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mint-mumbles · 5 months

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I’m evolving…

Here’s my Spotify Wrapped if anyone is interested (I’m not adding pictures other than the conclusion, I’ll just write it out in text):

I listened to 21 genres

1. Rock

2. Vocaloid

3. pov: indie

4. Pop

5. Pixel

My song taste is most similar to Savannah, Florida, USA (because Spotify said how they like MCR, Will Wood, and IDKHBTFM)

I played 769 songs this year

My top songs were:

1. Vampires Will Never Hurt You by My Chemical Romance (played 35 times)

2. Absinthe by I DON’T KNOW HOW BUT THEY FOUND ME

3. Freak on a Leash by Korn

4. Dead! by My Chemical Romance

5. The End. by My Chemical Romance

I listened to Spotify music for 9,272 minutes (6 days) with the highest day coming out to 363 minutes (6.05 hours) and was in the top 33% of listeners worldwide

I listened to 397 artists this year

My top artist was Muse (as you saw up top, I’m keeping up the trend) and was a top 1% fan who spent 1,401 minutes (23.35 hours) listening to them with the song I listened to the most by them being Futurism (2001)

My other top artists were:

2. MCR

3. Korn

4. Pierce the Veil

5. Ghost

I now conclude this by letting you know that I’m going to Spotify’s HQ and finding the person who didn’t pay their overworked employees who created this… “design” (I just wanna talk…)

Top 100 incoming, so brace yourself! Turn back before it’s too late!

1. Vampires Will Never Hurt You (by MCR)

2. Absinthe (by I DON’T KNOW HOW BUT THEY FOUND ME)

3. Freak on a Leash (by Korn)

4. Dead! (by MCR)

5. The End. (by MCR)

6. System of a Down (by SOAD)

7. Young Girl A (by Siinamota)

8. Futurism (by Muse)

9. Demolition Lovers (by MCR)

10. Rolling Girl (by wowaka)

11. Moonchild (by Fields of the Nephilim)

12. Sunburn (by Muse)

13. You Know What They Do to Guys Like Us (by MCR)

14. Duality (by Slipknot)

15. Death of an Executioner (by Pierce the Veil)

16. Pretty Rave Girl (by S3RL)

17. Freakin’ Freak (by Dot Dot Curve)

18. 2econd 2ight 2eer (that was fun, goodbye.) (by Will Wood)

19. King for a Day (by Pierce the Veil)

20. This Ain’t a Scene, It’s an Arms Race (by FOB)

21. Dragula (by Rob Zombie)

22. The Second Law: Unsustainable (by Muse)

23. I Can’t Decide (by Scissor Sisters)

24. Venom (by Kairikibear)

25. As the World Caves In (by Matt Maltese)

26. Muscle Museum (by Muse)

27. The Only Hope for Me is You (by MCR)

28. Ga (ft. Hatsune Miku) (by Utsu-P)

29. girl’s a liar (by witted)

30. Neutron Star Collision (Love Is Forever) (by Muse)

31. I / Me / Myself (by Will Wood)

32. It’s Not a Fashion Statement, It’s a Deathwish (by MCR)

33. Got the Life (by Korn)

34. Screenager (2001) (by Muse)

35. People Are Strange (The Doors)

36. The Foundations of Decay (by MCR)

37. Redesign Your Logo (Bonus Track) (by Lemon Demon)

38. Creep (by Radiohead)

39. You Know My Name (by Chris Cornell)

40. This is How I Disappear (by MCR)

41. Ruler of Everything (by Tally Hall)

42. Eighth Wonder (by Lemon Demon)

43. Virtual Insanity - Remastered (by Jamiroquai)

44. Planetary (GO!) (by MCR)

45. Lost One’s Weeping (by Neru)

46. Newly Edgy Idols (by Mitchie M)

47. Take Me to Church (by Hozier)

48. Hang ‘Em High (by MCR)

49. Hurt (by NIN)

50. Starman - 2012 Remaster (by David Bowie)

51. Escape (by Muse)

52. Give ‘Em Hell, Kid (by MCR)

53. Dead Bodies Everywhere (by Korn)

54. Because You’re Here (by PinocchioP)

55. Setting Yourself Up For Sarcasm (by Get Started)

56. BUG (by Kairikibear)

57. Twist (by Korn)

58. Mama (by MCR)

59. Witch Image (by Ghost)

60. DARLING DANCE (by Kairikibear)

61. Freely Tomorrow (by Mitchie M)

62. Sleep (by MCR)

63. Press Play Walk Away (by S3RL & SynthWulf)

64. Hysteria (by Muse)

65. Babooshka - 2018 Remaster (by Kate Bush)

66. Party Poison (by MCR)

67. Law-Evading Rock (by Neru)

68. Meltdown (by iroha(sasaki))

69. Du hast (by Rammstein)

70. Micro Cuts - XX Anniversary RemiXX (2021) (by Muse)

71. Acid (by Ghost Town)

72. Hurt (by Johnny Cash)

73. Living Dead Girl (by Rob Zombie)

74. White Rabbit (by Jefferson Airplane)

75. Bad Romance (by Lady Gaga, covered by Artist Vs Poet)

76. KING (by Kanaria)

77. ‘Cause I’m a Liar (Kokichi Oma Fan Song) (by Mcki Robyns-P)

78. Showtime Ruler (by Karasuyasabou, covered by Kino Hina, Machico, Hirose Daisuke, and Toki Shunichi)

79. Little Kandi Raver 2012 (by S3RL)

80. Poi Poi Poi Popoi Poi Popi (by Ayaman Japan)

81. Thank You for the Venom (by MCR)

82. Points of Authority (by Linkin Park)

83. Love Me, Love Me, Love Me (by Kikuo)

84. Death city (by 6arelyhuman, syris)

85. GouZinZanGoku (by DEVILOOF)

86. Hurt (Quiet) (by NIN)

87. Dead Star (by Muse)

88. Blind (by Korn)

89. Absolution (by Ghost)

90. Savior (by Rise Against)

91. Unintended (by Muse)

92. My R (by WADATAKEAKI KurageP)

93. Caramelldanse (by Caramell)

94. I’m Not Okay (I Promise) (by MCR)

95. Endlessly (by Muse)

96. Johnny Johnny (by Danny Gonzalez)

97. Cirice (by Ghost)

98. I Never Told You What I Do For a Living (by MCR)

99. Momento Mori: the most important thing in the world (by Will Wood)

100. I’m Sorry, I’m Sorry (by Kikuo)

#spotify #spotify wrapped #music #muse band #my chemical romance #mcr #korn band #pierce the veil #the band ghost #vocaloid #(I was listening to a lot of that by the end of the year)#rock music #scene #emo #scemo #mint mumbles

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sophieinwonderland · 11 months

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Hey Senpai carrd creator and I would like to answer a few questions cause I JUST saw your posts.

