[ID: Two comics of Vash and Wolfwood from Trigun Maximum. The second is underneath the read more.
The first is in four panels and follows Vash and Wolfwood through hotel rooms. First, Vash and Wolfwood exit adjacent rooms, and Wolfwood has sparkles floating around him as he exclaims, “Rise and shine! Ready to go?” Vash frowns, displeased, and says, Urk— Good morning to you too.”
Next, they’re in a room with two beds. Wolfwood is awake and fully dressed. He’s sitting on the bed and smoking, back turned away from the viewer and he says, “Wake up already, sleepyhead.” Vash sits up with his eyes still closed and yawns before saying good morning. After that, they’re sharing a bed, and Wolfwood gets up and says, “Morning, sunshine. Time to get up.” His body shadows Vash from the sunlight. Vash is still lying down with a blanket draped over him as he mumbles good morning.
Finally, they’re embracing in bed, both shirtless. Sunlight shines on them, but their contact allows their shadows to drape over their faces. Vash smiles, kisses the top of Wolfwood’s head, and says, “Good morning, Wolfwood.” Wolfwood sleepily says, “Mph, g’morning, needle-noggin’,” snuggling into on Vash’s shoulder. End ID] ID CREDIT
TRIMAX Vol. 10 Spoilers under read more // bonus comic
[ID: The bonus comic starts with Vash asleep in bed, fully clothed with his hair half-black. Someone says “Good morning,” and Vash says, “Morning, Wolf—w...” He trails off as Livio, holding a plate of food, stares with abject shock.
Livio says, “I’m sorry.” Vash, smiling but sweating, says, “No, it’s my bad...” Livio repeats, “I’m sorry.” Vash says, “Geez, stop apologizing,” and cuts off Livio’s “I—” with a “Good morning, Livio.” Livio quietly mumbles, “... Good morning...”
Vash sits up from the couch he was sleeping on and looks down, thinking, “... That’s right. I won’t wake up to you anymore... I have to get used to that...” End ID]
are you disabled or suffer from other chronic conditions that often leave you bed bound? do you often feel like you’re in the “damn bitch you live like this?” meme because cleaning is too exhausting?
my protip is get yourself one of THESE bad boys and hang it by your bed
it’s an over the door shoe rack and the pockets are perfect for holding a lot of household objects.
you can use the pockets to store trash, snacks, meds, and water bottles. if you worry about hygiene, you can also keep some for dry shampoo, deodorant, body wipes, clean undergarments, or toothbrush materials. on good days, you can clean it out and restock it, or have someone else help you. on bad days, you won’t have to worry about getting food and you’ll be able to feel a little better about hygiene.
it’s also really great if you want to keep your hobbies close by!! i can often only work on my bed, and then i have to worry about putting everything away if i have to lay down. if it’s a hobby that has materials that can be stored in the pockets, it can feel more accessible to jump in and out of and take less spoons to set/clean up.
Ironmouse: Part of the reason why I love this server so much is because everybody's so nice. Everyone! Like, every single person is super nice! And it's like- it's like, genuine nice, it's not like fake niceness. [...] I've literally talked to almost everybody at least once like outside of the QSMP. We've talked on Discord, people regularly check in on me, we get in group chats and we play games like outside of the server... You don't really find that sort of connection all the time with people.
Ironmouse recently talked about her experience on QSMP, and how kind all the members are. I'm posting the entire conversation instead of cutting it up like I usually would because I really enjoyed hearing her thoughts on the server.
[ Subtitle Transcript ]
-
Ironmouse: Honestly, I'm sure he wouldn't mind if I did. He's so nice, he's so- he's always been super nice to me. He's been so nice, I– part of the reason why I- I love this server so much is because everybody's so nice. Everyone! Like, every single person is super nice! And it's like- it's like, genuine nice, it's not like fake niceness. You know how sometimes like– you always hear like, "Oh yeah, you know–" when–
Ironmouse: Whenever you like, join like a new thing, right? Whenever you like join like a new thing, you always worry, 'cuz you always think: "Oh, are the people gonna like me? Are they gonna be nice to me? What if- What if- you know, what if this, what if that?" But everybody like genuinely was nice when I first came by, and everybody has been so nice to me– not just in the game, but outside of the game, and–
Ironmouse: Something special about the QSMP is like... People wanna be your friend like outside of the game? Like, I've literally talked to ev– almost– almost everybody at least once like outside of the QSMP, like... We've talked on Discord, people like regularly check in on me, and like we get in group chats and like we- we play games like outside of the server, and it's just like... You don't really find that sort of connection all the time with people? You know what I mean? It's very– it's very not common when you go on like, a content creator-like server or stuff like that, you know? You'll get like one or two people that you get close to and stuff, but like... Everybody is SO nice, and everybody's been so nice to me, and I can't tell you how many people like, wished me– not just like wished me happy birthday, or like wished- said, "Oh, you know, hap- Merry Christmas!" dadadada, it's like genuinely like... Asked how I'm doing, and like talk to me, and like... Just like– I dunno, it's just like so- so- it's so wonderful.
