Fulton and Nostrand is a very popular intersection in the neighborhood, mainly because there's a subway station for the A line located on one corner.

There's Nostrand and Fulton.

But if you turn to the other corner you see...A Bodega! Looks familar?

That's the bodega Spot robbed.

99% of the people who watch this movie will be from New York. Even less will be from BedStuy. Even less will catch the split second sign on the corner, only on screen for only a few frames.

It took me 3 watches to notice. But I noticed. And my jaw dropped. How much that means is unexplainable. I've been on that corner, and the TacoBell across the street. And so has Miles. That's insane.

It doesn't stop there.

Spot enters the store, as we pass we see a sticker for 'WIC/EBT' on the cashier's counter. I'm not sure how common this is - but WIC and EBT standards for Welfare Benefits and Food Stamps. As you cannot buy warm food with Food Stamps (sadly), lots of bodegas advertise taking EBT for the deli sandwiches.

Nice shout out to the struggling families in the communities, I love a Bodega that takes EBT.

We move towards the back of the store - In the Bodega while Spot messes with the ATM we get a wider shot, and another very insanely specific shout out.

Behind Spot is a sign showing a Beef Patty (which I'll mention in a moment) and a sun logo called 'Sunny Patty'.

This is a direct call out to a specific chain of Beef Patty shops in Brooklyn and Harlem called 'Golden Krust'.

I cannot stress how much of a niche reference this is! Golden Krusts only exist in low income neighborhoods - mainly in Brooklyn, Harlem, and the Bronx. If you're anywhere near Times Square or any place else New York shows choose to portray - you're not finding a Golden Krust.

Golden Krusts are store that is ingrained in Caribbean culture, which Brooklyn is full of - hence the adapted Jamaican flag up front. I grew up eating Golden Krust and I'd eat it more if they didn't close so goddamn early.

But it's there.

Once again, only a few pixels, only a few frames, but someone probably took 6 hours drawing that. For the 0.009% of the people who'll get the reference. Low-income, black New Yorkers - like me.

ATSV is so accurate that you can even find the exact spot in which Miles and Gwen leave through the portal.

But before I tell you where it is - I wanna talk about why it's so important.

It's important because one of the most famous Spider-man scenes in history is just plain WRONG to New Yorkers.

This scene is ENTIRELY incorrect, and I knew it even as a child.

Firstly, based on the skyscrapers everywhere, this is solidly Manhattan. The train says Bay Ridge, which is in South Brooklyn, maybe 40 minutes away by train. So I'm going to assume this is the Q or B train, running through Manhattan. Which, okay they do, but -

There are NO elevated trains in Manhattan. The Q, like every other train, only goes above ground in Brooklyn and Queens. This is very clearly Chicago.

So he couldn't be doing this. It's a simple but HUGE fuck up. Any one born in New York will notice it because Manhattan just looks wrong with elevated trains.

And it would've been fine if they just set it in Brooklyn where Bay Ridge and the elevated trains actually are.

But instead they made generic Manhattan streets - so much so I can't even tell what neighborhood they're in. Do you see how this is such a problem?

Across The Spiderverse is animated. And they still put in the effort.

I can't tell you where Peter Parker is stopping that train - it ain't Manhattan - but I CAN tell you where Miles and Gwen leave for Mumbattan.

So let's go back to where we started. We're on Fulton and Nostrand both in BedStuy.

Throughout the fight, we see Spot and Miles go through a couple streets - most notably a very popular street in the neighborhood - Broadway.

This happens twice, once while fighting Spot, and once when Miles and Gwen grab the hot dogs. They show this twice, cause this will be important for what we're trying to do.

Now this may not make any sense to you, since it's just random streets, but I'm about to tie it together.

Gwen releases the bug near an elevated train. When we see Miles and Gwen swinging, they cling to a train. Now, it's hard to tell what train this is but so far we know.

We're in Brooklyn

We're near Broadway

We're near an elevated train line

There's a station on Broadway called Broadway Junction. It serves the G line and the J,M,Z line.

When we see the train pass by, we get a glimpse of the model. Each train line has a slightly different variation, with some being a lot old. The one that passes is one of the newer ones.

(Once again, very accurate, as those models do run on elevated lines)

And although we can't see the letter on the train, by that alone, I can guess we're by the elevated J,M,Z lines in BedStuy - near Broadway Junction. Easy. Now we just need to know what stop we're at.

Well, they tell us that too. Finally, When Spot heads into the building we get a glimpse of the exact street he's on - Bedford.Ave

So I just threw a LOT of information at you - but look at this map of the J,M,Z line and hopefully it comes together

At the bottom along the green line - we see Bedford/Nostrand Ave. Remember, the robbery starts us off on Nostrand. Let's move up the green line. We get to a part where the green line passes the brown and orange ones - the JMZ trains.

They connect at Broadway (Officially Broadway Junction Station). We see Broadway with the hot dog vendor there.

If we move to left of Broadway we see Marcy Av. - and if we look to the left OF THAT we see a faint white line heading north.

THAT line is Bedford Ave. Where Spot enters the building.

Because we know they're in Brooklyn, and we know they passed Broadway. Plus we know they're now on Bedford by an elevated train that runs newer models.

So from those signs alone we can definitely say that Spot is on Bedford Ave. and Broadway. Next to the JMZ elevated trains, two stops from Broadway Junction in Brooklyn.

100% that's the spot (lol). That's the only place Bedford crosses an elevated train. And as a New Yorker, I got that from this photo.

Trust me when I say - we can tell.

By those short shots of street signs, we know that Miles started in BedStuy, swung north towards Broadway, then took a turn towards Bedford Ave in Williamsburg. And that's where Gwen plants the bug - and the place she returns to before going to Mumbattan.

Is that crazy? That's CRAZY. Percision accuracy that I have never seen in a movie live-action or otherwise.

All throughout the first scenes of ATSV - they are on actual streets, that are reasonably within swinging distance of each other, along actual train lines - with their stations accurately located.

That's INSANE. There was no need for that amount of detail, but they did it anyway.

There's SO many times in Spider-men movies where they'll start swinging in Queens, and then the next scene is like Upper Manhattan. They don't label the neighborhoods, but from buildings alone, I can tell what neighborhood it is.

And I'm supposed to believe Peter just swung 2 and a half boroughs in twenty minutes. I don't notice. But I NOTICE.

Here, Miles and Gwen are truly swinging accurate distances in the right amount of time. That's mental. And refreshing!

In a live action movie - they have NO excuse. Just film in the city, it's not like we're Gotham. And we give film crews huge tax breaks. In an animated movie - completely understandable. But they still said 'No, that's subpar.' and went the extra mile.

They didn't even have to show ANY street signs, they could've left it at the easter egg at the corner store.

But they didn't. Because they're telling a story about a Black kid from Brooklyn, who leaves for someplace completely unfamiliar. BedStuy is Miles' home, and they wanted to make it feel that way. So when he's not there - in the cold polish of Neuva York - you can feel it.

You can feel Miles leaving his warm, rich community when he lacks that community in the Society. In the movie and IRL, BedStuy is so full of color, with so many people doing so many things and sharing so many cultures.

And in the society, everyone is the same. There's no culture. That's dedication.

Because of a train in Spider-man 2, I was immediately taken out of the story. And because of train in ATSV, I was immediately brought in.

For once, it feels like they're swinging around a neighborhood - cause they are.

A Large Detail in ATSV:

So I talked about Trinity Church - the real church that Peter Parker was buried at in ITSV - and how accurate the team got it to the actual building.

In fact, this is the spot where Miles is standing.

Like he's standing maybe 20 feet AT most from this spot, you can see in the windows and spires at the top.

But I also wanna explain why this - and why the fact that Peter was buried there is SO important.

Trinty Church is one of the most famous historical churches in the United States. It was started by the first English settlers in New York. It's extremely famous, and extremely sentimental.

For reference - Alexander Hamilton and his family are also buried at Trinity Church, along with dozens of other important US historical figures - across centuries.

You can't just be buried in Trinity. It's a city landmark. The cemetery is full, small, and you CANNOT pay your way in. The church is extremely choosy with who they will bury there - and honestly, I don't think anyone has been buried there for maybe a century or more.

So for the city to bury Peter Parker's body in the most prominent church in all of the city, if not the country - that speaks VOLUMES.

Like I said in the last post, my father use to work at Trinity Church - and they're the whole deal. Candles burning everywhere, super quiet and devote. The church has catacombs under it, everything.

They didn't just bury him anywhere. The people of New York went out of their way to give Peter Parker the most honorable burial physically possible within the city of New York.

The highest honor for any New Yorker. One reserved only for Spider-man.

Which I think was an amazing touch. Especially since Trinity is in downtown Manhattan - so anyone could come visit and pay respects.

Other Cultural Accuracies

Before we wrap up I wanna breeze through some other cultural accuracies that appear in ATSV.

Miles stops to eat a Jamaican Beef Patty while in the Bodgea. I spoke about these earlier with the Golden Krust sign. Jamaican beef patties are these flaky pastries colored with tumeric, full of spicy meat. And they are very popular with the large Carribean community in Brooklyn - which I'm apart of :)

In the case, we see the Beef Patties labeled with red dots. But Miles seems to go for the only one without it.

I'm guessing the red dots indicate which ones are the spicy Beef Patties and which ones are the mild, and Miles grabbed the last mild one they had.

They draw it really well, especially while Miles is eating it.

"Spider-man seems more Dominican." Genuine question - did anyone laugh at this joke in your theatre?

Because all three times I went, people laughed. The first time people LOVED that joke.

NYC, especially the Bronx has a HUGE Puerto Rican AND Dominican population - many times living side by side

And there's this kinda 'beef' in the same way Yankees fans have beef with the Mets fans (NYC baseball teams)

The best way I can describe the joke is that they're two very strong, very proud Spanish cultures that are often mistaken for each other - but Puerto Ricans and Dominicans can very obviously tell each other apart. Mainly because of the Spanish they speak.

So for him and his mom to have that back and forth, it's kinda an inside joke of Puerto Ricans and Dominicans getting confused for each other - but them being able to tell the difference.

His mom says Spider-man is Puerto Rican, but Miles corrects her - without backing it up with any reason.

It's like they can just TELL.

I don't know how else to explain the joke but its a very New Yorker thing to do - discuss that out like that.

Since a lot of us are the children of immigrants - it's knee-jerk to identify with your parent country and not this one.

If you ask someone in New York 'What are you'. Many young people (me included) would say "Oh I'm *parents nationality*." In my case, I say I'm Bajan and Peruvian. Even though I was born in New York.

Miles would say he's Puerto Rican though he's never been.

So them discussing where Spider-man is 'from' even though he's obviously a New Yorker is the joke.

Like - someone on the writing team HAD to be from New York to add that in cause it's so...oddly New Yorker???