1. Senpia is mix of the word sentient and the abbreviation (P)lural (i)internal (a)xperience (the alternative spelling of experience is inside joke between me and my friend it references like the alternative way of living as a system hence like alternative spelling I hope that made sense) It has nothing to do with the word senpai and isn't pronounced like it at all....

2. The main reason for collecting donations is to put it towards hosting a full functional website. Websites are not free you have to pay for the domain and you also have to pay for hosting (both of which are not one time payments) and the amount of storage you get varries as well as the quality. (Like you can host a site on some places cheap but the site will load really slowly ) it's not something that's required it's optional. I chose Litecoin over Bitcoin and Ethereum because Litecoin is what is considered a "stable coin" the value stays relatively the same whereas Bitcoin and Ethereum have huge value fluctuations. You can also track crypto transactions on a Blockchain explorer like https://blockchair.com/litecoin it shows you all the money in the wallet and all of the transactions , but I understand if not everyone is comfortable with it I can find something else (Also I didn't know about PayPal business I can Google it and do more research so ty : D)

3. Cryptocurrency is not inherently bad for the environment that's misinformation crypto mining is bad for the environment 🤦‍♀️ as it utilizes huge amounts of energy which is powered using fossil fuel. https://earthjustice.org/feature/cryptocurrency-mining-environmental-impacts and accounts for 0.3% of global emissions worldwide https://news.climate.columbia.edu/2022/12/20/failing-crypto-could-be-a-win-for-the-environment/#:~:text=This%20takes%20enormous%20amounts%20of,all%20global%20greenhouse%20gas%20emissions.

Cryptocurrency mining is it's own sort of separate "industry"

and you can't unintentionally mine crypto? It's something you have to intentionally do and often times requires complex machines to "mint" new crypto. (Remember kids there is a lot of misinformation online and if people can't provide sources for there claims always be skeptical)

Thank you for the info!

On the whole crypto thing, I don't think people are suggesting that trading Crypto directly harms the environment. I'm not super educated on the subject so people can correct me if I'm wrong, but I think the real issue is that it's still supporting the crypto-economy.

The best comparison I can think might be Diamonds. Diamond mining is also damaging to the environment. And diamonds, like Crypto, are mostly expensive because we decided they are.

When you buy a diamond, you aren't directly harming the environment but you are creating more demand. And more demand keeps diamonds expensive which keeps them profitable for the people who are harming the environment. Industries wouldn't mine Crypto if nobody used it.

As I see it, the issue is that using Crypto incentiveses harming the environment even if you aren't harming the environment yourself. It's l the economics.

Also, I'm not sure what you mean about not being able to mine Crypto unintentionally or how it factors into the conversation but Cryptojacking exists and can use people's PCs.

If I might offer a bit of constructive criticism, I think there are a lot of issues with this that might make it inaccessible and unlikely to catch on.

The fact that the term is based on an inside joke. The acronym not really feeling accurate (why is an individual headmate referred to as a Senpia if the acronym calls it a plural internal experience?) The name itself not having its origin or meaning listed on the site. The fact that anyone who Googles it will have Google assume they meant Senpai.

And I think ideally, it would have been best to try to build a community first and show your commitment before asking for money to help setup a website. If there had already been quality guides on the page before you asked for donations, people might have been more inclined to see it as a pay-what-you-want service.

#syscourse #plural #crypto #cryptocurrency #litecoin #plurality #crypto currency #endogenic #system #multiplicity #systems #plural system #endogenic system #pro endo #pro endogenic #system stuff #endo safe #actually a system

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aricastmblr · 2 months

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IFPI_org X 26feb 2024

10: Jung Kook – Seven (feat. Latto)

Released in summer, the debut solo single from @BTS_twt’s Jung Kook featuring rapper @Latto was an instant global hit, debuting at #1 across the globe from US to S. Korea, breaking multiple charts and streaming records. #GlobalSingleChart

https://x.com/IFPI_org/status/1762115325405905257?s=20

Seven (feat. Latto) de Jungkook (@BTS_twt) se sitúa en el número 10 de la Lista Global de Sencillos 2023 de la IFPI con 1.24 mil millones de suscripciones equivalentes en todo el mundo. Se une a BTS (Dynamite, Butter) y PSY (Gangnam Style) como los únicos artistas coreanos que han entrado en el Top 10 en la historia de la lista.

(http://ifpi.org/miley-cyrus-fl)

¡Seven (feat. Latto)" de Jungkook (@BTS_twt) entra en el top 10 del Lista Global de Sencillos 2023 de la IFPI! (#10)

ifpi_org instagram sale jungkook etiqueta rcarecords sonymusic latto777 bts.bighitofficial bighit_ent

Congratulations - ‘Jung Kook – Seven (feat. latto777)’ makes the IFPI Global Single Chart Top 10!

Released in summer 2023, the debut solo single from bts.bighitofficial’s Jung Kook featuring rapper Latto was an instant global hit, debuting at #1 across the globe from US to S. Korea, breaking multiple charts and streaming records.

IFPI’s Global Charts provide the most complete picture of artist, album and track performance worldwide, capturing streaming, downloads and physical formats in every country, reflecting global commercial success.