Ironmouse: Like, I get that with VShojo a lot, like– we're all like besties, and we all like talk all the time, but I feel like it's different, 'cuz like VShojo– we're VShojo, we're like– we're our own group, but this is like... You know... You don't expect this sorta thing when you get invited to like be on some- be a part of something, you know? And it's- and it's been so– it's been so wonderful and everybody's been so GENUINELY nice to me, and I- I appreciate everybody on the server so much, and they're just some of the nicest people that I've ever met ever, and it's just–
Ironmouse: It just warms my heart, and I'm just really– really like, thankful to be a part of something so great, and something so positive! Because like, everybody's so supportive! Like– the time when like, I didn't like– I- I- I had a moment where it's like I– do you guys remember in December when I- I was not around a lot? And like, I had to take breaks and all this stuff and it turns out it was like the concert stuff? They all like would message me regularly, like, we would all keep up with each other, and we would all talk. And I remember telling them about like, how much stress I was under, and like all the- all the pressures of the concert and stuff, and– and they were cheering, and- and- and they were just so... so kind to me, it was just so– so sweet, and- and you know, I was in a group chat with a- with a few people, and they were all just so excited and- and- just super nice, and- and very- very sweet, and it's just– and it's just very– I'm sorry if I'm rambling! It's just...
Ironmouse: I dunno! I- I- I just enjoy being here, and I enjoy hanging out with everybody, and... it's just nice to meet really good people. You don't really find that. You don't find that sort of thing all the time. Don't get me wrong– it's not like I haven't met a lot of good people, like– I just feel like this whole like, my whole like– Ever, like– My streaming journey, I've just been nothing but surprised at the goodness of people? Don't get me wrong– I've met assholes and sht like that, and I've met- I've encountered some people that are NOT so nice. I'll never like, talk about it or whatever because that's their thing, and I'm just gonna do my thing and I don't wanna like, you know, spread any type of stupid drama or whatever the fck, but like... I'm just always surprised about how– how incredibly nice people are, and how genuine a lot of people are, and it's... It- it's just nice, especially since like– You're used to coming from like, a certain background and a certain like, environment where it's like, you've met a lot of like fcked up mean people in your life, and you've just been around a lot of like fckery, you know? So when- when you're around stuff that's NOT fcked, it's just like, "Woah, this is crazy! Is this- is this how life is supposed to be?!" And it's just- it's just really... it's really- it's really nice. It's very nice.
Ironmouse: Yeah, it's very refreshing, that's why I- I enjoy hanging out on here, everybody's just so nice to me. And it's not just like being nice just to be on-stream, it's nice off-stream, on-stream, friendship on-stream, off-stream, it's- it's just- it's just so- it's- it's- it's wonderful. It's wonderful. And I just have to say like... man, I'm just really thankful that like... it's crazy that like I got invited to be on here and I'm just really thankful that, you know... Quackity like, reached out to me and he's- he's just been nothing but nice, everybody- everybody's just so kind. Everybody's so nice. This is something truly special.
At the start of this project all I wanted was to 'learn how to draw' using comics as a medium and the MDZS audio drama as inspiration.
I've come *very* far from making simple, 3 panel black and white comics, and I truly do intend to go even further. Thank you to everyone who cheered me on throughout 2023, it has been an incredible year in so many ways I never could have imagined. I look forwards to drawing throughout 2024 B*)
Happy to report I have finally started listening to Malevolent and to no one's surprise I am already obsessed (I'm almost done with s2 atm please don't send me spoilers yet sdlkfj)
I'll skip over my usual formality of having one normal art post before diving into shitposts let's not waste anyone's time here
HII I love your art so much it's so expressive and it feels like theres so much movement in it! I was wondering if u had any tips or advice to help with that? I practice anatomy and expression so much but it seems like everything I draw on my own is so stiff!! Anyway I hope you have a great week :)) <3
Hi there! Firstly, thank you so much for the kind words, it means a lot that you would take the time to tell me!