While swinging Miles and Gwen pass the B46 bus. Once again, completely accurate. The scene starts on Nostrand and Fulton. The B46 does indeed stop on Fulton St.

When they're swinging, the movie accurately shows the new World Trade Center (aka The Freedom Tower) - which is the tallest building in the picture.

Also, the bridge to the LEFT is the Brooklyn Bridge, while the tall one on the right is Manhattan Bridge. Many people don't know there's actually two bridges. (There's more but those two are the main ones)

Good on them for showing both Bridges, both accurately placed as well

Fun fact: Trains run over the Manhattan Bridge - the Q, B and a couple others (beautiful - I love it when they do) but trains do not run over the Brooklyn Bridge.

And lastly, when Miles and Spot are on Broadway, the school behind them is actually architecturally accurate for a Brooklyn school. So much so that design is iconic.

______________________ So those are most if not all of the cultural accuracies in Across the Spiderverse!

I cannot stress enough how ridiculously bang on this movie is in terms of everything.

The team put in so much work, and it paid off. To me, at least.

I don't feel like Miles is some kid from a different alternative New York. I feel like he's a real kid in MY New York. From everything down to his Jordans (don't even get me started on how much Jordan's has a CHOKEHOLD on teenagers in New York. Like...it's a status thing. Even since I was a kid, everyone wanted Jordans. Jordans or Nike Air Force 1s. So having Miles wear Jordans is my favorite thing cause yea a kid from BedStuy would think those are flyest shit ever even though they're just regular degular Jordans lol. And you KNOW Miles 42 a sneakerhead. Look at those shoes. He aint creasing those)

This movie, is chef's kiss. It tops all other New York portrays - live-action or otherwise and I stand on that.

If you read this far, thank you SO much. I love sharing New York culture (and the cultures that make it what it is to begin with) and I'm SO happy I can share this stuff and hopefully help people appreciate the movie more too!

If you learned something or have any questions, I'm all ears!

And I usually leave a photo of Hobie here as a send-off but this post hit the photo limit LMAOOOOOO

Bye.

#no proofread as usu #atsv #across the spiderverse #miles morales #gwen stacy #the spot #spiderman #spider man #spidergwen #spider gwen #atsv analysis #marvel #across the spider verse

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multific · 1 year

Text

Date Nights

Vincent de Gramont x Reader

Warning: sexual innuendos

Summary: It wasn't very often that he took you out on dates, it did happen occasionally, and you always enjoyed every second of it.

"You know, when you asked me to come shopping with you, this is not what I expected, but I'm not complaining," you said as you sipped on your champagne as Vincent appeared wearing another three-piece suit.

The shop closed as all of the assistants are with you.

When Vincent asked you to go shopping with him, you assumed you were going to buy dresses for yourself, but when he brought you into the shop he gets his suits made, you were delighted.

First, he had a gorgeous all-grey suit on, then a beautiful black and now, he was standing in front of you, in black pants and a red top. He looked stunning.

"Oh, now that is just perfection." you said as he turned a full circle. "Your ass looks really good in that." you hummed as he looked at you through the mirror.

Now you knew how much he liked when you pointed out certain parts of him which you enjoyed.

Since it was usually him complimenting you not the other way around.

But you weren't lying, he looked stunning.

He ended up getting everything and soon, you found yourself in a nice little restaurant for lunch.

You really enjoyed dates like these.

Simple shopping and food. There was just something about how comfortable you were around him every time silence fell upon both of you.

After lunch, you two went to the Louvre, Vincent had a fascination for paintings and so did you.

You spent good minutes looking at all the paintings, as if it was the first time you saw them, when in fact it wasn't.

"All this history, all this beauty and yet, you are the most beautiful." he said, not looking at you but rather at The Coronation of Napoleon. "When we first met, I often came here to clear my head, I looked at all the marble all the paintings and yet, all I could think about was you. How beautiful you are and how nothing in here could ever compare." he finally looked at you and you smiled at him. "All I could think about was the imperfections of the paintings or the statues because, in my eyes, you are perfection."

"You hold me to a very high standard, Vincent. I will grow old and imperfect while the paintings and statues will stay as they are."

"You will never be imperfect."

"Thank you, Vincent, but truly, you don't have to say all of this. Your guards will hear you. You cannot let them think that the high and mighty Marquis has feelings!" you giggled as he pulled you to stand in front of him, looking at the Mona Lisa. He towered behind you as you let out a sigh. "I still prefer Van Gogh or Dali. But I won't deny the beauty of this. You are a work of art yourself, Vincent. Especially when you are naked." it was meant as teasing, but you knew he took it seriously which you were also okay with.

"I wish I could paint like this. I could paint you and put it in my office." he said as his hands tightened around you.

"For some reason I find that to be both flattering and unsettling. You should get a Monet instead of me. I'm not some 18th century Queen." you looked up at him as he moved both of you to the next painting.

Liberty Leading the People.

"You are my Queen though." you nearly laughed at his cheezy comment.

"Should I get a painting of me for you birthday? One for you office and then one for home, a nude one?"

"If you stand in front of any other person naked, I will have to kill them after the painting is done. No one else is allowed to see you but me."

"I'm okay with that."

"Then I will leave it up for you." he smiled, not looking at you. "See? She is leading the people, a representation of freedom and power. The power the people took back and yet all I can think about is how powerless she is compared to you."

"You are in love." you said watching her on the canvas.

"That I am."

"And I am in love."

"That you are. We are in love."

You hummed.

"I love date nights."

"Who said this is the end?"

"Oh? What else do you have in mind?"

"Dinner and then we drive home, have sex in the car then barely make it into my apartment, have sex against the front door, scare my poor housekeeper, then have sex in our room."

"Now that's a plan! Can we have Italian for dinner? You know I love pasta."

"Of course, if I can come inside you later, Mon Amour."

"Of course." you finally turned around in his arms as you smiled at him, his eyes watching you as you reached up, one hand behind his neck, pulling him down for a kiss.

Oh yes, you loved date nights.

More Vincent

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Vincent Taglist: @l4venderia

~Masterlist~

ˇAO3ˇ

DO NOT STEAL, PLAGIARISE, REPOST OR TRANSLATE ANY OF MY WORKS

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rudeflower · 5 months

Text

JESS ANGST SCHOOL ANGST COMPLEX TRAUMA ANGST

In Keg Max! Principal Merton tells Jess he has missed 31 days of school. Now that makes him a chronic truant for sure, it means he's missed more than 10% of the school year, the standard school year is 180 days. Let's say there's 10 days left in the school year.

That's a LOT of school to miss. Young people improbably here, do not miss that much school

But relative to what we're being told about Jess, it's a weirdly low number? Jess never goes to school!!!! He's working 10000 hours at Walmart instead of going to school no school never heard of him!

That means that Jess attended school 139 days. Most schools I've worked with define that as a certain number of hours attended, more than half the day. So even if he was skipping that's 139 days he went to more than half the day NOT GOOD AT ALL BUT

Even after he was eighteen (early in the school year) he still laced up his boots and showed up somewhere he hated at saw no point in going to WHY!!????

First of all this is actually a ridiculously overcommitted young person let's at least acknowledge that.

He works before school at Luke's, and he works in the evenings too, closing up at 11:30 in one episode. Not just filling coffee mugs anymore. By season 3 he's closing alone, keeping tabs on the delivery schedule and capable of (furiously) running the morning rush alone.

AND he's working 45 hours a week at Walmart doing physical work, AND (poorly) maintaining a romantic relationship, AND reading obsessively, AND YES GOING TO SCHOOL! Jess starts working at Walmart in November (if you treat the air date as the canon date with the show roughly does), combined with Luke's it's probably 60-65 hours a week and still went to school 139 days!

He's making ridiculous choices because he is a tiny little fool but also has a trauma soaked brain

Jess chooses to be maxed out every minute of his life because he cannot tolerate being unoccupied, like a lot of people with complex trauma (and ADHD and Autism and more all of which could apply to Jess but rn I am talking about complex trauma)

When someone is used to chaos in their environment they actually feel less safe when things are quiet and still. It leads to someone who needs to have their RAM at 100% every waking AND sleeping moment

So they work 65+ hours, go to school most days, and they

cannot relax without extreme stimulation AKA needing the music on to sleep

Walk while reading because walking and looking ahead isn't enough is not occupied enough need more occupied

and starts reading the second he's stops talking to someone or using his hands to do something else. Reading as default in any given second.

He reads compulsively, no matter how chaotic the environment.

Reading ALSO isn't enough must be annotating and analyzing too passive reading is NOT ENOUGH

So Jess would rather show up at school for 139 days where other people are moving around, where there are fights to get into and classes to move to and from, even after he's an adult and Luke wouldn't find out that he isn't showing up. He'll show up to a test just to be in the classroom, not to take it.

This is not mentioning what I'm too lazy to screencap, that he's always doing something. that especially when he's talking to Luke Jess is constantly and doing things with his hands constantly.

There's really only one time we see Jess sitting still doing almost nothing

But not really nothing because smoking really is something.

My dude needs to be as occupied as possible from the time he wakes up all the way up to and including when he falls asleep to stay occupied and all that he's got on hand is going to a school that says the pledge of allegiance in six different languages then he will go! It's 100%%% occupation or the horror of possibly relaxing and WHAT WOULD HAPPEN THEN

#if you are reading this thinking “well of course he goes to school he has to”#you are thinking with your brain on not Jess's #he is of legal age and can drop out AND lock Luke out of school communications #luke is very bad at keeping tabs on him and jess knows it #you can do whatever you want when you think no one cares what you do and jess does not need to go to school her doesn't need to do 149 days #I AM ADDICTED TO THESE POSTS!!!!#gilmore girls #gilmore girls meta #jess mariano

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suzukiblu · 2 months

Text

WIP excerpt for @qwertynerd97; a bit more of "congratulations, it's a metaweapon!" behind the cut.

“Beta!” Alpha snaps too, but Beta just disappears out the door without so much as glancing back at a single one of them. Match glances towards Superboy, wondering, again, what the hell she’s thinking. What she knows–or thinks she knows–that no one else here does.

Maybe not no one else, Match thinks briefly, still looking at Superboy.

Superboy still looks furious, is the thing, his fists clenched at his sides and TTK tangling his hair. Match doesn’t feel any trace of it coming out any further from him, but . . .

The “nerves” comment is definitely still in his head. That comment, and how quick Beta was to head for the door. That’s all.

Superboy isn’t on record as having done anything that violent before. It’s almost definitely a bluff.

But it also seems like a very specific bluff, so maybe it’s not.

“The project isn’t going anywhere,” Alpha says, glaring at the door Beta left through like it’s somehow the problem. “Spence, get Superboy either contained or dead. Subject Match, you–”

“You’re not in charge of him!” Superboy barks, clenching his fists tighter. “And if you give him one more fucking order, I’ll make you fucking regret it!”