GlobalSingleChart

https://www.instagram.com/p/C30P-TftUQ0/?hl=es-la

#jeon jungkook #jungkook #kookie #galletita #JungKook_Seven #cr. a IFPI_org en X #Seven (feat. Latto) de Jungkook BTS entra en el top 10 del Lista Global de Sencillos 2023 de la IFPI (10)#Seven (feat. Latto) Jungkook #JungKook_Golden #JungKook IFPI_org #cr. a ifpi_org instagram

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cartermagazine · 2 years

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Today In History Calvin Cordozar Broadus Jr., aka Snoop Dogg was born in Long Beach, California on this date October 20, 1971. Snoop's first appearance in hip hop came from a track he was featured on with Dr. Dre called, “Deep Cover,” for the film it’s named after, was an instant classic hit. His first album, Doggystyle (1993), climbed its way to the No. 1 spot on Billboard's hip-hop and Top 200 charts, based in part on the success of the singles "Who Am I (What's My Name)?" and "Gin and Juice." It built on the G-Funk template that The Chronic had established, as Cypress Hill’s B-Real later reminisced: “I think Dr. Dre gave Snoop a sound that would resonate in the minds of hip-hop fans for generations. It made Snoop an icon.” Snoop has since sold over 23 million albums in the United States and 35 million albums worldwide. CARTER™️ Magazine carter-mag.com #wherehistoryandhiphopmeet #historyandhiphop365 #carter #cartermagazine #snoopdogg #hiphop #blackhistorymonth #blackhistory #history #staywoke https://www.instagram.com/p/Cj70CEDr0av/?igshid=NGJjMDIxMWI=

#wherehistoryandhiphopmeet #historyandhiphop365 #carter #cartermagazine #snoopdogg #hiphop #blackhistorymonth #blackhistory #history #staywoke

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stereotypegoham · 1 year

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Re-Release of one of my favorite albums from @youngsole This album blew my mind the first time I listened to it and to this day it remains embedded in my mind. When @adamgoesham @romoface and I decided to take what we were doing with HHHH and go a different direction, we needed a new name and @hamoneverything came out of my mouth. I was probably subconsciously thinking about track #3 “Salt On Everything” and Kanye and Jay-Z’s song “Ham,” on “Watch The Throne,” and mashed the two together. These were the two styles of Hip-Hop we wanted blend together, along with Indie/Noise/Electronic bands & Djs, then throw them into a sweaty warehouse and see what happens. Everything from Anticon, Project Blowed, Living Legends and underground Hip-Hop worldwide has always been the core for Ham and anything we pursued artistically. Sole’s music has always been the soundtrack to anything I’ve tried to do creatively as a Dj or making music with my friends. After almost 20 years this album still bumps and If your a fan of Hip-Hop I urge you to give the album a listen. https://www.instagram.com/p/Con69j9PDLd/?igshid=NGJjMDIxMWI=

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sustainablesiren · 3 months

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Field Trip To Pine Manor

Sustainable approaches to food are often forgotten by humans. Unfortunately, sustainable eating is at the source of promoting better human health. Obesity, heart disease, diabetes and other ailments are results of foods with poor nutritional value becoming a part of the main diet of many people around the world. These foods may be more available due to their lower price points, but still, many people go hungry: “Hunger or food scarcity is a problem worldwide. The FAO reports that more than 820 million people in the world are hungry, and 2 billion experience moderate to severe food insecurity (ibid., ix). In absolute terms, the problem is one of distribution rather than quantity (Heinberg 2011, 218)…The shortages result from unequal distribution.” (Robertson, 2021, p.313)

Many people around the globe go hungry every day, while plenty of food goes to waste at the end of the night at restaurants and even in the homes of everyday people. The “world wastes about 2.5 billion tones of food every year” (RTS, 2024). Americans discard the most by throwing out 60 million tons every year, which “equates to 325 pounds of waste per person” (RTS, 2024).

During my colloquium class’s field trip of Pine Manor, the reality of America’s food scarcity shone threw in a community center created for those in need. In Photograph 1, the center’s sign directs the way for a community 1 mile squared with 3000 - 4000 residents.

Ms. Sherri (seen in Photograph 2 below) runs a one-stop-shop for helping people apply for jobs, unemployment food stamps and more. When she cannot help, she gives a referral and uses her skills as a certified life coach to share her positivity. On an average day, 15 to 25 clients come through. Her food pantry is “small but mighty” servicing community members in need of food rations and even diapers as seen below in Photograph 2 and Photograph 3.

Sherri’s help allows for hundreds of families to not go hungry and get the help they need to provide for their families. The after-school program through the children advocacy center runs 2:30 – 5:30 through the week for K – 5th grade residents of pine manor, serving as preventive care. Florida Gulf Coast University students volunteer to work with the children with activities like completing their homework and providing them with food. This program prevents children from partaking in delinquent behavior and prevents them from going home hungry. Such care is essential for getting these children on the right track and investing in the future of humankind.

Lastly, the food garden, with a tour given by Robin, showed me sustainably grown food that has allowed community members to not go hungry and even find a purpose. Everything from bananas, eggplant, kale, and more is grown next to the community center and run by volunteers.

Seen in Photograph 4 and Photograph 5, the garden is flourishing and promoting sustainability with all parts of the land utilized to support a larger, healthier community. It has given this community a better chance at a brighter future.

Sources:

Rende, Samantha. (2024). Photograph 1 [Photograph].

Rende, Samantha. (2024). Photograph 2 [Photograph].

Rende, Samantha. (2024). Photograph 3 [Photograph].

Rende, Samantha. (2024). Photograph 4 [Photograph].

Rende, Samantha. (2024). Photograph 5 [Photograph].

Robertson, Margaret. Sustainability Principles and Practice, Taylor & Francis Group, 2021. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/fgcu/detail.action?docID=6457832.

RTS - Recycle Track Systems. (2024, January 12). Food Waste in America in 2024: Statistics & Facts | RTS. Recycle Track Systems. https://www.rts.com/resources/guides/food-waste-america/#:~:text=Here%E2%80%99s%20some%20%E2%80%9Cfood%E2%80%9D%20for%20thought%3A%20While%20the%20world,equates%20to%20325%20pounds%20of%20waste%20per%20person.

#sustainability #colloquium #food #food gardening #garden

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independentartistbuzz · 10 months

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JVKE RELEASES NEW REMIX OF GLOBAL HIT SINGLE “GOLDEN HOUR” WITH SB19

Today, multi-talented viral artist, songwriter, and GRAMMY®-nominated producer JVKE celebrates hitting 1 billion streams for the all-conquering global hit "golden hour" with a brand-new remix featuring the multi award-winning P-Pop boy group SB19, out now via AWAL.

Stream/download JVKE “golden hour (SB19 Remix)” HERE

Produced by JVKE, “golden hour” is a classic love song that highlights his ability to articulate the feelings of romance and beauty through his lyrics. The vivid imagery is backed by a complex instrumental arrangement of a piano and strings that builds throughout the track. The remix of "golden hour" combines SB19’s incredible vocal harmonies with JVKE's trademark production style, creating a stunning new bi-lingual version in Filipino and English.

On the release of “golden hour”, JVKE shared “This might just be my favourite song I’ve ever written. It feels like a pause in time, with all your attention on that special someone. the sun is shining... it’s your golden hour. I wanted to capture the emotion that you feel when you see something beautiful. That feeling is ‘golden hour’.”

