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tornado1992 · 4 months

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No one knows where Sonic lives.

Even in his so called world renowed hero status, there’s way too little that the general public knows about Sonic The Hedgehog, sure, they know what his favorite food is, they know the names of his friends, and they know when his birthday is, but they don’t know where is he from, how is he so fast, or what is his reason to fight.

They know about most of the times he has saved the world, but they don’t know why his shoes don’t get burned by his speed, they know he can turn into a god-like glowy golden being, but they don’t know how exactly the magical jewels that do that work, they know he’s unstoppable, but they don’t know why.

Most people don’t care that much about that kind of information, even if he’s a hero, that’s his own business, even heroes need privacy; but then there’s the curiosity, the enigma, the mystery, most of those questions will be left without a solid answer, but there’s a few that should have definitive one.

Where does someone who can run around the whole globe in a matter of hours live? There’s a lot of theories.

Sonic has enough fame to have several fan clubs all around the world, and between all those fan clubs there’s been a lingering interest in the enigma of where does sonic live, between all the other questions this one is the one that gets the most possible answers, considering factors like his speed, his well known crave for adventure, his love for nature, all of it could make the difference between the right answer and the wrong answer.

At certain point, the curiosity reaches to more general public apart from the fanatism prone, and when in opportunity to talk to him, a lot of people start asking him the same question: “where do you live?” the answers all equal and all different at the same time “right here in the same world as you” “it varies from time to time” “I don’t think you could visit me”

The vagueness, the confusing contradictions, the evasion of the subject; he’s doing this on purpose. They might not know a lot about the blue speedster, but now this sole data needs to be known.

They start asking Sonic’s acquaintances instead of the hedgehog himself, they know they’re not getting an answer out of him at this point, and if anyone could have one, his friends should know it. Turns out that they don’t know.

Most of his friends being more annoyed with the fact that not even they know where he lives than about the people sticking their noses to his friend’s business was a surprise to the masses, and underwhelming, backtracking, frustrating surprise.

There’s an anonymous user online who affirms that not even the hedgehog’s arch nemesis knows where Sonic lives. Reliable sources support the statement.

The waters of nonsense gossip calm down after some time, but the question still remains, left to be more of general curiosity than lingering mystery.

A random day in a random town, a news program happens to be live outside when the speedster passes by and stops to smell the flowers around the area, the reporters ask him for a small interview, he says they have till he finishes picking up enough flowers for a crown.

They ask the same question everyone has asked for quite some time, just a different word, “Sonic, where is your home?”

Apparently the accidental rephrasing change is what finally gets it, as the speedster just says “right now? should be at mystic ruins”

He runs off immediately, the reporters left speechless, the program still on air on TV’s and the web, and the world going wild.

They finally got a straight, solid, specific answer. “That can’t be true” “but it can” “it’s logical” “it’s not” “he must’ve been joking” “he sounded serious” and more and more discussions take place around that single interview, the fan clubs are theorizing again, the general public is now more curious, and the official news from all over the globe need to confirm this by themselves.

So they ask again.

A full week later, a different city in a different country, different news reporters don’t even bother to ask him for an interview, they just run to him the moment they see the blue blur pass by and ask him again “Sonic, where is your home?!” He yells his answer without stopping:

“Last time I checked was in Central City”.

“It’s a contradiction” “then he was joking before” “he might change where he lives weekly” “we need more proof” “that was way too specific again”.

A different continent, two days later, a group of kids manage to record him when he greets them from the other side of a mountain, they ask “Where is your home?!” He yells back “I’m not sure at the moment!”

The confusion only grows, now no one knows if he’s genuinely giving true answers or full ass lying, it would be logical for him to do either. The curiosity becomes a mystery again, and people are legitimately trying to track all the locations he has mentioned to find out what is this all about. Some people even try to track him down. They try.

A whole month later, there’s a celebration near sunset city, a commemoration of some sorts, there’s been a lot of battles in way too little time so people just try to think about the party rather than the motive for it. Sonic attends the celebration along some of his friends.

A local news channel manages to reach him at the chili dog stand where he is waiting for his food while talking to the two tailed fox everyone knows is his best friend. They don’t mean to interrupt, but these opportunities are limited.

They ask the same question, the same word change that they know works: “Sonic, where is your home?”

The blue blur hangs an arm around the kit’s shoulder in a half hug as he grins widely, he says loudly: “right now, it’s right here!”

This time his home was with him.

#sonic the hedgehog #miles tails prower #sonic and tails #unbreakable bond #they are cosmic truth #they are brothers your honor #home is where the heart is #Tails is Sonic’s home #wholesome sonic and tails wednesday #sonic headcanon #sonic fanfiction

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asterlark · 6 months

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me and den @unloneliest were just talking about murderbot and ART's relationship and i want to discuss how they quite literally complete each other's sensory and emotional experience of the world!!

there's a few great posts on here such as this one about how murderbot uses drones to fully and properly experience the world around it (it also accesses security cameras/other systems for this same purpose). but i haven't seen anyone so far talk about how once MB stops working for the company and consequently doesn't have a hubsystem/secsystem to connect to anymore (which for its entire existence up to that point had been how it was used to interacting with its environment/doing its job), after it meets ART, ART starts to fill that gap.

ART gives MB access to more cameras, systems, and information archives than it would normally be able to connect with while MB is on its own outside of ART's... body(? lol), but also directly gives MB access to its own cameras, drones, archives, facilities, and processing space. additionally, so much of ART's function is dedicated to analysis, lateral thinking, and logical reasoning, and it not only uses those skills in service of reaching murderbot's goals, it teaches murderbot how to use those same skills. (ART might be a bit of an asshole about how it does this, but that doesn't negate just how much it does for murderbot for no reason other than it's bored/interested in MB as an individual.)

we all love goofing about how artificial condition can basically be boiled down to "two robots in a trench coat trying to get through a job interview" (which is entirely accurate tbh) but that's also such a great example of ART fulfilling the role of both murderbot's "hubsystem" and "secsystem", allowing it to fully experience its environment/ succeed in its goals. ART provides MB with crucial information, context, and constructive criticism, and uses its significant processing power to act as MB's backup and support system while they work together.

from ART's side of things, we get a very explicit explanation of how it needs the context of murderbot's emotional reactions to media in order to fully understand and experience the media as intended. it tried to watch media with its humans, and it didn't completely understand just by studying their reactions. but when it's in a feed connection with murderbot, who isn't human but has human neural tissue, ART is finally able to thoroughly process the emotional aspects of media (side note, once it actually understands the emotional stakes in a way that makes sense for it, it's so frightened by the possibility of the fictional ship/crew in worldhoppers being catastrophically injured or killed that it makes murderbot pause for a significant amount of time before it feels prepared to go on. like!! ART really fucking loves its crew, that is all).

looking at things further from ART's perspective: its relationship with murderbot is ostensibly the very first relationship it's been able to establish with not only someone outside of its crew, but also with any construct at all. while ART loves its crew very much (see previous point re: being so so scared for the fate of the fictional crew of worldhoppers), it never had a choice in forming relationships with them. it was quite literally programmed to build those relationships with its crew and students. ART loves its function, its job, and nearly all of the humans that spend time inside of it, but its relationship with murderbot is the first time it's able to choose to make a new friend. that new friend is also someone who, due to its partial machine intelligence, is able to understand and know ART on a whole other level of intimacy that humans simply aren't capable of. (that part goes for murderbot, too, obviously; ART is its first actual friend outside of the presaux team, and its first bot friend ever.)

and because murderbot is murderbot, and not a "nice/polite to ART most of the time" human, this is also one of the first times that ART gets real feedback from a friend about the ways that its actions impact others. after the whole situation in network effect, when the truth of the kidnapping comes to light and murderbot hides in the bathroom refusing to talk to ART (and admittedly ART doesn't handle this well lol) - ART is forced to confront that despite it making the only call it felt able to make in that horrifying situation, despite it thinking that that was the right call, its actions hurt murderbot, and several other humans were caught in the crossfire. what's most scary to ART in that moment is the idea that murderbot might never forgive it, might never want to talk to it again. it's already so attached to this friendship, so concerned with murderbot's wellbeing, that the thought of that friendship being over because of its own behavior is terrifying. (to me, this almost mirrors murderbot's complete emotional collapse when it thinks that ART has been killed. the other more overt mirror is ART fully intending on bombing the colony to get murderbot back.)

in den's words, they both increase the other's capacity to feel: ART by acting as a part of murderbot's sensory system, and murderbot by acting as a means by which ART can access emotion. they love one another so much they would do pretty much anything to keep each other safe/avenge each other, but what's more, they unequivocally make each other more whole.