“He is, in fact, in charge of me,” Match says in exasperation. Alpha and Gamma are a majority against Beta, so it’s not as if he’s going to ignore them just because she’s giving contrary orders to theirs. He is wary of why her orders are so contrary to theirs, but it’s not his place or position to wonder. Not his concern.

“He is not,” Superboy says. “He's just a prick who thinks he can enslave you!”

“It's not slavery if I don’t have free will,” Match reminds him dubiously. Superboy scowls at him and folds his arms.

“Really, ‘cuz you sure sound like you’re picking who you wanna listen to right now,” he says. “Seems kinda ‘free will’ to me.”

“I'm not picking. I'm only meant to listen to the Agenda's orders,” Match says, exasperated again. He was made to listen to the Agenda's orders. They made him to listen to them. There's not another option.

‘Don't be a brat about this,” Superboy says, his scowl darkening. “Or, I dunno, I'll ground you.”

Match stares blankly at him. He cannot even fathom the logic behind that “threat”.

“I need a bigger gun,” Spence mutters. Match doesn’t point out the lack of functional weaponry in the room. It’s screamingly obvious, for one thing. He does wonder where Spence thinks she’s getting that “bigger gun”, though, and why Alpha didn’t order him to contain or kill Superboy. That would make more sense, given the weapons issue.

Or it should, anyway.

“Good luck with that,” Superboy says dubiously, then looks at Match again. “We’re going home now.”

Match–pauses. Frowns. What the fuck does he mean, “home”?

“Those aren’t my standing orders,” he says reflexively.

“Have you eaten?” Superboy asks, frowning back at him in–is that concern? That cannot be concern. Even Superboy cannot possibly be that stupid. “Did they feed you anything?”

It’s been about five minutes of actual consciousness and Match is already having the weirdest and most ridiculous existence that any metaweapon has ever had, he’s pretty certain. Actually, he’s definitely certain. What is wrong with this idiot?

“This is idiotically off-topic,” he says.

“Maybe we could get takeout or something on the way home,” Superboy says, frowning to himself now. “Do you know what anything tastes like yet? Is that a thing?”

Match's standards for “weirdest and most ridiculous” are definitely being tested.

“I wouldn't trust your assessment of my necessary caloric intake and nutrition if my entire existence depended on it,” he says dubiously.

“Maybe we could get you a smoothie,” Superboy says, still frowning. “If you haven't had solid food yet, I mean. Probably be easier on your stomach or whatever. I was not smart enough to start with smoothies, it sucked.”

Match stares blankly at him and strongly considers just killing him now, orders or not. Is this what existing is always like? Because this is stupid. Like . . . so, so stupid.

He didn’t ask to exist, but he especially didn’t ask to be based off a fucking idiot.

He’s seriously questioning the Agenda’s judgment in gene donors, at this point. Really, they didn’t have any better options for this project?

Match finds that hard to believe and frankly he’d like to see the shortlist.

Purely Kryptonian DNA is too complex for current human technology to reproduce, he knows, but they could’ve made him from . . . he doesn’t know, Supergirl, at least. She’s also a Kryptonian-based genetic experiment with very useful powers, and also telekinetic. And a shapeshifter with a berserker form and the capacity to turn invisible, on top of that. Those make for a much more useful powerset than just tactile telekinesis on its own, which is much more utility-based. He’d have been much more useful having been cloned from her.

. . . not that Match would be any version of “himself” if he’d been cloned from her, obviously, just . . .

That would’ve produced a better-suited clone for the project. That’s all. Obviously. So that’s what the Agenda should’ve done.

Obviously.

“It was whatever,” Superboy says, looking a little embarrassed. Match looks at Alpha and Gamma, really hoping to get the kill order already. That’s what he was made for, after all. He’s a weapon, not–“Anyway, I know better now, so I’ll make sure shit like that won’t happen to you, okay?”

Match is not that, definitely. Not something that needs . . . whatever, exactly, Superboy seems to think he needs. He’s a superior specimen; an upgraded version. Superboy is just scrap DNA, now that he exists.

He doesn’t understand why Superboy doesn’t understand that.

It’s blatantly obvious to everyone else in this building, after all.

. . . or Match thought it was, before Director Beta told him to leave with his “father”.

He still doesn’t understand why she did that.

#dc match #superboy #kon el #conner kent #qwertynerd97 #wip: congratulations it's a metaweapon!

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hauntedwitch04 · 8 months

Note

can you please do a plus size reader insecure with dean winchester?

Perfect

Dean Winchester x plus size!Reader

Words: about 2.1k words

Warning: saddy sadness, and some allusion to sexy times since we are talking about Dean so they are obviously there.

Author’s note: Hi love! Thank you so much for your request. I felt really inspired by your idea and I hope you like how it came out!

p.s. I got very caught up in the topic, since it is something I feel very close to. Ever since I was a little girl, I was never a very skinny kid, and on more than one occasion I was teased by my classmates when I was in middle school, so I let myself go and put a little bit of me in the one-shot.

Always remember that it is normal to have good days and bad days, but the important thing is not to let the bad days have it. Keep fighting until the end, because losing a battle does not matter, what is important is to win the war. Everyone is perfect and beautiful in their own way, and your body does not define the person you are.

In case you need someone to talk to, I am always here, don't be afraid to seek help because often having someone close by to remind you that the volume of that evil voice we hear inside can be lowered or eliminated is important.

Requests are open I Ask

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Join the Taglist

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-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.

You look at that slice of cake for the umpteenth time, and you can't help but hear that voice in your head again, evil, whispering all your lifelong insecurities.

Dean has been talking to a girl at the counter for a few minutes, and you can't help but notice how thin she is compared to you, how beautiful she is by the standards society imposes today, standards you have never respected.

You were never a very skinny girl, in fact from a very young age you had your curves, but that never appeared to be a problem until that obnoxious part of your life where children grow up and become teenagers, and that makes them bad there.

For the first time you realized at the age of eleven that your physique was different from the other girls near you, and for the first time you felt different, and that feeling you know deep down never went away.

You tried a thousand diets, and just as many exercises to lose weight, but it almost seemed as if your body didn't want to, so you learned to live with your body. In the beginning it was not easy, you had to face many battles, some you won and some you lost, but somehow your bitter enemy, the figure that is reflected in the mirror every morning, watching you live, judging all the actions you do, is always with you and you cannot get rid of it.

When you first met Dean you were sure that he would not give you a second glance, and that in the event nothing more than a simple friendship would arise as much as you were attracted to the attractive hunter, but against all expectations, only after a few months of knowing you he asked you out and confessed that he was madly in love with you, and that he could no longer live a second of his life. It had been such a strange moment: he was going on and on about all the romantic movies, books, and TV series he had seen himself during that time to find the perfect way to tell you everything he felt and that he finally did it in the bathroom of a movie theater after you had been attacked by a demon while watching a movie; on the contrary, you had remained silent the whole time, wondering how such a handsome, kind, funny, caring, and any other positive adjective in the human vocabulary, man could feel anything for you.

You had realized you were stuck, when waking up from that transe state you had seen him looking at you frightened, and you couldn't help but ask him, with tears in your eyes, "Why me, you could have anyone you want? Why should you only want me, you deserve better." You say sobbing, trying to hold back the tears, not wanting to show him the inner struggle you were fighting all the time with the same voice that is bringing you down today. He had taken your chin in one of his strong hands, made you lift your face and looked straight into your eyes. In those big green eyes you felt as if you could see a meadow in which you could run free of all thought, free to be whoever you wanted to be, and that is what Dean is to you after all, a safe haven in which to seek comfort.

"I want you, and you alone. And already that is a selfish thought, because love, if anyone does not deserve the other it is me, because you are perfect and I am everything but perfect, and I know you deserve so much better, and yet I am selfish and I cannot help but love you and want you to be mine and only mine." Said the man in front of you before kissing you. Immediately you melted like ice cream in the sun in his arms, and you returned the kiss with all the passion and eagerness you were willing to let him know that his feelings were reciprocated. His warm, fleshy lips on yours moved to the rhythm of a dance that only you seemed to know. After a few minutes we parted, needing to breathe again, but both of you had two silly smiles on your faces, of two people stupidly in love with each other, unable to hide it from the world for a second longer. "I have Jane Austen and her Mr. Darcy to thank next time I see her in heaven. Or was it in hell?" Whispered Dean chucklingly before resting his forehead on yours.

"Winchester, we would have a demon to exorcise in the other room." You reminded him, laughing at his earlier statement, before punching him lightly in the chest. "And don't ever make fun of Jane Austen again, I love her books and I won't let you do that." You continued, pretending to give him a dirty look.

"Why do you think I read them?" He replied, winking at you before leaving the room to go deal with the demon, whom you had almost forgotten about.

A voice suddenly brings you back to reality. You look up from the pie in front of you and see Sam's worried eyes trying to decipher your thoughts, which, like a hurricane, are flowing fast in your eyes, too fast to be understood.

"Hey, are you okay?" The smallest Winchester asks you, with a tugged smile, as if you had forgotten how to smile and he wanted to help you learn it again. You then try to smile back at him and nod, not having the heart to tell him that today the battle in the mirror between you and your reflection was won by the mirror, and that as of this morning you feel like crap emotionally, because you feel like crap about your own body.

"I'm just tired, and I'm not very hungry. I think I'll give it to Dean, after all, he's always happy to have a little extra cake." You say trying to be convincing. In fact, it's been about five days since you've really been able to put anything under your teeth, after seeing a girl flirting with Dean in a bar in the town of your last case. Dean had immediately declined the girl's attentions, saying that he was committed to you and loved you, but a self-defense mechanism had sort of been triggered in your brain, telling you that if you didn't want to lose the only person you'd ever really loved in the world, you had to lose weight, and so you started not eating, obviously in secret from Dean.

The lack of food in your stomach has also brought you immense fatigue, in fact you don't even realize that you have left the diner and are now in the car from how foggy your brain is. As soon as you sit in Baby's seat, sleep takes over your body, so much so that you don't even feel Dean pick you up and carry you inside to your motel room. You awaken hours later on the bed you and Dean have been sharing since you arrived in this town, but neither he nor Sam can be seen.

Slowly you get up and drag yourself into the bathroom. You turn on the light and immediately a figure is revealed to you in the mirror. You don't even look like yourself anymore, your skin is white and emaciated, so much so that it looks like that of a ghost; the black circles under your eyes are more pronounced than usual, and an immense sadness shines through your eyes, yet you can't help but be happy to see that your face looks slightly slimmer than it did a couple of days ago. Bitter tears run down your face knowing that being happy about that thing is not right, and that what you are doing is not good for your health, yet you cannot stop that little voice in your head from speaking.