Speaking on the remix SB19 noted, "It’s always fun collaborating with another artist - just like how it is when we, as members of a group, collaborate with each other. But it’s something else when there’s a collaboration of two cultures, which is what happened when we collaborated with JVKE. It’s really special how the embedded culture in each of us affects how we write songs and how we portray our experiences in a song, and we’re glad that we’re able to include some parts of our Filipino culture in this song.

We’re always listening to JVKE’s songs and we’re very grateful to have had the opportunity to work with him.”

JVKE added, “SB19 are crazy talented. As an artist, when I open my art to others so they can add their own interpretation, I never know how I’m going to feel about what they contribute. With SB19, I was just blown away. I hope this isn’t that last time we work together.”

The original “golden hour” is already a smash hit single worldwide having amassed over 1 billion streams along with over 3 billion views across YouTube, TikTok & Instagram, a #1 spot on the Global Spotify viral chart and hit Top 20 on the Billboard Global chart. The track has also been flying high on radio airwaves around the globe including Top 10 on the U.S. Top 40 radio airplay chart. “golden hour” also hit Top 50 on the global Shazam chart, alongside official single charts in U.S., U.K., Germany, Norway, Netherlands, Switzerland, Australia and New Zealand, while also hitting #1 on both Shazam and Spotify charts in Malaysia and Singapore. “golden hour” is now certified Platinum in the US, Double Platinum in Australia, Gold in New Zealand and Silver in the U.K.

Cumulatively, JVKE has amassed over 2 billion career streams, an awe-inspiring 35 billion views of his music across social media along with an ever-growing global audience of over 23 million followers. JVKE’s 2020 breakthrough smash “Upside Down” generated over 200 million streams to date and 15 million TikTok video creations and spawned a Charlie Puth remix. His 2021 follow up track “this is what falling in love feels like” launched his career into the stratosphere, amassing over 390 million streams and 45 million views and reaching #33 U.S. Top 40 Radio. Last year JVKE recently released his stunning debut album, “this is what ____ feels like (Vol. 1-4)”, a collection of songs written, produced, engineered, and recorded by JVKE and his brother ZVC that experiments with production, time signatures, tuning and style to create a truly unique listening experience.

JVKE also currently features on the international hit single “Angel” from the Fast X soundtrack alongside Charlie Puth, Jimin from BTS, Muni Long, Kodak Black and NLE Choppa.

JVKE has also featured as MTV PUSH global artist and appears prominently in the trending VOX documentary “We tracked what happens after TikTok songs go viral”. In addition to what the piece portrays, JVKE has been able to stand out amongst his peers and cut through the virality to establish himself as a true multifaceted artist on the rise.

SB19 is a multi-awarded five-member group from the Philippines composed of Pablo, Josh, Stell, Ken, and Justin. The “SB” in SB19 stands for “Sound Break,” which represents their aspirations of disrupting the music scene and bringing Filipino music and culture onto the international stage.

SB19 broke into the global spotlight as the first Southeast Asian and Filipino act

to be nominated in the Billboard Music Awards as Top Social Artist in 2021.

They are also the first Filipino act to land on the international Billboard Social 50, Next Big Sound Charts, and also remarkably hit #1 on the Billboard Hot Trending Songs with “Bazinga”. The band debuted in October 2018 with their single “Tilaluh”’ and quickly gained popularity with their second single “Go Up”. Since their debut, SB19 has amassed fans across the globe - known as A’TIN - and were recognised by the National Commission for Culture and the Arts as Philippines’ Youth Ambassadors.

SB19’s latest release “GENTO” debuted at #8 on the Billboard World Digital Sales Charts, ahead of the release of their new EP, “PAGTATAG!” in June this year.

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newmusicradionetwork · 1 year

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Davina Michelle “Heartbeat”

Davina Michelle, born as Michelle Davina Hoogendoorn in 1995, pushed herself into the spotlight through her YouTube channel, which launched in 2016 and now has nearly 1.5 million subscribers. Her performance of the P!NK classic “What About Us” (over 20 million views) went viral and has become legendary. “Now I know how it’s supposed to sound,” P!NK commented and so an American tour followed. In 2018 she participated in a famous Dutch TV show ‘Beste Zangers’ (Best Singers), which earned her No. 1 hit-record for eleven weeks, with a five-time platinum status. Music awards continue to follow, culminating 2019 with her first Edison Award for ‘Best New Artist’. In August 2019 she performed as the support act for P!NK in front of 50,000 visitors The Hague, The Netherlands. Single releases like ‘Skyward’, ‘Better Now’, ‘Beat Me’* (*written for the F1 Grand Prix in Zandvoort) and ‘my own world’ became platinum and gold hits in the time that followed. They were the prelude to her debut album ‘my own world’ released in August 2020, which was awarded with a gold status. To her own surprise she closed 2020 with her second Edison Award for ‘Best Pop Artist’ and the Dutch radio Q Music Award for ‘Best Live Act’. During the Corona pandemic lockdown, she delivered an emotional version of ’17 Miljoen Mensen’ (17 million people) from an empty Ahoy Rotterdam, one of the largest event halls in the Netherlands. It soon became her third No. 1 hit. When the Eurovision Song Contest came in 2021, she sang the track ‘Sweet Water’ during the intermission in front of 183 million viewers worldwide. After winning her third Edison for ‘Best Pop Artist’ in 2021, she completely sold out Ahoy on her own twice in May 2022 with her ‘HYPER’ shows. Meanwhile, she is setting her sights on Belgium and Germany to expand her career. Davina Michelle is ready for a huge US radio event as her new “Heartbeat” takes flight. Additional Artist/Song Information: Artist Name: Davina Michelle Song Title: Heartbeat Publishing: Sebastiaan Brouwer/Davina Michelle Publishing Affiliation: BUMA Album Title: Heartbeat Record Label: 8Ball Record Label: 8Ball Larry A Weir 3236587449 [email protected] Radio Promotion: National Record Promotion Read the full article

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unicornswillbleed · 1 year

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PURE DOPENESS VOL. 20 Ya boy is featured on yet another dope beat-tape compilation, along with literally dozens of other beatmakers from around the globe. And this one is a big one....over 100 tracks, fam. 🤯 Shout out and thanks to @dj_hellblazer for putting me on! ❤️👊 Check check it out, the link is in my bio. I'm representing for Da Tone out here with these beats, ya'll. Don't sleep, San Antonio. #music #musicrelease #hiphop #16pads #lofihiphop #maschine #beatmaker #music Stan (at Worldwide) https://www.instagram.com/p/CnfDsk0O4w8/?igshid=NGJjMDIxMWI=

#music #musicrelease #hiphop #16pads #lofihiphop #maschine #beatmaker

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0613magazine · 1 year

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200930 Variety

How BTS and Its ARMY Could Change the Music Industry

It was just a year ago that BTS’ Love Yourself: Speak Yourself tour was selling out stadiums all over the world. Each night of the 20-date trek, which grossed $116 million, a total of nearly a million ticket buyers around the planet witnessed a thumping opening liturgy at the top of the K-pop band’s set in the form of the song “Dionysus.”