#the murderbot diaries #murderbot #asshole research transport #network effect #mine #idk what else to tag lol #BIG thanks to den unloneliest for helping so much with the drafting/editing of this!!!#we both were having some brain fog issues yesterday so we joked that with our combined forces we can make one (1) post lol #just like mb and ART fr!!!!#anyway im so fucking emotional over themmmmm #murderbot meta #the murderbot diaries meta

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angelsdean · 12 days

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*record scratch* freeze frame. Reality Check. "You're the one who came and got me at school. You're the one who dragged me back into this." let's re-evaluate that statement, Sam, because that is not, in fact, what happened.

The context in which Sam makes this statement is that he's arguing Dean used to care about the revenge quest and killing the demon because Dean is the one that came and got Sam and thus "dragged him back" into the quest to kill the demon. But, that is not why Dean went to get Sam at school, it was to find John, who was missing and possibly dead. Dean didn't even Know about the demon at this point (they don't find out that "the thing that killed mom" is a demon til 1x11) or that John was closing in on it. Dean goes to Stanford to ask Sam to help him look for John, that's it. Then, at the end of 1x01 Dean brings Sam back to school in time for his interview as promised, and drives away. He only turns around when, in the deleted scene, he notices his watch has stopped, cluing him in that something is wrong. And he gets there in time to save Sam from the burning building.

Sam then makes the choice to leave with Dean because now that he's lost someone, he is personally invested in finding John because John knows more about the thing that killed Mary (and now Jess) than anyone, and Sam is the one who is now consumed by the need for revenge and the first step in getting that revenge is finding John, something he had no vested interest in doing before, but is now heavily invested in, even more than Dean is, as we see throughout the first half of s1 where Sam is often the one calling around looking for John and is more interested in searching for John than taking on random cases.

Anyways, it's just so interesting to track this revisionism of events and how both Sam and Dean come to accept this as the truth when it's literally not what we saw happen throughout the season. And we see Dean start to absorb this belief after Meg plants the seed in their heads in 1x16, trying to drive a wedge between them, by falsely saying Dean "drags Sam around like luggage" when literally the whole reason Sam and Meg meet is because Sam wanted to part ways in 1x11 and Dean let him go. Sam then comes back and decides to stay all on his own, even after Dean offers to drop Sam off somewhere.

Dean expresses in 1x16, that yes, he wants Sam around, he wants his family together again, but at the end of that very episode Dean is also the one who says they need to split up from John, even though it's the last thing he wants. Dean consistently is willing to let people go, even if it's not what he personally wants. And especially Sam. Over and over throughout the season he expressed how he wants Sam to have a normal life, is willing to let Sam go, or stay in some random town and drop the search for John. So even IF Dean did secretly want Sam to stick around when he went to get Sam at Stanford, he never expected it. Never enforced it.

That Sam comes to think Dean "dragged him back" into hunting is a purely revisionism and a bit of projection, I think, because Sam might not want to face the truth of the matter which is that he consistently chose to stick with hunting, and actually enjoys it more than he'd like to admit. And, as both he and John express, this quest to kill Yellow Eyes becomes "their" obsession. Not Dean's. Dean is the one who says he'd rather they never find the demon if it means losing his family. Dean is the one that says getting revenge isn't worth dying for. And then, Sam takes this to heart, when at the end of 1x22 he refuses to kill John Possessed by Azazel at Dean's pleading, AND when he tells John that killing this demon does not come "before everything" while eyeing Dean bleeding out in the backseat.

Dean was never the one invested in revenge. He did not come get Sam from Stanford to aid in the family revenge quest, he came for help in finding their missing father, something Dean cared abt simply because that's family, and Dean cares deeply, despite everything John put them through. Dean is the one that cares, the heart of the narrative, etc etc. He comes to Sam because he is alone in the world, because their only other blood relative is missing, because it's a very human thing, to reach out, to want family around. And still, he was always going to let Sam go after the 1x01. He didn't like it. It's not what Dean wanted. But he was going to let him go back to his life. Sam chose to follow Dean and continue searching for John.

#vics spn rewatch #sam revisionism #family dynamics #long post #sorry i got lots to say #spn 1x01 #spn 1x11 #spn 1x16 #spn 1x21 #spn 1x22

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dianneking · 2 months

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The Affair - Chapter 1 (Larissa/Reader)

Hiya! As part of my weekly writing challenge, I wrote this chapter over two writing sessions, and I chose not to wait for the fic to be finished before posting. It'll probably be a couple of chapters all together.

Pairing: Larissa Weems/You Rating: Mature

Tags: Morally Ambiguous Character, Swearing, Boss/Employee Relationship, Infidelity, Second-person POV, Teacher Reader.

Link to AO3 in the title

Next Chapter >

The Affair - Chapter 1

Waiting in the snow for a married woman , you thought, moodily pulling your scarf up to cover your freezing nose as yet another car passed, how the fuck did my life come to this?

You had never been one for thrills in life. If anything, you had been pretty boring: you’d always liked English class at school, always got straight As, never stepped a foot out of line. You never felt the need to, nor the appeal of being rebellious. You’d gone on to get a bachelor’s degree and teacher’s certification, and then you’d gone on to teach English in a string of small town schools.

There was only one aspect out of the ordinary in your life up until now; you could never settle down in one place.. You felt a restlessness, a pull towards something you still hadn’t found, and after a couple of years in a place, it inevitably built up until it was too strong to resist. And so you packed your bags, applied for a job somewhere else, and started anew.

You didn’t think Jericho would be much different. Small town, 5 thousand inhabitants, only spots of interest a tacky historical reconstruction site and a school full of outcasts. The same one you had applied to. Nothing much to offer. You’d give it a year or two at most.

You didn’t really care about the fact that you were teaching outcasts. They might drink blood or howl at the moon or whatever in their spare time, but they were teenagers that had to learn to write a proper essay just like anyone else. You prided yourself in your work ethic and told that to the board when they interviewed you. Apparently they appreciated that. Or there was nobody else who had applied. There had been some accidents during the last school year, apparently. The board had repeated several times that it had been a one-off and it had been taken care of definitively.They had all seemed very defensive about the topic.

Once again, you shrugged it off. You had no time to waste on rumors and things of the past. The school had its quirks, sure, but all schools had, each in their own way. You settled in your quarters on the school grounds, and started reviewing your lesson plans taking into account the notes left by the previous teacher. You settled in for your usual routine of lessons, tests, marking that you were familiar with by now.

And then she barged into your life, throwing routine and predictability to the wind.

Even with your aversion to gossip, you’d heard about her. Larissa Weems, the best principal Nevermore had ever had, mysteriously injured in the line of work, supposedly trying to protect the school, and hospitalized for months after that. When talking about her, voices dropped to a whisper out of respect - or fear, you hadn’t been able to ascertain that.

The day she had come back, you’d have thought royalty was about to visit the school, with the amount of fretting, of preparations, of nervous energy filling the halls and rooms. You’d had to let your classes work on assignments because they had been unable to listen to one word of what you were explaining. You had rolled your eyes in the privacy of your room. Seriously, you’d seen plenty of disruptive principals in your years of teaching, but one who could be so distracting even before she had set foot back in school? That was a first.

You felt obliged to show up as well to the welcoming committee. The whole staff was there, as well as the student body. Some had even prepared signs, and there was a white banner draped along the balcony on which was written, in red paint, a very wonky Welcome back Princ. Weems .

It was cute that she was so beloved by her school, you thought, but you were also thinking of how to recover the day of missed lessons, and how to optimize the next days’ so as to go back on track. You tried not to be too miffed about it.

All of the thoughts of lesson plans and all of the lingering irritation at them being disrupted fled your brain at the sight of the first foot stepping out of the car. Shiny, varnished black shoes, showing off a milky ankle, and a shapely calf that look longer than any you’d seen (not that you made a point of looking at women’s legs all the time, but sometimes your eyes did wander…)

The skin on show was sadly cut off below the knee by the modest hemline of a woolen dress and it was at that point that Nevermore’s principal exited the car in all of her towering beauty, and your mind went completely blank, cause in all of their gossip everyone in Nevermore had forgotten to mention a small, key detail about the principal.