Suddenly you hear the bathroom door open and see before you the frightened and confused face of your boyfriend, who looks at you shocked, seeing the tears on your face. Quickly he approaches you, asking if you are hurt and taking your face in his hands. You try hard to pull away from him, but you are not strong enough. You don't want him to feel your impefect body, he doesn't deserve it, yet he continues to hold you in his arms, while a hand gently strokes your back, trying to calm you down.

"Love, what's going on? Why are you crying? What can I do to help you?" Dean whispers to you, in turn with tears ready to run down his cheeks not knowing how he can take away the pain you are feeling so intensely.

"I'm sorry Dean, I'm really sorry. I've tried, but I can't." You sob, against his shoulder, stopping fighting him and letting yourself go into his embrace.

"What did you try to do love?" The elder Winchester asks with a veil of fear.

"I tried to be a better girlfriend, I tried to lose weight, but I can't. The voice is right, I don't deserve you, I never deserved you. I don't know how you can really love someone like me." You continue crying, falling to your knees, accompanied by his strong arms, as he follows you, also kneeling on the floor. Your figures seem to merge in this embrace, as you tell him of all your insecurities, of the evil voice that dwells within you and hinders your every hope for happiness, and how these days you have preferred to starve yourself in order to be a girl worthy of being seen at Dean Winchester's side. He listens to you in silence, as tears furrow his face and fall silently on your hair, since he has his chin resting on top of your head, while you hide your face in his chest seeking the comfort of his heartbeat and his scent as you open your soul to him on the motel floor of a godforsaken town.

When you're done, you can't help but breathe a sigh of relief, feeling your heart lighten, and uncertainly you look into Dean's eyes and see his sadness, and immediately feel guilty knowing that you are the cause of that feeling. In a moment as if he is reading your mind, however, he immediately stops you and reassures you.

"Love, first of all, the next time you hear this voice or these feelings inside you, don't hesitate and come to me right away, because I love you and I don't want to see you suffer like this and you know that I am always there for you, no matter what, even if you just have to ask me why the color blue is blue at three o'clock in the morning on a Saturday, I am always there for you, I am your love slave." Says the hunter, kissing the last tears streaming down my face. "And secondly, you don't have to change in any possible universe, because you in each of them are perfect as you are. There is not one thing about you that I don't love madly: your hair, your eyes, your intelligence, your laugh, your body-oh God don't get me started on how your body drives me crazy, because believe me I could start a new religion just to worship you as the goddess you are. Every day I have to hold myself back from kissing every inch of your body, from screaming to the world that you are mine, that the best woman in the world is in love with me, and I still don't understand how that is possible. There is not one thing you do that is not perfect in my eyes, and even now I still think that never on earth and in heaven has there been a more perfect being than you, so please don't ever again believe what your brain tells you and believe me." He continues, as he looks into your eyes. You have never felt so loved in your life. The only thing you want to do is thank him, but no words come out of your mouth, so you kiss him, showing him how you feel about him. Slowly Dean gets up, taking you in his arms, not breaking the kiss. Only when you reach the front of the bed and he drops you on it, your lips part and he says a few words.

"I would say it's time to prove that I wasn't joking when I said I would found a religion just to worship your body."

And boy was he not joking.

#hauntedwitch04's writing #dean winchester x reader #dean winchester x plus size reader #dean winchester fanfiction #deanwinchesterxreader #supernatural x reader #plus sized!reader #plus size!reader

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c-is-for-circinate · 2 years

Text

But anyway, Stranger Things Steve and Robin story where things are Pretty Bad in Hawkins for a while after season 4, to the tune of regular monster incursions and more bumps and bruises and stitches and possible concussions than generally standard

and maybe six months in, after graduation, as Hawkins has come up with more and more unlikely stories to try and pretend that they're not sitting athwart a rising apocalypse, after Robin has deferred college for a year, if they all even live that long, because she loves Steve with every last corner of her heart and she won't, can't leave him here

and it's been another bumpy week in a string of bumpy weeks, and Steve doesn't have another concussion, thank god, but Mike needed seventeen stitches and Nancy has a new burn scar curling up over her left shoulder--

Robin goes to find Steve somewhere in the middle of the third load of laundry in the house where his parents haven't set foot since the "earthquakes" happened. Where she has her own permanent guest room, but just crawls in with Steve most nights anyway, because she cannot handle going home to face her own parents and their questions and their 'constructive criticism' and their attempts to be helpful any more.

And she just immediately starts pacing, back and forth across the basement while Steve tries to fold yet another fitted sheet that she could definitely be helping him with, and she says,

"So look, I have been having this really crazy idea, and I need you to tell me that it's a crazy idea, and I should just forget it, except that every time I try to think down that path I keep thinking of reasons that it's not a crazy idea, and it's actually a really good idea with very minimal drawbacks, at least in the near or foreseeable future, and if it ever does start to have drawbacks we can just undo it, because Indiana's had a no-fault divorce law since 1973, and all we'd have to do would be filing some paperwork, and you're just looking at me like I'm babbling again."

"Just like it, huh?" Steve asks, eyebrows raised with a little bit of 'really?' and all the affection of his heart, and when she stops, giving him that slightly-desperate look, he adds, "So, who's getting a divorce?"

"Us," Robin says, planting her feet and looking straight at him. "Eventually. Hopefully. Someday."

"Ooookay, kinda worried you're already planning my eventual divorce when I haven't had sex since Vecna showed up," Steve says, still not really sure where this is going but willing to follow the train at least a little farther, and Robin just shakes her head, eyes wide and focused.

"No," she says. "I mean you and me. I think we should get married."

Yeah, that makes about as much sense as anybody's crazy plans these days. Steve misses the days when he would have been too confused to keep up. He's still confused, he just so rarely expects to be anything else any more that it doesn't really make that much of a difference.

"Robin," he says, a whole sentence in one word, and then she's pacing again.

"Look," she says, wringing her hands the way she does when she's actually pretty upset about something. "Look, I know it's a stupid, crazy, stupid idea, and this isn't me coming on to you, you know this isn't me coming on to you, this is actually a really hard and scary thing for me to think about asking, but it's still like fifty times less hard and scary than what we do every week just living in this town and knowing what we know, because one of the things we know about living in this town is how dangerous it is, how many bad things could happen at any time, and-- and-- and--"

"Robin," Steve says again, and puts down the sheet in a heap to get in her path. He doesn't usually cut her off, but when she gets so worked up she runs out of words, that's when it's time to help Robin get back out of her own way. She lowers her hands into his and Steve squeezes them. "Hey. What's going on?"

"I'm scared," Robin says.

"Yeah, me too," Steve agrees, easily, because the sky outside is a hazy sort of blue-green that goes red-purple at night when it's not black, and when rain falls it sometimes leaves streaks of slick grime on everything it touches, and there are bludgeoning weapons and loaded firearms tucked into corners all over this house. He's been scared more on than off since 1983, and he hasn't bothered pretending not know it since '85.

"I'm scared for you," she says. "And I'm scared for me. I'm scared that none of us knew what was up with Nancy at the hospital for two hours the other day, because her mom showed up for Mike and they told her everything and Karen Wheeler hates us."

"Nancy's fine," Steve promises; her left arm's gonna be bandaged for a while, but she can still steady a rifle, and sometimes he thinks that's two-thirds of all Nancy really cares about any more. It's probably close to half of what all any of them have time and space to care about these days, which is a pretty depressing thought. But that's not a forever state of events, right? "She just got a little banged up. She's okay."

"Steve, what happens if you get hurt?" Robin asks. "Like, really hurt? If you get sick, or concussed again, or you need surgery like Max or Eddie, and you're not conscious enough to make your own medical decisions?"

"I don't know, I guess they call my parents, don't get an answer, and then operate anyway," Steve says, blowing it off like he always does. "Robin, I'm fine."

She's shaking her head, though, no, "I've just, I've been thinking, and I've been reading, and you know how hospitals are, it's been happening all over where people get sick and their friends, partners, can't even get in to see them, and families they haven't even talked to in years get to make medical decisions, because they're not married."

And Steve's not exactly smart but he's not completely dumb. Robin leaves absolutely anything that might even suggest she's a lesbian at Steve's house so her parents won't find it at home, which means there's a whole pile of blurry xeroxed zines and pamphlets and gay newsletters on his once-unused bedroom desk, shoved under a Russian-English dictionary, three spiral notebooks, and a book by some guy called Jung-pronounced-Young. Steve isn't really sure where they come from, because they only make maybe one supply run to Indianapolis a week between the whole group of them and Robin doesn't even usually go, but the newsletters keep multiplying. He's glanced at them before. He's heard Robin talk. He knows what she's thinking about.

"That's not what's happening here," Steve says, promises. "You know that's not the same thing. Nobody's getting sick."

"No, just...torn up by demobats, or haunted, or possessed, or who knows what else," Robin says. "Steve, I don't want my parents to be the ones visiting me if I'm in the hospital. I don't want them to be the ones in charge of deciding what happens to me. I don't want to wake up from a coma one day to find out I've been transferred to some hospital in another state because they decided Hawkins was too dangerous and now I never get to see you again."

"So you want me to be the one doing that?" Steve asks, and Robin looks up at him, hands still tight in his, and she says,

"Yes," like it's obvious. Like it's everything.

For one brief, bright-aching moment, Steve lets himself regret. He's not in love with Robin. Not like that, never like that, but -- there was a minute, once, where it could've been, for him. And it never could have been, for her, he knows that, and that's fine, that's great, because Robin still loves him more than anybody else in his entire life has ever loved him. And it is everything, and it's never going to be like that, and probably nobody is ever going to love him like that even half as much as Robin loves him like this.

"Sure," Steve says.

"And -- and look, it's selfish, and it's stupid, and it's terrible and I hate myself for thinking it, but if you die out there, and half of us are basically living in your house, and I know your parents don't want this house but they can't sell it because it's Hawkins and the housing market sucks, and you don't technically own it but it's all tied up in your trust fund, and if we were married that would give us at least the length of a court case to figure out where else to go, and we'd be able to take care of Max, and--"

"Robin, yeah," Steve says. "I'll do it. Sure, let's get married."

"Wait, really?" Steve doesn't know why she sounds so startled when it was her insane idea, unless she really did want to be talked out of it, but if she'd actually wanted to be talked out of it she should've gone to Nancy. Steve's not the guy who talks Robin out of things. He's the guy who talks Robin into her own brilliant ideas and all the things she desperately wants and doesn't think she can have. "Like, really?"

"Yeah, sure, let's go tomorrow," Steve says. It's a Tuesday, the little gremlins'll all be in school and their shift at Family Video doesn't start until five. "Do we need to get, like, a license or something?"

