big fan of essek thelyss, not the fanon interpretation, which is either "smol bean, tiny fragile elf who's a sweetheart and basically a child" or people mistakenly calling betrayal of one's home country a "war crime" and then proceeding to be flippant about it anyway, but the real Essek

pretentious motherfucker that committed treason bc he though he was smarter than everyone else

learned to float literally just to impress other rich people

canonically neutral evil

basically head spymaster of his country and master of lies but sucks shit lying to his friends

stayed bitchy even after his redemption arc

"there is nothing I would love more than to not be around you all for the remainder of this day"

a space wizard that crushed someone with telekenesis just to show off (the person was already dying)

sexy feet, nice ass, overall hottie

fell in love with a traumatized wizard of his enemy country and it was mutual despite all the betrayal

faggot

gave away state secrets to enemy wizard bc he though he was sexy

discovered time travel with his boyfriend

proceeded to say they shouldn't use time travel (bc now he's a good boy) but was willing to sacrifice everything and help if his bf wanted to use it

once confessed he had such a bad fight with his dad that his dad ran into the demon caves and never returned (essek doesn't feel bad about this at all)

young for an elf but still 120 years old, he called his bf "young man" and flexed on him about how much more evil he is

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

Who Is Allison Moore?: A Disney's Wish Mystery

OK, this is a little off the rails and random but this has been driving me crazy since I looked into it last night.

So, Disney's 100th Anniversary movie Wish is coming out soon and people have had a lot of hot takes about it so I wanted to do some digging. As part of that, I looked at the writers and two people have a "Screenplay by" credit: Jennifer Lee and Allison Moore.

Jennifer Lee, of course, wrote Frozen--their biggest princess hit in the modern era so that makes total sense to me. If you're coming out with a new princess movie for the big centennial of course you'd tap her. But I'd never heard of Allison, and when you look at her name on Wikipedia:

No blue link. So I headed to IMDB to check out her credits, figuring maybe she was some hot new talent recently promoted from within who did storyboards on some recent projects like Moana or something. But when I went to her IMDB page, this is what I found (after a brief mix-up with a Dexter's Lab actress):

Her Producer credits come up first and...huh. That's a lot of adult live action TV projects. Well, maybe her Writing credits are where this starts to make sense:

What? That can't be right, can it? The only vaguely Disney-esque thing on that credit list is Beauty and the Beast and, to be clear, that is a CW reboot of a 1987 procedural with the logline, "A beautiful detective falls in love with an ex-soldier who goes into hiding from the secret government organization that turned him into a mechanically charged beast." And she wrote two episodes on it.

And look at Disney's official page about Wish!

Everyone else on this page has credits that make sense--Frozen, Frozen 2, Raya, Encanto. And the two credits they list for Allison?

Night Sky and Manhunt.

Night Sky, an Amazon Prime show that she wrote one episode for and was cancelled after one season. And Manhunt--and show about hunting the UNABOMBER--that ran for two seasons and that she wrote two episodes for. Those are her two credits that they put up there next to Frozen and Encanto.

I have been scouring the internet trying to figure out who this woman is and how she got this job and I have come up *empty*. This is the big 100th anniversary movie! Why would they have one of the two screenplay writers be someone who seemingly has never done something like this before??? Like, I understand that not having done something before doesn't mean you can't do a good job, but it usually means you don't get the keys to the biggest most anticipated projects in the company's history!

They presumably could have gotten anyone they wanted for this and they picked this person and I have zero clue why and it's driving me crazy. If anyone has ANY information that could illuminate this at ALL--an interview, a social media post, gossip from your cousin who's a gofer at Disney--please let me know because I feel like I'm going full Pepe Silvia over this.

12/26 Edit: A SMALL UPDATE IS HERE!

the trio redesigns or something idk

Mha fandom when you say that Izuku’s biggest fic mischaracterization isn’t making him twinky:

WHEN DID BEING A TWINK BECOME A BAD THING CAN I JUST ASK THAT

Like yes, twinkifying one male character in a ship can be annoying—it can perpetuate heterosexual roles onto same sex relationships (“who’s the woman in the relationship/who wears the pants in the relationship?”), BUT LET US BE CLEAR:

TWINKS ARE A PART OF THE QUEER COMMUNITY. THERE IS NOTHING WRONG WITH BEING A TWINK, MAKING A CHARACTER A TWINK, OR SEEING A CHARACTER AS A TWINK.

WHEN in the ever loving FUCK did that somehow translate into “the twink has to be the stereotypically aggressive one so it doesn’t abide by queer stereotypes”. HOW DID WE GET HERE.

Thinking about the Chevalier interlude, specifically the inaugural team of Wards. Like in universe, they sell it to this first group of kids (and presumably the rest of the world) as a place for second chances, to find friends and mentors who understand what youre going through, where you can learn to use your powers safely while making good memories. The kids broadly seem to believe in these noble intentions of course, but what really gets me is that I've seen readers buy into it!