She was stunning.

The most beautiful woman you’d ever seen was standing before you, waving and smiling regally, as the whole school cheered. You almost didn’t notice all the jubilant ruckus, your eyes too busy raking all over her figure, as if trying to commit every single detail to memory. Her slender, elegant hands, wrapped in leather gloves. The perfectly-tailored coat, in the same fabric and color as the dress. The sparkle of her gold jewelry in the pale winter sun. The perfect proportion of her face, the way the bright red lipstick brought attention to her smile.

Her light eyes were roaming all over the crowd, as if taking stock of known faces and new entries. Finally her gaze fixed on you, and you could see a spark of amusement flicker on her face at seeing you.

You belatedly realized that you had been gaping at her like a fish out of water.

The day after you had still been beating yourself up about the humiliation at being caught slack-jawed staring at your boss when she visited you in your classroom after you were done with the day’s lessons.

She rapped against the doorframe, but strode in before you could say anything. You scrambled to your feet, awkwardly, while she covered the distance from the door to your desk in a couple of long steps. She was wearing another dress today, a tartan dress with a belt that cinched her waist, underlying the shape of her hips and chest while still being completely work-appropriate.

“So you’re the new teacher they have hired to replace poor Collins.” It wasn’t a question, but you nodded anyway. “I’m Larissa Weems. Usually, I have the final word on new hires. The board does a wonderful job but sometimes they lack a certain sort of practicality in their assessment of candidates, as it happened with the last hire. I wasn’t convinced by her spiel, but the board insisted and…well. I should have trusted my gut instinct.” Her eyes grew distant for a second, before focusing back on you with a hard gaze. You could see the speckles of lighter and darker blue mixing in her irises, and the perfectly applied make-up that highlighted their natural beauty. You tried to shake yourself out of her charm. She could be trying to fire you, and you were busy ogling her! That’s not the kind of person you were! You cleared your voice, trying to think up something to say to help your case.

“I…”

“I know you have been hired already, and I am sure you are a perfect fit for the role. I’d just like to have a little chat together, nothing too formal, just getting to know each other a little bit better.” She smiled as she said that, and while you were sure it was supposed to be a polite smile, you couldn’t help the shiver that went down your spine at that.

She looks like a predator closing in on prey , your mind unhelpfully suggested.

You swallowed, suddenly conscious of your sweaty palms and increasing heart rate.

“O-of course, ma'am." was all you could meekily say.

"Perfect." she purred. "Meet me at seven sharp at the Lilac Lounge. I'll have a private booth reserved."

To be continued...

Next Chapter>

< Previous Weekly Writing Challenge Fic My masterlist

#dianneking writes #dianneking fanfiction #larissa weems #larissa weems fanfiction #gwendoline christie #gwendoline christie fanfiction #dragonmist fanfiction #cross posted on ao3 #larissa weems/reader #larissa weems x reader

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blughxreader · 29 days

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Hi no your world building idea on the financial implications/restrictions of the purge are making me chew through steel actually. Because sure it keeps getting higher and higher financially, but that means that people (who don't just succumb to illegal means) start to develop weird cultures around it.

Like people who decide young that they would rather just make themselves as likeable as possible in hopes of getting a yandere for themselves the same way some people hope to become house spouses. Obsessing over looking and behaving perfect to the point of not knowing who they actually are outside of performing this role 24/7 (because who knows when their potential meal ticket might be watching? Where they put cameras? You can never risk breaking character. You have to be the character and hope they never find out the truth)

Celebrities in interviews talking about how they wanted to be famous in part to have resources to find the best darling and then keep them. People trying to become a celebrity's darling just so they can try and network their own career.

People add keeping their darlings on the list of lottery winning fantasies. Talking about the way they'd decorate their rooms and the things they'd give for mental and emotional enrichment.

Purge sympathizers who argue its an honor for you to be chosen as a darling since it means an easy life for a year. Darlings being financially taken care of, sure, but dealing with people taking them even less seriously as individuals because of the ""privilege"" to the point that then asking for basic rights or ammendments becomes a war against them being framed as greedy or demanding. (They already financially support you, and now you're insisting that they let you outside too??? What's even the point of kidnapping you then?? So what if it's for medical and dental care, that just means people who aren't your yanderes touching you, examining you, not a chance).

I'm just having so many thoughts and it's your fault (affectionate)

FROTHING AT THE MOUTH

Incredible ideas. The culture around the Purge is so interesting.

Like imagine a Yandere who’s dreamed of having a Darling their whole life, only for a bigger and badder yandere to show up and kidnap them? Anyone can kill and be killed. Darling, Yandere, and Normal aren't permanent labels.

There would be Darling seminars, where people could learn how to catch the attention of a high-value yandere. Or Yandere seminars, on how to maintain passive income and keep the darling reliant on you once the captivity period ends.

And maybe early in post-Purge captivity, there are mandatory and voluntary workshops for Yans and Darlings to learn how to coexist together in accordance with the law.

I actually love your ideas. Lottery winning fantasies? Kids dreaming about their future Darlings instead of weddings?

It's easy to map out the laws in a world like this, but culture is so multi-faceted and intricate. I'm actually barking at some of these ideas

Sorry this took so long to respond to haha. Your ideas were so good that i had to think for a while about how to add to them.

#yandere #yandere purge #purge au #yandere purge au

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norrisleclercf1 · 10 months

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Hear me out! ………….. dark obsessed Pierre and Charles obsessed with reader🫣🤭🤗🫡

A/N: Drumroll please this one is a headcannon so bulletpoints babes

It was a simple meeting you interviewing the two of them after a race

the original interviewer was sick and you had to step in, the only

problem was that you had no idea what to ask them

the interview was a mess, but they loved it

well really they only loved the interview because they got to

watch you become a blushing, shy, innocent mess trying to

talk to them

they just kept laughing and helping you find your words here and

there

Pierre kept flirting with you, reaching out to pat your shoulder

Charles's eyes kept moving over your body drinking in the way

the jeans and shirt hugged you

whenever you asked Charles a question he'd smirk say

something cheeky and wink

the fans ate the interview up loving the way the boys looked more

like themselves than with the previous one who just made them

annoyed

After that you started to interview the drivers, Charles and Pierre

always making sure that they talked to you first making sure

they're the only ones making you blush and stutter

During an interview Pierre had asked you to dinner being

completely serious

you thought he was joking and until the cameras turned off Pierre

kept his cheery smile acting like he wasn't pissed about you saying

no to him asking you out

When the camera was off he leaned over the media pen railing

touching your fingers which has you wide eyed

he tells you that you are going to dinner with him

that he's not taking no for an answer and that you will do it

if anyone else did this, you'd tell them to fuck off

but Pierre's eyes just stared into your soul sucking you in

Nodding you agreed being left in a daze all day

Charles picked up on it quickly

you were monotone and not your usual happy self when you talked

to him after a race

so when he asked you what was wrong you didn't mean to tell him

Charles's whole face changed when he heard that Pierre asked you

out and that he did it first, Charles was going to ask you out

He just nods saying that you'll have fun and stalks off to find

the fucker who asked you out first

Arriving to the restaurant you stumble over your feet seeing

Charles and Pierre both at the table

gathering the courage you walk in

the rest of the night was pleasant but the boys seemed to be holding

back on what they really wanted to say the entire night

It was when they walked you back to your hotel that their

restraint broke

they both confessed their feelings for you that they both wanted

you and they didn't have a problem sharing you

you spoke before you could even process what they said

you thanked them for the night and left

The two of them just smirked and laughed

you might have said no, but your theirs and they'd make you theirs

Pierre would watch you from far away always sending you presents

jewelry, clothes, shoes, anything he thought you want he'd send it

he got so high when he'd see you wearing it for the next interview

it brought this utter rush to see you wear something he gave you

Charles would keep all the other drivers away, hating when you

laughed at their jokes

You noticed that you were only allowed to talk to the older

drivers who had partners or showed no interest in you

Charles was the one telling everyone to avoid you

Charles once sent one single flower to your room a little C on the

note card was the only way you knew it was him

this was a cat and mouse game

you thought you were the cat, playing with them just some fun

but really, you're the mouse that had already been caught

you just didn't know it yet

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jaehymrk · 3 months

Text

reporting live

trent alexander arnold x fem!reader. fluff. Trent who was rather interested in the reporter than the actual report he had to give.