It's not like Steve doesn't get that this is a weird thing to do, and not a thing that most people would do with their platonic lesbian best friends, but honestly...like, Robin hadn't wanted to say it, but Steve knows he's probably more likely to die in the next couple of years than most other people they know. Doesn't matter how much he plays it off, Steve's always going to be there sticking his body between whichever kid or girl or random civilian and the danger of the day. He's not always there, which is how Mike ends up with a gash up his arm that better not be getting infected with Upside Down rot while Karen Wheeler is too busy pretending that Hawkins is still a normal town, how Nancy gets caught in the blowback from a molotov cocktail thrown just a little too short. Sometimes it feels like Steve's blaming himself in the middle of the night for not being there a little more every year. But he tries.

And if it gets him killed, the least he can do is make sure his stupid trust fund goes to Robin instead of back to his fucking parents. He's not dumb enough to think him dying wouldn't wreck at least Robin, at least for a little while, but he has to figure a pile of cash would make it a little better. He doesn't think it would make things worse.

Besides, Steve lets him think for just a second, what if they do actually figure out how to stop Henry Creel and all his Upside Down bullshit? If they find a way out of Hawkins without leaving the kids behind to die, and move on with their lives? Would being super-platonically married to Robin actually be that bad? He could put her through college with that stupid fucking trust fund while she got whatever genius degree she wanted, maybe end up her slacker house husband and fold all the goddamn fitted sheets by himself while she's off at work. Adopt a couple of kids, maybe, if he could talk her into it. Road trip over the summer in that Winnebago.

Not like Robin could marry someone she's actually in love with. He'd make it clear to whatever girlfriend she gets in the future that he's just there as window dressing and live-in laundry service. Not like Steve's ever going to find a girl who loves him half as much as Robin does, who gets it when the nightmares jolt him awake at three in the morning, who'll believe a single thing he says about the waking nightmare that is Hawkins, Indiana.

Really, it just means that Robin can't leave him behind. Which isn't fair to her, maybe, but it's her idea. She'll be the one slapping divorce papers down in front of him if she ever gets tired of it.

"Um, yeah," Robin says, still a little surprised for some fucking reason, but starting to soften into that smile she sometimes gets when they're being sincere, every once in a while. "Yeah, we just need birth certificates and ID, and like ten dollars for the license fee, and we can go right down to the courthouse tomorrow. Be done in time for work."

"Honeymoon at Family Video?" Steve asks, and yeah, maybe it's not the wedding he once would've pictured for himself, but fuck that guy anyway. This is Robin.

"We'll put on Back To The Future and actually watch it this time," Robin says, and she's grinning now, and Steve is starting to grin too, thinking about the bright hazy beautiful parts of a godawful night, the worst best bathroom floor in Indiana, about marrying the who-the-fuck-cares-if-it's-not-actually-romantic love of his life.

"Throw in some popcorn and you've got yourself a deal, Buckley," he says, and Robin lunges forward into him, wrapping her arms around him. Steve's arms fold around her shoulders like she belongs there.

He's almost not even annoyed that they kick over the laundry basket and send the goddamn sheets spilling out over the floor in the process.

#c writes things #stranger things #so um apparently I'm doing THIS now #I feel like this is meant to be a 5 Times story #Five Times Someone Was Surprised To Discover That Steve And Robin Were Technically Legally Married #(at least one of the times the person surprised is Steve)#(look it's been ten years since it seemed relevant okay sometimes he forgets these things)#anyway we'll see if more Stranger Things fic ever appears again but #enjoy!

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lo-shouldve-been-an-email · 5 days

Text

Why hello there.

Listen,I don’t have much to say about the newest LO episode so here’s an ares ranking to go along with the other ones.

Spoilers.

Percy Jackson:

6/10

Look,Ares is a really weird figure when it comes to how the media presents him.

Almost always they present him as this sexist frat boy when in mythology he is:

A reported protector of mistreated woman.

The patron god of the amazons and was worshipped to the point that their leader had 2 babies with him.

Scored the GODDESS PF LOVE AND BEAUTY and there is no way you cannot convince me she doesn’t have some pretty high standards(even though apparently you can convince most of the writers on this list)

And as much as I love Percy Jackson,it is not devoid of crimes.

In the first book,he helps Luke/Kronos steal Zeus’ master bolt and Hades’ helm of invisibility as to start a civil war within the gods.id say this is a pretty good portrayal overall.

…until we get to the second book.

This myth will be very important so long story short:a daughter of ares got r*** by a son of Poseidon so Ares,like any reasonable and bloodthirsty god of war,fucking killed him.

After this,he got put on trial for murder as if he wasn’t the literal god of bloody war,and all the ladies vouched for him so he got set free.

Let’s just say,Rick Riordan didn’t know of this myth.

In the second book,there’s a scene where Clarisse La Rue,a DAUGHTER of ares talks to him through a magic mirror.

There,he threatens her and says he should have sent one of his sons on the quest.and keep in mind she is his FAVORITE DAUGHTER.

So yeah.

I don’t really like this portrayal but he gets points for bringing Clarisse and (technically)Frank into this world since I like them both.also the fact that Percy could tell he had beef with him even without having any other memory.

Lore Olympus:

1/10

FUCK THIS GUY

Remember when I said that modern Ares was more often than not a sexist frat boy?we’ll add “predator” and “Reddit nice guy” to that list because RS can’t write.

If in Percy Jackson Aphrodite had terrible standards here said standards are so much worse.

He spends MONTHS trying to seduce a 19-YEAR-OLD and then tries to marry her without her consent.

Also,sir,YOU HAVE THE GODDESS OF LOVE AND BEAUTY FULLY AT YOUR DISPOSAL AND YOURE PICKING A GURL WHO DOESNT EVEN KNOW HIW TO USE A COMPUTER????

Great.this guy is a predator,Reddit nice guy,AND stupid.

I remember saying that the only character who could get a lowers rating than LO Persephone being LO hades and then I remembered this fuck existed.

Fuck him.

Hades:

10/10

Your know when you see something and then immediately want to wash your eyes with soap?this is my soap.

He is my third favorite Olympian in the game,coming third to Hermes and Artemis.

So here’s a few reasons why I like him:

Doom anything with impending doom and the increasing doom damage boon does absurd amounts of damage.

Curse of nausea is one of the best duos in the game.

He respects woman.(oh look they finally Aphrodite standards)

His quest is stupidly easy and he was the first Olympian who’s bond I maxed out.

I know this joke has been made so many times but.he really is a Chthonic simp.

He doesn’t get too pissed if you don’t pick him is trial of gods.hes just here for the bloodshed.

It may be just the fact that almost every other interpretation of ares is bad,but I really like him.

Also Aphrodite wearing his face paint in hades 2-

OSP:

7/10

He’s cool.

I really don’t have much else to add except the helmet stays on during sex.

Gods school:

5/10

Welp Back to the incels-

Him straight up telling Aphrodite that he can do whatever he wants because she won’t leave is just.why.

I don’t get why people go to this myth,turn it around,and act as if they’ve done a service by making Ares miserable when in the myths it was already a good ending.

What is with the obsession with making ares a toxic ex boyfriend when in the myths him and ‘dite were literally love and war.

Another issue I have with gods school is the fact they made Aphrodite a Karen Smith when in the myths shes a Regina George but that’s a problem for the Aphrodite ranking.

Also I just realized the Aphrodite Hephaestus ares myth is the og “I fell in love with a bad boy story”-

Epic:the musical:

8/10

I don’t have a physical picture of him but I already like him.

The only time he he appears is during a bit of an unfinished song but he does bring up some pretty good points,like the Scylla thing.

Also the fact Athena didn’t directly refute any of his points but instead persuaded him with the fact that the moment Ody gets home the suitors are going to be fucked is surprisingly great.

Also can I just say how absolutely hyped I am for god games?Aphrodite’s part fucking rocks and I’m excited for Apollo and Hephaestus.

Also here’s my ranking for epic Hermes since I wasn’t part of the fandom back then:

10/10

*insert dolphin laugh here*

#anti lore olympus #anti lo #lo critical #lore olympus critical #lo criticism #lore olympus #Lore Olympus ares #percy jackson #hades ares #overly sarcastic productions #hades #hades supergiant #supergiant hades #gods school #hades 2 #he hasn’t appeared yet but fuck it #he better #hades ii

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accio-victuuri · 4 months

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Wang Yibo’s “Popular Films” interview feature:

Why do everyone keep talking about Al Pacino's performance in "The Godfather"? It's really like the blooming of a second life that will last forever. This is probably what makes me like movies more and more. I watched a movie before, and there was a line I liked very much that seemed to say: Some movies end the moment the screen lights up, and some movies will last forever. Well, good movies will last forever. , this is also what I think is very charming about a movie.

👨: Welcome Yibo! Congratulations on your nomination!

WYB: thanks, thanks!

👨: Speaking of which, "Popular Movies" had a relatively detailed report on "Hidden Blade" in the second issue of 2023.

WYB: Ah yes, I know. I read that article.

👨: How well do you think the author understood it?

WYB: I think there is no such thing as a standard! Because everyone has a different story and a different perspective on things, so everyone has their own understanding. This is what I think is the most interesting thing about the movie.

👨: We also made detailed reports on the subsequent "Born to Fly" and "One and Only", but we did not conduct interviews at the time. Now let's talk briefly about them in order of release date from near to far!

WYB: Okay, okay!

👨: First up is "One and Only". The protagonist of this film is a hip-hop boy, which should be in your Comfort Zone Is this role relatively easy to play?

WYB: I think it is my comfort zone when it comes to dance. In terms of performance, it will indeed be similar to my childhood experience. I may understand the dancers better and get into the role better, so it will be closer, but I think there is no easy role.

👨: This script was written after the director negotiated with you to star in it, right?

WYB: Yes, the director was also making changes and additions in the middle. The script he received at the beginning was also different from the final result.

👨: There is a lot of dancing in this film. Did you participate in the choreography?

WYB: Because this type of dance is quite special, it is not danced while standing on the ground. There are many techniques in breaking. Although I know hip-hop very well, I cannot completely execute the technique part by myself, so I do have my own idea, but the choreographer didn’t participate.

👨: After the choreographer completed the choreography, did you propose any changes when communicating with them?

WYB: Maybe you have, yes, because sometimes when you jump by yourself, you may wish that here, eh, would it be better to use this action? Well, it is a process of continuous improvement.

👨: It's very interesting. You and Director Dapeng got along as actors in "Hidden Blade" and as directors and actors in "Hidden Blade". Is there a big difference in the way of getting along with each other?

WYB: There is indeed a big difference, because in "Hidden Blade" I had less contact with director Dapeng, and we did not have any direct scenes together. We only appeared together in the group scenes of eating and holding umbrellas at funerals. In that very serious creation. There is also less communication in the environment. But when we collaborated on "One and Only" later, Director Dapeng seemed like a different person, very lively and happy.

👨: "One and Only" has a comedy atmosphere, while "Hidden Blade" is very serious, even a little sad, so I think your personal temperament is closer to "Hidden Blade"...

WYB: Thanks!

👨: So how did you develop your comedy performance in "One and Only"?