As flames shot up from the stage, seven figures emerged in supplicant white amid Greek columns and a long altar. Rapper RM (full name: Kim Nam-joon) led the way, twirling the staff of the titular mythical deity, as group mates Jin (Kim Seok-jin), SUGA (Min Yoon-gi), j-hope (Jung Ho-seok), Jimin (Park Ji-min), V (Kim Tae-hyung) and Jung Kook (Jeon Jung-kook) flanked him in a display of choreographed precision. The crowd, reaching peak pandemonium in a night full of deafening screams, made willing maenads and satyrs, transported by the band’s presence. An anthem about rebirth and self-discovery through the ecstatic collective experience of music was received as intended — as if from the gods.

Idol worship is by no means a new concept in pop music — remember John Lennon’s provocative statement in 1966 that the Beatles were “more popular than Jesus”? — but there’s something about BTS that turns fandom up to 11. The global brigade of BTS acolytes is collectively known by the acronym ARMY, short for Adorable Representative MC for Youth, a moniker chosen by Big Hit Entertainment, the company that launched the band. ARMY comprises the lion’s share of a Twitter audience that’s 29.2 million followers strong, more than triple that of any other K-pop group, and growing daily. BTS’ Instagram presence of 30.6 million followers (also rising rapidly), is trailed closely only by YG Entertainment’s Blackpink, at 29.3 million.

“It is because ARMY exists that we exist,” Jin says.

To understand the scope of BTS Inc.: An influential 2018 study by the Hyundai Research Institute estimated that the ripple effects from the boy band’s ecosystem contribute roughly $4.9 billion annually to South Korea’s GDP, on track to generate more value over 10 years than the Pyeongchang Winter Olympics. The study gauged that in 2017, one in 13 visitors to the country came for BTS-related pilgrimages. That ratio may soon be growing. Spotify has reported a 300% spike in new listeners to the group since the Aug. 21 release of “Dynamite,” BTS’ first all-English single.

The BTS boom has also driven Big Hit to launch an IPO in October projected to raise some $811 million. (Each BTS member will be awarded shares worth approximately $8 million.) Of Big Hit’s revenue in 2019, 97.4% was generated by BTS, including $130 million worth of T-shirts, cosmetics, dolls and other merchandise.

The numbers are no accident. The South Korean government began investing strategically in the arts and the digital economy to help steer the country out of the 1997 Asian financial crisis. On the heels of “Parasite” sweeping the Oscars, the worldwide success of BTS may be another sign to the West that Seoul might be the center of a new force in creative production.

Big Hit, and the K-pop music business in general, have proved just how much a band, and a company, can prosper through a direct-to-consumer relationship, driven by digital platforms and dedicated apps with lots of behind-the-scenes content that keeps fans emotionally involved. It’s engagement on a scale that no Western artist has ever achieved, despite decades of radio promotion and the best retail strategy.

For the global music industry, the band’s success has meant a serious rethink of how a record company — in BTS’ case, Sony Music’s Columbia Records, which distributes the group’s music in the U.S. (though the band is not signed to the label) — builds and maintains a fan base. You could almost look at it as a collaborative arrangement: As music is being made in real time, decision-makers and strategists at Big Hit and Columbia are taking in and processing the comments and views of ARMY and pivoting accordingly.

“It creates a self-sustaining engine that, eventually, becomes hits perpetuating more hits,” says Neil Jacobson, a former president of Geffen Records who runs Hallwood, a talent agency for producers and songwriters. “A label wants that fan connection happening all the time so that they can consistently release and promote music. But in the past, there had always been intermediaries that labels had to talk to in order to manifest exposure. Now, there is a mechanism for an artist to speak directly to their fans. That didn’t exist before, and it has turbocharged the process.”

It’s all led to this “Dynamite” moment: The single has sold nearly 700,000 adjusted song units since its release — good for a gold record certification by the RIAA. The song is quickly becoming the band’s biggest radio hit to date (without a featured artist, it’s worth noting), and represents a significant breakout beyond its core audience. After that, will Grammys follow?

“They check all the boxes,” says Jenna Andrews, the vocal producer on “Dynamite” who also serves as an executive at Sony’s Records label. “I’ve never seen anything like BTS in terms of singing and dancing. This is just an indication of what’s yet to come. They’re going to take over the world.”

Kathryn Lofton, Yale University professor of religious and American studies and author of the book “Consuming Religion,” says that the bond BTS has with its ARMY is different from the typical singer-fan connection because “BTS’ driving commitment is to their relationship to the fan group, to the manufacturing of their communal joy for you to participate in.” It’s why she views BTS as “a religious project; they are seeking to make a togetherness that you can’t stop wanting to be a part of.”

Lofton also makes a point of distinguishing ARMY from the groupies associated with Beatlemania. Sure, BTS fans know the hagiography and backstory of each member, but everything about the band’s output prioritizes the collective over the individual.

The band itself has certainly leaned into the comparison with the Fab Four. For instance, it re-created the iconic moment of the Beatles’ 1964 debut at the Ed Sullivan Theater last May on “The Late Show With Stephen Colbert” — in a black-and-white segment that showed the K-pop band performing as mop tops in tailored suits.

But while John, Paul, George and Ringo had spotlight moments of their own, both within and outside the band — songs they wrote individually, causes they took up personally — with BTS, it’s all for one all the time. Unlike many other groups, the members share single, collective Twitter and Instagram accounts, and release even solo material through their shared channel. Accomplishments are never spoken of as belonging to any one group member but rather as the work of the team (and, of course, ARMY). In their videos, they often begin in solo shots but end up together.

This all strays from the typical tropes of Western boy bands including New Edition and ’N Sync, which have all proffered “star” frontmen. The thinking for decades had been that a record company would be lucky to have one breakout solo career among the bunch.