Time was ticking on a thin thread for you as your supervisor might call you within five minutes if you do not interview, at least, one player of liverpool. You have been in the reporting field for at least seven months and you now also have juniors yet for you to move like an amateur was hurting your pride.

You are social issues reporter, going around different cities, and write an interesting jaw-dropping report then, call it a day. Sport reporting was not your forte, it is almost like . . fork found in your backpack. Simply out of place. The million dollar question ringing in your head was why were you here in Anfield Stadium at the first place but you face-palmed yourself on accepting to cover for your senior who was in her maternity leave. You had always hated whenever you had to cover for a reporter doing sports. No particular reasoning, just childhood trauma.

You saw all the liverpool footballer players walking out from the dressing room after a hot win. You crossed path with the tall, charismatic dutch leader of liverpool to the small growing liverpool superstar Endo but you had your goal set on the biggest prize, the player with a fresh trim, and his headphone on as every reporter tried catching his attention.

Trent Alexander Arnold, the star of Anfield and liverpool. Your supervisor might as well, move you to the Sports section if you got to interview Trent; you were not looking forward to that but a lady has bills to pay. You sighed as you had to save your job before it slipped away from your grip.

Just one interview, anyway. What is the harm? You held the sleeve of his tracker suit lightly, you needed this, you needed a bang.

"Great win in Anfield, innit? Please let us know about how are you feeling about the win?" You asked reaching your microphone out to the man. His gaze froze, so did his feet in front of you. It could be the audacity to block his way toward the team bus or the glitch of mischievousness in his eyes that flickered on your red hue cheeks.

Trent chuckled as he moved slightly forward removing his headphone, your eyes set on the man completely compelled from the bridge of his nose, deep doe eyes to his captivating smile. Everything about the man was setting you up for a failure, realizing how much of a bad idea this was.

"Yeah, yeah it is great team win but to become the last scorer for the win is a different achievement, so I am proud and happy." Trent answered, his eyes never leaving yours for a minute. His heavy scouser accent oozed out every word as Trent kept his smile intact.

His eyes glanced at you, noting the rose hue on your cheeks, one hand slightly shaking to hold onto the microphone and the other holding onto the notebook. "Come here, love. Let me hold that for you." He mumbled gripping on the microphone as your fingers brushed on his and you were secretly praying to every god that was staring upon you to not show your slight jump after the touch.

"Okay so-" You paused, clearly out of the atmosphere as you were in no place to check out players nor drool out your delusional ideas when you have a very angry supervisor waiting on the clock and an impatient cameraman behind you. "Yeah, I cannot lie, you . . you were great in the field." You complimented him quickly but you were not lying about it. With the long passes, and all the chances Trent created for the team; anyone can tell he was born to become a football player who succeeds with legacy.

"You were watching?" Trent asked raising his eyebrows in question. Utterly confused, you paused to flip your notebook to look at the man in front of you. With the silent eye contact, your neck burnt hot. You nodded sternly, a thin smile on your face. "Of course, I was watching, I mean, I am a reporter, can't be missing out on the main point of the whole show."

Trent kissed his teeth, he smirked, "So, tell me more. How was I on the field? Did you like what you see?" He winked at your direction. Your mind went blank, in what position does he have to be to flirt openly with a camera panning on his face? The burning hot sensation on your back came straight up and your heart beating fast was not helping to form words, "Like . . like I said, you were great. You are the star of liverpool after all." You sweetly smiled.

Trent had the cheeky smile on his face, his eyes lingering on your lips before glancing upward to your eyes. He knew what he was doing to you moving closer to the barrier between the reporters and the players.

You cleared your throat. "You are also the player of the match." You trailed off; Trent leaned closer. Call it the stadium being loud for him to not hear you clearly or he simply wanted to be close to you, to mesmerize the small moles on your face, to engulf himself on your warm scent.

"Are you excited for your next big game against Manchester City?" You inquired. All the back and forth staring and silence with Trent will not colour your supervisor impressed at all. You need to interview someone else that will not . . leave you speechless in minutes.

"Well it depends, to be very honest with you. Will you be in the next game?" Trent further pestered.

You furrowed your eyebrows in slight annoyance at the player for making everything about you while the whole fanbase would want to know more about him.

The cameraman behind you almost dropped his equipment taken back by the question. You did not know . . how to respond to the player who was attacking you with his doe eyes. Nervously, you laughed, "I cannot be certain about that. Are you and your team ready? It is one of the anticipated game of the season." You diverted his topic back to what you needed at the first place.

Trent stared at you without responding to your question, you quickly started shaking your leg anxiously as your eyes lingered at almost all the players leaving to go back to the training ground from the stadium. Your chances were blowing every second Trent silent in front of you.

During this period, you started considering finding other jobs, as you started making mental notes. With thoughts looming around your head, you did not come to realize Trent walked a few steps toward you, nibbling on his bottom teeth. He removed the microphone away from his lips, coming forward for a conversation that is sealed between you and the liverpool player.

You flinched at his hot breathe hitting your skin, as he gently held onto your forearm to keep you in position knowing you will move away from his contact.

You coughed away from his grip. "Have a great day then. We cannot wait till what magic liverpool can bring to Anfield once again."

"And you too, have a great day but i did not quite catch your name." He inquired with his wicked smirk playing on his face. He wants me gone, jobless. Clearly, with zero intention to support my penniless lifestyle.

You smiled, "If you do goal against Manchester City, I will let you know."

"Should we seal the deal with a kiss then, perhaps?"

#trent alexander arnold #trent alexander arnold x reader #trent alexander imagines #trent alexander arnold scenarios #trent alexander arnold fic #trent alexander arnold x you #jaehymrkwrites #trent alexander arnold fluff

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anim-ttrpgs · 1 month

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I was interviewed on Storyteller Conclave!

You’ve probably seen several posts on here about how I’m going to be on Storyteller Conclave talking about Eureka. If you haven’t, you’re going to, because there’s still some in the queue and I’m not going to remove them.

But, that happened, and it was a great time! You can listen to the episode here, here, here, or here!

I wasn’t on my A-game the whole time unfortunately, I had some mic trouble for about the first 20 minutes, along with some other distractions on my end that kept me from focusing early on, but luckily I had team member @ashweather to support me and help me out.

If you can bear with the rocky start, there’s a lot of good insight into the design of Eureka: Investigative Urban Fantasy in this podcast, and a lot of it goes into stuff that we haven’t really covered on this blog, especially the themes.

We talk about the realistic and simulationist nature of Eureka and how this serves its gameplay and themes, we talk about how it takes inspiration from John Woo films such as Hard Boiled, its pretty unique approach to the concept of HP, how it approaches and flips the concept of "winning", and its deeply character-driven nature.

Of course we also talk about Eureka's unique and awesome rules for investigative gameplay, and how it improves upon games that did investigative gameplay before it. How it trusts the players' intellect, but also won't leave them totally twisting in the wind after a bad roll or two!

My favorite thing we talked about, near the end of the show, was Eureka’s approach to monsters, disability, and its sympathy towards “bad people.” I’m actually going to be writing a whole essay on this topic hopefully before the Kickstarter ends on May 10th, but you can get a really good gist of it just from listening to this episode of the podcast.

Oh and on that subject, the hosts, two veteran Vampire: The Masquerade players, said in the show that in many ways, Eureka does vampires better than VTM. Like, wow, that’s high praise..

Here’s a reminder also that Eureka: Investigative Urban Fantasy is kickstarting from right now until May 10th, 2024. Back it and get yourself a copy plus custom artwork or the chance to get your blood sucked by vampires as an entry on the random victim tables for playable monster PCs! With every stretch goal we meet, the game gets better and better. Tons of beautiful new artwork, new options for gameplay, and even two entirely new playable Monsters could be added to the book, so visit the Kickstarter and secure your copy today!

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If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

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got-ticket-to-ride · 5 months

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Wanted to know your thoughts on this, but for what I've reading on John it really looks to me he really got worse post Paul and post Beatles, like his saddest songs match the moment he started to have issues with Paul, he wasn't really having much contact with anyone outside Yoko, he wasn't doing much music, he wasn't being that funny either, he even died without being able to fully overcome his heroine addiction (addiction that started in the Beatles fall out right?), and idk i believe his involvement in the whole peace/art movement looked more like an escape (like some people do with religion) than actual interest.