WYB: I feel that I was not responsible for the comedy part in "One and Only". Chen Shuo is more like an innocent, serious and hard-working young man. Yue Yunpeng laoshi or Xiao Shenyang laoshi are responsible for the comedy part.

👨: But there are also some scenes where everyone will have fun together after just one sentence...

WYB: oh?

👨: For example, "Just show respect!"

WYB: Ah, hahaha, yes. These jokes were thought up by the director and screenwriting teacher. I told them based on the upright and innocent feeling of the character. Maybe the contrast coupled with this word will make the effect more comedic.

👨: Although there are not many lines like this, the impression is quite deep.

WYB: Thanks!

👨: Generally speaking, when an actor completes a role, he will have certain emotions for this role. So when you leave Chen Shuo, what kind of feelings do you have for him, and what do you hope his life will be like in the future?

WYB: After the movie "One and Only" was completed, I still remember it very fondly. Yes, because it is more like my experience as a child. When I was a child, I insisted on dancing when I was a child, and it was because of dancing that I became a star or an actor. So I am very happy that Chen Shuo has such a perfect ending. I hope he will have a smooth sailing future and win more championships.

👨: Okay, now let’s talk about “King of the Sky”. Director Liu Xiaoshi said it’s very important for you to get the script, you quickly decided to star in the role. Was it the subject matter that moved you?

WYB: It is indeed a script like "The King of the Sky". Many of the lines are really touching, and it is also hard to resist such military themes and test pilot themes.

👨: Do you have a military complex?

WYB: I think I am quite passionate inside.

👨: This film was shot in the Northwest for a long time. During the process, I knew that there was some training, and it was also quite difficult. The Northwest is windy, sandy, and cold.So what do you think is the most difficult thing?

WYB: Well…………I think this is really after getting involved, I don’t think it is a difficult thing, because everyone is working hard in the same direction, maybe I will feel tired at the time, or It was quite bitter, so what, but when I look back and think about it - I am this kind of person - if I look back and think about the things I have done, I won't think it was anything, it was not a big deal. Although the shooting time is so long, this allows the actors to focus more on delving into the knowledge of various aircraft, because this still takes time to understand.

👨: Mr. Hu Jun was also nominated for the Golden Rooster Award for Best Supporting Actor for this film. Did you congratulate each other?

WYB: Yes, yes, I was congratulating him just now during the ceremony.

👨: He has played many soldiers, and I think he is very familiar with this temperament...

WYB: Yes, Hu Jun laoshihas acted in "Flying Leopard" before and is also a pilot.

👨: He is the captain in the movie, leading you young test pilots to fight. Watch the behind- the-scenes and he often teaches you acting outside the play?

WYB: Yes, he is like a big brother. He takes us to exercise and eat together, and sometimes we will talk about the script and each character together on set. Jun ge is very good at taking care of people, because there are seven people in our team. It’s not just me. In fact, Jun ge has also been taking care of other young actors.

👨: Your team is quite united.

WYB: Yes, because they are all boys, they like sports, and they all havesimilar interests.

👨: I would like to interject, if you really go for the pilot selection, is it possible to pass?

WYB: It may be very difficult, mainly because the physical quality is too high. I’d better treat myself as an actor first (laughs).

👨: It is both the main theme and commercial quality. We feel that "Born to Fly" has exceeded our expectations. How did it feel when you saw the finished film? Because there were no special effects when you shot it? ?

WYB: Actually, when I started running the road show, I hadn’t gone to the cinema to watch it because of time constraints. Then I remembered whether it was in Guangzhou or somewhere, so I went to the theater to watch it. The visual effects, sound effects, and the whole thing were really like those in a theater. The special effects are really shocking. I didn’t expect that the visual effects of fighter jets in the air could be made like this. I didn’t expect that some high-altitude movements of airplanes and unknown movements of the aircraft could be explained and presented on the big screen like this.

👨: Also, what do you think of Lei Yu’s future?

WYB: He will definitely go in the direction of Captain Zhang Ting, but he must be a new generation of young test pilots. Captain Zhang Ting also said before that every generation of test pilots is different, and theoretical knowledge like Lei Yu It will be more solid and the flying skills will be better.

👨: Director Cheng Er said that when he sees you ordering and putting on those costumes, he feels like the characters in his original novel or script have become different. So when did you feel that you were Mr. Ye?

WYB: When I tried makeup for the first time, I had never tried makeup and styling like that before. It felt like I was in another time and space. Such styling and clothing helped me instantly connect with this character. Then I think it was through the lines between the opposing actors and the communication with the director - because everyone knows the director's script, they will add it part by part, and as the filming process progresses, it will gradually become more and more complete. The more I get to know this character, the more I am immersed in it, and the more skillfully I perform.

👨: Director Cheng Er said that you have sufficient training. What does this training include?

WYB: I also trained in advance before shooting, and went to watch some movies specifically. For example, the director took me to watch "The Godfather" Parts 1, 2, and 3 again, as well as "Pulp Fiction", "Inglourious Basterds" and so on, and maybe more It’s some pull tabs on performance status. Then there is also some training such as lines, including action training.

👨: Director Cheng Er himself said that many scenes are left to you to express yourself freely.

WYB: Well, sometimes there are. Sometimes the director will tell me his idea first, and then I will act it out again, and then make adjustments; sometimes the director will give me a framework, that is, how to do it in this environment, and then you will You think about what you want to do, and if you think it's OK, we'll start shooting.

👨: Oh, it turns out this is such a process.

WYB: Yes, yes, he is very detailed in some aspects and very open in others. For example, the previous process is a detailed communication, telling me carefully that you can take off your clothes first, then take off your tie, and then change; or if you feel comfortable, you can also take off your tie first—— I'm just making an analogy - take off your clothes again. But sometimes, they will tell me the situation, and then let me think about how to do it, and then shoot after I have thought about it. Give it a big framework, yes, and it contains your freedom.

👨: What impressed you most during the filming of "Unknown"? Which scene do you remember the most NG?

WYB: Actually, not long after I started making movies, I was selected by director Cheng Er, and it was a very important role, so I had a very deep impression on the filming. One reason is that the director is used to shooting at night, or he feels that shooting at night is more exciting. Most of our shooting starts at 6 pm and ends at 6 am the next day. This highly concentrated and tiring way of working is really rare to experience! And then I failed a few times... The director is very, very serious and very meticulous. Maybe during the filming process, wefilmed a lot of scenes, well, we just found the best ones through reshooting over and over again.

👨: Especially that one-shot fight scene?

WYB: Oh, yes, that is also rehearsed in advance. You get those cardboard boxes in advance, roughly arrange a scene, and then practice and play until the official shooting.

👨: I remember director Cheng Er said that he shot more than 30 takes, and he used the second to last take.

WYB: Maybe, but I can’t remember clearly, because I could only take five or six pictures a day, and it took a week. The director will be more aware when editing.

👨: So Director Cheng Er said you have enough patience?

WYB: I personally think that when doing something you like, no matter how big the difficulty is, it may not be a difficulty, so you can just keep doing it. Maybe this is the aspect of patience that the director is talking about.

👨: Speaking of language talent, Director Cheng Er has repeatedly praised you. Is that because you have this talent and it doesn’t take much effort to learn these dialects or foreign languages?

WYB: Well, I think on the one hand it's okay and not too strenuous, and on the other hand I think my own lines are not that good, so maybe I will feel more confident when speaking a language that I am not familiar with.

👨: Many viewers commented that your Japanese is not only fluent, but also that your tone is full.

WYB: Well, the crew has a dedicated Japanese teacher who will give me a video with the corresponding Chinese characters and Japanese, so I listen and watch at the same time, and I am also imitating his tone, because the Japanese teacher actually helped me perform and speak the Japanese intonation and tone, so I tried my best to imitate it.

👨: The eye scenes, fighting scenes and the use of multiple languages in "Hidden Blade", which part do you think is the most difficult?

WYB: I think it's the eyes, because maybe I haven't trained my eyes like this before. In addition, "Hidden adr" does have a lot of eye scenes, so I think eye scenes are quite difficult. In addition, sometimes I have to act opposite Mr. Liang, which makes me very nervous and under a lot of pressure.

👨: How did you overcome this pressure later?

WYB: Prepare in advance and have a lot of rehearsals.

👨: You said that Mr. Ye is a very bitter person. If the plot continues, Director Cheng Er will most likely arrange a tragic ending for him. Putting aside the director's settings, what do you hope Mr. Ye's ending will be?

WYB: I think it may be difficult to have a happy ending. He lived in that era and in that working environment, but he did not leave. I hope that in his spy career, he can achieve his goals, complete his work, and escape unscathed. Well, how should I put it, be safe!

👨: Out of 10 points, how would you rate Mr. Ye's performance?

WYB: (Laughs) I think it might be a little higher than a passing grade!

👨: 7 points, 8 points?

WYB: If the full score is 10 points.

👨: We’ve just talked about three movies. Do you want to drink some water and take a break?

WYB: It's okay, it's okay, it's okay.

👨: It is very rare for a new actor to have three starring movies released in one year!

WYB: Thanks!

👨: I read some reports and interviews. The directors of these three films found you first, which can be said to be very lucky. So for you - you entered the entertainment industry as a singer and a pop idol - is it something that happens when your career develops to a certain stage, or is it because you like it, love it, and seize the opportunity to make your dream come true?

WYB: My first dream when I was little was definitely to be a singer and to stand on stage and sing. I think this first dream has come true. How I came into contact with movies, I think, was probably a mistake. In fact, my first movie was called "Dream Partner". At that time, Ms. Du of the company asked me to go for an interview, and then I made movies with Sister Yao Chen, including the movie "The Red Boy" in "Westward Journey 3". . From then on, I slowly started to understand movies and watched some movies, and then I felt that many movie actors, their charm, through movies and the screen, seemed to have gained a second life. Why do everyone keep talking about Al Pacino's performance in "The Godfather" It's really like the blooming of a second life that will last forever. This is probably what makes me like movies more and more. I watched a movie before, and there was a line I liked very much that seemed to say: Some movies end the moment the screen lights up, and some movies will last forever. Well, good movies will last forever. , this is also what I think is very charming about the movie. The charm of movies is still very different from the charm of stage. Yes. The stage, I think, may be more of a moment of pleasure, a kind of release on the stage, while the movie is exquisitely crafted.

👨: These three movies were all chosen first. Will you try hard to get a role that you like in the future?

WYB: Yes, you must first have a character and a script you like, and then go for it.

👨: Now that you have been nominated for the Golden Rooster Award, will you still submit your resume and audition?

WYB: Of course, including the works of favorite directors, I will also fight for them.

👨: Your own temperament, as defined by the movie channel, is "noble and romantic"...

WYB: Thanks!

👨: And it has a relatively reserved feeling. If you encounter a character who is full of emotions and has strong emotions, would you avoid it?