"Oh, it's such a tragedy that the Wards program became this awful thing that traumatizes kids even more, and expects them to die for the sake of civilians! It's fallen so short of what it was originally supposed to be!"

No it has not??? The fact that the triumvirate and Hero are saying it has this noble goal doesn't make it true. The Wards was pretty clearly always a way to increase the amount of bodies the prt could throw at threats, and we know this because it was started by the fucking Triumvirate as a part of the Protectorate! Alexandria literally came up with the idea of the Protectorate to legitimize the power of capes, and have a consistent source of heroes Cauldron could throw at problems. That is the whole reason for the PRT/Protectorate existing. So when we have this group of children brought in a subsidiary, there are 2 real options.

1). Cauldron and Alexandria decided they would be really niceys and created this program with no intentions other than helping these kids out.

Or 2). As things got worse, they realized the Protectorate didn't have enough manpower to do what they needed, and so they expanded it to include children (the demographic most prone to triggering). That way, they greatly increase the number of capes who they can send to fight and die as needed, and the ones who do survive their tenure in the Wards will be better trained when it comes time to join the actual Protectorate.

At the risk of sounding conceited, I think the second one is far more likely based on everything we know about Cauldron. Maybe it was originally a little nobler, and the goal was just to create more well trained heroes and cut back on young villains, but there's no way Alexandria, Doc Mom, and Contessa didn't factor in the ability to sacrifice the kid heroes if it improved their chances of success. That was absolutely a perk at minimum.

That's the real tragedy of the inaugural Wards. The kids were lured in with promises of safety, comraderie, and second chances like lambs to the slaughter. All the while, Alexandria and Cauldron knew that many (if not most) of these children would suffer abuse by the prt (like in the case of Reed), die, or face a fate worse than death like poor Mouse Protector. It's horrifying! The idea that they didn't know the danger these kids would be in is literally inconceivable. Especially when one of you is also the head of the prt! They knew, and they didn't care. It improved their chances at the end of the world, and so they did it no matter the cost.

Can you show us how to draw the height differences for each of the Marble hornets characters? Some people draw time absolutely tiny compared to the rest and some people make him taller than jay and not much shorter than Brian, and I think it’s funny

I do draw Tim being tiny 😔🤝

This is kind of how I imagine the main four guys!! I like to think of jam as short and brilex as tall just cause I think that's funny lmao

Idk the exact actual height differences between them, but that's how I imagine them ✨✨

(Sorry this took a little to answer, thank you for asking!!! :D)

do you ship ravage and drift? you draw them a lot and they're always so touchy lol

nah. they're really touchy amicas, tho. probably because im always touchy with my friends and it just kinda rubs off on my art. ravage is my Me character so i do end up giving him traits i have. one of those is being touchy with people he cares about 🤷‍♂️. he's especially touchy with drift as when they were grouped together in the dead end (which is where they met in my brain), ravage spent a lot of hours curled up in drift's car alt with laserbeak and buzzsaw for shelter. that touchy aspect never really left their dynamic.

and besides,

drift/deadlock's candle has always been lit for someone else.

(plus an extra doodle of them)

jason todd has so many underrated canon love interests. essence, isabel, artemis, and rose are all characters i love with him. like those are good ships. why is everyone ignoring them?

once again, begging, BEGGING everyone in the cr fandom to stop making posts critiquing how the fandom is being weird about one cast member by saying "if it was x, the fandom would love this/hate this even more." it turns out the cr fandom contains Multitudes of weird ass people and just because you haven't seen those reactions (or, even funnier if you are making claims about what the fandom does/does not do to other cast members, were not in the fandom during c1/c2) does not mean they do not exist. like there are certainly different social dynamics and injustices at play in some of the reactions the audience has to cast members, but almost always it is less a case of misogyny/queerphobia and more a case of people forgetting that storytelling is about understanding choices you would not yourself make and watching characters develop through conflict/struggle.

like, you can have the most salient point to make in the world about how shitty the reaction of the fandom to a certain cast member's (not their character, but the cast member as a person) choices but you immediately undo that if you make a claim like "if liam did this, the fandom would love it." perhaps the part of the fandom you are in, but certainly not the fandom that wanted to persecute him for having vax choose keyelth over gilmore, certainly not the fandom that consistently manufactured actual dislike between him and marisha throughout campaign 2 because of character choices.

likewise you might be absolutely right in criticizing the choices of the character that one of the cast members is playing, but if then in turn you say, "if this was a female cast member, everyone would hate it." my brother in christ, You are already the person who hates that character choice and it Wasn't a female cast member, so what is the truth? unless you have the statistics on the opinions every person who engages with the cr fandom has, truly just. you can make your point without appealing to a sense of misogyny/queerphobia/favouritism or whatever that you have no actual grounds for believing exists except for the fact that misogyny in general exists.