So what you think, was John at his worst after he got out the band and cut his relationship with Paul or was it was always like that?

Hello @lord-pain

thank you for this ask! I hope I'll make sense. I think the White Album was definitely the start of John's "sad songs". Happiness is a Warm Gun, Yer Blues. Subsequently, Dig a Pony sounded so desperate to me and Because which is yeah, post India, post breakup?

There's so many different accounts during that period. Some narrators might be unreliable because you never know who these "historians/journalist/"acquaintances" have their allegiance to.

During the 70s it was said that John was miserable, became a violent drunk (who believed in astrology). He was quite unhappy with how things turned out in his life due to his choices but he was too proud to admit it.

About drugs, Fred Seaman said John stopped with heroin in the last half of the 70s in this video.

Due to differing accounts that are out there, I just concentrate on John, what he wrote lyrically and how clearheaded he was during his last interview. He was trying to be better. I think that is the most important detail despite everything that went down. Also the part where he was going to work with Ringo and had booked a studio with Paul for January 1981.

His activism was partly a distraction for him. Beatle John dabbled in it, but he became very aggressive about politics after the break up. He was anti-religion when he released Imagine (1971). But went back to believing in god when he wrote "Grow Old With Me" (1979?), which I have so much thoughts about but I haven't even had the courage to voice out.

While there are glimpses of John's mental anxiety visible in his song "Help!" (1965)

"Help me if you can, I'm feeling down, and I do appreciate you being 'round",

he was trying to be positive about it as seen in "Strawberry Fields Forever" (1966):

"It's getting hard to be someone but it all works out, It doesn't matter much to me".

And was still holding on during the conception of "Across the Universe" (in February 1968) with his mantra:

"Nothing's gonna change my world",

which I think might've been a result of Paul's engagement in December 1967 to Jane.

Across the Universe (February 1968) > believer God (1970) > anti-religion Imagine (1971) > anti-religion (he made a satire song which I did not include here) Grow Old With Me (1979) > believer

During his alleged break from music from 1975, he was still making home demos and was writing Skywriting by Word of Mouth.

I think John and Paul being apart was just not good for them. The general opinion was that Paul left John and had moved on. (I don't believe that's true). It was John who made the decision to leave, it was this push and pull thing, and Paul continued to reach out to him (and we don't know what happened during all those times they've met up). Some accounts say that John was practically begging for a reunion but then again Paul never stopped reaching out to John (see 1976) so I personally think, regardless of all these details that are out in the open, there is still a missing piece we have not considered yet and that can only be told by Paul himself.

To summarize it, John probably had depression (since his teenage years) but Paul was a constant positive thing in his life that he needed and that had helped him through it, "the girl who came to stay" until something happened...

John Lennon was definitely at his worst without his buddies by his side in the 70s.

#Asks #John Lennon #Mclennon #John and Paul #Lyrics #Paul Mccartney #The Beatles #would love to hear your thoughts too!#gttr-beatles

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loustat-0 · 4 months

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One of the things I didn't like about AMC S1 of interview with the vampire AMC was making Lestat the " CHEATER " of the relationship . Here's why :

As some of you may know by now Lestat had many people who he loved & called lover in the whole vampire Chronicles . As much as it hurts me to say it unfortunately Louis wasn't the only one who was called Lestat's " lover " BUT Louis was his official " eternal companion & later consort " in Lestat's choice . So we can say that " lovers " or having multiple relationships at the same time with someone else wasn't like human affairs called " cheating " in Anne's version .

I saw a post on Lestat being canonly a cheater because Lestat was with David when in the tale of the body thief at the end of the novel Louis & Lestat were together again . Or when Louis is with Lestat at the last book even though Louis is with Lestat officially there's still another person who Lestat had a thing for .

I'm sorry but this thing called " cheating " doesn't make sense in the vampire world . They're made to live & love forever . Why did the show runners cheapen Lestat that way ? Why did they cheapen Antoine like that ? 🙄

AMC version made it really interesting by adding the human equivalent of sex to Louis & Lestat's relationship or maybe in future other vampires too . But this also created the whole " affair or cheating concept " too .

Because love for the vampires is something endless especially for Lestat he almost fell in love with anyone who paid attention to him & didn't neglect him or to be honest didn't know the real him well enough .

So by adding a human equivalent sexual relationship they made it like " so if Lestat is having a sex with someone else behind Louis's back " then he's a cheater . Is the AMC version gonna go all the way to other Lestat's lovers to him cheating on Louis ? Specifically David or some girl in the blood communion ? And I'm not even gonna talk about Gabrielle 😬

I hope this rule applies to other vampires relationships too cause Louis seeing Lestat as the " cheater " in the relationship isn't how vampires relationship work .

But I will say this : although Lestat loves being called a slut he's really not a slut at his core , having the capability of loving a lot of people doesn't mean you're a slut .

It seems that Lestat has no love for Antoinette of the show whatsoever . ( Which I have my doubts on ) So it's mostly about the " someone who listens to Lestat's complaints or sex " about her . Which is known as " cheating " .

So I hope either this rule applies to other vampires too or eventually we see that there's no such thing called " cheating " in the immortal world of vampires . Because that would only cheapen Lestat's character & I'm not gonna be okay with adding something to his character that wasn't the case in his original character .

But I might not have much information about Lestat's relationships or the affairs in the whole Chronicles. So if I'm wrong please correct me because I'm very confused . 😅❤️

#loustat #iwtv speculation #the vampire chronicles #interview with the vampire #iwtv #louis de pointe du lac #lestat de lioncourt #amc iwtv #amc interview with the vampire #iwtv 2022 #lestat x louis

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urbancripple · 11 months

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Originally wrote this for disability awareness month but since this is apparently disability pride month, I feel like applies:

It’s Disability Awareness Month. The time of year where corporations post about all the ways they support the disabled community while fighting legal action against their inaccessible website. Where people talk about how much they support their disabled relatives while actively voting against their interests and well‐being.

All of that shit aside, I can’t deny how much laws like the ADA have had a positive impact on my life and how much disability representation and media has improved since I was a kid. But, as a wheelchair user, there’s one question I just can’t seem to answer: if we’ve made so much progress, where the fuck is everybody?

Everywhere I go, every store I enter, every bus I ride, every job I’ve had—why am I the only person (below retirement age and that isn’t homeless) in a wheelchair in the whole fucking place? Where the fuck is everybody?

I mean, can you imagine how weird that feels? Imagine if everywhere you went, you were the only man in the place. Seriously, think about it. Go to the gym? No guys. Grocery store? Ladies as far as the eye can see. Job interviews? Bus rides? Swimming pools? Every once and a while you’ll be at a bar and someone will come up to you and say something like “Hey! My cousin’s a man! Do you guys know each other? Yeah, they got in an accident when he was 20. Drunk driver dude‐ed them from the waste down. Crazy stuff.”

It gets so bad that you can put “look for the man” in the delivery instructions when you order pizza at the bar and they always find you. And when you do actually see another man in public, it’s so shocking that you can’t help but stare. What impact would that have on how you perceive yourself? How would you feel whenever you went out in public? Would you feel welcome? Accepted? Safe?

999 out of a 1000 times I go out, I am literally the only person in a wheelchair that doesn’t have a “spare any change?” sign in front of them. It’s boggles my mind how people can talk about “disability awareness” when no one seems to notice that a huge group of disabled people seem to have gone missing from daily public life!

Here’s what I think happened: laws like the ADA made things accessible but they never really made things equitable. It’s like how you can call a chicken “cage free” if you let it walk around, but still keep it indoors. Grab bars, IEPs, and elevators don’t change the job market in a small town. No amount of accessibility is going to cut the price of getting a car modified. If the cheapest apartments in town are too small or too old for a wheelchair user to live in, they might as well not exist.

Ramps and wide doors won’t fix an economic system designed to exclude anyone who doesn’t have access to 5 senses and four limbs. Until we start focusing on economic accessibility instead of just physical accessibility, a large portion of disabled folk are going to remain missing.

#disability #physical disability #disability representation

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johaerys-writes · 2 months

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Would you be interested in sharing some of your fav books/scholars/academics/papers on The Iliad?