WYB: I think when I like a character, I don’t first think about whether his emotions are high and low, but maybe I think more about the charm of the character. If I like the character very much, it doesn’t matter if he is high or low, or Regardless of whether I keep it or not, I might wan to try it, but I’m not against it.

👨: What about comedy? Are you interested in a pure comedy?

WYB: Pure comedy, well, I haven't thought about it yet. If there is a character that i really like, I don't think I can resist it and I can try it.

👨: As a newcomer, you are relatively relaxed in front of the camera and don't feel tense. Is this because you started your acting career very early and have rich acting experience, so you are more familiar with the camera?

WYB: I think it is true that as a singer, when performing on stage, whether in front of the audience or in front of the camera, you may be relatively skilled and relaxed, but it is still not enough in the eyes of the director. I think Director Cheng Er gave me a good start. He asked me not to "act" but to subtract. In fact, I am very grateful to the director for cultivating such a goodhabit in me.

👨: During the filming process, in addition to the NG mentioned just now, we often heard "Keep one thing, keep one thing". Of course, this kind of "keep one thing" is often proposed by directors, but have you ever raised it yourself?

WYB: There will be, there will be.

👨: Why is that, if there are no mistakes?

WYB: The requirements are definitely getting higher and higher, and I hope to be better.

👨: What if the director is already satisfied?

WYB: Sometimes actors have their own obsessions, demands, or ideas of their own.They may want me to try something like this again, or I feel that if I have subtracted some actions just now, I would like this action I think it's a bit redundant, so I might want to say, let me do another one without this action.

👨: When you are working, are you in a state where you can get into a scene quickly and get out of the scene quickly?

WYB: I have to get into the mood in advance. I think as an actor, it is normal for you toprepare for the role. As for whether you are really immersed in this role, it depends on you. The more you put your heart into it, the more you will be immersed in it. If you put in your heart less, you won't be able to immerse yourself in it. This is how I feel. So I am more on that set, in that environment, to feel and immerse myself in the set. There is no way for me to change my face as soon as the filming starts, and then return to myself as soon as it ends. I think in that case, as an actor, I have not experienced enough to experience the role? Including if you are really crying very sadly and violently, can you stop it at once? That is impossible.

👨: Well, speaking of which, your crying scene really left a stunning impression on people, I just said that when the crying scene ends, you may not be able to get out for a while, but what about when you enter?

WYB: Every actor may have a different way of entering a scene, so I may still have to use some help. Whether it’s some memories or music, this is also a skill and the reason why actors need a lot of experience. The more you experience, the more you see, the more you understand. When I need some help with my performance, I can quickly capture similar details from my experiences or memories, and then perform them based on the feeling of the character.

👨: Your collaborators, whether they are directors or rival actors, often comment that you are dedicated and hard-working. So I would like to ask, to use the current fashionable term, are you an "involved" person? ?

WYB: I don't think there is such a thing as "involution". I just want to do this thing well out of love.

👨: Is it more accurate to pursue perfection relatively?

WYB: Well, I think so.

👨: People also say that you can endure hardships.

WYB: Well, it must be a little tiring physically, but back to the question, when I am doing this thing, I have already chosen to do it, and if I also want to do it well, I still can’t feel bitter. But would you say you are tired? You will still be tired. Maybe onlookers will think, how tired you are when you do this? Then the premise is that you still like it. I just don’t think it’s hard, but people will see how tired you are, so when they evaluate you, they will say you can endure hardship.

👨: Three movies were released this year, and two were nominated for the Golden Rooster Award. How do you evaluate your year?

WYB: I feel very satisfied and very lucky. Being able to produce three such good works in one year, I think it is really a blessing for an actor. Then whether you try different roles or experience different lives, you will be very happy.

👨: The word Director Cheng Er used to describe you impressed me deeply. It was called "Mianshan". This "Mian" should mean "soft". So you are a relatively soft-hearted person?!

WYB: Well, I think it depends on the situation. When getting along with others, I may be relatively soft. But when it comes to what I pursue, when I want to fight for the first place, I won’t be soft and will be very determined, so it depends on the situation.

👨: We have been paying attention to you since the news about "Hidden Blade" and "Born to Fly". Then I feel that you have changed a lot this year. Before, you felt more like a teenager. This year, whether in activities or in the process of publicity, you have become very calm, and you feel like an adult. Have you felt this change yourself?

WYB: I actually don’t feel this way too much, but I think it may be that I improved rapidly in the year when I made three movies... Maybe it’s also because of experience. Various experiences, I think, are different.

👨: You are usually busy with work and have a very intensive schedule, so do you have very little time for yourself in your spare time?

WYB: Actually, when I am not on the set, my spare time is pretty good, um, pretty good.

👨: Do you watch movies in your free time?

WYB: Yes, I watched a lot of movies with the director some time ago.

👨: Is it the kind of projection you watch at home?

WYB: No, I watched it in a theater with the director.

👨: By the way, you can now watch movies in real commercial cinemas

WYB: I haven’t tried this before. I haven’t tried this yet.

👨 What type of movies do you like as an audience?

WYB: Director Cheng'er took me to watch many literary and artistic films, such as "Songs from Second Floor", "A Pigeon Sat on a Branch Reflecting on Existence", "All that Jazz", and I liked them all, as well as "Leviathan" and so on. .

👨: They are all foreign films.

WYB: Yes, there are more in Europe.

👨: Do you find European literary films boring?

WYB: I didn't fall asleep (laughs), I quite liked it.

👨: So you watched a lot of movies with Director Cheng Er, and a few days ago went to the theater festival to watch a lot of plays. He also recommended you to "Sea of Stars"...

WYB: I said at the (Golden Rooster Award) nomination and commendation ceremony that I was very grateful to the director for helping me with the film, but I might have been a little nervous on stage at that time. In fact, what I wanted to say was that it was not just in "Hidden Blade", but it also helps me a lot outside the theater, whether it's the aesthetics of movies, music, or art. He told me that if you see too many good things, you will know what is bad.

👨: My understanding is that in addition to the cooperative relationship between director and actor, Director Cheng Er also has a kind of appreciation and support for you.

WYB: Well, yes, it can be understood that the director is teaching me like a teacher, he is my mentor and helpful friend.

👨: Talking about watching movies, do you rarely watch commercial movies?

WYB: I also like commercial films like the "Batman" trilogy very much. But recently I have watched relatively few commercial films. Yes, I mainly study literary and artistic films.

👨: Do you have a particular favorite actor?

WYB: Ah, think about it, the actress likes the Spanish actress Penelope Cruz in "Vicky Cristina Barcelona", and the actor, the actor in "21 Grams", is called Sean Penn.

👨: Well, he is an Oscar-winning actor and has a lot of personality.

WYB: Yes, very charming. He has many works. I also like the movie Dead Man Walking.

👨: "Dead Man Walking".

WYB: Hmm, yes.

👨: You have many hobbies, many of which have turned into skills, and you are considered an all-around artist.

WYB: No, I just want to like more things, but it’s not all-powerful. I like a lot of things, but I'm not good at them, so I don't think they're all-rounders.

👨: But when three directors notice you and choose you, these hobbies and skills such as motorcycle racing, hip-hop, etc. play a very important role.

WYB: Ah, this is also a bit lucky for me. I think I still have to stick to my hobby. This is also the joy of life. You can't just do one thing forever. I like to be exposed to new things, and I hope tostick to it as much as possible, but sometimes my hobbies may change quickly. For example, I was still enjoying golf, but suddenly I started playing tennis again. There is no way to focus on one hobby. To practice and improve all the time, maybe study in time periods. So I think I have many hobbies, but I am not good at them. But I just like so many hobbies, which make your life richer and more interesting, and can keep you in a relatively good state, including your mental state, in your spare time.

👨: Well, exercise is very good.

👨: I also want to ask a question about traffic.

WYB: Yes, yes, yes.

👨: Making a film is a long process, and some of it is kept secret. During thisprocess, if your popularity and traffic as a star are lost, would you mind?

WYB: I definitely don't mind, um, yes. Because I think my main identity now should be an actor. Of course, because it’s my favorite since childhood, I will also release new songs. Now that I am an actor, I actually want more time to broaden my horizons and enrich myself so that I can better shape different roles in the future. So how can I broaden my horizons and make myself more informed? Then I must go out, huh. Similarly, when I was working as an actor and making films, I might have less time to appear in public, and then my traffic would decrease, but I was still doing what I liked and paying for what I liked.

👨: Give us some information about the new film! Is there a script now?

WYB: Uh.........Yes! But I don't know what it will look like in the final shooting (laughs).

👨: Will movies still play an important role in your future career plans?

WYB: Yes, and at the same time, as I just said, don’t give up if you can, and persist.

====

*We have been urged several times to end it as soon as possible, and the following activities have been delayed.

Okay, that’s it for our interview! Finally, I would like to congratulate you again and hope that the filming of the new film goes well!

thanks, thanks!

This is the longest interview we did during the Golden Rooster Awards. The lovely interview subject has always been focused and peaceful, expressed candidly, occasionally thought, and often smiled.

No water, no rest.

His high-frequency vocabulary: thank you, like, love

What impressed us about him:

Extremely polite and always with a straight back.

Later, I watched him take photos. In the dark retro setting, he calmly changed his posture, calm and elegant, and had a charm that only radiated to the camera rather than the crowd.

This boy fulfills all the fantasies people have about idols. This young man is already pursuing bloom and eternity on the big screen. As a young man, his wings are beginning to take shape.

scanlations source

#wang yibo #accio victuuri translation #what a great interview!!!!#more movie recs from wyb!#this was so long i died lol #do not take outside of tumblr please

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socksandbuttons · 6 months

Note

Bean Eclipse Au has my love and seeing any post makes me very happy but now I want to get to know your Space au a little. May you give us some funfacts about the characters to get to know them better?

Aw thank you! I'll do my best describing some things! Its been a moment where I dont know what ive said about them on here. ((The ladies, are by @nekojaf so if u want info on them you gotta ask her!)) First, We got Eclipse (yes thats his name, unless we go au hopping its-)

-He's a captain of his own spaceship (however its mostly a ship that can house just a handful of people.)

-He's self confident, he's got leadership qualities and doesn't stand down often. However can be a huge flirt (as Beige unfortunately deals with). -I've mentioned before but Eclipse (like other models of his kind) are far more Emotive than the previous models.

-Eclipse is the reason Lunar has a collection of plushies. The guy is very good with sewing. -He's not familiar too much with the 'Star' like SAMS' Eclipse is. At least not currently. He's far more concerned with other things.

-His relationship with Earth is rather... interesting. He may be vocal about not wanting to speak to her but its mostly cause she's like a mom who tends to baby him. (Although he can't blame her frequent check ins.) -Most people avoid him, but that's cause he's made an interesting name for himself.

Lunar, my BOY who started this whole au actually.