this isn't to say that things like misogyny don't influence how people react to things, all of our opinions are mediated through the social and material conditions in which we live. obviously, misogyny exists. however, truly, truly, the bigger problem in the cr fandom (at least on twitter/tumblr, idk about reddit and that is a choice I've intentionally made) is the consistent expectation that the cast adheres to what so many fans call 'comfort media' and a requirement that one's own opinions be validated by what the majority of the fandom believes (which aside from the obvious, is also an absurd expectation because trying to gauge the 'majority' of the cr fandom would be truly so much data). the cast have made it explicit many times that they value things like high stakes and big risks in their storytelling, and sometimes that means stupid character choices, character deaths, or interparty conflict. so much of the fandom has decided to engage with cr regardless of this and then gets upset when the liveplay of a ttrpg built around conflict contains conflict. similarly, people who claim to enjoy this conflict then get pissed off when other people in the fandom disagree with them and give away the ghost that what they want is validation by arguing that it is somehow problematic for the other side to have their opinions. it is much easier to blame any lack of satisfaction on how, actually, your section of the fandom has the right opinion and, actually, if everyone else wasn't queerphobic/misogynistic then they would see the proverbial light.

anyway, this is just me ranting out of both literal and metaphorical exhaustion with the "persuasive" (heavy quotes) tactics that some people in this fandom use. please look up some tips on like, how to avoid logical fallacies or formal critical thinking or just like. state your opinions and say you dislike the other options without thinking you need to provide some (often blatantly and horribly incorrect) rationale for how you're right. accept the pretentious bastard within yourself and stop seeking validation for your opinions in the fandom around you, your opinions are already correct if you assume them to be.

tired of people who want pjo movie references in the disney+ show. "logan lerman should've been-" i don’t care. "poker face in the casino-" actually i hope ms. gaga keeps her entire discography miles away from it. i don't care move on

I’ve always loved medicine bc it’s the perfect intersection of science and humanity—the two things I value above all else in this world. Truly adored it since I was in the cradle. But now I’m thinking about how so much of my journey to neurosurgery will have to involve KILLING my feelings essentially bc how do you survive otherwise

Honestly I think crocodile/dragon and crocodile/Doflamingo are only interesting when treated as failed relationships spinning off into increasingly petty grudges and instigations. Become a warlord to piss off one ex by working with his hated father only for the OTHER ex to ALSO become a warlord to drive you insane. Etc.

I am now going to take his as an opportunity to rant about Dragodile because I unironically think it's an interesting ship if Crocodad Real and I don't think I'm ever going to find a better excuse to rant about it unprompted lmao SO HERE WE GO

But yes like. Dragodile is so fucking interesting to me

A marine and a pirate falling in love with each other is already some starcrossed lovers kinda BS. But then it's like, a FORMER marine and pirate who is WORKING FOR THE GOVERNMENT. That's EXTRA JUICY, it adds layers to the starcrossed lovers shit, and I am not immune to it, it's FACINATING, like what was the dynamic here

But also we don't even know when Dragon left the marines and when he and Crocodile first met, so for all we know it could've been some real enemies-to-lovers-to-enemies shit AND THAT'S SO INTERESTING

(Also the mere concept that Dragon could've been chasing Crocodile around kinda like Smoker tried to chase Luffy, only for Crocodile to become a Shichibukai and Dragon having to give up because they're on the same side now (kinda). Like. That is so fucking funny. And then he leaves the Marines to start a revolution. Or just out of spite dshgjdgs)

Then there's the absolutely hysterical part where Crocodile is the meanest, most intimidating, standoff-ish asshole around. So the idea Dragon was fucking into that is INCREDIBLE. THIS MAN LIKES BEING BULLIED DFSHFKGHFGJHDS (It's possible Young Croc might've been less mean but it's funnier if he wasn't)

And yeah. Somehow. In complete secret. A romance blooms.

And then there's a baby.

And Crocodile transes his gender.

And there's a divorce.

And 17 years later Crocodile has commited dozens of unforgivable warcrimes that are almost exactly the kind of things Dragon wanted to stop the government from doing to begin with.

Mind you, I don't actually think there's coming back from that, this relationship was burned to the ground and the ashes blown away by wind, there is nothing left

But could you imagine if despite the anger and the hurt and the warcrimes they still somehow loved each other

I would just

Actually, no, I disagree. Astarion has his reasons for many things he thinks and disapproves of, but some of them are just ... He doesn't like it when people are nice. He actively likes cruelty. Those are both true.

And yeah, you get why. He's well-written and his motivations are understandable! You can have a lot of very long and sad meta posts about how he thinks cruelty is natural and kindness is fake, but that doesn't remove his joy at cruelty and his distaste for kindness. Those things are still true. He can get better, yes. He does get better if you encourage him to. But he starts out as an absolute jackass.

Stop woobifying him fr. He's a piece of shit, even if he's a well-written one. Just because you understand him doesn't mean he's right or somehow the only sane person in the group. Cruelty is not intelligence, kindness is not a weakness. xoxo <3

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