Hello! And thank you for this ask!! Basically, my research on Homer focuses a lot on Achilles and his relationship with Patroclus; I sometimes read works that are about the Iliad in general, but most of it is with Patroclus and Achilles in mind. But I do often come across interesting works on the Iliad as a whole, so I'll list some of them here. I have a lot of stuff to share, I'll keep it as brief as I can because I don't want to overwhelm anyone lol.

Books

As far as books go, I have several different translations of the Iliad, and most of the time each translation has its own introduction, sometimes by another classicist. Those are a great place to start. My favourites are Caroline Alexander's Iliad translation, and the introduction she wrote herself. I like Caroline Alexander's work in general, including her book on the Iliad The War That Killed Achilles (which my pal Baejax sent me bc I couldn't find it anywhere here <3 <3), because her writing is clear, straightforward and informative. Her translation is my go to translation at the moment because I like how faithful it is to the original Greek, it's the one I keep next to my bedside and which is full of bookmarks and notes LOL.

Another favourite is Robert Fagles' translation, with an introduction by Bernard Knox (who also wrote an excellent introduction to Robert Fagles' translation of the Aeneid). Even though Robert Fagles' translation isn't as close to the original as others, I love it because it is just so beautiful. It is definitely the one with the most staying power if you ask me, some passages are just chef's kiss. Bernard Knox's intro is also super informative (although he doesn't really go into Patroclus' and Achilles' relationship), and when he supplements his analysis with Fagles' gorgeous text it's just a wonderful experience.

Another translation that I recommend to anyone who can read modern Greek is the one by N. Kazantzakis & G. Kakridis, I think it's THE iconic Greek translation if you ask me. It has a lot of idiomatic language and expressions and it might not be as easy to get into as other Greek translations are, but it's truly beautiful and lyrical and it is entirely written in 17-syllable lines in iambic metre, adapting Homer's dactylic hexameter to modern Greek. Verse translations aren't really a thing for most English translations, which is a shame if you ask me. I think it's pretty much the only translation I've read so far that really invites you to read it out loud, as the original work was intended.

I do have Emily Wilson's translation as well but I haven't read it yet (I KNOW, SHAME ON ME), I really want to give it my full attention and I just haven't had the time yet. But I've read bits of the introduction and also parts of the translation and so far I love them. I hope to be back with a more informed opinion once I've actually read it LOL

Scholars

I have to admit that I don't follow any specific scholar religiously. I tend to read whatever catches my interest. That being said, I do love Emily Wilson's work and I've read several of her articles and papers, I think they're really informative and well-written. When she was doing the promotion for her Iliad translation on Twitter I read a lot of the stuff she posted and they were all great. My favourite was her interview with Madeline Miller which you can read here. I also liked this review of her Iliad translation that I read recently, written by Stephanie Mc Carter. Basically, I follow her on Twitter and read the articles she posts, and some are very interesting. I also went to see her in person when she gave a lecture in Athens in October, it was really good but unfortunately it isn't online anymore so I can't link it :(

I also really like watching Madeline Miller interviews on Youtube, I think I've watched every single one that's out there and even though some of them are brief or repetitive because interviewers usually ask her the same questions, I do think she always has something interesting to says both related to her books/writing but also the Iliad and the Odyssey that have inspired her. There are two interviews in particular that I like, this one which is more about TSOA and the Iliad, and this one which is more about Circe and the Odyssey. I genuinely enjoy listening to her a lot, I find it very calming.

My friend @darlingpoppet recently introduced me to the work of Celsiana Warwick, and I've really enjoyed reading her stuff!! Particularly this one which is about conjugal bonds and the homoerotic subtext of the Iliad, and this one which is about gender and kleos in the Iliad. Good stuff, and I look forward to reading more!

Papers

There are a few papers about Achilles and Patroclus that I really like and that I go back to from time to time. I have far too many in my jstor account and can't go through all of them right now, but these spring to mind:

Achilles and Patroclus in Love by W.M. Clarke, it's a very informative analysis of the homoerotic subtext of the Iliad and tries to "prove" in a way that Achilles and Patroclus are in a romantic/erotic relationship. Super interesting!

The Relationship between Achilles and Patroclus according to Chariton of Aphrodisias and Was the Relationship between Achilles and Patroclus Homoerotic? The View of Apollonius Rhodius by Gabriel Laguna-Mariscal and Manuel Sanz-Morales are two very interesting analyses of Achilles and Patroclus' relationship in relation to other ancient works, they're not too long and I found them very fun to read.

Euphorbus and the Death of Achilles by Roberto Nickel is super interesting and has some really cool takes on the deaths of Hector, Achilles and Patroclus and how they are all related.

Some more stuff

Some more videos I've watched and find rather interesting are The Contemporary Relevance of the Iliad by Erwin Cook, Why Homer Matters which is a talk between Adam Nicholson and Paul Cartledge (whose work and lectures on ancient greek history are always super informative!! I love watching his stuff even if they're not directly Iliad-related) I don't vibe with everything that's said in this video honestly nor do I agree with a lot of Nicholson's takes but they did make some interesting points about Homer's relevance and the emphasis on honour/glory in a world without justice and in a war without good leadership, so it might be worth a watch. Lastly, another series of video lectures that I really like is Homer's The Iliad and The Odyssey, it's five lectures in total and a great introduction to the Homeric works which also goes into the historical context a little bit, very informative even for someone who is well versed in Homer.

I hope this helped! I can't think of any more off the top of my head now, and I really should get ready to leave for work lmao, but if I do think of anything else, I'll add it here :D Also, if you're reading this and have something to add feel free to do so!

#patrochilles #achilles #patroclus #the iliad #homer's iliad #greek mythology #greek literature

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subjectsmile · 5 months

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Well, I saw this question posted on Reddit, and I really thought it was an interesting question.(Letting it be clear, I'm not doing this to convert anyone, much less to attack, but because I'm tired of reading so many lies just to hide an obvious prejudice on the part of the fan base,and for the Sonadow fan, do you have arguments to refute these fans who take your peace, just search, this post has everything you need to deny these false fan statements)

And I decided to read the reasons why people attacked Sonadow/fans and to the surprise of 0 people, these were the justifications for attacking those who like the ship (I'll just summarize it in sentences)

"They hate each other, they don't even like each other, it doesn't make sense"

"they are both enemies"

"The people who ship this have enemies-to-lovers fetishes"

"there is no chemistry, people ship characters who only fight"

I think it goes without saying that nowadays these excuses have already been killed and buried by their current canons, right? And from what I've seen, this post is at most 7 to 8 months old, that is... is it serious that there are still people who really believe these lies? Or are they just empty excuses for not admitting that prejudice is the real reason for the attacks on this fandom and this ship? Anyway, I'm posting this to clarify what's true and what's not, making it clear I'm not trying to convince anyone, I'm just exposing the lies of uninformed fans

I responded to this person's post and made a point of gathering all the official evidence refuting these false excuses that the fandom gives to say such nonsense about the characters and attack the fandom:

They both don't have Chemical?: Sonic Prime is living proof that the two are incredible as a duo,the voice actors of Sonic and Shadow admitted that they think their ship is really cool (this on Twitter), Ian Flynn and whoever animates Sonic Prime They practically implied that they think it's a good ship too (in Ian's case he made a podcast on his YouTube Talking about how Sonadow would work as a couple during Pride Month, he practically confirmed that the two work well together in Cannon ) Of course, even after all this, depending on your personal taste, you might not like their chemistry, and that's okay, you don't have to, but saying that the two of them don't really resonate it's a lie

Do they both hate each other?: No! It has been denied several times, quite the opposite, if they care about each other it is canonical that they both care about each other

Enemies?: Also a lie! It exists in several products and interviews making it clear that they friends and allies! (Also a lie from an annoying or uninformed fan)

In other words, most of the excuses used to attack this ship have already been officially denied, for me all that remains is the prejudice of the fandom as a justification for attacking those who ship both.

And before someone annoying comes and says I'm lying, I have sources for what I'm talking about!