But BTS’ selfless approach didn’t happen randomly: The group was envisioned as a collective to heal the alienation that ails us in the digital age. Its name — “BTS” stands for Beyond the Scene — is an invitation to fans to join them offstage via almost daily video content featuring moments in their intimate if immaculately curated private lives on YouTube, Twitter and Big Hit app Weverse.

In 2011, Big Hit’s revenues from its then-main acts, Lim Jeong-hee and boy band 2AM, were plummeting. As the shadow of bankruptcy loomed, Bang Si-hyuk, now chairman, and Lenzo Yoon, global CEO, felt the company needed a total revamp. They stopped all normal work for months and called on employees to perform market research instead, seeking a new vision and formula.

Bang describes the conclusion they reached in a recent Harvard Business School case study of the firm written by Anita Elberse and Lizzy Woodham: “You would think that with the development of digital technology, people can come together more easily, but we found that it is actually more likely that people will feel more isolated. And so we need to find a way to help them, inspire them and heal them.”

Reflecting on the choice to develop a group that satiated this need, Yoon says in the study: “I think back then in 2011, with the conclusions we drew, we found the wild ginseng, as we say in Korea.”

On “Dynamite,” Big Hit worked with Columbia to further cultivate that ginseng. Pitched by Jacobson to label chairman Ron Perry, who guided and essentially A&R’d the song, worked to radio by Columbia executive VP and head of promotion Peter Gray (who has broken hits for Dua Lipa, Kelly Clarkson and Kings of Leon), and all overseen and informed by the years of management savvy of Big Hit, it’s the kind of artist development that was a music business calling card and that has lost its place in the fast-paced world of digital releases.

Radio exposure is not considered as impactful in Korea as it is in the U.S., notes RM, and so BTS — “maybe naively” — didn’t hit the ground in the U.S. thinking, ‘What can boost our airplay?’” the last time around. Still, RM notes that the band has “100% trust” in Columbia, Big Hit and the greater BTS community. “ARMY and the label are all trying their best,” he says, recounting how in the band’s early days, fans would send bouquets to radio DJs to get their songs on the air.

“Our goal is to try to show ourselves, expose ourselves to ARMY as much as possible,” adds Jin. “There are a lot of platforms now.”

In some ways, BTS’ ARMY has grown into its own force and brought the group along for the ride. In the world of K-pop, the expectation is that entertainers stay far away from politics, but as the genre has grown more global, it has begun to reach a transnational cohort to whom matters of social justice are top of mind.

When Variety broke the news on June 6 that BTS and Big Hit had donated $1 million to Black Lives Matter, BTS fans quickly flocked to #MatchAMillion through a link sent out by the fan charity Twitter account @OneInAnARMY. They hit the financial target in just 25 hours.

Erika Overton, a 40-year-old Georgia resident and one of the co-founders of the account, says of the experience: “It was one of the craziest nights I’ve ever seen. I was on Twitter all night. We were refreshing the page every couple of minutes, going, ‘Oh, my God …’” Witnessing ARMY’s U.S. battalion bring the message of Black Lives Matter to fans in other parts of the world who were unfamiliar with the movement was a “big educational moment that was really, really beautiful to see,” says Overton, who is African American.

What Overton saw was facilitated by networks of fan translators who also turn Big Hit’s Korean content into dozens of languages. Other ARMY groups provide counseling or tutoring services, invent themed recipes or write informational threads on everything from the history of the music industry and how charts work to Jungian philosophy, which deeply informs the BTS albums.

Some fan accounts have even become registered nonprofits, with dozens of administrators spread around the world putting in nearly full-time work on top of their day jobs.

In addition to Black Lives Matter, BTS this year donated $1 million to Crew Nation, a Live Nation campaign to support live entertainment personnel impacted by the coronavirus pandemic. And it has continued its campaign with UNICEF to end child violence. But the band members are reticent to take on the role of global activists. “I don’t consider ourselves as political,” says Suga. “We aren’t trying to send out some grandiose message. We would never see ARMY as a conduit for our voice or our opinion. ARMY speaks their own initiatives, and we always respect their opinions, as we respect any other person’s.”

RM, on the other hand, keeps the door open for a kind of apolitical politics based more on actions than words: “We are not political figures, but as they say, everything is political eventually. Even a pebble can be political.”

The scale of its influence is not something that the group takes lightly. “Our [‘Dynamite’] video has seen 80 million, almost 90 million views in just a day. In a way, that’s very weighty — and almost frightening,” RM told Variety the day after its debut, explaining that the balancing act is often one of how to juggle the burdens of being both role models and artists.

Some Korean scholars feel that BTS’ statement in support of BLM shows how ARMY is actually out ahead of Big Hit, spontaneously enacting its own initiatives to which the company must then respond. “Big Hit thinks they can create a company-dominated [approach to] fandom, but fans are agents doing only what they want, not what they don’t want,” says ethnomusicologist Kim Jungwon of Yonsei University in Seoul. For Kim, the fluidity of ARMY’s unplanned, collective responses “is the possible answer to BTS’ success.”

Candace Epps-Robertson, an ARMY member and assistant professor of rhetoric at the University of North Carolina, says the affirmational content of the group’s lyrics and videos may sound simple, but lay the groundwork for millions of fans to learn to engage critically with each other and develop a transcultural sense of global citizenship. “The message of ‘you, yourself, are enough, and you should love who you are and start with that — I think people miss how radical that can actually be,” she says. “We can’t overlook the power of that as an invitation to people to be part of this community.”

The Grammys, where BTS is eligible for record of the year, among other categories (nomination ballots for the 2021 awards, slated to air Jan. 31, went out on Sept. 28), provide a chance for the group to gain industry recognition as a mainstream contender, not just a K-pop act.

Asked why the Grammys matter so much to them, SUGA seems to bristle a bit at the question. “I grew up watching American award shows, so obviously we all know and I know the importance of the Grammys,” he says. “It’s a dream anyone working in music has.”

RM says having the goal of a Grammy, an industry-voted award, “motivates us to work harder. As SUGA said, if you are in music, the Grammy Awards are something that you cannot help but to look toward and set as an eventual goal.”

BTS’ global influence will soon collide with national duty, and a Grammy Award or three could help maintain its momentum. The band members all have to participate in Korea’s mandatory military service by the age of 28 — and four of them are within two years of that threshold. “Big Hit really wants to target the Grammys before [the members] go into the army,” says an industry source privy to the company’s marketing plans, adding that, from Big Hit’s perspective, it would be best for business if the boys all perform their service at the same time.