-The space suit was given to him by Eclipse. Who may have taken it.

-He comes off as sweet, but don't think less of him in comparison with his brother. He's mischievous as well, and cunning when needed.

-Far better at keeping his emotions in check than Eclipse.

-Unlike Eclipse (again) he's actually rather good at y'know. Getting the girl.

-However, he is younger than Eclipse. In part not as experienced with the whole line their apart of.

-Rather handy with his shots, but better at driving. Also has a bit of a name for himself.

-Cannot actually believe how his brother acts around Beige from time to time. He's judging his brother immensely everytime. Just let her clear the hyperdrive so they can go!

Moon!

-It should not be a shock he's still a scientist in this au. (Mad scientist Sun would say...)

-But in part of that, its due to being part of a Space Camp. He's suppose to be in charge of the sciences of how rockets run. However he uses most of that to make his own things.

-It usually does end up with the kids handling it. Unless Sun gets involved. Kids love the anti gravity chamber a lot.

-Also in this AU he is still AroAce.

-However since Sun and him are under a company, they don't usually leave the Camp. They can't really.

-Moon has made a Star.

Sun, sweetie my darling.

-Although him and Moon run the Camp together, Sun mostly handles the kids. (Although, Sun more or less just doesn't want them getting hurt cause of Moon's experiments.) -He's been having trouble with some outsiders makings noise lately but it's usually something he can handle. The dome around the place keeps the camp relatively safe (and Safer with Moon's additional technology)

-He goes by his own checklist, although the one from the higher ups isn't something he wants to fully deviate from. It's kept things running, and their own job secure.

-He may be dressed up as a Spaceman, he's uh... not actually one. At least not by astronaut standards.

-They don't talk to other models of themselves.

-Earth and Sun usually can talk for hours. However, he tries not to keep her too long. She's got others to check in.

Bloodmoon, yes it's him!

-The possibly second youngest.

-He's the only model of his type that... well Ruby's seen actually.

-An avid fan of Invader Zim, due to many movie nights he's had with Ruby. (In an effort to help him learn some things about people...without being near too many.) -He doesn't understand why he needed clothes, unaware of his own autonomy.

-Unfortunately for everyone, WAS destroying planets and ships, destruction in his wake. No one could keep him contained. Until Ruby. But she's not really trying to contain him.

-His curiosity mainly keeps him in check, at least in regard to his learning program. He still seeks some chaos, even if it is on a isolated ship in the meantime.

-Comet Boy! Danger, do not engage.

Angel, y sweet sweett bababyyy

-Probably the oldest? He's quite a mess it's hard to tell.

-Has been passed around here and there from job to job so he's very well versed in many skills!

-Earth finding him again was a blessing. She thought she lost him. Incredibly thankful for Cosmo.

-Is far more interesting in helping Cosmo than being helped. He's survived quite a bit!

Killcode, don't you forget my giant man.

-Was made by Moon, or from Moon. In doing so, he's got a few quirks he picked up.

-Such as... He's actually less violent. However able to withstand radiation, rocket blasts, high velocity impact, mundicide... Assumingly.

-Incredibly Tall. A normal person would maybe feel incredibly intimidated by how much he towers.

-A darling cook, he mostly has to kneel for that though. Not many ktichens he's been in are for his height.

-He's a rather calming personality, has no qualms to start fights.

Earth and Solar Flare (or welll... the ACTUAL Sun)

-Two AI's made for well.. as you guess the Earth and the Sun.

-Earth is as expected to be motherly, warm, stern with her own wants. While SF has less expected results of being rather recluse, cold, to the point and selective in their interactions.

-Earth is partly why the actual planet is far cleaner. With her being actually forthright about the planets condition. It helps if theres someone who may be disappointed if you throw your trash on the ground, or company's dumping waste. She may have been made, but she more or less is her own being. Most don't mind since her main concerns usually fall with her own planets affairs. That doesn't mean she doesn't have concerns of other places.

-SF was made as a safe bet to monitor the sun. However, hue to unexpected AI developing their own personality. SF doesn't fairly speak to much anyone aside Earth. He rather feels she's better at relaying information than he is. Ironic, they find.

-Recently some reptilian android has started to make some impressions on Earth, SF doesn't normally hear her talk about individuals like this aside the 'children' she oversees.

-Earth also ended up supervising the celestial and eclipse models. Attaching to them far more than expected but due to- [The Rest is too glitched to make out.]

Well that was more typing than I thoguht it'd be. But me and Neko have quite a bit of art. The main inspiration for a lot of it is retro futurism. But thank you for asking! You also got Earth in there too. My sweet lady I love her.

#solar flares design needs some work actually but thats kinda because his OG look IS more on line with the style actually.#anyway theres lore here and there but also #missing a few things #lots of romance in this au more than u think #ALSO YEAH MONTY IS IN THERE BUT UH DFBHSJKDS #sams space au #space sams au #tsams #sun and moon show #myart #*looks at all the art i havent show* ah #i think about the models and their differences a bit more and time... but another day when it comes up

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weixuldo · 10 months

Text

Linecook Anakin HCs

pleaseeee i cannot get this idea out of my mind (maybe i’m just tryna romanticize my job lol) also lemme just say this list is hella unorganized ( just like my brain lol)

warnings: cursing, ani is a typical horny young adult, smoking; weed

Muscular arms, veins!!

Beautiful blue eyes look up at the screen to see the next meal prep (you imagine those same eyes looking up at you like that if you ever get him on his knees)

He always finds something to compliment you on (even though there’s not much room for expression due to the standard comply uniform)

He’s almost always working cause he wants money and honestly doesn’t mind the atmosphere of the kitchen.

Plus weed isn't cheap and he likes to smoke :)

On breaks you’ll often see him out back smoking a cig or a vape (depending on his mood).

“You know that stuff is bad for you right?”

“Yea, i dont really give a shit tho”

You roll your eyes, “well don’t tell me I didn’t warn you when you’re carrying around an oxygen tank in thirty years”

He sent a play sad face your way and exclaimed “That’s so sweet, you’re looking out for my health”

“You’re so full of shit Skywalker” you say as you go back inside.

Though, after that encounter you notice he started to chew a lot more gum and smoke a lot less

He flirts with other waitresses too, but you are definitely his favorite

Reaches stuff on the top shelf when you can't.

“Need some help princess?”

Winks at you from behind the window

Before you got to know him, you were a little afraid of him

He’s honestly so good at his job that it’s scary- he rarely messes up an order and if it's messed up it’s usually ‘cause someone rang it in wrong.

He’d be messing around one minute then barking orders at people when it got busy- he was always so focused on whatever he was doing whether it be cooking the meat, tossing salads, making desserts, etc

You used to see him roll his eyes or talk shit to other waitresses when they didnt do something right.

“There’s a button for that ya know-”

“You didn’t tell me no onions”

“Ring it in if he wants it that way- I got too many orders to keep up with the shit you’re tellin’ me”

But he seems to be nicer to you…

“Hey Ani- could I get no tomatoes on this please”

“Sure thing, sweetheart”

“There’s my favorite girl” he says when you walk into the back.

Some servers get jealous of his blatant favoritism (he takes longer on their orders when they’re nasty to you)

The other cooks get along with him fine

You can often find them goofing around in the back

But they think he’s waaaaay too handsome for his own good.

“Why you workin’ here when you could be on the cover of a magazine?”

“He’s here cause Skywalker’s got terrible manners and no game” another cook laughed.

“the fuck I dont” Anakin responded as the rest of the cooks all laughed along.

His coworkers like to tease him when they see how flirty he gets when you come around.

Nicknames include: “Pretty boy”, “player”, “heartthrob”

The heat of the appliances mixed with the rush of the night end up giving him a sheen of sweat and a warm blush to his pretty face.

Ngl, this man would get greasy by the end of the night…

Dried food, condiments,and oils staining his black shirt

By the end of the shift he would have a lingering smell of char from the grill as well as a combined smell of all the food in the kitchen and his own musk from his sweat.

But the blend of labored scents mixed with his cheap cologne and deodorant made for an oddly enticing aroma.

You would joke with him during closing about how bad he smelled, though deep down you knew you liked it.

“Yea, well we can’t all be in the front smelling like daisies and sunshine” he joked.

He thought you smelled nice? You had worked a full day too- there was no way.

You insisted you didn’t smell much better than him but he shook his head, “nah princess, I could breathe you in all day”

That may have been a little creepy coming from anyone else, but it was anakin… the hottest guy in the restaurant, the talented cook, the guy you had a huge crush on.

He’ll saunter into the back while you’re rolling your silverware and chat with you

“Ugh, I’m so ready to ge the fuck outta here” he sighs.

“Tell me about it, today has been so long”

“Have you atleast made decent money?”

“Yeah”

He laughs

“What’s so funny?”

“I don’t know why I even asked if you made good money- I should know the answer to that when talking to a girl with such a pretty face,” he says, before slipping back into the kitchen, leaving you with a heavy blush.

He loves when you’re on ice for side work because the ice machine is right by him in the kitchen

He likes to watch your ass as you bend down to shovel the ice- if he’s lucky he catches a glimpse of your lacy panties as they ride up your hips.

When it’s not busy he carries the bucket for you and revels in all of your adorable “thank you’s”

His least favorite side work for you is when you are assigned to the front house because that means you’ll be spending most of the night in the dining area rather than in the back with him.

Asks what you’re doing on your day off.

“Probably gonna get high with some friends”

His eyes widened, “you smoke?!”

“Occasionally”

“Weren’t you the one who told me i’d be toting around an oxygen tank?” he quipped and you rolled your eyes.

“Chill out pretty boy, I mainly just do eddies”

“And you never told me this?!” he grabbed at his heart with a dramatic expression.

With the new info he spends the next few days working up the nerve to ask you to smoke with him sometime.

Lucky for him, you’re closing on Saturday and so is he.

After you check out all of the other servers and do your side work, you head to your car but Anakin calls your name before you leave the kitchen.

He invites you to hot box in his car before you go and to his surprise you agree (you had a rough night, so why not? plus he is your crush after all)

You get into his car and unbutton your top a bit, it was hot in the restaurant today.

He turns on the AC and steals a glance at the lacy bra you have on.

After passing around a blunt the two of you are getting up there; maybe it’s the delirium or maybe it’s the weed, but he is looking finer than ever

you can’t help but hold the blunt between your fingers as you lean across the center console and press your lips against his

he sucks in a breath in surprise before he returns the action.

soon you’re on his lap, grinding on his growing bulge as he runs his strong hands through your hair and all along your body

tbh, you don’t even care that you have open shift tomorrow- this is worth being sleepy

#anakin is so hot #line cook anakin #anakin needs a hug #hcs #anakin hcs #anakin x fem reader #anakin x reader #anakin #star wars #star wars x reader #anakin x you #restraunt #restraunt au

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