Proof that the two never hated each other, that is, they don't spread lies around, do some research first (Honorable mention for Sonic Prime, with this series I can dig into the argument that they two don't hate each other, go watch the series) but for those who aren't satisfied with Sonic Prime : https://sonic.sega.jp/SonicChannel/special/sidestory/coverstory/20210628_002603/

https://twitter .com/LadyLoveMoon/status/1737503549842485703

https://x.com/LadyLoveMoon/status/1657854808273965056?s=20

https://youtu.be/yJ8boVrPHEc?si=bCBrhNnsV5C9JJeq

https://www.tumblr.com/pastelspindash/ 735274368949698560/trazendo isso de volta porque não posso parar de pensar? ?source=share https://www.tumblr.com/ratjamtime/730643439809593344?source=share

Scenes from Sonic prime showing Shadow's care for Sonic:

Wow, what a bloodthirsty rivalry the two have, can you see the hatred in both of them? I can:

Are they rivals? They are, but they are friendly rivals, that is VERY CLEAR IN YOUR FACE, even in the Shadow game One scene is enough to prove that "hate" is definitely not what they have:

The voice actors of the two make it clear that they think the ship is cool (they make jokes and interact with the community (they even like things on the ship): Sonic voice actor previews the first release: https://x.com/DevenOClock/status/1631062456205299712?s=20

Even Sonic's former voice actor (Ryan Drummond) doesn't see a problem with the ship: https://www.tumblr.com/pastelspindash/734454772064714752/this-tiktok-driving-me-insane-ngl-they-are-so?source=share

Shadow voice actor:

https://x.com/IanStuartHanlin/status/1723764525843828828?s=20

https://x.com/paracosmicence/status/1736125901211902396?s=20

https://www.tumblr.com/krysissy/736943763953516544/it-was-probably-a-normal-tuesday-for-mr-hanlin?source=share

https://www.tumblr.com/niyana-the-ambiguous-mobian/733807770348011520/oh-my-gosh-ian-stop-playing-with-our-emotions-rn?source=share

https://www.tumblr.com/nesonkin/727469580436619264/good-evening-everyone?source=share

There is a statement from the two voice actors stating that they had fun dubbing the two of them together:

https://x.com/Drey_Blanc/status/1593535566288547840?s=20

Ian Flynn on Pride Month:

https://www.youtube.com/watch?v=nH46JnEUvZw

https://x.com/LadyLoveMoon/status/1676027477682946050?s=20

(The ship is so terrible that it was honored twice because it was so bad) Bonus: https://x.com/nenemyun/status/1703775474089132132?s=20

Sonic prime animators (The ship they referenced is so horrible): https://x.com/MAM_Imaginary_F/status/1679646368485494786?s=20 https://x.com/Lunatyk__/status/1677445528378900480?s=20

The animators hated the two-two scene so much that they posted it on Instagram: https://www.tumblr.com/corffee/734658327775215616/shadow-originally-had-his-eyes-open-i-repeat?source=share

Even Netflix Latinoamérica got into the ship's hype and interacted with the ship's fans (just so you can see how horrible the ship is): https://www.tumblr.com/tailstism/725737231497773056/oh-btw-for-people-who-dont-use-tiktok-i-just?source=share

The ship is so toxic it's bad, that even Jason Griffith paid homage to the ship for a fan,wow what a terrible ship, my god!: https://www.tumblr.com/paracosmicessence/733796577422016512/this-absolute-legend?source=share https://x.com/LadyLoveMoon/status/1723715163436536043?s=20

Even the mascot got in on the fun once: https://www.tumblr.com/shadthemadlad/731770142653136896?source=share

Even Discord doesn't see a problem with that, who knew:

https://x.com/mouseygalore/status/1736922478323106214?s=20

Anyway, turning off sarcasm mode, just stop making up lies and false excuses to hate a ship and attack people who like it just because it's not what you like, don't be a bad fan and above all

(stop creating reasons that don't exist to hide your internal prejudice, let the fans enjoy their ships in peace,If even the big names I mentioned ships sonadow and have normal fun with the ship then why do fans have to be criticized for having this taste for ships too? let everyone be happy in their space )

#sonic the hedgehog #sonic x shadow #shadow the hedgehog #sonic and shadow #shadonic #Sonadow #sth fandom #shadow x sonic #sonic #sth #shadow the ultimate lifeform #fandom ships #Sonic fandom needs to do more research before spreading lies #sonic fandom #sonic oc #sonic ships #sonic shadow #sonic prime #Sth

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piracytheorist · 6 months

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I think that Yuri is against the whole marriage thing mostly because the excuse of "i'm married since a year and didn't tell you before and even LIED to you about it, sorry (lol)" that Yor told him.

After all at the beginning, when Yor tells him (lies to him), saying she may see someone, he's happy about it. So it's not the fact that she found someone who bother him but the whole mistery around the marriage and that his sister didn't tell him for a whole year.

It can be pretty suspect for anyone and even more for someone whose the job is to NOT trust people :/

It was not the best start to start to know Loid and appreciate him ^^"

Yeah. As necessary as it was for Loid to have the "we married a year ago, definitely not just for the interview!" excuse, it ended up making the marriage look super suspicious to everyone else.

Now, as far as the fandom is concerned, I think people are too used to stories being poorly written and certain characters being so creepy, that they're not prepared to see the brilliance with which Endo handled Yuri's dynamic. Yes Yuri is a little obsessed with his sister, but it's made understandable due to the circumstances under which they grew up in, and he is willing to accept her getting married. However, that very obsession is there to produce conflict for Loid and Yor, and it's handled with a very delicate balance where it enriches Yuri's personality without making him a creep.

Honestly, I think people misunderstand both his "When I grow up I'm going to marry you" and how he latched onto Yor saying she'd wait up for him. The first one is a thing a lot of little kids tell their parents, older siblings, or any form of caretaker, or even their peers. They know that "marriage" is a form of showing how much you love someone, but they don't know how romantic love works yet, so they connect marriage even with familial or platonic love. So in their minds, telling someone "I want to marry you" just means "I love you very much", and in their age, that can only be familial or platonic love.

About the second, I think Yuri had a moment of ShockTM when he saw Yor about to kiss Loid, not because he felt she was betraying her "promise" to wait up for him, but because reality was very suddenly drilled into him.

It's like when you sit and have a striking realization about real life. Things like "I'm not getting any younger" or "The world is fucked up" or even "That thing that happened to me was actually traumatic". You go by in your life hearing that stuff, and automatically understand them, but you may have a moment of actual realization when you're like oh. Shit. This is Real.

And I think this is what happened with Yuri here. He didn't actually think Yor would marry him, but it was a kind of "dream" that he subconsciously had, probably in the form of "I will always be the one she puts first". So he might have felt secure in that thought, but right then, when he saw Yor almost kiss Loid, that dream/thought was very suddenly pulled from under his feet. He had his "I'm not getting any younger" realization. But because his emotional state is... how it is, instead of taking a moment to self-reflect and just think, he lashed out and tried to protect that safe space he'd built in his mind.

Honestly, he's a very interesting character because he provides conflict while being layered on his own. He's very well written and developed, and it can be very easy for audiences to fall in the trap of calling him a "creep obsessed with his sister" if they don't look a little deeper.

(no spoilers for the manga please 😁)

#ask and ye shall receive #Anonymous #Spy x Family #Yuri Briar

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junk-story · 2 months

Text

Interview: Ongaku to Hito and Sakurai Atsushi - Ichikawa Tetsushi x Kanemitsu Hiroshi, Part I