The group renewed its contract with Big Hit in 2018, which commits the members to another seven years with the firm, but the army service issue could knock off two years within that time span. A company statement ahead of Big Hit’s IPO shows that Jin, the oldest group member (he’ll be 28 in December), must conscript by 2022 even if he gets an extension of the draft deadline. The statement discloses that plans to prerecord content to be released over the course of any army tenure are being discussed.

South Korea officially changed its rules in July to allow draftees access to once-banned cellphones on weeknights and weekends, meaning BTS could theoretically continue some interaction with fans. However, the taking of photos, video or audio recordings remains prohibited. (Historically, most Korean celebs have fallen silent during their service.)

Soldiering aside, with the push from Big Hit’s IPO, multiple TV appearances — including an ongoing weeklong takeover of “The Tonight Show Starring Jimmy Fallon” — the chart success of “Dynamite” and growing Grammy buzz, BTS is poised to make some serious noise this fall, which is saying a lot for a group known to shake the decibel scale with a wave or a wink. But perhaps the most significant measure of its ascent is underscored by the frequent speculation of the band’s place in a new moment for the music industry.

“What would it mean not just to include the sound of Korea in the annals of world music, but to actually propose that the South Korean sound is the next chapter?” posits Yale’s Lofton. “What if BTS are actually the next Beatles?”

Source: Variety

#2020 #bts #variety

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covingtonbritt34 · 1 year

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May hospital adult code-teams along with person users carry out high-quality CPR? The multicenter simulation-based study including an educational intervention with CPR opinions.

Keeping track of systems demand fortifying in order to credit the NCD stress and also fatalities inside reduced and middle-income countries (LMICs). Files from health insurance demographic security methods (HDSS) may bring about toward this particular objective. Techniques along with Studies: Involving 2002 and also The year 2010, 20,228 fatalities in older adults older 20 years (b) as well as older were identified retrospectively while using HDSS annual official population poll and spoken autopsy inside non-urban western Kenya, credited straight into vast categories utilizing InterVA-4 computer algorithms; 37% were related to NCDs, 60% in order to communicable diseases (Compact disks), 3% for you to injuries, and,1% expectant mothers will cause. Average age from demise pertaining to NCDs has been 66y along with 71y for young girls as well as men, correspondingly, with 43% (39% men, 48% women) of NCD fatalities occurring prematurely between older people outdated down below 65y. NCD fatalities ended up mostly caused by cancer (35%) and also heart diseases (CVDs; 29%). The particular balanced fatality coming from NCDs increased via 35% inside The year 2003 in order to 45% in 2010 (qi(Two) linear development Ninety three.Several; g less space-consuming than Zero.001). While total once-a-year fatality rate charges (MRs) for NCDs dropped, cancer-specific MRs increased via 200 for you to 262 for every Hundred,000 population, primarily as a result of escalating fatalities in adults older 65y and more mature, also to respiratory system neoplasms in most age brackets. The large drop throughout Compact disc MRs triggered similar MRs regarding Compact disks and NCDs among all women through The year 2010. NCD MRs with regard to grown ups outdated 15y for you to smaller compared to 65y fell coming from 409 for you to 183 every 100,500 between girls along with from 517 for you to 283 for each One hundred,Thousand population among males. NCD MRs have been greater amid males than girls previous both beneath, possibly at or over, 65y. Results: NCDs make up an important portion regarding demise inside non-urban developed Kenya. Evidence of the growing factor of NCDs in order to overall death helps worldwide advice to introduce or perhaps increase reduction, screening process A922500 , treatment and diagnosis programs within LMICs.Ginsenosides tend to be hydrolyzed extensively simply by stomach microflora soon after oral supervision, along with their metabolites are generally pharmacologically energetic towards cancer of the lung cellular material. With this research, all of us tested your metabolism of numerous ginsenosides by stomach microflora and also determined the actual components accountable for the seen pharmacokinetic habits of their energetic metabolite, Substance K (C-K). The final results indicated that biotransformation straight into C-K could be the major metabolic walkway of ginsenosides following your mouth administration from the crimson ginseng remove that contains both protopanaxadiol along with protopanaxatriol ginsenosides. Pharmacokinetic reports throughout regular these animals established that C-K showed lower dental bioavailability. To establish the particular components accountable for this particular reduced bioavailability, 2 P-glycoprotein (P-gp) inhibitors, verapamil as well as cyclosporine A, were used, along with their profile significantly decreased C-K's efflux percentage throughout Caco-2 cells (through Twenty-six.

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yohanpoonawallablog · 1 year

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Our Future Plan is to Manufacture Skids, Intervalve Poonawalla Ltd

Intervalve Poonawalla Limited and El-O-Matic India have been taking giant strides in the sector of valves and actuators. In this interview with Huned Contractor, Yohan Poonawalla, chairman and managing director of both these companies elaborates about products, expansion plans and the growth potential of the industry

Pune-based Poonawalla Group is one of India’s most respected and leading business houses with interests in the sectors of engineering, biotech, thoroughbred horse breeding, hospitality, finance and real estate. Of their various companies, Intervalve Poonawalla Limited and El-O-Matic India are engaged in the engineering sector for the production of world-class valves and actuators, providing reliable flow-control solutions to a wide spectrum of industries worldwide spanning over 46 countries and with an impressive track record of supplying to various industry sectors like oil and gas, petrochemical, power (nuclear, thermal, hydro), chemicals, agrochemicals, steel, paper and pulp, fertilizer, edible oil, pharmaceuticals, paint, tyre, water treatment, effluent treatment, utilities, food and beverages, and so on. Excerpts from the interview:

Q. Could you elaborate about the operations of Intervalve Poonawalla Limited and El-O-Matic India?

The current manufacturing programme of Intervalve Poonawalla Limited includes butterfly valves produced in technical collaboration with BV Holland (variants: soft-seated/metal-seated, centric, eccentric, replaceable liner/moulded liner). We also manufacture gate valves, globe valves, check valves (variants: wafer/DPCV/swing/piston), ball valves (variants: floating/trunnion, soft-seated/metal-seated) and Skotch yolk actuators. The size range starts from 1/2” up to 112”.