Second- my advice is to take everything you've learned about anatomy and THROW IT OUT THE WINDOW!!!!!!!
... For now. Just into the front yard so you can keep an eye on it. But I have seen many artists concentrate chiefly on studying anatomy only to feel like their art ends up too stiff. My own experience has been to treat anatomy as a tool best used to correct an image in the later stages of construction rather than as your driving foundation.
If "correct" anatomy (however you choose to define that) is the priority of your undersketches, I find that you end up with a sort of Skeleton Song approach to drawing - y'know, the knee bone's connected to the thigh bone, etc etc. Whatever energy, emotion, or intent you wanted your drawing to convey is getting lost each time you split it into another anatomical segment. By over-focusing on individual parts, you lose sight of your image as a whole.
The key to conveying dynamic movement in motionless art is to ensure every element of your image agrees on and communicates the same action, the key to which is something called the line of action.
A line of action is simply that - an implied "line" with wich you lead the viewer's eye and communicate movement. Think of it as the core of your figure's action, simplified to its rawest form. By knowing this, you know what to emphasise and what to de-emphasise.
Well, art is a visual medium and I am better explaining with drawings than words or I'd never have picked up a pen in the first place, so:
Images can have multiple lines of action, lines of action can complement and contrast each other, and a line of action isn't always as obvious as something like running. Imagine you're tring to make your art more "aerodynamic" to the eye. Since I draw a lot of One Piece fanart, I assume you're also familiar with it, and you can probably imagine how Oda uses "lines of action" when composing panels of Luffy punching something, Zoro slicing something, Sanji kicking something- etc etc. He's really good at selling the "oomph" of action shots by reducing visual clutter so that the impact of the action is greater.
(The Monster Trio's abilities are all designed in such a way that allow for REALLY striking lines of action... you can tell Oda loves studying manga fight scenes and wanted to create a world where he could push these concepts to the limit, and it's no wonder One Piece caught the eye of animators even before it was serialised by Toei)
You're probably already noticing how line of action also feeds into composition and silhouette when it comes to conveying movement in an image. Basically put, once you've isolated whatever action it is that you want to convey, the more visual clutter you can streamline away from that action, the stronger an impact that will have on the viewer. A firm line of action, an uncomplicated silhouette for your figure, and a readable overall composition of your image/panel are all ways to minimise visual clutter.
You can also use this information to achieve the opposite effect! Sometimes the ideal action you want to convey is not fast, or powerful, or confident, and you can use the same principles.
In fact, you can apply line of action to images that don't have any "action" in them at all. You can make a drawing of someone simply standing there feel more lively by applying these same principles to their body language:
You can develop an eye for how to simplify movement down to its "lines of action" by studying real photos and other people's art. Try simplifying a figure to its silhouette, and then simplify that silhouette further to a stick figure. And honestly, a lot of this could be boiled down to "see your image as a whole and not just a collection of individual pieces". Set anatomy aside during the composition stage and bring it back in when you start building up the sketch.
Moving away from the line of action, my second piece of broad advice is simply to exaggerate more. Lots of artists subconsciously hold themselves back from pushing motion, expression, etc. out of concern that it will look "too much". Well, maybe it will- but you won't know that unless you try! You can always walk it back if you think you took it too far, but I think you'll be surprised by how far you can push your art before you hit that point.
My final piece of advice is to work on line confidence. Even if you follow the rest of this advice, if you have hesitant and scratchy lines, you're undermining the flow and punch of your art. The best way to improve line confidence is simply by practicing! Do a lot of quick, timed studies, and use a permanent medium like a ballpoint pen or marker. Focus on unbroken lines wherever possible even if it makes your studies look like garbo. I find traditional studies are best for improving line confidence, but if you'd really rather stick with digital then just don't let yourself use the eraser tool, and try using a chunky brush with limited pressure sensitivity.
And that's it! Don't stress about it too much though. Loosen up with your art and, like any other skill, you'll improve with practice, time, and analysing what you like about other people's art. Good luck!
new headdress I'm working on for my shop. Lambkin, the pet name varré gives us in elden ring, is such a cute word. The pink yarn is very light against the cream, it's hard to capture but it "blushes" in light, almost disappearing under certain angles and light! Accented with antique lace, and it'll have a gorgeous matching ribbon and bows.
I haven't posted any personal work in a while so here's something I'm taking time on for myself ^-^