This interview is on pages 52-57 of the magazine. Footnotes are included in numbered parentheses and can be found at the bottom. Part II of this interview can be found here.

~~~~~~~

From the establishment of the magazine in 1993 to the present day, we are proud to say that, in the 356 releases of Ongaku to Hito, Sakurai Atsushi had the highest number of appearances. Including things like live reports and columns, the count of appearances is close to 130 times. We feel that it’s probable that this number will never be beaten by anyone else. Now, you may be asking why a person such as Sakurai Atsushi was so loved by Ongaku to Hito’s editorial department for such a long time. And, why he, too, responded to us as he did. The first editor-in-chief, Ichikawa, who came to see the incomplete Sakurai of the 20th Century, and the third editor-in-chief, Kanemitsu, who saw the process of his expressive style come to completion in the 21st century, discuss together what Sakurai Atsushi was to Ongaku to Hito.

Kanemitsu: When was the first time you met Sakurai-san?

Ichikawa: When I was working as editor-in-chief in Nagoya for Town Magazine. I was working as the Western music critic, but it was a town magazine, so I thought we needed to do Japanese music as well.

Kanemitsu: It was right when the first Band Boom(1) was going on, right?

Ichikawa: Right. And at that time, there was an older promoter from Victor’s Nagoya Sales Office that had come to do this over-the-top promotion of these new bands. I had no interest in them, but the way he made his sales pitch was very skilled. He was like, ‘Even though they have this sort of gaudy visual style, the melody is like a tulip.” (wry laugh)

Kanemitsu: (laughs) It certainly had that scent to it in the early days.

Ichikawa: At the time of their debut, Sakurai Atsushi didn’t really have the basics down of being a vocalist yet, but then, don’t Japanese people love the sound of a natural bass voice with a slightly sweet quality to it? However, behind that, there were a lot of strange wailing guitars, and I ended up taking an interest in them; I decided to do an interview with them, and the ones who came were Sakurai and Hoshino.

Kanemitsu: The person who was playing the weird guitar wasn’t there! (laughs)

Ichikawa: Moreover, even though they came with their hair standing up and in their full stage gear, no matter what I asked the two of them, they would only nod their heads shyly in agreement; it was a situation where they were like a “fleet of silence”. That overwhelming difference was so funny.

Kanemitsu: And the next time was in Tokyo?

Ichikawa: At Rocking on Japan. After interviewing Imai, I was kidnapped by Roppongi’s BOO!WHO?WOO!, and that was where I drank for the first time with Sakurai. For the following month’s issue, we had planned to do it with Sakurai and Anii, but on the day of the interview, we received communication that Sakurai’s mother had suddenly passed away and he wanted to hurry back home to Gunma, so in Sakurai’s place, Imai was to do the interview. When I went to the scene of the interview, feeling sympathetic for the whole situation, for some reason, Sakurai was there.

Kanemitsu: What?

Ichikawa: I asked him, “What’s the matter?(2)” and he said, “I thought I should come to properly greet you and ask you to please excuse me [for missing the interview].”

Kanemitsu: A good person who really respects the social hierarchy.

Ichikawa: It’s a good story, right? (laughs) Even though this man is this sort of flashy frontman, he doesn’t talk much and acts seriously.(3)

Kanemitsu: I really think so too.

Ichikawa: And then, as early as the next issue, Sakurai did a 20,000 character interview.

Kanemitsu: …for the No Blood, No Tears magazine.

Ichikawa: Wahahaha. As you might expect, I suppose I couldn’t touch on anything regarding his mother. When we sat down and had a thorough discussion, he was bad at speaking, but trying with all his might to do it. What came from that was how his adolescence was a rather empty(4) time.

Kanemitsu: After he graduated from high school, he went to work in a factory, correct?

Ichikawa: Yes, that. At a car factory, the job he did was screwing parts together as they came through, but it was like he agonized over it, thinking, “…why am I continuing to do something like this?” That sort of difficult-to-express feeling can really pull the heartstrings of readers, I think.

Kanemitsu. That became the heart of Sakurai’s lyrics.

Ichikawa: Yeah. That’s where it begins, you know, the “What am I?” series. Understanding that there is something there, but not being able to explain it well. So it can only be written as lyrics and sung. In search of an escape, an endless journey of self-discovery began.

Kanemitsu: Interviews became Sakurai-san’s therapy.

Ichikawa: I was his therapist, or, like his infinite hitting partner for wondering about things to himself. At the interview location, through talking with me, he would organize his thoughts and then verbalize them. It was like this repeatedly. And we couldn’t google information like we can now, and in the first place, there wouldn’t be an answer anywhere even if we did google it. So we ended up with lyrics like “Namida ukabete Deca-dance (eng: “deca-dance with tears in my eyes”) in Maboroshi no Miyako, and the kids that listened to it wrote us letters while crying, asking, “What kind of dance is this?!” (wry laugh)

Kanemitsu: The fans, readers, and even he himself didn’t understand.

Ichikawa: I think it was just that, even if you couldn’t comprehend it, the emptiness that Sakurai carried drew everyone to him. Like something a person instinctively sympathizes with deeply.

Kanemitsu: At that time, Ongaku to Hito was laying the groundwork for the beginning of an idea to materialize for him.

Ichikawa: Ultimately. (laughs) However, I think he also perhaps didn’t completely understand it.

Kanemitsu: Agreed. Sakurai-san himself tried reading [Charles] Baudelaire’s “The Flowers of Evil” and said he was frustrated by the second page. (laughs)

Ichikawa: That’s right. But, I think he had this indulgence of, “I’m good in the darkness, the emptiness in me is obvious.” So I called Sakurai Atsushi, “The Appeal of Self-Deprecation.” That’s because the lyrics written by the Sakurai Atsushi of the 20th century had these desperate contents of “I’m no good, no good, I’m NO GOOD” all throughout them.

Kanemitsu: But in Kurutta Taiyou, using the sun as a motif, I think he became able to view himself from a bird’s-eye view. And his mother’s existence is at the root of him.

Ichikawa: That complexity is the foundation of Sakurai’s work, right? But he couldn’t use it consciously as a technique. Making Kurutta Taiyou, I think even he could probably see and noticed that. And so then, when a year passed and he was face to face with the new release’s lyrics, he was back to square one again. Every time, he ended up returning back to the source.

Kanemitsu: It never became like, “I wrote this before, so I should do it like this next time”, did it?

Ichikawa: Right. Other musicians are more carefree when writing their lyrics, aren’t they? Once they’ve fallen into their own style, the only discussion is about if they should update it. Kanemitsu: When writing lyrics, do you always have to face yourself, or –

Ichikawa: You can’t escape it. On the other hand, that sort of work has some troublesome aspects to it, so I can’t dislike someone for not doing it. (wry laugh)

Kanemitsu: Meaning?

Ichikawa: The Sakurai Atsushi of the 20th century, and I think this could also be said for all of BUCK-TICK, had no progress - in a good way. Thanks to Imai’s desire for “wanting to put out strange sounds”, there was change every time, but in the lyrics, it was three steps forward and three steps back repeatedly. Because they’d make an album, go on tour, and all the time after that, the 5 of them spent drinking.

Kanemitsu: 365 days of the same cycle repeatedly. (laughs) There was an extremely low amount of [external] input, so there ended up being an absolute need for them to do the work to re-examine themselves.

Ichikawa: This continued the entire time. But, there can be no mistake that this shaped Sakurai’s unique lyrics’ worldview. One always ends up going back to the basics. It was a moratorium, in a good sense.

Kanemitsu: But they didn’t run away.

Ichikawa: That’s because Sakurai was a kind man. He knew better than anyone what would happen if he ran away. So no matter how driven into a corner he was, the one thing he would never sacrifice was the band.

Kanemitsu: I see.

Ichikawa: His rare charm was that the self-indulgent Sakurai Atsushi and the Sakurai Atsushi who took stoicism to its limit both existed together. So this troubled him, and he wanted to run away, but he didn’t. He faced things stoically, so this troubling feeling of wanting to run away is reflected in his lyrics.

Kanemitsu: In the 21st century, he began to act that part consciously. Taking himself to the limit and despairing that he was no good, no good. He would not face the lyrics while exhausted, but instead deepened his expression of them through the premise of acting them out.

Ichikawa: It may have been a shock, but in short, their material elevated(5). Really, because they were able to turn their work into art, we can grasp now how they were able to bring forth a decadent rock masterpiece like 21st Cherry Boy. Although that kind of dark decadence is seen as a negative, they established it as an excellent form of entertainment, which is fantastic. When I listened to that, I wondered, “Why has Sakurai made a breakthrough to this point?” What did you make of that?

~~~~~~~

Footnotes:

(1) This refers to the period of time in the late '70s-’80s where the sort of distinct, Japanese-but-Western-but-neither-but-both style of bands were increasing in popularity and number. Bands like BUCK-TICK came out of this boom. (2) In the sense of like, “What are you doing here?” (3) This can also mean “genuine”. I think both words suit the context, and I’m not sure which meaning he intends. (4) “Empty” here is in a negative context - an emptiness of meaning, fulfillment. (5) “Elevated” here is a word I don’t think translates well into English. This word, in chemistry, also means “to sublimate” - like when something goes from a solid state to a gaseous state, without passing through the liquid state first. I think it’s helpful to imagine this in the use of “elevating” here, too - a sudden, jolting step up from where things were before.

This made sense as a logical cutoff point because the interview slowly starts turning to Kanemitsu's experience in the 21st century with Sakurai from here. I'll include Ichikawa's question at the start of Part II, just to keep things clear.

#buck tick #sakurai atsushi #ongaku to hito #buck-tick #quartz translates

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