El-O-Matic India was established in 1989 in collaboration with El-O-Matic International, Holland which was subsequently acquired by the Emerson Group. El-O-Matic India (P) Ltd. is synonymous with safety and high efficiency. El-O-Matic India manufactures pneumatic actuators in both single acting and double acting variants. Along with manufacturing and selling of bare actuators, we are also an experienced and qualified system integrator delivering the entire on/off valve systems comprising valve, actuator, solenoid valve, limit switch, tubing, positioner and similar components since valves and actuators are our in-house products. Our actuators are suitable for over half a million operations.

Q. What is the infrastructure status of the company and its manufacturing capacity?

The Poonawalla Group of engineering companies has three world-class state-of-the-art manufacturing facilities in Pune that are spread across 15 acres. These companies have the latest machinery and equipment, including facilities to manufacture valves up to 112”. This includes in-house facilities for special testing like Helium leak test, fire-safe test, proof of design test, cyclic test, non-destructive test, etc. We inaugurated a new facility in May 2017 to focus on manufacturing of metal-seated ball valves for petrochemical industries and refineries and the product portfolio includes large-sized ball valves up to 42” and handling weights up to 20 tons.

Q. What is the product(s) USP that gives Intervalve an edge in the industry?

Intervalve Poonawalla Limited is committed to maximizing customer satisfaction by consistently improving the quality of its products, services and delivery. We strive for the growth of our clients, employees, society and all our associates with passion, perfection and performance: the passion to maintain leadership in everything we do, perfection in what we promise and performance in what we produce. Our consistent endeavour is to exceed our customer expectations in our brand and products. Our engineering companies have been associated with the manufacturing of high-quality products with total customer satisfaction. The companies have always emphasized on investing in the right assets to deliver value.

The butterfly valves of Intervalve Poonawalla Limited are designed as per international standards and benefit from a technical collaboration with B V Holland. They have been tried, tested and proven for the last 30 years. El-O-Matic’s actuators have the advantage of a technical collaboration with El-O-Matic, Holland. The company has also been manufacturing ball valves and gate, globe and check valves for the last 10 years and has supplied to industries across all sectors like chemicals, water, steel, oil and gas, fertilizers, petrochemicals, food and beverages, power, and so on.

Both the companies have wide range of approvals from end users like EIL, IOCL, BPCL, HPCL, APGENCO, GE, Reliance, Larsen & Toubro, Essar Group, Adani Group, VaTech Wabag, BGR Group, United Phosphorus, Cipla, Asian Paints, Henkel, Tata Steel, Jindal Group, ITC and certifications of various international standards like IBR, API, ISO, OHSAS, CE, ATEX, PED, etc. With this product portfolio that is manufactured under one umbrella, the company has positioned itself as a one-stop solution and single source responsibility, as for example, valves and actuators under a single source for automated systems. And as mentioned earlier, this is our unique selling proposition (USP) that translates into tangible benefits for our esteemed customers.

Q. What kind of research and development is carried out?

We have a strong and highly qualified team in our engineering and research and development departments. This team ensures compliance to all international designs of our products and undertakes lot of development activities. Design validations and prototyping are carried out before the release of the final manufacturing design, which ensures ruggedness of our in-house designs. We use the latest design software like ProEngineer and Solidworks. Our design team is flexible and capable of customisation as per the requirement of our customers.

Q. What is the company’s expansion plan for 2017-18?

The company has decided to expand its manufacturing base as it intends to add new products like metal-seated ball valves for petrochemicals and refinery, large-sized ball valves up to 42”, cryogenic ball valves, gate globe check valves and a world-class assembly and testing plant for valves. These products would address a wider range of products coupled with system integration with actuators for greater automation that will make us a ‘single-stop’ solution provider and more so ‘single source responsibility’ for our existing and new customer base.

Q. What about exports?

Currently Intervalve Poonawalla Limited is exporting to 46 countries with a focus on countries in the Southeast Asian region, the Middle Eastern region, the European continent and the American continent. The company is trying to expand its network to the Far East region and Africa.

Q. What is your perception about the Indian valve market? Will it accelerate? If so, what would be the driving factors?

The Indian valve market would outpace the growth of the world valve market, which is growing at 5% per annum. The Indian government’s ‘Make in India’ campaign has triggered investments coupled with opportunities in infrastructure development projects and this, among others, will be the key growth driver for the Indian valve industry. The ‘Smart Cities’ project is another growth driver for the valve industry in India. In addition, opportunities in the oil and gas industry in GCC countries, rising demand for energy in APAC and major investments in the African continent will be the other growth drivers for the Indian valve industry.

Q. What are the opportunities that the company would like to tap in the coming future?

Our future plan is to manufacture skids for the industrial and natural gas segments. Skids are an integration of valves, actuators and electronic accessories. Skids of three types would be manufactured: pressure-reducing skids, gas conditioning skids and gas metering skids. This would have many of our in-house products such as butterfly valves, ball valves, gate, globe and check valves and actuators.

Q. What are your activities in terms of corporate social responsibilities?

The Poonawalla Group is engaged in several CSR activities. We have received many accolades and recognition from government bodies and NGOs for our contribution and continued association towards social causes. Be it medical aid or education for the underprivileged, developing gardens for the beautification of Pune or its basic infrastructure, we strive to put in our best to support all possible social endeavours. For instance, Intervalve Poonawalla Limited has been associated with the Poona Leprosy Committee since 1990 and has been instrumental in almost eradicating the disease.

The Poonawalla Group has financially supported the Zavaray Poonawalla Cancer Building at the Ruby Hall Hospital. Apart from beatifying and maintaining the Gool Poonawalla Garden we sponsored and took active participation in the construction of the Soli Poonawalla Road at Hadapsar in Pune. We are also committed to supporting better education for the underprivileged through promoting English medium education at the Soli Poonawalla Memorial High School at Hadapsar.

Source: engmag

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thefinancemagazine · 1 year

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'Time to end this nightmare': Analyst Dan Ives says Elon Musk will likely step down from Twitter as company is on track to lose roughly $4 billion

‘Time to end this nightmare’: Analyst Dan Ives says Elon Musk will likely step down from Twitter as company is on track to lose roughly $4 billion

A broad bear market has taken the S&P 500 down over 20% this year, with high-growth tech stocks faring the worst as central banks worldwide raise interest rates to fight inflation. Elon Musk’s Tesla is the perfect example. The EV giant’s shares have dropped more than 62% in 2022 amid fears that demand for vehicles may wane as rising interest rates dampen global economic growth. And Tesla has been…

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theorybag79 · 1 year

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